atul's bollywood song a day- with full lyrics

Archive for the ‘philosophical song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The association of Pankaj Babu and RC Boral starts from their coming together as artists and producers at Calcutta Radio. No specific dates are available, but the expected period is the second half of the 1920s. This period also coincides with the prime of the silent films in India. Calcutta had become a main production center. Being recognized as music directors at Radio Calcutta, it was natural for RC Boral and Pankaj Mullick to be called upon for creating the orchestral music for silent films. In the days of soundless films, the music and sound effects were presented live in the theatre, using a live orchestra. What we recognize as background music today, was very much a ‘foreground’ entity in those years. The mood and the action on screen, was duly accompanied by live music that was played by the orchestra sitting just below and front of the screen. Probably no recordings of such musical works were made, else that in itself would have been a very valuable treasure for lovers of film music. wo films from 1931 are identified as the ones for which this pair had prepared the orchestral ‘foreground’ music. Produced by International Filmcraft, the title of the films are ‘Chesher Maye’ (‘चेशेर मेय’) and ‘Chorkanta’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog keep working on different targets at the same time. The ultimate aim of all these targets is to post all the available songs in case of movies as well as artists.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Guest House” (1959) was directed by Ravindra Dave for Golden Pictures. The movie had Ajit, Shakila, Pran, Maruti, Lalita Pawar, Tiwari etc in it.

As many as seven songs from this movie have been discussed in the past.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhakt Raaj” (1960) was directed by V M Vyas for Shri Nityanand Chitra productions. The movie had Sulochana, Trilok Kapoor, Prem Adeeb, Kuldip Kaur, Dara Singh, Kumkum, Shahu Modak, Lalita Pawar, David Abraham etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 17
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nahm began to contribute lyrics in the blog from 8 feb 2011, about a month after Atif M (the first lyrics contributor in the blog). That made nahm the second regular lyrics contributor for the blog. The first song contributed by her that appeared in the blog was Do dil toote do dil haare (Heer Raanjha)(1970). This was followed by Aap yoon faaslon se guzarte rahe (Shankar Hussain)(1976). The third contribution was Ab to hai yumse har khushi apni (Abhimaan)(1973).
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A few days ago I heard this song on my mobile. There is huge collection of songs, come from where in my mobile I dont know. When the instrument was new, my daughter was trying out all functions in it. She has downloaded many old songs. This has to be one of them. For one born in 90’s the 70’s songs are old. I am getting to know what songs are there only now, since I thought to make use of the cache.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-3)
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There is a class of people, who make faces when a Mythological film is mentioned. According to them, seeing such films is ” outdated ” and ” Fundamentalist ‘. They feel that those who see such films are way behind the times. These people forget that in the so called ” advanced” world of Hollywood, even today,Mythological,costume and Historical films are regularly produced. Only thing is that these films are no longer advertised on the same scale as was the case a few decades back.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A most versatile character actor. Well, not completely feasible, given his short stature and a thin voice. And yet, he has successfully played a variety of roles on the screen that cover the spectrum from very negative to the very positive. A face that always carries a perennial melancholia seeped into his poignant eyes. The lasting sad elder of the Hindi film screen – Manmohan Krishan.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kahaani Kismat Ki” (1973) was produced and directed by Arjun Hingorani, who pioneered the use of movie titles beginning with the letter K. Unlike those who came in late (read Ekta Kapoor), he would have three word titles, and each word would begin with K. Apart from “Kahaani Kismat Ki”, his other titles read “”Kab Kyun aur Kahaan” (1970), “Khel Khilaadi Ka” (1977), “Kaattilon Ke Kaatil”(1981) and “Kaun Kare Kurbaani” (1991). Clearly the letter K was lucky for Arjun Hingorani.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dil Bhi Tera Ham Bhi Tere” (1960) was directed by Arjun Hingorani for Kanwar Kala Mandir. The movie had Balraj Sahni, Kumkum, Usha Kiran, Dharmendra, Mohan Choti, Jankidas, Tun Tun, Hari Shivdasani, Nazir Kashmiri, Draz, Ishu, Sushil, Bajaj, Ranvir Raj, Khusal, Baby Shobha, Kesari, Fazlu, Reddy, Anoop etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10400 songs post by now.

Total number of songs discussed

10425

Number of movies (All songs covered)

553

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