atul's bollywood song a day- with full lyrics

Archive for the ‘expression of love’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 4
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Almost ‘Lolita’, but not quite so.  In the book, the young nympho is only 12 years old, and the old man is actually a pedophile.  In this Hindi film take off, the young girl is 18, and the old man is not a pervert, but is actually in love. And for all that matters, for all the time it matters, it is a two way love between the girl and the old man.

Around the time this film was relased, a joke was doing the rounds. Q: What is the height of good luck?  A: Amitabh in ‘Nishabd’.

One critic has commented that India and Indian cinema is not yet ready, maybe will never be, for a true ‘Lolita’ story.  But when this variation, ‘inspired’ in parts from the original, is conceptualized, who else but it is Amitabh for this role.  I have not seen this film, yet.  But more I hear and become aware of such films, the more I marvel at the performer behind these performances.  Is it the popular following he has that feeds into the producers mind to create films for him in which he excels?  Or is it his performing capabilities that sustain his popular standing that feeds into the producer’s minds?  Whichever way it works, we are witnessing the rising trajectory of a phenomena; not a super star, not a jubilee hero, but a phenomena, a legend – that continues to surprise with the ease and grace, with which he gets, and he executes, befitting roles.

‘Nishabd’ is a 2007 film by Ram Gopal Verma, who is known more for his films of the horror genre.  In some ways, I believe this film is also exposing a dark side of the human mind.  The music is by Vishal Anand, lyrics are by Munna Dhiman and the singing voice is that of Amitabh himself.
View, listen and enjoy.

Video (partial)

Audio (complete)

Song – Rozaana Jiyen Rozaana Maren Teri Yaadon Mein Hum (Nishabd) (2002) Singer – Amitabh Bachchan, Lyrics – Munna Dhiman, MD – Vishal Bhardwaj

Lyrics

rozaana jiyen
rozaana maren
teri yaadon mein hum
teri yaadon mein hum
rozaana
rozaana

rozaana jiyen
rozaana maren
teri yaadon mein hum
teri yaadon mein hum
rozaana
rozaana

ungli teri
thaame huye
har lamhaa chalta hoon main
ungli teri
thaame huye
har lamhaa chalta hoon main
tujhko liye
ghar lautun aur
ghar se nikalta hoon main
ik pal ko bhi
jaata nahin
tere bin kahin
yoon raat din
bas tujh mein hi
bas tujh mein hi
liptaa rehta hoon main
rozaana
rozaana
rozaana
hummm rozaana

rozaana jiyen
rozaana maren
teri yaadon mein hum
rozaana chalen
rozaana ghoomen
teri yaadon mein hum
teri yaadon mein hum
rozaana
rozaana
rozaana
hummm rozaana

har din teri
aankhon se is
duniya ko taktaa hoon main
tun jis tarah
rakhti thi ghar
vaise hi rakhta hoon main
teri tarah
sang sang chalen
yaadein teri
kyon har ghadi
baaton mein bas
baaton mein teri
gum sa rehta hoon main
rozaana
rozaana
rozaana
hummm rozaana

kuchh gaaun to yaad aate ho
gungunaaun to yaad aate ho
kuchh pehnoon to yaad aate ho
kahin jaaun to yaad aate ho
kuchh khone pe yaad aate ho
kuchh paaun to yaad aate ho
rozaana chale
yaadon pe teri
zindagi ka safar
tujh se hai roshan
tujh se hai zinda
mere dil ka shehar
mere dil ka shehar
rozaana
rozaana
rozaana
hummm rozaana
rozaana
rozaana
rozaana
rozaana. . .haan
rozaana. . .haan

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Hindi script lyrics (Provided by Sudhir)
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रोज़ाना जिएं
रोज़ाना मरें
तेरी यादों में हम
तेरी यादों में हम
रोज़ाना
रोज़ाना

