atul's bollywood song a day- with full lyrics

Archive for the ‘Krishn Bhajan’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Doosri Shaadi”(1947) was directed by Ram Daryani for Krishin Movietone, Bombay. The movie had Mumtaz Shanti, Kumar, Pramila, Ranjit Kumari, David, Gope, Maya Devi etc in it.

Three songs from this movie have been discussed in the past.

Here is the fourth song from “Doosri Shaadi”(1947). This song is sung by Zohrabai Ambalewaali. I C Kapoor is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this Krishn bhajan.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Bhakton ki ye fariyaad suno Krishn Muraari(Doosri Shaadi)(1947) Singer-Zohrabai Ambalewaali, Lyrics-I C Kapoor, MD-Pt Govindram

Lyrics(Provided by Avinash Scrapwala)

Bhatkton ki ye fariyaad suno
Krishna muraari
bhatkton ki ye fariyaad suno
Krishna muraari
phoolon ki jagah
aansoo liye aaye pujaari

Bhatkton ki ye fariyaad suno
Krishna muraari
phoolon ki jagah
aansoo liye aaye pujaari

sunte hai zamaane mein jo
Leta hai tera naam
sunte hai zamaane mein jo
Leta hai tera naam
uske tu banaa deta hai
bigde huye sab kaam
uske tu banaa deta hai
bigde huye sab kaam
jholi ko phailaaye huye
aaye hain bhikhaari
jholi ko phailaaye huye
aaye hain bhikhaari
phoolon ki jagah
aansoo liye aaye pujaari

Ik naav puraani meri
IK door kinaara
thhokar pe hai thhokar
nahin hai koi sahaara aa
Ik naav puraani meri
Ik door kinaara
thhokar pe hain thhokar
nahin hai koi sahaara
sach bhi mera ab jhooth hua
Shyam Muraari
sach bhi mera ab jhooth hua
Shyam Muraari
phoolon ki jagah
aansoo liye aaye pujaari

Bhatkton ki ye fariyaad suno
Krishna muraari
phoolon ki jagah
aansoo liye aaye pujaari

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kashinath”(1943) was directed by Nitin Bose for New Theatres, Calcutta. The movie had Asit Baran Mukherji, Sunanda Devi, Bharati Devi, Nawab, Nemo, Puttan, Dilip Bose, Manorama, Buddhadev, Latika Mullick, Bijoli, Jawed Hussain, Radharani, Biren Das etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from an obscure mythological film Veer Arjun-1952. It is sung by G M Durrani. It is a Bhajan. Durrani has hardly sung any bhajans in his career,so in a way,this is a rare song. Moreover the bhajan starts with Sanskrit shlokas, which Durrani has sung with surprising ease and clarity. He must have really taken lot of efforts to do this.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 13
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When this blog began in 2008, there were very few visitors and hardly any comments. Everyone needs encouragement, and a blog like this was in sore need of visitors.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of the name, takes me back again and again to my first meeting with Vijaylaxmi ji Deseram, and her introduction of Dr. Ashraf Aziz. Regulars will be familiar with Vijaylaxmi ji. Most avid listeners of Radio Ceylon and then Sri Lanka Broadcasting Corporation will immediately recognize this name, and will recall the soft and relaxing voice that has been the anchor of many mainline radio programs on Hindi film music and its creators. I have not yet met Dr. Aziz (who stays in Washington DC, USA), or even talked with him on the phone. But I am so familiar with his childhood and adolescent years, as also part of his later life. All on account of a wonderfully written article that captures a few key episodes and passages in great detail. The subject matter dealt within this article is beautifully summarized in its title – “Sajjaad Hussain Ki Khoj Mein”.

Remembering Sajjaad Hussain, the genius of musical magic, on his anniversary of birth (15th June.)
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-7)
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One advantage of seeing religious films was that it increased your knowledge of mythology and the Puranas. Though there was a common principle highlighted( Satyamev Jayate or the victory of Good over Bad ), every story’s treatment and content used to be different. With our Holy books overflowing with stories involving all types of Gods, Godesses and Bhakts, film producers must have never fallen short of stories. Famous and well known studios like Bombay Talkies, Sagar, Mohan, Prakash, Prabhat, Wadia or Filmistan stuck to popular and traditional stories like Satyavan Savitri, Bhakta Dhruv, Shri Ram or Shrikrishna. other production companies tried comparatively less known, unknown or even Hybrid stories (Mythological base but treated in filmy style) to make films.
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This article is written by Sudhir. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #61
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For this edition of Voice of Mukesh, I go back to 1947 and the film ‘Neel Kamal’. An unexpected and unlisted song from this film that has been sporadically heard and available on internet, but original version from the film in the voice of Mukesh is a scarce commodity. This song was pointed out to me by Harish ji Raghuvanshi, in one of his email responses to my queries about other unlisted songs of Mukesh or songs that were discovered after the publication of the Mukesh Geet Kosh by him.
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This article is written by Arunkumar DEshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA-GOLDEN 50s (Pushp-4)
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In India there are at least two places where true secularism is strictly followed. One of them is our Armed Forces. There is no discrimination in the Armed Forces on Religion/race/caste/colour or State. In almost every Army establishment you will find a Mosque,a Mandir and a Church along with a common hall for meditation for all other faiths. People from all states join the Forces. One may say,why then are there Jaat Regiments, Maratha Regiments, Mahar Regiments, Punjab Regiments ? It must be understood that these are the names given by the Britishers to recognise the special qualities of that region. It has nothing to do with Caste or Language. The Commandant of a Maratha Regiment can be a Punjabi officer also.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sanyaasi” (1945) was produced and directed by A K Kardar. The movie had Ghulam Mohammad (actor- different from the music director), Shamim Bano, Amar, Shyam Kumar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mukhda” (1951) was a Shorey Films Production. It was produced and directed by Roop K Shorey. The movie had Satish, Kuldip Kaur, Majnu, Neeta, Siddiqui, Kukku etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10500 song posts by now.

Total number of songs discussed

10520

Number of movies (All songs covered)

562

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