atul's bollywood song a day- with full lyrics

Archive for the ‘Shamshad Begam songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sangram”(1950) was directed by Gyan Mukherji. The movie had Ashok Kumar, Nalini Jayawant, Nawab, Tiwari, Shashi Kapoor (jr.), Tabassum, Hemvati, Sajjan, Ram Singh, SN Banerjee etc in it.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie.

This song is sung by Shamshad Begam and Lata. Vrajendra Gaur is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been abl;e to get a few words in the lyrics. I request our knowledgeable readers to fill in the balnks/ suggest corrections in the lyrics as applicable.


Song-Kas ke kamar ho jaa taiyyaar (Sangraam)(1950) Singers-Shamshad Begam, Lata, Lyrics-Vrajendra Gaur, MD-C Ramchandra
Both

kas ke kamar hoja taiyyaar
hoja taiyyaar
kas ke kamar hoja taiyyaar
hoja taiyyaar
karna hoga beda paar
is paar ya us paar
kas ke kamar hoja taiyyaar
hoja taiyyaar

kathin hai jeewaan ka sangraam
hamesha le himmat se kaam
kathin hai jeewaan ka sangraam
hamesha le himmat se kaam
isi se jeete hain ye daam
na haannko deengenn badi badi
na haannko deengen badi badi
padegi ghar par chal kar maar
padegi ghar par chal kar maar

na ghabra meri sarkaar
karna hoga beda paar
is paar ya us paar
kas ke kamar hoja taiyyaar
hoja taiyyaar

yahaan ho jaate hain bekaar
?? balwaan
yahaan ho jaate hain bekaar
?? balwaan

milenge ladkar ghadi ghadi
milenge ladkar ghadi ghadi
kabhi jeet ho kabhi ho haar
karna hoga beda paar
is paar ya us paar
kas ke kamar hoja taiyyaar
hoja taiyyaar


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is a special song-for me, because it is not only composed by one of my favourite composers, but it is also sung by him, as a duet with Shamshad Begum, in the film Hamaari Shaan-1951. Chitragupta is the composer / singer of this song.

In my opinion, out of all the composers ( including my favourite C. Ramchandra), these were the only 4 composers, whose compositions, I personally found very melodious in about 90% times. This is a very high percentage for melody, which not every composer can boast of ! These composers are….

Composer period of activity Total films Total songs average films/year
Hansraj Behl (19-11-1916 to 20-5-1985) 1946-1979 71 530 2
Khemchand Prakash(12-12-1907 to 10-8-1950) 1939-1950 46 437 4
Chitragupta (16-11-1917 to 14-1-1991) 1946-1988 148 1028 3
Ravi (3-3-1926 to 7-6-2012 ) 1955-1990 111 792 3

source-muvyz.

Composer Ravi was an assistant to Chitragupta in his early days. Both Chitragupta and Ravi also sang songs in Hindi films and in each other’s films as well. Chitragupta sang 28 songs in 15 films and Ravi sang 21 songs in 18 films. Additionally Ravi was also a Lyricist and wrote about 66 songs in 21 films.

Sometimes I wonder whether singers sang the best when singing for their favourite composers ? Just see the kind of singing Mukesh did for Shankar-jaikishen, Lata did for C.Ramchandra (during 1949-1958), Kishore did for S D Burman, Rafi for Naushad, Talat for Anil Biswas or Asha for first O P Nayyar and then R D Burman.

Lata was also very close to Chitragupta. Actually they had a small group, consisting of Prem Dhawan, Dilip Dholakia, Lata and Chitragupta. After every song recording, they all used to go to Chitragupta’s house in Khar and have a Bihari Lunch there. Lata was very fond of Bihari food. ( I too like Bihari Sattu ki poori and Aaloo ki sabji ). They used to go to Picnics also.

Film Hamaari Shaan-51 was produced by Nanabhai Bhatt and directed by his elder brother Balwat Bhatt. The early 50s was a period when many films used the theme of importance of Joint families or maintaining the old family traditions. The partition had practically broken many joint families and the family system in india was going through an upheaval, what with formation of smaller units of families in metropolitan towns,due to scarcity of space and increasing inflation. Elders in the society wanted old values to be nurtured further, but the whole system seemed to be heading for a transformation into nuclear family system-out of sheer necessity. If a family had 4 brothers,the parents would be with only one family, thus depriving 3 families of building values in the younger generations. The film industry was trying to re establish these but to no avail. Film Hamari shaan also was woven around such a theme.

