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Posts Tagged ‘1950


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Songs from Artist name movies- article 1
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While browsing through the list of film titles from 1931 to recent times, I was wondering how the names of films are decided. In the silent era, almost every silent film used to have one name for the purpose of Censoring and then in every state, the film would have a new title in local language. Usually, the silent films used to have One English name and one Hindi name, like e.g. Samudra manthan or Churning of the Sea, Amarsingh Dagger or Marwad’s Moti, The Leopard or The Lal Cheetah, The Treasure or Khazana, Society Scoundrel or Shareef Badmash, Dancing Girl or gutter ka Gulab, The Enchantress or the Zalim Jadugarni etc etc.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mathura ka peda, Mysore pak, Agra ka petha, Dharwad peda, Gokak karadant, Lonawala chikki etc. are famous sweets associated with certain towns and cities.

The city of Belgaum too is known for a very famous sweet called kunda. Its origin according to most sources dates back to about 64 years ago when a Rajasthani by name Gajanan Mithaiwale belonging to a Purohit family once over boiled milk which turned into a dark brown paste. Not willing to waste and throw it, (read “marwadi”) he experimented by mixing it with “khoa” which is essentially a milk paste used in most sweets and sugar to dilute. The resulting product was a sweet dish which tasted different and was quite delicious. Not knowing what to name his new discovery, he uttered “kunda”. Since then this product is being prepared by most of the sweet making families for commercial sale.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Niraala” (1950) was an M & T Films production. It was directed by Shankar Mukherji. The movie had Dev Anand, Madhubala, Leeta Misra, Mazhar Khan, Madhubala, Yakub, Radha Krishnan, Narbada Shanker, Dev Anand, Mumtaz Ali etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Niraala” (1950) was an M & T Films production. It was directed by Shankar Mukherji. The movie had Dev Anand, Madhubala, Leeta Misra, Mazhar Khan, Madhubala, Yakub, Radha Krishnan, Narbada Shanker, Dev Anand, Mumtaz Ali etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sartaj” (1950) was an Omar Khayyam Productions movie. this movie was directed by S Khalil. Cast of the movie had names like Motilal, Munawwar Sultana, Cuckoo, Manorama, Ansari, Mirza Musharaf, Shyama, Rattan Bai etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the course of my exercise on Mohammed Rafi’s playback singing career during 1944-50, I had browsed through some of his songs of the films of that period which I had never heard of. One of those films was ‘Jalte Deep’ (1950). As per the information available on the internet, the film was produced under the banner of Nihal Film Corporation and was directed by Deepak Asha (also known as Dharam Kumar). The star cast included Randheer, Nimmi, Amarnath, Kuldeep Kaur, Sofia, Leela Mishra etc. As per http://www.myswar.com, ‘Jalte Deep’ (1950) has 12 songs written by 3 lyricists –Aziz Kashmiri, Nazim Panipati and M A Taj. The songs were composed by Sardul Kwatra and T K Das.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dolti Naiyya” (1950) was directed by Mirza Musharraf for Shaane Hind Pictures, Bombay. The movie had Nigar Sultana, Shama Dulaari, Amarnath, S Mazhar, Cuckoo, Veena Kohli, Sabodhani, Pratibha Malhotra, Laxmi, Sikandar, Shareef Mirza, Agha Mirza, Jaleel A, Bhudo Advani, Mukri, Ameer Ali, Munshi Munaqqa, Mirza Musharraf etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We Indians are known to be inquisitive about the personal lives of others, more so in the semi-urban and rural settings. Historically, this trait may have come from community living in hamlets where there were closer ties with families through interactions. This also helped in keeping abreast with what was happening around them. Inquisitiveness is not confined to India alone. It has also been observed in other developed countries, though to a lesser extent. I have personally experienced it in a couple of European countries.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1980, I was in Delhi, fresh out of college, working for a firm that manufactured car parts. I stayed with my Aunt in Delhi, the rest of my family being elsewhere. My cousins were BIG music afficionados. They could sing beautifully and had an excellent taste in music.

I already loved the film music of 50s and 60s, so I was also well grounded in my musical tastes. My cousins helped me break out of my Lata/Asha/Rafi/Kishore mould and develop a taste for singers like Talat, Manna Dey, Begam Akhtar, Kumar Gandharva, Bhimsen Joshi and of course, Jagmohan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had listened to most of the audio clips of Begum Akhtar’s ghazals and other semi-classical songs uploaded on YT. She had rendered ghazals of many well known Urdu poets like Ghalib, Mir, Daagh, Momin Khan Momin, Faiz Ahmed Faiz, Jigar Moradabadi, Firaq Ghorakhpuri, Behzad Lucknowi etc. In the later part of her singing carrier, she sang ghazals of the then emerging poets like Shamim Jaipuri, Shakeel Badayuni, Kaifi Azmi, Sudarshan Faakir, Amir Qabalbash etc. Jigar Moradabadi was one of her favourite poets. Begum Akhtar started singing his ghazal sometime in the second half of 30s when Jigar was already popular among the mushiara audience because of his captivating style of rendering his poetry. Because of his popularity, he was called ‘people’s poet’.
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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10200 songs post by now.

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