atul's bollywood song a day- with full lyrics

Archive for the ‘Suman Kalyanpur songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saaz Aur Aawaaz”(1966) was directed by Subodh Mukherji. The movie had Joy Mukherjee, Saira Banu, Kanhaiya Lal, Padma, Niranajan Sharma, Asit Sen, Mumtaz etc in it.

This movie had nine songs in it. I was under the impression that all the songs of this movie were already covered in the blog, with the last song discussed in 2013 itself. Now it turns out that I had had failed in counting the songs of this movie. The fact that I had not discussed one of the songs from the movie was pointed out by H M Aparna, who takes her role of tagging YIPPEED songs very seriously and who often detects songs whose links were missing despite the songs being discussed in the past. Now she has pointed out a song from ‘Saaz aur Aawaaz”(1966) which I had actually failed to discuss and still I had painted the title of this movie orange declaring that all nine songs of the movie were discussed.

Here is the ninth and final song from “Saaz Aur Aawaaz” (1966) which I had failed to discuss so far. This song is sung by Suman Kalyanpur and chorus. Khumar Barabankwi is the lyricist. Music is composed by Naushad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Saaz Aur Aawaaz”(1966) now ACTUALLY joins the list of movies that have all its songs covered in the blog.


Song-Poonam ki raat aayi (Saaz Aur Aawaaz)(1966) Singer-Suman Kalyanpur, Lyrics-Khumar Barabankvi, MD-Naushad
All Chorus
Female chorus
Male chorus

Lyrics

aaaa
aa aa aa

yalla yallaa yalla loom yalla loom
aa aa aa aa aa
aa aa aa

yalla yallaa yalla loom yalla loom
yalla yallaa yalla loom yalla loom

aa aa aa aa
yalla yallaa yalla loom yalla loom

poonam ki raat aayi
dil ke muraad laayi

poonam ki raat aayi
dil ke muraad laayi
poonam ki raat aayi

poonam ki raat aayi
poonam ki raat aayi
dil ke muraad laayi
dil ke muraad laayi
poonam ki raat aayi

aa aa aa aa
aa aa aa aa
aa aa aa
madira barse aaj gagan se ae
preet ki dhaara phhooti man se
aa
aa aa aa
aa aa aa aa
madira barse aaj gagan se
preet ki dhaara phhooti man se
jeevan le le angdaayee ee
jeevan le le angdaayi
poonam ki raat aayi

preetam preetam koi pukaare
koi kisi ki baat nihaare ae
koi kisi ki baat nihaare
aas na chhode tanhaai ee
saath na chhode tanhaai
poonam ki raat aayi

darshan bhiksha maangat naina
dharm daya ho aaj ki raina
aa
aa aa aa
aa aa aa aa
darshan bhiksha maangat naina
dharm daya ho aaj ki raina
dekho naa ho jag-ruswaai ee
dekho naa ho jag-ruswaai
poonam ki raat aayi
dil ke muraad laayi
poonam ki raat aayi

aaaa
aa aa aa aa aa
aaaa
aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 19 # Suman Kalyanpur – 1
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I am aware of the names of a few Hindi film names that have ‘Haathi’ in their title. The most famous of them being ‘Haathi Mere Saathi’. ‘Main Aur Meraa Haathi’, ‘Safed Haathi’ are two other such titles. Then there was another film having an Elephant as the central character in it which I watched in my childhood days and cannot forget (because of one of its songs – ‘maa tujhe dhoondhoon kahaan’) viz. ‘Maa-1976’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VELVET MAGIC – TALAT DUETS……Song No. – 10…Last song of the series.
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We end this series with a duet of Talat and Suman Kalyanpur, from the film Pyar ki Dastaan-1961.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Entertaining Sales Pitch Songs – 8
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दुनिया के बाज़ार में सब कुछ बिकता है, भगवान भी ।
(In this marketplace of the world, everything sells, even God.)

