Archive for the ‘“Aankh” song’ Category
Main reh gayi ankhiyaan malti re
Posted on: May 20, 2013
“Roomaal” (1949) was a Varuna Films Production movie. It was directed by Ramchandra Thakur. The movie had Rehman, Jairaj, Nargis, Jilloo Maa, Cuckoo, Badri Prasad, Jeevan, Majnu, Mukesh etc in it.
One song from this movie has been discussed in the past. Here is the second song from the movie. It is sung by Meena Kapoor. Nazim Panipati is the lyricist.
This movie had music by Hansraj Bahl and Aziz Khan and the distribution of songs between them is not known. Here I have assumed that this song is composed by Hansraj Bahl.
Only the audio of this song is available and it is not known how and on whom this song was picturised. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Nitin Shah.
Song-Main reh gayi ankhiyaan malti re (Roomaal)(1949) Singer-Meena Kapoor, Lyrics-Nazim Panipati, MD-Hansraj Bahl
Lyrics(Provided by Nitin Shah)
wo ankhiyaan mila kar
wo ankhiyaan mila kar chale gaye
main reh gayi ankhiyaan malti re
main reh gayi ankhiyaan malti re
wo ankhiyaan mila kar chale gaye
main reh gayi ankhiyaan malti re
main reh gayi ankhiyaan malti re
kyun dukhiya dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
kyun dukhiya dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
wo aag laga kar
wo aag laga kar chale gaye
mani reh gayi aag mein jalti re
main reh gayi aag mein jalti re
wo ankhiyaan mila kar chale gaye
main reh gayi ankhiyaan malti re
main reh gayi ankhiyaan malti re
wo chale gaye
wo chale gaye aur wahin hoon main ae ae
hoon aise jaisi nahin hoon main
hoon aise jaisi nahin hoon main aen aen
wo chale gaye aur wahin hoon main
hoon aise jaisi nahin hoon main
wo paas bulaa kar
wo paas bulaa kar chale gaye
kya ho gayi mose galti re
kya ho gayi mose galti re
wo ankhiyaan mila kar
wo ankhiyaan mila kar chale gaye
main reh gayi ankhiyaan malti re
main reh gayi ankhiyaan malti re
Nainon mein bhar liya neer
Posted on: May 19, 2013
“Chakori” (1949) was a Ramesh Pictures Production. It was directed by Ramnarayan Dubey. The movie had Bharat Bhushan, Nalini Jaiwant, Cuckoo, Om Prakash, , Manorama, Randhir etc in it.
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“Beqasoor” (1950) was a Madhukar Pictures production. It was produced by M R Navalkar and directed by K Amarnath. The movie had Ajit, Madhubala, Pramila, Yakub, Mangla, Gope, Geeta Nizami, Ramesh, Durga Khote etc in it.
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O dil mein basaane waale
Posted on: April 24, 2013
“Jeewan Nauka” (1952) was a K and K Production. This movie was directed by K Vembu. The movie had Thikkurissi, B. S. Saroja, Girija etc in it.
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Shamshad Begam (14 april 1919- 23 april 2013) is no more. She was the seniormost among all the survivors from the earliest days of Hindi movie music. She in fact was senior to all the legends of the golden era of Hindi movie music. She was more or less a contemporary of the likes of K L Saigal, Khursheed, Amirbai Karnataki etc.
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Lagi mast nazar ki kataar
Posted on: April 21, 2013
- In: "Aankh" song | Desert song | Feelings of heart | Guest posts | Post by nahm | Rafi solo | Rafi songs | Rare song
- 2 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Looking for old songs picturized in the desert, I was about to give up, and thought of switching to ‘dessert’ songs instead.
I have some more newer desert songs in my list, which I absolutely will discuss, having only explored the desert of Rajashtan, bhuj etc. What with Egypt and even Arizona dersert featuring in some songs, there is a lot still left to be covered. But listening to all those new songs, I got a little bored. Today I was thinking of taking a break from this series and discussing some thing else. That was when I found this Lata-Rafi duet from film “Sehra- 1963′. And ‘ sone pe suhaaga ‘ I found a Rafi solo too , not yet discussed in the blog, picturized in the desert. And hero is singing this song while performing acrobatics riding a Camel, no less. So this is what I call a desert-cum-dessert song. ![]()
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Aankh se aankh milaata hai koi
Posted on: April 20, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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Tosey naina lagaa ke main haari
Posted on: April 19, 2013
“Ishaara” (1964) was produced and directed by K Amarnath. The movie had Joy Mukherjee, Vyjayanthimala, Jayant, Subbiraj, Azra, Pratima Devi, Agha, Pran, Shammi, Sajjan, Murad, Praveen Paul, Shivdasani, Kesari, Raja Amrohi, Ruby Mayer, Brahm Bhardwaj, Prem Sagar, Amrit Rana, Ravikant etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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Aankh milte hi muhabbat ho gayi
Posted on: April 11, 2013
- In: "Aankh" song | Mujra song | Rare song
- 5 Comments
“Aankh Ki Sharam” (1943) is quite an obscure movie by any standards. The little information that is available on internet suggests that the movie was directed by Balwant Bhatt and that the movie had Prithviraj Kapoor, Kaushalya, Agha, Trilok Kapoor, Moti, Gulab, Himalaya, Nalini Gupta etc in it.
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