atul's bollywood song a day- with full lyrics

Archive for the ‘Guest posts’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Entertaining Sales Pitch Songs – 5
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It should be an interesting exercise – to identify and list out all the sales pitch songs, and then check which actors have performed them on screen. My intuition is that the exercise will indicate that most sales pitch songs, sung by male voices, have been performed on screen by either Johnny Walker or Mehmood.

Presenting the next installment of entertaining sales pitch songs. And it is Johnny Walker once again. In the episode one before the previous, he was selling ‘kakdiyaan’. In this one, he has setup a “chalti phirti photography ki dukaan”. As can be expected, there is a song to along with it. He is making an attempt to woo new customers by enticing them with the thought that they can ‘carry’ their beloved close to their heart, after they have engaged his services to have a photograph taken by him.

The film is ‘Pehli Raat’ from 1959. Produced by AA Nadiadwaala under the banner of Pushpa Pictures, the film is directed by PL Santoshi. The star cast for the film is listed as Sohrab Modi, Nimmi, Rehman, Nanda, Sudesh Kumar, Prakash, Sheela Kashmiri, Manorama, Gupta, Jeevan, Munshi Munakka, Paro, Ameerbai, Ratna, Lalita Pawar, Daraaz, Adeeb, Maqbool, and yes, Johnny Walker. The nine songs of this film are written by Majrooh Sb and the music is composed by Ravi. The singing voice, is that of Rafi Sb, who has sung majority of the songs that Johnny Walker performed on screen.

See and listen to this fun song as Johnny Walker, the photographer is selling his services as a photographer, trying to reach the hearts of the gentlemen with promises of keeping close the image of their beloved. Enjoy.

Song – Dilbar Pe Ho Na Kaabu Photo Khincha Le Babu (Pehli Raat) (1959) Singer – Mohammed Rafi, Lyrics – Majrooh Sultanpuri, MD – Ravi

Lyrics

dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu
haaye
dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu

tasveer uski le jaaoge. . .
phir aisa kaabu paaoge
tasveer uski le jaaoge
phir aisa kaabu paaoge
tanhaai mein aashiq ya shauhar
jo chaaoge ban jaaoge
kyon kaisi kahi
tanhaai mein aashiq ya shauhar
jo chaaoge ban jaaoge
kyon
kaisi kahi
dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu
haaye haaye
dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu

gusse se ye na bolegi
tere hi sang sang dolegi
gusse se ye na bolegi
tere hi sang sang dolegi
ik baar galey lag jaaoge
to bhi ye moonh na kholegi
kyon kaisi kahi
ik baar galey lag jaaoge
to bhi ye moonh na kholegi
kyon
kaisi kahi
dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu
ha. . .aye
dilbar pe ho naa kaabu
photo khincha le baabu
maashooq ho phir jeb mein
aisa dikhaaun jaadu

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Hindi script lyrics (Provided by Sudhir)
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दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू
हाए
दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू

तस्वीर उसकी ले जाओगे॰ ॰ ॰
फिर ऐसा काबू पाओगे
तस्वीर उसकी ले जाओगे
फिर ऐसा काबू पाओगे
तन्हाई में आशिक या शौहर
जो चाहोगे बन जाओगे
क्यों कैसी कही
तन्हाई में आशिक या शौहर
जो चाहोगे बन जाओगे
क्यों
कैसी कही
दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू
हाए हाए
दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू

गुस्से से ये ना बोलेगी
तेरे ही संग संग डोलेगी
गुस्से से ये ना बोलेगी
तेरे ही संग संग डोलेगी
इक बार गले लग जाओगे
तो भी ये मुंह ना खोलेगी
क्यों कैसी कही
इक बार गले लग जाओगे
तो भी ये मुंह ना खोलेगी
क्यों
कैसी कही
दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू
हाए
दिलबर पे हो ना काबू
फोटो खिंचा ले बाबू
माशूक़ हो फिर जेब में
ऐसा दिखाऊँ जादू


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shyamlal Babu Rai, who wrote endearing gems in the golden era of melody, such as “Bade Armaanon Se Rakha Hai Balam Teri Kasam”, and also popular hits for the new generation in the 1970s, such as “Aap Jaisa Koi Meri Zindagi Mein Aaye, To Baat Ban Jaaye”, had started his career back in the 1946 with two completely obscure and now unknown films – ‘Double Face’ and ‘Jungle Ki Pukaar’.  Information about these films is not easily traceable, and neither have the songs of these films have surfaced so far.

Remembering Indeewar, song writer par excellence, on the anniversary of his passing away today (27th Feb).

Yes, his real name was Shyamlal Babu Rai, and Indeewar was his pen name.  He was born in the Dhamna village in Jhansi District (now in Madhya Pradesh) in 1924.  An innate passion for poetry and words, brought him to Bombay in 1945, at the age of 21, to try and set up a career for himself in Hindi films.  The early years were anonymous and struggling years, and he had to wait for almost half a decade and a good fifteen films, before getting his first taste of popular success.  This came in the form of songs of the film ‘Malhaar’ (1951).  The success of the music and songs of this film pushed him into the front line of song writers in the industry.

His work was recognized as successful and popular, in that the songs written by him were nominated five times for the top honors at the Filmfare awards.  Three of these nominations came in consecutive years from 1974 to 1976.  The lady luck smiled at him in 1976, and his creation “Dil Aisa Kisi Ne Mera Toda” from the film ‘Amaanush’ was honored with the award for the Best Song for the year 1976.

Indeewar passed away this day in 1997, after having spent a career spanning five decades in the industry, leaving behind a legacy of over one thousand songs that wrote for about three hundred films.

Today, I present this sound from the early years of his career.  The film is ‘Didi’ from 1948.  The music direction is by Mukund Masurekar, who incidentally is also the director of the film.  The film is produced under the banner of Navbharat Pictures, and the star cast as listed in the Geet Kosh, is Ranjana, Ghanshyam, Shobha Rani, Charu Bala, Pandey, Anand, Amrit, Narsi, and Kukku etc.  All in all, an obscure and unknown film which makes its debut on this blog today.

There are eleven songs in this film, eight of which are from the pen of Indeewar.  The other lyricist sharing the credits for this film is Saraswati Kumar ‘Deepak’.  The name of the music director is also new to the blog.  I request other knowledgeable readers and friends to please add more information about this film and its music director.

The singing voice is that of Geeta Rai (later Geeta Dutt), who sings an endearing song, calling out to her beloved.  The time used to be when even married couples had to wait for their chance even to see each other, no matter that they were living under the same roof.  The lady is calling out to her beau, and then she says, wait, let me check whether the mother-in-law is around.  Then she goes on to recommend that they should have their conversation with only the eyes, maybe fearing that the spoken words will carry to other ears also.  Harking back to the years and the times when a different set of morals and rules were followed.  But that discussion another day.  Today, lets listen to this simple worded heartwarming expression.  And enjoy one of the earliest creations of Indeewar.

Song – Chupke Chupke Aana Mere Raja Mere Paas (Didi) (1948) Singer – Geeta Roy, Lyrics – Indeewar, MD – Mukund Masurekar

Lyrics

chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

mujhse karna baat balamwaa
aankhon hi aankhon mein
mujhse karna baat
mujhse karna baat balamwaa
aankhon hi aankhon mein
phool si hoon  rakhna mujhko
haathon hi haathon mein
phool si hoon  rakhna mujhko
haathon hi haathon mein
zindagi ke phool mein
jawaani ki hai baat
zindagi ke phool mein
jawaani ki hai baat
zindagi ke phool mein
jawaani ki hai baat
chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

duniya ki chalne na dena
gir jaane do bijli
duniya ki chalne na
duniya ki chalne na dena
gir jaane do bijli
bhaonraa tum ban jaao balamwaa
main ban jaaun titli
bhaonraa tum ban jaao balamwaa
main ban jaaun titli
jaayen kisi baagh mein
rachaayen donon raas
jaayen kisi baagh mein
rachaayen donon raas

chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

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Hindi script lyrics (Provided by Sudhir)
——————————————
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास

मुझसे करना बात बलमवा
आँखों ही आँखों में
मुझसे करना बात बलमवा
आँखों ही आँखों में
फूल सी हूँ रखना मुझको
हाथों ही हाथों में
फूल सी हूँ रखना मुझको
हाथों ही हाथों में
ज़िंदगी के फूल में
जवानी की है बात
ज़िंदगी के फूल में
जवानी की है बात
ज़िंदगी के फूल में
जवानी की है बात
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास

दुनिया की चलने ना देना’
गिर जाने दो बिजली
दुनिया की चलने ना देना’
गिर जाने दो बिजली
भौंरा तुम बन जाओ बलमवा
मैं बन जाऊन बिजली
भौंरा तुम बन जाओ बलमवा
मैं बन जाऊन बिजली
जाएँ किसी बाग में
रचाएं दोनों रास\
जाएँ किसी बाग में
रचाएं दोनों रास\
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Sunday was a learning experience. I visited the encyclopaedia of atuldom. I realised that the wealth of knowledge is not only because he has seen Indian movies but has also read about them. And I was amazed by the system he uses for writing a post. I took the liberty of asking for his collection of The HFGK. And I felt humbled that we in atuldom are celebrating 10900 and here is someone who has volumes on all the songs from the time Hindi films were born. But of course Hamrazji’s work of passion is different from what Atul has set out to do. So that brings us back to the main question. Is atulsongaday atulji’s passion or a vividh bharati for all of us where we send our farmaishes. I have lost count of the number of times I have raised this question. And Atulji, very sportingly just posts one more of our farmaishes :).
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs have become an integral part of Hindi films since the advent of talkies in 1931. In the early 1930s, most of the Hindi film songs were influenced by the Hindustani classical ragas. This was understandable as most of the music directors of that period had exposure to Hindustani classical music. However, from the 1940s, songs based on semi-classical genres such as Thumri, Dadra, Khayal and folk music began to playe a predominant role in Hindi film music. The impact of Begum Akhtar on film music was evident as even ghazals were sung in thumri format in the films. At the same period, Kolkata based music directors were greatly influenced by Rabindra Sangeet while composing Hindi and Bengali film songs.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 2 # Talat Mehmood-1
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This is the second offering in this series. My primary focus in this series is to introduce those films from the decade 1971-1980 that are yet to make a debut on the blog.

But instead of going chronologically I willdiscuss these songs in sequence in which I noticed them in HFGK Vol-V. And of course, special songs are to be discussed first.

And today’s song is definitely a special one – a devotional song in the ‘velvet voice’ – now this one really came to me as surprise when I read the first song in the list under this film’s name in HFGK. The singer was none other than Talat Mehmood.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi : The incomparable – Song No. 03
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Here is an example of a typical filmy song. It has the correct amount of teasing, mischief and romance with confidence. And nobody, no singer atleast did this with the right balance as Rafi Sahab.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
——————————————–
# Bhoole-Bisre Geet # 1 # Kavi Pradeep-1
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I missed the Mumbai Gangout as there were some fortunate developments at my workplace which were leading for an uncertain future for me.
So, one would be surprised to read ‘fortunate developments’ and that too leading to ‘an uncertain future.
Fortunate was it because the decision was taken by me to take a break from my current assignment and start a new journey which I would begin after searching and settling for.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MINI SERIES…..MAHASHIVRATRI CELEBRATIONS
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Song No. 5 .. Last song.
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I wish all our readers a VERY HAPPY MAHASHIVARATRI. May Lord Shiv Ji bless all !

Today is the most auspicious day for every Shiv Bhakt in the world. Lord Shiv and Maa Parvati get married today, as per Shiv Puran. The day is also known for the Cosmic Dance of Shiv ji-Tandav Nritya.
Read more on this topic…


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – The Incomparable – 2
– – – – – – – – – – – – – – – – – – – – – –

We all know that Mohammed Rafi Sb is the one playback who had many singers copying and imitating his singing style during his lifetime.  After his passing away, the tendency only increased.  There are a few shining examples like Sonu Nigam who started with Rafi Sb’s style and made a name for themselves.  He is, in my view, closely followed by Udit Narayan and Mohammed Aziz.  During the 1970s, when Rafi Sb was alive, there was Anwar who reportedly trained under him, and Rafi Sb himself regarded him highly.  All these singers strived to imitate the inimitable Rafi magic.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 4
– – – – – – – – – – – – – – – – –

         Bombay Gangout – Part 4
         After The Meet.

After the gangout session, as everyone dispersed and proceeded to their respective destinations, Srinivas (SignalTimer) and I headed to the local train station, that is just like across the road from the gangout meeting place.  We took the train going south; we had a visit scheduled, to meet another common friend who is beset with the same passion of the Hindi film music from the Golden Era.  The name is Kushal Gopalka.  Some of the group members in Bombay may be familiar with this name, as he is active in this space, in a very different and interesting manner.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10900 song posts by now.

Total number of songs discussed

10918

Number of movies (All songs covered)

634

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