atul's bollywood song a day- with full lyrics

Archive for the ‘Talat Mehmood songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
Read more on this topic…

About these ads

This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE GENTLEMAN MAESTRO….
————————-

White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS…….song no. 8
———————————————

After Partition, there was a rush to migrate to Pakistan and artists continued to shift there from 47 to almost 1950. Some artistes like Noorjehan left immediately. There were few cases where some people borrowed money from friends and then left the country quietly, leaving the money lender high and dry. By about 49-50, almost everything was settled on both sides. The conditions in Lahore and Karachi had stabilised considerably for film making and lots of opportunities existed for film artistes there by mid 50s. That led to a second wave of migration to Pakistan at that time. Those who had continued in India completed their assignments here and went to Pakistan.
Read more on this topic…


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1980, I was in Delhi, fresh out of college, working for a firm that manufactured car parts. I stayed with my Aunt in Delhi, the rest of my family being elsewhere. My cousins were BIG music afficionados. They could sing beautifully and had an excellent taste in music.

I already loved the film music of 50s and 60s, so I was also well grounded in my musical tastes. My cousins helped me break out of my Lata/Asha/Rafi/Kishore mould and develop a taste for singers like Talat, Manna Dey, Begam Akhtar, Kumar Gandharva, Bhimsen Joshi and of course, Jagmohan.
Read more on this topic…


This article is written by AK, a fellow enthusiast of Hindi movie music and a first time contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = == = = = = =

Atul Song-A-Day 10K Song Milestone Celebrations ––43 (Post number 9998)
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

How do you feel when a family member achieves something spectacular? Atul is my family, not only as a fellow blogger, but also because both of us started our professional career at the same Institute. This was a small, beautiful, self-contained place, tucked away in a town back of beyond, at the foothills of a hill (which was literally called पहाड़ी). This Institute was a British creation in 1927, with exceptional facilities thrown in: indoor swimming pool, indoor badminton court, squash court, tennis courts, football field, table tennis, billiards table, lounge, dark room for photography (the world was not digital then), and a huge golf course just outside the complex. Four years of our most exciting young days in this ambience, the life-style, and the traditions created a strong life-long bond with the Institute, and among the alumni. As I entered a few years earlier, I am especially delighted by the awesome achievement of my younger brother, The Incomparable Atul. As he completes the magical number of 10,000 posts I convey my heartiest congratulations to him and all the regular contributors who have made it possible.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of this name brings to mind, the mindless sidelining and disregard of talent that was ever the most gifted and capable. But that is life – the unfortunate unkindness it metes out to some people is beyond our intelligence to understand. Comes to mind the lines of Meera Bai’s bhajan –

Koel Kar Dini Kaali
Santo, Karman Ki Gati Nyaari

That the Koel bird is endowed with such a beautiful voice that is incomparable, but the same Maker also made it black and ugly, such are the vagaries of destiny.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Makkhichoos” (1956) was directed by Ramchandra Thakur for Maya Pictures Production. The movie had Mahipal, Shyama, Gope, Jeevan, Leela Misra, Moti Sagar, Shammi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Doraaha”(1952) was a Progressive Pictures Production. It was directed by Bal Chhabra. The movie had Shekhar, Nalini Jaywant, Agha, Jagdeesh Sethi, Murad etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Wo Din Yaad Karo” (1971) was produced and directed by K Amarnath. The movie had Nanda, Sanjay Khan, Shashikala, Mehmood, Madan Puri, Rajan Haksar, Tuntun, Dhumal, Wasti etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Real life has no control experiments. In the sense that one cannot experiment with real life. One cannot re enact the passages of life which
have already passed, and try them with a different set of parameters. Time once gone, cannot be relived. And events and passages once experienced, cannot be replayed. The seductive thought process – ‘yun hota to kya hota’ (‘Ah, only if it were so’) is an exercise in speculation, for one cannot decisively say whether the results in life would have been different, had one taken a different path and made some different choices. It is all speculation, and nothing else.
Read more on this topic…


Important Announcement

(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10200 songs post by now.

Total number of songs discussed

10258

Number of movies (All songs covered)

531

Total visits so far

  • 5,911,062 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,464 other followers

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory

Stumble

Follow

Get every new post delivered to your Inbox.

Join 1,464 other followers

%d bloggers like this: