Archive for the ‘Manna Dey solo’ Category
Yoon na tan ke chalo
Posted on: May 19, 2013
“Dil Ne Pukaara” (1967) was a Mohan Films production. It was produced and directed by Mohan Kuplari. The movie had Shashi Kapoor, Rajshree, Sanjay Khan, Helen, Mehmood, Achala Sachdev, Manmohan Krishna, Mirajkar, Moolchand, Tun Tun, Amrit Patel, Ridkoo etc in it.
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Haath mere hai madhu ka pyaala
Posted on: May 1, 2013
This artice is written by Raja, a fellow enthusiast of Hindi movie and a regular contributor to this blog.
Today is the birthday of one of our living legends – Manna Dey ji.
It is his 94th birthday – and although 94 is a ripe age, we wish him many more birthdays to come.
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Pehle beej akela
Posted on: May 1, 2013
I have received quite a few e mails today reminding me that today (1 may 2013) is the 94th birth anniversary of Manna Dey and that no Manna Dey songs have been discussed on the occasion so far. Have no worry, I was aware of the occasion and I fully intended to discuss quite a few Manna Dey songs on the occasion. It is just that it has taken me a bit longer to do that.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There is very little that I know about the 1953 film titled ‘Hamdard’. Well, besides the basic information of course. The Geet Kosh listings tell us that this film was produced by Asha Biswas, under the banner of Variety Pictures. The film is directed by S Bhagat, and the star cast includes Shekhar, Nimmi, Smriti Biswas, Yashodharat Katju, Ishu Jagirdar, Harish Bhardwaj, Rajan Kapoor, PD Lal, KS Sengar, and Shivraj etc. The film has a total of nine songs, eight of which come from the pen of Prem Dhawan and one is written by Majrooh Sultanpuri. The music is composed by Anil Biswas.
Asha Lata Biswas was the wife of Anil Biswas, the music director. Asha Lata’s real name is Mehrunnisa Bhagat. Apparently, she is the sister of S Bhagat, the director of this film. She has been active in the film industry since 1935, first as a lead actress, and then later as a producer and character artist. She and Shobhana Samarth were classmates, and possibly may have started their film careers simultaneously.
It is surmised that Asha Lata and Anil Biswas met for the first time in 1935, during the production of the film ‘Manmohan’. Asha Lata ji had a role in the film, and Anil Da was the assistant to the music director Ashok Ghosh. ‘Manmohan’ was released in 1936, which is also the year that these two were married. Over the next decade or so, their family grew, with the addition of three sons and one daughter. In the late 1940s, Asha Lata decided to give up her career as an actress to devote more time as a mother.
She turned to film production, and the husband wife team set up the banner called Variety Pictures. They produced the films ‘Laadli’ (1949), ‘Lajawaab’ (1950), ‘Badi Bahu’ (1951), ‘Hamdard’ (1953), and ‘Mehmaan’(1953). One more film, ‘Baazooband’ (1954), was also produced under this banner, but sadly by this time, the husband and wife had separated, and Anil Da probably did not have a hand in this latter film.
When we check the credits for these films, we find that the music direction for the first four films is under the baton of Anil Biswas. But for the film ‘Baazooband’ (1954), the music direction is under the charge of Mohammed Shafi. The reason was the falling out between the husband and wife, who formally separated from each other in 1954. During the years 1950 to 1953, a very serious emotional bond developed between Anil Da and the singer Meena Kapoor (daughter of Bikram Kapoor, an actor from the decades of 1930s and 40s). The extent of seriousness was such that Anil Da left his home and he and Meena Kapoor started living together. It has been variously insinuated that Anil Da and Asha Lata ji were divorced and that Anil Da married Meena Kapoor (this is stated in the biography of Anil Da, ‘Ritu Aaaye, Ritu Jaaye’). But nothing could be further from the truth. The fact is that Anil Da and Asha Lata ji were never legally divorced, and that Anil Da and Meena Kapoor were never legally married. I cannot comment on why the biography contains this erroneous information, and why this error was allowed to be carried forward in print. In fact, till as late as late 1980s, Anil Da continued to make efforts to give a legal blessing to his
changed relationships in life, but apparently he was never able to legally get a divorce.
