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Sun Gori Khol Zara Ghunghat Ka Door

Posted by: skapur01 on: January 21, 2019

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3839

Post No. :

14851

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 33
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘स’ – सुन गोरी खोल ज़रा घूँघट का डोर ॰ ॰ ॰

– – – –

॰ ॰ ॰जिनके मिलन को तरसे
वो तो ना आए
मौसम आए जाये॰ ॰ ॰

It is your words that tell of this predicament. Seasons come and go, as they have, year on year on year. . . but the one who this heart wants to listen to again, has not returned after going away. . .

– – – –

Rafi Sb has sung playback for a whole range of performers all the way from mid 1940s to early 1980s, and then some. He never declined to sing for any actor, be that a newcomer, a junior artist, or even non-entities who made just one song, one film appearances. On the other hand, the association of Rafi Sb’s voice with some very important and specific performers, has been well discussed and documented. Almost invariably, Rafi Sb was the singing voice for these artists, no matter what.

One name that is very familiar in this context is Johnny Walker. Starting his career as a small time comedian, Johnny Walker went on to command such importance in the film world that his role, and invariably a song lip-synched by him, was part of a formula in the world of Hindi cinema. Pick any Johnny Walker film in 1950s and 1960s – you can be sure there is also a song performed by him, with playback from Rafi Sb. Rafi Sb was able to create that unique and peculiar rendition for Johnny Walker songs, that blended so seamlessly with actor’s dialogue delivery and acting styles. That is the depth of the singing prowess of Rafi Sb. And it applies across all actors. He sang for them, in their own styles, almost completely making himself invisible inside that actor.

Today’s song in this series is a typical Johnny Walker song. The film is ‘Phool Baney Angaarey’ from 1963. The film is produced under the banner of Asiatic Arts Production, and is directed by Suraj Prakash. This is a social drama that weaves a story of a joint family during the period of India’s 1962 war with China. The star cast includes Mala Sinha, Raj Kumar, Johnny Walker, Ashish Kumar, Shammi, Mumtaz Begum, Mukri, Nasreen, Tuntun, Sarita Devi, Lakshmi, Leela Mishra, Chaman Puri, Ravikant, Mansaram, and Bhalla amongst others.

Geet Kosh lists six songs for this film. All songs are written by Anand Bakshi, and the music is composed by Kalyanji Anandji. Two songs of this film are already showcased here.

In this duet, Rafi Sb is accompanied by Kamal Barot. On screen, the song is performed by Johnny Walker and Shammi. The scenario is the first night of a newlywed couple. The groom is making efforts and requesting the bride to open her ghunghat and allow him to see her face. The exchange is comical, of course, given that Johnny Walker is the groom. He even mentions that yes, they have met before also, but that he just wants to confirm that he got married to the same person.

Enjoy this fun song, the penultimate in this series. Concluding episode should be coming shortly. 🙂

Audio

Video

Song – Sun Gori Khol Zara Ghunghat Ka Door (Phool Baney Angaarey) (1963) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Anand Bakshi, MD – Kalyanji Anandji

Lyrics

sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
aaa haan
yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
dekhoon zara tu hai wahi ya hai koi aur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
ain
kya kaha
hee
arey main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
life pe karenge hum phir kabhi gaur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
bhaai
four

yaad hai tujhe wo mera taan tod saang
saang tha kaahe ka wo thi murge ki baang
[cock a doodle sounds]
yaad hai tujhe wo mera taan tod saang
sang tha kaahe ka wo thi murge ki baang
tu ne usi baang pe kaha tha once more
o sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
आ हाँ
याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
देखूँ ज़रा तू है वही या है कोई और
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
ऐं
क्या कहा
ही
अरे मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
लाइफ पे करेंगे हम फिर कभी गौर
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
[मुर्गे की बांग का शब्द]
याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
तूने उसी बांग पे कहा था वंस मोर
ओ सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

Tags: 1963, Anand Bakshi, Johny Walker, Kalyanji Anandji, Kamal Barot, Mohammed Rafi, Phool Baney Angaarey, Shammi

Shamma Pe Parwaana Jalne Se Darta Nahin

Posted by: skapur01 on: January 20, 2019

Blog Day :

3838

Post No. :

14848

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 32
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘श’ – शम्मा पे परवाना जलने से डरता नहीं ॰ ॰ ॰

– – – –

फिर तेरी याद नए गीत सुनाने आई. . .

Yes, everyday. It seems there is a new song that you have sung for us, once again. Remembering you, everyday.

– – – –

Well, if the film name is ‘Shola Jo Bhadke’, it would not be a coincidence that this film is by Bhagwan Dada. Today’s song in this series is from this 1961 film.

The phenomenal success of the film ‘Albela’ (1951) and its songs, prompted Bhagwan Dada to try and replicate that success many times over the next few years. But sadly none of the spin offs really came any close to repeating the success of the original. As I try to trace the career path of Bhagwan Dada as a producer, after the film ‘Albela’ in 1951, he went on to produce and direct the following,

‘Jhamela’ in 1953, with Geeta Bali in female lead and music by C Ramchandra
‘Rengeela’, also in 1953, with Poornima in female lead and music by Jamaal Sen
‘Halla Gulla’ in 1954; Shakila and Sajjan are the lead pair and Bhagwan is playing second lead; music by Nisar
‘Pyaara Dushman’ in 1955; Jairaj and Nadira are the lead pair and Bhagwan is playing second lead; music by Nisar
‘Bhaagam Bhaag’ in 1956; Kishore Kumar and Shashikala are the lead pair and Bhagwan is playing second lead; music by OP Nayyar
‘Kar Bhala’, also in 1956; interestingly this film is also listed as a stunt film; Shashikala and Nasir Khan are the lead pair; music is by Chic Choclate
And then, ‘Shola Jo Bhadke’ in 1961; Suresh and Radhika are the lead pair and music is by Nisar.

Starting with ‘Albela’ and up to ‘Shola Jo Bhadke’, all films listed above are produced and directed by Bhagwan Dada. After ‘Shola Jo Bhadke’, we do not find any more films being produced and directed by him. The magic of ‘Albela’, sadly could never be recreated.

I must make a note that Bhagwan Dada had directed his first film way back in 1938 (as a co-director for ‘Bahadur Kisan’), and turned a producer in 1942. He set up Jagruti Pictures as his production company, and produced and directed many stunt films. In 1947, he also set up his own Jagruti Studio. ‘Albela’ was the mega moment of his career. But after that, it was downhill all the way. ‘Shola Jo Bhadke’ was, in a manner of speaking, a last attempt.

The star cast of ‘Shola Jo Bhadke’ is listed as Suresh, Radhika, Anwar, Bhagwan, Poornima, Suryakant, Pratima Devi, Kesri, Prem Sagar, Shyam Lal, Vishwas, Baburao, Ram Bharose, Cukkoo and Helen. Geet Kosh lists seven songs for this film. Names of three songwriters are listed – Shyam Hindi, Saba Afghani and Tavish Mehmood. However, songwriter names are not assigned to individual songs, except one. Songwriter name for this song is not attributed. The person who has uploaded this song on YT has indicated the name as Tavish Mehmood.

Music for all the songs is by Nisar, a name that is same as Nisar Bazmi. The singing voices in this song are of Rafi Sb and Suman Kalyanpur.