The film was directed by the elder brother of Nanabhai Bhatt- Balwant Bhatt. He was born at Porbandar, Gujarat on 13-1-1909. Balwant started his career by assisting Naval Gandhi in 1930-31 and then N.B.Vakil at Sagar Studios in 1932. He turned Director with the advent of Talkie films and joined Prakash Pictures with Actress-1934. His first film was Chalta purja-1932 and the last one was Nagin aur Sapera-1966. He directed 34 films, mostly stunt and C grade films. He directed some Gujarati films like Sansar Leela, Seth Sagsha, Diwadandi,Snehlata etc. He was the producer of Dillagi-1942, Gunehgar, Alif Laila etc. Diwadandi-1950 became famous for its song-” Taari aankhni afini”, sung by Dilip Dholakia with music by Ajit Merchant. His film Mordhwaj-52 was the Debut film for Music Director Narayan Dutt. Balwant Bhatt died on 7-2-1965, at Bombay.

There were 8 songs in “Hamaari Shaan”(1951), sung by 7 singers and written by 4 Lyricists. 5 songs are already posted and today’s song is the 6th song from this movie. The cast of the film was Durga Khote, Yaqub, Agha, David, Umakant, S.Nazir, Yashodhara katju, S N Tripathi, Bharat Bhushan, Veera, Meera etc etc. The story of the film was….

HAMARI SHAAN-1951 was a Deepak Pictures’ film.Produced by Nanabhai Bhatt,it was directed by Balwant Bhatt.The story/s-play/dialogues were byPt.Girish.MD was Chitragupta and Lyricists were Anjum Jaipuri,RMAKhan,S.K.Deepak and B.D.(Bhagwat datt)Mishra.

In a certain village in UP,a joint family of panditji resides. Panditji alias Harprasad, his wife Ganga, three children, their wives and an unmarried daughter Kumud who is engaged to Satish,s/o/ Damadi lal,who is stingy like his name.

Gopal is their neighbour. Hs sister kala’s marriage is broken as they can not give dowry of 2000 rupees. Kala tries suicide. Panditji not only saves her, but also gives Rs 2000- and gets her married. Gopal thus becomes his trusted assistant for ever.

One day Panditji dies while saving Damadilal from goons’ attack. His family gets fragmented with all brothers dividing property, but no one is ready to give 5000/- dowry for sister’s marriage. Gopal convinces Satish and he marries Kumud, without dowry, secretly. Damadilal, his father comes there, with Pistol to stop the marriage.

In the ensuing fight Gopal is killed accidentally by Damadilal’s gun. Damadilal repents, blesses the couple, gives all property to them and goes on a Teerthyatra.

The brothers also unite once again.

Here is this song from “Hamaari Shaan”(1951) which is sung by Shamshad Begam, Chitragupta and chorus. B D Mishra is the lyricist. Music is composed by Chitragupta.


Song-Jamuna ke paar kahin baaje baansuriya (Hamaari Shaan)(1951) Singers-Shamshad Begam, Chitragupta, Lyrics-B D Mishra, MD-Chitragupta
Female chorus
Male chorus
All chorus

Lyrics

jai
jai kanhaiyya laal ki

jai kanhaiyya laal ki
jai madan gopal ki

hoy chhoron ko haathi ghoda
chhoriyon ko paalki
hoy chhoriyon ko paalki
hey
jai kanhaiya laal ki
jai kanhaiya laal ki
jai madan gopal ki

ho ho o
Jamuna ke paar
Jamuna ke paar
kahin baaje baansuriya
sunke jiya lehraaye re
haaye sunke jiya lehraaye re
ho ho
karke singaar
hoy karke singaar
chali leke gagariya
panghat pe chori chori jaaye re
ho gori
panghat pe chori chori jaaye re

karke singaar
chali leke gagariya
panghat pe chori chori jaaye re
ho gori
panghat pe chori chori jaaye re

