atul's bollywood song a day- with full lyrics

Archive for the ‘Bhajan’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sati Narmada” (1950) is a movie few people have heard about. This forgotten movie was directed by Ishwarlal for Abhimanyu Chitra productions. The movie had Jeevan, Sulochana Chatterji, Umakant, Salvi, Babu, Raje etc in it.

Here is a song from this movie which is just as obscure as the movie itself. Vinodini Dixit is the lyricist. Neelkath Tripathi is the lyricist. Music is composed by Khemchand Prakash. This must be one of the forgotten gems created by Khemchand Prakash.

Lyrics of this song were sent to me by Avinash Scrapwala.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song- Prabhuji mohe ek sahaara tera (Sati Narmada)(1950) Singer-Vinodini Dixit, Lyrics-Neelkanth Tiwari, MD-Khemchand Prakash

Lyrics (Provided by Avinash Scrapwala)

Jag mein koi na mera aa
jag mein koi na mera
Prabhuji mohe
ek sahaara tera
Prabhuji mohe ek sahaara tera

mere bhaag chamak kar phoote
man ke taar jhanak kar toote
mere bhaag chamak kar phoote
man ke taar jhanak kar toote
saare sang sahaare chhoote
saare sang sahaare chhoote
sankat ne hai ghera
Prabhuji mohe
sankat ne hai ghera
Prabhuji mohe
ek sahaara tera
Prabhuji mohe ek sahaara tera

Girija maa ?? dhara ki
Suraj chanda saare saathi
Girija maa ?? dhara ki
Suraj chanda saare saathi
maangoon bhiksha praan priya ki
maangoon bhiksha praan priya ki
bhar de aanchal mera
Prabhu ji more
bhar de aanchal mera
Prabhuji mohe
Ek sahaara tera
Prabhuji mohe ek sahaara tera

meri bujhti jyot jagaa do
o o o o
meri bujhti jyot jagaa do o
khil kar murjhe phool khilaa do o o
khil kar murjhe phool khilaa do
jeewan chandaa ko chamkaa do
o o
kar do door andhera
kar do door andhera
Prabhuji more
kar do door andhera
Prabhuji more
kar do door andhera

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 13
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When this blog began in 2008, there were very few visitors and hardly any comments. Everyone needs encouragement, and a blog like this was in sore need of visitors.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 10) Last song of the series
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In the early 40s through the mid 60s, Radio was the only common entertainer for every household. Of course the choice of Gramophone was also there, but only few people could afford to own a gramophone. I remember, our morning used to open with melodious Bhajans from the Radio. Those days’ Mumbai Radio Station’ ( from the beginning, it was called Mumbai Radio station only-not Bombay anytime. For Hindi service it was Bambai) used to start early at 5.30 a.m. It first played Shehnai and then very sweet Bhajans, for an hour or so. That is how Juthika Roy and D.V.Paluskar’s names were etched on the memory card for ever. To listen to their bhajans was a divine experience.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of the name, takes me back again and again to my first meeting with Vijaylaxmi ji Deseram, and her introduction of Dr. Ashraf Aziz. Regulars will be familiar with Vijaylaxmi ji. Most avid listeners of Radio Ceylon and then Sri Lanka Broadcasting Corporation will immediately recognize this name, and will recall the soft and relaxing voice that has been the anchor of many mainline radio programs on Hindi film music and its creators. I have not yet met Dr. Aziz (who stays in Washington DC, USA), or even talked with him on the phone. But I am so familiar with his childhood and adolescent years, as also part of his later life. All on account of a wonderfully written article that captures a few key episodes and passages in great detail. The subject matter dealt within this article is beautifully summarized in its title – “Sajjaad Hussain Ki Khoj Mein”.

Remembering Sajjaad Hussain, the genius of musical magic, on his anniversary of birth (15th June.)
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This is the 300th article in the blog by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s…(Pushp-12….Last of the series)
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So, we are ending this Bhajan series today with the most appropriate and suitable Bhajan for the occasion, from the film- Mahapooja-54. The bhajan is sung by Amirbai Karnataki and Tara Harish-both in their last phase of the career. This is a Bhajan-almost an Aarati, but not exactly-in praise of Shri Satyanarayan Swami.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp- 10)
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The first bhajan from film ‘ Pawanputra Hanuman’-57 was posted on 24th may. Today we will enjoy yet another melodious bhajan from this film, this time sung by the great Manna Dey. In hindi films, bhajans sung by Mohd.Rafi, Hemant Kumar and Manna Dey were very popular. Not that other singers did not sing any bhajan- even G.M.Durrani has sung a bhajan with few Sanskrit lines in the beginning, for the film Veer Arjun-52. If possible, I wish to post that bhajan also here, in future sometime.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-8)
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Indians simply love Festivals. If you see carefully, almost throughout the year, some or the other Festival or an important day is being celebrated somewhere in India. For example, take a look here…
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-7)
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One advantage of seeing religious films was that it increased your knowledge of mythology and the Puranas. Though there was a common principle highlighted( Satyamev Jayate or the victory of Good over Bad ), every story’s treatment and content used to be different. With our Holy books overflowing with stories involving all types of Gods, Godesses and Bhakts, film producers must have never fallen short of stories. Famous and well known studios like Bombay Talkies, Sagar, Mohan, Prakash, Prabhat, Wadia or Filmistan stuck to popular and traditional stories like Satyavan Savitri, Bhakta Dhruv, Shri Ram or Shrikrishna. other production companies tried comparatively less known, unknown or even Hybrid stories (Mythological base but treated in filmy style) to make films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50S (Pushp- 6)
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I remember that we had just shifted to our new flat in 1984. It was a spacious building, with plenty of open space all around and at the rear side there was some big open space enough for a Badminton Court and a small garden along the compound wall. This open space was sometimes used by the residents for small functions and private parties. One day, one of our neighbours, Mr. Markan,invited my family for a programme of ” Mata’s Jagaran “, which he was holding before his son’s marriage. Jaagaran is a programme, running through almost the whole night, singing Mata’s ( Devi’s) bhajans, doing Pooja etc. This was our first such experience and we accepted the invitation with excitement.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA- GOLDEN 50s (Pushp-5)
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Do you remember which story you liked the most in your childhood ? When we were in school, we read lot of stories. Stories from Mythology, History, Magic, Mystery, Birbal, Tenaliram, Tarzan etc etc. We liked some stories, and did not like others. To me, barring Alladin, Alibaba and Sindbad, all stories of Arabian Nights were same. Stories from Vedas were hard to remember due to difficult names like Jamadagni, Jaratkaru or Yadnyawalkya etc. My favourite story was that of Alladin, which I would read repeatedly at frequent intervals.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10000 songs post by now.

Total number of songs discussed

10022

Number of movies (All songs covered)

481

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