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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Posts like this come really once in a while. I would like to call them million dollar posts. Or rather ‘laakh rupaye ki baat (post)’ – because ‘Phir Bhi Dil Hai Hindusatni’. :) :)

Congratulations to all fellow band-wagoneers and welcome to the next century milestone. We are Ten Thousand and Two Hundredth post today. And the march continues. Generally, when we come to century posts, we have celebrations connected to it. Almost always, we have at least one anniversary that we connect with a century post, or we have a certain artist also complete a century or a multi century individual milestone along with the blog century milestone. Occasionally we have a double celebration connected together, which actually makes three milestones – the blog century post, and two other important celebrations – combinations of artist anniversaries and / or artist century posts.

The special that we have today is a more rare occurrence – blog century milestone plus three other milestones. I tried to search for other examples of similar dimensions, and can readily recall only one other such combination. On 12th February last year, when the blog clocked the 7500th song, we had a special that included century milestones for three artists together. The song is “Tum Bansi Ho Main Taan” (http://atulsongaday.me/2013/02/12/tum-bansi-ho-main-taan/) from the film ‘Radha Krishna’ (1954). I request Atul ji and other readers to identify whether any more such quadruple celebration posts have happened in the past. The artists that clocked the century milestones together in the 7500th post are Lata ji (then at 2200 songs), Geeta ji (then at 400 songs) and Sachin Da (also at 400 songs at that point). So two singers and a music director.

What we have today is another interesting combination of three artists who are reaching the grand centuries of individual presence on the blog. And oh, so very very interesting that two of the artists from the 7500th song are also present in the celebration of the 10,200th song today. The honor roll of the artists for today’s celebration is Lata ji, Sachin Da and Rajinder Krishan – a balanced mix of singer, music director and lyricist. Lata ji is reaching her 2700 song to be published here. Rajinder Krishan breaches the 800 mark and Sachin Da arrives at the 500th song to be showcased here on the blog.

The reason I call such occasions as ‘Laakh Rupyae Ki Post’, is because it really is a combination of many unpredictable variables that can make it happen. In general, each of the artists is progressing at their own pace, as and when their songs get posted. Sometimes we see an acceleration by design, but that is only because either their anniversary is due, and / or their individual century milestone is approaching. Making it happen by design can be done for maybe one artist at a time. It is sheer coincidence when we may find two artists approaching their individual milestones and then Atul ji may try to coincide the celebrations. Such coincidences are rare.

But rarer still is the possibility that three artists will be approaching their individual milestones. Such occurrences are a horizon beyond coincidence. They sound more like quirks of improbability, converging into an event. And then getting coupled to the blog century marker – that is one more dimension variable that further complicates the equation. Ah, but the kicker is still to come.

For all these celebrations to come together, there is the much bigger improbability at work. And that also has two further dimensions. One – that the artist that we are trying to put together into a single post, well, they should have worked together, to make it into a single post, that means – one song. Now this is the real clincher. With so many artists working together to have created so many thousands of songs, one would simply expect many of them to have worked together for creating music. That is the general expectation. But I tell you, the actual state of affairs is not so straightforward. Two artists – well, one can still expect to see a good sizeable body of work done together. Add one more artist to the list. And suddenly the number of songs available from them having worked together plummets down by orders of magnitude.

Take the example for today. Lata ji, Rajinder Krishan, Sachin Da – all three very prolific artists with really big size contributions to the world of Hindi film song. But I was really stumped to find that Rajinder Krishan and Sachin Da have worked together just in five films – four of which came in 1950-51 and the fifth came in 1957. With so much work done by both these stalwarts over a contemporaneous period of almost three and a half decades, suddenly we find ourselves working with a very limited portfolio of songs. Add the name of Lata ji to this mix, and that further reduces the number of options we have for ferreting out a song for special celebrations.

And now to add the final dimension of complexity to this whole affair. The song should be unpublished on the blog. Wo, now we are really fishing for needles in haystack. With such a large number of songs now posted, this exercise becomes even more limiting. Of course, as we are merrily going along with posts day in and day out, we are not really bothering to hold back songs for special occasions like these combinatorial celebrations. And when the quirks of improbability bring us to this juncture, we find ourselves really scrambling to get to a good song worthy of the celebration. Putting all these permutations and combinations together, it is really a challenging task to be able to do a post such as this. I remember when I was preparing for the 7500th post. Having pored through pages and pages of Geet Kosh details, I was really amazed to find that Sachin Da, Lata ji and Geeta ji are featured together in just one songs across all their careers. And being blessed for small mercies, the song was not yet published on the blog. (I base this on the information that is currently available in the print version of the Geet Kosh. There may be missing information or corrected information that may change this result.)

