Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Saraswati Rane Solo Songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5735 Post No. : 18257

Today’s song is from the film Mahasati Tulsi Vrinda-1947.

1947 was a landmark year for India. We got our Independence on 15th August 1947. It was a matter of joy and sorrow, because on one hand we threw off the British rule, but before leaving, the British divided our country on religious line, creating Pakistan for Muslims. This not only affected the lives of Muslims who left India to settle in and develop their own country, it also disturbed almost all forms of business in India, wherever Muslims were involved.

In olden days, there were 3 major film centres-Bombay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.

The year 1947 is a reminder not only for the Independence of India, but also for the upheaval that took place in the film industry that time. More than in any other industry in India, Muslims were plentiful, working in different sections and departments of the Hindi film industry. Majority of them migrated to the newly formed Muslim Nation of Pakistan. This did create a lot of disturbance in the film industry. Right from the beginning of 1947, there were signs that soon the British would leave India – after dividing it into two Nations, India and Pakistan. When the month and date became known for the Partition, there was a great hurry among the filmmakers to complete their projects on hand and in process, compromising many factors like quality of the film, number of songs and such other things.

This resulted in the record number of films made in 1947 alone – 181 Hindi films and about 100 films in other languages in India. This was a record which remained unbroken till 1985, when 187 Hindi films were made. Thus from 1931 to 1985, this record remained unbroken for more than 50 years ! Obviously, this resulted in a big compromise on quality to achieve quantity with many films produced half heartedly. Most or rather many films made in 1947 remained obscure, unheard of and many flopped due to poor quality. Actually only few films were released in 1947, because many films were released in 1948 and 1949, with some films being released in Pakistan too.

Did you ever hear about films Amar Asha, Angoorbala, Attention, Barrister, But Tarash, Chalte Chalte, Chandrahas, Dagabaz Dost, Dehati,Ek kadam,Gaurav,Giribala, Heera, Intezar ke baad, Jhalak,Jurmana, Khaufnak aankhen, Lalaat, Mangalsutra, Moti, Sewa gram, Stage girl, Tohfa or Utho jago ? Of course not all films were below standards. Some of the landmark films were also made in 1947, like Shehnai, Mirza Sahiban, Jugnu, Saajan, Naatak, Meera, Elan,Aap ki sewa mein, Dard, Do Bhai, Neel Kamal or Parwana etc. However by and large the picture was like this only.

In 1947, many stunt/action films and Mythological films were also made. Today’s film was also one such film. The influence of Mythological and religious stories on indians is age old.Even before the advent of Silent films, the stage drama industry also used these stories to attract audience. The parsi Theatre and other Anglo Indian drama companies too staged such stories and artistes of all religions acted in such dramas.

Indian culture and Hindu religion had always treated and considered the natural phenomenas as their Gods. Prithvi (The Earth), Tej (Fire), Aap (Water0, Akash(The space) and Vaayu (The Air) were worshipped as Gods. In the same way Plants and Trees were also given the status of Supernatural entities. The Banyan Tree is worshipped by women once in a year. The leaves of Bel Tree are offered to Lord Shiv and even Durva (a kind of grass) is used in the pooja of Shri Ganesh. The entire exercise was to treat them as Gods and nurture the Nature. One such plant was Tulsi, which adorned the front space of most houses in olden times. Even today Tulsi leaves are considered sacred and a favourite offering to Lord Vishnu.

In order to enhance the importance of these natural plants and entities, many stories about them were included in our sacred scriptures like Vedas, Upnishads, 18 Puranas and 18 Up Puranas. By giving them this holistic statue our ancestors probably tried to ensure that the Human race looks after them, respects them and nurtures them. Other than their religious importance, these factors are also important in Ayurveda for the health and growth of the Human race and this point was well understood by our ancestral leaders.

Especially our Puranas Contain stories about such natural factors and plants, so that they have an aura of respectability and belief. Today’s film’s story appears in the Vishnu Puran. The Tulsi plant and its leaves are most important in Lord Vishnu and Satyanarayana’s pooja. In the Puran Tulsi aka Vrinda is accepted by Vishnu as his consort. Vrinda is a synonym for Tulsi since then. The story as per Vishnu Puran is….

Vrinda (who later became Tulsi) was a devotee of Lord Vishnu. Jalandar was formed from the light of Shiva’s third eye. He was not a devotee of Lord Vishnu, as a monster raised him. He married Vrinda, but did not pay attention to her devotion to God. Once, he wanted to see Shiva and Parvathi because someone told him, and went in the disguise of Shiva. However, Parvathi did not like this and wanted Jalandar killed. However, he couldn’t be killed when Vrinda was praying for the protection of her husband. So Shiva waged war with him, while Vishnu went in the disguise of Jalandar to Jalandar’s house and told Vrinda he had won and asked her to stop her puja. Immediately, Shiva killed Jalandar, although not instantly. After Vrinda understood that Vishnu had come in the disguise of her husband, she cursed him to become a stone and also Lakshmi to leave him. Lord Vishnu happily accepted the curse and still said he would bless her and said that he would be easily pleased when anyone uses Vrinda for puja. He also asked Jalandar to ask for a boon, and Jalandar told him to make the ocean Vishnu’s home, as Jalandar’s father was the sea.

