atul's bollywood song a day- with full lyrics

Archive for the ‘Lata song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Farmaaish” (1953) was directed by B K Sagar for J Omprakash’s Majestic Films, Bombay. The movie had Bharat Bhushan, Vijaylaxmi, Pran, Kuldip, Maruti, Chandrashekhar, Amir Banu, R K Sama, Kammo, Khairati, Gope etc in it.

The movie had ten songs in it. As many as six voices were utiised in these songs.

Seven songs from this movie have been discussed in the past. Here is the eighth song from “Farmaaish” (1953). This song is a duet which is Begam alongwith chorus.

Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of this song is available. From the sounds of it, the song appears to be a qawwaali song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Kabhi hanste hain do dil…jhukti huyi nazar ka ada naam rakh diya (Farmaaish)(1953) Singers-Lata, Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

haaan aa aa
kabhi hanste hain do dil
aur kabhi taqdeer roti hai
ae ae ae
ae ae
haaan
muhabbat isko kehte hain aen
muhabbat aisi hoti hai

jhukti hui nazar ka ada naam rakh diya
haaye naam rakh diya
haaye
jhukti hui nazar ka ada naam rakh diya
haaye naam rakh diya
haaye
aankhen milin to uska ada naam rakh diya
haaye naam rakh diya

aa aa
aa aa aa
aa aa aa aa
toone milaayi aankh
mera aa aa
dil machal gaya
aa aa aa
toone jo pheri aankh
zamaana badal gaya
aa aa aa aa aa
?? ka hamne teri razaamand rakh diya
haaye naam rakh diya
haaye
jhukti hui nazar ka ada naam rakh diya
haaye naam rakh diya

aa aa aa
aa aa aa
nazron ko dekh teer bhi
bal khaa ke reh gaya aa
aa aa
nazron ko dekh teer bhi
bal khaa ke reh gaya
aa aa aa aa
aa aa aa
akeli(??) ko dekh chaand bhi
sharma bhi reh gaya
aa aa aa
zulfon ka hamne kaali ghata
naam rakh diya
haaye
naam rakh diya
haaye
zulfon ka hamne kaali ghata
naam rakh diya
haaye
naam rakh diya
haay hansti hui nazar ka ada naam rakh diya
zulfon ka hamne kaali ghata
haay aankh mili to uska ada naam rakh diya
haay naam rakh diya
jhukti hui nazar ka ada naam rakh diya
haay naam rakh diya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VELVET MAGIC- TALAT DUETS….Song No. 2
———————————————–
Today’s song is a duet of Talat and Lata, from the film ‘Meharbani-50′. The film makes a debut on the Blog with this song.

The Music Director of this film was HAFIZ KHAN. Now, this name is a case of “Same Name Confusion” with many people. There were Two composers of the same name, active in the same time period. There was one Hafiz Khan singer, who was given the nick name of Mastana by his senior Meer Sahib. Hafiz Khan Mastana was essentially a singer. He sang in Hindi films from 1938 to 1959 in over 100 films singing about 200 songs, according to one source. He also gave music to 24 Hindi films, from 1940 to 1952. He also acted in 5 films.

The Music Director Hafiz Khan of today’s song, was a trained expert Sarangiya (Sarangi Player) from Lahore. His first film as a composer was Zeenat-1945. The other composers with him here were Meer Sahib and Rafiq Gaznavi. This film’s music became famous because of the First ever All female qawali “Aahen na bhari,shikwe na kiye” in it. Hafiz Khan had also composed 4 melodious songs in this film. He gave music to Zeenat-45, Humjoli-46, Meharbani-50, Lakeeren-54, Mera salaam-57 and his last film Shareef Daku-60.

The composer Hafiz khan and the singer – composer-actor Hafiz khan Mastana were two different persons.

Talat Mehmood came to Bombay from Calcutta along with others like K L Sahgal, Prithviraj Kapoor, Kidar Sharma and K N Singh. He was also looking for a wider market for better opportunities. Before leaving Calcutta, he sang 2 songs in film ‘Swayamsiddha’-49. In Bombay, Talat stayed with a relative and used to visit many people for work. His first song in Bombay was for film “Rakhi-49″, under the baton of Husnlal-Bhagatram. The film was a flop. He got another chance with composer Vinod for his film ‘Anmol Ratan”-50. Talat sang 1 solo and 2 duets in it. Though the recordings took place before he sang for film Arzoo, the film was released late-after Arzoo.

