atul's bollywood song a day- with full lyrics

Posts Tagged ‘Singer-MD


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations –42 (Post number 9997)
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Folks who are avid browsers of the internet in search of Hindi film songs and related information must be very familiar with another blog ‘Songs Of Yore’ (http://www.songsofyore.com/). Today, I am writing to introduce AK ji, the personality, who is the driving force behind this blog that is famous in the digital world, for its content and references. Last month, on 7th June, his blog ‘SoY’ celebrated its fourth anniversary. On the occasion, the lead post starts with the following paragraph.

I have often said I started blogging स्वान्तः सुखाय. As Songs of Yore completes four years today, I find I have become a little less selfish. Now I do a lot of things that are suggested and driven by the readers. And, you don’t need a preacher to tell you that nothing pleases a person more than knowing that what he does also pleases a lot of other people. So, I have to thank all the readers for making the journey of Songs of Yore so delightful.

This above para summarizes the philosophy and the drive of the person himself. AK ji, as he is known to his blog readers, and to the Atulites also, is a person who is so well meshed with and immersed with this art form. It is a passion that has advanced from being just a love to hear this music, to becoming a cause, for the collection, preservation and sharing. Which led him to set up the ‘SoY’ blog four years ago.

My familiarity with AK ji started sometimes in late 2011, as I came across his blog while searching for some HFM related information. Maybe it was Arun ji who directed me there, but I do not remember clearly. Earlier, I had seen a commenter on our blog with the intriguing name – ‘SongsOfYore’. When I landed on the blog, I came to realize the connection. This started a communication on email, which very quickly led to personally meeting with him. Just prior to our first meeting, I received an email from Arun ji, who mentioned that AK ji was in Bombay and that the two of them had met. The only information I got in Arun ji’s message was that AK ji is one of the senior most bureaucrats with Govt of India. Later when the communication between myself and AK ji came to the point of knowing that we are both residents of Delhi, then the plans came about to meet in person.

It was coincidental and fortuitous that Harmandir ji was also in Delhi when we first met. So it was a wonderful three way meeting that we had. After that AK ji visited me at home, and we sat and discussed about some then current searches and questions that were active on email and in blog comments. I remember there was a very active discussion on the first song of Lata Mangeshkar. That topic initiated a lot of good research and information exchange, and it involved many people.

Then came the opportunity that Atul ji was visiting Delhi. I called up AK ji, and we set up another very interesting three way meeting. After that we have met occasionally. In recent months, AK ji has shifted his residence to Greater Noida, one of the suburb towns of Delhi. So in person meetings have not happened for some time, but is there very active exchange that continues over phone and email. Especially after AK ji came to know that I have the habit to ferret out obscure and long forgotten songs, our communications about trying to acquire such rare pieces of music has been ongoing.

AK ji is an engineer plus an MBA by education. He has a very strong background in science. After meeting him, I find in him a friend who is well read, and has an eager interest in a wide variety of things. The discussions with him are animated, and we generally run out of time, but not out of subject matter. He has spent a career lifetime with the Govt of India. Earlier this year he retired from the senior most level of civil service in the GOI.

His interest in old film music is born out of a romance with the radio and Doordarshsan, and continued to grow into keen enthusiasm and on towards a eager passion. And out of this passion is born his blog, ‘Songs Of Yore’ (http://www.songsofyore.com/). A visit to this blog will introduce the wide variety of topics and themes that AK ji continues to publish as well as moderate, with contributions from other like minded souls. He once shared with me that the essential strength of his blog is its knowledgeable readers and contributors. There is a very active participation and dialogue that continues as a stream on his blog.

For this intro post, I am presenting a rare non film song by the renowned KC Dey, on special request of AK ji himself. I have not been able to locate any additional information about this song. The verses internally identify the author as Ram Das. Apparently it is a bhajan that has been written by a devotee, Ram Das. The YouTube upload identifies KC Dey as the composer of this song.

This is a real beautiful Holi song that is sung by an unnamed ‘gopi’, who tells of her tribulations on the day of Holi, when the mischievous Kanhaiyyaa drenched her with colors when she was on way to get water from Jamuna river. Hearing it in the divine voice of KC Dey, simply adds to the beauty of words and the melody.

Listen and enjoy.


Song-Aaj hori khelen kanhaiyya (K C Dey)(1940) Singer-K C Dey, Lyrics-Ram Das, MD-K C Dey

Lyrics

aa aaaa
aaaaaa
aaaaaaaa aaaaa
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen
hori khelen
hori. . . kh. .elen
shyaam
shyaa. . aa. . aa. .aam
aaj hori khelen
aa. .aa. .aaj
aaaa. .aaj
aaj
hori khelen
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen

jaat rahi main jamuna jal ko
jaat rahi main
aaa jamuna. .
aaa jamuna. .
aaa aaaaa aaaaa aaaa
aaaa aaaaa aaaaaa aaaaa
aaaa aaaa aaaa aaaa
jaat rahi main jamuna jal ko
bhar pichkaari more gaal maari re
dari banwaari re
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen

haaan
nand ke kanhaai
nai choli mat kaari
phir kaari (?)
mukh choom
choom choom
haaan
haaan
hey ri geri beri beri aali
aali
hey ri geri beri beri aali
aali
kahe ram das
haaan aaaa aaaa
aa aaa aa aa
kahe ram das
anoothhe brij raaj
naa aave vaa ko laaj
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen kanhaiyyaa
chundar rang
haan chundar rang mori daari re
aaj hori khelen kanhaiyyaa
chundar rang mori daari re
aaj hori khelen

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Hindi script lyrics (Provided by Sudhir)
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आ आsss
आssss
आsssss आssss
आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें
होरी खेलें
होरीss खेssलें
श्याम
श्या ॰ ॰ आss ॰ ॰ म
आज होरी खेलें
आs आs आज
आsss आज
आज
होरी खेलें
आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें

जात रही मैं जमुना जल को
जात रही मैं
आss जमुना॰ ॰ ॰
आss जमुना॰ ॰ ॰
आs आsss आss
आs आsss आssss आsss आss
जात रही मैं जमुना जल को
भर पिचकारी मोरे गाल मारी रे
डरी बनवारी रे

आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें

हाँ
नन्द के कन्हाई
नई चोली मत कारी
फिर कारी (?)
मुख चूम
चूम चूम
हाँ
हाँ
हे री गेरी बेरी बेरी आली
आली
हे री गेरी बेरी बेरी आली
आली
कहे राम दास
हाँ आsss आss
कहे राम दास
अनूठे ब्रिजराज
ना आवे वा को लाज
आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें कन्हैय्या
चूँदर रंग
हाँ चूँदर रंग मोरी डारी रे
आज होरी खेलें कन्हैय्या
चूँदर रंग मोरी डारी रे
आज होरी खेलें

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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations –39
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It’s FINALLY here – yaaaay!

Yes, the MOTHER of all milestones on this beloved blog of ours is FINALLY here.

And I cannot even begin to tell you how thrilled I am.

It seems almost surreal – that five-digit number. 10,000.

Let me now write it in words. In capitals. TEN THOUSAND.

Ah, it feels so sweet. :-)

Many of us have been waiting for this milestone for a while now. There has been a reference to this off and on in recent postings, the excitement hardly concealable. To use a cricket analogy (there I go again!), it’s like a batsman on 99 – only much tougher because there are no shortcuts.

But like all good things, it has come in its due time – not rushed.

And now it’s time to sit back and soak in the moment.

Ten thousand. Ten times ten times ten times ten. Wow!

I remember when Sunny Gavaskar became the first batsman in the world to get to 10,000 Test runs. That was in Ahmedabad in 1987. That too felt surreal – I wasn’t used to a 5-digit number. It took a while to get used to it. (Since then many have got there, of course).

This will also take some getting used to. I’ve often checked the song count on the blog – and have got used to a 4-digit count.

I’m just thinking – if I’m feeling so thrilled, how must Atul be feeling? He is the creator of this blog, he is the one who has given each one of these songs its place here. Even if the rest of us have contributed sometimes with lyrics or guest posts, it is Atul who has meticulously put it all together. And that’s only a small fraction of the total – most of the posts have been done 100% by Atul.

So would Atul sit back and relax? I’m not sure. He seems to me to be the Gavaskar type. Once Sunny got to his hundred, he would just mark his guard again and start all over again, as if embarking on a new innings. Whatsay, Atul? (I love pulling Atul’s leg! :-))

On such an occasion, it is only natural to look back, to reminisce a bit about the journey. Atul is obviously the best person to speak of this but I would like to share some of my fond memories too.

I’ve discussed much of this earlier too on some previous posts, so please excuse me if I’m repeating myself.

For me, it all started when I got to know Atul. And that was even before this blog started.

In 2005, being the cricket-crazy guy that I was (and, to a lesser extent, still am), I enrolled on a cricket forum to discuss cricket. That’s where I found Atul. It was an immediate connect – we were the only two guys discussing Clive Lloyd and Andy Roberts of the mid-70s. :-)).

