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Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 5
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Sometimes it so happens that some song is so well ingrained in memory that it appears as if, oh well, everyone must remember this song.  And further, it simply cannot be so that this song is not yet on the blog.  But then, surprises never cease, right?

This wonderful song is a keen memory from the childhood radio listening days.  As I am browsing through my collection of the 1960s, I come across the 1965 film ‘Sindbad, Alibaba, Alladin’.  The list of songs rang a few bells I just happened to check the list on the blog. Two songs from this film are absolute foot tappers.  One of them is already posted – “Mera Naam Jinny, Soney Ki Ginni”.  But this song, is still waiting to be showcased.  Well, here it is.

Most fast rhythm songs that I can recall generally use the drums of various types to create the fast paced tempo.  But in this song, a major part of the rhythm is based on the tabla.  In fact, all portions of the song excluding the music interludes, are based on a very prominent beat of the tabla.  As one listens to this song, one is taken in by the fantastic pace that is sustained throughout the song, primarily on the strength of the tabla beats. Absolutely enchanting.

I have the film in my VCD collection, but I have yet to see it.  As our dear Arun ji has remarked in one of his earlier articles, the producers of Hindi films have really a prolific imagination, and over the years they have been successful to bring together historical and fictional characters across time and across geographies.  And so the script writers are given a free hand to bring together, say Hercules who is persona from the Greek mythology from more than a couple of thousand years ago, and Tarzan, whose fictional existence is rooted in the twentieth century imagination of an American writer, writing about the jungles of Africa.  So if that can be accomplished, then bringing together three separate stories from the Arabian Nights, and tying them into a single thread is a ‘baayen haath ka khel’ (a left-hand-job aka a very easy task) for the idea generators and scriptwriters of Hindi films.  And thus come about films like ‘Tarzan And Hercules’ and ‘Sindbad, Alibaba, Alladin’.

The film is from an innocuous banner – All India Pictures, and is directed by PN Arora (regulars would recognize him as the one time ‘mentor’ to Helen).  Cast of actors includes Pradeep Kumar, Saeeda Khan, Agha, Bhagwan, Ulhas, Helen, Meenu Mumtaz, Zohra Jamal, Heeralal, Rajan Haksar, Ramavtar etc.  There are more players in the film, e.g. the three ladies performing this song on screen – I have not been able to identify them, and request help from keener ‘identifiers’ to please help name these dancers.  The three leading protagonists of course are Pradeep Kumar, Agha and Bhagwan, who are introduced in the beginning of this clip, as is Rajan Haksar.  Later in the song, one can also make out the rotund figure of Ramavtar, as the chief of royal guards, so to say.

The words are from the pen of SH Bihari.  The zippy music comes from the mind of Ravi.  And the singing voices are of Asha Bhosle, Usha Mangeshkar and Meenu Purushottam.  I have tried to identify the voices and color code them.  However, I would request keener ears to suggest any corrections to the color coding of this song.

As I was checking online, I located this video clip, which is not the best quality, plus the lip syncing is out of sync, between the sound of the words and the performers’ lip movements.  Just on interesting hunch, I picked out this song from my collection and listened to it.  And found it to be a longer song, with a bonus extra stanza.  So I uploaded the audio today, and have provided both the links. The lyrics are based on the longer audio version.

The time even in the 1960s was that the songs had to be recorded in single sessions.  As I listen to this song, I marvel at the artistry and the timing of all the artists involved, singers and instrumentalists, who synchronize this rapid fire combination of three singing voices and a combination of multiple music instruments.  Technology these days has climbed to such heights that such single session recording efforts are redundant.  And that is what makes me marvel the artists of yore all the more.  That they were able to create such fantastic rhythms and melodies, which simply are no longer available, with some rare exceptions.  What the artists of that golden era could create without the help of this technology, is a thousand times more hear-able and memorable from the ‘music-stuff’ that we get today.

Sorry for the digression.  Just thinking about the process of generating the music items, and their quality.  Let me not keep you any longer, from enjoying this fabulous foot tapper.  And that too, based on tabla beats.

Just listen and enjoy.  And marvel. :)

Video (2 stanzas)

Audio (3 stanzas)

Song – Lai Lai Maula Lai Lai, O Lai Lai Maula Lai (Sindbad Alibaba Alladin) (1965) Singer – Asha Bhosle, Usha Mangeshkar, Meenu Puroshottam, Lyrics – SH Bihari, MD – Ravi
Asha + Usha + Meenu

Lyrics

lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

na main yunaani hoon
na main irani hoon
teri deewaani hoon
allaah kasam
dil le ke aayi hoon
mehfil pe chhaai hoon
wallaah duhaai hoon
mere sanam
main wo shamma hoon
jiski khoj mein
parwaane hain kai
o o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

rangeen ishaare hain
dilkash nazaare hain
ye sab tumhaare hain
jaan e jahaan
nazren ladaate ho
dil bhi bachaate ho
chhup chhup ke jaate ho
bolo kahaan
ek baar to
mud ke dekh lo
ye duniya hai nai
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

ye duniya faani hai
do din jawaani hai
shola hai paani hai
phir kaisa darr
qaatil nigaahon se
lehraati baahon se
chaahat ki raahon se
hans ke guzar
beqaraar hain
intezaar mein
ye aankhen surmai
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai


———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

ना मैं यूनानी हूँ
ना मैं ईरानी हूँ
तेरी दीवानी हूँ
अल्लाह क़सम
दिल ले के आई हूँ
महफिल पे छाई हूँ
वल्लाह दुहाई हूँ
मेरे सनम
मैं वो शमा हूँ
जिसकी खोज में
परवाने हैं कई
ओ लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

रंगीन इशारे हैं
दिलकश नज़ारे हैं
ये सब तुम्हारे हैं
जान ए जहां
नज़रें लड़ाते हो
दिल भी बचाते हो
छुप छुप के जाते हो
बोलो कहाँ
एक बार तो
मुड़ के देख लो
ये दुनिया है नई
हो लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

ये दुनिया फ़ानी है
दो दिन जवानी है
शोला है पानी है
फिर कैसा डर
क़ातिल निगाहों से
लहराती बाहों से
चाहत की राहों से
हंस के गुज़र
बेक़रार हैं
इंतज़ार में
ये आँखें सुरमई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = =
The Voice of Mukesh #68
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Such discoveries do not happen often. Finding unknown songs that one is not aware of.  Today is one such occasion, and this Mukesh song is one such song. And the credit for searching it out and sending it to me, goes to Mahesh ji Mamadapur.  A simple email from him yesterday – saying that he has found a song online that he cannot locate on the blog.  Since we have definitely covered and accounted for, all songs of Mukesh till the mid 1950s, how come this song from the 1948 film ‘Mera Munna’ does not appear on our blog?  I scrambled to check, and I found the following.

In the Geet Kosh volume 2, the information about this film is not completely listed.  The names of the singers are missing.  Most likely, by the time this volume got printed, this information was not available.  When Harish ji started to compile the songs list for the Mukesh Geet Kosh, he picked up the list of Mukesh songs, as in the print volumes of Geet Kosh, and tracked them down. However, many songs, such as this song today, were not even identified.

Earlier, whenever the lists of songs of specific artists have been discussed, I have always commented that there is a fair share of specific information that is still to be located, and these lists and compilations will verily get updated as more information becomes available. Over the years, more and more unpublished and newer information has been coming to light, which is adding to and updating the current body of knowledge.  Earlier in this series itself, we have identified and posted songs that were identified and tracked down, after the publication of the Mukesh Geet Kosh.  So when I saw this email yesterday from Mahesh ji, I realized this is an occasion to celebrate. I immediately sent a message to Harish ji Raghuvanshi, the compiler of the Mukesh Geet Kosh, and requested for his confirmation.  His reply came in very early morning today, confirming this information.

And so we have a reason to celebrate – a comparatively recent discovery of a song from 1948. An addition to this series, as we step back from the current status to post a song that is actually earlier in the sequence of his songs.

The film is ‘Mera Munna’.  It comes from Minerva Movietone,  the flagship banner of Sohrab Modi.  The film is directed by Vishram Bedekar. The cast of actors includes Motilal, Nayantara, E Tarapur, Leela Misra, Sita Bose, Wazir Mohammed Khan, Anita Sharma, Sadat Ali, Ramesh Sehgal and Hafeeza.  The Geet Kosh lists seven songs, all written by Qamar Jalaalabaadi. The music is composed by C Ramchandra.  Harish ji has shared the details of the singers of these songs.  Out of seven, there are four solos in the voice of Lalita Deolkar, and one duet of her and Mukesh.  Information for the remaining two songs is not yet available.  I request other friends and readers to please add more information about this film and its song.  My guess would be that this song is performed on screen by the lead pair of Motilal and Nayantara.  But I would like to get some confirmation for that.

