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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mehmaan


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3783 Post No. : 14765

With the advent of talkies in 1931, many new actors joined the Hindi film industry in the 1930s in addition to those who had switched over from silent films. While some actors became successful and remained active in the film industry for a long time, an overwhelming majority of actors could not be sustained for longer period in the film industry. Within this category, there were some actors who became successful in their initial stages of the filmy career, but lost the momentum of success in their later stage. While they remained active in the film industry for reasonable period, they went into oblivion and thus forgotten after the end of their filmy career.

Rama Shukul was one of such actors who despite talent and age on his side could remain active only for a decade or so. Thereafter he made some sporadic appearances films in minor roles for about another decade. Today, he has been forgotten to such an extent that no basic information about him is available on the internet other than his incomplete filmography. Luckily, I could lay my hand on an article written by Hyacinth (pseudo name of Susheela Rani) on Rama Shukul in Filmindia magazine (September 1942) based on her inter-actions with him sometime in 1942. I could also update his filmography and other information from various issues of Filmindia magazines of 1938 to 1949 and thereafter from the website, myswar.co. I also watched his four films – ‘Bhabhi’ (1938), ‘Navjeevan’ (1939), ‘Durga’ (1939) and ‘Aazaad’ (1940) which are available online to get a feel of his acting. I found Rama Shukul to be a natural actor. He looked like a seasoned actor even in his first film ‘Bhabhi’ (1938).

Rama Shukul was born in Jabalpur to Badri Prasad Shukul and Sushila Shukul in a wealthy family. His father was the District Superintendent of Police in Central Province (presently the parts of Madhya Pradesh, Chhatishgarh, Odisha and Maharashtra). Rama Shukul was the only son and therefore was pampered a lot by his father. Whenever his father was transferred, he would take with him Rama Shukul. As a result, his education was affected. He completed his Matriculation and was enrolled in Robertson College, Jabalpur for graduate study. The pampering of his father was such an extent that he gifted a car for his son to travel to the college. The whole idea of his father was to keep Rama Shukul interested in studies. However, he was more interested in sports and acting than the studies.

Rama Shukul was the college champion for three years in a row in tennis and was in the college teams for cricket, hockey and volleyball. In 1935, he participated in the Inter-Collegiate Drama Competition at Banaras Hindu University where he received the trophy for the best actor in the role of Hamlet in the drama. His father wanted to send him to England for ICS or for becoming a barrister. But Rama Shukul could barely complete his Senior Cambridge. Looking at his son’s interest in sports, his father arranged for a job for him as an Assistand Director of Physical Culture in the State at Nagpur. But the young Rama Shukul refused to accept the job saying that he was going to become a film actor. His father lost all hopes of shaping his bright career.

In 1938, Rama Shukul came to Bombay (Mumbai) to pursue an acting career in the films. But to get into the film studios, one must have reference but Rama Shukul did not have any in Mumbai. He had one friend in Mumbai, Fazal Chinoy. His father, Sir Rahimtula Chinoy was the promoter of the Indian Radio Company and the Director of the Imperial Bank of India (now State Bank of India). He was also a former member of the Indian Legislature Assembly. With his influence, Rama Shukul could get an appointment with Sir Richard Temple, the Managing Director of Bombay Talkies.

Sir Richard was impressed with his educational background. He introduced Rama Shukul to Himanshu Rai who agreed to take him as an actor. He signed a contract with Bombay Talkies in September 1938 and made it to ‘Bhabhi’ (1938) as his first film in a villainous role. The film was a box office success. In the film’s review published in ‘Filmindia’, Baburao Patel praised his acting by saying that ‘Rama Shukul is a good addition to the Indian screen. In the role of Anupam – the main obstacle in the whole scheme, he turns out to be a successful nuisance’.

Rama Shukul worked for Bombay Talkies for about 2 years during which time he acted in lead roles with Hansa Wadkar in ‘Navjeevan’ (1939) and with Devika Rani and Hansa Wadkar in ‘Durga’ (1939). In ‘Aazaad’ (1940), though Ashok Kumar and Leela Chitnis had lead roles, it was Rama Shukul pairing with Hansa Wadkar who had major presence in the film.

When he was to work opposite Devika Rani in his 5th film in Bombay Talkies, Himanshu Rai died. His death was a great shock to Rama Shukul due to his personal attachment. He was regarded as a blue-eyed boy of Himanshu Rai. Many in the Bombay Talkies had developed dislike for him as they felt that he was pampered by the boss of the Bombay Talkies. In this milieu, Rama Shukul could not continue in the Bombay Talkies for long.

His next destination was Ranjit Movietone where he acted in the second lead role in ‘Iqraar’(1942). This was followed by ‘Mehmaan’ (1942), ‘Fariyaad’ (1942) and ‘Dukh Sukh’ (1942). However, none of these films made much impact on the box office front. From 1943, he became a free-lance artist and acted in the second lead in Ramnik Productions’ ‘Dulhan’ (1943), ‘Kiran’ (1944), and ‘Gaon Ki Gori’ (1945).

By this time, his status as an actor seems to have come down from second lead actor to one among the supporting actors. In this category, he worked in Filmistan’s ‘Eight Days’ (1946) and ‘Shikari’ (1946). This was followed by ‘Mulaaqat’ (1947), ‘Shikaayat’ (1948) and ‘Meherbaani’ (1950).

After 1950, the filmy assignments of Rama Shukul seem to have dwindled significantly. His name started appearing in ‘other actors’ like in ‘Shamsheer’ (1953), ‘Sardaar’ (1955) and ‘Sitaaron Se Aage’ (1958). ‘Madhu’ (1959) was Rama Shukul’s last film as an actor when he may be around 45 years of age. I could not get any information as to how he spent rest of his life after 1959.

Despite being recognised as one of the fine actors of the 1940s, Rama Shukul had an active filmy career of about 10 years (1938-48). During his entire career, he acted in 20 films.

I am presenting ‘zara dheere ho zara dheere’ from ‘Mehmaan’ (1942) sung by Shamim Bano and Rama Shukul. The song is written by Pandit Indra and is set to music by Khemchand Prakash. This duet is actor-singer songs and is the 5th song to appear in the Blog.

Although HFGK credits the male voice in the song to Rama Shukul, in my view, it may not be his voice when I compare his voice in the songs in ‘Navjeevan’ (1939) and ‘Durga’ (1939). My hunch is that the male voice in this song may be of Bulo C Rani based on his rendition of ‘rootthna pyaar mein karwat ka badal jaana hai’ from the same film. I request the opinions from the experts on my presumption.

For the time being, however, I have retained the name of Rama Shukul as the male singer in the video caption of the song.

I find this song a sweet expression of love.


Song-Zara dheere ho zara dheere(Mehmaan)(1942) Singers-Shamim Bano, Rama Sukul, Lyrics-Pt Indra Chandra, MD-Khemchand Prakash
Both

Lyrics

zara dheere ho zara dheere
zara dheere ho zara dheere
zara dheere ho zara dheere
zara dheere ho zara dheere
saajanwa
saajaniya
saajanwa
saajaniya
zara dheere dheere
zara dheere dheere
jhoola na ho
mora naazuk jiya behlaana
o mora naazuk jiya behalaana
zara dheere ho zara dheere
zara dheere ho zara dheere

chunariya hamaari hawa ho gayi
nazariya tumhaari dawa ho gayi
chunariya hamaari hawa ho gayi
nazariya tumhaari dawa ho gayi
ye champa chameli rahi kyun akeli
bataao zara morey shyaam
ye champa chameli rahi kyun akeli
bataao zara morey shyaam
saajanwa
saajaniya
saajanwa
saajaniya
zara dheere dheere
zara dheere dheere
jhoola na ho
mora nazuk jiya behlaana
o mora najuk jiya behalaana
zara dheere ho zara dheere
zara dheere ho zara dheere
zara dheere ho zara dheere
zara dheere ho zara dheere

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 25th of October 2017, is the thirty seventh ‘remembrance anniversary’ of the great ‘poet-lyricist’ Sahir Ludhianvi. He passed away this day in 1980 leaving behind the great legacy of his poems and leaving behind his immortal poetry which people are still enjoying, discussing, and even doing research on it and writing about his life and his poetry. And like me there will be many who will agree that Sahir and his poetry will be discussed as long as Hindi Cinema and HFM exists and his poetry will be discussed so long as humanity and human relations, emotions exists.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I did not have much idea about the film ‘Mehmaan’ (1953) except its star cast. But I have been mesmerised by its 8 melodious songs, two of which have so far been covered in the Blog. The film was directed by Ramanand Sagar, his first film as a director. The star cast included Premnath, Nimmi, Sajjan, Purnima, Radhakishan, Bikram Kapoor, Harish, Mumtaz Begum etc. With Nimmi in the lead role, one would expect a lot of melodrama, sufferings, unexpected twists in the love story etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am writing this article only because I felt that the song which I listened to today after a gap of over 45 years deserves to be represented in the Blog. In fact, I am wondering how this song escaped my attention for this long. I am equally surprised at the fact that this song has managed to stay un discussed in the Blog till now.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What is the main feature in three sets of songs given below?
1(i). do dilon ko ek dil milaakar banaana yaad hai – Kamala (1946)

(ii). kat rahi hai bekasi mein har ghadi tere baghair – Deewaani (1947)

2(i). wo dekho udhar chaand nikla gagan mein – Roopkumari (1956)

(ii). nigaahon mein tum ho khayaalon mein tum ho – Jaadoo Nagri (1961)

(iii). ye tan man watan par nichhawar karenge – Kunwaari (1966)

3(i). aaj mausam ki masti mein gaaye pawan – Banarasi Thug (1962)

(ii). ek chameli ke mandve tale – Cha Cha Cha (1964)
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 28
———————————————————

MEHMAAN (1942) was a social film which was produced under the banner of Ranjit Movietone and it was directed by Chaturbhuj Doshi. The star cast included Madhuri, Ishwarlal, Shamim, Rama Shukul, Mubarak, Kesari, Bhagwandas etc. There were 12 songs in the film penned by D N Madhok (11) and Pandit Indra Chandra (1) which were set to music by Khemchand Prakash. Two songs from the film has been covered in the Blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is an occasion that comes about 19-20 times in a year in this blog and we have seen 92 such occasions in the blog so far. With the previous post in the blog, we completed 9300th song in the blog. This is the first century in the blog this year.
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At any moment of time, I have lots and lots of contributions lying with me for discussion and I am unable to cope with them satisfactorily. I just realised that it is like sitting on a pile of gems and not finding time to appreciate them.
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I am aware of an obscure movie called “Mehmaan” (1974). As it turns out, there is an equally obscure movie called “Mehmaan” (1953) too. This movie had Premnath and Nimmi in lead roles.
Read more on this topic…


“Mehmaan”(1942) was directed by Chaturbhuj Doshi for Ranjit Movietone, Bombay. The movie had Madhuri, Ishwarlal, Shamim, Rama Sukul, Mubarak, Kesari, Dharpure, Bhagwandas, Indira etc in it.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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