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Posts Tagged ‘Khayyam


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raaga Maala in Hindi Films – 17
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Not to be confused with the same name 1992 film, Shola Aur Shabnam is a 1961 film written and directed by Ramesh Saigal. It stars Dharmendra, Tarla Mehta, Abhi Bhattacharya, Vijayalakshmi and M. Rajan in pivotal roles. It was one of the very early films of Dharmendra.

The film is about a young man torn between love for his long lost childhood sweetheart, and devotion towards a friend who has helped set him up in his career. The film features music by Khayyam. The original soundtrack contains some of the most famous songs, like “Jane Kya Dhoondti Rahti”, “ Phir Wohi Saawan Aaya”, “Jeet Hi Lenge Baaji”, “Pahele To Aankh Milana”, “Ladi Re Ladi’ etc.

The present composition was presented in the form of a ballet on the stage. Music was composed by, Khaiyyam using four ragas. The singers are Manna Dey, Geeta Dutt and Kaumudi Munshi. This composition shows the departure of Krishna from Gokul to Mathura, leaving behind Radha, Gopikas and all his childhood friends forever. There is a hidden pathos filled atmosphere in this song. This, a unique creation of music director Khaiyyam, who is capable of drawing the whole episode before our eyes, whenever we listen to it. The lyrics of this song were penned by Pt. Ram Murti Chaturvedi.


Song-Mathura Shyam Chale(Shola Aur Shabnam)(1961) Singers- Manna Dey, Geeta Dutt, Kaumudi Munshi, Lyrics- Pt. Ram Murti Chaturvedi, MD- Khaiyyam

Lyrics

mathura shyam chale aaaaa
mathura shyam chale aaaaaaaa
mathura shyam chale hooooo
mathura shyam chale hooooo
sawan ghan sa umand pada brij
sawan ghan sa umand pada brij
mathura shyam chale hooooo
mathura shyam chale hooooo
rath se lipati, haaaaa
path se lipati, haaaaa
baawariya vrajanaari aaaaaa
boli radha, prem agadha,
na jaao giridhari, na jaao giridhari
mathura shyam chale hoooo
mathura shyam chale

kaise jaaoge kanhaai, kaise jaaoge
kaise jaaoge kanhaai, kaise jaaoge
jaane naahi dungi, pag dharungi, naa darungi
jaane naahi dungi, pag dharungi, naa darungi
saanware main teri raah mein marungii,
naa tarungi, naa tarungi ho
kaise jaaoge kanhaai, kaise jaaoge
kaise jaaoge kanhaai, kaise jaaoge

tan ke kaare rahe tum kanha
man ke kaare bano nahi shyam
tan ke kaare rahe tum kanha
man ke kaare bano nahi shyam
tum bin hoga jeewan soona
narak banega gokul dhaam
tum bin hoga jeewan soona
narak banega gokul dhaam
jaane naahi dungi, pag dharungi, naa darungi
saanware main teri raah mein marungii,
naa tarungi, naa tarungi ho
kaise jaaoge kanhaai, kaise jaaoge
kaise jaaoge kanhaai, kaise jaaoge
mathura shyam chale hooooo
mathura shyam chale hooooo
sawan ghan sa umand pada brij
sawan ghan sa umand pada brij
mathura shyam chale hooooo
mathura shyam chale

bansi to mein kaun gun, jaa pe rijhe naath
mukh se gaaye rahet hai har dam raakhe saath

( janam baans ghar bhayo hamaaro, kaat hamen koi laayo
tukade tukade kar ke mohe ang agan ghulsaayo
aath chhed more tan kinho nithur pran mero har lino
tan nahi mero man nahi mero aur sakhi nahi jeevan mero )
wohi soor main baajun radhe jo bhagwan bajaaye
wohi boli bolun radhe jo bhagwan bulaaye
radhe
krishna
radhe
krishna
radhe
krishna
radhe
krishna
radhe .. krisna, radhe .. krisna radhe .. krisna, radhe .. krisna
radhe .. krisna, radhe .. krisna radhe .. krisna, radhe .. krisna
radhe .. krisna, radhe .. krisna radhe .. krisna, radhe .. krisna
radhe .. krisna, radhe .. krisna radhe .. krisna, radhe .. krisna
radhe .. krisna
radhe .. krisna

