atul's bollywood song a day- with full lyrics

Archive for the ‘Shamshad Begam songs’ Category


This article is written by Arunkumar Deshmukh, fellow enthusiast of Hindi movie music and contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…Song No. 10…Last song of the series.
——————————————————————–

Today’s song is from the film Mangala-1950. It is a duet of Shamshad Begum and T.A.Moti. This is also the last song of this series.

In this series, we have heard,so far, 9 duets of Shamshad Begum, from her early films in the 40s. From the first film of hers in Bombay (Taqdeer) to her first film in Madras(Mangala), we have heard duets with 9 different singers, featuring Motilal, Surendra, K S Raagi, Ram Kamlani, Anil Biswas, G M Durani, Sulochana Kadam, Lata and Chitalkar and today is the 10th singer T.A.Moti. I wanted to include her duets with S D Batish, Geeta Dutt, Mohd.Rafi and Surinder Kaur, but it was not possible to accomodate them in this series.

Film Mangala-50 was a remake of the Hit Tamil film ‘Mangamma Sapatham-1943′. After the unprecedented foray of Gemini’s Vasan’s hit film Chandralekha-48. Subramaniam Srini Vasan or simply S S Vasan, became aware of the unlimited scope of the Hindi belt market for south-made Hindi films. Vasan was a writer, Editor, producer and Director, but above all, he was a Business Tycoon. He had established the popular Tamil magazine “Anand Vikatan”, and owned Gemini studios, Gemini Laboratories and Gemini distribution circuits. He soon decided to take advantage of the success of Chandralekha and made another Trilingual film . In Tamil it was called “Apoorva sahodarargal”, in Telugu, it was “Apoorva Sahodaralu”, and in Hindi it was called “Nishan”-49. This film too was a great success. Encouraged by this, S S Vasan mad his 1943 Tamil Hit film “Mangamma Sapatham”-43, into a remake in Hindi with the name “Mangala”-50.

Not by coincidence, but by design, the Hero for all these 3 remakes and the originals was Ranjan. (This film was remade in Simhalese as “Mathalan” in 1955 and in Telugu as “Mangamma shapatham”in 1965- featuring N T Ramarao, later the Chief Minister of erstwhile Andhra Pradesh, and Jamuna).

In the early times of Film Industry, very few educated people used to join here. That is why Graduates or Postgraduates used to flaunt their degrees with pride- like Moti, B.A.-the lyricist, or Kavi Pradeep’s pseudoname- Miss Kamal B.A. or even singer Surendra as B.A., LL.B.

A highly qualified person and that too in an unrelated subject joining films was a wonder then. Thus, a young man with an unlikely name for a Hero, like RAMNARAYAN VENKATRAMAN SARMA Alias actor RANJAN was a novelty. Ranjan was born in Madras on 2-3-1918 in an orthodox Brahmin family. He did his B.A. with Phisics and then completed M.Litt in Carnatak music and Dance and became a Research Fellow for Ph.D. He also became the Managing Editor of ‘ NATYAM ‘ a magazine for Dance,drama and Music. In total contrast to his expertise in fine arts, he learnt FENCING( Sword Fighting) after he saw it in the Olympic Games.

He was spotted by a Tamil Producer and he made his Debut in the film ” Ashok Kumar “-1941. After a few films in Tamil and Telugu he got the role of SHASHANK in the Magnum Opus film Chandralekha in 1948. The Drum dance and his fencing were the two attractions in the film. The final sword fighting is considered the Longest ever Fencing fight in films till today ! The film was a Hit and Ranjan became typedcast in Action films. Ranjan was a very poor actor, but his Fencing skills were marvellous.

In 1949, came ” NISHAN “, based on the Hollywood film ” The Corsican brothers’-one good and one bad. Tt was a story of twins. The audience liked a scene from the film which showed that there were marks on one brother’s back if the other one was whipped !. The film, in Hindi, Tamil and Telugu was a hit everywhere mainly for its fencing scenes. In ‘Mangala’ opposite Bhanumati, he was the villain and the Hero too.