Song – Shamma Pe Parwaana Jalne Se Darta Nahin (Shola Jo Bhadke) (1961) Singer – Mohammed Rafi, Suman Kalyanpur, Lyrics – [Unattributed], MD – Nisar Bazmi
Mohammed Rafi + Suman Kalyanpur

Lyrics

shamma pe parwaana jalne se darta nahin
shamma pe parwaana jalne se darta nahin
jaan chali jaaye magar bachke guzarta nahin
shamma pe parwaana jalne se darta nahin

yun to garajte hain sabhi kaun barasta hai
kaun barasta hai
baaten banaane ka yahaan bas yahi rasta hai
bas yahi rasta hai
ho oo oo oo oo
marne ka kehte hain magar. . .
marne ka kehte hain magar
koi bhi marta nahin
shamma pe parwaana jalne se darta nahin

jaan mein toofaan ko kahaan laate hain dilwaale
laate hain dilwaale
khelte maujon se guzar jaate hain dilwaale
jaate hain dilwaale
ho oo oo oo oo
darr ke jo ruk jaaye kabhi. . .
darr ke jo ruk jaaye kabhi
paar utarta nahin
shamma pe parwaana jalne se darta nahin

aaj se hum tere huye chaahe koi roke
chaahe koi roke
hum ne jo chaaha tha wohi baat rahi ho ke
baat rahi ho ke
ho oo oo oo oo
dil se agar dil na miley. . .
dil se agar dil na miley
pyaar sanwarta nahin
shamma pe parwaana jalne se darta nahin
shamma pe parwaana jalne se darta nahin

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

शम्मा पे परवाना जलने से डरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
जान चली जाये मगर बचके गुजरता नहीं
शम्मा पे परवाना जलने से डरता नहीं

यूं तो गरजते हैं सभी कौन बरसता है
कौन बरसता है
बातें बनाने का यहाँ बस यही रस्ता है
बस यही रस्ता है
हो ओ ओ ओ ओ
मरने का कहते हैं मगर॰ ॰ ॰
मरने का कहते हैं मगर
कोई भी मरता नहीं
शम्मा पे परवाना जलने से डरता नहीं

जान में तूफाँ को कहाँ लाते हैं दिलवाले
लाते हैं दिलवाले
खेलते मौजों से गुज़र जाते हैं दिलवाले
जाते हैं दिलवाले
हो ओ ओ ओ ओ
डर के जो रुक जाये कभी॰ ॰ ॰
डर के जो रुक जाये कभी
पार उतरता नहीं
शम्मा पे परवाना जलने से डरता नहीं

आज से हम तेरे हुये चाहे कोई रोके
चाहे कोई रोके
हमने जो चाहा था वही बात रही हो के
बात रही हो के
हो ओ ओ ओ ओ
दिल से अगर दिल ना मिले॰ ॰ ॰
दिल से अगर दिल ना मिले
प्यार सँवरता नहीं
शम्मा पे परवाना जलने से डरता नहीं
शम्मा पे परवाना जलने से डरता नहीं

Tags: 1961, Mohammed Rafi, Nisar Bazmi, Shola Jo Bhadke, Suman Kalyanpur

Lijiye Dil Ka Nazraana, Lijiye Aankh Ka Shukraana

Posted by: skapur01 on: November 29, 2018

Blog Day :

3786

Post No. :

14769

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 30
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ल’ – लीजिये दिल का नज़राना, लीजिये आँख का शुक्राना ॰ ॰ ॰

– – – –

आवाज़ दे कर हमें तुम बुलाओ ॰ ॰ ॰

Ah yes, that is what the heart desires, but sadly, that will happen no more. . . you are so far away now, that our supplications so sent, do not reach you any more.

– – – –

OK, wow, another gem from the radio listening days. And what a wonderful reminder this song is. The film is ‘Naya Kanoon’ from 1965, and Rafi Sb is accompanied by Asha Bhosle in this song. Given that Madan Mohan is the music director, I am a little surprised that Lata does not figure in this film at all. Eight songs in all, with four female solos, and one duet (this one) – all carry the voice of Asha Bhosle. Possibly this recording may have been done during the time when there was a stand off between Lata ji and Rafi Sb. Still surprising that Madan Mohan did not get Lata to sing even one of the solo songs. Or possibly, other reasons, circumstances may have intervened.

The film is directed by RC Talwar for the banner of Manchanda Productions, Bombay. The main star cast is listed as Ashok Kumar, Vaijayantimala, Bharat Bhushan, Poornima, Nishi, Leela Mishra, Badri Prasad, Kamal Mehra, and Om Prakash among others. There are eight songs in this film, or may be seven, because one song is a multi version song sung as a solo by both Rafi Sb and Asha Bhosle. All songs are from the pen of Hasrat Jaipuri, except one, which is written by Saraswati Kumar Deepak.

On screen, this song is filmed a recording studio song. The two singers – Bharat Bhushan and Vijayantimala, are recording this song in a studio. Or maybe the song is being broadcast live. As we see the three stanzas, there are short visual interludes, and the dresses of the two artistes are different in each stanza. The intervening scenes convey a message as if displaying the rising popularity, as well as prosperity of the singer.

Bharat Bhushan in this 1965 film is a distant call from his heydays of ‘Baiju Baawra’ in 1952. Decidedly not looking any younger, but he is also looking much more morose. As the visual clip starts and the music comes on, the mind gets into position for a fast paced light hearted duet. But the expression on the face of the hero conveys as if he is going to break into “Maayoos To Hoon Waade Se Tere. . .” 🙂 🙂 .

Regardless, a very breezy composition which will tickle a few memories in the minds of radio listeners. Listen and relive those memories.

Audio

Video

Song – Lijiye Dil Ka Nazraana, Lijiye Aankh Ka Shukraana (Naya Kanoon) (1965) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Madan Mohan

Lyrics

lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi

aankh ne dekha to dil ne paa liya
meethi baaton ne hamne behka liya
pyaar mein hum bhi tumhaare ho gaye
tum miley to hum khushi se kho gaye
kadmon mein khada hai deewaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

dil bade armaan se laaya hoon main
ye kali toofaan se laaya hoon main
meri palken jhuk rahi hain laaj se
tum hamaare ho chuke ho aaj se
aaya hai shama ka parwaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

aur bhi duniya mein laakhon chaand hain
aapke aage magar wo maand hain
aur bhi duniya mein laakhon phool hain
aapke aage magar wo dhool hain
haazir hai tumhaara mastaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी

आंख ने देखा तो दिल ने पा लिया
मीठी बातों ने हमने बहका लिया
प्यार में हम भी तुम्हारे हो गए
तुम मिले तो हम खुशी से खो गए
कदमों में खड़ा है दीवाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना

दिल बड़े अरमान से लाया हूँ मैं
ये काली तूफान से लाया हूँ मैं
मेरी पलकें झुक रही हैं लाज से
तुम हमारे हो चुके हो आज से
आया है शमा का परवाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना

और भी दुनिया में लाखों चाँद हैं
आपके आगे मगर वो माँद हैं
और भी दुनिया में लाखों फूल हैं
आपके आगे मगर वो धूल हैं
हाजिर है तुम्हारा मस्ताना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना

Tags: 1965, Asha Bhosle, Bharat Bhushan, Hasrat Jaipuri, Madan Mohan, Mohammed Rafi, Naya Kanoon, Vijayantimala

Raat Andheri Gayi Gayi Gayi

Posted by: skapur01 on: November 16, 2018

Blog Day :

3773

Post No. :

14751

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 29
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘र’ – रात अंधेरी, गई गई गई ॰ ॰ ॰

– – – –

वो जब याद आए, बहुत याद आए ॰ ॰ ॰

Your own words are so prophetic. The memories of your songs, when they descend upon the mind – it is a deluge that covers the mind.

– – – –

Another day, another letter of the alphabet, and another fabulous duet – Rafi Sb and Asha Bhosle.

This song is from the 1960 film ‘Rangeela Raja’. This is a stunt film which was produced under the banner of Diamond Jubilee Films, and was produced and directed by Ismail. The cast of actors in this film is listed as Kumkum, Mahipal, Shashikala, Meenu Mumtaz, Bhagwan, Dhanraj, Jayant, Kammo, Uma Dutt, Chand Burque, Satish, Kesari, Zippy, and Pintu.

