atul's bollywood song a day- with full lyrics

Archive for the ‘Talat Mehmood solo’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from a Raj-Nargis film Bewafa-52 and it is sung by Talat Mahmood.

It is not very common that Talat sang for Raj Kapoor. Raj was convinced that only the voice of Mukesh suited him, so in all the films that he produced or directed, he used to try using Mukesh for his songs. However,as a true Professional, if he were to work for some other producer or under a different Director, he followed the policy of strict Non-interference. So, in such films, we see other singers giving playback to Raj Kapoor, depending on the choice of the producer or director. Talat sang a total of ten songs for Raj kapoor in 4 films, as following-

S No. Song Movie (Year) Director Music Director
1. Armaan bhare dil ki lagan hai Jaan Pehchan(1950) Fali Mistry Khemchand Prakash
2. Main hoon dil ek armaan bhara Anhonee(1952) K A Abbas Roshan
3. Mere dil ki dhadkan kya bole Anhonee(1952) K A Abbas Roshan
4. Sama ke dil mein hamaare Anhonee(1952) K A Abbas Roshan
5. Main paagal mera manawa paagal Ashiana(1952) B. Trilochan Madan Mohan
6. Mera qaraar le jaa Ashiana(1952) B. Trilochan Madan Mohan
7. Dil matwala lakh sambhala Bewafa(1952) M L Anand A R Qureshi
8. Kaam hathon ka hai Bewafa(1952) M L Anand A R Qureshi
9. Tu aaye na aaye Bewafa(1952) M L Anand A R Qureshi
10. Tum ko fursat ho meri jaan Bewafa(1952) M L Anand A R Qureshi

One can see from the above list that 7 out of the 10 Talat songs had been Hits-that is 70%- in those days and they are Talat lovers’ favourites even today. The last song, ‘Tumko fursat ho’ is my own all time favourite. In spite of this, Raj never preferred Talat ,may be he was not Shankar Jaikishan ‘s favourite. But then such are the ways of this Mayanagari !

Film Bewafa-52 was an eminently flop film of RK-Nargis. They worked in 17 films together, including both versions of Jagte Raho. This film had come at such a time when there was a wave ( or a fashion ? ) of Tragedy films. Saigal films had given a respectable status to Tragic films ( and songs) and actors like Dilip Kumar took them to greater heights. After a few initial films, Dilip kumar started dying in films. He had started his career with “jwaar Bhaata”-44, in which Agha was the Hero and Dilip played a side role. In later years the roles were reversed and Agha became a comedian and played side roles in films when Dilip was the Hero.

Starting with Jugnu-47, Dilip, habitually died in films like Nadiya ke paar-48, Mela-48, Shaheed-48 and Andaz-49. Then again he ‘died’in Devdas-55 and Musafir-57. He became famous as a Tragedy King, but a wrong message went to producers/directors that if the Hero dies, the film becomes a hit. This started a ‘killing spree’. Probably this was taken too seriously by Director M L Anand in film Bewafa-52 and in film Bewafa-52, he ensured that all the 3 main characters of the film die one after another ! Perhaps this was too much for the audience to take and they too killed the film turning it into a grand flop !!

So much has already been written about Raj and Nargis that to repeat that here may result into a tragedy for me !

Raj Kapoor( 24-12-1924 to 2-6-1988) started in 1935 as a child artist. He did child roles in 4 films. He first became a Hero in Neel kamal-47. He acted in 69 films and sang 188 songs on screen. He also directed 10 films.

Nargis ( 1-6-1929 to 3-5-1981 ) too started in 1935 as a child artiste and she did 8 child roles, before she became a Heroine in film Taqdeer-43,at the age of just 14 years. She acted in 62 films and sang 203 songs on screen.

Surprisingly, both Raj and Nargis sang 3 songs in 3 films for themselves. ( All stats from Muvyz)

The cast of the film Bewafa was Raj Kapoor, Nargis and Ashok Kumar with many others in smaller roles. The film revolves around these three characters only. The film was produced by Nargis herself ,under the banner of her company ‘The art centre-Bombay’. The entire film was filmed in RK studio. The songs were written by Sarshar Sailani and Shams Azimabadi. The Music Director was A R Qureshi aka Alla Rakha, the famous Tabla Maestro and father of Tabla wizard Zakir Hussain. There were 9 songs in the film. Today’s song is the 6th song to be discussed here. The story of the film was-

RUPA’S(Nargis) life began in a Chawl. She led a miserable existence with her uncle who was a drunkard, who ill treated and tortured her. RAJ (Raj Kapoor) her neighbour had always playful attitude towards Rupa He even sympathised on her pitiful state and preferred only to help her which she used to accept, though reluctantly. One day she was forced to leave the chawl and wanted to put an end to her life but Fate had decreed otherwise. She met Ashok ( Ashok kumar), a poor and unsuccessful artist who lived in a humble room in the neighbourhood. Ashok with a connoisseur’s eye thought Rupa an ideal model for his paintings. This proved true. Ashok and Rupa became rich overnight. Rupa forgot her miserable past and was happy in her present rich environment with Ashok.

At this juncture Raj arrives on the scene-a completely changed Raj dressed like a gentleman with aristocratic behaviour and habits. Rupa was very pleased to meet Raj after such a lapse of time. She introduced Raj to Ashok-who though had not met each other before but had heard of each other. Ashok was not well impressed with Raj nor Raj with the former. Raj’s intimacy with Rupa grew more and more every time they met. Ashok did not approve of this association as he thought that Raj was not good enough for Rupa and that he was more after her money. Raj on the contrary gave all the assurances to Rupa that he only cared for her and nothing else mattered to him in the world. All these developed into a conflict and misunderstanding amongst the three Rupa, Raj and Ashok.

