atul's bollywood song a day- with full lyrics

Archive for the ‘Devnagri script lyrics by Sudhir’ Category


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 24
———————————-

The 1957 film ‘Anjali, produced by Kala Kunj, Bombay (to the surprise of younger generation, our state was called ‘Bombay’ then) and directed by Chetan Anand had music by our Jaidev with lyrics by Nyay Sharma.  This theme song was often repeated in the film. The film starts with melodious ‘alaaps’ by Lata, following the hymns ‘Buddham Sharanam Gachchhaami ….’. Later on there is a chorus lead by Rafi. I am sure this must have been repeated several times.  In the end the video of the last stanza surprisingly emerges on YouTube. (This raises our hope that there must be video of the film available in video cassette form, which may surface anytime, in future, to our delight.)

Since the title portion would not qualify individually, to be posted on our Blog, having no singing words, I combined it in the beginning of the main Rafi and chorus song.  Again the short video of the last stanza emerged, so that too, was combined for this presentation. (achchha kiya na?)

Since Sheila Ramani and Chetan Aanand are seen in the concluding scene, there must have been two heroines in this film – Sheila and Nimmi – for lucky Chetan Aanand.

Jaidev, composed nine melodious tunes, out of ten, for this film. But as far as this classic Buddha prayer is concerned, he totally copied lying down with closed eyes, the Sinhalese original version.


Song – Kunj Kunj Gunjan Bhanware Ka. . . Buddham Sharnam Gachchhaami (Anjali) (1957) Singer-Lata, Mohammed Rafi, Unidentified Male Voice, Lyrics – Nyay Sharma, MD – Jaidev
Male Chorus, Female Chorus

Lyrics

buddham sharanam gachchhaami
dhammam sharanam gachchhaami
buddham. . . . . gachchhaami
(ooo oooo ooooo ooooo)
dhammam sharanam gachchhaami
(ooo oooo ooooo ooooo)

aaaaaa aaaaaaa aaaaaa aaaaaa
aaaaaaaaaaaaa
aaaaaaaa aaaaa aaaaaa

hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa
hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa

aaaaaaaa aaaaaaaa
aaa aaa aaaaaaaaaaa aaaa aaa aaa

hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa
 
hooooo ooooo ooooo ooooo
buddham sharanam gachchhaami
hooooo ooooo ooooo ooooo
buddham sharanam gachchhaami

buddham sharanam gachchhaami
buddham sharanam gachchhaami

hooooo ooooo ooooo ooooo 

hooo oooo
ooooo ooooooo
oooooo ooooooo oooooo

kunj kunj gunjan bhanware ka
kunj kunj gunjan bhanware ka
karta kis ko tanman arpan
karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
nadiya ki leheron ke paayal
nadiya ki leheron ke paayal
chhanak chhanan chhan chhananananan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
hooooo ooooo ooooo ooooo
oooooo ooooooo oooooo
 
usha ke hothon ki laali
usha ke hothon ki laali
yauvan ka chhan bhar ka jeevan
youvan ka chhan bhar ka jeevan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
 
ho ooo ooo oooooo
oooooo ooooooo oooooo
buddham sharanam gachchhaami

buddham sharanam gachchhaami
buddham sharanam gachchhaami
ho ooo ooo oooooo
oooooo ooooooo oooooo

deepak jalte bujhte aaye
deepak-jalte-bujhte-aaye hoo oo oo
khile phool khil kar murjhaaye
khile-phool-khil-kar-murjhaaye hoo oo oo
dekh(?) bujhe na jalti aasha. . .aaaa aaaaa
(ho oo oo oo oo oo)
pade na feeka mann ka darpan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
oo oo ooooo
oo oo ooooo

(buddham sharanam gachchhaami)
oooo ooooo
oooo ooooo

(buddham sharanam gachchhaami)

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बुद्धम शरणम् गच्छामी
धम्मम शरणम् गच्छामी
बुद्धम ॰ ॰ ॰ गच्छामी
(ओ ओs ओss ओss)
धम्मम शरणम् गच्छामी
(ओ ओs ओss ओss)