Geet Kosh lists eight songs of this film. One song is already showcased here, this is the second song of this film to come on board. All the songs have been penned by Asad Bhopali, and the music director is Pt Shivram. This song sounds like a group dance song which is celebrating some kind of success, emphasized by the opening lines of the song,

raat andheri, gayi gayi gayi gayi
bhor suhaani, bhai bhai bhai bhai

Another wonderful memory from the radio listening days. A zippy pace that picks up speed as the song comes to a close. And a quick mixture of singing voices and the chorus. Delectable creation. 🙂

Song – Raat Andheri Gayi Gayi Gayi (Rangeela Raja) (1960) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Asad Bhopali, MD – Pt Shivram
Asha Bhosle + Mohammed Rafi
Chorus

Lyrics

raat andheri
gayi gayi gayi gayi
bhor suhaani
bhai bhai bhai bhai
chhedo khushi ka taraana
aaya apna zamaana
aaya apna zamaana ji
raat andheri gayi gayi gayi gayi
bhor suhaani bhai bhai bhai bhai
chhedo khushi ka taraana
aaya apna zamaana
aaya apna zamaana ji

aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aa

duniya ka rang badalta hai
koi khush hai koi jalta hai
lall lall lall lall laa ho
lall lall lall lall laa
jalta hai koi to jalne de
tu apni gaadi chalne de
lall lall lall lall laa ho
lall lall lall lall laa
ye hai dhang purana
chhedo khushi ka taraana
aaya apna zamaana ji
hoy raat andheri
gayi gayi gayi gayi
bhor suhaani
bhai bhai bhai bhai
chhedo khushi ka taraana
aaya apna zamaana
aaya apna zamaana ji

aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aaa
aaaa aaaaa aaaa aa

aa pyaar karen ji khul kar ke
kyon nain milaayen darr darr ke
lall lall lall lall laa ho
lall lall lall lall laa
darne ka zamaana beet gaya
koi har gaya koi jeet gaya
lall lall lall lall laa ho
lall lall lall lall laa
chhodo darna daraana
chhedo khushi ka taraana
aaya apna zamaana ji
raat andheri
gayi gayi gayi gayi
bhor suhaani
bhai bhai bhai bhai
chhedo khushi ka taraana
aaya apna zamaana
aaya apna zamaana ji
haa haa haa

raat andheri
gayi gayi gayi gayi
bhor suhani
bhai bhai bhai bhai
chhedo khushi ka taraana
aaya apna zamaana
aaya apna zamaana ji
raat andheri gayi gayi gayi gayi
(aaa haaa haaa haaaa)
bhor suhani bhai bhai bhai bhai
(oho ho ho hooo)
chhedo khushi ka taraana
(aaha haa haa)
aaya apna zamaana
(aaaa aaaa aaaa)
aaya pana zamaana ji

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

रात अंधेरी
गई गई गई गई
भोर सुहानी
भई भई भई भई
छेड़ो खुशी का तराना
आया अपना ज़माना
आया अपना ज़माना जी
रात अंधेरी गई गई गई गई
भोर सुहानी भई भई भई भई
छेड़ो खुशी का तराना
आया अपना ज़माना
आया अपना ज़माना जी

आsss आssss आsss आss
आsss आssss आsss आss
आsss आssss आsss आss
आsss आssss आsss आs

दुनिया का रंग बदलता है
कोई खुश है कोई जलता है
लल्ल लल्ल लल्ल लल्ल ला हो
लल्ल लल्ल लल्ल लल्ल ला
जलता है कोई तो जलने दे
तू अपनी गाड़ी चलने दे
लल्ल लल्ल लल्ल लल्ल ला हो
लल्ल लल्ल लल्ल लल्ल ला
ये है ढंग पुराना
छेड़ो खुशी का तराना
आया अपना ज़माना जी
होय रात अंधेरी
गई गई गई गई
भोर सुहानी
भई भई भई भई
छेड़ो खुशी का तराना
आया अपना ज़माना
आया अपना ज़माना जी

आsss आssss आsss आss
आsss आssss आsss आss
आsss आssss आsss आss
आsss आssss आsss आs

आ प्यार करें जी खुल कर के
क्यों नैन मिलाएँ डर डर के
लल्ल लल्ल लल्ल लल्ल ला हो
लल्ल लल्ल लल्ल लल्ल ला
डरने का ज़माना बीत गया
कोई हार गया कोई जीत गया
लल्ल लल्ल लल्ल लल्ल ला हो
लल्ल लल्ल लल्ल लल्ल ला
छोड़ो डरना डराना
छेड़ो खुशी का तराना
आया अपना ज़माना जी
रात अंधेरी
गई गई गई गई
भोर सुहानी
भई भई भई भई
छेड़ो खुशी का तराना
आया अपना ज़माना
आया अपना ज़माना जी
हा हा हा

रात अंधेरी
गई गई गई गई
भोर सुहानी
भई भई भई भई
छेड़ो खुशी का तराना
आया अपना ज़माना
आया अपना ज़माना जी
रात अंधेरी गई गई गई गई
(आ हा हा)
भोर सुहानी भई भई भई भई
(ओ हो हो हो)
छेड़ो खुशी का तराना
(आ हा हा)
आया अपना ज़माना
(आ आ आ आ)
आया अपना ज़माना जी

Tags: 1960, Asad Bhopali, Asha Bhosle, Mohammed Rafi, Pt Shivram, Rangeela Raja

Ye Bheegi Bheegi Raat Gagan Par Taaron Ki Baraat

Posted by: skapur01 on: October 31, 2018

Blog Day :

3757

Post No. :

14726

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 28
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘य’ – ये भीगी भीगी रात गगन पर तारों की बारात ॰ ॰ ॰

– – – –

हम बेखुदी में तुमको पुकारे चले गए ॰ ॰ ॰

Seems to be like another life time, that we have been waiting, and calling out for you, in the wilderness of nowhere. Alas, but it is not to be. . .

– – – –

Really spoilt for choices with the letter ‘य’. And I settle for this delightful twosome of a song – Geeta Dutt with Rafi Sb. The film is an obscure ‘Doctor Z’ from 1959. Produced and directed by Jaal, the films comes from the banner of Baliwala Films, Bombay. The star cast of this film is listed as Shakeela, Mahipal, Heeralal, Helen, Vinod Diwani, Krishna Kumari, Sundar, Mirza Musharraf, Dalpat, Tuntun, Nasreen, Shetty, Bhudo Advani, Homi, Rusi, Bismillah, Baburao Pehalwan, Radheshyam, Rafiq, Hanuman, Bala Ram, Dhondu, MK Hasan, Karandiker, and Sheetal Kumar.

The film has total of eight songs listed, out which, two songs, as per the Geet Kosh, are probably not released on gramophone records. The songs have been written by Akhtar Romani, and the music is by Manohar. This Manohar is the blind music director Manohar Lal Sonik, who was the senior partner in the team of music director duo – Sonik-Omi.

One song of this film is already present on our blog. It was posted on 9^th Nov, 2011. And today, after almost full seven years, the second song of this film finds its place here.

The singing voices are of Rafi Sb, accompanied by Geeta Dutt. A delightful duet presented as a conversation between lovers, it is quite a treat to hear to this song. Listen and enjoy.