Actually Raj was a gambler and owed large amounts to creditors,who were after him for money. He only pretended to love Rupa. He wanted her money and not her love. She could not understand this. Ashok tried to tell her to keep away from Raj,as he understood his intentions. One day after an argument with Ashok,over Raj,she leaves her house and goes to Raj. They stay in a hotel. Raj’s creditors are after him to get money fro Rupa. He steals her bag and starts running.
People think he is a thief and follow him. His creditors think he is running away with the booty and they fire at him. Meanwhile Rupa follows Raj. She is completely disillusioned to see her love being so bewafa and greedy. Raj dies of bullet injuries. Rupa returns to Ashok,but Ashok too takes poison and dies as he had loved her. Seeing this Rupa collapses and dies. Seeing all this the audience also faints !

Here is the sixth song from “Bewafa”(1952). It is sung by Talat Mehmood. Sarshar Sailaani is the lyricist. Music is composed by A R Qureshi.


Song-Kaam haathon ka hai (Bewafa)(1952) Singer-Talat Mehmood, Lyrics-Sarshar Sailaani, MD-A R Qureshi

Lyrics

haan aan aan aan
kaam haathon ka hai ae ae ae
milne ki duaayen karna aa aa aa aa aa
kaam haathon ka hai
milne ki duaayen karna
sar mila aap ke kadmon pe jhukaane ke liye
sar mila aap ke kadmon pe jhukaane ke liye
ho o jhukaane ke liye
sar mila aap ke kadmon pe jhukaane ke liye

haan aan aan aan
husn ki aankh mein aen aen aen aen aen aen
aansoo nahin dekhe jaate ae ae ae ae ae
husn ki aankh mein aansoo nahin dekhe jaate
ishq taiyyaar hai har naaj uthhaane ke liye

haan aan aan aan
haaye aate hi ye ae
jaane ka taqaaja kaisa
aa aa aa aa aa
dil mila dard ko mehmaan banaane ke liye
aankh bakhshi hai kahin aankh ladaane ke liye
ho ladaane ke liye
aankh bakhshi hai kahin aankh ladaane ke liye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————
# Bhoole-Bisre Geet # 2 # Talat Mehmood-1
————————————————-

This is the second offering in this series. My primary focus in this series is to introduce those films from the decade 1971-1980 that are yet to make a debut on the blog.

But instead of going chronologically I willdiscuss these songs in sequence in which I noticed them in HFGK Vol-V. And of course, special songs are to be discussed first.

And today’s song is definitely a special one – a devotional song in the ‘velvet voice’ – now this one really came to me as surprise when I read the first song in the list under this film’s name in HFGK. The singer was none other than Talat Mehmood.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had not heard the name the film “Pathan’ (1962) until I came across the songs on this Blog itself. However, I had heard two songs from this movie sung by Talat Mehmood which were popular on the radio in the 60s. One of Talat Mehmood songs chaand mera baadalon mein kho gaya has already been covered in the Blog. Not much of the information on the film is available on the internet sources other than star cast and songs. IMDB has tagged this film as family drama. The film may have been bombed at the box office and became obscure over a period of time.
read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaari Shaan”(1951) was produced by Nanabhai Bhatt and directed Balwant Bhatt for Deepak Pictures, Bombay. The movie had Durga Khote, Yaakoob, David, Umakant, S Nazir, Yashodhara Katju, Agha, S N Tripathi,Maruti, Shyam Sundar, Veera, Sharda, Meera, Bharat Bhushan, Urmila, Tarabai, Kusum, Anand Prabhu etc in it.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

=============
Rare Songs – 10
=============

Talat Mahmood (24 February 1924 – 9 May 1998) was a popular Indian playback singer and film actor. A recipient of the Padma Bhushan in 1992, he had a unique style of singing. He was famous for singing ghazals.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

So today (1 january 2015) heralds the arrival of a new year viz 2015. Many people try to go to a new year heralding get together parties but I did not share their enthusiasm and decided to keep indoors, considering the weather conditions. I feel that the weather conditions this time are colder and bleaker than they were the previous year and I feel that the advisable thing to do under the circumstances is to bid one’s time and hope that this kind of weather will go away in a few weeks.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni raaten – Song no. 12
————————————–

chaand ek bewaa ki choodi ki tarah toota huaa
har sitaara besahaaraa soch mein dooba huaa
gham ke baadal ek janaaze ki tarah thehre huye
hichkiyon ke saaz par kehtaa hai dil rotaa huaa

Thus began a classic Talat Mahmood song ‘koyi nahin mera iss duniya mein’ from the movie ‘Daag’.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Let me start this post with the stats making good use of the freshly added statistics on the stats page. Madan Mohan has composed total 684 songs. Out of these 413 songs are posted in the blog. Talat Mehmood has 314 out of 450 songs sung by him in his career. This is also to acknowledge and appreciate the great work being done by fellow contributors(Not naming anyone here in case I miss some names) for the improvements, thus enhancing the data available in the blog.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE GENTLEMAN MAESTRO….
————————-

White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.
Read more on this topic…


Important Announcement

(© 2008 - 2015) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11342

Number of movies (All songs covered)

681

Total visits so far

  • 7,131,139 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,772 other followers

Like us at Facebook

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory

Stumble

Follow

Get every new post delivered to your Inbox.

Join 1,772 other followers

%d bloggers like this: