atul's bollywood song a day- with full lyrics

Archive for the ‘Rare song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy Diwali.

Greetings to all dear fellow travelers of this musical voyage, and all dear friends and readers on this blog. Another new celebration of the festival of lights – may it illuminate your life with the brilliance of joy and happiness. And may it bring blessings of good health, peace and satisfying prosperity – blessings that may come visiting, and then continue staying in your household. Till the time when it is due for celebration again, and this greeting will be refreshed – again.

The day that marks the return of Bhagwan Shri Ram to his home in Ayodhya, after a gap of fourteen years. Fourteen long and dreary and joyless years for the people of Ayodhya; years that were spent without the presence of Lord Ram amongst them. While this tenure was in progress, it seemed limitless and overawing. But when the day arrived and the dear Lord returned home, it was a celebration of happiness never seen before.

In the epic ‘Ramayan’, there is a description of two other fabulous celebrations, one when the Lord appears in family of Raja Dashrath, and the second when the young Prince is married to Sita, the daughter of Raja Janak. Both celebrations have been described in detail in the epic. Both celebrations are also portrayed as epitomes of joy and fulfillment. And yet, it is the celebration of the return of Lord Ram that is the most celebrated. For it is the day when, after a wait of fourteen long years, the people of Ayodhya, who had known the joy of His presence amongst them, and had lost him on a pretext, were reunited with His presence and His grace once more. The happiness knows no bounds, when one receives back something that is a source of joy and fulfillment, something that was taken away, and then finally it is returned once again.

It is a celebration of the second homecoming of this happiness. It is the return and the revival of joy into life. It is the time to light up so many lamps that the night becomes as luminous and dazzling as the day itself. Let this celebration sweep through not just your home, but also through your self, your being. With the prayers that this return of the blessings and joy is now forever.

Presenting another wonderful non film rendition by Rafi Sb for this occasion today. This songs comes from the other side of the 78 rpm record that also carries the other Diwali celebration song by him – “Falak Se Utre Zamee Pe Taare” . An NFS that is recorded sometimes in the 1960s, for which information about the poet and the composer is as yet not available.

Listen and enjoy. May this celebration of the visitation of Divine presence and fulfillment, remain with you always.

Happy Diwali.


Song-Aayi deewaali ki dulhaniya (Rafi NFS)(1960) Singer-Rafi

Lyrics

aayi deewali ki dulhaniya
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley
aayi deewali ki dulhaniya
phoot padey kirnon ke jharne ae
phoot padey kirnon ke jharne
laagey mann ko bhaley
laagey mann ko bhaley
aayi deewali ki dulhaniya

ban thhan kar aaye parwaane ae ae ae ae ae
jal jal kar deewali manaane ae
jal jal kar deewali manaane
log kahen deewali jisko
log kahen deewali jisko
pyaar kisi ka hans ke jaley
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley

aaaa
birhan ke ghar aayi deewali
birhan ke ghar aayi deewali
sang mein dukhde laayi deewali
sang mein dukhde laayi deewali
lok laaj se darr kar chaahe
lok laaj se darr kar chaahe
us ne kiya singaar bhale
aayi deewali ki dulhaniya

jug jug se koi deepak gaata
jalaa hua dil aur jalaata
apne mann ki pyaas bujhaata
in taaron ki chhaon taley
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley
jhil mil deep jaley
jhil mil deep jaley

——————————————–
Hindi script lyrics (Provided by Sudhir)
——————————————–

आई दिवाली की दुल्हनीया
आई दिवाली की दुल्हनीया
झिलमिल दीप जले
झिलमिल दीप जले
आई दिवाली की दुल्हनीया
फूट पड़े किरणों के झरने
फूट पड़े किरणों के झरने
लागे मन को भले
लागे मन को भले
आई दिवाली की दुल्हनीया

बन ठन कर आए परवाने ॰ ए॰ ए॰ ए॰ ए
जल जल कर दिवाली मनाने
जल जल कर दिवाली मनाने
लोग कहें दिवाली जिसको
लोग कहें दिवाली जिसको
प्यार किसी का हंस के जले
आई दिवाली की दुल्हनीया

आssss
बिरहन के घर आई दिवाली
बिरहन के घर आई दिवाली
संग में दुखड़े लाई दिवाली
संग में दुखड़े लाई दिवाली
लोक लाज से डर कर चाहे
लोक लाज से डर कर चाहे
उसने किया सिंगार भले
आई दिवाली की दुल्हनीया

