atul's bollywood song a day- with full lyrics

This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

hain aur bhi duniyaa mein sukhanwar bahut achchhe
kahte hain ki Ghalib kaa hai andaaz-e-bayaan aur

Whenever I remember this maqta of Ghalib’s ghazal, Majrooh Sultanpuri’s name props up in my mind. I always felt how apt it would be if words ‘duniyaa’ and ‘Ghalib’ from the maqta she’r were replaced with ‘filmi jahaan’ and ‘Majrooh’. During Majrooh Sultanpuri’s time, there were renowned poet-lyricists like Sahir Ludhianvi, Shakeel Badayuni, Shailendra, Kaifi Azmi, Jan Nisar Akhtar and later, Gulzar, Javed Akhtar etc. but Majrooh’s andaaz-e-bayaan , the sophistication even in his teasing, racy and light hearted lyrics in Hindi film songs was something which became the hallmark of his style of song writings. He wrote songs trending with the time. Perhaps this explains why Majrooh Sultanpuri had one of the longest innings of over five decades in the Hindi film industry, penning songs for most of the well known music directors – from Naushad in 1946 to A R Rehman in 2000.

Majrooh Sultanpuri (1919 – 24/05/2000) would have probably remained anonymous as a hakeem (doctor of traditional medications) in Sultanpur but for his love for writing and reciting ghazals at a young age. He had no masters but he was influenced by the shayaris of Jigar Moradabadi, one of the greatest Urdu poets of 20th century. After listening to Majrooh’s recitation in one of the local mushairas, Jigar Moradabadi took him under his guidance and got him introduced to the audiences of bigger cities when he started taking Majrooh with him to mushairas. It was one such mushaira in Bombay (Mumbai) in 1945 when A R Kardar who was one among the audience, was so impressed with his recitation that he signed him to write lyrics for his film ‘Shahjahan’ (1946). This was a good debut for a newcomer in Hindi film industry as songs penned by him were to be sung by the legendry K L Saigal and composed by Naushad, one of the top music directors at that time. The film was a musical hit and all the songs written by him became very popular.

Majrooh had to wait for another three years to record another big success with his lyrics when he wrote all the songs for ‘Andaz’ (1949), again under the baton of Naushad. The film was a musical hit. Just when he was about to establish himself firmly in the Hindi film industry with this success, he was arrested for his anti-establishment poetry. Since he refused to give apology for his poetry, he was sentenced to 2 years of prison. With the maxim of ‘out of sight, out of mind’, many at that time may have thought that Majrooh’s filmy career was almost over. But it was not to be.

By the time he came out of prison, things had changed in the sphere of Hindi film music. The top music directors of that time had formed their teams with lyricists – Naushad with Shakeel Badayuni, S D Burman with Sahir Ludhinavi, Shankar Jaikishan with Hasrat Jaipuri and Shailendra and so on. Under such a milieu, initially, Majrooh had to struggle a lot to find work, sometimes getting assignment to write one or two songs for the films.

In 1953, Majrooh started writing songs for the emerging music directors like Madan Mohan (Baaghi, 1953), Khaiyyam (‘Footpath’, 1953), O P Nayyar (‘Baaz’, 1953), Jamal Sen (‘Daayra’, 1953) etc. Unfortunately, despite having good musical scores, none of these films fared well at the box office. However, the success of ‘Aar Paar’ (1954) changed his fortune as well as that of O P Nayyar after which he did not have to struggle until sometime around mid 80s when his assignments had started dwindling. But after the success of ‘Qayaamat Se Qayaamat Tak’ (1987), he reinvented himself with lyrics which were in tune with the aspirations of the new generation of film audience giving him one more push in his sagging career for the remainder of his life.

There was a time when music directors like S D Burman felt like doin away with duet songs in Hindi films as in his view, they were not becoming as popular as the solo songs. So there was no point in wasting time and energy in composing duet songs. Majrooh Sultanpuri disagreed with this view and said that the fault lied with the lyricists in not making them popular. He accepted the challenge from S D Burman and wrote many duets for him which became as popular as solo songs. In a way, one can give credit to Majrooh Sultanpuri for reviving the sagging popularity of duet songs in Hindi films. A few teasers among Majrooh’s many popular romantic duet songs :

Sun sun sun sun jaalimaa (Aar Paar)(1954)

chhod do aanchal zamaana kya kahega(Paying guest)(1957)

O o aajaa panchhi akela hai (Nau Do Gyaarah)(1957)

Accha jee main haari chalo maan jaao naa(Kaala Paani)(1958)

Haal kaisa hai janaab ka (Chalti Ka Naam Gaadi)(1958)

Initially, Majrooh Sultanpuri started his filmy career by writing some ghazals and songs of pensive mood. A few among them are :

Ae dil mujhe aisi jagah le chal (Aarzoo)(1950)

Hamaare baad ab mehfil mein afsaane bayaan honge (Baaghi)(1953)

Husn bhi hai udaas udaas (Fareb)(1953)

Ham bekhudi me tumko pukaare chale gaye(Kaala Paani)(1958)

Rahte the kabhi jinke dil me(Mamta)(1966)

Majrooh Sultanpuri was considered a master ‘craftsman’ for writing lyrics on pre-set tunes of music directors. The lyrics written by him on such tunes were so perfect to the meter that it was difficult to make out as such. His lyrics always went with the time without much of the dilution in the purity of thoughts and the language he used in the songs. If he could write a pensive song like Gham kiye mushtaqil kitna naazuk hai dil (Shahjahan) in 1946, he was equally at ease with writing a non-filmy pop song like jaanam samjha karo in 1997. The later song was a chart buster and I am sure the younger generation must have danced to this song without even knowing that this romantic pop song was written by Majrooh Sultanpuri at the age of 78 years. He kept his pen active until his death on May 24, 2000.

Majrooh Sultanpuri wrote lyrics for about 325 films during his filmy career spanning over 5 decades. It is to his credit that he could achieve success in his career without being attached to any particular music director or banner. Although he worked for almost all the top music directors of his time, his associations with music directors like S D Burman, O P Nayyar, R D Burman and Laxmikant-Pyarelal was the most successful. Sadly during his career, he received only one Filmfare awards for Chahoonga main tujhe saanjh sawere(Dosti)(1964), despite the fact that he churned out lyrics for many popular songs. He was the first lyricist from the film industry to get Dadasaheb Phalke Award in 1993.

On the occasion of the death anniversary of Majrooh Sultanpuri on May 24th, I have chosen a rarely heard song of pensive mood ‘ajeeb hai zindagi ki manzil’ sung by Shankar Dasgupta in the film AAKAASH (1953). This was the only song Majrooh wrote for this film which was set to music by Anil Biswas. Shankar Dasgupta had a mesmerising voice well suited for ghazal singing. His voice was a blend of K L Saigal and C H Atma. He started as a playback singer in the 40s, and he mostly worked with Anil Biswas. He also composed music for a few Hindi films.

Only the audio clip of the song is available. From the wordings of the lyrics, my guess is that it was a background song in the film.

Song-Ajeeb hai zindagi ki manzil (Aakaash)(1953) Singer-Shankar Dasgupta, Lyrics-Majrooh Sultanpuri, MD-Anil Biswas

Lyrics

ajeeeeb hai
zindagi ki manzil
kahaan chale thhe kahaan pe aaye
ajeeb hai zindagi ki manzil
kahaan chale thhe kahaan pe aaye
na muskuraaye na ro sake dil
na muskuraaye na ro sake dil
kahaan chale thhe kahaan pe aaye
ajeeb hai zindagi ki manzil
kahaan chale thhe kahaan pe aaye
ajeeb hai

na koi rastaa na kaarwaan hai
sitam ki deewaar darmiyaan hai
na koi rastaa na kaarwaan hai
sitam ki deewaar darmiyaan hai
badhe to mushqil rukey to mushqil
kahaan chale thhe kahaan pe aaye
ajeeb hai zindagi ki manzil
kahaan chale thhe kahaan pe aaye
ajeeb hai

chale thhe ulfat ki bekhudi mein
uthhaa wo toofaan zindagi mein
uthaa wo toofaaaaaan
na koi kashti na koi saahil
kahaan chale thhe kahaan pe aaye
ajeeb hai zindagi ki manzil
kahaan chale thhe kahaan pe aaye
ajeeeeeb hai