Coming to this song. Goodness what an extraordinarily endearing song that is so simple in its words and musical constructs.  There are many songs in Hindi films that talk of the approaching arrival of a new addition to the family – a child is on way.  “Chanda Se Hoga Wo Pyaara, Phoolon Se Hoga Wo Nyaara”, “Koi Aane Waala Hai Chaand Ki Doliya Pe Ho Ke Sawaar”, “Jeevan Ki Bagiya Mehakegi, Chehakegi. . .”, “Hum Do Mil Ke Kaagaz Pe Dil Ke, Chitthi Likhenge Jawaab Aayega”, “Munna Badaa Pyaara Ammi Ka Dulaara” are some of the memorable songs that come to mind immediately.  And yes, there are more posted in this blog – just click on the categories link “expectant parents” songs’ in the column on the right hand side.This song sounds very different – it is a naughty conversation piece, minimum emotional and philosophical content.  It is a simple exchange of liners between the lady and the gentleman – a little bit of teasing, a spoonful of bashfulness, a spoonful of ‘meethi taqraar’, and loads of endearing fun. And then, yes, there is the voice of Mukesh, that has the ability to transform the ordinary into something extraordinary.

The conversation goes something like this. The lady says
        tum humpe hanso na piya
        humpe hanso na

and the gentleman responds
        tum humse lado na aji
humse lado na

Seems like the gentleman started by teasing the lady about the expected addition to the family.  So the lady tells him not to laugh at her.  And he responds by asking her not to quarrel with him.

Next, the gentleman poses the question
        bas itna kaho choodiyaan hum laaen ke topi

to which the lady responds
        sharma ke chale jaayenge
baat aisi kaho na

He is teasingly asking her whether he should prepare for a girl child i.e. get choodiyaan(bangles), or should he prepare for a boy child, i.e. get a cap for him.  And the lady sidesteps the question by saying not to ask questions like this, or else, feeling shy, she will go away.

Then, the gentleman contemplates
        tum humko bhula dogi
        jab aayega mehmaan

to which the lady requests that
        apnon se jalo na
        piya apnon se jalo na

The gentleman is musing that she will forget him once the child arrives.  And the lady requests him not to be jealous of someone who is their own.

But the gentleman continues with his teasing mood and announces
        gar tumne usey pyaar kiya
        hum to jalenge

And the lady replies by reminding him that
        wo mera hai tum mere ho
        aapas mein lado na

The gentleman is not giving up his line of teasing argument, and says that if she loves the child, the of course he will feel jealous.  And the lady reminds him that both he and the child are equally dear to her, and so he better not quarrel with the child.

As I said, a simple exchange, but what an endearing song this has become.  Listen and enjoy.

 


Song – Tum Hum Pe Hanso Na Piya Hum Pe Hanso Na (Mera Munna) (1948) Singer – Lalita Deolkar, Mukesh, Lyrics – Qamar Jalaalabaadi, MD – C Ramchandra

Lyrics

naa naa naa
tum humpe hanso na piya
humpe hanso na
tum humpe hanso na piya
humpe hanso na
haan haan haan haan
tum humse lado na
humse lado na aji
humse lado na
tum humpe hanso na piya
humpe hanso na
tum humpe hanso na piya
humpe hanso na

bas itna kaho
bas itna kaho choodiyaan hum laaen ke topi
sharma ke chale jaayenge
sharma ke chale jaayenge
baat aisi kaho na
baat aisi kaho na
tum humpe hanso na piya
humpe hanso na
tum humse lado na aji
humse lado na
tum humpe hanso na piya
humpe hanso na

tum humko bhula dogi
jab aayega mehmaan
tum humko bhula dogi
jab aayega mehmaan
apnon se jalo na
piya apnon se jalo na
apnon se jalo na
piya apnon se jalo na
tum humse lado na aji
humse lado na
tum humpe hanso na piya
humpe hanso na
tum humpe hanso na piya
humpe hanso na

gar tumne usey pyaar kiya
gar tumne usey pyaar kiya
hum to jalenge
haan hum to jalenge
wo mera hai tum mere ho
wo mera hai tum mere ho
aapas mein lado na
tum humse lado na aji
humse lado na
tum humpe hanso na piya
humpe hanso na
tum humpe hanso na piya
humpe hanso na