dol raha
mera man dol raha
ho sakhi dol raha
dol raha
mera man dol raha
ho sakhi dol raha

baansuri ki taanon se
shahad koi praanon mein
ghol raha
baansuri ki taanon se
shahad koi praanon mein
ghol raha aa
dol raha

ho o o
ho o o
o o o
jeewan mein haar gayi
murli pe waar gayi
jeewan mein haar gayi
murli pe waar gayi

jaadu ke baan dekho maare saanwariya
hamse raha nahin jaaye re
haaye
hamse raha nahin jaaye re

hoy
jhhoom rahi
ho gori jhoom rahi
ho gori jhoom rahi

jhhoom rahi
ho gori jhoom rahi
ho gori jhoom rahi

shyaam base nainan mein
baawri ho kunjan mein
jhoom rahi

shyaam base nainan mein
baawri ho kunjan mein
jhoom rahi
jhoom rahi

ho o o
ho o o
o o o
honthon pe geet liye
tan man mein preet liye
honthon pe geet liye
tan man mein preet liye

mohan ki rang rangi saari nagariya
dekhe to chaandni lajaaye re
haaye
dekhe to chaandni lajaaye re
Jamuna ke paar
kahin baaje baansuriya
sunke jiya lehraaye re


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The song under discussion today is from Yahudi ki Ladki-57. It is a duet sung by Shamshad Begam and Geeta Dutt. Hemant Kumar was the music director. This is one of the very few films in Hindi Film History, which had a similar story plot in four films at different times.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from film Madhubala-1950.

Will you be not happy if you get the Cake and eat it too ? Same thing happened whenever Handsome Dev Anand and the most beautiful actress of Hindi films, Madhubala acted together in a film. The audience used to become ecstatic with joy watching their films. No one cared if the story was weak or the music was third grade. What was more important was to see Dev and Madhubala, with a contented heart !
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjaam”(1952) was produced by V M Vyas and directed by Shanti Kumar for Sunrise Pictures, Bombay. The movie had Premnath, Vyjyanti Mala, Kuldeep Kaur, Yakoob, Dulari, Jankidas, H Prakash, Shammi, Chitralekha etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What do film stars do when they retire or stop working ?

Actually, the artistes can be divided into two parts. One, those who stop working voluntarily or retire by choice and Two, those who stop getting work and are compelled to retire. Of course the first category has definite plans post retirement, so they do what was planned. However those who stop getting work or are compelled to call it a day have either to fall back on their savings or do something else to survive.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am sure you must have heard the names of Music Directors Fakir Muhammed, Shambhoo, Dattaraj, Brij Bhushan, Raj Ratan, Ronodev Mukherjee, Kamalkant and Vishnu Khanna.

No ? I am surprised. OK. At least you must be knowing Music Directors Ajay, Baboo Singh or Vijay Honavar ? Your blank face says, you have never heard their names.

I am not asking you names of Music Directors from the 1930s or 1940s. All these were composers in the 1960s. If I ask you about Satyam, Jagdish or Ratandeep-Hemraj, what will you say ?
These were Music Directors in the 1970s. They composed music for 5 to 15 films each in the 70s.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sipahiya”(1949) was directed by Aspi for Super Pictures, Bombay. The movie had Madhubala, Yaakoob, Agha, Husn Bano, Altaf, Kanhaiyya Lal, Jillo Bai, Ghulam Rasool, Amirbai, M K Hasan etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Comedians were given due importance in old time films in general and in the Golden Era in particular. This fact can be noticed in movies produced from late 40s to late 60s.

Good, quality comedians entered films and succeeded. Roles were created and written for them and songs were filmed on them. A variety of comedy was offered to the audience. Slapstick comedy, situational comedy, farce, physical comedy and comedy of events- all these were lapped up by the public. Comedians like Dikshit and Ghori, V.H.Desai, Gope, Yaqub, Noor Mohd. Charlie became indispensable parts of films being produced those days.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – The Incomparable – 9
————————————–
Yes, it is that monsoon season. Monsoon has made the Mumbai city and the surrounds all “jal thal’. What came as welcome relief from the heat soon turned to a deluge, causing disruption.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11377

Number of movies (All songs covered)

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