atul's bollywood song a day- with full lyrics

Archive for the ‘philosophical song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 1 # Kavi Pradeep-1
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I missed the Mumbai Gangout as there were some fortunate developments at my workplace which were leading for an uncertain future for me.
So, one would be surprised to read ‘fortunate developments’ and that too leading to ‘an uncertain future.
Fortunate was it because the decision was taken by me to take a break from my current assignment and start a new journey which I would begin after searching and settling for.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (8 february 2015) is the 25th death anniversary of Mohammad Hussain Farooqui(17 august 1915-8 february 1990). He was active as a playback singer from 1947 to 1950. He sang some nice songs in movies like “Chheen le aazaadi”, “Duniyan ek sarai”, “Laakhon mein ek” and “Pehli pehchaan” etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhaagam Bhaag”(1956) was produced and directed by Bhagwan. The movie had Bhagwan, Kishore Kumar, Smriti Biswas, Badri Prasad, Shashikala, Kumkum, Tiwari etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One of the key threads of genres that runs through the films of 1960s is an array of action films that were centered around the he-man actor Dara Singh.  This was the period when Dara Singh constituted an entire segment of the film industry all by himself.  Stories and screenplays were written keeping him as the center of the universe.  His larger than life physical presence, his standing as a real life body builder and wrestler of international repute, and his reputation as an upright person with very clean habits and a very honest, very humane person – all these characteristics made him a very popular figure with the masses.  Here was a screen hero who would be easily idolized by the common man, for the simple reason that his screen roles were a very close reflection of his real life persona.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zindagi aur Maut”(1965) was produced and directed by N A Ansari for Bundelkhand Films, Bombay. The movie had Pradeep Kumar, Faryal(Introducing), Manmohan, Chandrima Bhaduri, N.A.Ansari, Anwar Hussein, Lalita Kumari, Champaklala, Devi Chand, Uma Dutt, Edwina, Ratan Gaurang, Khalil, Khanna, Kirti Kumar, Rajen Kapoor, Johnny Walker, Neelofar, Bela Bose, Nasreen, Murray, Lateef, Kabuli, Maqbool, Hazara Singh, Tansen, Sarang,Pradeep Sharma, Shukla, Champak etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In continuation to my post for ‘apne haathon ko pehchaan’ :
There is this bhajan/song which is more a philosophical song from 1989 movie ‘ Bade ghar ki Beti ‘.

Actually it is based on a Meera bhajan, but improvised by the lyricist Santosh Anand and composers Laxmikant-Pyarelal. Once heard never forgotten kind of song, with its simple words and simple philosophy of contentment and containment.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Abhaagin”(1938) was a New Theatres movie. The details of this movie were provided by Mr Arunkumar Deshmukh, our beloved inhoise encyclopaedia. Here is what he has to say about this movie:
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The association of Pankaj Babu and RC Boral starts from their coming together as artists and producers at Calcutta Radio. No specific dates are available, but the expected period is the second half of the 1920s. This period also coincides with the prime of the silent films in India. Calcutta had become a main production center. Being recognized as music directors at Radio Calcutta, it was natural for RC Boral and Pankaj Mullick to be called upon for creating the orchestral music for silent films. In the days of soundless films, the music and sound effects were presented live in the theatre, using a live orchestra. What we recognize as background music today, was very much a ‘foreground’ entity in those years. The mood and the action on screen, was duly accompanied by live music that was played by the orchestra sitting just below and front of the screen. Probably no recordings of such musical works were made, else that in itself would have been a very valuable treasure for lovers of film music. wo films from 1931 are identified as the ones for which this pair had prepared the orchestral ‘foreground’ music. Produced by International Filmcraft, the title of the films are ‘Chesher Maye’ (‘चेशेर मेय’) and ‘Chorkanta’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog keep working on different targets at the same time. The ultimate aim of all these targets is to post all the available songs in case of movies as well as artists.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Guest House” (1959) was directed by Ravindra Dave for Golden Pictures. The movie had Ajit, Shakila, Pran, Maruti, Lalita Pawar, Tiwari etc in it.

As many as seven songs from this movie have been discussed in the past.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10900 song posts by now.

Total number of songs discussed

10906

Number of movies (All songs covered)

628

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