Interesting side note – the title of the biography ‘Ek Ritu Aaaye, Ek Ritu Jaaye’, is based on the mukhdaa of a song from ‘Hamdard’, “Ritu Aaye, Ritu Jaaye Sakhi Ri”.
Asha Lata ji appeared on screen once again, in the role of Kishore Kumar’s mother in the 1965 film ‘Shriman Funtoosh’, a picture that she also produced under the banner of SB Productions, a film company owned by her brother S Bhagat. In 1968, she also appeared in a character role in the Gujarati film ‘Maare Jaavun Pele Paar’.
Well so much about the film and some history about its producer team. About the song itself, the search was prompted by a Reader’s Farmaish that was posted by Prakash ji couple of days ago. I checked out the online sources also, but could not locate this song. Going back into my own collection, I located this song, and decided to post it online with a write up. As I listened to it, I realized that the quality is good, but still not very good, such that one line in the second antaraa is somewhat unclear.
Wondering what to do, I was just browsing through the collection again when I chanced upon another copy of the same song. I played it and found it to be a much better recording. I was relieved that now I shall be able to get the lyrics fully correct. But I was so completely surprised that the second copy I have, actually has different paragraphs. Intriguing as it may sound, the song exists in two different recorded versions. In both versions, the first antaraa is the same, but the second antaraa is different. The one thing I can speculate is that the complete song was originally with three antaraas. However, due to length of recording (maybe being much more than the conventional 3 minutes), the song was eventually recorded as two different versions, each with a different second antaraa. Since the listings show only one record number for this song, viz. N50380, it means that the two different versions were used – one for releasing on the record, and one for the soundtrack. (I still have to confirm with my collector friend, whether he has this record (No. N50380) and what version of the song is on the record).
(NOTE: the line that is unclear is marked with (?) in the text of the lyrics. I request other readers to please suggest the correct words for this line.)
So I am posting both the versions of the song with this write up. However, the lyrics are presented as a single three antaraa song. The readers can listen to both versions and enjoy the complete song.
And for Prakash ji, a small gift per his request, as a celebration of reaching the 500th lyrics contributed by him on this blog. Many congratulation Prakash ji. 
Version I
Version II
Song-Torey naina raseeley kateeley haaye raam (Hamdard)(1953) Singer-Manna Dey, Lyrics-Prem Dhawan, MD-Anil Biswas
Lyrics
aaa aaa aaa
aaa aaa aaa
ghaayal karte hain khud hi
aur khud hi bante hain dawaa
oooo oooo
hai zeher kabhi
amrit hai kabhi
na jaane torey nainaa hain kyaa
torey nainaa raseeley kateeley haaye raam
torey nainaa raseeley kateeley haaye raam
torey nainaa
raseeley kateeley lajeeley haaye raam
raseeley kateeley lajeeley haaye raam
torey nainaa raseeley kateeley haaye raam
torey nainaa aa aa
badal gayaa rang mehfil ka
jab tum mehfil mein aaye
badal gayaa rang mehfil ka
jab tum mehfil mein aaye
rang udaa hai phoolon ka
dil samaa ka baithaa jaaye
rang udaa hai phoolon ka
haaan. . .
in nazron ke aage koi ee ee ee ee
in nazron ke aage koi
in nazron ke aage koi
kaise nazar utthaaye
haan kaise nazar utthaaye
haaye raam kaise nazar utthaaye
hoooo ooooo oooooooo
torey nainaa raseeley kateeley haaye raam
torey nainaa
jhoom rahi hain naagin zulfen
mukh par halke halke
jhoom rahi hain naagin zulfen
mukh par halke halke
sar se aanchal dhalkaa jaaye
sar se aanchal dhalkaa jaaye
baitho zaraa sambhal ke
sar se aanchal dhalkaa jaaye
na jaane kya kar baithe dil
hoooo oooo ooooooo
na jaane kya kar baithe dil
na jaane kya kar baithe dil
mera aaj machal ke
dil mera aaj machal ke
haaye dil mera aaj machal ke
hoooo oooooo
torey nainaa raseeley kateeley haaye ram
torey nainaa raseeley kateeley haaye ram
raseeley kateeley lajeeley haaye ram
raseeley kateeley lajeeley haaye ram
torey nainaa. . .
yoon munh pher ke tann jaana bhi
hai ik adaa niraali
yoon munh pher ke tann jaana bhi
hai ik adaa niraali
aur bhi rang le aayee mukh pe
is gusse ki laali
aur bhi rang le aayee
is laali pe maine to ooo ooo ooo
is laali pe maine to
is laali pe maine to
duniya qurbaan kar daali
duniya qurbaan kar daali
haaye duniya qurbaan kar daali
hoo ooooo ooo oooo ooo oooo ooo oooo
torey nainaa raseeley kateeley haaye raam
torey nainaa raseeley kateeley haaye raam
torey nainaa. . .
—————————————————-
Hindi script lyrics (Provided by Sudhir
—————————————————-
हाsss आssssss
आsssssssss आssss
घायल करते हैं खुद ही
और खुद ही बनते हैं दवा
ओsss ओssss
है ज़हर कभी अमृत है कभी
ना जाने तोरे नैना हैं क्या
तोरे नैना रसीले कटीले हाए राम
तोरे नैना रसीले कटीले हाए राम
तोरे नैना
रसीले कटीले लजीले हाए राम
रसीले कटीले लजीले हाए राम
तोरे नैना रसीले कटीले हाए राम
तोरे नैना रसीले कटीले हाए राम
तोरे नैना . . .
बदल गया रंग महफिल का
जब तुम महफिल में आए
बदल गया रंग महफिल का
जब तुम महफिल में आए
रंग उड़ा है फूलों का
दिल शमा का बैठा जाये
रंग उड़ा है फूलों का
हां . . .
इन नज़रों के आगे कोई
इन नज़रों के आगे कोई
इन नज़रों के आगे कोई
कैसे नज़र उठाए
कैसे नज़र उठाए
हाए राम कैसे नज़र उठाए
होssss ओssss ओsssssss
तोरे नैना रसीले कटीले हाए राम
तोरे नैना रसीले कटीले हाए राम
तोरे नैना . . .
झूम रही हैं नागिन ज़ुल्फें
मुख पर हल्के हल्के
झूम रही हैं नागिन ज़ुल्फें
मुख पर हल्के हल्के
सर से आँचल ढलका जाये
सर से आँचल ढलका जाये
बैठो ज़रा संभल के
सर से आँचल ढलका जाये
ना जाने क्या कर बैठे दिल
होssss ओssss ओsssssss
मेरा आज मचल के
दिल मेरा आज मचल के
हाए दिल मेरा आज मचल के
होssss ओssss
तोरे नैना रसीले कटीले हाए राम
तोरे नैना रसीले कटीले हाए राम
रसीले कटीले लजीले हाए राम
रसीले कटीले लजीले हाए राम
तोरे नैना . . .
यूं मुंह फेर के तन जाना भी
है इक अदा निराली
यूं मुंह फेर के तन जाना भी
है इक अदा निराली
और भी रंग ले आई मुख पे
इस गुस्से की लाली
और भी रंग ले आई मुख पे
इस लाली पे मैंने तो ओsssssss ओssssssss
इस लाली पे मैंने तो
इस लाली पे मैंने तो
दुनिया क़ुर्बाँ कर डाली
दुनिया क़ुर्बाँ कर डाली
हाए दुनिया क़ुर्बाँ कर डाली
होss ओssssss ओssss ओssss ओssss ओssss ओssss
तोरे नैना रसीले कटीले हाए राम
तोरे नैना रसीले कटीले हाए राम
तोरे नैना . . .
Jab pyaar kiya to marna kyun
Posted on: April 2, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Films can be classified on the basis of many points. For example, B&W and colour films, Original or copied film, on the basis of Language or country, with songs or without songs etc.(My friend says there can be only one classification- Good or Bad films ! )
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Naach re mayuraa
Posted on: April 1, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my younger days, Radio Ceylon (later Sri Lanka Broadcasting Corporation) and Vividh Bharati service of all India Radio (Aakashvani) were the two sources on which I used to listen to Hindi film songs’ programmes. I got to know only sometime in late 60s that Aakashvani stations were not broadcasting Hindi film songs prior to the setting of Vividh Bharati in 1957. Later I came to know that this policy decision was taken by the Ministry of Information and Broadcasting in 1952 when Dr B V Keskar, the then Information and Broadcasting Minister felt that Hindi film songs had become vulgar and westernised. It was decided that some songs having literary value such as those written by poets like Bhagwati Charan Verma and Pandit Narendra Sharma should be turned into songs and played on Aakashvani in place of Hindi film songs. It is said that some of such songs were composed by Anil Biswas. It was during this time that Lata Mangeshkar sang her first non-filmy song ‘yug ki sandhya krishak vadhu si’ written by Pandit Narendra Sharma and composed by Anil Biswas during. Unfortunately, this song’s disc was damaged during its first play on the radio and was thus lost forever.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If one browses through the Hindi films made in the 1940s, it will be observed that there were many lesser known music directors who had tried their luck in Hindi films. My guess is that the number of such lesser known music directors in the 1940s may be a close to 50. Sadly, most of these talented music directors could not sustain their careers for long in the Hindi film industry. This blog has covered songs of many of lesser known music directors of the 40s such as Neenu Majumdar, Shanti Kumar Desai, Shyambabu Pathak, Madhulal Damodar Master, Ramchandra Pal etc. V Balsara was one among such music directors who started his career in Hindi films but could not sustain it for long as a music director. But he changed the track of his career and became a famous instrumentalist, orchestra conductor, a music teacher and the music director of non-filmy songs and a few Bengali films during rest of his life. I became aware of his name in the 1970s mainly for his beautiful compositions of some non-filmy Hindi songs.
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Mitwa laut aaye ri
Posted on: February 22, 2013
“Sangeet Samrat Tansen” (1962) was a Sur Sagar Chitra production. It was directed by S N Tripathi. The movie had Bharat Bhushan, Anita Guha, Sabita Chatterjee, Kumar, Mukri, David Abraham, Prem Sagar, Sapru, S N Tripathi etc in it.
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Kyun pyaala chhalakta hai
Posted on: February 11, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Pandit Narendra Sharma came to the film industry after having excelled in the field of academics and Hindi Literature as an author, teacher, editor and publisher. His songs have a simplicity, yet they are woven with such chaste choice of words from Hindi language. Listening to his poetry and his writings from films is like a shower of fresh flowers – soft, fragrant and very pleasing to the heart and mind. The sounds of “Yashomati Maiyyaa Se Bole Nandlala”, (‘Satyam, Shivam, Sundaram’, 1978) or “Bhanwre Ne Khilaaya Phool Phool Ko Le Gayaa Raaj Kunwar” (‘Prem, Rog’, 1982), or “Tum Aasha Vishwaas Hamaare” (‘Subah’, 1982) are very endearing to the heart. And even before, looking at the earlier decades, the songs like “Mann More Huaa Matwaala” in the voice of Suraiyya from the film ‘Afsar’ (1950), and “Kahaan Udd Chalen Hain Mann Praan Mere” from the film ‘Bhaabhi Ki Choodiyaan’ (1961) come from his pen.
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Aaj miley man ke meet
Posted on: February 7, 2013
“Nawab Sirazudaula” (1967) was a Lok Bharti Chitra Production. It was directed by Ramchandra Thakur. The movie had Bharat Bhushan, Kalpana, Manhar Desai, Moti Sagar, Daisy Irani, B. M. Vyas, Naseem, Johnny Walker, Murad etc in it.
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