atul's bollywood song a day- with full lyrics

Posts Tagged ‘Khayyam


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raaga Maala in Hindi Films – 17
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Not to be confused with the same name 1992 film, Shola Aur Shabnam is a 1961 film written and directed by Ramesh Saigal. It stars Dharmendra, Tarla Mehta, Abhi Bhattacharya, Vijayalakshmi and M. Rajan in pivotal roles. It was one of the very early films of Dharmendra.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yash Chopra was born on 27 september (1931) whereas Lata’s birthday falls one day later on 28 september (1929). “We re both librans and thus understand each other as persons, perfectly..” wrote Yash Chopra in his Foreward to Lata Geetkosh (vol VI) which was complied and edited by Snehashish Chatterji, a Lata devotee par excellence who has made it his life’s mission to bring out all the lyrics of Lata in various volumes of Lata Geetkosh and the above Vol VI is the first volume in the series which covers Lata’s songs from 1966 to 1970.. The first few pages of the book, which give the statistics of Lata songs during that period is in itself worth the price of the volume (Rs/-695/-). These statistics page tell us that Lata sang 549 songs in 233 movies from 1966-1970 which included 382 solos, 132 duets (with male singers) and 32 duets (with female singers) and three other songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sahir Ludhianvi will always be remembered for the respect he brought to the lyricists of Hindi films. His arrival in the Hindi film industry set a bench mark for lyricists which brought about a transformation in the style of lyrics writing for Hindi film songs from the 5Os through 7Os.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Noorie” (1979) was directed by Manmohan Krishna (character artist) for Yashraj Films production. This was a small budget love story that the Yashraj Films had planned as a quicky btheir ambitious “Kaala Patthar” (1979).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since the talkies came into being, Shakespeare’s plays have been one of the most favourites literary sources that have been used in Hindi films after suitably adapting them. The first talkie film adapted from Shakespeare’s play ‘Hamlet’ is stated to be ‘Khoon Ka Khoon’ (1935) directed by Sohrab Modi. Shakespeare’s plays which have been the favourite with Hindi film industry beside ‘Hamlet’ are ‘Macbeth’, ‘Othello’ and ‘Romeo & Juliet’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

aaye bhi wo
gaye bhi wo
khatm fasaana ho gayaa

Aisi kuchh baat hai ki, at the mention of Meena Kumari’s name, come to mind these lines written by DN Madhok (‘Namaste’, 1943). Born as Maahjabeen Bano in 1932, on screen in 1939, leading lady by 1950, won the first ever Filmfare award in 1952 (‘Baiju Baawra’), established tragedienne in 1953 (‘Daaera’), married to Kamaal Amarohi in 1952, separated from him in 1960, divorced in 1964, reunited in 1968, and then gone from this world in 1972. Just 40 years on this earth, and a career of thirty three years, ninety films, four Filmfare awards as best actress, and memorable string of powerful roles that made her a legend at an age and time in life when most of us are still finding our feet.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #17 – The Sleepless Nights of Love
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And so wrote the scribe

neend nigaahon ki
kho jaati hai
kyunki jawaani mein
ho jaati hai
muhabbat muhabbat muhabbat muhabbat

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Muzaffar Ali is one of the few Hindi filmmakers who spearheaded what was known as parallel cinemas during 70s and 80s. He came into the scene of parallel cinemas when some of the films under this tag such as Mrinal Sen’s ‘Bhuvan Shome’ (1969), Mani Kaul’s ‘Uski Roti’ (1969), Kumar Sahani’s ‘Maya Darpan’ (1972), M S Sathyu’s ‘Garam Hawa’ (1973), Shyam Bengal’s ‘Ankur’ (1974) etc were critically acclaimed. Being low budget films, some of these films fared well at the box office.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gul Bahaar”(1954) was produced by M P films and directed by N Vakil. This movie had Hemant, Shakila, Kuldip Kaur, Ram Avtaar, Randhir, Khairati, Uma Devi etc,
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Trishul” (1978) was produced by Yash Chopra and directed by Gulshan Rai for Trimurti Films. This movie had Sanjeev Kumar, Amitabh Bachchan, Shashi Kapoor, Waheeda Rehman, Rakhi, Hema Malini, Poonam Dhillon (debut) etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10500 song posts by now.

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