atul's bollywood song a day- with full lyrics

Posts Tagged ‘Mukesh


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Considerable effort of musicians and music arrangers, besides the sound recordist, goes into the creation of any song that finally result in the song ending up becoming hummable for public at large. Some of the great musicians and arrangers who worked ‘behind the curtain’ in creating these songs were Antony Gonsalves, Antanio Vaz (Chic Chocolate), Sebastian D’souza, Frank Fernand, Enoch Daniels, Van Shipley, Manohari Singh, Kersi Lord, Maruti Rao Keer among many others.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sanyaasi”(1975) was directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, Hema Malini, Premnath, Prem Chopra, Arun Irani, Nazima, Pran, Indrani Mukherji, Sulochana, Kamini Kaushal, Raj Mehra, Shailesh Kumar, Chandrashekhar, Helen, Jayshree T, Aparna Chaudhary, Dhumal, V Gopal, C S Dubey, Rajpal, Kuljeet, Keshav Rana, Madhup Sharma, Kamal Deep, Narmada Sharkar, Tuntun , Hari Shivdasani, Brahm Bhardwaj, Yunus Parwez, Murad, Bihari, Sabina etc in it.

The movie had nine songs in it which were penned by as many as six lyricists.

One song from this movie has been discussed in the past.

Vishweshwar Sharma (16 december 1933- 30 december 2014) was one of the six lyricists of this movie. The title song -“Chal sanyaasi mandir mein” from this movie, which became the most popular song of the movie, was penned by Vishweshwar Sharma. This song finished fifth in Binaca geetmala final of 1976. This song also earned Vishweshwar Sharma a nomination for Filmfare best lyricist award in 1976.

As a tribute to the deceased lyricist, who left for his heavenly abode on 30 december 2014, here is this famous song from “Sanyasi” (1975). This song is sung by Lata and Mukesh. This song is picturised as a seduction song on Hema Malini and Manoj Kumar.

Music is composed by Shankar Jaikishan.

Lyrics of this song were sent to me by Nitin Shah.


Song-Chal sanyaasi mandir mein (Sanyaasi)(1975) Singers-Lata, Mukesh, Lyrics-Vishweshwar Sharma, MD-Shankar Jaikishan

Lyrics(Provided by Nitin Shah)

chal sanyasi ee ee
mandir mein aen
mandir mein aen
mandir mein aen
ho o
ho o o o
chal sanyaasi ee ee
mandir mein aen
tera chimta meri choodiyaan
donon saath bajaayenge ae
saath saath khankaayenge ae
chal sanyaasi ee ee
mandir mein aen
tera chimta meri choodiyaan
donon saath bajaayenge
saath saath khankaayenge ae
kyun ham jaaye mandir mein
paap hai tere andar mein
lekar maala kanth doshala
raam naam gunn gaayenge

chal sanyaasi ee
mandir mein
tera chimta meri choodiyaan
donon saath bajaayenge
saath saath khankaayenge ae
chal sanyaasi ee ee
mandir mein aen

resham sa ye roop salona
yauvan hai ya tapta sona
ye teri mohan si moorat
kar gayi mujhpe
haaye jaadu tona
kaisa jaadu tona
saari man ki ye maaya hai
arre tujh per devi kisi rog ki
badi vikat chhaaya hai

arre chal sanyaasi ee
mandir mein aen
tera kamandal meri gagariya
saath saath chhalkaayege ae
saath saath chhalkaayege
kyun ham jaayen mandar mein
paap hai tere andar mein
ham to jogi
raam ke rogi
dhooni alag ramaayenge

chal sanyaasi ee
mandir mein aen

jaage jaage
so jaati hoon
aur sapnon mein
kho jaati hoon
tab tu mera ho jaata hai
aur piya main teri ee
ho jaati hoon
sapnon mein bharmaakar maanav
sachha sukh khota hai
arre raam naam japte rehne se
kasht door hota hai

chal sanyaasi ee
mandir mein aen
tera chola meri chunariya
saath saath rangwaayenge
saath saath rangwaayenge
kyun ham jaaye mandar mein
paap hai tere andar mein
chhod jhamele baith akele
jeevan saphal banaayenge

chal sanyasi ee
mandir mein aen

man se man ka deep jala le ae
madhur milan ki jyot jaga le
pooran kar le teri aasha
aj mujhe apna le ae
apna le
man se man ka deep jalaana
mujhe nahin aata hai
bas pooja ki jyot jagaana
mujhe yahi bhaata hai

ho chal sanyaasi ee
mandir mein aen
mera roop aur teri jawaani
milkar jyot jalaayenge ae
milkar jyot jalaayenge ae
kyun ham jaayen mandar mein
paap hai tere andar mein
dharam chhod kar
dhyaan chhod kar
paap nahin apnaayenge

arre chal sanyasi ee
mandir mein ae

prem hai pooja
prem hi poojan
prem jagat hai
prem hi jeevan
mat kar tu apmaan prem ka
prem hai naam prabhu ka
bada hi paavan
prem prem kar ke mujhko
kar degi ab tu paagal
mera dheeraj dol raha hai
laaj rakhe ganga jal

bol siyaawar raamchandra ki jai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 11
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it is not that Unreleased films were the speciality of the 40s or 50s. on the contrary, the percentage of such films has increased from the last few years. What I learnt from last few days, while working on this series is, that the number of incomplete or unreleased films was the maximum- to the extent of almost running over 100- during the years 70s and 80s. If you see the statistics, you will find that the number of censored films has also increased systematically from 1970 onwards. In 1990, it touched 200 films and thereafter from 2000, it has always been between 200 to 300, touching 250 in 2005.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Only if religion had not fallen out of favor with the film industry. Kya kahen, sab paise ki maya hai (what to say, it is all a money game). The producers say that the public is not interested. And so they will lose money if they make religious films. And so we have been seeing less and less of religious and spiritual themes on screen. Rather, I do not recall seeing any title that indicates a religious film, in the past decade or so.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = = =
Songs to Tickle Your Memory – 4
– – – – – – – – – – – – – – – – – – – –

It is a long time – a ten years wait for registering a hit. Maybe not a surprise in an industry that is known for fixing awards, and manipulating careers. His first songs appeared in 1949. Confined to B/C grade films for a large part of his career, Farooque Kaiser had to wait till 1958 before he could lay his claim to fame based on a song that would be recognized as a popular hit with the listening public.

Remembering Farooque Kaiser on the anniversary of his passing away (10th November).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“You see sir, I can walk English, I can talk English, I can laugh English.”
“Aaj khush toh bahut honge tum”
“Main aaj bhi phenke huye paise nahin uthata”
“Sar zameene Hindustan, aa salaam walekum”. (Nahmji I know I may have written the salutation wrong, but I hope my intention has been conveyed)

These are some powerful dialogues of Amitabh Bachchan, who turned 72 yesterday(11 october 2014). He was a horrible dancer when he made his debut in movies. There is this anecdote which keeps playing on the TV channels where Aruna Irani his co actor in “Bombay To Goa” (1971/72) has narrated how Mehmood the maker of the movie had instructed every one not to laugh at any mistakes Amitabh would commit in the dance sequences. She also goes on to appreciate how over the years he managed to shake a leg or two without making a buffoon of himself. Infact a lot of later year actors who try to ape him on the way to stardom and are not comfortable dancers, also ape his dance steps. And there were many of that breed of actors in the late 70s, 80s and 90s.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gehra Raaz” (1971) was directed by Niranjan for Salim Productions, Bombay. This B grade suspense movie had Sujit Kumar, Sofia (new find as they said those days), Sheikh Mukhtaar, Abhi Bhattacharya, Satyajit, Brahnchaari, Madhumati, Mohan Sherry, Eshwar, Dinani, Paro, Uma Dutt, Hiralal, Pardesi, Rani, samson, Jelani, Lohani, Sadhna Khote, Sarla, Master Salim etc in it.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Legendary singer Mukesh was born in Delhi, on July 22, 1923 in a middle class family consisting of 10 children. Mukesh was the sixth of the siblings. The lure of films always appealed to Mukesh and as such he was less interested in studies. After his matriculation in a municipal school he was able to get a job of assistant surveyor in Delhi’s department of public works through his father. However, after just seven months of service, Mukesh ran away to Mumbai to become another KL Saigal whose adherent fan he had been all along. Even in school, Mukesh was known as “junior saigal” and the lunch breaks often involved the young Mukesh rendering his favourite Saigal numbers to his peers amongst whom Roshan Lal would be one on the harmonium.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen whose first creations mesmerized everyone with the magic of “Mera Sunder Sapna Beet Gayaa” and “Yaad Karoge Yaad Karoge Ik Din Humko Yaad Karoge”. A dream debut that most artists just think about. He was introduced to Shashadhar Mukherjee, then still with Filmistan, and got the assignment to write for the 1947 film ‘Do Bhai’. Sachin Da took the words and wove a musical magic around them, and gave them to the voice of Geeta Rai (later Geeta Dutt). It need not even be mentioned that the rest is history.

Remembering Raja Mehdi Ali Khan on the anniversary of his passing away (on 29th July). And we couple the remembrance with a celebration – reaching the 200 songs milestone on our blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

kuchh jodiyaan duniya mein bahut kam milti hain
magar jab milti hain to ghazab ka aalam hota hai

There are combinations of artists that have created some wondrous songs and music. But the disappointment at times is that these artist may have had really very few opportunities to work with each other. Yesterday, as I started to select some songs to post for today to celebrate Mukesh’s anniversary, this thought came to my mind. And I started to look for some songs that Mukesh has sung under the music direction of Jaidev. Just putting together these two names, sounds like a great combination that expected would be creating some wonderful gems together.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10900 song posts by now.

Total number of songs discussed

10987

Number of movies (All songs covered)

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