रोज़ाना जिएं
रोज़ाना मरें
तेरी यादों में हम
तेरी यादों में हम
रोज़ाना

उंगली तेरी
थामे हुये
हर लम्हा चलता हूँ मैं
उंगली तेरी
थामे हुये
हर लम्हा चलता हूँ मैं
तुझको लिए
घर लौटूँ और
घर से निकलता हूँ मैं
इक पल को भी
जाता नहीं
तेरे बिन कहीं
यूं रात दिन
बस तुझ में ही
बस तुझ में ही
लिपटा रहता हूँ मैं
रोज़ाना
रोज़ाना
रोज़ाना
हुम्म रोज़ाना

रोज़ाना जिएं
रोज़ाना मरें
तेरी यादों में हम
रोज़ाना चलें
रोज़ाना घूमें
तेरी यादों में हम
तेरी यादों में हम
रोज़ाना
रोज़ाना
रोज़ाना
हुम्म रोज़ाना

हर दिन तेरी
आँखों से इस
दुनिया को तकता हूँ मैं
तू जिस तरह
रखती थी घर
वैसे ही रखता हूँ मैं
तेरी तरह
संग संग चलें
यादें तेरी
क्यों हर घड़ी
बातों में बस
बातों में तेरी
गुम सा रहता हूँ मैं
रोज़ाना
रोज़ाना
रोज़ाना
हुम्म रोज़ाना

कुछ गाउँ तो याद आते हो
गुंगुनाऊँ तो याद आते हो
कुछ पहनूँ तो याद आते हो
कहीं जाऊँ तो याद आते हो
कुछ खोने पे याद आते हो
कुछ पाऊँ तो याद आते हो
रोज़ाना चले
यादों पे तेरी
ज़िंदगी का सफर
तुझसे है रोशन
तुझसे है ज़िंदा
मेरे दिल का शहर
मेरे दिल का शहर
रोज़ाना
रोज़ाना
रोज़ाना
हुम्म रोज़ाना
रोज़ाना
रोज़ाना
रोज़ाना
रोज़ाना॰ ॰ हाँ
रोज़ाना॰ ॰ हाँ


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As we all know, there are thousands of songs out there and they can all be classified in many different ways. Here on the blog, Atul himself has categorized songs into several categories, depending on mood (sad/happy), or content (birthday/Diwali), or style (qawwali/disco) or even musical instrument (guitar/harmonium). And many other ways.

Apart from all these, there is one category that we don’t have but I think all of us will agree could be a fun category. That is “songs that if I hadn’t heard in my childhood or seen the movie, I don’t think I would ever have heard in my life”. :-)

Now I am not suggesting Atul should create such a category – and in any case, this would be a totally personal category because it would depend on each person’s own childhood. A birthday song is a birthday song, but one person’s childhood song is different from another person’s childhood song.

But if there WERE such a category, I can think of several songs from my childhood that would safely qualify for being slotted in. :-)

Let’s be clear about one thing. I am not saying these are terrible songs. I think a lot of effort goes into producing ONE song. There are many who put in effort – the lyricist, singer(s), composer(s), musicians and others – so we need to appreciate the effort at least. No, I am just saying, that for some reason, the song just disappeared from public attention. As we all know, this blog is doing its bit to bring back some of those into the limelight.

Anyway, if I talk about my childhood – and into my teenage years, I am clearly talking about the 70s.

Most music lovers say (and it is hard to disagree with them) that the golden period of music ended with the 60s (or, at the most, early 70s). By the end of the 60s, music had lost two of its biggest names. First Roshan died. Jaikishen died soon after. S D Burman fell ill and though he composed for a few films (and still great music at that), he also died by the mid-70s. As did Madan Mohan. Naushad was practically non-existent through the 70s. Except for the odd films, the same could be said for Ravi and OP Nayyar. Shankar (of the Shankar-Jaikishen combo) tried to succeed on his own (though under the Shankar Jaikishan banner) but without his partner of so many years, his music was only a shadow of what Shankar Jaikishan had produced earlier.

The truth is, music itself had changed. And films had changed. The audience had changed, tastes had changed. As Tennyson said “the old order changeth, yielding place to new”. Rafisaab had yielded place to Kishore Kumar as the leading male voice of the industry. Shammi Kapoor had yielded place to Rajesh Khanna, who further yielded his place to Amitabh Bachchan during the 70s.

