atul's bollywood song a day- with full lyrics

Archive for the ‘“Get together” song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (17 octobr 2014) is the birth anniversary of Simi Garewal (DoB 17 october 1947). If there is one person who can be described to be an ageless wonder then it has to be her. She has not changed much in appearance for over 50 years right from the time she made her debut in Hindi movies in 1962.

On the occasion of her birth anniversary, here is a song from her early days in the industry. This song is sung by Asha Bhonsle and it is picturised as a get together cum piano song. Simi Garewal is seen sitting at the grand piano and lip syncing this song. Sujit Kumar, Shyama, Hiralal, Abhi Bhattacharya,K.N.Singh etc are also visible in the picturisation.

Hairat Sitapuri is the lyricist. Music is composed by Robin Bannerji.

Lyrics of this song were sent to me by Prakashchandra.


Song-Mujhko pehchaano mere dard ka andaaza karo (Raaz Ki Baat)(1962) Singer-Asha Bhonsle, Lyrics-Hairat Sitapuri, MD-Robin Bannerji

Lyrics(Provided by Prakashchandra)

hmm hmm hmm hmm
aaa…aaa….aaa
aaa aaa aaa
aaa aaa aaa
mujhko pehchaano
mere dard ka
andaaza karo
mujhko pehchaano
mere dard ka andaaza karo
kabhi jo mujhse kiyaa
yaad wahi waadaa karo o
mujhko pehchaano
mere dard ka andaaza karo

tere har dard ko
seene mein chhupaaye rakkhaa
tere har dard ko
seene mein chhupaaye rakkhaa
pyaar ki shammaa ko
toofaan mein jalaaye rakhaa
uss ke aeiwaz mein
mujhe tumne dil se door kiyaa
door toh jaane do
dil se bhi bhulaaye rakkhaa
hanske sau baar
kahaan dekho jee aisaa naa karo
kabhi jo mujhse kiyaa
yaad wahi waadaa karo o
mujhko pehchaano
mere dard ka andaaza karo

hum jo rote hain
jahaan hanstaa hai
ulfat pe teri
hum jo rote hain
jahaan hanstaa hai
ulfat pe teri
kyaa kami paayee
bataa toone mohabbat mein meri
chhoti si baat
khataa bann gayi
tum roothh gaye
lut gayee zindagi
aise hi haqeeqat mein meri ee
ho sake tumse agar
meri khataa maaf karo
kabhi jo mujhse kiyaa
yaad wahi waadaa karo o
mujhko pehchaano
mere dard ka andaaza karo

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Manzil” (1979) was directed by Basu Chatterji for Ambika Pictures, Bombay. The movie had Amitabh Bachchan, Mausami Chatterji, Rakesh Pandey, Satyen Kappu, A K Hangal, Urmila Bhatt, C S Dubey, Pravin Paul, Sundar, Anwar Ali, Sushant Bhatnagar, Lalita Pawar, Shriram Laagoo (Special appearance) etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bank Manager” (1959) was produced by S L Agrawal and directed by Rakhan for Movie Stars, Bombay. the movie had Kamini Kaushal, Shekhar, Minu Mumtaz, K N Singh, Radhakishan, Tuntun, Baalam, Jamal, Daraj, Prem, Rajan Kapoor, li Kapoor etc in it.
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A group of regulars of this blog met at Bangalore on 5 october 2014. This article, describing the genesis of that meeting is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genesis (a.k.a The Making of ASAD Gangout Bangalore 5 OCTOBER 14)
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Looking back, I think we can trace the genesis of the Gangout to a recent spurt in Atulite enthusiasm, itself triggered by the 10,000th song on Atul’s blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shriman Shrimati” (1982) was produced by B Nagi Reddy and directed by Vijaya Reddy for Vijoaya Productions Private Limited. Or to put it briefly, this movie was a production from the publishers of “Chandamama”- the Children’s magazine that used to get published in some 14 languages during those days !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Of late, I have been watching some offbeat Hindi movies (also called parallel cinemas or middle cinemas) on DVDs which I had bought at the time of my retirement to watch them later at my leisure. These type of films though artistically well conceived with good narrative style, the realism depicted in some of such films are too disturbing for me. Going by my experience, such well made films may not have repeat audience either in theatres or for watching on DVDs. After watching ‘ Kaagaz Ke Phool’ (1959) sometime in mid 6Os during Guru Dutt’s film festival, I have yet to amass courage to watch it once more though I have the DVD of the film. As against this, I must have watched umpteen times, movies like ‘Chalti Ka Naam Gaadi’ (1958), ‘Padosan’ (1968), and ‘Chupke Chupke’ (1975). Among the films of the recent period, I have seen ‘3 Idiots’ (2OO9) at least 3 times.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Prem naam hai mera. . .
Prem Chopra. . .

