atul's bollywood song a day- with full lyrics

Posts Tagged ‘Geeta Dutt


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shyamlal Babu Rai, who wrote endearing gems in the golden era of melody, such as “Bade Armaanon Se Rakha Hai Balam Teri Kasam”, and also popular hits for the new generation in the 1970s, such as “Aap Jaisa Koi Meri Zindagi Mein Aaye, To Baat Ban Jaaye”, had started his career back in the 1946 with two completely obscure and now unknown films – ‘Double Face’ and ‘Jungle Ki Pukaar’.  Information about these films is not easily traceable, and neither have the songs of these films have surfaced so far.

Remembering Indeewar, song writer par excellence, on the anniversary of his passing away today (27th Feb).

Yes, his real name was Shyamlal Babu Rai, and Indeewar was his pen name.  He was born in the Dhamna village in Jhansi District (now in Madhya Pradesh) in 1924.  An innate passion for poetry and words, brought him to Bombay in 1945, at the age of 21, to try and set up a career for himself in Hindi films.  The early years were anonymous and struggling years, and he had to wait for almost half a decade and a good fifteen films, before getting his first taste of popular success.  This came in the form of songs of the film ‘Malhaar’ (1951).  The success of the music and songs of this film pushed him into the front line of song writers in the industry.

His work was recognized as successful and popular, in that the songs written by him were nominated five times for the top honors at the Filmfare awards.  Three of these nominations came in consecutive years from 1974 to 1976.  The lady luck smiled at him in 1976, and his creation “Dil Aisa Kisi Ne Mera Toda” from the film ‘Amaanush’ was honored with the award for the Best Song for the year 1976.

Indeewar passed away this day in 1997, after having spent a career spanning five decades in the industry, leaving behind a legacy of over one thousand songs that wrote for about three hundred films.

Today, I present this sound from the early years of his career.  The film is ‘Didi’ from 1948.  The music direction is by Mukund Masurekar, who incidentally is also the director of the film.  The film is produced under the banner of Navbharat Pictures, and the star cast as listed in the Geet Kosh, is Ranjana, Ghanshyam, Shobha Rani, Charu Bala, Pandey, Anand, Amrit, Narsi, and Kukku etc.  All in all, an obscure and unknown film which makes its debut on this blog today.

There are eleven songs in this film, eight of which are from the pen of Indeewar.  The other lyricist sharing the credits for this film is Saraswati Kumar ‘Deepak’.  The name of the music director is also new to the blog.  I request other knowledgeable readers and friends to please add more information about this film and its music director.

The singing voice is that of Geeta Rai (later Geeta Dutt), who sings an endearing song, calling out to her beloved.  The time used to be when even married couples had to wait for their chance even to see each other, no matter that they were living under the same roof.  The lady is calling out to her beau, and then she says, wait, let me check whether the mother-in-law is around.  Then she goes on to recommend that they should have their conversation with only the eyes, maybe fearing that the spoken words will carry to other ears also.  Harking back to the years and the times when a different set of morals and rules were followed.  But that discussion another day.  Today, lets listen to this simple worded heartwarming expression.  And enjoy one of the earliest creations of Indeewar.

Song – Chupke Chupke Aana Mere Raja Mere Paas (Didi) (1948) Singer – Geeta Roy, Lyrics – Indeewar, MD – Mukund Masurekar

Lyrics

chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

mujhse karna baat balamwaa
aankhon hi aankhon mein
mujhse karna baat
mujhse karna baat balamwaa
aankhon hi aankhon mein
phool si hoon  rakhna mujhko
haathon hi haathon mein
phool si hoon  rakhna mujhko
haathon hi haathon mein
zindagi ke phool mein
jawaani ki hai baat
zindagi ke phool mein
jawaani ki hai baat
zindagi ke phool mein
jawaani ki hai baat
chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

duniya ki chalne na dena
gir jaane do bijli
duniya ki chalne na
duniya ki chalne na dena
gir jaane do bijli
bhaonraa tum ban jaao balamwaa
main ban jaaun titli
bhaonraa tum ban jaao balamwaa
main ban jaaun titli
jaayen kisi baagh mein
rachaayen donon raas
jaayen kisi baagh mein
rachaayen donon raas

chupke chupke aana
mere raja mere paas
o chupke chupke aana
mere raja mere paas
o thehro zaraa
o thehro zaraa
dekhoon kahin dekhe naa meri saas
o thehro zaraa
dekhoon kahin dekhe naa meri saas

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास

मुझसे करना बात बलमवा
आँखों ही आँखों में
मुझसे करना बात बलमवा
आँखों ही आँखों में
फूल सी हूँ रखना मुझको
हाथों ही हाथों में
फूल सी हूँ रखना मुझको
हाथों ही हाथों में
ज़िंदगी के फूल में
जवानी की है बात
ज़िंदगी के फूल में
जवानी की है बात
ज़िंदगी के फूल में
जवानी की है बात
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास

दुनिया की चलने ना देना’
गिर जाने दो बिजली
दुनिया की चलने ना देना’
गिर जाने दो बिजली
भौंरा तुम बन जाओ बलमवा
मैं बन जाऊन बिजली
भौंरा तुम बन जाओ बलमवा
मैं बन जाऊन बिजली
जाएँ किसी बाग में
रचाएं दोनों रास\
जाएँ किसी बाग में
रचाएं दोनों रास\
चुपके चुपके आना
मेरे राजा मेरे पास
ओ चुपके चुपके आना
मेरे राजा मेरे पास
ओ ठहरो ज़रा
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास
ओ ठहरो ज़रा
देखूँ कहीं देखे ना मेरी सास


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Regulars may have noticed that posts in the blog have dwindled from yesterday. Well, yesterday was Valentine day and today (15 january 2015) was the world cup cricket match between India and Pakistan and I was busy on both these days. :)
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MINI SERIES…MAHASHIVRATRI CELEBRATIONS
——————————————–
Song No. 2
——————————————–

These days, being or showing that you are religious amounts to being Communal ! I do not agree, because I feel that your religious behaviour should be restricted to your own personal life, without any display of it. If you take a survey today, you may find that hardly 0.1 to 1 % of the population is Atheist ( those who do not believe the existence of God ). The rest are all believers in God. Belief in God and being religious are two entirely different things. Being religious is practicing the ‘karm kands’ or fulfilling the acts described, prescribed or suggested by the religion, like for example, going to the Temples regularly or doing Pooja Archana every day etc. Only those who practice these can be termed as being religious minded. As long as these things do not interfere with your duties towards family and society, no one should have aby business commenting/ interfering in that.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar”(1950) was directed by V M Vyas for Sunrise Pictures, Bombay. The movie had Raj Kapoor, Nargis, Yakoob, Gulab, Shyama, Nawab, Neelam, Kesri, Wazir Muhammad Khan, Parvati Devi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar”(1950) was directed by V M Vyas for Sunrise Pictures, Bombay. The movie had Raj Kapoor, Nargis, Yakoob, Gulab, Shyama, Nawab, Neelam, Kesri, Wazir Muhammad Khan, Parvati Devi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sharaarat”(1959) was produced and directed by H S Rawel for Roshni Films, Bombay. The movie had Kishore Kumar, Meena Kumari, Raj Kumar, Kumkum, Sundar, Sheila Kashmiri, Ramesh Sinha, Kamaldeep, Indira Bansal, Jagdish Raj, Rajendranath, Rajrani, Razia, Aruna, Prabh Arora, Ridku, Soda Water, Ramlal, Nazeer Kashmiri, Kathana etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Majboor”(1948) was directed by Nazir Ajmeri for Bombay Talkies. The movie had Amir Banu, Munawwar Sultana, Indu, Shivraj, Shyam Sohan etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Haar Jeet”(1954) is an obscure movie and most people know nothing about this movie.

Since it is an obscure movie so it follows that Mr Arunkumar Deshmukh, our inhouse encyclopaedia must be having all the information on this movie. Here is what he has to say about this movie:
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When I look at the movie titles of O P Nayyar, I find that he had composed in movies called “CID” (1956) as well as “CID 909″. He has worked in “Ustaad”(1957) as well as “Do Ustaad”(1959). He worked in “Basant”(1960) as well as “Phagun”(1958). He worked in “Farishta”(1958) as well as in “Mujrim”(1958),”Qaidi”(1957) and ‘ham Sab Chor Hain”. He worked in movies called “Kalpana”(1960)and “Raagini”(1962) and for matter in “Johny Walker” (1957) as well. Then there were a good number of Mr, Mrs , Miss etc viz. Mr and Mrs 55, Mr Qartoon MA, Mr Lambu, Shreemati 420, Shreemaan ji , Miss Coca Cola.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The original and the natural ‘chulbuli’ (mischievous) of the Hindi screen.  As a child, she was Keeto (कीतो), and when she passed away, she was playing the role of Rano.

Remembering Geeta Bali, the ‘natkhat’ extraordinaire and the original tom-boy of Hindi films, on the 50th anniversary of her passing away (21st January).
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10900 song posts by now.

Total number of songs discussed

10918

Number of movies (All songs covered)

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