He was invited by New York University for a Fellowship, but Vasan did not leave him, so after Mangala-1950, as soon as the contract was over, Ranjan came to Bombay.

‘Shin shinaki Boobla Boo’-1952 saw him with Rehana but as a Romantic Hero he was worse than Bharat Bhushan or Pradeep Kumar !

He acted in Sindbad the sailor, Baghi, Shahenshah, Kafila, Baghdad, Baap Beti, Nishan Danka and a host of B and C grade films, many of them dubbed or remakes of southern films. He was known for only Fencing. But he never became famous like Stewart Granger in ” Scaramouche” for his fencing. In the 50s he acted in 23 films, in 60s he did 18 films and in 70s his tally was 17 films. A total of 58 films in Hindi.

After Sword fighting became obsolete he shifted to writing. The story of film MUNIMJI-55 was written by him. After few years in south he was seen again in ‘Chor chor’-74 and ‘Chaitali’-76. Ram Balram was his last film.

He married a Muslim girl and she converted to Hinduism taking the name of Laxmi. Ranjan wrote 12 books on Dancing and music.

He shifted to USA to live with his son, but died on 12-9-1983,in New Jersey-USA,due to Heart attack. He was so much forgotten that even the news of his death was not published in India.

Today’s song is from Magala-50. It is a duet of Shamshad with T.A.Moti. I knew about Moti,B.A. but not about Moti T.A.. There was also the singer actor Moti Sagar. I tried very hard to gather information about this singer. I contacted my Tamil and Telugu friends and checked all known south Indian film channels, but to no avail. This is a great problem which I usually encounter in case of Southern and Bangla artistes. Information about these artistes is very difficult to come by. At times Bangla artiste information may be available but inormation about obscure South artistes is conspicuous by its absence.

Actually, the southern film activity, though as old as Hindi Talkie films, is strictly limited to four southern states. It was only the adventurous S S Vasan who ventured into the bastion of Hindi film markets, by promoting his film Chandrlekha. In fact this had encouraged other producers like AVM, Prasad, Vijaya etc to tap the Hindi belt. While making a multilingual film, the south producers always called the Hindi artistes, be it actors, Directors ,composers or singers to come to Madras, but they never went to Bombay. It was only through Dubbed or remade films that south actors, composers or actors were exposed to the Hindi arena. Those days anyone from south was a “Madrasi” and likewise anyone from other than south was a North Indian or a Punjabi ! No one from the North bothered to distinguish between Tamil, Telugu, Kannada or Malayalam-films or people. Everything was “Madrasi “.

The divide between the North and the south went on widening, which finally resulted in the Ánti-Hindi Agitations” of the 60s and 70s in Madras and other southern places. Fortunately, in recent times and with the New Generation, thanks to the coalition politics at the centre and states as well as I.T. centres at Hyderabad and Bangalore, the North-South exchange is much better and each state is identified individually. Thanks also to writers like Chetan Bhagat’s novels. Thanks to Modernization.

Coming back to T.A.Moti, all that I was able to know about him was that he was from Madras. He was a rare person who learnt Hindustani Classical music under experts. His Hindi pronunciation was very clear, without the typical southern style. He flourished in the later part of the 40s. In almost all dubbed and remade films in Hindi, during the 40s to 60s he sang songs in such films. He was also a very popular singer in Tamil, Telugu, Kannada and Malayalam languages. In South Indian versions of Barsat, Aan, Udan khatola etc etc he sang all the Tamil and Telugu songs. It was a hilarious scene to watch Dilip kumar singing in Tamil !.

From film Chandralekha-48, he started singing in Hindi films too. There may be many,but i heard his songs in Chandralekha, Nishan, Mangala, Dil-46, Intezar ke baad-47, Meri behan-62 Ram and Rahim-68. I read somewhere that in addition to Hindi, Tamil, Telugu,Knnada and Malayalam, T A Moti also sang in Marathi.