And so, being blessed for small mercies – :) :) – this ocean of Hindi film songs still holds a gem or two, for all occasions.

This song that I present for this celebration today, bringing together these three stalwart artists, comes from the 1957 film ‘Miss India’. A song sung by a young damsel, who has just lost her heart in love, is asking of the morning breeze whether it knows how her heart was taken away. A lovely gem of a song coming from a not totally unfamiliar film. A very pleasant listen – a soft melody that makes one get a feel of the early morning breeze. Depend on Sachin Da to add in some folk elements into the construction of the melody. I could locate only the audio of this song, but my intuition is that this song would have been performed by Nargis on screen.

And so, the bandwagon marches on, continuing to discover lost and unheard gems. Ten thousand two hundred songs – or as Raja ji would put it – ‘Ten time Ten time Ten times Ten plus Two times Ten times Ten’. My, my, we are into some very impressive numbers league now.

Listen and enjoy.


Song-Baad e saba kuchh to bata (Miss India)(1957) Singer-Lata, Lyrics-Rajinder Krishan, MD-S D Burman

Lyrics

aaa aaa aaaaaaaa
baad e sabaa
kuchh to bataa
ye kya huaa
kaise mera
oye ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaa
kuch to bataa
ye kya huaa
kaise mera
o ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaa

kal raat jab chaandni thi jawaan
aa nikle thhe yoon hi do dil yahaan
kal raat jab chaandni thi jawaan
aa nikle thhe yoon hi do dil yahaan
chaand dhhalta gayaa
dil machalta gaya
pyaar ka ik suhaana bahaana hua
o ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaa
kuch to bataa
ye kya huaa
kaise mera
o ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaaaaaa aaaaa
aaaaaa aaaaaaa
aaa aaaa aaaa aaaa aaaaaaaa

lehar kaise kinaare se takraa gayi
chali thhi kahaan se kahaan aa gayi
lehar kaise kinaare se takraa gayi
chali thhi kahaan se kahaan aa gayi
naao behti gayi
aur kehti gayi
hai ye subah nayi ye zamaana naya
o ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaa
kuch to bataa
ye kya huaa
kaise mera
o ji ji ji ji
ji ji ji ji
dil kho gayaa
baad e sabaa

—————————————–
Hindi script lyrics (Provided by Sudhir)
—————————————–

आ आ आ आ
बादे सबा
कुछ तो बता
ये क्या हुआ
कैसे मेरा
ओय जी जी जी जी
जी जी जी जी जी
दिल खो गया
बादे सबा
कुछ तो बता
ये क्या हुआ
कैसे मेरा
ओ जी जी जी जी जी
जी जी जी जी जी
दिल खो गया
बादे सबा

कल रात जब चाँदनी थी जवां
आ निकले थे यूं ही दो दिल यहाँ
कल रात जब चाँदनी थी जवां
आ निकले थे यूं ही दो दिल यहाँ
चाँद ढलता गया
दिल मचलता गया
प्यार का इक सुहाना बहाना हुआ
ओ जी जी जी जी
जी जी जी जी
दिल खो गया
बादे सबा
कुछ तो बता
ये क्या हुआ
कैसे मेरा
ओ जी जी जी जी
जी जी जी जी जी
दिल खो गया
बादे सबा
आ आ
आssss आssssss
आ आss आss आss आsssss

लहर कैसे किनारे से टकरा गयी
चली थी कहाँ से कहाँ आ गयी
लहर कैसे किनारे से टकरा गयी
चली थी कहाँ से कहाँ आ गयी
नाव बहती गयी
और कहती गयी
है ये सुबह नयी ये ज़माना नया
ओ जी जी जी जी
जी जी जी जी
दिल खो गया
बादे सबा
कुछ तो बता
ये क्या हुआ
कैसे मेरा
ओ जी जी जी जी
जी जी जी जी
दिल खो गया
बादे सबा

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It has been raining fairly much all day yesterday. It was raining when I woke up today morning. Seemed like a good pleasant day starting. The weather in Delhi had been humid and windless for past two three days. Yesterday was a welcome break and today is a day with brightness that comes after rain. With nothing particular for reference, the mind had been humming the lines since I woke up.

barsaat mein
humse miley tum sajan
tumse miley hum
barsaat mein

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = =

The Many Colors of Love #20 – The Ticklish Aches of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -

And so wrote the scribe

pyaar ka. . . dard hai
pyaar ka. . . dard hai
meetha meetha. . . pyaara pyaara
meetha meetha. . . pyaara pyaara
ye haseen. . . dard hi
ye haseen. . . dard hi
do dilon ka. . . hai sahaara
do dilon ka. . . hai sahaara

Aah, to be young at heart, and in love – the emotion carries one to the top of the world. And really, there is a tickle of a lovely pain in the heart when this emotion starts to spread its wings. When just a mere mention of a name, or even just the thoughts of that someone special, will trigger this hastened heartbeats and a rising feeling, that it is difficult to restrain from staying still. The phrase – ‘pulling at the strings of the heart’ – has been oh so aptly coined. Literally it seems as if something is pulling at the heart. And the ache that follows is so full of pleasure. For the thoughts of that someone special are joining this ache, in a delectable conspiracy that brings this loveable tingling sensation. And the heart wants to just soak itself and remain submerged in this fluidy flow of emotions and sensations.
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This article is written jointly by Arunkumar Deshmukh and Sudhir, fellow enthusiasts of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Arunkumar Deshmukh
—————————————
Date-14th march 1931
Venue- Majestic Cinema,Girgaum,Bombay
Occasion- First show of India’s First Talkie Film, Aalam Ara.

A hugh crowd had gathered there. Those who had the tickets were happy and those who did not have tickets were envious. At last the second bell rang and all the people entered the cinema hall and occupied their seats with bated breath….
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ab to ye sab chhote chhote stations lagenge. Now these milestones will seem to be small stations on a long route train. :) :)

But nonetheless, these smaller stops have a significant role to play. In that they make possible the bigger milestones. After having done the 10K milestone, now the century milestones will seem like small cup cakes. Maybe the next thing of important enthusiasm will be the 11 thousandth post. Ah but that is still nine hundred songs away. And as soon as I think of the 11 thousandth post, my mind gets enamored by a subsequent post number that seems very magical – eleven thousand one hundred and eleven – 11111. Now that is surely going to invoke a lot of interest I am sure. That one will be the first number of its kind to appear on this blog. I mean, in five digit size.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all on the anniversary of India’s independence.

When the British Rule ended in India sixty seven years ago, the entire nation of India was not yet free of the foreign rule, by other alien invaders. There were two pockets of colonies one the east and west coasts which were still under alien control. On the east coast, it was the enclaves of Pondicherry, Karaikkal, Mahe and Yanam that were under the French control, and on the west coast, there were the areas of Goa, Daman, Diu, Dadra and Nagar Haveli that were under the control of the Portuguese rule. The movement of the liberation of these colonies had been underway even as the freedom struggle was in progress against the British. However, liberation to these colonies held by the French and the Portuguese did not come for more than a decade and half later.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The record of the events and the times while the struggle against the alien rule was in progress, as it is known and as it has been showcased in the sixty eight years since, is limiting in its focus and its willingness to fairly acknowledge the role and the contributions of many a stalwarts whose names and information has dissipated over time. Ah, but that is what history is all about. The story as recorded by the hunter, by the victor, by the kings and the royalty who would commission favored scholars to compile accounts for posterity, favorable to the ruling dynasty. Over passages of years and decades, such compilations would gain the status of historical record.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is upon request from Manju ji, the daughter of the famous film director, Shri K Amarnath. She is compiling a collection of the films produced and / or directed by her father, and also the songs contained in this films. Shri Amarnath’s career as a director started in 1936, and much of his earlier films are not traceable as of now. When we communicated via this blog, Manju ji indicated that she is continuing to search for such films and songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Time passes incessantly. And this relentless movement tends to become monotonous, if it were not for celebrations and festivals that punctuate the continuity of this passage. Time of the year again, for specific festivals and celebrations. A new enthusiasm and a new zest – to be doing new things differently.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Aabhaas Kumar Ganguly, was the third son of Kunjalal Ganguly, the advocate, living in the town of Khandwa in Madhya Pradesh. Aabhaas was born this day in the year 1929. While at school, he had a very serious interest in theatre and drama, and used to regularly win gold medals for his performances. Plus he had a wonderful voice, and was very much in demand as a singer in family and school/college gatherings. The renowned KL Saigal was his idol. He considered Saigal Sb to be his guru, and would sing only his songs.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10200 songs post by now.

Total number of songs discussed

10201

Number of movies (All songs covered)

508

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