atul's bollywood song a day- with full lyrics

Archive for the ‘Suman Kalyanpur songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VELVET MAGIC – TALAT DUETS……Song No. – 10…Last song of the series.
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We end this series with a duet of Talat and Suman Kalyanpur, from the film Pyar ki Dastaan-1961.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Entertaining Sales Pitch Songs – 8
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दुनिया के बाज़ार में सब कुछ बिकता है, भगवान भी ।
(In this marketplace of the world, everything sells, even God.)

Here we have a small child who is selling God.  Well, not exactly.  He is selling small clay figurines of various Hindu Gods. This scenario is not unique to our country or this religion.  In every society across the globe, wherever there is a worship of a personal God with a form, one can witness such vendors who sell the prevalent and the accepted images of the Almighty.  Even in religions and faiths where the worship is of a formless God, and it is not possible to create images of Him, we have an abstract representation in form of words and scripts that replace the image. The concept and this need of the human mind to relate to a God like entity is and has been a powerful driving force for people across the ages and across the continents. Whatever may be the belief system, one will always find symbols or tokens or images or words, available to be purchased, for a price, at centers of worship and pilgrimage.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our day to day life we face some or the other discomforting and problematic situations, most of which get sorted out over time. The end of such situations is the beginning of happiness.

One of the discomforting situations which I have started facing in the post- retirement years is that I suddenly remember the tune of a song which I had heard quite often in my younger days on the radio but I am not able to recall the wordings or other details. I become restless until I find the song. It is by chance that I get to listen to the song on YT or on the Blog after months. And the pleasure I get in solving this kind of ‘puzzle’ is akin to attaining nirvana.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MISSING GEMS FROM THE GOLDEN 50s….Song No. 16
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Moving from 1958, we come near the end of the decade with the year 1959. It was about 12 years since the upheaval in the film industry with the mass migration of film artistes from India to Pakistan, post Partition. Even after that some movements were still going on with late goers. Fortunately normalcy had returned to the industry by that time, much faster than was expected by the world watchers. Unlike Pakistan-who had to build a fresh new industry in their country- our infrastructure was intact, the base was wide and solid and vacancies were filled up promptly, by artistes waiting in the wings.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mention of RK Films brings to mind the unbroken partnership of 22 long years between the music director duo of Shankar Jaikishan and the songwriters Shialnedra and Hasrat Jaipuri.  Starting from ‘Barsaat’ in 1949, and all the way up to ‘Mera Naam Joker’ in 1971, this quartet ruled the music and songs at RK Films, collaborating for every RK film produced during this period (with the exception of Shailendra, who passed away in 1966).

Remembering Hasrat Jaipuri on the anniversary of his birth today (15th April).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Oomar Qaid” (1961) was produced by Super pictures and directed by Aspi Irani. This movie had Sheikh Mukhtar, Sudhir, Nazima, Helen, Mukri, Hiralal, Sulochana, Mohan Choti, Jeevankala etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shreemaan Satyawaadi”(1960) was produced by Mahipatrai Shah and directed by S M Abbas for Roopkala Pictures, Bombay. The movie had Raj Kapoor, Shakeela, Mehmood, Nazir Hussain, Radhakishan, Kumud Tripathi, Raja Nene, Moni Chatterji, Arun, B N Madhur, Sushil Kumar, Haaroon, Nasreen, Brahm Bhardwaj, Poonam Kapoor, Indira Bansal, Ravi Khanna, Parshuram, Khursheed Khan, D G Dawli, Gopal Sahgal, Kishore Sharma etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 17
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The versatility of a writer, especially a song writer, is a direct reflection of his well rounded awareness and understanding of the many aspects of this life and the society that we live in.  Getting into the industry, and writing for the regular social and romantic themes is one level of expertise.  The next dimension to that is to move away from the conventional lines and create unusual verses.  Like the path breaking new sounds that RD Burman created in the 1970s.  An example of a neo+ song that comes to mind is the striking “Dam Maaro Dam” from the 1971 film ‘Hare Rama Hare Krishna’.  The theme and the expressions in this song, well reflect the then ongoing hippie ‘revolution’ that had swept around the globe, starting from west in the second half of 1960s, and making its way east, as an undefined quest.  The song represents the moods of rebel thoughts that drove this movement.  Taking in the changes that were coming along with the newer generations, Anand Bakshi wrote the simple lyrics of this song, that at one time, had become the signature beat for the hippie people.

Remembering Anand Bakshi, on the day of his passing away today (30th March).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaari Yaad Aayegi” (1961) was a Show People production. This movie was directed by Kidar Sharma. The movie had Ashok Sharma, Tanuja, Anant Kumar, Sujata, Vijay, Madhvi, Dubey etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The best thing about Holi songs is that in most cases, the message of colors is immediately apparent in the coloring of the lyrics. The songs get created in the spirit of Holi itself. It is a social and group celebrations, and the songs of this festival are sung by multiple singers, and performed by a multitude of players on the screen. And as we sit down to color code the lyrics, the resulting view is as colorful as the festival itself.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11200 song posts by now.

Total number of songs discussed

11222

Number of movies (All songs covered)

671

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