Song – Ye Bheegi Bheegi Raat Gagan Par Taaron Ki Baraat (Doctor Z) (1959) Singer – Geeta Dutt, Mohammed Rafi, Lyrics – Akhtar Romani, MD – Manohar
Geeta Dutt + Mohammed Rafi

Lyrics

ye bheegi bheegi raat
gagan par taaron ki baraat
chali kis paar hai
zara dil par rakh kar haath
bata de aise mein ye baat
ke kitna pyaar hai
ye bheegi bheegi raat
gagan par taaron ki baraat
chali kis paar hai
zara dil par rakh kar haath
bata de aise mein ye baat
ke kitna pyaar hai

o ho ho ho ho ho
o ho ho ho ho ho
o ho ho ho ho ho
ho ho..oo ho ho..oo

bhatke huye musaafir
manzil ko pa hi gaye
ulfat ke do safeene
saahil pea aa hi gaye
bhatke huye musaafir
manzil ko pa hi gaye
ulfat ke do safeene
saahil pea aa hi gaye
main kaise kahoon ye baat
ke aata sapnon mein har raat
koi dildaar hai
zara dil par rakh kar haath
bata de aise mein ye baat
ke kitna pyaar hai

jitna haseen hai mausam
utna hi tu bhi haseen
jee chaahe aaj ruk jaaye
saara zamaana yahin
jitna haseen hai mausam
utna hi tu bhi haseen
jee chaahe aaj ruk jaaye
saara zamaana yahin
de haat mein mere haath
ke chhoote ab na kabhi ye saath
yahi iqraar hai
ye kitni badi hai baat
ke tujhko pyaar hai mere saath
ke du dildaar hai
zara dil par rakh kar haath
bata de aise mein ye baat
ke kitna pyaar hai

ye bheegi bheegi raat
gagan par taaron ki baraat
chali kis paar hai
aa haa
zara dil par rakh kar haath
bata de aise mein ye baat
ke kitna pyaar hai

o ho ho ho ho ho
o ho ho ho ho ho
o ho ho ho ho ho
ho ho..oo ho ho..oo
ho ho..oo ho ho..oo
ho ho..oo ho ho..oo

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

ये भीगी भीगी रात
गगन पर तारों की बारात
चली किस पार है
ज़रा दिल पर रख कर हाथ
बता दे ऐसे में ये बात
के कितना प्यार है
ये भीगी भीगी रात
गगन पर तारों की बारात
चली किस पार है
ज़रा दिल पर रख कर हाथ
बता दे ऐसे में ये बात
के कितना प्यार है

ओ हो हो हो हो हो
ओ हो हो हो हो हो
ओ हो हो हो हो हो
हो होsss हो होss

भटके हुये मुसाफिर
मंज़िल को पा ही गए
उल्फ़त के दो सफीने
साहिल पे आ ही गए
भटके हुये मुसाफिर
मंज़िल को पा ही गए
उल्फ़त के दो सफीने
साहिल पे आ ही गए
मैं कैसे कहूँ ये बात
के आता सपनों में हर रात
कोई दिलदार है
ज़रा दिल पर रख कर हाथ
बता दे ऐसे में ये बात
के कितना प्यार है

जितना हसीं है मौसम
उतना ही तू भी हसीं
जी चाहे आज रुक जाये
सारा ज़माना यहीं
जितना हसीं है मौसम
उतना ही तू भी हसीं
जी चाहे आज रुक जाये
सारा ज़माना यहीं
दे हाथ में मेरे हाथ
के छूटे अब ना कभी ये साथ
यही इक़रार है
ये कितनी बड़ी है बात
के तुझको प्यार है मेरे साथ
के तू दिलदार है
ज़रा दिल पर रख कर हाथ
बता दे ऐसे में ये बात
के कितना प्यार है

ये भीगी भीगी रात
गगन पर तारों की बारात
चली किस पार है
आ हा
ज़रा दिल पर रख कर हाथ
बता दे ऐसे में ये बात
के कितना प्यार है

ओ हो हो हो हो हो
ओ हो हो हो हो हो
ओ हो हो हो हो हो
हो होsss हो होss
हो होsss हो होss
हो होsss हो होss

Tags: 1959, Akhtar Romani, Doctor Z, Geeta Dutt, Manohar, Mohammed Rafi

Mehfil Mein Tere Husn Ka Deewaana Kaun Hai

Posted by: skapur01 on: October 29, 2018

Blog Day :

3755

Post No. :

14721

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 27
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘म’ – महफिल में तेरे हुस्न का दीवाना कौन है ॰ ॰ ॰

– – – –

हम इंतज़ार करेंगे ॰ ॰ ॰

Knowing it is futile – no one returns from where you have gone. But still, the heart knows no other emotion. And so we will wait, till whenever we can.

– – – –

This duet song from the 1962 film ‘Rooplekha’ is a real treat. It is vintage Rafi, sung with that signature ‘खुमारी’ and ‘मस्ती’, the inimitable flavors of sounds that only Rafi Sb could render. When I came across this song while searching for a duet of Rafi Sb starting with ‘म’, I was quite excited. The emotion that ran through my mind was the oft represented thought – how come this song is not yet on the blog. Quite a popular favorite from the radio listening days, it is a wonder that this gem has kept away from our blog. And not that this film is new here – already two songs of this film are showcased here. Both solos, one is a wonderful treat from Suman Kalyanpur – “Tu Ne Chura Li Mere Maathe Ki Bindiya” and a bhajan in the voice of Rafi Sb – “Bahjan Bina Baawre”.

Checking out the Geet Kosh, we find that three films with this same title have been released – in 1934, 1939 and 1962. This 1962 film is produced under the banner of Prithvi Pictures, Bombay and is directed by Mohammed Hussain. The six songs in this film are all written by Farooque Kaiser. And the wonderful compositions are from the mind of Nashaad. Regulars will recall that Nashaad is the pseudonym for Shaukat Ali, aka Shaukat Hussain Dehlavi. His first break in Hindi films as a music director was with the film ‘Naghma’ of 1953. And this break came about in very interesting circumstances. Nakshab Jarchvi, the producer director of this film was trying to engage Naushad Sb as the music director for his film. Certain circumstances prevailed and Naushad Sb declined the offer. Somewhat piqued by this response, Nakshab Sb brought in Shaukat Ali, who was working as assistant music director till then, and gave him charge of the music department for his film. And he also suggested to use the pseudonym ‘Nashaad’, in a likely riposte to Naushad Sb’s refusal.

Coming to the star cast of this film, the Geet Kosh lists the following actors Mahipal, Vijaya Chaudhary, Sundar, Raj Adeeb, Shaam Kumar, Krishna Kumari, Amar, Jeevankala, Madhumati, Rafiq, Munshi Munakka, Mohammad Ali, Ghani, Arvind Kumar, Dhondu, Balram, Nazeer Kashmiri, Shri Bhagwan, Pandey Ji, Ravikant, Shamu, Kathana, and Sujata.

On screen, this song is presented as a mujra dance song – a peculiar one – in that the ‘saazinda’ (musician) accompanying the dancer is leading the singing. We see Mahipal playing the sitar and Vijaya Chaudhry doing the dance sequence. There are two other characters in this scenario. One lady, who I guess is Krishna Kumari, and a gentleman I am not able to place a name to the face. I request other knowledgeable readers and friends to please confirm / correct / add the names for these two artists.

The duet is an exchange of queries and responses between the two artists. Very interesting words, and a very dear composition. The renditions, of course, Rafi Sb and Suman Kalyanpur – one of their best duets in my opinion. Listen and enjoy.

Audio

Video

Song – Mehfil Mein Tere Husn Ka Deewaana Kaun Hai (Rooplekha) (1962) Singer – Mohammed Rafi, Suman Kalyanpur, Lyrics – Farooque Kaiser, MD – Nashaad

Lyrics

aaaaaa aaa aaaaaaaa
aaaaa aaaaa aaa aaaaaaaaa
aaaaaaaaaa aaaa aaaaaaaaa
aaaaaaa aa aaaaaa

mehfil mein tere husn ka
deewaana kaun hai
mehfil mein tere husn ka deewaana kaun hai
mehfil mein tere husn ka deewaana kaun hai
ye shamma jaanti hai ke
parwaana kaun hai
ye shamma jaanti hai parwaana kaun hai
mehfil mein tere husn ka deewaana kaun hai

chhup ke jalna pyaar mein
achha nahin janaab
kis baat ki hai der
ulat dijiye naqaab
aaaaaa aaaaa aaaaaaa
aaaaaaaa aaaaaaaaa
beparda ho ke
pyaar mein jeena fuzool hai
raah e wafa mein shaan se marna qabool hai
aji ab aap hi bataaiye
deewaana kaun hai
ab aap hi bataaiye deewaana kaun hai
deewaana ho ji
parwaana ho ji
mastaana kaun hai
ye shamma jaanti hai parwaana kaun hai
mehfil mein tere husn ka deewaana kaun hai

tum apne dil ka raaz
kahaan tak chhupaaoge
bach ke meri nigaah se
jaane na paaoge
aaaaaaaa aaaaaaaa aaaa
pehchaanti hai meri nazar
sabko meharbaan
sukh chain mera chheen ke
baithe hain wo yahaan
arey dekhenge hum bhi aap ka
mastaana kaun hai
dekhenge hum bhi aap ka mastaana kaun hai
ye shamma jaanti hai ke
parwaana kaun hai
ye shamma jaanti hai parwaana kaun hai
mehfil mein tere husn ka deewaana kaun hai

ye maante hain hum ke
bade badnaseeb hain
oo oo ooo
phir bhi khushi hai hum ko
ke tum se qareeb hain
aaaaaaaa aaaaaaaa aaaa
khul jaaye raaz e dil to
qayaamat na ho kahin
darte hain tum ko hum se
mohabbat na ho kahin
haaye
khul jaaye ye bhi raaz ke
deewaana kaun hai
khul jaaye ye bhi raaz ke deewaana kaun hai
deewaana ho ji
parwaana ho ji
mastaana kaun hai
ye shamma jaanti hai parwaana kaun hai
mehfil mein tere husn ka deewaana kaun hai

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

आsssss आss आssssssss
आssss आssss आss आssssssss
आssssssssss आsss आsssssss
आssssss आs आsssss

महफिल में तेरे हुस्न का
दीवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है
ये शम्मा जानती है के
परवाना कौन है
ये शम्मा जानती है परवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है

छुप छुप के जलना प्यार में
अच्छा नहीं जनाब
किस बात की है देर
उलट दीजिये नकाब
आsssss आssss आssssss
आsssssss आssssssss
बेपरदा हो के
प्यार में जीना फ़ुज़ूल है
राहे वफा में शान से मरना कबूल है
अजी अब आप ही बताइये
दीवाना कौन है
अब आप ही बताइये दीवाना कौन है
दीवाना हो जी
परवाना हो जी
मस्ताना कौन है
ये शम्मा जानती है परवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है

तुम अपने दिल का राज़
कहाँ तक छुपाओगे
बच के मेरी निगाह से
जाने ना पाओगे
आsssssss आsssssss आsss
पहचानती है मेरी नज़र
सबको मेहरबान
सुख चैन मेरा छीन के
बैठे हैं वो यहाँ
अरे देखेंगे हम भी आपका
मस्ताना कौन है
देखेंगे हम भी आपका मस्ताना कौन है
ये शम्मा जानती है के
परवाना कौन है
ये शम्मा जानती है परवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है

ये मानते हैं हम के
बड़े बदनसीब हैं
ओ ओ ओsss ओssss
फिर भी खुशी है हमको
के तुम से करीब हैं
आsssssss आsssssss आsss
खुल जाये राज़े दिल तो
क़यामत ना हो कहीं
डरते हैं तुमको हमसे
मोहब्बत ना हो कहीं
हाए
खुल जाये ये भी राज़ के
दीवाना कौन है
खुल जाये ये भी राज़ के दीवाना कौन है
दीवाना हो जी
परवाना हो जी
मस्ताना कौन है
ये शम्मा जानती है परवाना कौन है
महफिल में तेरे हुस्न का दीवाना कौन है

Tags: 1962, Farooque Kaiser, Krishna Kumari, Mahipal, Mohammed Rafi, Nashaad, Rooplekha, Suman Kalyanpur, Vijaya Chaudhry

Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na

Posted by: skapur01 on: October 11, 2018

Blog Day :

3737

Post No. :

14689

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 26
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘भ’ – भैया रे भैया नैया छूआओ ना’ ॰ ॰ ॰

– – – –

चंदा का दिल टूट गया
के रोने लगे हैं सितारे ॰ ॰ ॰

कुछ ऐसा ही हुआ था उस दिन, जिस दिन तुम्हारे कूच की खबर आई थी॰ ॰ ॰

[Something as such, happened that fateful day, when the news of you departure came. . .]

– – – –

Today’s song is a wonderfully crafted song. And is euqally well performed and filmed.

The scenario is familiar – Shri Ram, accompanied by Sita ji and Lakshman, are travelling on foot, after departing from Ayodhya, for their sojourn of 14 years in the forest. They come to Shringverpur on the banks of river Ganga. To cross the river, Shri Ram requests the boatman to ferry them in a boat. Kevat, the boatman, at first refuses to ferry them. He has heard of the incident at the deserted ashram of Gautam Rishi, where by the mere touch of the dust from the feet of the Lord, Sati Ahilya who had been cast into stone by the curse of her husband, Gautam Rishi, came to life once again. Kevat cites that incident, and expresses apprehension that if by the touch of the dust from the feet of the Lord, his boat made of wood, would also come to life in the form of a lady, then what would become of him. Not just that he would lose his only source of income, and the only occupation he knows, he would have the additional burden of another member added to the family.

Much to the chagrin of Lakshman, Kevat dithers and dilly-dallies. And then he agrees on one condition – that the Lord should permit him to wash His feet, ostensibly to wash off any dust from the divine feet, and only then allow the trio to step on to his boat.

This event from the Ramayan is well known. It is so beautifully presented here in this song. The film is ‘Bharat Milap’ from 1965. The verses of this song are penned by Bharat Vyas, and the music is from the mind of Vasant Desai. The words are so beautifully crafted and the verses are embellished – अलंकृत is the word. The melodic construction is also very pleasing. It is a quick paced song, based on the folk music of the rural North India. The singing voices are of Rafi Sb and Kamal Barot.

On screen, the song is performed by Sunder, and a lady actor I am not able to identify and name. I request knowledgeable readers and friends to please help make the identification. The duo is accompanied by other members of the village community, and the song is presented as a group dance.
[Note: Thanks to Pramod ji and Prakash ji, the lady dancers are identified as Jeevankala, Manjula, Sheela Ramchandra, Aruna.]

The other main players in this scene are Shri Ram, Sita ji and Lakshman. Indrani Mukherjee plays the role of Devi Sita. As per IMDB listing of cast and crew, ~~Anand~~ Ashish Kumar plays the role of Ram. As far as Lakshman, I am not able to identify and name the actor playing that role.
[Note: Thanks to Pramod ji for correction to the name of he actor in the role of Ram.]

All in all, a very lilting, very pleasing and a very energetic presentation. Lovely song.

Audio

Video

Song – Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na (Bharat Milap) (1965) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Bharat Vyas, MD – Vasant Desai
Male Chorus
Female Chorus
All Chorus

Lyrics

dhum tak
hey tak dhum tak
dhum tak
hey tak dhum tak
ho taa naa dere naa dere naa taa naa dere naa
hoooom
ho taa naa dere naa dere naa taa naa dere naa

uhun aahoon uhun aahoon uhun aahoon uhun aahoon

bhaiya re bhaiya re bhaiya ho..oo

dhum tak
hey tak dhum tak

ho bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan se ye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
oho oho oho oho oho..oo
hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
daiya daiya daiya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
hey hey bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
hmmmmmm
arey haa..aan
bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
ehe ehe ehe..ae
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
peechhe naiya mein bithaio
peechhe naiya mein bithaio
e he he bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
dhum tak tak
dhum tak
dhum tak
o tak dhum tak

oo oo ooo ooooooo
ooooooo oooooooooo
ooooooooo ooooooooooo
hum bhi kevat prabhu
tum bhi kevat ho to
bhaichaara hum se nibhaio
prabhu ji bhaichaara hum se nibhaio
oo ooo ooo
nadiya ke paar
nadiya ke paar lagaayen tumhen tum
hum ko bhi paar lagaiyo
haaaaye hum ko bhi paar lagaiyo
bhav saagar se paar lagaiyo
ho ho
bhav saagar se paar lagaiyo
e he he bhaiya re bhaiya re bhaiya ho ho..oo
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
oo oo ooo ooooooo

