atul's bollywood song a day- with full lyrics

Archive for the ‘Theme song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a well known fact that one needs high quality training in any field of activity if one has to succeed in that field. People in real life know it. That is why we see students joining coaching classes for competitive examinations.

In Hindi movies though, hero is shows to be the best in all fields of activities without undergoing any kind of training in that field. And this is one of the major grouse that I have with Hindi movies. Hindi movies tend to convey a wrong message that one can have output without input.

The song under discussion is an exception though. We are aware of people attending coaching classes to enable them to make honest living. Here we find that one needs to be coached properly even for a life of petty crime. :) This movie “Haath Ki Safaai” (1974) has budding pickpockets getting training in this specialised activity by a professional in the field. Satyen Kappu, known to many of us a “laachhar” baap of Amitabh Bachchan (in Deewaar) is shown playing the pick pocket tutor to budding aspirants.

In this song, the teacher and pupils pray to the Almighty to bless all people with prosperity so that they may have a large and prosperous “client” base to work on. This is such a refreshing change in approach from the “remonstrating with the Almighty” genre of songs that the Almighty is mostly subjected to in Hindi movies. :)

This fun song is sung by Mahendra Kapoor and chorus and it is picturised on Satyen Kappu and lots of his young pupils. The pupils are eager learners as can be seen in their eagerness to pick the pockets of their fellow pupils and sometimes the pocket of their tutor as well. :) And then they are also taken out to public places to practice their learnt skill under the watchful eyes of their guru.

Gulshan Bawra is the lyricist. Music is composed by Kalyanji Anandji.

Lyrics of this song were sent to me by Prakashchandra.

With this song, the fifth from the movie, “Haath Ki Safaai” (1974) joins the list of movies that have all their songs covered in the blog.

Audio


Song-Ooper waale teri duniya mein(Haath Ki Safaai)(1974) Singer-Mahendra Kapoor, Lyrics-Gulshan Bawra, MD-Kalyanji Anandji
Chorus
Mahendra Kapoor + Chorus

Lyrics(Provided by Prakashchandra)

oopar waale teri duniya mein
oopar waale teri duniya mein
kabhi jeb kisi ki na khaali miley
kabhi jeb kisi ki na khaali miley
koi bhi ghareeb na ho jag mein
koi bhi ghareeb na ho jag mein
har paakit mein hariyaali miley
har paakit mein hariyaali miley
oopar waale teri duniya mein
kabhi jeb kisi ka na khaali miley

hindu, muslim, sikh, isaayi
sab ki jebon mein paise hon
sab ki jebon mein paise hon
apni nazron mein ae malik
sab ke sab hi ik jaise hon
sab ke sab hi ik jaise hon
sab ke sab hi ik jaise hon
kabhi haar galey ka mil jaaye
kabhi kaanon ki hamen baali miley
oopar waale teri duniya mein
kabhi jeb kisi ka na khaali miley
koi bhi ghareeb na ho jag mein
har paakit mein haryaali miley

aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aaa aa aa aa aa
aa aa aa aa aa

itni si daya karna daata
hamen sada bachaana vardi se
hamen sada bachaana vardi se
paala na pade kabhi apna
kisi zaalim ya bedardi se
kisi zaalim ya bedardi se
kisi zaalim ya bedardi se
sab khush rahen
sab ke saath saath
humko bhi sada khushaali miley
oopar waale teri duniya mein
kabhi jeb kisi ka na khali miley
koi bhi ghareeb na ho jag mein
har paakit mein haryaali miley

ooper waale sun le neeche waalon ki pukaar
ooper vaale sun le niche waalon ki pukaar
arey jinko do deta hai malik
unko dena char
arey jinko do deta hai maalik
unko dena chaar

aadha unse hum lelenge
ho jaaye beda paar
aadha unse hum lelenge
ho jaaye beda paar

arey vaise to sab kuchh hai tera
jag ke paalan haar
bolo
jag ke paalan haar
saare jag ke paalan haar

dekho
ye apna dhandha
malik na karna manda
dete rehna yoon chanda aa
miley kabhi na kadka banda
miley kabhi na
kadka banda
miley kabhi na kadka banda

hum bhala sabhi ka chaahen
hai apni yehi duayen
hai apni yehi duayen
upar vale teri duniya mein
kabhi jeb kisi ka na khaali mile

koi bhi ghareeb na ho jag mein
har pakit me hariyaali mile

bolo haath ki safaai ki
jai
mm..
mehnat ki kamaai ki
jai

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all on the anniversary of India’s independence.