जुग जुग से कोई दीपक गाता
जला हुआ दिल और जलाता
अपने मन की प्यास बुझाता
इन तारों की छांव झिलमिल दीप जले
झिलमिल दीप जले
तले
आई दिवाली की दुल्हनीया
झिलमिल दीप जले
झिलमिल दीप जले
झिलमिल दीप जले
झिलमिल दीप जले

About these ads
Tags: , ,

This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohd Rafi in the 70s
————————-
The introduction to my Facebook group “Mohd Rafi – The Virtuoso” starts with – “Rafi Saab ek ehsaas hai jise mahsoos kiya jata hai, bayaan nehin. Yeh ek naam hai jise sunte hamare dil mein sukoon aur chhehre par muskurahat aa jati hai (Rafi Saab is a feeling that is felt, which cannot be told. It is a name that brings a smile on our face and we feel relaxed). To us he is ethereal; someone from another world; larger than life. No less than a God. This one name evokes a million feelings inside us. We have a smile on our lips and tears in our eyes. In other words, we feel alive when we hear this name – Mohammad Rafi.”

Laxmikant and Pyarelal duo are the most successful composers of Hindi film music. They were at the top during the 70s and 80s, having started as performers in orchestras, becoming arrangers for Hindi film music, which often included ghosting for composers. They composed music for about 635 Hindi movies from 1963 to 1998.

Laxmikant learnt the violin with Husnlal while Pyarelal learnt music from the his father Pandit Ram Prasad Sharma as well as goan music teacher, Anthony Gonsalves. Pyarelal assisted Bulo C. Rani at Ranjit, while both of them assisted Naushad, C. Ramchandra and Kalyanji- Anandji. Their first film as music directors, Parasmani, yielded a major hit, Hansta hua nurani chehra. They broke through big time with Milan (1967), with the Lata-Mukesh duet “Sawan Ka Mahina”.

And what can one say about the lethal combination of Mohd Rafi and the magical duo of Laxmikant and Pyarelal?!? They have given us hundreds of songs {total of 369songs, including 186 solos}.

Praising Rafi Saab, Pyarelal Ji once said: “What can I say about a man jo tareef se bahut hi oopar hai, and had countless golden qualities? I am only able to feel my deep regard for him, not to express it. Rafi Saab aisi sargam thi jisse koi bhi raag ban saktaa tha. He could sing in any range or octave. If today’s composers are to flower, the Almighty should create nine Rafis more!”

Together the LP-Rafi combination gave us many treats and amongst Rafi saab’s best ever sung songs are those composed by L-P. “Tere pyar ne mujhe gham diya” from Chaila Babu (1967) lyrics by Hasrat Jaipuri was LP & Rafi saab’s first song together. It was recorded in 1961 but it got released in 1967.

Rafi Saab was to give L-P a major hit with Chahoonga Main Tujhe in Dosti. Over the years, he’s rendered a string of hits for the music directors – including Beimaan Hai Bada (in Loafer), Na Tu Zameen Ke Liye (Dastaan), Aane Se Uske Aaye Bahar (Jeene Ki Raah), Chalkaaye Jaam and Hui Shyam Unka (Mere Humdum Mere Dost), Yeh Jo Chilman Hain and Itna To Yaad Hai Mujhe (Mehboob Ki Mehndi), the title songs of Patthar Ke Sanam and Khilona title song, Jhilmil Sitaron Ka (with Lata Mangeshkar in Jeevan Mrityu), Parda Hai Parda (Amar Akbar Anthony), Dafliwale (with Lata in Sargam), Dard-e-Dil (Karz) and scores of others. In fact, Rafi’s last song Tu Kahin Aas Paas Hai Dost was recorded for LP for the film Aas Paas.

LP were the staunch Rafi loyalist throughout their life. Their greatness lies in their simplicity, commitment and the quality of unconquered versatility gave Laxmikant-Pyarelal a supreme staying power of 35 years in the Hindi Film Music. Laxmikant-Pyarelal’s tunes used to be very simple but at the same time it used to be extremely sweet, catchy and melodious. When it came to composing great and classy music, LP were in a class of their own. Their melody and orchestration was outstanding and the variety in their work was excellent.