The harbinger of change in music was probably none other than R D Burman. His style was distinctly different from that of previous composers. And the audience lapped it up. Films got loud and garish – and the music often had to follow suit. Perhaps the best examples are the Dev Anand films of the 70s. Compare Navketan of the 70s with earlier decades and you get the picture.

Of course, there were the “gentler” films too (like Gulzar’s films or the Rajshri Productions films) but the average 70s commercial film was pure masala. With the music usually composed by one of the three biggies of the era – RD Burman, Laxmikant Pyarelal or Kalyanji Anandji.

This was the era I grew up in – and got used to. With songs like “aap ke kamre mein koi rehta hai”, “jai jai Shiv Shankar” and “rafta rafta dekho aankh meri ladi hai”. All popular songs at the time.

The 70s also saw a spate of actors (male and female) trying to make their name in the industry. Among the male actors, we had the likes of Anil Dhawan, Rakesh Roshan, Navin Nischol, Vinod Mehra, Vijay Arora, Rakesh Pandey, Ajay (Parikshit) Sahni, Vinod Khanna & Shatrughan Sinha (villains turned heroes), Amitabh Bachchan (yes, he too), Vikram, Kabir Bedi and some more.

Among the female actors, we had Rekha, Raakhee, Zeenat Aman, Parveen Babi, Sulakshana Pandit, Reena Roy, Moushumi Chatterjee and some more. Hema Malini had started earlier than this lot – and already got a head start in terms of success too.

But let’s talk about Moushumi Chatterjee.

Why Moushumi ? Because it’s her birthday today.

I must say I have extremely fond memories of Moushumi movies that I saw during the 70s. That was the era when Hema reigned. Everybody was crazy about Hema Malini (or at least Zeenat Aman) but, rebel that I tried to be, I used to prefer Moushumi to Hema and Zeenat.

Not that Moushumi was not popular. I remember she used to be referred to, early on, as the Balika Badhu girl. A reference to her role in the Bengali film by that name.

But in general, Moushumi was the “sweet” heroine of the time. With that sweet smile and that child-like dialogue delivery, she won over many hearts. Including mine. So what if she wasn’t slotted in the same league as Hema or Zeenat?

Moushumi and Vinod Mehra was a famous pairing of the time. Maybe it was triggered by the success of Anuraag (1972). I remember seeing them in Raftaar, Do Jhoot and Sabse Bada Rupaya. And then there was also Us Paar, which I haven’t seen. I quite liked the pairing.

A Moushumi film from the early years that does not feature Vinod Mehra, but which I like, is Ghulam Begum Baadshah (1973). I like the fact that she doesn’t play a typical, submissive woman in that film.

Moushumi has acted opposite bigger stars like Sanjeev Kumar, Rajesh Khanna and Amitabh Bachchan but somehow I always liked her opposite Vinod Mehra. There was a charm in those films and a sort of chemistry between them that is difficult to explain.

The song I have picked for today is from one such film.

Do Jhoot.

There’s a reason I picked this particular film for today, though I had others in mind too. The music in this film is composed by Shankar (under the Shankar Jaikishen banner). By then, of course, Jaikishen was long gone, so it was all down to Shankar.

And today also happens to be Shankar’s death anniversary.

So it seemed appropriate to pick a song featuring Moushumi and composed by Shankar.

I think it would be fair to say that Shankar had a tough time after Jaikishen’s death. The music composed by him fared miserably, leading to people drawing the inevitable conclusion that it was Jaikishen who was primarily responsible for the success of their banner.

Shankar tried hard to fight this – he said in interviews “if I had died first, people would have said, Shankar was the main guy. That’s how people are”. But the fact is, he could not churn out successes (except for the rare one) – and finally that is what counts.

Even Raj Kapoor, with whom Shankar-Jaikishen’s name was inextricably linked since Barsaat (1949), chose to dump Shankar and go with Laxmikant Pyarelal for Bobby (1973). Raj Kapoor was then fighting his own internal demons, after the colossal and very expensive flop of Mera Naam Joker. Anyway, I remember Shankar taking this very badly – he felt very hurt by this. (To be fair to Shankar, the music of Mera Naam Joker had been very successful, even if the film had not). But post-Jaikishen, Shankar had not shown anything to give Raj Kapoor confidence that he could carry the show solo.

I remember an interview with Raj Kapoor where he said he missed Jaikishen so much that working with just Shankar would have constantly reminded him of Jaikishen. This might have contributed to his decision, but the fact that Shankar’s music wasn’t quite working, might also have played a big part. Raj Kapoor just HAD to make sure Bobby worked for him.

Anyway, Shankar continued to compose music through the 70s, for the odd film. But, post-Jaikishen, he never quite clicked.

Let’s now move on to the song.

It is “chalo bhool jaayen” from Do Jhoot.

Now this is a movie I fondly remember from my childhood. When I saw it then (in the mid-70s), I loved the film. When I saw it again recently, I will admit the love had diminished considerably. Not that I didn’t like the movie, but it didn’t have quite the same charm. It seemed like “just another 70s film”. Of course, it had one of my childhood favourite songs “chhatri na khol”. :-)

The story has similarities with Professor, with Moushumi doing a Shammi Kapoor type role. She is a young woman but has to disguise herself as an old woman in order to get a job of being a governess to a young girl (Aruna Irani). Pran falls in love with the “old” Moushumi, Vinod Mehra in love with the “young” Moushumi. There are the usual villain scenes – and all ends well in the end.

Coming to this song and the special category I mentioned at the start of this post, I have never heard this song other than seeing it in the film when I was young. And again, when I saw the film recently. Other than that, never. And that’s a bit of a pity, because it’s a pretty nice tune, once you listen to it a couple of times. Maybe others have heard it more often – but somehow I never got to hear it otherwise.

But then, like I said, music itself had changed in the 70s. Maybe Shankar was out of tune, not just with the S-J standard of music, but with the times too.

Anyway, I hope you enjoy the song.

And we of course, wish Moushumi Chatterjee a very happy Birthday!

WE also pay a big tribute to the memory of Shankar with this song as this song happens to be the 800th song of Shankar Jaikishan in the blog as music directors.

Video

Audio (Full)

Song-Chalo bhool jaayen jahaan ko yahaan do ghadi (Do Jhooth)(1975) Singers-Kishore Kumar, Lata, Lyrics-Vitthalbhai Patel, MD-Shankar Jaikishan
Both

Lyrics(Based on Audio version)

Chalo bhool jaayen
jahaan ko yahaan do ghadi
beete huye pal
nahin laut’te phir kabhi
aaa aaa
haathon pe likh de
mera naam honthon se tu
wahin meri manzil
jahaan le chale aaj tu

Chalo bhool jaayen
jahaan ko yahaan do ghadi
beete huye pal
nahin laut’te phir kabhi
haathon pe likh de
mera naam honthon se tu
wahin meri manzil
jahaan le chale aaj tu

teri maang mein hum iraade bharein
poore sabhi aaj waade karein
dil ko yakeen mere aata nahin
bharam mere dil se ye jaata nahin
bharam mere dil se ye jaata nahin

chalo bhool jaayen
jahaan ko yahaan do ghadi
beete huye pal
nahin laut’te phir kabhi
aaa aaa
haathon pe likh de
mera naam honthon se tu
wahin meri manzil
jahaan le chale aaj tu

laaa laa laa laa
laaalalalala
laalaalaalaa

ho o o o
o
o o
o o o o
o o o o

koi bhool ho
maaf karna sanam
kabhi waqt dhaaye jo hum pe sitam

wafa ki dagar par hamesha chalein
khushi ho ya gham
saath har dam rahein
khushi ho ya gham
saath har dam rahein
chalo bhool jaayen
jahaan ko yahaan do ghadi
beete huye pal
nahin laut’te phir kabhi

haathon pe likh de
mera naam honthon se tu
wahin meri manzil
jahaan le chale aaj tu

chalo door kohre mein kho jaayen ham
alag is zamaane se ho jaaye ham
kal ham jahaan mein rahenge nahin
yaaden hamaari rahengi yahin
yaaden hamaari rahengi yahin

chalo bhool jaayen
jahaan ko yahaan do ghadi
beete huye pal
nahin laut’te phir kabhi
aaa aaa
haathon pe likh de
mera naam honthon se tu
wahin meri manzil
jahaan le chale aaj tu

laaa la
la la
laaalalalala
laaa la
la la
laaalalalala
laaa la
la la
laaalalalala a