Talat met Anil Biswas,on the advise of some friends. AB had heard his Bangla songs and was impressed. He gave him a chance in his film Arzoo-50. His solo song ” aye dil mujhe aisi jagah le chal,jahan koi na ho “, shot on Dilip Kumar became a roaring success and then there was no looking back for Talat.

This achieved two things. One- impressed with his voice and singing style,many composers called him for songs. Secondly,afraid of this new competetion,some people spread a rumour that Talat gets nervous while singing and hence his voice shakes. This created confusion and some composers backed out. Additionally,friends like Mukesh told him that this tremor in his voice was not good and he should remove it. Talat took this seriously and while doing rehearsals of songs for Tarana-51,under Anil Biswas,tried to suppress his tremor. Anil Biswas found that there was something missing in his voice and so he asked Talat what the matter was. Honestly Talat told him everything. Anil Biswas convinced him that the Tremor in his voice was his speciality,not a defect. Talat is nothing without that. hence he should not try to change his voice. Talat realised this and sang in his original voice. ( There is a song ” Bharam teri wafaaon ko”from film Armaan-52,in which composer S D Burman made Talat sing without his Tremor. This is the only song,in Bombay without his tremor,but it was done intentionally).

Very few people know that it was not just a tremor in his voice, but Talat’s whole body had a tremor. He had a habit of shaking his neck while singing. Even while speaking, his face would have minute tremors.This was perhaps a bodily defect which he had from his childhood.Talat,however,never accepted this,though it was very much evident and visible to a keen observer.

Once his Arzoo song became famous,Talat started getting songs from various composers and soon he shifted from his relative’s place to a small flat on Tulsi Pipe road,Mahim. Talat was introduced to one struggling actress Latika,who stayed nearby his house, at a party at the house of Bengali director Nitin Bose. Latika was a Christian. Soon Love bloomed and they got married,after Latika was converted to Islam and named Nasreen.

Film Meharbani was directed by a veteran, K.Amarnath. The film had 10 sweet, melodious songs. I am surprised how none of these songs appeared on this Blog so far. These songs were sung by G M Durrani,Lata,Rajkumari,Talat,Geeta and Shamshad Begum. The cast of the film was Begum Para, Ajit, Indu Pal, Rama Shukul, Cuckoo, Gope, Yaqub etc.

Let us enjoy this early duet of Talat and Lata. The song is really very melodious and sweet….

(Information used herein is from books “Aapki Parchhaiyan”and “Gaaye chala jaa”, with thanks.)


Song-Tumse ho gaya pyaar dekho kisi se kehna na (Meharbaani)(1950) Singers-Lata, Talat Mehmood, Lyrics-Khawan Zamaan, MD-Hafiz Khan
Both

Lyrics

Lyrics

tumse ho gaya pyaar
tumse ho gaya pyaar
dekho kisi se kehna na
haan
ye baat meri sarkaar
kisi se kehna na
ye baat meri sarkaar
kisi se kehna na
kisi se kehna na
tumse ho gaya pyaar

hanste hanste aankh mila kar ar ar ar
hanste hanste aankh mila kar ar ar ar
teer nazar ka dil par kha kar ar ar ar
teer nazar ka dil par kha kar ar ar ar
ho gaye hum beemaaar
ho gaye hum beemaar
kisi se kehna na
ye baat meri sarkaar
kisi se kehna na
kisi se kehna na
tumse ho gaya pyaar

preet kabhi chhup kar nahin rehti ee ee ee ee
preet kabhi chhup kar nahin rehti ee ee ee ee
dil ki baat nazar hai kehti ee ee ee
dil ki baat nazar hai kehti ee ee ee
ho gaye jo ikraar
ho gaye jo ikraar
kisi se kehna na
ye baat meri sarkaar
kisi se kehna na
dekho ji
kisi se kehna na
tumse ho gaya pyaar

nain se nain mila baithhe hain
nain se nain mila baithhe hain

dil se dil ko mila baithhe hain aen aen
dil se dil ko milaa baithhe hain aen aen
jeet hui ya haar
jeet hui ya haar
kisi se kehna na
ye baat meri sarkaar
kisi se kehna na
tumse ho gaya pyaar
kisi se kehna na
kisi se kehna na
tumse ho gaya pyaar


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 20
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Just in his early twenties, he was already managing a music school in Lahore.  And HMV had already released a few records of non-film songs composed by him.  In 1944, he was twenty eight, when he headed to Bombay, with aspirations to be a music director in the film industry.