The composers of Mangala was a team of D.Parthsarthi, Balkrishna Kalla and E. Shanker. This team also gave music to few other films like Mangala-50, Sansar-51, Mr.Sampat-52, Bahut din Huye-54. Balkrishna Kalla with mohd. Shafi gave music to Krishna Kanhaiya-52. Independently he gave music to only one film-Do Dulhe-54. The southern composers gave music only to dubbed films or remakes.

In the original version of Mangala, which was ‘Mangamma Shapatham’- 43, the Heroine was Vasundhara Devi-mother of Vaijayanti mala. In hindi film mangala, the Heroine was P.Bhanumathi, but the hero was same – Ranjan. There were some Hindi actors like Agha, David and Badriprasad. The composer of today’s song, Balkrishna Kalla also did a small role in this film. When Shamshad begum sang songs for Chandralekha, her songs were recorded in Bombay, but for Mangala, Shamshad went to Madras first time and sang 9 songs out of its 15 songs. In this film the songs and dances of Carmen Miranda were freely copied in the Tamil, Telugu and Hindi versions.

Let us now enjoy this video of the comedy song which is filmed on Agha and Suryaprabha ( I guess). With this song, we end this series here only.


Song-Bhole bhaale sanam matwaale sanam (Mangala)(1950) Singers-T A Moti, Shamshad Begam, Lyrics-Pt Indra Chandra, MD-Balkrishna Kalla
Both

Lyrics

o jee o jee o jee o
o jee o jee o jee o o

haan jee o haan jee o haan jee o
bhole bhaale sanam matwaale sanam
raat jaave hai jaave hai raat jaawe hai

more pyaare balam matwaale balam
neend aave hai aave hai
neend aave hai

jaao jaao ji balam
O balam besharam
teri jaan ki kasam
neend aave hai
tera kaisa ye sitam
zara soch to sanam
o sanam
beraham
raat jaave hai

neend aave hai aave hai
neend aave hai
raat jaave hai jaave hai
raat jaave hai

Raani aaj meri gaadi pehuchi
dil ke gaanv tak
pahunchi dil ke gaanv tak

Raaja main bhi teri ho gayi
ab sar se paanv tak
dekho Sar se paanv tak
main takiya tu rajaai
tu ghaas ??
main seena tu angdaai
tu tabla main shehnaai
tumhen jaan gaye ham
karo pyaar zara kam
kaise karoongi hajam
jee ghabraawe hai
more pyaare balam
matwaale balam
neend aave hai aave hai
neend aave hai
bhole bhaale sanam
matwaale sanam
raat jaawe hai jaawe hai
raat jaawe hai

kya baat karta
nimbu bhi rasgulla ban gaya
Ye sher tere
jaadu se ab billa ban gaya

mehmaan mere manmaane
maine dhang tere pehchaane
baalam banke lage sataane
Main aaya pyaas bhujane
Aao gaayen milke ham
huye door saare gham
o sanam
naachen ham
tu sataave hai

neend aave hai aave hai
neend aave hai
raat jaave hai jaave hai raat jaave hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No. – 9
——————————————–
Today’s song is from the film Girls school-49. It is a duet sung by Shamshad Begum and Chitalkar.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No.-8
————————————————

Today’s song is a Quartet of Shamshad begum with Lata, Chitalkar and Rafi, from the film-Roshni-1949.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM …..Song No. 7
——————————————-
Today’s song is sung by Shamshad Begum, Sulochana Kadaam and Mohd. Rafi for the film Lal Dupatta-48.

In our last episode, we briefly looked at the industry scene in 1948. This was the beginning of the peak of the “Golden Era” of HFM which for the next 10 to 15 years gave immense everlasting musical happiness to people in India. The music of this era was so enchanting that even today, music lovers all over the world demand old songs of this era in any Musical stage show conducted anywhere.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM….Song No- 6
—————————————-
Today’s song is duet of Shamshad Begum and G M Durani.

