Posts Tagged ‘NFS’
O bhoolnewaale
Posted on: May 23, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today’s song is the FIRST NFS sung by Kishore Kumar on this Blog. This was written by Kewal Sharma and the music was by Ramesh Gupta-who was a wellknown lyricist.
This is a 1946 recording, which also means this could be Kishore Kumar’s FIRST EVER RECORDED SONG.
We all know that as a playback singer he sang for the first time in a Hindi movie in Ziddi-48 under the music direction of Khemchand Prakash. Obviously, he must have cut some NFS records prior to that. However,I could not find anywhere a clearcut and irrefutable proof about it, but the logic says that this must be his FIRST song.
Kishore kumar has sung 9 NFS, out of which one short song is a Title song for a TV serial of the early TV era,”Yeh jo hai Zindagi”. So actually there are only 8 Kishore Kumar NFS in all. These songs are very difficult to find anywhere. However I have located four out of these and hope to post them all at some later days on this Blog.
Kishore Kumar is my favorite singer, but only for songs before 1970.I simply love his early songs.
Kishore kumar came to Bombay in 1945 to become a Singer, but circumstances and people forced him to act in the films. So he became a singing actor. In one of his interviews he had said that he was a ‘Reluctant actor and a willing Singer’.
There is so much written about Kishore Kumar and so much information is available on the Net and in Books that unless there is something new or atleast less known, there is no point in writing about him-unless ofcourse one wants to opine about him.
I had read one of his interviews he had given to Filmfare sometime in 1970 or so, wherein he had spoken about many personal things, which were intersting and not much publicised. Here are few of those, for our readers-
Abhas Kumar or Kishore Kumar’s father Kunjilal Ganguli was a pleader in Khandwa-MP. This Bengali family had settled here for many years.
Those days, many Bengali families had settled along the BNR or Bengal Nagpur Railway track, who were posted around these places. That is why there is a sizeable Bengali population in places like say Nagpur.
His father’s income in those days, ie. 1930s,was about Rs.30 a month. They were living in their Bungalow there. Kishore’s maternal uncle-Mama- Dhananjoy Banerjee was a singer and Kishore learnt many things from him.
In the film Padosan-1968, Kishore Kumar has mimicked his Mama, viz. long hair, kajal in eyes and chewing Paan always. The get up was so good that Sunil Dutt and Mehmood were worried that Kishore would steal the show away from them !
Kishore tells us about his London tour with Lata ji. When Lata ji first asked Kishore if he would join in her London shows, Kishore says, he first was surprised, then thrilled and finally worried, because of Lata’s discipline. Lata never went to the stage without proper rehearsals and Kishore was a lazy person. In one show, Lata first went to the stage, introduced Kishore and when kishore entered amidst clapping with the announcement that he will present a song ! Kishore was stunned. He did not know what to do. Then he sang S D Burman’s Bhajan, ‘ Pee le pee le hari naam ka pyaala’. Even for that song Kishore got a standing ovation !!
Kishore remembers thatwhen he was studying in college, his brother Ashok Kumar was already a Hero in films. Once Ashok kumar’s first film ” Jeevan Naiya” came to Khandawa. Kishore and all his friends went to see the film with great expectation. They were expecting fights like Master Vithal, horse riding and the hero beating a dozen villains. Instead they saw a soft and sentimental film,in which ,in one scene,Ashok kumar even gets slapped on the cheeks ! It was a hugh disappointment. Kishore wrote a letter to his brother that in the next film he must fight villains or else he should forget about having any Fans in Khandwa !
Sometimes kishore acted very funny bordering on crack behaviour. While this interview was going on, Kishor Kumar suddenly got up and left the room through the rear door. The journalist was shocked. After waiting for some time, he started packing up and then suddenly Kishor Kumar entered the room by the front door !
When his Bungalow was getting done up,he had stayed in a flat on Warden Road. He had painted a Board on his door ” BEWARE OF KISHORE KUMAR “. One day the producer director H.S.Rawail came to his house to pay his dues. After payment was made, they shook hands. All of a sudden Kishore took his hand and bit him ! To a shocked Rawail, he asked,’ Did you not see the board on my door ? “
Just before coming to Bombay from Khandwa, he had owed 5.75 rupees to the college canteen. He used this fact in the song ” De do mera paanch rupaiah bara aana” in Chalti ka naam gaadi.
When Kishore Kumar married Leena Chandavarkar, they never expected to get any children, as Kishore was already over 50 years old by that time. However, when their son AMIT was born, they were so happy that Kishore said,” For the first time in my life, I have got emotional security now “
His life was full of stories of his eccentricities, but everyone agrees that he was a Great Singer.
Today’s song ” O Bhoolanewale,yaad kar ” reminds you of the old singing style of the 40s. The song is very soft, slow but very melodious. I am sure you all will like it too.
Song-O bhoolnewaale (Kishore Kumar NFS)(1946) Singer-Kishore Kumar, Lyrics-Kewal Sharma, MD-Ramesh Gupta
Lyrics
Bhoolnewale
O bhoolnewaale
muhobbat ka zamaana yaad kar
yaad kar
o bhoolnewaale
aa meri ujdi hui
aa meri ujdi hui duniya ko phir aabaad kar
yaad kar o bhoolnewaale
phool murjhaaye huye hain
aur roti hai bahaar
jaanewaale dhoondhti hai
tujh ko aankhen baar baar
aankh kehti hai tu ro
aankh kehti hai tu ro
kehta hai dil par yaad kar
yaad kar o bhoolnewaale
baagh mein betaab dekha
hai bahaaron ne mujhe
raat ko betaab dekha
hai sitaaron ne mujhe
dil ko aisi zindagi ki
dil ko aisi zindagi ki
qaid se aazaad kar
yaad kar o bhoolnewaale
yaad teri jaa nahin sakti
dil e barbaad se
pehle tujh se kee muhabbat
ab hai teri yaad se
mere armaanon ki duniya
mere armaanon ki duniya
khauf se barbaad kar
yaad kar o bhoolnewaale
bhoolnewaale
Pee le pee le hari naam ka pyaala
Posted on: May 11, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Bengal has contributed significantly to Hindi Film Industry. Actors, actresses, directors, producers, Singers ,music directors etc from Bengal have enriched the Hindi films in all major categories.
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Bhala thha kitna apna bachpan
Posted on: May 6, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I must really thank ATUL JI for providing us all,a platform to share our information/knowledge and enjoy the best of Hindi Film and Non Film music.
But for him, it would not have been possible.
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- In: Ghazal | Guest posts | Lata NFS | Lata solo | Lata song | NFS | Post by Sadanand Kamath
- 2 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During 1960-70, Lata Mangeshkar had sung some beautiful non-filmy ghazals. Two of these NFS, viz. dahar mein naqsh-e-wafaa and aankh se aankh milaata hai koi have already been covered in the blog. These ghazals were composed by Faiyyaz Shaukat and K Mahavir respectively. In 1969, a LP of her non-filmy ghazals of Mirza Ghalib composed by her brother Pandit Hridaynath Mangeshkar was released.
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Ud jaayegaa hans akela
Posted on: May 3, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the Hindu mythology, Gandharvas are stated to be the male heavenly spirit and in the context of music, the term is used for a highly skilled vocalist. Maharashtra had the privilege of having four ‘Gandharvas’. First, Sawai Gandharva (real name : Rambahu Kundgolkar – 19/01/1886 – 12/09/1952). He was a popular Hindustani classical vocalist and Marathi stage actor-singer. He was the first disciple of Ustad Abdul Karim Khan of Kirana gharana. One of the disciples of Sawai Gandharva was Pandit Bhimsen Joshi who later started the annual Sawai Gandharva Festival at Pune in the memory of his guru.
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When I was a school kid then I found most, if not all subjects as boring. Even out of all these boring subjects, history took the cake. It was extremely difficult to remember the names of the kings, their eras, and what they did during their reign. And in case these kings happened to be born before the era of Christ then remembering their dates of birth and death was even more confusing.
Emperor Ashok, for instance was born in 304 BC and died in 232 BC. What kind of kings they were who died before they were born, was the doubt in the minds of many students of tender years.
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Meri veena ro rahi hai
Posted on: April 30, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Somewhere in the late 2011 AK ji, of Songsofyore.com, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India,it was those ghazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullick, Jagmohan and JUTHIKA ROY !
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Aankh se aankh milaata hai koi
Posted on: April 20, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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