When the British Rule ended in India sixty seven years ago, the entire nation of India was not yet free of the foreign rule, by other alien invaders. There were two pockets of colonies one the east and west coasts which were still under alien control. On the east coast, it was the enclaves of Pondicherry, Karaikkal, Mahe and Yanam that were under the French control, and on the west coast, there were the areas of Goa, Daman, Diu, Dadra and Nagar Haveli that were under the control of the Portuguese rule. The movement of the liberation of these colonies had been underway even as the freedom struggle was in progress against the British. However, liberation to these colonies held by the French and the Portuguese did not come for more than a decade and half later.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jhoola” (1962) was produced by N Vasudeva Menon and directed by K Shankar for Vasu Films, Madras. The movie had Sunil Dutt, Vyjayanthimala, Rajendranath, Pran, Sulochana Latkar, Tuntun, Manmohan Krishna, Indira Bansal, Mohan Choti, Raj Mehra, Leela Mishra, Randhir, Achala Sachdev, Kusum Thakur, Ravikant, Kesari, Ganapati Bhatt, Wahab Kashmiri, Master Shahid etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

English Vinglish (2012) was a movie directed by Gauri Shinde. It was a sort of come back movie for Sridevi. Why I say comeback is because she was never out of sight. Prior to that she was seen in a few ads selling soap or some such thing. Also she was very much visible at various awards functions. But when I saw the promos for the movie I decided I had to see it come what may. And I was not disappointed. Mind you I will not say I am her greatest fan. It is just that I liked the theme on which it was based. It had no preaching to it. It was not a family drama in the traditional sense of the term. It talked about how a mother, whatever she does to please the family, is still considered secondary as she was not conversant in English. Then the movie proceeds to show that how half the world is not English conversant and how the other half treats them. Also what I liked about the movie is that the mother in law of the character played by Sridevi is very supportive of her in her endeavor of commercially showing off her skill of making laddoos. (I should say that she reminded me of my mom in law).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS….Song no. 7
——————————————–

Last time I wrote about my earlier series which I posted her. Here are the details..

,

Sl No Title Period No of songs
1 Less common singers 6-10-12 to 15-10-12 10 songs
2 Songs by Non singers 28-11-12 to 8-12-12 10
3 Less known composers 17-12-12 to 26-12-12 10
4 C Ramchandra-Lata duets/CR Autobiography 30-1-13 to 11-2-13 10
5 C Grade film songs (Tarzan films) 21-2-13 to 5-3-13 10
6 Parody songs 16-3-13 to 2-4-13 10
7 MDs sing for other MDs 19-8-13 to 6-9-13 10
8 Flavour of 30s 12-9-13 to 6-10-13 20
9 Great souls of India 1-11-13 to 15-11-13 10
10 Gems from obscure films 26-11-13 to 15-12-13 10
11 Vintage Kishore 17-12-13 to 18-1-14 21
12 Debut/First film song 4-2-14 to 12-3-14 14
13 Badalate Huye saathi 19-3-14 to 4-4-14 10
14 The Vibrant 40s 8-4-14 to 16-5-14 15
15 Bhajan mala Golden 50s 22-5-14 to 10-6-14 12
16 The Joy of NFS 18-6-14 to 28-6-14 10

I have covered 192 songs out of 310 songs posted by me, which is almost 62%,but these are songs with a purpose and a link to the theme. Few days back, I got an idea, why not make an Index of personalities and topics that I have discussed on this Blog through my posts in last 3-4 years. This would help me as the readers to get the desired information at a click. Very enthusiastically and patting myself for this original idea, I started the work and then I realised that this was a mammoth project requiring lot of time and patience !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp- 1)
——————————————

I grew up in a joint family of about 20 people including children. My childhood memories are vivid and I remember playing with cousins and enjoying Festivals with the elders. By coincidence ,by 1947-48 our joint family was fragmented, not because of the Partition, but because One Uncle joined Army, the other joined Navy and the third one joined Police. My own father had to go underground to evade arrest, after Gandhi ji’s assassination..He was an RSS worker. We shifted coolly to Banaras and stayed there for an year. Ultimately father was traced and arrested and we were escorted by the police to mother’s town in Maharashtra.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till the 1970s, people in India typically were far less cynical that what they are today. Youngsters typically got to read inspirational books, which meant reading the biographies of great men and also mythological tales viz “Ramayana”, “Mahabharat” etc. In typical Indian households, one could find framed photos/ calenders depicting Gods as well as Great people/ National leaders. I have seen pictures of Lord Ram/ Krishna/ Shiv as well as pictures of Mahatma Gandhi/ Jawaharlal Nehru/ Dr Rajendra Prasad/ Dr S Radhakrishnan/ Subhash Chandra Bose in almost all typical households.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Be imaan” (1972) had bagged as many as seven filmfare awards, and that included the best actor award for Manoj Kumar for his performance in the film.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Piya Milan Ki Aas” (1961) was directed by S N Tripathi for Vijay Films. J S Cashyap was the producer. The movie had Ameeta, Manoj Kumar, Sunder, Pratima Devi, Jeevan, Nalini Chonker, Daisy Irani, Indira Bansal, Polson, S. N. Tripathi etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The lyricist, the music director and the singer are the trinity who are involved in the making of film songs, making their own contributions in popularising the song. However, right from the early days of talkies films 1931, the lyricists have remained in the shadows of music directors and singers. I have some 78 RPM records of films of 40s which do not contain the names of lyricists. Even All India Radio and Radio Ceylon (Sri Lanka Broadcasting Corporation) rarely used to announce the name of the lyricists while airing Hindi film songs.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10100 songs post by now.

Total number of songs discussed

10130

Number of movies (All songs covered)

493

Total visits so far

  • 5,816,384 hits

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