Very soon, both of us moved onto another newly-formed cricket forum. One of the most fun aspects of this forum was that, although it was primarily meant for cricket, we’d discuss a whole lot of other stuff too. All sorts of crazy nonsense was most welcome at this forum.

One of the things we (Atul, I and a few others) started discussing was old Hindi film songs. We’d post old songs and discuss them. Often we’d discuss a theme – I remember Atul writing up a post on train-based songs. It used to be fun.

Around that time, Atul started blogging too. He’s always been keen on trying out stuff – I think blogging was one of those ventures for him at that time. :-).

And then one fine day, on the 19th of July 2008 to be precise, he quietly created a song blog.

He informed the rest of us (on the cricket forum) a couple of days later about this. He said he liked a lot of songs – and wanted to share them with others – so he had started this song blog where he intended to post one song a day.

Very humble beginnings. :-)

And for the record, that first song is

http://atulsongaday.me/2008/07/19/mile-na-phool-to-kaanton-se-dosti-kar-lee/

I seriously doubt whether, on that July date, Atul had even remotely imagined that, almost 6 years later, his “humble” song blog would be THE go-to song blog on the internet worldwide, that it would have over five-and-a-half MILLION hits from people all over the world, that it would be a trigger to bring together a community of music lovers – and that it would be recording its 10,000th song.

All staggering achievements – and it’s all because of the single-minded focus, determination and, very importantly, passion of Atul.

Ok, I know Atul will be modest and share the credit with others – but the fact is that this blog is HIS baby. Occasionally, we’ve held the baby and played with it, maybe sung some lullabies – but the baby well and truly belongs to Atul. :-).

And mind you, he’s done this, while having a full-time job, with family / pet commitments. And often with questionable internet connectivity.

Atul’s done all this as a labour of love, not as a commercial venture. Such commitment from one person has, in a sense, to be a labour of love. Without such passion, this blog would not have been sustained like this.

Everyday we see songs posted here, and tend to take them for granted – we need to look behind them and see how much effort goes into each song. Noting down the lyrics, getting details about the song, categorizing it in various categories, preparing a write-up – all of this takes time, especially when you are as uncompromising as Atul is.

In the early days, it was one song a day. That’s also why the blog is named “atulsongaday”. After a while, since the pace of posting was too slow for Atul’s liking, he began posting 4-5 or as many songs as he could reasonably post in a day.

Or maybe Atul was just pushed by me and other visitors to his blog. :-).

In the early days, visitors (including myself) would give Atul “farmaishes” for songs. We all had our “favourites” that we wanted to see on the blog and discuss. We’d post them in the comments section – and Atul would try to satisfy our request.

Soon, he was posting OUR farmaishes more than his own preferred songs. :-) I remember I used to shamelessly make a list of 10 songs in one farmaish-comment. And I used to make many such farmaish-comments. I feel SO guilty now. :-).

After a while, Atul even started a separate section on his blog for just “farmaishes”. Over the years, Atul would keep on adding features to his blog.

Then one day, Atul asked me if I’d like to write up a song.

Although I considered it an honour, I must admit I was a bit nervous about it. Not that I wasn’t used to writing. I had my own blog where I would sometimes post stuff, largely cricket-related. And I was used to writing on the cricket forum.

But this was different. This was a guest post for Atul’s blog and I didn’t want to spoil his blog in any way.

But I accepted the offer – and wrote up my first guest post on the blog.

Since then, I’ve written a few – and every time it’s been an honour.

For me, the sense of community that this blog gives is tremendous. It’s not just a song blog where one comes to check out songs. It’s a place where I’ve got to know SO many wonderful people, got to learn so many things from them, got to learn about so many songs that I’d never heard before. My knowledge of old Hindi songs/films/artistes has increased exponentially, thanks to this blog and all our friends here. And I’m still learning every time I visit here.

Atul may or may not realize the significance of his achievements, but, in my opinion, he’s created something that is a lasting legacy for the future. Many of the songs here are rare. Some of them were possibly not even on the internet earlier – and even if they were – they were extremely obscure and languishing, unknown to most. Now, properly curated, indexed and categorized – with an introduction – they have been given respect, in a manner of speaking. Years later, if somebody wants to check out a song from the 1940s, he or she can visit here – and will hopefully find it here. This has become an archive, a library with a lot of treasures in it.

What a journey!