—————————————-
Hindi script lyrics (Provided by Sudhir)
—————————————–

ना ना ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
हाँ हाँ हाँ हाँ
तुम हमसे लड़ो ना
हमसे लड़ो ना अजी
हमसे लड़ो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना

बस इतना कहो
बस इतना कहो चूड़ियाँ हम लाएँ के टोपी
शर्मा के चले जाएँगे
शर्मा के चले जाएँगे
बात ऐसी कहो ना
बात ऐसी कहो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
तुम हमसे लड़ो ना अजी
हमसे लड़ो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना

तुम हमको भुला दोगी
जब आएगा मेहमान
तुम हमको भुला दोगी
जब आएगा मेहमान
अपनों से जलो ना पिया
अपनों से जलो ना
अपनों से जलो ना पिया
अपनों से जलो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
तुम हमसे लड़ो ना अजी
हमसे लड़ो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना

गर तुमने उसे प्यार किया
गर तुमने उसे प्यार किया
हम तो जलेंगे
हाँ हम तो जलेंगे
वो मेरा है तुम मेरे हो
वो मेरा है तुम मेरे हो
आपस में लड़ो ना
तुम हमसे लड़ो ना अजी
हमसे लड़ो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना
तुम हमपे हंसो ना पिया
हमपे हंसो ना


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 22
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Six films in all, from 1958 to 1960.  That is how long his career lasted.  As a solo music director I mean.  After this six films, the brothers opted to work as a duo, a combination that lasted his lifetime, creating phenomenal music for more than 250 films.

Remembering Kalyanji on the anniversary of his birth today (30 June).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 9
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What an enchanting and rare piece of music this one is.  Coming from the 1935 film ‘Raaj Mukut’, this song is part of the history that is eight decades old now.  Of the fourteen songs that are listed for this film in the Geet Kosh, only this one is so far traceable and available.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If I were to ask you to let me post a special song for a special anniversary that is already belated by six days, as opposed to waiting for 360 more days to post this celebration song, what would you say?  And if I told you that the anniversary is really special, extra special; then?  I have a confident feeling that you will say – ok, well, go ahead, post the special song, and tell us what the celebration is.

And now, taking this feeling of confidence further, I now know that I have your full support in posting this special song today, no matter that we are six days delayed in making this celebration.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s date is an important date.  Two very unique artists share this date as their birth anniversary.  Two artists who have made some of the most memorable contributions to the Hindi film song and music.  The two names are Sajjaad Husain Sb, music director par excellence and Suraiya, the singer with an enchanting voice and an unmatchable repertoire of renditions.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is a special search request from a dear friend Arvinder ji Sharma.  Regular team members would have noticed this name being appended to the email ‘To’ list in recent email exchanges.  I got introduced to him, at first through our mutual friend Zafar Bhai, and then once again the threads met thanks to AK ji (of SOY) when he invited us for a get together.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 6
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Aah, coming back to Bombay. :)

In the first five episodes of this series, I have covered the Bombay gangouts that took place in December last year.  However, my tales of Bombay are not yet done. Moving forward with this series, I am going to be writing about my personal experiences with this enigmatic city which is a confluence of contradictions.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

On this blog, we have discussed often about the confusion in data and information related to films, songs and artists.  Across the various sites online, and even in print sources, there is so much misinformation floating around that it is really difficult to now have a trust on any one source.  The subject of this post is one such case in example.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 21
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There is an email from Avinash ji today morning wherein he has commented about the pace of posting in the current couple of weeks.  I quote – “. . . and this is where all my daily routine is getting affected, because the blog and the posts is my biggest motivation and new posts are not coming at earlier pace (leave alone my contributions :) even others’ are very less, no doubt, as you had said our BOSSES must be having some other priorities#”.  So not exactly taken by any surprises, still it is heartening to note that the daily routine of our fellow travelers is entwined with the set of daily posts that appear on this blog. I know there have been similar discussions and comments in the past.  And the spirit continues. :)
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11200 song posts by now.

Total number of songs discussed

11234

Number of movies (All songs covered)

672

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