आssss आssss आssss आssss
आsssssssss
आssssss आsss आsssss

होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss
होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss

आssssss आssssss
आs आs आsssssssss आss आs आs

होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss

होss ओsss ओsss ओsss
बुद्धम शरणम् गच्छामी
होss ओsss ओsss ओsss
बुद्धम शरणम् गच्छामी

बुद्धम शरणम् गच्छामी
बुद्धम शरणम् गच्छामी

होss ओsss ओsss ओsss

होss ओss
ओsss ओsssss
ओssss ओsssss ओssss

कुंज कुंज गुंजन भँवरे का
कुंज कुंज गुंजन भँवरे का
करता किसको तन मन अर्पण
करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
नदिया की लहरों के पायल
नदिया की लहरों के पायल
छनक छनन छन्न छननननन
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी
होssss ओsss ओsss ओsss
ओssss ओsssss ओssss

उषा के होठों की लाली
उषा के होठों की लाली
यौवन का छण भर का जीवन
यौवन का छण भर का जीवन
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी

हो ओss ओss ओsss
ओssss ओsssss ओssss
बुद्धम शरणम् गच्छामी

बुद्धम शरणम् गच्छामी
बुद्धम शरणम् गच्छामी
हो ओss ओss ओsss
ओssss ओsssss ओssss

दीपक जलते बुझते आए
दीपक-जलते-बुझते-आए हो ओss ओss
खिले फूल खिल कर मुरझाए
खिले-फूल-खिल-कर-मुरझाए हो ओss ओss
देख(?) बुझे ना जलती आशा
(हो ओ ओ ओ ओ ओ)
पड़े न फीका मन का दर्पण
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी
धम्मम शरणम् गच्छामी
ओ ओ ओsss
ओ ओ ओsss
(बुद्धम शरणम् गच्छामी)
ओss ओsss
ओss ओsss
(बुद्धम शरणम् गच्छामी)


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hearty greetings to all friends and readers on the celebration of the Raksha Bandhan festival today.

Ok, ok, I know the query springing in your mind. No, I have not fallen off the edge of the earth. Very much here, reassuringly. Just that the cycles of fate brought in significant distractions and preoccupation for both Atul ji and myself, at the same time. The postings are just a trickle these days. But things on the personal and work fronts are keeping both of us away. Atul ji has been maintaining the trickle, whereas I have not been able to get anything on to the blog for days on end now. Long stories are often uninteresting, so I will cut it short, and say that days of drought are coming to a close. How soon, you may want to know. Pretty soon, I assure you. ;) Hopeful to see more activity moving forward, and then we should be back to our regular output shortly.

Today is ‘poornima’ of the ‘shraavan maas’ – the full moon day of the month of Saawan, as per the traditional calendar. Today’s celebrations have already been inaugurated by the PM (I mean, Peevesie’s Mom). It is always customary and auspicious to have the inauguration done by senior ranking people of eminence, and today we already have that start. :) The earlier post by her is an interesting fun celebration song from 1987 film ‘Satyamev Jayate’. The PM has commented that we have probably showcased all the well known Raakhi songs already. To this, Atul ji has commented that there still are many more songs to go, for today’s celebration. The special thing about this blog is that we deal with not just the well known, but we also track and trace the obscure and rarely heard songs. And for that, the garden of Hindi film music is still a vast flowering arena, where all sorts of unseen, unheard flowers bloom.

The celebration itself needs no introduction. The origins of today’s festival are lost in history, embedded into our hoary traditions. The events related to today’s celebration are recorded in our scriptures, which tell about its existence and awareness through the histories of not just bygone eras, but also the bygone cycles of creation and destruction of this entire existence.

One of the earliest records of this festival that we find in our scriptures, is related to Vaaman Avatar, the appearance of Lord Vishnu in the incarnation of a small Brahmin child. The time was when the Devatas had lost the battle with the Asuras, and had been turned out of the Swarg Lok. Raja Bali, the king of Asuras, undertook to perform one hundred Yagnas, under the instructions of his teacher, Guru Shukracharya. The completion of this task of one hundred Yagnas would have made Raja Bali invincible, never to be defeated again by anyone. The Devatas, as is their propensity, went to Lord Brahma to save them from this circumstance. Brahma ji took them to Lord Vishnu, who was moved by their beseeching entreaties, and promised to help.