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Remembering Shamshad Begum on the second anniversary of her passing away (23rd April 2013). Born in Lahore on 14th April 1919, Shamshad Begum had an inclination towards singing right from her school days. Her school principal impressed with her singing, made her sing the classroom prayers, something which Naushad captilised elegantly in ‘Dard’ (1947) for a group song.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The first lady of Bangla cinema. And the first lady singing superstar of Indian cinema. It is said that at the height of her popularity, she required protection when she was traveling.

Remembering Kanan Devi on the anniversary of her birth today (22nd April). (It is her 99th anniversary)
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aankhon Aankhon Mein”(1972) was produced by Shankar Singh, J Om Prakash and Vijay Kumar and directed by Raghunath Jhalani. The movie had Rakesh Roshan, Rakhee, Pran, Raj Mehra, Tarun Bose, Sachdev, Tun Tun, Pran, Dara Singh Randhawa, Achla Sachdev, Pankaj, Indu Shivraj, Krishan Dhawan, V Gopal, Coca Cola, Madhu Apte, Sanjana, Meena T, Lata Arora, Jay Shree T, Madhumati, Moolchand etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This is his 400th article in the blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MISSING GEMS FROM THE GOLDEN 50s…Song No. 18….LAST SONG OF THIS SERIES
—————————————————————————
Today’s song is from film Bewaqoof-60. This is the last song of this series. This series has been very interesting and it gave a pleasure of discussing songs from the 50’s decade. Some of the songs were well known and popular in those times and the most others were good enough to provide nostalgic feelings.

Today’s article happens to be my 400 th article on this Blog. I started writing consistently on this Blog from 1-10-2012. Thanks to ATUL ji’s encouragement and active substantial help in writing Lyrics for me,I was able to reach the figure of 400 articles on songs in 30 months. This is an average of about 13-14 songs every month. During these months,our readers from all over the music loving world gave comments of appreciation,which worked as a motivation for me. In this period,I did 21 series of songs on different Themes. My endeavour has always been to present forgotten pearls from Hindi films and side by side,provide useful,unique information on films, songs, singers, composers, actors, directors, production houses, mythology and behind the scene stories.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Not many debuts can be better than starting with the song “Afsaana Likh Rahi Hoon. . .” (‘Dard’, 1947).  His innings lasted for 23 years.  A long time in which he could not even complete a century of films.  He has written about 750 songs in 89 films across his career.  Typecasting, or more correctly to state, pairing groupism was responsible for this state of affairs.  All along his career, his partnership with music directors remained primarily confined to just three – Naushad Sb, Ghulam Mohammed Sb and Ravi.  His films with other music directors are really few and far between.

Remembering Shakeel Badayuni on the anniversary of his passing away today (20th April).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In my school and college days, we were taught that our essays needed to be precise and to the point and that beating about the bush instead of coming to the point was not recommended.

Much to my surprise, I discovered that Hindi movie songs, especially romantic songs typically had lyrics that would beat about the bush and would rarely come to the point. Instead of stating “I love you” and be done with it, Hindi movie songs would refer to “Baadal”, “Aasmaan”, “Chaatak”, “Mor”, “jhoola”,”Chilman”, “dupatta” etc etc. As a conscientious student, I disapproved of such collosal waste of stationery. :)
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I have heard this song before on the radio, but I did not have any clue to its details.  Today, browsing online, searching for something different, I bumped into this song.  As I read the initial details, and then started to do some more checking, I realized this song has a very interesting and significant antecedents that make for a very interesting discussion.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11000 song posts by now.

Total number of songs discussed

11094

Number of movies (All songs covered)

662

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