Rafi Saab voice was extensively used by this duo in all forms of film songs – Classical, Folk, Qawwali, Western, Lori, Bhajan, Ghazal etc. They were also outstanding at exploiting several instruments, including their favourite Dholak, Tabla, Violin, Guitar, Bongo, Piano, Santoor, Sitar, Mandolin, French Horn, Rabab and many other Indian as well as Western instruments.

LP churned out song after song with Rafi Saab from “Parasmani” till “Aas Paas”. The songs were simply out of the world.

Pyarelal has plenty of memories of Rafi Saab, among which, some are mentioned below, for the benefit of Mohd Rafi fans:

“Rafi Saab was like a farishta. No other word would be more appropriate to describe him” he recalls “He talked less and had a special style of nodding his head. He always looked down and talked, no matter whom he talked with. For him, everybody was the same, and he talked to everybody in the same tone,” he points out.

“Rafi Saab had a special habit of keeping his car spotless clean”; “Another thing he loved was good food. He’d have a lavish meal whenever he could,” he says.

Pyarelal, however, points out that Rafi rarely went to parties. “He liked to stay in his own world, and concentrate on two things – namaz and riyaz. But he has come to my birthday party twice. They may be among the exceptions he made, but we were so close,” he adds.

On Rafi Saab’s approach towards singing, Pyarelal says “He was God-gifted. He used to do so much riyaz that everything looked so simple. Then, he would modulate his voice to suit each hero, whether it was Dilip Kumar, Bharat Bhushan, Rajendra Kumar or Shammi Kapoor.” Pyarelal says Rafi was a strict disciplinarian when it came to work. He elaborates: “He never cancelled any recording, even if he had a 1020F temperature. In fact, he was the first singer to regularly go on foreign tours. He would go every year, first with his small orchestra, and later with a bigger group.”

Was there anything that Rafi Saab loved as much as singing? “Yes, he loved whistling. He would whistle regularly, either in the form of a tune or just loudly when he was happy.” For Pyarelal, the tales would never cease. But then, Laxmikant Pyarelal and Rafi Saab not only made some great music together, but shared a special bond too.

Some of my favourite (rarer) solo songs sung by Rafi Saab composed by Laxmikant Pyarelal are given below:

Tauba Ye Nazare Ye Katil Ishare “Dillagi” (1966)
Tere Pyar Ne Mujhe Gam Diya “Chhaila Babu”(1967)
Akela Hoon Main Humsafar Dhoondata “Jaal” (1967)
Aankh Milaye Na Muskuraye Na “Milan Ki Rat” (1967)
Kaise Koi Jaane Bhala “Taqdeer” (1968)
Gudiya Si Meri Ladli “Wapas” (1969)
Door Hai Wo Aanchal “Wapas” (1969)
Rom Ke Wadiyon Mein Do Dil “Spy In Rome” (1969)
Haseen Dilruba Kareeb Aaa Zara “Roop Tera Mastana” (1972)
Tu Mujhe Thaam Le Ke Main “Suraj Aur Chanda” (1973)
Main Wohi Wohi Baat Mere “Naya Din Nai Raat” (1974)
Muhobbat Hi Mubobbat Hai “Geeta Mera Nam” (1974)
Meri Dushman Hai Ye Mere Ulzan Hai “Main Tulsi Tere Aangan Ki” (1978)

“Roop Tera Mastana” (1972) stars Jeetendra, Mumtaz, Pran, I.S. Johar, Leela Mishra, Brahm Bhardwaj, Malika, Birbal, etc. It was directed by Khalid Akhtar for RKD Studios and had music by Laxmikant Pyarelal with lyrics penned by Asad Bhopali and Verma Malik.

The Story is about Princess Usha (Mumtaz), who is the successor to the throne. She is murdered by her minister Ajit (Pran) and is replaced by a duplicate, a happy village girl Kiran (Mumtaz), that looks exactly like her. She meets with Usha’s fiancé (Jeetendra), a Prince himself, and falls in love with him, not realizing that her feelings will soon be history when those few days come to an end, and she must then give up her wealthy life-style and go back to being poor again.

The story line is very similar to another movie released in the same year – Raja Jani (1972).

Now coming to today’s song, Rafi Saab has sung this beauty in an extremely romantic, sensuous and passionate way. The prelude music starts with beautifully played rubab, santoor, piano and guitar. And the song is accompanied by great orchestration primarily using these four instruments along with accordion, tens of violins and percussion.

Five songs of this movie have been discussed previously on this blog. This is the sixth out of the total seven songs in this movie.