Remembering Hansraj Behl on the anniversary of his passing away (20th May).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I have confused “Chambal Ki Raani”(1979) with “Chambal ki Kasam”(1979) for a very long time indeed. “Chambal Ki Kasam” (1979) was directed by Ram Maheshwari for M P D Productions, Bombay. It had Raj Kumar, Shatrughan Sinha, Mausami Chatterji, Farida Jalal, Ranjeet, Pradeep Kumar, Nirupa Roy, Paintal, Amjad Khan (Special appearance), Gopal Sahgal, R Tiwari, Usha KIran, Peace Kanwal, Jagdish Raj, Nazeer Hussain, Paro devi, Goofi, Maruti Rao, Uma Khosla, Raj Rani, Baby Shalu, Master Bhagwan, Usha (Gwalior), Pt Ganga Prasad (Gwalior), Gurcharan etc. This movie had lyrics by Sahir Ludhianvi and music by Khayyam.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No.-8
————————————————

Today’s song is a Quartet of Shamshad begum with Lata, Chitalkar and Rafi, from the film-Roshni-1949.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zimbo Comes To Town”(1960) was directed by Nanabhai Bhatt for Combine Film Traders, Bombay. The movie had Chitra, Azad, Bhagwan, Shammi, Neelofar, Habeeb, Dalpat, Shri Bhagwan, Bismillah, Mitthu Miyaan, M K Hasan, Geeta, Julien, Korega, Yadav, Ratan, Raman Joshi, Pedro the Chimpanzee etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Roshanlal Nagrath, known to us as simply Roshan became such a well known figure in HFM that the name Roshan become a brand name for his descendents who adopted the name Roshan as their surname.

But Roshan’s beginning were neither auspicious nor successful. His initial movie as a music director was “Neki Aur Badi”(1949) which had failed and a despondent Roshan had considered it as the end of the road for him in his career and in his life. He was consoled and encouraged by Kidar Sharma who gave him further breaks as music directors.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक गाना सुना होगा – “बड़ा ही CID है वो नीली छतरी वाला, हर ताले की चाबी रखता हर चाबी का ताला”॰ अपने blog पर भी है॰ लगता है अब इस गाने को थोड़ा बदलना पड़ेगा, ऐसे – “बड़े ही CID हैं, ये अतुल गैंग के मेम्बर्स, गाना guess करने में हैं अव्वल नंबर”॰ काश, लेकिन नहीं, अभी ये गाना blog पर नहीं है॰  :)

(You must have heard the song – “Badaa Hi CID Hai Wo Neeli Chhatri Waala”.  It is on our blog.  Seems as if this song needs to be modified.  Like This – “Bade Hi CID Hain, Ye Atul Gang Ke Members, Gaana Guess Karne Mein Hain Awwal Number”.  Sorry, this one is not yet on the blog).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 19
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There is a film from 1969 – ‘Tumse Achhaa Kaun Hai”.  This film has a classic song, Rafi Sb singing for Shammi Kapoor, that has not yet made it to this blog.  (Yes, I am surprised too :) ).  The mukhdaa of the song is an animated yet a resigned expression of helplessness – so many ladies to be loved, whom should I love – “Kis Ko Pyaar Karoon, Kaise Pyaar Karoon”.  The situation is not too different, when I am trying to select a song for posting here.  Atul ji mentions a specific requirement, and as I sit down to choose a song according to that, I find myself in the same quandary – “Kis Ko Post Karoon, Kaise Post Karoon – Ye Bhi Hai, Wo Bhi Hai. . .”.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As we all know, there are thousands of songs out there and they can all be classified in many different ways. Here on the blog, Atul himself has categorized songs into several categories, depending on mood (sad/happy), or content (birthday/Diwali), or style (qawwali/disco) or even musical instrument (guitar/harmonium). And many other ways.

Apart from all these, there is one category that we don’t have but I think all of us will agree could be a fun category. That is “songs that if I hadn’t heard in my childhood or seen the movie, I don’t think I would ever have heard in my life”. :-)
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11100 song posts by now.

Total number of songs discussed

11155

Number of movies (All songs covered)

667

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