Posts Tagged ‘Khayyam’
Jalta hai badan
Posted on: May 10, 2013
“Razia Sultan” (1983) was a Rajdhani Films Private Limited Production. It was produced by A K Mishra and directed by Kamal Amrohi. The movie had Hema Malini, Dharmendra, Veena, Sohrab Modi, Pradeep Kumar, Heena Kauser, Madhu Malini, Parveen Babi, Sarika, Vijayendra Ghatge, Ajit, Dolly Jena, Sujata Bakshi, Gopi Krishna,Shandar Amrohi, Radha Saluja, Vijaya Girija, Chitra, Janki Das, Shahu Modak, B.M.Vyas, Roop Darshani, Fayyaz Begum, Geeta Kapoor, Anu Dhawan, Mumtaz Begum, Reshma, Balraj, Uttam Sodhi, Kalpana, Amarjeet, D.S.Rana, M.M.Baig, Naseem, Husn Banu, Prem Lala, Shri Bhagwan etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Noorie’ (1979) is a movie directed by Yash Chopra, situated in Kashmir. It launched two newcomers as hero and heroine, Poonam Dhillion and Farooque Shaikh. The film also had Madan Puri, Iftekhar and Padma Khanna.
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Chaand tanha hai aasmaan tanha
Posted on: March 31, 2013
- In: "chaand" song | Ghazal | Guest posts | Meena Kumari NFS | NFS | Post by Sudhir
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A remembrance of today that must include her own expressions. Mahajabeen was an emotional personality, and as with all emotional people, there is an expression of the artist in ways more than one. A poetess in her own right, she is known to have been writing couplets and ghazals from a very young age. And when her life started on downhill glide, it was the drink that became a faithful companion, and it was her pen that became an outlet for her to tell the world, about her sorrows and her wounds.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).
The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
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Mere geeton ka singaar ho tum
Posted on: February 24, 2013
- In: Guest posts | NFS | Post by Sadanand Kamath | Rafi NFS | Rafi solo | Rafi songs
- 12 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khayyam is one of the music directors of Hindi film industry who made a significant contribution in propagating the NFSs. By his own admission, he had started declining most of the offers for Hindi films’ music direction during late 50s and early 60s as he did not feel comfortable in working in such films in which interference of producers and distributors in music direction had become the order of the day. It was during this period that he devoted his time and energy in composing some of the finest NFSs especially with Talat Mehmood and Mohammed Rafi.
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Khwaab ban kar koyee aayegaa
Posted on: February 14, 2013
“Razia Sultan” (1983) was a Rajdhani Films Pvt Ltd production. It was produced by A K Mishra and directed by Kamal Amrohi. The movie had Hema Malini, Dharmendra, Veena, Sohrab Modi, Pradeep Kumar, Heena Kauser, Madhu Malini, Parveen Babi, Sarika, Vijayendra Ghatge, Ajit, Dolly Jena, Sujata Bakshi, Gopi Krishna, Shandar Amrohi, Radha Saluja, Vijaya Girija, Chitra, Janki Das, Shau Modak, B.M.Vyas, Roop Darshani,Fayyaz Begum, Geeta Kapoor, Anu Dhawan, Mumtaz Begum, Reshma, Balraj, Uttam Sodhi, Kalpana, Amarjeet, D.S.Rana, M.M.Baig, Naseem, Husn Banu, Prem Lala, Shri Bhagwan, Arti Chopra, Roopmala, Shakila, Reshma, Mahipal etc in it.
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Apne aap raaton mein
Posted on: February 10, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The sheer fusion of the poetry – in verse and in melody, is absolutely astounding in this creation. And folks familiar with Khayaam Sb would not expect any less, and especially when the film is ‘Shankar Hussain’ (1977).
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Nainon mein do nain samaaye
Posted on: February 3, 2013
- In: "Aankh" song | C H Atma NFS | Guest posts | NFS | Post by Sudhir
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
CH Atma, a voice that is soft and slow, a voice that possesses a very deep baritone, a voice that seems as if a guttural sound is passing through very deep caverns, a gravelly sound coming from somewhere deep inside his being. A voice that is oh so unique in the lineup of singers in the industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I have experienced this many times, and maybe you too could have experienced the same. The music of his songs has the quality to transport the listener to another place, another time. Just close your eyes and relax – and listen to a song like “Parbaton Ke Pedon Par Shaam Ka Baseraa Hai”(film ‘Shagoon’, 1964). The flowing waves of music will transport the listener to a vista of hills and trees with the sun slowly descending the western horizon. Or the song “Bahaaro, Mera Jeevan Bhi Sanwaaro” (film ‘Aakhri Khat’, 1966). Or the song “Apne Aap Raaton Mein Chilmanein Sarakti Hain” (film ‘Shankar Hussain’, 1976). Or the song “Simti Hui Ye Ghadiyaan” film ‘Chambal Ki Kasam’, 1979). Or the song “Aa Jaa Re Aa Jaa Re O Mere Dilbar Aa Jaa”(film ‘Noorie’, 1979). Or the quintessential gem “Shaam-e-Gham Ki Kasam, Aaj Ghamgeen Hain Hum” film ‘Footpath’, 1953).
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Akele mein wo ghabraate to honge
Posted on: January 8, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog
The first time we hear of Khayyaam as a music director is in the 1951 film, ‘Pyaar Ki Baaten’. In this film, he shares the honors of music composition with Bulo C Rani. But certainly, this is not his first film as a music director. He has been active in the industry since 1948, albeit has was using a different name. In 1947-48 when he came to Bombay looking for opportunities as a music director, some producers and friends suggested to him not to use his original name, and so he adopted a pseduonym – Sharma ji. Under this name he composed music for three films, before reverting to his original name with the film, ‘Pyaar Ki Baaten’.
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