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Archive for the ‘Lyrics contributor century song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sangram” (1965) was directed by Babubhai Mistry. Like “Parasmani” (1963), the earlier movie of Babubhai Mistry, this movie too had B grade superstars in it viz Dara Singh, Geetanjali, Randhawa, Maruti, Aruna Irani, King Kong etc.

“Parasmani” (1963) had music by a newcomer music director duo and that music went on to become surprise hit. “Sangram” (1965) too had music by a newcomer music duo and they too gave superb music but unfortunately the box office success of “Parasmani”(1963) could not be achieved this time and the music too failed to catch the imagination of music lovers.

Here is the song from “Sangram” (1965) that can be called the counterpart of Hansta hua nooraani chehra(Parasmani). The song, like the famous Parasmani song, is sung by Lata and Kamal Barot. Aish Kanwal is the lyricist. Music is composed by Lata Sattar.

The song is picturised as a dance song on Geetanjali and Swarna Kumari, with Aruna Irani also figuring in a masculine attire with beard as well. A comment on YT mentions that Geetanjali and Swarna Kumari were sisters and they were well known dancers in Tamil movies.

I wonder whether this lyricist Aish Kanwal is related to actress Peace Kanwal. I request our knowledgeable readers to throw light on the matter.

This song, unlike Hansta hua nooraani chehra(Parasmani) has ended up becoming an extremely rare song. But make no mistake, this song is a masterclass. One only has to watch the picturisation a few times before this song begins to grow upon you.

Lyrics of this song were sent to me by Nitin Shah.

This song marks Nitin Shah’s 800th lyrics contribyution in the blog. He becomes the second lyrics contributor to achieve this barely belivable feat.

In his three years of association with this blog, Nitin Shah has shared songs on a wide variety of genres. His songs are normally from 1940s the 1960s, which also happens to be the era whose songs tend to get discussed the most in this blog. Nitin Shah, like Prakashchandra, the other member of the 800 club, has sent lots and lots of lyrics to me that are yet to see the light of the day. So we can be rest assured that his lyrics contributions will continue to appear in the blog for a long long time and he will continue to reach newer and bigger milestones with time.

Our contributors have their own ways of contributing lyrics and I am happy to have them without looking at the gift horse in the mouth. Nitin Shah’s contributions are mostly in the form of huge files containing lots of songs in a genre, viz songs from 1950 pt I, songs from 1950 pt II,, balance songs of Suraiyya etc. :) The blog now has almost all Suraiyya songs and the big files of Suraiyya songs sent by Nitin Shah was a big help in this regard which meant that I only needed to look at theese files for Suraiyya songs which was a big time saver for me.

It can be easily seen that Nitin Shah spends unimaginable amount of time and effort in coming up with these huge lists of lyrics. It calls for great passion and enthusiasm. We mainly know him through his comments. We got to know him some more during the run up to the 10kth song of the blog. His introduction post, which I find extremely inspirational, revealed what a determined person he could be in his life. And it is his determination and never say die attitude that has enabled him to contribute so enthusiastically in the blog despite his active and busy professional life.

We are privileged to have Nitin Shah among the contributors of this blog. I hope that he will continue to be one of the major pillars of this blog as this musical bandwagon continues to march on. I take this opportunity to congratulate Nitin Shah. Here is hoping that he will continue to achieve many more musical feathers to his cap in due course.


Song-Dam dam dam dam damroo baaje (Sangram)(1965) Singers-Lata, Kamal Barot, Lyrics-Aish Kanwal, MD-Lala Sattar
Both

Lyrics(Provided by Nitin Shah)

dam dam dam dam damroo baaje
thhaap dol ki thaithaiya
re naachoon sajanva
chham chham chham
main to nachu balamva
thhai thhai thhai
main to naachoon sajanva

dam dam dam dam damru baaje
thhaap dol ki thaithaiya
re nachoon sajanva
chham chham chham
main to nachu balamva
thhai thhai thhai
main to naachoon sajanva

chaand ke rath par baith ke aayi
main kirnon ki raani

main kirnon ki rani odhkar aayi
chunariya dhaani
o o seep se jaise moti nikle
aisi meri jawaani

aisi meri jawaani
jaise chanchal raat suhaani
tann mann mein jal tarang dole
tere pyaar ki sargam boley

naachoon sajanva
main to nachoon balamva
main to nachoon sajanva

gore mukh par ghunghta daaloon
nainan mein hai laaj

nainan mein hai laaj
milenge aaj mujhe sartaaz
saat suron ke deep jalaake
kyun na nachoon aaj

kyun na naachoon aaj
mila hai ek anokha raaz
baazi apne haath rahegi
teri yaad jo saath rahegi

naachoon sajanva
main to naachoon balamva
main to nachoon sajanva

aaja tujhko dhoondh rahi hai
honthon ki muskaan

honthon ki muskaan liye
main tujh par hoon qurbaan
ho ho ek jhalak dikhla de
phir se
dil ke hain armaan

dil ke hain armaan sajanva
humko tu pehchaan
hum par tere pyaar ka jaadu
kaise aaj ho dil par kaabu

nachoon sajanva
main to naachoon balamva
main to naachoon sajanva

dam dam dam dam damroo baaje
thaap dol ki thaithaiya
re naachoon sajanva
chham chham chham
main to naachoon balamva
thhai thhai thhai
main to naachoon sajanva

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mausam” (1975) was produced by P Mallikarjuna Rao and directed by Gulzar for Sunandini Pictures. This movie was losely based on A J Cronin’s novel “The Judas Tree” (source-wikipedia). The movie had Sanjeev Kumar, Sharmila Tagore, Dina Pathak, C.S.Dubey, Om Shivpuri, T.P.Jain, Agha, Kamal Deep, Satyen Kappu, Lily Chakravarty, Pinchoo Kapoor, Mrinal Mukherjee, Shekhar Purohit, Yogendra, Nasir, R.Chopra, Mona Rajput, Baldev Mehta, Anwar, Chandu, Anand Pal, Ramnath etc in it.

Three songs from this movie have been discussed in the past. Here is the fourth song from this movie. This song is sung by Asha Bhonsle. Gulzar is the lyricist. Music is composed by Madan Mohan.

The song is picturised on Sharmila Tagore, with Sanjeev Kumar, Agha and Nasir also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

Technically this should have been Prakashchandra’s 800th lyrics contribution, but he also sent the lyrics of the sad version of the title song of “Chalte Chalte” a few hours ago and that became his 800th lyrics contribution in the blog. I was hoping that nobody would notice and I would present this writeup as Prakashchandra’s 800th contribution. But “spoilsports” that Avinash Scrapwala and Pradip Raghunathan are, they noticed the fact and posted their congratulatory message, while I wanted a more “formal” way of congratulating him.:)

This post is our formal felicitation to Prakashchandra. Prakashchandra has become the first lyrics contributor to breach the 800 mark which is a mind boggling feat indeed. And let me remind all that it is only the tip of the iceberg. Lots more of his lyrics are lying pending in my inbox and it is my inability of handle them all that has slowed down his progress.

In addition to the sheer volume of his contribution, the quality of his lyrics also stand out. These songs are carefully picked songs and then he carries out detailed resaerch on these songs and their movies. In fact Prakashchandra sends lots of details with his contributions. Details about the movie, its makers and the artists form part of his contributions. His lyrics are properly colour coded. His earlier contribution that was discussed yesterday on the occasion of Deepaawali is a case in point. That song from “Amba”(1990), which was over seven minutes long, had five singers and three different kinds of chorus. So just imagine the volume of colour coding required for that song ! And then add the sheer effort in noting down the full lyrics of the song.

As mentioned earlier, lots of his contributions are still lying pending with me. But he is an extremely patient and understanding person, who understands my limitations. He sends me contributions for special occasions viz festivals, anniversaries of artists etc. Even if I am unable to post his contributions on those occasions, he keeps track of these pending songs and informs me whenever other occasions arise when those songs could be used. There have been occasions when I discussed Prakashchandra’s contributions three years after they were sent to me. :)

The fact that he does not take mind, nor does he get disheartened, shows his largeheartedness and compassion as well as his sheer love and determination for the cause of music.

While Pradeep Raghunathan awaits YIPPEE opportunities in the blog, it is Prakashchnadra who is allowing me create lots of those moments by sending me final lyrics from movies. In fact even this song is the final song from the movie.

I take this opportunity to congratulate Prakashchandra on breaching the 800 lyrics contribution mark and hope that he will continue to be one of the strong pillars of the blog.

And with this song, “Mausam” (1975) joins the list of movies that have all their songs covered in the blog.

Audio(full)

Video(partial)

Song-Mere ishq mein laakhon latke(Mausam)(1975) Singer-Asha Bhonsle, Lyrics-Gulzar, MD-Madan Mohan

Lyrics(Provided by Prakashchandra)

mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
haayye haayye haayye
maaroongi aankh toh
neel pad jaayegaa
main maarongi aankh toh
neel pad jaayega
balam zaraa
balam zara
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae

sutli se patli
hai mori kamariyaa…aaaa…aaa
haayye raam
sutli se patli
hai mori kamariyaa
kamariya se baandhi hai maine gagariyaa
gagariyaa na chhalke zaraa
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke

shaukeen kehte hain
chhappan chhuri hai
shaukeen kehte hain
kehte hain kehte hain
shaukeen kehte hain
chhappan chhuri hai
dil ki toh achchi hai aadat buri hai
shaukeen kehte hain
chhappan chhouri hai
dil ki toh achchi hai aadat buri hai
aadi(??) na honaa zara hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae

badaami rang pe surkhi sharaab ki…eeee
haayye haayye ae
badaami rang pe surkhi sharaab ki
saiyyaan ne dekho meri aadat kharaab ki
muft na lagaanaa
zaraa hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
haayye rey maaroongi aankh toh
neel pad jaayega
main maarongi aankh toh
neel pad jaayega
balam zaraa
balam zara
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One of my pet grouses against Hindi movies is that they do not lay stress on working for a living. Hindi movies show people either romancing their beloved or singing sad songs when separated by the beloved. And those who do not indulge in such activities are shown remonstrating with the almighty for their misfortune. Hindi movie characters are rarely shown working for their living.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaadi” (1941) was directed by Jayant Desai for Ranjeet Movietone. The movie had Madhuri, Moti Lal, Khurshid, Ishwar Lal, Dixit, Ghori, Bhagwan Das, Kanti Lal, Bhoopat Rai, Tara Bai, Brijmala, Keshari, Baby Kamla etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Prabhat” (1973) was produced by Ram Dayal and directed by Sikandar Khanna for Mukul Productions. The movie had Zaheeda, Jaya Kaushalya, Shyama, Roopesh Kumar, Kamal Kapoor, Sunder, Birbal, Zohara Khatun, Krishan Dhawan, Pranshankar, Arjun Aosare, V.Gopal, Aarti, Pinchoo Kapoor, Rajan Haksar, Hangama, Kamal Deep, Sujata, Narbada Shankar, Dulari, Gulshan Bawra, Nandita Thakur, Baldev Khosa, Pachhi, Asha Chandra, Dinesh Hingoo, Omi, Habib, Nisha, Ameeta Sinha, Sonika, Malini, Charanjeet, Neerja etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Fakira” (1976) was produced by N N Sippy and directed by C R Dixit. The movie had Shashi Kapoor, Shabana Azmi, Asrani, Aruna Irani, Danny Denzongpa, Asit Sen, Ramesh Deo, Madan Puri, Shetty etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“House No. 44″(1955) was directed by M K Burman for Navketan International Films. The movie had Dev Anand, Kalpana Kartik, K. N. Singh, Rashid Khan, Prabhu Dayal, Kumkum, Kammo, Zamboora, Bhagwan Sinha, Sheela Vaz etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Patang” (1960) was directed by Hargovind Duggal and Hari Prakash for Asiatic Pictures. The movie had Rajendra Kumar, Mala Sinha, Om Prakash, Ullhas, Raj Mehra, Achla Sachdev, Manorama, Leela Misra, Randhir, Mohan Choti, Aruna etc in it.
Read more on this topic…


“Putlibai” (1972), though a recent movie by the standards of this blog has been all but forgotten. If this movie is still remembered by afew music lovers then that is mainly because of a timeless qawwali that this movie contained. This qawwali was Aise besharm aashiq hai ye aaj ke (Putlibai) by Yusuf Azad and Rashida Khatoon, two famous real life qawwaals of those days.
Read more on this topic…


“Around The World” (1967) was a P S Pictures production. It was directed by Pachhi. The movie had Raj Kapoor, Rajshree, Ameeta, Mehmood, Pran, Raj Mehra, Achla Sachdev, Vishwa Mehra, Om Prakash, Pachhi etc in it.
Read more on this topic…


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(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10400 songs post by now.

Total number of songs discussed

10404

Number of movies (All songs covered)

552

Total visits so far

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