I think I’ve been reminiscing – and, in my typical style, rambling – long enough. Time now to get on to the song for the occasion.

The song I’ve picked for this special occasion is a song that I fell in love with the first time I heard it.

It is from the film, Karigar (1958) starring Ashok Kumar and Nirupa Roy.

I happened to watch this film about a year ago – and though I liked other songs of this film also, this particular song was so much fun that it has stuck in my head ever since. I’ve listened to it many times since on youtube – and wanted to do a write-up a long time ago. Somehow I never got around to doing it – and since it’s not yet been posted here – I thought I’d use this occasion to share the song with you.

Its lines go “Baman ho ya Jaat” and it is a total fun song, reminiscent of the “Te ke main jhooth boliya” from Jaagte Raho (1956). That is another song I absolutely love – and if this song has shades of that one, I, for one, am not complaining.

The song is picturised on Chowpatty beach, where food stalls can be found and vendors market their food, whether bhelpuri, chaat or anything else. I cannot recognize one of the two faces (it looks very familiar) but the other one is Dhumal. They are both trying to attract customers, each one trying to push his product forward, claiming it to have qualities of all sorts.

Ashok Kumar can be seen with his son, enjoying the performance. We can also see a sinister Nazir Kashmiri who has followed them to this place, to do damage.

In summary, the story is like this. Ashok Kumar is a highly skilled carpenter/artisan who is out of work. His wife (Nirupa Roy) is the bread-earner for the family. She works as household help for a rich family – and manages to arrange a job for Ashok Kumar at her employer’s workplace. But for this, he is required to bring his own tools. Spending almost all the money he has, he manages to buy a toolkit. But Nazir Kashmiri, who works at the same place, wants to hire someone else. So he tries to sabotage Ashok Kumar’s chances by stealing his toolkit. He does this during this song, when Ashok Kumar and his son are distracted.

As happens with most movies, it all ends well.

Do listen to the song. I’m sure you’ll enjoy it too. Written by Rajinder Krishan, it is composed by C.Ramchandra.

One of the voices is his, the other is Rafi saab’s.

I leave you with the song.

And, most importantly, once again, HEARTY CONGRATULATIONS to Atul (and all of us also) on this momentous occasion.


Song-Arre badi atpati badi chatpati (Kaareegar)(1958) Singers-Rafi, C Ramchandra, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

Chaat re chaat…
Bahman ho ya Jat
Bhikari ho ya ho samraat
Governor ho ya chaahe laat
Sabhi mil khaayen meri chaat
Hai ye Chowpatty ki
Arrey badi atpatti badi chatpatti
Chaat hai ye Chowpatty ki
Aaho aaho oho aaho aaho
Oho aaho aaho oho aaho aaho
Aahun aahun unhun aahun aahun
Unhun aahun aahun unhun aahun aahun

O o o o o o o hoy
Teekha teekha pada masala
Arrey teekha teekha pada masala
Swaad hai khatta khatta
Dubla patla khaakar isko
Ban jaaye hatta katta
Dubla patla khaakar isko
Ban jaaye hatta katta
Sheher Bambai
Aah waah waah
Sheher Bambai
Cheez hai nayi
Suno re bhai
Cheez hai nayi
Arrey badi atpatti badi chatpatti
Chaat hai ye Chowpatty ki
Jee jee jee jee jee jee jee jee
Jeejeer jeer jeer jeejeer jee
Jeerjee hoy jeerjee

O o o o o o
Sar pe pagdaa pet hai tagdaa
Sar pe pagdaa pet hai tagdaa
Gharwaali se jhagdaa
Agar mitaana hai to sethji
Khao mera ragdaa
Agar mitaana hai to sethji
Khao mera ragdaa
Pet ki dawaa
Arrey waah waah
Pet ki dawaa
Rog ho hawaa
Pet ho safaa
Rog ho dafaa

Arrey badi atpatti badi chatpatti
Chaat hai ye Chowpatty ki
Aaho aaho oho aaho aaho
Oho aaho aaho oho aaho aaho
Aahun aahun unhun aahun aahun
Unhun aahun aahun unhun aahun aahun

O o o o o o hoy
Hindu Muslim Sikh Parsi
Arrey Hindu Muslim Sikh Parsi
Sab mein karaaye mel
Badi karaamaati hai bhaiya ye Bambai ki bhel
Arrey badi karaamaati hai bhaiya ye Bambai ki bhel
Hai garam-a-garam
Hai garam-a-garam
Ek ka dharam
Mitaaye bharam
Hai garam-a-garam
Arrey badi atpatti badi chatpatti
Chaat hai ye Chowpatty ki
Jee jee jee jee jee jee jee jee
Jeejeer jeer jeer jeejeer jee
Jeerjee hoy jeerjee

Ho o o o o o o
Meri paanipuri jo khaaye
Meri paanipuri jo khaaye
Badle uske rang
Ude dimaag gagan mein uska jaise udey patang
Daam wo bhoole
Arrey sambhalna bhai
Daam wo bhoole
Kaam wo bhoole
Naam wo bhoole
Kaam wo bhoole

Arrey badi atpatti badi chatpatti
Chaat hai ye Chowpatty ki
Aaho aaho oho aaho aaho
Oho aaho aaho oho aaho aaho
Aahun aahun unhun aahun aahun
Unhun aahun aahun unhun aahun aahun

Bahman ho ya Jat
Bhikhari ho ya ho samraat
Governor ho ya chaahe laath
Sabhi mil khaayen meri chaat
Hai ye Chowpatty ki
Jee jee jee jee jee jee jee jee
Jeejeer jeer jee jeejeer jee
Aahun aahun unhun aahun aahun
Unhun aahun aahun unhun aahun aahun
Jee jee jee jee jee jee jee jee
Jeejeer jeer jee jeejeer jee
Aahun aahun unhun aahun aahun
Unhun aahun aahun unhun aahun aahun


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS(Song No. 9)
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Manna Dey never achieved the kind of popularity that some of his more commercially successful contemporaries (Rafi, Kishore Kumar, Mukesh etc) enjoyed, but that in no way is a reflection on Manna Dey’s calibre as a singer. As a singer he had perhaps the widest range of them all. He could sing songs ranging from philosophical to comical with equal felicity. In his case, passage of time has helped enhance his reputation.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (song No. 5)
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Somewhere in the late 2011, AK ji of Songsofyore, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India, it was those gazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullik, Jagmohan and JUTHIKA ROY !
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp- 1)
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I grew up in a joint family of about 20 people including children. My childhood memories are vivid and I remember playing with cousins and enjoying Festivals with the elders. By coincidence ,by 1947-48 our joint family was fragmented, not because of the Partition, but because One Uncle joined Army, the other joined Navy and the third one joined Police. My own father had to go underground to evade arrest, after Gandhi ji’s assassination..He was an RSS worker. We shifted coolly to Banaras and stayed there for an year. Ultimately father was traced and arrested and we were escorted by the police to mother’s town in Maharashtra.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40s (Episode No. 11)
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None of my series is complete without a song by/from C Ramchandra. This not only indicates my love for his songs, but also highlights that he composed a variety of songs to fit into any series.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40s (Episode No. 3)
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The Hindi film industry has been very dynamic throughout its history. From the beginning till today, plenty of new ideas, experiments and changes have improved the industry in many of its departments. Of course, it is not always that improvement in Technique improves the quality. As per the latest Technology, nowadays,to record a Duet song with chorus, it is not necessary for both the singers to be available at the same time and sing the song together. With 24 track tapes, nowadays, each singer comes as per his appointment to the recording studio, sings and records his part of the song and goes away. Same with the chorus party also. Once everyone has sung his part of the song, then the entire song is mixed and rerecorded together with the track of music and chorus included in it. Lo and Behold….Your New song is ready !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Badalte Huye Saathi (Episode 11…LAST SONG)(Lata sings with Chitalkar)

Finally, we have reached the end of this series having just 11 songs. For a theme like BADALTE HUYE SAATHI,11 songs is too less, I know. This subject is so vast that,at best,it can only be represented here, and it is not possible to do full justice to the topic, I agree. When I started this series,I had said that it is not possible to cover all the Major singers or cover the entire period of 1931 to 1960. However, the temptation to write on this topic was so intense that I decided to do it in 10 to 12 episodes, somehow. Utter ” Na- Insaafi “, I am aware of it !
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

25th March is the birthday of Farooque Sheikh. We would have been celebrating his 66th birthday if had not left us so suddenly. But as they say even God loves good souls.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hamri atariya pe aajaa re saanwariya dekha dekhi tanik hoi jaaye

This is the mukhda of the song from the film ‘Dedh Ishqiyaa’ (2014) which I partly heard for the first time during the promotion of the film on various TV channels in December 2013. I was very happy that in the era of Hindi film music where loud songs with high velocity instrumentation and the meaningless lyrics are the order of the day, this semi-classical song had also found a place in the scheme of things of the modern day movie makers.
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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10000 songs post by now.

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