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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Gori kar le ham se pyaar

Posted on: June 26, 2019


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3995 Post No. : 15089

There will hardly be a person who has not seen film Mughal E Azam or heard about it. The film was famous and the man who made it – K.Asif – became known to all because of this film. However, K.Asif was not a prolific film maker. In reality, K.Asif (14-6-1922 to 9-3-1971) directed only two and half films. His first film was Phool-45, second was Mughal E Azam-60 and his last attempt was the unfinished film Love and God ( aka Kaiz and Laila)-1986. This film was released as an unfinished film by his kins on 27-5-1986, 15 years after K.Asif died. Asif had produced a film, ‘Hulchul-51’, but he did not direct it.

K.Asif first conceived the film Mughal E Azam in 1944, after reading a play on Emperor Akbar (1556-1605). The film changed its story, MD, cast etc, several times, from what was planned originally and subsequently, but the director remained the same – K.Asif. However, he made another film, Phool in 1945, in normal period of making a film. Asif was an extraordinary person. He was fond of dreaming big and doing it big. Accordingly, even in his first film Phool-45, he took 14 famous stars of those times in his film. By far, it must have been a true Multi-Star film in those days.

The cast of the film almost ran like a list of leading stars. It consisted of Veena, Sitara, Suraiya, Prithwiraj kapoor, Yaqub, Wasti, Mazhar, Ashraf khan, Durga Khote, Majid, M.Ismail, Dikshit, Agha, Jillobai etc etc. The film was produced by K.Abdulla, screenplay was by Kamaal Amrohi and the music by Ghulam Haider. The film was made under the banner of Famous Films, Bombay.

Today’s song is from film Phool-45.

During the decade of the 40s, the struggle for India’s Independence had also heated up. As England was engaged in the second world war, it was thought to be the right time to increase pressure on them, so that after the war, India could get its Independence. By those times, it was very well known that there would be a Partition and a Muslim nation ” Pakistan” would be created by dividing India.

With this background suddenly, making films on Muslim life and culture gained momentum. From 1940 to 1947 as many as 19 films on Muslim culture were made. They were, Paak daman-40, Qaidi-40, Muslim ka laal-41, Masoom-41, Bulbul E Baghdad-41, Fashio-43, Najma-43, Salma-43, Bade Nawab Sahab-44, Bhaijaan-44, Ismat-44, Phool-45, Humayun-13, Rehana-46, Dil-46, Arab ka Sitara-46, Alibaba-46, Shalimar-46, and Mulaqat-47.

Actress Veena was the Heroine in film Phool-45. How she came into films is an interesting story. Veena was born as Tajwar Sultana, on 4-7-1926, at Quetta in Baluchistan (now in Pakistan). Her father was in Railways, so he was transferred many times and her education was done at various places, including Delhi. After her Matriculation, she was sent to a women’s college, with Hostel, in Amritsar. In those days, her brother Shehzada Iftekhar was an assistant Cameraman at Northern India Studios, Lahore. This studio advertised for a Heroine, for their new Punjabi film ” Gawandi “.

A Bangali lecturer from Veena’s college had applied. A few days later, a team (including her brother) from Lahore came to interview her, but she was rejected as she did not know Punjabi well enough. Veena was very keen to apply, but her brother warned her about the family resistance. She prodded him to give her photo to the visitors. Seeing her photo, she was called to Lahore for screen Test. All this was without letting the family know.

One Saturday, Veena left for Lahore. Next day she gave the screen test, mouthing dialogues written by Wali Saheb. She was selected and offered the role. One of the producers- Sheth Kishorilal, suggested to change her name for the screen as Veena ( it was his daughter’s name) and she became Veena.

She completed film ‘Gawandi-42’, opposite Hero Shyam, in just one month and in the next one month, she did another film ‘ Ravi Paar-42’, opposite Hero S.D.Narang. All this was without family’s knowledge, but she was aware of the impending storm. She returned to college. News about her film work had already reached the college. She was thrown out of the college and the hostel for this.

When she returned home, as expected there was a great scene. She was scolded and locked in a room. Her family wanted to get her married, which she vehemently opposed. Her family went to the producers and demanded that the films be destroyed. Of course, this was was not accepted. Meanwhile, Veena had received film offers from Mazhar Khan, Mehboob, Bombay Talkies and Rajneet. She left her house with brother and reached Bombay. Mazhar khan paid her Rs.2000 per month with a Bungalow and a Car. She did her first Hindi film ” Yaad “-42. Then came Najma-43 from Mehboob, Rajputani-44 from Ranjit etc etc. She earned One lakh rupees per film.

Veena did about 100 Hindi films in her career, till she retired in 1983. Even after her husband, Al Nasir’s death in 1957, she continued to stay and work in India with her children. Veena died on 14-11-2004. ( adapted from her interview in Shama, November 1981. Thanks to book ” ye un dinon ki baat hai” by Yasir Abbasi).

Film Phool-45 was written by Kamaal Amrohi. It was a story of lasting love, bravery and faithfulness. The film was released in Roxy Theatre in Bombay and it became a hit. There were good reviews in media and even Baburao Patel of Film India appreciated the director K.Asif’s work. However, the music of Ghulam Haider was criticised. None of the songs became very popular.

The story of film Phool-45 revolved around two families. Safdar and Akhtar are brothers. Religious minded Safdar has a beautiful daughter Shama (Veena). Together they want to build a Mosque. Lazy brother Akhtar and his arrogant wife have two sons-Zahid and Sharif. They want that Shama should marry useless Zahid. Shama is in love with Dr. Saleem who is Akhtar’s nephew. Saleem (Prithwiraj) has a Hindu sister- Rekha (Suraiya), who was an orphan.

On the day of marriage of Saleem and Shama, Dr. Saleem has to leave on duty abroad. Shama’s father Safdar dies with this shock. Shama and Rekha become very close friends. Dr. Saleem is lured by dancer Laila (Sitara), but he declines. Laila uses a medicine, by which Saleem loses his memory.Now he joins Laila’s troupe and they visit many cities.

Once they arrive in a city, where Shama lives. On information from people about Saleem, she goes to meet him, but he does not recognise her due to loss of memory. Next day Saleem falls from the stage accidentally and his memory comes back. He leaves Laila and comes back to Shama. Saleem and Shama get united. The evil son Zahid is killed by lightening. All is well that ends well. ( adapted from the book,” Forgotten movies on Muslim Culture 1933-1947, by Kamlakar Pasupuleti.)

Let us now listen to the chorus song. Lyricist’s name is not given in HFGK. Since the story, screenplay and dialogues are by Kamaal Amrohi, like the uploader-Sadanand Kamath ji, I too feel he must be the Lyricist also.


Song-Gori kar le ham se pyaar (Phool)(1945) MD-Ghulam Haider

Lyrics

Gori kar le
Gori kar le ham se pyaar
ho baalam ghar jaana aa
Gori kar le
Gori kar le ham se pyaar
ho baalam ghar jaana
arararaarar
baalam se jab aankhen ho jaayen chaar
hamko bhool na jaana
hamko bhool na jaana
Gori kar le
Gori kar le ham se pyaar
ho baalam ghar jaana aa
Gori kar le
Gori kar le ham se pyaar

nainanwa mein neend lagi hai
man mein uthhe tarang
haan chori chori manwa khele
baalamwa ke sang
gori zara hamse bolo
haan haan zara ghoonghat kholo
gori zara hamse bolo
haan haan zara ghoonghat kholo

man ki beena baaj rahi hai
goonj uthhe sab taar
chauraahe par khadi jawaani
arararara
le phoolon ke haar
hamko bhool na jaana
hamko bhool na jaana
Gori kar le
Gori kar le ham se pyaar
ho baalam ghar jaana aa
Gori kar le
Gori kar le ham se pyaar

raat suhaani bhari jawaani
masti ki rut aayi
haan chanda se mukhde par kaahe
ghor badariya chhaayi
gori zara hamse bolo
haan haan zara ghoonghat kholo
gori zara hamse bolo
haan haan zara ghoonghat kholo

roopnagar ki raani aayi
kar solah singaar
ang ang se joban barse
ararararara
nainan barse pyaar
hamko bhool na jaana
hamko bhool na jaana
Gori kar le
Gori kar le ham se pyaar
ho baalam ghar jaana
Gori kar le
Gori kar le ham se pyaar

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5 Responses to "Gori kar le ham se pyaar"

I , for no certain reason, think of K Asif and Mehboob Khan simultaneously. I knew K Asif was not a prolific film maker like Mehboob Khan. I knew about LOVE AND GOD. I probably had thought there may be some KA movies before MUGHAL E AZAM. So,it came as a surprise to me to know he has only two and a half movies to his credit! MK, on the other hand,must have directed 2 dozens of films and produced and acted in half a dozen, right?

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Yes, Mehboob directed 23 films…..from Judgement of Allah-35 to Son of India-62.

Like

I thought Hulchul too was directed by K Asif ! Nice info about Veena, thanks! By the way song is nice! Thanks!

Like

On second thoughts this might be first fully Chorus song! Are there any other fully Chorus songs?

Like

There are many such songs,before and after this song.

Liked by 1 person

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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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