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atul's bollywood song a day- with full lyrics

Archive for the ‘Artist century song in blog’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Welcome all to the 7400th offering on this blog, which in my opinion should now be renamed as Atul-Six-Songs-a-Day (or maybe Atul-Six-Pack :) :) .)

The last century milestone bade a goodbye to 2012, which turned out to be a marvelous year, as far as the accomplishments of this blog and its contributors are concerned. And then, moving on, we are now at the next century milestone, yet once again. A mite longer than regular, this century took twenty four days to arrive, far above the normal rate of one century every sixteen or eighteen days. In the interim, there were some days of travel that took time out of Atul ji’s schedule. But no matter, the interest and participation in the blog continues unabated, with unflagging enthusiasm. And that, dear friends, is the most heartening feature of this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have experienced this many times, and maybe you too could have experienced the same. The music of his songs has the quality to transport the listener to another place, another time. Just close your eyes and relax – and listen to a song like “Parbaton Ke Pedon Par Shaam Ka Baseraa Hai”(film ‘Shagoon’, 1964). The flowing waves of music will transport the listener to a vista of hills and trees with the sun slowly descending the western horizon. Or the song “Bahaaro, Mera Jeevan Bhi Sanwaaro” (film ‘Aakhri Khat’, 1966). Or the song “Apne Aap Raaton Mein Chilmanein Sarakti Hain” (film ‘Shankar Hussain’, 1976). Or the song “Simti Hui Ye Ghadiyaan” film ‘Chambal Ki Kasam’, 1979). Or the song “Aa Jaa Re Aa Jaa Re O Mere Dilbar Aa Jaa”(film ‘Noorie’, 1979). Or the quintessential gem “Shaam-e-Gham Ki Kasam, Aaj Ghamgeen Hain Hum” film ‘Footpath’, 1953).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The best way to write about a poet is to write about his works, his poetry. But when we come to a poet of the stature of Rajinder Krishan, it becomes a very difficult task to write about his poetry. One simply does not know where to start. The body of work is enormous, and the number of pleasing heart stealers is so numerous, that just a sample list of favorites will go beyond a reasonable length for a write up. And no matter how representative one makes this sampler list, readers and friends will come up with wonderful gems of A grade quality that must be included.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Well one of these days, we may come to the bottom of this ocean of melody. Well yes, after all, the music that was created in the first four decades – has been created, and it is not possible to add to it anymore. And so one day we would have discovered all that is there to discover, and would have discussed it here on this blog. But as of now, there is still so much out there in front of us that thankfully, it is still going to be many years before this treasure gets exhausted. And I am sure there is enough for a lifetime. :)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Searching for and finding rarities in the world of music, is a keen and interesting pursuit. The Hindi film songs have so many variants attached to their existence. Songs that appear in film, but are not released elsewhere. Songs that are on records but not included in the film. Version songs – the official song in the film and on the record, is also available on record in the voice of a different singer. This case is different from the same song sung by more than one singer and included in the film. Then we have the variations between the song published on record and the song as picturized in the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Roshan – a name that spells a purist, a name that is acknowledged as a creator of master melodies. The career of an artist in the film industry is measured by the films one is associated with. In a short career of 19 years, this giant amongst music directors accomplished 56 films. The filmography is as impressive as can be – Baawre Nain (1950), Humlog and Malhaar (1951), Anhonee, Naubahaaar and Malhaar in 1952, Maalkin, Aagosh and Maashooqa in 1953, Chandni Chowk and Jashan in 1955, Agra Road and Coffee House in 1957, Aji Bas Shukriya in 1958, CID Girl and Heera Moti in 1959, and then on to sixties with Barsaat Ki Raat, Baabar, Aarti, Surat Aur Seerat, Wallaah Kya Baat Hai, Dil Hi To Hai, Taj Mahal, Chitralekha, Bheegi Raat, Nai Umar Ki Nai Fasal, Devar, Mamta, Bahu Begum and Anokhi Raat. In this sampler list, each film represents a treasure of melodies that would be the envy of other music directors. With this post, we are celebrating the 200th song of this illustrious melody maker to be represented on this blog.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is perhaps the inability of our times to distinguish between the “good” and the “great”, the “noteworthy” and the “legendary”, the “impressive” and the “brilliant”, that leads us to use the latter of the two adjectives in each case in far greater measure, and for far more modest achievements than would have been approved of by an earlier generation. Or maybe it is just our laziness, or our tendency to exaggerate, that leads us to our use (or abuse) of the English language in this manner.
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I tend to liken the journey of this blog to a train. But nowadays I find the comparison less appropriate because a train stops at intermediate stations for a while whereas we in this blog do not stop at any of the milestones and keep going along, though we may sometimes become somewhat slower than usual for various reasons. So that way, I find the comparison of this blog with a road journey somewhat more appropriate where one need not stop anywhere, and one can see milestones going past at high speed.
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“Madhosh” (1974) was produced by Tahir Hussain and directed by Desh Gautam. The movie had Reena Roy, Rakesh Roshan, Mahendra Sandhu, Johny Walker, Helen, Jayshree T, Ravindra Kapoor etc in it. Present day star Aamir Khan is also present in the movie as a child artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Seven thousand. And the mind says, Goodness, are we already there?

A fabulous pace and a fantastic record. The steady pace with which the team is pulling together is simply marvelous. And more than that, it is Atul ji’s single minded devotion to this endeavor. One can barely begin to imagine the amount of time and effort that he is relentlessly putting in, day in and day out. That is nothing less than fantastic.
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Important Announcement

The url of this blog is now atulsongaday.me, and the existing url of atulsongaday.wordpress.com will also work but hopefully the shorter url will be easier to remember for visitors.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than four years. This blog has over 8100 songs by now.

Total number of songs discussed

8116

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