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yash Chopra was born on 27 september (1931) whereas Lata’s birthday falls one day later on 28 september (1929). “We re both librans and thus understand each other as persons, perfectly..” wrote Yash Chopra in his Foreward to Lata Geetkosh (vol VI) which was complied and edited by Snehashish Chatterji, a Lata devotee par excellence who has made it his life’s mission to bring out all the lyrics of Lata in various volumes of Lata Geetkosh and the above Vol VI is the first volume in the series which covers Lata’s songs from 1966 to 1970.. The first few pages of the book, which give the statistics of Lata songs during that period is in itself worth the price of the volume (Rs/-695/-). These statistics page tell us that Lata sang 549 songs in 233 movies from 1966-1970 which included 382 solos, 132 duets (with male singers) and 32 duets (with female singers) and three other songs.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sahir Ludhianvi will always be remembered for the respect he brought to the lyricists of Hindi films. His arrival in the Hindi film industry set a bench mark for lyricists which brought about a transformation in the style of lyrics writing for Hindi film songs from the 5Os through 7Os.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Noorie” (1979) was directed by Manmohan Krishna (character artist) for Yashraj Films production. This was a small budget love story that the Yashraj Films had planned as a quicky btheir ambitious “Kaala Patthar” (1979).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since the talkies came into being, Shakespeare’s plays have been one of the most favourites literary sources that have been used in Hindi films after suitably adapting them. The first talkie film adapted from Shakespeare’s play ‘Hamlet’ is stated to be ‘Khoon Ka Khoon’ (1935) directed by Sohrab Modi. Shakespeare’s plays which have been the favourite with Hindi film industry beside ‘Hamlet’ are ‘Macbeth’, ‘Othello’ and ‘Romeo & Juliet’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

aaye bhi wo
gaye bhi wo
khatm fasaana ho gayaa

Aisi kuchh baat hai ki, at the mention of Meena Kumari’s name, come to mind these lines written by DN Madhok (‘Namaste’, 1943). Born as Maahjabeen Bano in 1932, on screen in 1939, leading lady by 1950, won the first ever Filmfare award in 1952 (‘Baiju Baawra’), established tragedienne in 1953 (‘Daaera’), married to Kamaal Amarohi in 1952, separated from him in 1960, divorced in 1964, reunited in 1968, and then gone from this world in 1972. Just 40 years on this earth, and a career of thirty three years, ninety films, four Filmfare awards as best actress, and memorable string of powerful roles that made her a legend at an age and time in life when most of us are still finding our feet.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = =

The Many Colors of Love #17 – The Sleepless Nights of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -

And so wrote the scribe

neend nigaahon ki
kho jaati hai
kyunki jawaani mein
ho jaati hai
muhabbat muhabbat muhabbat muhabbat

Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Muzaffar Ali is one of the few Hindi filmmakers who spearheaded what was known as parallel cinemas during 70s and 80s. He came into the scene of parallel cinemas when some of the films under this tag such as Mrinal Sen’s ‘Bhuvan Shome’ (1969), Mani Kaul’s ‘Uski Roti’ (1969), Kumar Sahani’s ‘Maya Darpan’ (1972), M S Sathyu’s ‘Garam Hawa’ (1973), Shyam Bengal’s ‘Ankur’ (1974) etc were critically acclaimed. Being low budget films, some of these films fared well at the box office.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gul Bahaar”(1954) was produced by M P films and directed by N Vakil. This movie had Hemant, Shakila, Kuldip Kaur, Ram Avtaar, Randhir, Khairati, Uma Devi etc,
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Trishul” (1978) was produced by Yash Chopra and directed by Gulshan Rai for Trimurti Films. This movie had Sanjeev Kumar, Amitabh Bachchan, Shashi Kapoor, Waheeda Rehman, Rakhi, Hema Malini, Poonam Dhillon (debut) etc in it.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10300 songs post by now.

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