atul's bollywood song a day- with full lyrics

Archive for the ‘expression of love’ Category


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“Dekh Kabira Roya” (1957) was produced and directed by Amiya Chakraborty for Srirangam, Bombay. The movie had Anita Guha, Ameeta, Anoop Kumar, Daljit, Jawahar Kaul, Shubha Khote, Shivraj, Pravin Paul, Shyam Kumar, Ridku, Robert, Balwant Rahi, Chandabai, Shanti, Omkarnath, Shankarrao Nagarkar, Rampal, Sundar etc in it.

Eight out of its ten songs have been discussed in the blog.

Though I had heard the songs of this movie several times, it is only recently that I watched (a portion) of the movie in order to locate a as yet missing song. It was then that I got a gist of the story line of this movie. The movie is a light hearted tale of three out of job men – a singer, a painter and an editor, and three girls fall in love with them, mistaking them for the other. Thus, the music loving girl falls for the painter, mistaking him for the singer, painting loving girl falls for the editor, mistaking him for the painter while the girl with the literary bent falls for the singer, mistaking him for the editor.

Here is the ninth song from the movie. It is sung by Lata. This missing the beloved song is picturised on Shubha Khote (the girl with literary bent) who is missing Anoop Kumar, mistaking him for the editor, while he is in fact a singer who sings great songs (mostly in Manna Dey’s voice) in the movie.

This song is a part of a raagmaala in the movie where three songs follow one another and in these songs (all sung in Lata’s voice), one of the girl is shown missing her respective beloved. The songs picturised on Ameeta and Anita Guha have already been discussed in the past.

Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.

Lyrics of this song were sent to me by Nitin Shah.


Song-Tu pyaar kare ya thhukraaye (Dekh Kabira Roye)(1957)Singer-Lata, Lyrics-Rajinder Krishan, MD-Madan Mohan

Lyrics (Provided by Nitin Shah)

na gila hoga
na shiqwa
na shikaayat hogi
araz hai chhoti si
sun lo toh inaayat hogi

tu pyaar kare ya thukraaye
ham to hain tere deewanon mein
chaahe tu hamen apna na bana
lekin na samajh begaanon mein

marne se hamen inkaar nahin
jeete hain magar is hasrat mein
marne se hamen inkaar nahin
jeete hain magar is hasrat mein
bhoole se hamaara naam kabhi
aa jaye tere afsaanon mein,
tu pyaar kare ya thukraaye
ham to hain tere deewaanon mein

mit’te hain magar haule haule
jalte hain magar ik baar nahin
mit’te hain magar haule haule
jalte hain magar ik baar nahin
ham shamma ka seena rakhte hain
rehte hain magar parwaanon mein
ham shamma ka seena rakhte hain
rehte hain magar parwaanon mein,
tu pyaar kare ya thhukraaye
ham to hain tere deewaanon mein

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baap Bete” (1959) was directed by Raja Paranjpe for A V M Productions, Madras. The movie had Ashok Kumar, Shyama, Chitra, Baburao Pendharkar, Kanhaiyalal, Lalita Pawar, Jagdeep, Ramesh Rao, Vinod Sharma, Krishnakant, Nana Palsikar, Jagdish Raj, V D Puranik, Vasant Ghorpade, Rajendra Kumar Singh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saazish” (1959) was directed by Surya Kumar for Filmistan. The movie had Ranjan, Nalini Chonkar, B M Vyas, P Kailash, Balraj, Husn Banu, Randheer, Kanu Roy, Badri Prasad, Ram Avtar, Sabita Chatterji, Indira Bansal, Bhalerao, Vitthaldas Panchotiya, Sulochana etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Lakshmi” (1957) was produced by Chimanlal Trivedi and directed by G P Pawar for Chitrabharati, Bombay. The movie had Baby Nada, Chandrashekhar, Maruti, Roopmala, Kamal Kapur, Moni Chatterji, S Azeem, Satyanarayan, Parshuram, Indira, Tiwari etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pakshiraaj” (1959) was directed by S N Tripathi for Vijay Films, Bombay. The movie had Nirupa Roy, Manhar Desai, Ulhas, Bhujbal singh, Anand Kumar, Shalini, S N Tripathi, Rajrani, Mahesh Desai, Indira Bansal, Kesari, Babu Raje, Dalpat, Ratnamala, Poonam Kapoor, d D Nautiyal, Anil Kumar, Anand Joshi etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = =

The Many Colors of Love #20 – The Ticklish Aches of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -

And so wrote the scribe

pyaar ka. . . dard hai
pyaar ka. . . dard hai
meetha meetha. . . pyaara pyaara
meetha meetha. . . pyaara pyaara
ye haseen. . . dard hi
ye haseen. . . dard hi
do dilon ka. . . hai sahaara
do dilon ka. . . hai sahaara

Aah, to be young at heart, and in love – the emotion carries one to the top of the world. And really, there is a tickle of a lovely pain in the heart when this emotion starts to spread its wings. When just a mere mention of a name, or even just the thoughts of that someone special, will trigger this hastened heartbeats and a rising feeling, that it is difficult to restrain from staying still. The phrase – ‘pulling at the strings of the heart’ – has been oh so aptly coined. Literally it seems as if something is pulling at the heart. And the ache that follows is so full of pleasure. For the thoughts of that someone special are joining this ache, in a delectable conspiracy that brings this loveable tingling sensation. And the heart wants to just soak itself and remain submerged in this fluidy flow of emotions and sensations.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Film industry is one industry where men and women have to work together. Whether it is Actor-director or Singer-Composer, for the sake of work they have to spend much time together. No wonder then that Cupid does his work overtime. Sometimes there are mutual attraction and at times there are one sided fires burning. In most cases the one sided fire is extinguished in a very painful way, like what P L Santoshi faced with actress Rehana or the slap Sanjiv Kumar got from actress Nutan.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gehra Raaz” (1971) was directed by Niranjan for Salim Productions, Bombay. This B grade suspense movie had Sujit Kumar, Sofia (new find as they said those days), Sheikh Mukhtaar, Abhi Bhattacharya, Satyajit, Brahnchaari, Madhumati, Mohan Sherry, Eshwar, Dinani, Paro, Uma Dutt, Hiralal, Pardesi, Rani, samson, Jelani, Lohani, Sadhna Khote, Sarla, Master Salim etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Munim Ji” (1955) was directed by Subodh Kumar for Filmistan Limited, Bombay. The movie had Nalini Jaiwant, Dev Anand, Nirupa Roy, Pran, ameeta, S L Puri, Prabhu Dayal, Kanu Roy, Samar Chatterji, Madan Mohan etc. in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar has rendered songs under the batons of hundreds of Hindi film music directors. But some connoisseurs of Hindi film music are of the view that her combination with Anil Biswas, C Ramchandra and Madan Mohan produced many of her best songs from Hindi films. I feel that to this list, the name of music director Roshan should be added as Lata-Roshan combination churned out some of their best songs. Take for example, songs in ‘Malhaar’ (1951), ‘Hum Log’ (1951), ‘Raag Rang’ (1952), ‘Naubahaar’ (1952), ‘Taj Mahal’ (1963), ‘Chitralekha’ (1964), ‘Mamta’ (1966) to quote a few films. Some of her songs under the baton of Roshan may not have become as popular as that of her songs with Naushad and Shankar Jaikishan, but there is some uniqueness in her renditions under Roshan just as her renditions under Anil Biswas, C Ramchandra and Madan Mohan were unique.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has exactly 10200 songs post by now.

Total number of songs discussed

10200

Number of movies (All songs covered)

508

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