There were 51 films having the word Ghar in their Titles that were released from 1931 to 2012. ‘Ghar’ was made 2 times, Ghar ghar ki kahai-3, Ghar Jamai-2, Ghar Grihisthi-2, Ghar ka chirag-2, Ghar ki izzat-2, Ghar ki Laaj-3, Ghar ki Laxmi-2, Ghar sansar-3, Gharana-2, Gharonda-2, Gharbaar-3, Gharwali Baharwali-2 and a funny Title “Ghar mein ho saali to poora saal Diwali ” was made in 2001.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No- 5
——————————————

1947 was an important year not only for the Nation, but also for the Film industry that sadly said ‘Good Bye’ to many of its popular Muslim artistes, who chose to migrate to the new nation PAKISTAN, created on the basis of Religion. The departure of many talented and popular, successful artistes and technicians was an immediate blow to the film industry, but the void thus created was soon filled up with its own personnel ‘waiting in the wings’ to take over. India never had a shortage of talented people, but it was Pakistan, who faced problems in establishing its New Film Industry. Their major problem was shortage of Financiers and Producers-who were mostly Hindus and who either shifted to India or got killed in the riots and their studios were burnt down by the rioters.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM….Song No. 4
————————————–

Today’s song is from film Doosri Shaadi-1947. This is a duet with Ram Kamlani.

“Shaadi” seems to be quite a favourite Title word for Hindi film producers. There are very funny Titles with the word Shaadi. To start with, there was a film called ” Third wife ” made by Madan Theatres in 1931-the First year of Talkie films in India. Those days Polygamy was very common ( and why not ? King Dashrath of Ramayana had also 3 wives. Even in Mythology Lord Krishna had an astronomical figure of 16008 wives. Mortals today are struggling to manage even ONE wife ! ). Doosri Shadi was made in 1947 and then it was followed by a move practicable Pehli shaadi in 1953. So the number finally came down to a manageable number.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM….Song No. 3
——————————————-

Today’s song is from film Namumkin-46. It is a duet of Shamshad Begum and K.S.Ragi.

We are accustomed to see only the usual regular well known names, but when some new or unknown name appears, our brows are raised and we wonder who this singer is. Same thoughts came to my mind when I first came across his name few years back. One would immediately think of the singers in a Gurudwara, who are also called Raagis. I tried and tried very hard, but except that he hailed from Andhra pradesh, I could not get any other information on him. Then one fine morning K S Ragi’s daughter appeared on RMIM forum and gave some more information. Though even this was very meagre, still at least something was there.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No. 2
—————————————–

Today’s song is from film Ratnavali-45. Not a very well known name. Even in those days,it was not a film known by many ! But it had very good songs. This was a costume film made by Amar Pictures.

Amar Pictures was owned by Chimanlal Desai- who had established Sagar movietone in 1930 along with Dr. Ambalal Patel. Both were actually in Distribution business, but they entered film production line with the help of Ardeshir Irani of Imperial Film Company. Dr. Patel left Sagar around 1936 to go back to his Distribution business again and Chimanlal left Sagar in 1939 to form National Studios, joining hands with RCA’s Yusuf Fazalbhoy.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Vintage Shamshad Begam
—————————
Song-1 Shamshad Begam and Motilal
———————————–
I started seeing films since my early childhood in the late 40s. I was lucky enough to see many films of the 30’s too, in their second or third runs. By the mid 50s, the films from the 30s were gone but almost all films of the 40s were still available.

English, Hindi, Marathi, Telugu or Kannada- language was no bar as far as watching movies of these languages was concerned . Those were the days when 78 RPM records used to be played by Hotels on gramophone. This helped me to hear the latest songs. In the 1960s Posh hotels had Juke Box. Soon it became common and Juke Boxes were seen everywhere. You needed just a coin of 4 Annas to listen to your desired song on it. Usually 4 songs in a row were lined up and they could all be listed to by putting 4 coins in it.
Read more on this topic…


Important Announcement

(© 2008 - 2015) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11100 song posts by now.

Total number of songs discussed

11148

Number of movies (All songs covered)

667

Total visits so far

  • 6,859,750 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,724 other followers

Bookmark

Bookmark and Share

Recent comments

Category of songs

Archives

Current Visitors

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory

Stumble

Follow

Get every new post delivered to your Inbox.

Join 1,724 other followers

%d bloggers like this: