atul's bollywood song a day- with full lyrics

Archive for the ‘Lata solo’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Devta”(1978) was a remake of the Tamil Movie “Gnana Oli”(1972) directed by P. Madhavan, written by Vietnam Veedu Sundaram and starring Sivaji Ganesan in the lead role.

“Devta” (1978) was produced by N N Sippy and directed by S Ramnathan for Prithvi Pictures. The movie had Sanjeev Kumar, Shabana Azmi, Benjamin Gilani, Danny Denzongpa, Sarika, Asit Sen, Babbanlal Yadav, Rakesh Roshan, Dr.Sree Ram Lagoo, Shivraj,Azad, Viju Khote, Major Anand, Vijay Kumar, Hyder, Shubha Khote, Dhumal, Keshto Mukherjee, Datta Keshav, Sheetal, Makarnai aka Makrani, Debie Prasad, Taj, Master Sandeep, Prakash, Taj, T.S.Rana etc in it.

Today (18 september 2014) is the birth anniversary of Shabana Azmi. On this occasion, here is the fourth and final song from “Devta” (1978) to appear in the blog.

This song is sung by Lata. It is picturised as a rain song on Shabana Azmi and Benjamin Gilani. Gulzar is the lyricist. Music is composed by R D Burman.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Devta” (1978) joins the list of movies that have all their songs covered in the blog.


Song-Main to kaare badarwa se haari (Devta)(1978) Singer-Lata, Lyrics-Gulzar, MD-R D Burman

Lyrics (Provided by Prakashchandra)

main toh kaare badarwaa se haari
garje toh raat jagaaye ae
barse toh aag lagaaye o
barse toh aag lagaaye ho o

ho o main toh kaare badarwaa se haari
garje toh raat jagaaye ae
barse toh aag lagaaye ae o
barse toh aag lagaaye
ho o main toh kaare badarwaa se haari

agar maangaa kabhi tumse
toh bas itnaa hi maangenge
tere pehloo mein soye hain
tere pehloo mein jaagenge
agar maangaa kabhi tumse
toh bas itnaa hi maangenge
tere pehloo mein soye hain
tere pehloo mein jaagenge
baadarwaa bijli chamkaaye ae
barse toh aag lagaaye ae o o
barse toh aag lagaaye
ho o main toh kaare badarwaa se haari

nahin roothe nahin baabu
tumhein pasand karte hain
tumhein jab dekhnaa hotaa hai
aankhein band karte hain
nahin roothe nahin baabu
tumhein pasand karte hain
tumhein jab dekhnaa hotaa hai
aankhein band karte hain
baadarwaa aa ghir ghir aaye ae
barse toh aag lagaaye o
barse toh aag lagaaye ho o

ho o main toh kaare badarwaa se haari
garje toh raat jagaaye ae
barse toh aag lagaaye ae o
barse toh aag lagaaye
ho o main toh kaare badarwaa se haari
main toh kaare badarwaa se haari
main toh kaare badarwaa se haari

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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mathura ka peda, Mysore pak, Agra ka petha, Dharwad peda, Gokak karadant, Lonawala chikki etc. are famous sweets associated with certain towns and cities.

The city of Belgaum too is known for a very famous sweet called kunda. Its origin according to most sources dates back to about 64 years ago when a Rajasthani by name Gajanan Mithaiwale belonging to a Purohit family once over boiled milk which turned into a dark brown paste. Not willing to waste and throw it, (read “marwadi”) he experimented by mixing it with “khoa” which is essentially a milk paste used in most sweets and sugar to dilute. The resulting product was a sweet dish which tasted different and was quite delicious. Not knowing what to name his new discovery, he uttered “kunda”. Since then this product is being prepared by most of the sweet making families for commercial sale.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Posts like this come really once in a while. I would like to call them million dollar posts. Or rather ‘laakh rupaye ki baat (post)’ – because ‘Phir Bhi Dil Hai Hindusatni’. :) :)

Congratulations to all fellow band-wagoneers and welcome to the next century milestone. We are Ten Thousand and Two Hundredth post today. And the march continues. Generally, when we come to century posts, we have celebrations connected to it. Almost always, we have at least one anniversary that we connect with a century post, or we have a certain artist also complete a century or a multi century individual milestone along with the blog century milestone. Occasionally we have a double celebration connected together, which actually makes three milestones – the blog century post, and two other important celebrations – combinations of artist anniversaries and / or artist century posts.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dekh Kabira Roya” (1957) was produced and directed by Amiya Chakraborty for Srirangam, Bombay. The movie had Anita Guha, Ameeta, Anoop Kumar, Daljit, Jawahar Kaul, Shubha Khote, Shivraj, Pravin Paul, Shyam Kumar, Ridku, Robert, Balwant Rahi, Chandabai, Shanti, Omkarnath, Shankarrao Nagarkar, Rampal, Sundar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aaj Ki Baat” (1955) was produced and directed by Leela Chitnis to launch the career of her son Ajeet Chitnis. The movie had Ajeet Chitnis, Uday, Chitra, Bipin Gupta, Manmohan Krishna, Sunder, Leela Chitnis etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Farmaaish” (1953) was directed by B K Sagar for J Omprakash’s Majestic Films, Bombay. The movie had Bharat Bhushan, Vijaylaxmi, Pran, Kuldip, Maruti, Chandrashekhar, Amir Banu, R K Sama, Kammo, Khairati, Gope etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (30 august 2014) is the 91st birth anniversary of Shailendra (30 august 1923- 14 december 1966). When I look at his career as a lyricist, I find that he had a 17 years long career as a lyricist (1949 to 1966). He was at the peak of his prowess when we died at the age of just 43 ! But by that time he had achieved so much in his career that the status of a legend was his for the taking and he is rightfully regarded as one of the colossus among HFM lyricists.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = =

The Many Colors of Love #20 – The Ticklish Aches of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -

And so wrote the scribe

pyaar ka. . . dard hai
pyaar ka. . . dard hai
meetha meetha. . . pyaara pyaara
meetha meetha. . . pyaara pyaara
ye haseen. . . dard hi
ye haseen. . . dard hi
do dilon ka. . . hai sahaara
do dilon ka. . . hai sahaara

Aah, to be young at heart, and in love – the emotion carries one to the top of the world. And really, there is a tickle of a lovely pain in the heart when this emotion starts to spread its wings. When just a mere mention of a name, or even just the thoughts of that someone special, will trigger this hastened heartbeats and a rising feeling, that it is difficult to restrain from staying still. The phrase – ‘pulling at the strings of the heart’ – has been oh so aptly coined. Literally it seems as if something is pulling at the heart. And the ache that follows is so full of pleasure. For the thoughts of that someone special are joining this ache, in a delectable conspiracy that brings this loveable tingling sensation. And the heart wants to just soak itself and remain submerged in this fluidy flow of emotions and sensations.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar has rendered songs under the batons of hundreds of Hindi film music directors. But some connoisseurs of Hindi film music are of the view that her combination with Anil Biswas, C Ramchandra and Madan Mohan produced many of her best songs from Hindi films. I feel that to this list, the name of music director Roshan should be added as Lata-Roshan combination churned out some of their best songs. Take for example, songs in ‘Malhaar’ (1951), ‘Hum Log’ (1951), ‘Raag Rang’ (1952), ‘Naubahaar’ (1952), ‘Taj Mahal’ (1963), ‘Chitralekha’ (1964), ‘Mamta’ (1966) to quote a few films. Some of her songs under the baton of Roshan may not have become as popular as that of her songs with Naushad and Shankar Jaikishan, but there is some uniqueness in her renditions under Roshan just as her renditions under Anil Biswas, C Ramchandra and Madan Mohan were unique.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saaqi” (1952) was produced by R C Talwar and directed by H S Rawail for Talwar Films, Bombay. The movie had Madhubala, premnath, Bipin Gupta, Gupe, Cuckoo, Ifthiqar, Ridku, Mumtaz, azim, Douglas, Mattoo, Uma Dutt, Sadhu Singh, H Prakash, Nazeer, Mohana, Randheer etc in it.
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(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10200 songs post by now.

Total number of songs discussed

10264

Number of movies (All songs covered)

531

Total visits so far

  • 5,918,004 hits

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