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

धुम तक
हे तक धुम तक
धुम तक
हे तक धुम तक
हो ता ना देरे ना देरे ना ता ना देरे ना
हूम
हो ता ना देरे ना देरे ना ता ना देरे ना

उहूं आहूँ उहूं आहूँ उहूं आहूँ उहूं आहूँ

भैया रे भैया रे भैया हो॰॰ओ

धुम तक
हे तक धुम तक

भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
ओहो ओहो ओहो ओहो ओहो॰॰ओ
हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
दैय्या दैय्या दैय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
हे हे भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
हम्ममममम
अरे हाँ॰॰आँ
भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
ऐहे ऐहे ऐहे॰॰ऐ
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
ऐ हे हे भैया रे भैया रे भैया हो॰॰ओ
धुम तक तक
धुम तक
धुम तक
ओ तक धुम तक

ओ ओs ओss ओsssssss
ओssssss ओsssssssss
ओssssssss ओssssssssss
हम भी केवट प्रभु
तुम भी केवट हो तो
भाईचारा हम से निभईओ
प्रभु जी
भाईचारा हम से निभईओ
ओ ओss ओss
नदिया के पार
नदिया के पार लगाएँ तुम्हें तुम
हम को भी पार लगईओ
हाए हम को भी पार लगईओ
भव सागर से पार लगईओ
हो हो भव सागर से पार लगईओ
ऐ हे हे भैया रे भैया रे भैया हो हो॰॰ओ
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
ओ ओs ओss ओsssssss

Tags: 1965, Aruna, Ashish Kumar, Bharat Milap, Bharat Vyas, Indrani Mukherjee, Jeevankala, Kamal Barot, Mohammed Rafi, Sheela Ramchandra, Sheela Ramchandran, Sunder, Vasant Desai

Baanke Teerandaaz Jaan Le Le Na Ho Naraaz

Posted by: skapur01 on: October 4, 2018

Blog Day :

3730

Post No. :

14674

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 25
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

फ

‘ब’ – बाँके तीरंदाज़ जान ले ले ना हो नाराज़ ॰ ॰ ॰

– – – –

अभी ना जाओ छोड़ कर
के दिल अभी भरा नहीं॰ ॰ ॰

कब तक हम यही कहते रहें, आप तो छोड़ कर वहाँ चले गए, जहां हमारी आवाज़ भी नहीं पहुँचती।

[Pray till when do we keep saying this, you have left and gone to a place where our voice does not reach you]

– – – –

Skipping the letter ‘फ’ – no more songs available as applicable this series, starting with this letter. We come to ‘ब’.

This song from the obscure 1958 film ‘Sun To Le Haseena’, is an unfamiliar but a very lovely melody from the mind of S Mohinder. The film is a social drama coming from the famous Filmistan Studios, Bombay, and is directed by SP Bakshi. The Geet Kosh lists seven songs for this film. These seven songs are written by four songwriters – Saarshaar Sailiaani, Rahil Gorakhpuri, Anand Bakshi and Kaif Irfani. Today’s song is penned by Anand Bakshi. The music director is S Mohinder. Singing voices are of Rafi Sb and Asha Bhosle.

The cast of actors for this film is listed as Shashikala, Ravindra Kapoor, Agha, P Kailash, Badri Prasad, Randhir, Gulab, Sabita Chatterjee, Kanu Rai, Manju, Manohar Geer, Vitthal Das Panchotia, Madhu Apte, Ramlal, Leela, Bazid Khan, Rajeshwar Singh, Noor, Chandramohan, Pathak, Shantaram, Ravi Tandon, Sundar, Pal.

The leading man Ravindra Kapoor, younger brother of actor Kamal Kapoor, belongs to the Kapoor family, and is a first cousin of Prithviraj Kapoor. Folks will remember Nasir Hussain’s 1971 film ‘Caravan’. In this film, Jeetendra has two assistants / cleaners in his truck business. One is Junior Mehmood, and the other is Ravindra Kapoor. Ravindra Kapoor did not make a successful and popular career in Hindi films as a leading hero. However, he was quite a hit in Punjabi films in 1960s, and was a very popular leading man in that time. Some of his Punjabi films include ‘Sherni’ (1973), ‘Kankan De Ohle’ (1970), ‘Dupatta’ (1969), ‘Mukhra Chan Warga’ (1969), ‘Paun Baran’ (1969), ‘Punjabi Munda’ (1968), ‘Pind De Kuri’ (1967), ‘Khed Preetan Di’ (1967), ‘Neem Hakeem’ (1967), ‘Kunwari’ (1966), ‘Gabroo Desh Punjab De’ (1966), ‘Laiye Tod Nibhaiye’ (1966), ‘Shokan Mele Di’ (1965), ‘Saat Saaliyan’ (1964), ‘Mere Haaniyan’ (1963), ‘Pardesi Dhola’ (1959), ‘Chambe Di Kali’ etc.

From 1970 onwards, he is known better by the name Goga Kapoor. In Hindi films, as per the Geet Kosh listings (till 1980), he has appeared in 20 films (there are more films listed post 1980 when we check online), of which about 7 or 8 are as leading man, opposite to heroines like Shashikala, Ameeta and Indrani Mukherjee. In the remaining appearances, he is in character artist roles. In his later years, he was doing more villain and gangster type roles. He passed away in 2011.

[Author’s Note: The above deletion is made based on the error pointed out by Shri Bhim Garg ji in the comments below. Additional details below are provided by our own Arun ji. Ravindra Kapoor and Goga Kapoor are indeed two different personalities.]

Some details about Ravindra Kapoor and Goga Kapoor, as provided by Arun ji Deshmukh.

Ravindra Kapoor
Ravindra Kapoor was born in Lahore. He was the younger brother of actor Kamal Kapoor and the first cousin of Prithviraj Kapoor. He is well known for ‘Hum Kisise Kum Naheen’ (1977), ‘Kankan De Ohle’ (1970) and ‘Caravan’ (1971).
In the later years he migrated to Columbus, Ohio, USA.

Goga Kapoor
Goga Kapoor was an actor and director, known for ‘Coolie’ (1983), ‘Zanjeer’ (1973) and ‘Kalyug Ke Avtaar’ (1995). He died on March 3, 2011 in Malad, Maharashtra, India.

He made his debut with ‘Jwala’ which got delayed almost by a decade and released in 1971. BR Chopra cast him in the role of Kans Mama in his epic series Mahabharat 1988. Known for his great voice he worked in numerous film in negative and supporting roles. He is best remembered for his character of Anthony Gomes in ‘Kabhi Haan Kabhi Naa’ 1994 which also remains his personal favorite.

The song is sung by Rafi Sb and Asha Bhosle. It is a lively nok-jhonk exchange between lovers. Only the audio of this song is available, so it is not possible say who has sung it on screen. It could be Ravindra Kapoor and Shashikala, or it could be Agha, and one of the supporting ladies. I request other knowledgeable readers and friends to please add more information about this song and this film, if available.

Listen to this racy song. Peevesie’s Mom commented earlier today that “. . . josh which only Mohd. Rafi could bring to a song no matter who is lip syncing.” So true, the one and only Rafi Sb.
Enjoy this song.

Song – Baanke Teerandaaz Jaan Le Le Na Ho Naraaz (Sun To Le Haseena) (1958) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Anand Bakshi, MD – S Mohinder

Lyrics

hoy baanke teerandaaz
jaan le le na ho naraaz
o baanke teerandaaz
jaan le le na ho naraaz
nazron waala teer
maar dil chiir
chhod ye naaz
arre jaa re dhokhebaaz
maut ko de na tu awaaz
arre jaa re dhokhebaaz
maut ko de na tu awaaz
kar doongi main shor
chhed na aur
baaz aa baaz
arre waah re waah
baanke teerandaaz
jaan le le na ho naraaz

maan bhi ja ik baar mila ke aankh zara tu has de
chaahe phir apni zehreeli zulfon se tu das de
haaye das de das de das de
oy
yun na mujhko tok
raasta tu na mera rok
yun na mujhko tok
raasta tu na mera rok
kar doongi main shor
chhed na aur
baaz aa baaz
achha
baanke teerandaaz
jaan le le na ho naraaz

door door se baat mohabbat waali kar le kar le
mujhse kuchh na poochh tujhe marna hai to le mar le
arre mar le mar le mar le
arre waah re waah
waah meri sarkaar
rooth ke hoga kaise pyaar
waah meri sarkaar
rooth ke hoga kaise pyaar
nazron waala teer
maar dil chiir
chhod ye naaz
hoy jaa re dhokhebaaz
maut ko de na tu awaaz

haaye ghazab ki cheez hai tu kyon tadpaaye tarsaaye
yun na mujhko ghoor mujhe kuchh ho na jaaye haaye
aji haaye haaye haaye haaye
haaye haaye
o sadqe main qurbaan
chhod sharmaana meri jaan
o sadqe main qurbaan
chhod sharmaana meri jaan
nazron waala teer
maar dil chiir
chhod ye naaz
jaa re dhokhebaaz
maut ko de na tu awaaz
jaa re dhokhebaaz
maut ko de na tu awaaz

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

होय बाँके तीरंदाज़
जान ले ले ना हो नाराज़
ओ बाँके तीरंदाज़
जान ले ले ना हो नाराज़
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
अरे जा रे धोखेबाज़
मौत को दे ना तू आवाज़
अरे जा रे धोखेबाज़
मौत को दे ना तू आवाज़
कर दूँगी मैं शोर
छेड़ ना और
बाज़ आ बाज़
अरे वाह रे वह
बाँके तीरंदाज़
जान ले ले ना हो नाराज़

मान भी जा इक बार मिला के आँख ज़रा तू हस दे
चाहे फिर अपनी जहरीली ज़ुल्फों से तू डस दे
हाए डस दे डस दे डस दे
ओय
यूं ना मुझको टोक
रस्ता तू ना मेरा रोक
यूं ना मुझको टोक
रस्ता तू ना मेरा रोक
कर दूँगी मैं शोर
छेड़ ना और
बाज़ आ बाज़
अच्छा
बाँके तीरंदाज़
जान ले ले ना हो नाराज़

दूर दूर से बात मोहब्बत वाली कर ले कर ले
मुझसे कुछ ना पूछ तुझे मारना है तो ले मर ले
अरे मर ले मर ले मर ले
अरे वाह रे वाह
वाह मेरी सरकार
रूठ के होगा कैसे प्यार
वाह मेरी सरकार
रूठ के होगा कैसे प्यार
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
होय जा रे धोखेबाज़
मौत को दे ना तू आवाज़

हाए ग़ज़ब की चीज़ है तू क्यों तड़पाये तरसाये
यूं ना मुझको घूर मुझे कुछ हो ना जाये हाए
अजी हाए हाए हाए हाए
हाए हाए
ओ सद्क़े मैं क़ुरबान
छोड़ शरमाना मेरी जान
ओ सद्क़े मैं क़ुरबान
छोड़ शरमाना मेरी जान
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
जा रे धोखेबाज़
मौत को दे ना तू आवाज़
जा रे धोखेबाज़
मौत को दे ना तू आवाज़

Tags: 1958, Anand Bakshi, Asha Bhosle, Mohammed Rafi, S Mohinder, Sun To Le Haseena

Pyaar Ki Baaten Koi Na Jaane Yaad Teri Phir Aaye

Posted by: skapur01 on: October 3, 2018

Blog Day :

3729

Post No. :

14672

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 24
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

ढ ण

‘प’ – प्यार की बातें कोई ना जाने याद तेरी फिर आए ॰ ॰ ॰

– – – –

पल दो पल का साथ हमारा, पल तो पल के याराने हैं
इस मंज़िल पर मिलने वाले
उस मंज़िल पर खो जाने हैं

Yes, we know, and we realize it. But still, it does seem that this साथ was not even justified as दो पल or even one. खो जाने वाली मंज़िल, कुछ बहुत ही जल्दी आ गई. . .

– – – –

Skipping the letters ‘ढ’ and ‘ण’ –
‘ढ’ – very few songs starting with this letter – either all used, or not applicable to this series.
‘ण’ does not have any song starting with this letter. Made a very interesting discovery as I browsed the Hindi dictionary for words starting with ‘ण’. There is only one word that starts with this letter. More interestingly, the letter itself has uses as a monosyllabic word, and has at least 10 meanings associated. Wow.

So we come to the letter ‘प’ today. And here is a wonderfully lovely song to go with it.

Today’s episode of this series brings up the second song of the film ‘Magic Carpet’ (1964), one of the ‘jaadugar sainyaan’ category of films, which were a popular genre in the 1950s and 60s. Although classified as B/C grade films, this category of films had their own distribution circuits, their own cinema halls where they were exhibited, and a very loyal coterie of audience who would not let go even one of this category without a visit.

The film is produced by AM Bhanji under the banner of Unique Pictures, Bombay and is directed by Babubhai Mistry. In the Geet Kosh, the cast of actors is listed as a very short list – Chitra, Azaad, BM Vyas and Bhagwan. The additional names of actors in this film, as taken from the casting credits in the film (that has now become thankfully available in public domain), are Bela Bose, Dalpat, Bimla Kashmiri, Kesri, Aroon, Maqbool, Radhe Shyam, Arvind Kumar, Mehroo Bai, Bakshi, Master Kishore, Kalla, Rafiq, Sandow, MD, Dawood, Amir, Musa, Julian, Khalil, Rehman, Salim, Zippy and Nagina.

Geet Kosh lists five songs for this film, penned by four poets, Jia Dehlavi, Shakeel Nomaani, Aish Farooqi and Farooque Kaiser. This song is written by Shakeel Nomaani. The music – by Ram Prasad. Yes, he is the same Ram Prasad Sharma, father of Pyaarelal (of Lxmikant Pyaarelal duo) and Ganesh. A brief about this music director is included in the post for the song “Antul Habi Ke Dekho Kabhi. . .“.

The singing voices are of Rafi Sb and Asha Bhosle. On screen, we see this song initiated by Bhagwan Dada, and a lady, whose name, if I may hazard a guess, is Bimla Kashmiri. I could be wrong, and I welcome inputs from more knowledgeable readers and friends, to correct or confirm this guess.

As the song progresses, we also see Azaad and Chitra in the clip. Majority of the performance of the song is by Bhagwan and Bimla Kashmiri. Azaad does not appear to lip sync any of the lines, but Chitra does take up lip syncing in one of the stanzas. So in all, the onscreen performance and mapping to the playback voices, is kind of mixed up in this song.

And so, this song brings up the 24^th episode in this series. Listen and enjoy.

Audio

Video

Song – Pyaar Ki Baaten Koi Na Jaane Yaad Teri Phir Aaye (Magic Carpet) (1964) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Shakeel Nomaani, MD – Ram Prasad
Mohammed Rafi + Asha Bhosle

Lyrics

pyaar ki baaten koi na jaane
yaad teri phir aaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

dil ko teri tirchhi nazar ne
de diya hai sahaara
dil ko teri tirchhi nazar ne
de diya hai sahaara
jaao aji jhoothe kahin ke
tum na samjhe ishaara
hum shama aur tum parwaane
raaz na khulne paaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

kaabu ab dil par nahin hai
gaa rahi hain bahaaren
kaabu ab dil par nahin hai
gaa rahi hain bahaaren
jaise tujhe dulhan banaane
aa rahi hain bahaaren
door ka jalwa dil na maane
dil se nikle haaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
pyaar ki baaten koi na jaane
yaad teri phir aaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

dekho mujhe aise na dekho
kya kahega zamaana
dekho mujhe aise na dekho
kya kahega zamaana
jaayen kahaan teri gali se
koi nahin hai thikaana
meri ada ke o deewaane
kaun tujhe samjhaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्यार की बातें कोई ना जाने
याद तेरी फिर आए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

दिल को तेरी तिरछी नज़र ने
दे दिया है सहारा
दिल को तेरी तिरछी नज़र ने
दे दिया है सहारा
जाओ अजी झूठे कहीं के
तुम ना समझे इशारा
हम शमा और तुम परवाने
राज़ ना खुलने पाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

काबू अब दिल पर नहीं है
गा रही हैं बहारें
काबू अब दिल पर नहीं है
गा रही हैं बहारें
जैसे तुझे दुल्हन बनाने
आ रही हैं बहारें
दूर का जल्वा दिल ना माने
दिल से निकले हाए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
प्यार की बातें कोई ना जाने
याद तेरी फिर आए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

देखो मुझे ऐसे ना देखो
क्या कहेगा ज़माना
देखो मुझे ऐसे ना देखो
क्या कहेगा ज़माना
जाएँ कहाँ तेरी गली से
कोई नहीं है ठिकाना
मेरी अदा के ओ दीवाने
कौन तुझे समझाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

Tags: 1964, Asha Bhosle, Azaad, Bhagwan, Chitra, Magic Carpet, Mohammed Rafi, Ram Prasad, Shakeel Nomaani

Daal Bhi De Zulfon Ki Chhaon

Posted by: skapur01 on: September 21, 2018

Blog Day :

3717

Post No. :

14650

Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 23
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ड’ – डाल भी दे ज़ुल्फों की छाँव ज़ालिमा धूप चढ़ी जाये ॰ ॰ ॰

– – – –

दिल तोड़ने वाले, तुझे दिल ढूंढ रहा है
आवाज़ दे तू कौन सी नगरी में छुपा है

But maybe not. जिस नगरी में तुम चले गए हो, वहाँ से आवाज़ इधर नहीं आ सकती। The only sound that remains is the recordings available,

– – – –

Now this song today has a very interesting peculiarity, that was brought to our group’s notice by Bakshish Singh ji. I will come that shortly.

Today’s song, another vintage Chitragupt creation, which has remained kind of obscure and unfamiliar to the listening public. In its time, the music of this film was quite popular on the radio, especially the Mukesh song “Babam Babam Bam Bam Lehri” and the Kamal Barot song “Suna Hai Jabse Mausam Hai Pyaar Ke Kaabil”. The song presented in this post was also heard on the radio, but now it has been unheard for a long time.

Ramu Dada is a film by Sheikh Mukhtar. It is directed by Adarsh for the banner of Adarshlok, Bombay. The main star cast is listed as Sheikh Mukhtar, Jaimala, Prince Saleem, Honey Irani, Sapru, Nilofer, Rajan Haksar, Jagdish Shrivastav and Chand Usmani etc. In this, the name Prince Saleem is the same person as Salim Khan that we are more familiar with – part of the Salim-Javed team of story writers (‘Sholay’ (1975) et al.), father of actor Salman Khan.

Geet Kosh lists 9 songs of this film. Three of these are already showcased on our blog. This post brings on board the fourth song of this film. All the songs are penned by Majrooh Sb and the music is composed by Chitragupt. In this song, Rafi Sb’s voice is accompanied by the voice of Lata ji. On screen, this song is performed by Salim Khan and Jaimala.

Now coming to the interesting peculiarity of this song. This song is one of those that has a slight variation in between the audio and video versions; or in other words, in between the 78 rpm recording and the recording actually filmed. Readers will recall that I discussed another such song earlier in the year – “Rangeen Bahaaron Se Hai Gulzaar China Town” from the 1962 film ‘Chinatown’. This song has a similar peculiarity. The verses noted in the lyrics section below are based on the audio version of this song, taken from the 78 rpm record. That version also supplies the title line for this post, and that is because the Geet Kosh takes this as the original wording for listing. The lines of the mukhda of this song has been modified in the video version.

The mukhda in the audio version is worded as,

Male Voice:
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
Female Voice:
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

In the video version filmed, the mukhda is worded as

Male Voice:
daal bhi de palkon ki chhaaon
zaalima dhoop chadhi jaaye
Female Voice:
lo na sanam palkon ka naam
preet mein reet badhi jaaye

Please listen to the mukhda rendition in the two versions. When we listen to the audio version, it sounds very normal and correct, nothing is amiss. However, when we listen to the video version, the lines of the mukhda rendition sound somewhat altered and out of sync with the music. The most likely explanation is that these lines have been overlaid on to an earlier version of this song. Meaning that the song was filmed with the version that is present on the 78 rpm records. Then for some reason (unknown at this time), the mukhda lines were re-recorded with the sight variation in words, and then this recording was carefully dubbed onto the existing celluloid reels. However, the dubbing is not perfect. We can clearly make out a slight variation in the pace of music for these lines. And careful examination will also show that the lip sync for the mukhda lines is out of sync.

Having established this variation, however I have not been able to locate any information as to why this change was made, why was this change was so essential and necessary. I request friends and readers to add more information regarding the why of this change.

Meanwhile, check out these variant versions of the song.

(Audio – . . .zulfon ki chhaon. . .)

(Video – . . .palkon ki chhaon. . .)

Song – Daal Bhi De Zulfon Ki Chhaon (Ramu Dada) (1961) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Chitragupt

Lyrics (based on the audio version)

daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

kaahe tera
jalta dil hai bechara
aata nahin
aanchal haath tumhaara
kaahe tera
jalta dil hai bechara
aata nahin
aanchal haath tumhaara
ye rangeen ghata
paa ke hawa
udti jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye

ye kya hua
uljhi chaal tumhaari
dekho na ji
latt phir bikhri hamaari
ye kya hua
uljhi chaal tumhaari
dekho na ji
latt phir bikhri hamaari
na kyun jaaye bikhar
ham se nazar
ladti jaaye
ke daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

duniya kahe
sajna pyaar bura hai
yehi na ho
to ye duniya bhi kya hai
duniya kahe
sajna pyaar bura hai
yehi na ho
to ye duniya bhi kya hai
ye main dekh rahi
chaah teri
badhti jaaye
ke lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये

काहे तेरा
जलता दिल है बेचारा
आता नहीं
आँचल हाथ तुम्हारा
काहे तेरा
जलता दिल है बेचारा
आता नहीं
आँचल हाथ तुम्हारा
ये रंगीन घाटा
पा के हवा
उड़ती जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये

ये क्या हुआ
उलझी चाल तुम्हारी
देखो ना जी
लट फिर बिखरी हमारी
ये क्या हुआ
उलझी चाल तुम्हारी
देखो ना जी
लट फिर बिखरी हमारी
ना क्यों जाये बिखर
हमसे नज़र
लड़ती जाये
के डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये

दुनिया कहे
सजना प्यार बुरा है
येही ना हो
तो ये दुनिया भी क्या है
दुनिया कहे
सजना प्यार बुरा है
येही ना हो
तो ये दुनिया भी क्या है
ये मैं देख रही
चाह तेरी
बढ़ती जाये
के लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये

Tags: 1961, Chitragupt, Jaimala, Lata Mangeshkar, Majrooh Sultanpuri, Mohammed Rafi, Ramu Dada, Salim

Older Entries

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi duets अ से ह तक’ Category

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Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na

Baanke Teerandaaz Jaan Le Le Na Ho Naraaz

Pyaar Ki Baaten Koi Na Jaane Yaad Teri Phir Aaye

Daal Bhi De Zulfon Ki Chhaon

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