Now Raja Bali was also famous as the greatest philanthropist of his time. It was well known that he would never turn back any one who came to his door, and he would never decline any request that was made to him. On the day of the of the 100th Yagna, Lord Vishnu appeared at the gates of the Yagna-shala, in the form of Vaaman, a small and attractive Brahmin child. The details of what transpired that day are a consuming discourse in values of promise keeping, commitments, truthfulness and a devotees love for the Lord. And it is too detailed to be taken up here. The connection of today’s festival lie in the events that happened thereafter.

The description of the Lord requesting for land measured in three steps is well known. Also known is that when Raja Bali agreed to this request from a short statured child, the Lord transformed Himself into His ‘viraat roop’ and measured the entire universe in two steps. And when he asked Raja Bali where He should now put this third step, Raja Bali bowed his head in front of the Lord and asked Him to measure His third step.

The entire universe, everything contained therein, and now including Raja Bali himself, all became the domain of the Lord. Vishnu ji was so pleased with this sacrifice that He did two things. First, He announced Raja Bali to become the king of the ‘sutala lok’ (the netherworld). Second, He gave a ‘vardaan’ (boon) to Raja Bali, asking him to make a wish. Raja Bali, very wise and intelligent, made a wish that he should have the ‘darshan’ (seeing) of the Lord, the first thing when he wakes up, and the last thing before he goes to sleep, and that he should have His ‘darshan’ whenever he leaves his home, and whenever he returned to his home. Even the Lord himself was amazed at this boon requested by Raja Bali. He said, this would mean that He has to constantly live with Raja Bali. So the Lord took upon himself to be the gatekeeper of the Raja Bali’s palace in ‘sutala lok’. And bound by His own words, He was now committed to be a constant companion of Raja Bali.

Lakshmi ji, the wife of Lord Vishnu, was perplexed and unhappy about this arrangement. Many months passed, and She had not seen Her husband. Then She took the form of an old Brahmin lady and went to ‘sutala lok’, to the palace of Raja Bali, and requested for shelter. Raja Bali received Her as a sister and gave her shelter. After some days, on the ‘shraavan poornima’ day, She tied the sacred thread to the wrist of Raja Bali, establishing firmly the brother-sister relationship. Raja Bali requested Her to ask for a boon. Then She revealed her true identity, and requested Raja Bali to set his ‘gatekeeper’ free from the conditions of His own benefaction. Raja Bali granted the wish, and Lord Vishnu was freed, to return to his ‘Vaikunth Dhaam’. This is one of the various threads of historical narration that tell about the antiquity of this tradition.

This song is from an unheard film from 1943, titled ‘Sahara’. The film is directed by JP Advani for the banner of Vaswani Art Productions, Bombay. The eleven songs in this film are written by four songwriters – Swami Ramanand Saraswati, Nazim Panipati, Qamar Jalaalabaadi and MS Sehrai. This particular song is by MS Sehrai. The music is by Pt Gobindram. The Geet Kosh does not list the names of the singers, and I am not going to hazard a guess on that. I request friends and readers to help identify the female singing voice in this song.

The cast of actors includes Renuka Devi, Narang, Sharda, Pran, Ram Lal, Zahoor Shah, Ibrahim, Mohin etc. Unless I am mistaken, the name ‘Narang’ is the same person as SD Narang, who in later decades became a producer director. Also, one of the very early films of actor Pran.

The song itself is an expression of happiness and joy on the occasion of today’s festival. The lyrics documented below are showing two ‘antaraas’ (stanzas), but the record has three ‘antaraas’. Actually, the third stanza is a repeat of the first, so I have not included in the lyrics.  About the lyrics, there is one short line in the chorus part of the song that I have not been able to fully decipher.  I request friends and readers to help identify the missing words in that line.