Thus happens the surprise introduction of this villain cum character artist, in the film ‘Bobby’ (1973). I call it a surprise because his name does not appear in the credits at the start of the film. ‘Bobby’ was one of the films that I got to see on the big screen, with family. Prem Chopra would be a familiar artist in the nascent mind of the school going ‘yours truly’, thanks to films like ‘Shaheed’ and ‘Upkar’. And so, when abruptly and unexpectedly on to the shining tinsel screen, appears this familiar face and the familiar voice, chewing on a blade of grass, and making his presence felt in a very lewd and unexpected manner, I remember I was aghast – “arre, is ka to naam bhi nahin hai, ye kaise aa gaya?”. For a split second, the thought did cross my mind – “cinema waalon ne koi galat reel laga di hai”. But immediately as the film continued, that thought would be discarded. “Achhaa, aisa bhi hota hai. B’gair naam ke bhi actor film mein aa jaate hain”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 14
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(1977 – Duet)

Come 1977 and Shatrughan Sinha had been around in films for about 8 years now. He already had two Filmfare awards for best supporting actor under his belt – in 1971 for ‘Paaras’ and 1975 for ‘Dost’. On screen, majority of his roles have a style – freewheeling, assertive and emphatic, whether being the smug good guy or the abrasive bad guy. In the seventies, Shatrughan Sinha was one of the busier actors in the industry, averaging 8 to 9 films a year.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 5
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(1973 – Solo)

Seventies was the decade of change, from the very subtle to sweeping transformations. The stars of the sky since 1950s, started to age and lose their glow and popularity. A new crop of youngsters was taking their place. Fortunes were changing, and so was the face of Hindi film music. Through the 50s and 60s, if Johnny Walker was in a film, then it was almost certain he would have a song. ‘Anand’ (1971) changed that. Issabhai Suratwala, the middle aged theatre company owner, went through this poignant tale with a role that had no opportunities for a song. Then, the number of Shammi Kapoor starrers as a hero began to fade. By the time ‘Manoranjan’ (1974) was released, Shammi was now a ‘fat’ character actor. Although still retaining the twinkle, the smile and the crack of humor, the appearance of a bulky posture and a accentuating beard was really a far cry from ‘Yahoo’. And the most significant departure came when in 1971, ‘Jaane Anajaane’ was released. The solo “Jaane Anjaane Log Miley, Par Koi Milaa Na Apna” performed by Shammi on screen carried the playback voice of Kishore Kumar. I remember now, in the ‘Filmfare’ magazine, a photo was published of the recording, showing Kishore Kumar and Shammi Kapoor, with the caption – ‘Shammi with his new ghost voice’. At that time, I did not understand the meaning of these words, as I do now.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Funtoosh” (1956) was directed by Chetan Anand for Navketan. This movie had Dev Aannd, Sheila Ramani, K N Singh, Kumkum, Bhagwan Sinha, Jaggi, Abu Bakar, Bheemji Bhai, etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10300 songs post by now.

Total number of songs discussed

10371

Number of movies (All songs covered)

547

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