Here we have a small child who is selling God.  Well, not exactly.  He is selling small clay figurines of various Hindu Gods. This scenario is not unique to our country or this religion.  In every society across the globe, wherever there is a worship of a personal God with a form, one can witness such vendors who sell the prevalent and the accepted images of the Almighty.  Even in religions and faiths where the worship is of a formless God, and it is not possible to create images of Him, we have an abstract representation in form of words and scripts that replace the image. The concept and this need of the human mind to relate to a God like entity is and has been a powerful driving force for people across the ages and across the continents. Whatever may be the belief system, one will always find symbols or tokens or images or words, available to be purchased, for a price, at centers of worship and pilgrimage.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our day to day life we face some or the other discomforting and problematic situations, most of which get sorted out over time. The end of such situations is the beginning of happiness.

One of the discomforting situations which I have started facing in the post- retirement years is that I suddenly remember the tune of a song which I had heard quite often in my younger days on the radio but I am not able to recall the wordings or other details. I become restless until I find the song. It is by chance that I get to listen to the song on YT or on the Blog after months. And the pleasure I get in solving this kind of ‘puzzle’ is akin to attaining nirvana.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MISSING GEMS FROM THE GOLDEN 50s….Song No. 16
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Moving from 1958, we come near the end of the decade with the year 1959. It was about 12 years since the upheaval in the film industry with the mass migration of film artistes from India to Pakistan, post Partition. Even after that some movements were still going on with late goers. Fortunately normalcy had returned to the industry by that time, much faster than was expected by the world watchers. Unlike Pakistan-who had to build a fresh new industry in their country- our infrastructure was intact, the base was wide and solid and vacancies were filled up promptly, by artistes waiting in the wings.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mention of RK Films brings to mind the unbroken partnership of 22 long years between the music director duo of Shankar Jaikishan and the songwriters Shialnedra and Hasrat Jaipuri.  Starting from ‘Barsaat’ in 1949, and all the way up to ‘Mera Naam Joker’ in 1971, this quartet ruled the music and songs at RK Films, collaborating for every RK film produced during this period (with the exception of Shailendra, who passed away in 1966).

Remembering Hasrat Jaipuri on the anniversary of his birth today (15th April).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Oomar Qaid” (1961) was produced by Super pictures and directed by Aspi Irani. This movie had Sheikh Mukhtar, Sudhir, Nazima, Helen, Mukri, Hiralal, Sulochana, Mohan Choti, Jeevankala etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shreemaan Satyawaadi”(1960) was produced by Mahipatrai Shah and directed by S M Abbas for Roopkala Pictures, Bombay. The movie had Raj Kapoor, Shakeela, Mehmood, Nazir Hussain, Radhakishan, Kumud Tripathi, Raja Nene, Moni Chatterji, Arun, B N Madhur, Sushil Kumar, Haaroon, Nasreen, Brahm Bhardwaj, Poonam Kapoor, Indira Bansal, Ravi Khanna, Parshuram, Khursheed Khan, D G Dawli, Gopal Sahgal, Kishore Sharma etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 17
– – – – – – – – – – – – – – – – – –

The versatility of a writer, especially a song writer, is a direct reflection of his well rounded awareness and understanding of the many aspects of this life and the society that we live in.  Getting into the industry, and writing for the regular social and romantic themes is one level of expertise.  The next dimension to that is to move away from the conventional lines and create unusual verses.  Like the path breaking new sounds that RD Burman created in the 1970s.  An example of a neo+ song that comes to mind is the striking “Dam Maaro Dam” from the 1971 film ‘Hare Rama Hare Krishna’.  The theme and the expressions in this song, well reflect the then ongoing hippie ‘revolution’ that had swept around the globe, starting from west in the second half of 1960s, and making its way east, as an undefined quest.  The song represents the moods of rebel thoughts that drove this movement.  Taking in the changes that were coming along with the newer generations, Anand Bakshi wrote the simple lyrics of this song, that at one time, had become the signature beat for the hippie people.

Remembering Anand Bakshi, on the day of his passing away today (30th March).
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11377

Number of movies (All songs covered)

684

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