Once again, happy wishes to all for today’s celebration of ‘Raakhi’

Song – Raakhi Ka Din Aaya Sajni (Sahara) (1943) Singer – Unidentified Female Voice, Lyrics – MS Sehrai, MD – Pt Gobindram
Chorus

Lyrics

raakhi ka din aaya sajni
raakhi ka din aaya
raakhi ka din aaya sajni
raakhi ka din aaya

resham ki rakhiaa banvaaun
chandi ki dori se sajaaun
resham ki rakhiaa banvaaun
chandi ki dori se sajaaun
apne bhaiya ke gun main gaaun
apne bhaiya ke gun main gaaun
kheloon kudoon mauj udaaun
apne bhaiya ki gun main gaaun
kheloon kudoon mauj udaaun
sun ri sakhi ye shubh din aa kar
… mein …
sun ri sakhi ye shubh din aa kar
… mein …
raakhi ka din aaya sajni
raakhi ka din aaya
raakhi ka din aaya sajni
raakhi ka din aaya

ye rakhiaa jab
maine baandhi
ye rakhiaa jab
maine baandhi
bhaiya denge sona chandi
bhaiya denge sona chandi
pag pag par phir naachungi main
samaa suhaana aaya
pag pag par phir naachungi main
samaa suhaana aaya
raakhi ka din aaya sajni
raakhi ka din aaya
raakhi ka din aaya sajni
raakhi ka din aaya


———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

राखी का दिन आया सजनी
राखी का दिन आया
राखी का दिन आया सजनी
राखी का दिन आया

रेशम की रखिया बनवाऊँ
चांदी की डोरी से सजाऊँ
रेशम की रखिया बनवाऊँ
चांदी की डोरी से सजाऊँ
अपने भइय्या के गुण मैं गाउँ
अपने भइय्या के गुण मैं गाउँ
खेलूँ कूदूँ मौज उड़ाऊँ
अपने भइय्या के गुण मैं गाउँ
खेलूँ कूदूँ मौज उड़ाऊँ
सुन री सखी ये शुभ दिन आकर
… में …
सुन री सखी ये शुभ दिन आकर
… में …
राखी का दिन आया सजनी
राखी का दिन आया
राखी का दिन आया सजनी
राखी का दिन आया

ये रखिया जब मैंने बांधी
ये रखिया जब मैंने बांधी
भइय्या देंगे सोना चाँदी
भइय्या देंगे सोना चाँदी
पग पग पर फिर नाचूँगी मैं
समा सुहाना आया
पग पग पर फिर नाचूँगी मैं
समा सुहाना आया
राखी का दिन आया सजनी
राखी का दिन आया
राखी का दिन आया सजनी
राखी का दिन आया


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 8
– – – – – – – – – – – – – – – –

[NOTE:  This is the transcript of the news bulletin that was broadcast at 9 PM on Friday evening on ASAD-Vaani.  This transcript forms Part 1 of the report on the Atulites Gangout that was organized in Bombay on Friday, the 14th of August, 2015. Part 2 of this report follows this news bulletin.]

 

This is ASAD-Vaani.
The News at 9, read by Yours-Truly.

First, the headlines :-

  • The second plenary Atulite gangout of the Mumbai chapter, was successfully and funfully accomplished at Versova earlier in the day today.
  • Heavy rains reported in Nagpur, all modes of transport underwater.
  • The American online search giant, Google Inc., announces major changes to its customer policies
  • The Public Services department of Brihanmumbai Municipal Corporation (BMC) reported success in locating media material
  • The Department of Census of the Ministry of Home Affairs, Govt of India, reports major population shifts in Chhatisgarh state

And now the news in detail.  Please note that this bulletin will be followed by the regular program ‘Natter Chatter’, with a detailed report from our Delhi correspondent on the Atulite gangout session in Mumbai.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक सागर है, आवाज़ का, जिसमे डूबे ही रहने को मन करता है।

These are times to be thankful.  And to feel blessed.  That we are living in the times when this treasure of music was created.  We continue to search and explore and continue finding gems, obscure gems, unheard gems, lost gems – songs that were once created with a lot of enthusiasm and zeal.  Yes, these are times to feel blessed that these gems are available and accessible. I am really anxious about the day, and shrink away from the thought – the day when we will have no more songs of Rafi Sb to post. Life will continue, no doubt.  It has a relentlessness built into it.  But then, we will be carrying with us, an emptiness – that there are no more “unheard” songs to search for.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Wishing Manoj Kumar many happy returns of today (24th July).