“Haseen dilruba karib aa zara ke abhi dil nahi bhara” by Mohd Rafi, Music by Laxmikant Pyarelal, Lyrics by Asad Bhopali from “Roop Tera Mastana” (1972)


Song-Haseen dilruba kareeb aa zara (Roop Tera Mastaana) (1972) Singer-Rafi, Lyrics-Asad Bhopali, MD-Laxmikant Pyarelal

Lyrics

Hmm hmm hmmmm
hm hm hm Hmmm
ah hahaha

haseen dilruba
kareeb aa zara
ke abhi dil nahi bhara
kareeb aa zara
ke abhi dil nahin bhara

haseen dilruba
kareeb aa zara
ke abhi dil nahin bhara

raat kitni baar pee
mujhko yaad hi nahin
itna yaad hai ke pyaas
badh gayi bujhi nahin
shabaab se saja
gulaab mein basa
sharaab se bana
jawaan badan tera
idhar to la zara
ke abhi dil nahin bhara
haseen dilruba

sharm aur laaj ke saare
band khol de
mere ang ang mein apna
pyaar ghol de
na haath yoon chhuda
na aankhen yoon dikha
na chehra yoon chhupa
ke mujhse sharm kyaaa
Lipat bhi ja zara
ke abhi dil nahin bhara
haseen dilruba
kareeb aa zara
ke abhi dil nahin bhara
ke abhi dil nahin bhara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The association of Pankaj Babu and RC Boral starts from their coming together as artists and producers at Calcutta Radio. No specific dates are available, but the expected period is the second half of the 1920s. This period also coincides with the prime of the silent films in India. Calcutta had become a main production center. Being recognized as music directors at Radio Calcutta, it was natural for RC Boral and Pankaj Mullick to be called upon for creating the orchestral music for silent films. In the days of soundless films, the music and sound effects were presented live in the theatre, using a live orchestra. What we recognize as background music today, was very much a ‘foreground’ entity in those years. The mood and the action on screen, was duly accompanied by live music that was played by the orchestra sitting just below and front of the screen. Probably no recordings of such musical works were made, else that in itself would have been a very valuable treasure for lovers of film music. wo films from 1931 are identified as the ones for which this pair had prepared the orchestral ‘foreground’ music. Produced by International Filmcraft, the title of the films are ‘Chesher Maye’ (‘चेशेर मेय’) and ‘Chorkanta’.

In 1931, when New Theatres started its production of sound movies, BN Sircar, the owner of the production house brought in this pair as the lead music directors in his company. The first film, in Bangla, was ‘Denaa Paona’. And the rest, as they say, is simply history.

In the first half of 1940s, a significant number of the artists, performers, and technical persons associated with the film industry, moved from Calcutta to Bombay. The volume of film production and quality suffered. In spite of that New Theatres continued to keep its shooting studios working. RC Boral and Pankaj Mullick continued to stay with the company and continued to create music for its films.

‘Chhota Bhai’ is a 1949 production from New Theatres, directed by Kartik Chatterji. The main cast of actors includes Molina Devi, Rajlakshmi, Shakur, Pal Mahendra, Maya Bose, Asit Sen, AH Shor, Khursheed, Chhabi Rai, Tulsi Chakravarty, Manorama, Natwar, Asha, etc. There are six songs in this film. The music is composed by Pankaj Mullick. The lyrics writing is shared between Rajendra Krishan, Prakash and Ramesh Pandey. This song is from the pen of Rajendra Krishan. For Rajendra Krishan, these were his initial years in the industry, having contributed lyrics to 5 films in 1947 and 1948. His career saw a significant rise in 1949 and 1950. In these two years he wrote lyrics for almost 25 films, some of which became very popular.

This film makes a debut on this blog today. I present a song in the voice of singer Manju and a chorus of voices. There is a male voice that also sings a line in every antaraa (stanza), but that voice is not identified. Girdharilal Vishwakma ji has helped identify this voice as belonging to Shakoor’s.

A song of philosophical contemplation, making some honest and realistic observations about life. Simple lyrics from Rajendra Krishan have been tuned into a simple group song scenario. Listen and enjoy.


Song-Duniya mein har kisi ki kismat juda juda hai (Chhota Bhai)(1949) Singer-Manju, Shakoor, Lyrics-Rajinder Krishan, MD-Pankaj Mullick
Chorus

Lyrics

duniya mein har. . . kisi ki
kismet judaa judaa hai
ek motiyon se khele
ek khaaq mein milaa hai
ek wo hai jo maze se
phoolon pe so rahaa hai
aur doosra bechaara
kaanton pe ro rahaa hai
aji tum hi kaho ye kaisa
tum hi kaho ye kaisa
insaaf ho rahaa hai
haan
insaaf ho rahaa hai
duniya mein har kisi ki
kismet judaa judaa hai
haan
kismet judaa judaa hai
duniya mein har kisi ki
paisa hai paas jiske
duniya hai us ke bas mein
duniyaa. . . usi ko mane
jo khaaye jhhoothi kasmen
aji tum him kaho samajh kar
tum hi kaho samajh kar
achhi hain kya ye rasmen
haan
achhi hain kya ye rasmen
duniya mein har kisi ki
kismet judaa judaa hai
haan
kismet judaa judaa hai
duniya mein har kisi ki
haaan. . .
sab ek jageh pe baithe
har koi ek saa ho. . .
oonchaa naa koi neechaa
chhota ho na badaa ho
ban jaaye saari duniya
ban jaaye saari duniya
ek ghar to kya mazaa hai
haan
ek ghar to kya mazaa hai
duniya mein har kisi ki
kismet judaa judaa hai
haan
kismet judaa judaa hai
duniya mein har kisi ki


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

================
Genius of Jaidev – 16
================

Gaman (1979) was produced and directed by Muzaffar Ali and had star cast consisting Farooq Shaikh, Jalal Agha, Nana Patekar, Smita Patil, Gita Siddharth, Satish Shah etc., with lyrics by Shahryar and music by Jaidev. In his unique style Jaidev used new voices, not usually used by other MDs. Chhaya Ganguli got her first break as a film playback singer with her award winning song ‘Aap Ki Yaad Aati Rahi Raat Bhar’ in this film ‘Gaman’. Other voices used in the film are Classical Singer Hiradevi Mishra, Hariharan, Suresh Wadkar etc.
Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Rafi Saab – In the 70s
——————————

A BIG thanks to Sudhir Ji, a key contributor to this blog, who has started a wonderful thread – “Mohd Rafi Saab – In The Seventies” and has posted some great songs during the month of September.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kasturi” (1954) was directed by Vrajendra gaur for Sargam Pictures, Bombay. The movie had Nimmi, Sajjan, Bipin Gupta, Anand Prasad, Nakul Mullick, Shammi, Alka, Samson, Amrit Rana, Indira, Helen, Radheshyam, P C Sinha etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kasturi” (1954) was directed by Vrajendra gaur for Sargam Pictures, Bombay. The movie had Nimmi, Sajjan, Bipin Gupta, Anand Prasad, Nakul Mullick, Shammi, Alka, Samson, Amrit Rana, Indira, Helen, Radheshyam, P C Sinha etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The heydays of New Theatres lasted about one and a half decades, from its foundation in 1931 to around mid 1940s. The war and the famine drastically impacted the film industry in Calcutta. Majority of the artists migrated to Bombay, and the production houses in Calcutta suffered on account of that. Given the circumstances, New Theatres was also impacted. We do not see any significantly notable films come from that banner after the mid 1940s.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS….Song No. 10…Last song of the series.
—————————————————————————
Today’s song is from Film Asha-1948. The films having title Asha were made in 1938,1948,1957 and 1980. In this century, there was Asha ki Kahani-2002 and Ashayen-2010. The film Asha made in 1957 was the most popular one due to its songs like…Eena Meena Deeka. That was the time Kishore kumar was on the seventh heaven and in demand most.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS…..Song No. 9
———————————————-

Today’s selected song is from film KAMLA-1946.

Now, one may start wondering who is Kamla ? This is because the actress KAMLA KOTNIS was not a very prolific or well known actress and her career in Hindi films was also very short. However, she has the unique distinction of being the FIRST ever Heroine of DEV ANAND in his Debut film- Hum Ek Hain-1946. So, as long as Dev Anand will be remembered, Kamala Kotnis’s name will also be remembered.
Read more on this topic…


Important Announcement

(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has exactly 10400 songs post by now.

Total number of songs discussed

10400

Number of movies (All songs covered)

552

Total visits so far

  • 6,041,023 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,493 other followers

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory

Stumble

Follow

Get every new post delivered to your Inbox.

Join 1,493 other followers

%d bloggers like this: