atul's bollywood song a day- with full lyrics

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni raaten – Song No. 16
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” Ye chand ye sitaare ye raat yaad rakhnaa” from film ” La’al-e-Yaman ” (1956) is the song no. 16 of the series. No songs from this movie are posted in the blog yet, but two songs from the 1933 movie of the same name are presented. This song is written by Kaifi Azmi and composed by A R Qureshi also known as Ustad Allah Rakkha. The recording is not really up to the mark and sounding older than the year of the film. The music is also sounding very period in this qawwali style composition.

When ever I plan a series, the first thing to look at is the Rafi excel sheet. So this song was also in the original list of ‘Chaandni Raaten’ songs, at the start of the series.

I go looking for typical “chaandni raaten” songs and I find some typical ” chaandni raaten” songs and when I find such typical songs, am forced to repeat myself call them typical “chaandni raaten” songs. And typically, the singers of this typical “chaandni raaten” song are Mohammad Rafi and Asha Bhosle singing in the typical fashion of the 50’s. Typically this should be the limit of the typical creative writing, :-) but there is more typicality. Being so typical it is unlikely that I will start a series where some typical Rafi songs will not feature.

Presenting this archtypical Rafi-Asha duet song.


Song-Yeh chaand yeh sitaare yeh raat yaad rakhna (Laal e Yaman)(1956) Singers-Rafi, Asha Bhonsle, Lyrics-Kaifi Azmi, MD-A R Qureshi
Both

Lyrics

Ye chaand ye sitaare ae
ye raat yaad rakhna aa aa aa
aa aa
aati nahin jo lab tak
wo baat yaad rakhnaa aa
aati nahin jo lab tak
wo baat yaad rakhnaa aa
ye chaand ye sitaare
ae ae ae ae ae ae

ye chaand ye sitaare
ae ae ae ae ae ae
ye chaand ye sitaare ae
ye raat yaad rakhna
aati nahin jo lab tak
wo baat yaad rakhnaa
aati nahin jo lab tak
wo baat yaad rakhnaa
ye chaand ye sitaare
ae ae ae ae ae ae

sar par khushi ka baadal
rimjhim baras rahaa hai
rimjhim baras rahaa hai

ik pyaas ka sataayaa
phir bhi taras rahaa hai
phir bhi taras rahaa hai ae ae
iss desh ki anokhi
barsaat yaad rakhnaa aa aa aa aa

aati nahin jo lab tak
wo baat yaad rakhnaa
aati nahin jo lab tak
wo baat yaad rakhnaa
ye chaand ye sitaare
ae ae ae ae ae ae

samjhe koi na samjhe
nazron ke ye ishaare ae
nazron ke ye ishaare ae
ham ho gaye tumhaare
tum ho gaye hamaare
tum ho gaye hamaare ae

ab chhootne na paaye
ye haathh yaad rakhnaa
aa aa aa aa aa
aati nahin jo lab tak
wo baat yaad rakhnaa

aati nahin jo lab tak
wo baat yaad rakhnaa
ye chaand ye sitaare
ae ae ae ae ae ae

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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Genius of Jaidev – 18
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“Joru Ka Bhai” (1955) was produced and directed by Chetan Anand for Mahshakti Films, Bombay. The movie had Balraj Sahni, Sheela Ramani, Johnny Walker, Rasheed Khan, Praveen Pal, Kumkum, Radhika, Vijay Anand etc. in it. This is the eighth song out of ten from the movie. (The remaining two songs are the two parts of a song with same ‘mukhada’, “Baat Meri Maan Le”.) Kishore and S Balbir are singing this in typical Kishore’s humorous style. They start the song with religious color but soon shift to the more popular subject, that is ‘ishq’. Vishwamitra Adil wrote the lyrics for this song.

In this series and elsewhere on this blog, lots have been mentioned about the great and unique MD ‘Jaidev’. I will conclude with the following write-up
written earlier by Sudhir-ji, on Jaidev.

“An unsung and a neglected talent in the industry. And yet an artist who was quite content with his work. One of the very few artists in this industry, who followed the art for the sake of art only. For him, music was the only life, and the life was all about music only. In a career that lasted well over three decades, his total outings as an independent music director, will probably number less than 50. And some four to five of these 50 have remained unreleased, and hence unappreciated. And so many of his other work remains buried and unacknowledged with obscure films like ‘Aashaad Ka Ek Din’ (1971), ‘Azaadi Ke Pachees Baras’ (1972), ‘Ek Naya Itihaas’ (1983), ‘Trikon Ka Chautha Konaa’ (1986).

But of course, he is also known for his runaway success of his music with films like ‘Hum Dono’ (1961), ‘Kinaare Kinaare’ (1963), ‘Mujhe Jeene Do’(1963), ‘Reshma Aur Shera’ (1971), ‘Gharaonda’ (1977), ‘Alaap’ (1977), ‘Gaman’ (1979), ‘Dooriyaan’ (1979) and ‘Ankahee’ (1985). Of the films in this list, three went on to be recognized as the best creations in their respective years, being honored with the National Film Award for Best Music Direction –‘Reshma Aur Shera’, ‘Gaman’ and ‘Ankahee’.”


Song-Dharam Par Mar Jaana koi Badi Baat Nahi Hai (Joru Ka Bhai)(1955) Singers-Kishore Kumar, S Balbir Lyrics-Vishwamitra Adil, MD-Jaidev
Both

Lyrics

bam babam bam,
bam babam bam,
bam babam bam

bam bhole naath
jai sitaram
bam bhole naath
jai sitaram
jeete raho beta
bhagwan sukhi rakhkhe

dharam par mar jaana
koi badi baat nahin hai
dharam par mar jaana aaa
koi badi baat nahin hai

dharam par mar jaana haan

dharam par mite mordhaj raja
dharam par mite mordhaj raja
unhone putra ka sar kaata
unhone putra ka sar kaata
kaata kaata
katne do,
koi badi baat nahin hai

dharam par mar jaana
are dharam to gaya betaaa,
haan
ishaq mein mar jaana
koi badi baat nahin hai
kisi ke ghar jaana
koi badi baat nahin hai
ishaq mein mar jaanaah

hanaa aaaa aaaa ishaq mein
baaba baaba
are ishaq mein ae ae ae ae
are e e ee e ee
are yaar kya hota hai ishq mein
are ishaq mein dil bahot ghabrata hai
i yes
ishaq mein dil jo bahot ghabraye

ishaq meihen dil jo bahot ghabraaye
to aaashiq bhes badal kar aaye
to aaashiq bhes badal kar aaye
aaye aaye
aane do,
koi badi baat nahin hai
ishaq mein mar jaana koi badi baat nahin hai
ishaq mein mar jaana

aaaahun, hanaaaa aaaaaaa
kal jo milne aashikon se main gaya
hanaaaa aaaaa
kal jo milne aaaashikon se tu gaya

hun hun hun
heer ka thha aur na majnu ka pata
are majnu nahin raanjha kaho
are chalta hai yaar
maine poochha marnewalo kyaa huwa
kabr phaadi khat se punnu ne kaha
kyaa
ishaq mein mar jaana
koi badi baat nahin hai
ishaq mein mar jaana koi badi baat nahin hai

ishaq mein pit jaana koi badi baat nahin hai
ishaq mein unhunhuun
koi badi baat nahin hai
ishaq mein unhunhuun


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A short career of five years from 1948 to 1952. Just 20 films. Less than sixty songs. And then, a departure from Bombay, and back to Delhi. Settled into family life, and made a famous career with Punjabi folk music, that lasted well over six decades. But never headed to Bombay again.

Remembering Surinder Kaur on the anniversary of her birth (25th November).

When the songs of film ‘Shaheed’ (1948) were released, the song titled “Badnaam Naa Ho Jaaye Mohabbat Ka Fasaana” captured the interest and attention of the listeners. This was young Surinder Kaur’s first introduction to the listening public. The song became very popular. Although she had recorded songs for the film ‘Pyaar Ki Jeet’ earlier than songs of ‘Shaheed’, the latter film was released earlier. More singing offers followed in quick succession. However, the coastal climate did not agree with her, and she started losing health. In 1952, after recording one song for the film ‘Aadhiyaan’, under the music direction of Ustad Aki Akbar Khan, she returned to Delhi, and settled down for good.

In remembrance, I present this wonderful rendition by her, from the 1948 film ‘Laal Dupatta’. The film is produced under the banner of Akaash Chitra, and is directed by KB Lal. The lead pair in this film is Madhubala and Sapru. Other cast of actors includes Ranjeet Kumari, Ulhas, Neelam, Rajan Haksar, Kesari, Bhaga Bai, Gulzar, Pandit Iqbal, and Yusuf etc. The 12 songs in the film are written by DN Madhok, Manohar Khanna and Munshi Shams. This song is written by Manohar Khanna. Music is by Gyan Dutt. This is the fifth song of this film to be showcased here on this blog.

Listen and enjoy.


Song-Mere uljhe uljhe sapne (Laal Dupatta)(1948) Singer-Surinder Kaur, Lyrics-Manohar Khanna, MD-Gyan Dutt

Lyrics

ooooo
oooo

mere uljhe uljhe sapne
mere uljhe uljhe sapne
sulajh na paayen
ulajhte jaayen
koi suljhaaye re ae ae
mere uljhe uljhe sapne
mere uljhe uljhe sapne
kyun mann mera ghabraaye
kyun mann mera ghabraaye
chain na paaye
koi batlaaye re
mere uljhe uljhe sapne
mere uljhe uljhe sapne

reh reh kar mann kisey pukaare ae
jhoome jawaani kis ke sahaare
jhoome jawaani kis ke sahaare
meri samajh kaam na aaye
meri samajh kaam na aaye
karoon kya haaye
koi samjhaaye re
mere uljhe uljhe sapne
mere uljhe uljhe sapne

aankhon mein
aankhon mein masti chhaayi si
aankhon mein masti chhaayi si
nas nas mein ik angdaayi si
ay. . .
angdaayi si

kahin koi dekh na paaye
kahin koi dekh na paaye
laaj mohey aaye
nazar jhuk jaaye re
mere uljhe uljhe sapne
mere uljhe uljhe sapne ae ae

hui umangen kyun deewaani
har dam kehti nai kahaani
hui umangen kyun deewaani
har dam kehti nai kahaani
mohey raah soojh na paaye
mohey raah soojh na paaye
kidhar ko jaaye
jiyaa kalpaaye re
mere uljhe uljhe sapne
mere uljhe uljhe sapne
sulajh na paayen
ulajhte jaayen
koi suljhaaye re. . .
mere uljhe uljhe sapne

—————————————–
Hindi script lyrics (Provided by Sudhir)
—————————————–

ओssss ओsss
ओssssss

मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने
सुलझ ना पाएँ
उलझते जाएँ
कोई सुलझाइए रे॰ ॰ ॰
मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने
क्यों मन मेरा घबराए
क्यों मन मेरा घबराए
चैन ना पाये
कोई बतलाए रे
मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने

रह रह कर मन किसे पुकारे
झूमे जवानी किसके सहारे
झूमे जवानी किसके सहारे
मेरी समझ काम ना आए
मेरी समझ काम ना आए
करूँ क्या हाय
कोई समझाये रे
मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने

आँखों में
आँखों में मस्ती छाई सी
आँखों में मस्ती छाई सी
नस नस में इक अंगड़ाई सी
ए॰ ॰
अंगड़ाई सी
कहीं कोई देख ना पाये
कहीं कोई देख ना पाये
लाज मोहे आए
नज़र झुक जाये रे
मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने

हुईं उमंगें क्यों दीवानी
हर दम कहती नई कहानी
हुईं उमंगें क्यों दीवानी
हर दम कहती नई कहानी
मोहे राह सूझ ना पाये
मोहे राह सूझ ना पाये
किधर को जाये
जिया कलपाए रे
मेरे उलझे उलझे सपने
मेरे उलझे उलझे सपने
सुलझ ना पाएँ
उलझते जाएँ
कोई सुलझाइए रे
मेरे उलझे उलझे सपने


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Remembering Uma Devi, on her death anniversary (11 July 1923 – 24 November 2003).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Songs to Tickle Your Memory – 8
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A voice that so effortlessly touched the depths of poignancy as no one else could. It was also the same voice that flitted with rapid rhythms to reach an apex exuberance. And in both flavors, this voice simply gets into the heart and the songs come so easily to the lips.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In continuation to my post for ‘apne haathon ko pehchaan’ :
There is this bhajan/song which is more a philosophical song from 1989 movie ‘ Bade ghar ki Beti ‘.

Actually it is based on a Meera bhajan, but improvised by the lyricist Santosh Anand and composers Laxmikant-Pyarelal. Once heard never forgotten kind of song, with its simple words and simple philosophy of contentment and containment.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 12…LAST SONG OF THIS SERIES
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Today’s song is a real Gem in this series. In the period 1931 to 1940, there were only 7 unreleased films, out of which information is available on the records of only 3 films. This is/may be because though having records for the film songs issued commercially had started from 1932, it had not caught momentum till late 30s. Madhuri-1932 was the FIRST film for which commercial records were issued with the Film and Singer’s name mentioned on the Record label. Obviously, this film ‘Stove Tragedy’ whose song we are going to enjoy today, must have been made after 1932.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 11
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it is not that Unreleased films were the speciality of the 40s or 50s. on the contrary, the percentage of such films has increased from the last few years. What I learnt from last few days, while working on this series is, that the number of incomplete or unreleased films was the maximum- to the extent of almost running over 100- during the years 70s and 80s. If you see the statistics, you will find that the number of censored films has also increased systematically from 1970 onwards. In 1990, it touched 200 films and thereafter from 2000, it has always been between 200 to 300, touching 250 in 2005.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Only if religion had not fallen out of favor with the film industry. Kya kahen, sab paise ki maya hai (what to say, it is all a money game). The producers say that the public is not interested. And so they will lose money if they make religious films. And so we have been seeing less and less of religious and spiritual themes on screen. Rather, I do not recall seeing any title that indicates a religious film, in the past decade or so.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Songs to Tickle Your Memory – 7
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Listen to this song first, and then search for the familiar. See what you come up with. This song is from a very obscure ‘jaadugar sainyaan’ type film from 1964 titled ‘Magic Carpet’, the name in Hindi is ‘Jaadui Shatranji’. Consider the timing, consider the name of the music director, maybe you will make the connections.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10500 song posts by now.

Total number of songs discussed

10543

Number of movies (All songs covered)

563

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