Manoj Kumar was born this day in 1937 in Abbottabad (now in Pakistan). His birth name is  Harikishan Giri Goswami. Partition of the country happened when he was just ten years old.  His family migrated to to Delhi. His schooling happened in Delhi and he graduated from Hindu College, Delhi University.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 5
————————————

Remembering Mukesh (22 July 1923 – 27 August 1976) today (22 july 2015)on his 92nd birth anniversary.

The year 1958 was a turning point in the singing career of Mukesh. Though he had started his career nearly two decades back in 1940 and had some remarkable hits in late 40’s and early 50’s, his foray into acting-singing in the early fifties had some disastrous consequences which in my view affected his whole career in some way or the other. The first three posts in this series clearly show that his songs with those composers stopped sometime after 1949-50. And then there are huge gaps before he was called again by the same composers.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Entertaining Sales Pitch Songs – 10
—————————————————–

[Note of Apology: This write up has been in the making since two nights, including the “telephonic interview”.  Apologies that I was not able to post it before midnight yesterday. But then the thought comes – it is still 19th July somewhere in the world. Ah yes, our Khyati Ben in Los Angeles, USA,  is still working through the 19th.  So in a ‘relative’ way, this post is still on time. A brief summary of the celebration events covered herein – seventh anniversary for the blog, 11,300th song posted, and the completion of the planned ‘Entertaining Sales Pitch Songs’ series. Read on.]

[Note of Apology 2: With due apologies to Atul ji, for having taken some liberties in narrating certain aspects of his household.  I am very sure the permission towards these liberties are/will be granted, even though the same has not yet been formally requested ;) ]

Einstein has said, and he must have been quoted on this many million times by now, that ‘time is relative’. There are a variety of different explanations and discourses on this single statement, depending on the perspective or the branch of science or maths, or for that matter, any other subject, that one is considering. There is a very interesting anecdote connected with this statement. Once a newspaper reporter asked Einstein to explain in simple terms, what is the meaning of the phrase ‘time is relative’.  And Einstein, without going into any mathematical or philosophical explanations, gave the following response.  He said – consider the situation when someone is holding your feet to the fire.  In such a circumstance, a passage of even 5 seconds would seem as if an hour has passed. Then again, think of a situation, when you are sitting and talking ‘sweet nothings’ with your beloved.  Then, after an hour has passed, it would seem to you as if just maybe five minutes have gone by.  That is what makes time relative. :)
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hearty greetings to all friends and readers for the gracious festival of Id today.

The days of fasting and penance have ended, and now comes the grand celebration of Id.  Today is the first day of the month of Shawwal.  Today is the day when festive spirit is at its most cheerful, the attire of the people is the finest, and more than anything, the bonhomie and the bonds of friendship are at their best.  It is the time to leave behind any differences and the memories of any past offenses, to forgive and to forget the resentments. As the lines of this celebratory song emphasize,

ye wo din hai ke hans hans kar giley shiqwe bhula dena
agar dushman bhi aa jaaye to ye keh kar manaa lena
id ki shaam hai

Today is the day to forget the resentments with a smile
Even if an enemy comes face to face
Give a hug and reconcile, and say
It is the day of Id today
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

La İlahe İllallah
Muhammedün Resulullah

There is no Deity but Allah
And Muhammed (sallallahu alayhi wa salaam) is the Messenger of Allah

Greetings to all readers and friends, for the holy month of Ramzaan.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 7
– – – – – – – – – – – – – – –

As of the last episode, my tale of habitation in Bombay (in the post “Bambai Shehar Ki Tujhko Chal Sair Karaa Doon”) was put on hold at the Pali Hill guest house of the Tatas.  With this post now, I pick up the threads and move ahead with that story.
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(© 2008 - 2015) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11377

Number of movies (All songs covered)

684

Total visits so far

  • 7,252,382 hits

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