atul's bollywood song a day- with full lyrics

Archive for the ‘Talat Mehmood solo’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni raaten – Song no. 12
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chaand ek bewaa ki choodi ki tarah toota huaa
har sitaara besahaaraa soch mein dooba huaa
gham ke baadal ek janaaze ki tarah thehre huye
hichkiyon ke saaz par kehtaa hai dil rotaa huaa

Thus began a classic Talat Mahmood song ‘koyi nahin mera iss duniya mein’ from the movie ‘Daag’.

I have recently discussed a wonderful ghazalsung by Talat Mehmood for Madan Mohan in Khoobsurat (1952). The search which actually started for ‘chaand’ song by Talat Mehmood has so far lead to a rich yield.

Yesterday I found this old geet said to be from a private album, which makes it a non-film song. And I was not even looking for it, as I already have a Talat song for this series(Thanks to Bluefire ji ). I heard it and thought this is a very old song and definitely suits the theme of the series. Having checked in the NFS list in the blog to confirm that it is not posted, I proceeded with the lyrics which proved a difficult task as the song is very old. In search of a better sounding link, I found this link which gives details of the song like the lyricist name and composers name, Faiyyaz Hashmi and Kamal DasGupta respectively. Unfortunately the song with this detail and lyrics is not to be found on myswar.com listings. So I was not able to confirm it.

Another search for list of Talat Mahmood songs led me to this site http://www.oldsongshop.com/talat.htm . Here the list of film and non film songs, as well as other language songs , is given. It is accredited to Khalid Mahmood, son of Talat Mahmood. I was relieved to find the song in this list alongwith Faiyyaz Hashmi and Kamal DasGupta’s names. So this more or less confirms that the song credits are correct.

aabla paa koyi iss dasht mein aaya hogaa
warna aandhi mein diya kis ne jalaaya hogaa

But this is for another post for another non film song. For now presenting the Talat Mehmood solo song of indeterminate age.


Song-Soye huye hain chaand aur taare (Talat Mehmood NFS)(1950) Singer-Talat Mehmood, Lyrics-Faiyyaz Hashmi, MD-Kamal Dasgupta

Lyrics

soye huye hain chaand aur taare
aaj ki raat andhiyaari ee ee
aaj ki raat andhiyaari
tum baithhi ho paas hamaare
soyee hai phulwaari ee ee
soyee hai phulwaari

jin aankhon mein laaj bhari thhi
wo bhi hain matwaari ee
jin aankhon mein laaj bhari thhi
wo bhi hain matwaari ee
ab to itnaa keh do pyaari
main hoon tumhaari
main hoon tumhaari

ek dooje ko o paa ke ham tum
bahot miley sharmaa ke ham tum
ek dooje ko o paa ke ham tum
bahot miley sharmaa ke ham tum
yoonhi rahe to reh jaayengi
man ki baaten man mein saari
ab to itnaa keh do pyaari
main hoon tumhaari
main hoon tumhaari

dekh(?) kusum ko tadpaayegi
phir ye raat nahin aayegi
dekh(?) kusum ko tadpaayegi
phir ye raat nahin aayegi
prem milan ki in ghadiyon par
laakh bahaaren waari ee ee
laakh bahaaren waari ee ee ee
ab to itnaa keh do pyaari
main hoon tumhaari
main hoon tumhaari
soye huye hain …

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Let me start this post with the stats making good use of the freshly added statistics on the stats page. Madan Mohan has composed total 684 songs. Out of these 413 songs are posted in the blog. Talat Mehmood has 314 out of 450 songs sung by him in his career. This is also to acknowledge and appreciate the great work being done by fellow contributors(Not naming anyone here in case I miss some names) for the improvements, thus enhancing the data available in the blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE GENTLEMAN MAESTRO….
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White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS…….song no. 8
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After Partition, there was a rush to migrate to Pakistan and artists continued to shift there from 47 to almost 1950. Some artistes like Noorjehan left immediately. There were few cases where some people borrowed money from friends and then left the country quietly, leaving the money lender high and dry. By about 49-50, almost everything was settled on both sides. The conditions in Lahore and Karachi had stabilised considerably for film making and lots of opportunities existed for film artistes there by mid 50s. That led to a second wave of migration to Pakistan at that time. Those who had continued in India completed their assignments here and went to Pakistan.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1980, I was in Delhi, fresh out of college, working for a firm that manufactured car parts. I stayed with my Aunt in Delhi, the rest of my family being elsewhere. My cousins were BIG music afficionados. They could sing beautifully and had an excellent taste in music.

I already loved the film music of 50s and 60s, so I was also well grounded in my musical tastes. My cousins helped me break out of my Lata/Asha/Rafi/Kishore mould and develop a taste for singers like Talat, Manna Dey, Begam Akhtar, Kumar Gandharva, Bhimsen Joshi and of course, Jagmohan.
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This article is written by AK, a fellow enthusiast of Hindi movie music and a first time contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations ––43 (Post number 9998)
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

How do you feel when a family member achieves something spectacular? Atul is my family, not only as a fellow blogger, but also because both of us started our professional career at the same Institute. This was a small, beautiful, self-contained place, tucked away in a town back of beyond, at the foothills of a hill (which was literally called पहाड़ी). This Institute was a British creation in 1927, with exceptional facilities thrown in: indoor swimming pool, indoor badminton court, squash court, tennis courts, football field, table tennis, billiards table, lounge, dark room for photography (the world was not digital then), and a huge golf course just outside the complex. Four years of our most exciting young days in this ambience, the life-style, and the traditions created a strong life-long bond with the Institute, and among the alumni. As I entered a few years earlier, I am especially delighted by the awesome achievement of my younger brother, The Incomparable Atul. As he completes the magical number of 10,000 posts I convey my heartiest congratulations to him and all the regular contributors who have made it possible.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of this name brings to mind, the mindless sidelining and disregard of talent that was ever the most gifted and capable. But that is life – the unfortunate unkindness it metes out to some people is beyond our intelligence to understand. Comes to mind the lines of Meera Bai’s bhajan –

Koel Kar Dini Kaali
Santo, Karman Ki Gati Nyaari

That the Koel bird is endowed with such a beautiful voice that is incomparable, but the same Maker also made it black and ugly, such are the vagaries of destiny.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Doraaha”(1952) was a Progressive Pictures Production. It was directed by Bal Chhabra. The movie had Shekhar, Nalini Jaywant, Agha, Jagdeesh Sethi, Murad etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Real life has no control experiments. In the sense that one cannot experiment with real life. One cannot re enact the passages of life which
have already passed, and try them with a different set of parameters. Time once gone, cannot be relived. And events and passages once experienced, cannot be replayed. The seductive thought process – ‘yun hota to kya hota’ (‘Ah, only if it were so’) is an exercise in speculation, for one cannot decisively say whether the results in life would have been different, had one taken a different path and made some different choices. It is all speculation, and nothing else.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10300 songs post by now.

Total number of songs discussed

10315

Number of movies (All songs covered)

537

Total visits so far

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