atul's bollywood song a day- with full lyrics

Archive for the ‘Rafi-Asha Bhonsle duet’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Songs to Tickle Your Memory – 6
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The hoof sounds of the returning horses sounded tired and beaten. It was hot and dusty. The sun beat down mercilessly on the sweaty gang members. The lonely tree provided some respite from the blazing heat. Lounging in his hammock tied to it, Mastermind lazily flicked the orangutan walking on his bare arm. The face of Kaalia appeared around the bend in the rocks.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Teri Talaash Mein”(1968) was directed by Kewal Mishra for A G Movies Arts, Bombay. The movie had Kumkum, Shailesh, Madan Mohan, Mohan Choti, Ram Mohan, Indira, K N Singh, Amarnath, Khairati, Rani, Nazeer Kashmiri, Wazir Mohammad Khan, Kishore Sharma etc in it.
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“Maaya Baazaar”(1958) was directed by Babubhai J Mistri for Basant Pictures, Bombay. The movie had Anita Guha, Rajkumar Pandey, Ulhas, B M Vyas, Ram Singh, Ramesh Sinha, Mahipal, Vasantrao Pahalwan, Dalpat, Babu Raje, Shree Bhagwan, Samar Roy, Ratnamala, Krisha Kumari, Sulochana, Kanchanmala, Pal Sharma, Uma Dut, Master Prithvi, Premlata, Geeta, Ratan, Rajni, Neelophar, Manda, Bhumiya, Ajit Kumar, R S Dubey, T N Sinha , Korega etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Tarzan Comes To Delhi”(1965) was directed by Kedar Kapoor for Amar Chhaaya pictures. The movie had Bhagwan, Helen, Bela Bose, Dara Singh, Mumtaz, Siddhu, Vishwa Mehra etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The blog has seen two dry days in a row when no new posts were made. It is something unusual for the blog but it cannot be avoided. As it is, I was travelling all these days. In fact my travel is not over yet. I have to commence my return journey from today and it will be another couple of days before I arrive back at my base.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ashok Kumar or Kumudlal Kunjilal Ganguly (his birth name) would have been 103 if he had been there. Born in 1911, in Bhagalpur Bengal presidency was a laboratory assistant at Bombay Talkies when he was offered a role in 1936 in Jeevan Nayya. Thus began his six-decade long career. Of course by the time I became aware of Ashok Kumar, the actor, he was past doing hero roles and into playing a father or grand father or some such character. But to give credit where due his name would always appear first in the title cards of all these movies. Whether it was the grandpa in “Anuraag”, “Anurodh”, “Khoobsurat” or many such movies. He was very charming in the brief role of Air Force officer in “Aradhana”. He was Vijay Anand’s “Jewel Thief” as well as Brij Sadanah’s “Raja” along with Pran as “Rana” in “Victoria No: 203”. After the 1973 hit Victoria No: 203 this pair was repeated many times.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maryaada”(1971) was produced and directed by Arabind Sen for Lalit Kala Mandir. The movie had Raj Kumar, Rajesh Khanna, Mala Sinha, Helen, Rajinderanath, Pran, Bipin Gupta, Asit Sen, JankiDass, Abhi Bhattacharya,Dulari,Gurnam, Master Babla, Abhimanyu Sharma, Arun, K.Shukla, Lata Bose, Sanjana, Jankidass, Bunty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Reporter Raju” (1962) was produced by Homi Wadia and directed by Dwarka Khosla for Basant Pictures. The movie had Feroz Khan and Chitra in lead roles with Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala, Sulochana Chatterji, Shah Agha, Sunder, Majnoo, Shakeel Numani, Raj Adeeb, Mintobai, Gani,Mohamed Ali, Geeta, Paro, Julian, Brij Mohan Vyas aka B.M.Vyas, Anthony, Bismilla, Mithoo Miya, Bhomiya, Yadav, Korega, Ratan, Azim etc in supporting roles.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 16
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(1978 – Duet)

And with this duet, another film from 1978 makes a debut on the blog. The film is ‘Damaad’ directed by Raja Rakshit. This song I would not categorize as obscure. It was heard relatively more often on the radio, and continues to be alive in memory. And what a gem of a song this one also is.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10500 song posts by now.

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