This is the reason why the stone Saaligrama is used as an idol of Lord Vishnu and also why Seeta left Ram. Vrinda had jumped into the burning pyre of her husband’s body, and the first Tulsi plant grew from their ashes.

The film was made by Jayant Desai productions, Bombay and it was directed by Ishwarlal. The 10 songs of this film were written by Qamar Jalalabadi aka Om Prakash Bhandari (9-3-1917 to 9-1-2003).

Starting with film Zamindar-1942, he wrote 700 songs for 156 films. He wrote many popular songs like “Ik dil ke tukde haqzar hue”, “Aaj Pehli tareekh hai”, “Mera naam chin chin choo” etc. The music was by Ram Ganguly. The cast of the film was Ishwarlal, Ranjana, Umakant, Rewashankar, Kantilal, Shalini and many others.

Now, hardly anyone knows about actress Ranjana who had worked as a Heroine with Dilip Kumar also in his early career. One can not get any information about her in any book or on the internet. Here is some information about her, for our readers.

Ranjana’s real name was Ratan Shantaram Deshpande. She was born in Nagpur on 20-10-1927. While studying in St. Ursula High School, she learnt dancing and music from well known ustads. After passing her 6th standard examination, she came to Bombay to her elder sister, Kusum Deshpande, who was already working as an actress with Minerva Movietone films. Kusum married Vasant Thengadi, a handsome actor in Hindi films of those times.

Kusum arranged for specialised dancing for Ratan in the holidays. Later Ratan was taken to Vijay Bhatt of Prakash pictures for an interview. She was immediately selected and got a role in the famous film Ramrajya-1943. In this film she was Chitralekha, Sita’s sakhi. Vijay Bhatt also changed her name to Ranjana. She was in the payroll of Prakash for Rs. 2000 pm. She acted in films like police-44, Vikramaditya-45 and Hamara Sansar-45. Next films were Nai Maa-46, Zamin Asman-46, Mahasati Vrinda Tulsi-47 etc.

Ranjana was called by Bombay Talkies to do the Heroine’s role opposite Dilip Kumar in the film Milan-46. This film was based on Bangla novel Nauka Doobi written by Tagore. She played the role of Hem Nalini in this film’s Hindi version. The same role was done by Meera Sircar in the Bangla film Nauka Doobi.

After this film, Ranjana was in great demand, but she wanted to quit films and get married to live a simple life. She married a young and handsome writer, Arvind Shukla. But after a few months he fell sick and there was no income. After the death of her first husband, Ranjana, it seems, married one Patwardhan in 1954. She continued working in films till 1975. She also worked in many Marathi films. In all, she worked in about 35 Hindi films or so. Ranjana worked with many big stars of her times like, Prem Adeeb, Prithviraj Kapoor, Jairaj, Dilip kumar, Jeevan, Umakant etc etc.

It is interesting to note that her sister and her brother in law acted with her in a few films. Some such films were Zamin Asman-46 and Shadi se pehle-47. In the film Saajan ka Ghar-48 all three had worked together.

We have many families like this in Hindi films. I remember Zubeida and her mother and sisters, Sitara Devi and her 2 sisters, Nargis, her mother and brothers, Kapoor family, Dilip Kumar, his brother and sister in law, many film couples and families of several film people as examples. Ranjana was perhaps one early example.

Today’s song is sung by Saraswati Rane. Enjoy….


Song- Tu kis liye khaamosh hai o baansuriwaale (Mahasati Tulsi Vrinda)(1947) Singer- Saraswati Rane, Lyricist- Qamar Jalalabadi, MD- Ram Ganguli

Lyrics

o o o o o
baansuriwaale ae ae
o o o o o
baansuriwaale ae ae

tu kis liye khaamosh hai
o baansuriwaale
o baansuriwaale
tu kis liye khaamosh hai
o baansuriwaale
o baansuriwaale
aa tu hi samajh kar mujhe
aankhon mein chhupaa le
o baansuriwaale

ek haath se chakkar ko chalaata huaa aa jaa
ek haathh se murli ko bajaata hua aa jaa
chakkar mein tere maut hai
murali mein hai jeewan
tu mera hai ik baat meree maan le Mohan
chakkar ko chhupoaa le zaraa
murali ko uthhaa le
o baansuriwaale
chakkar ko chhupoaa le zaraa
murali ko uthhaa le
o baansuriwaale

Mathura ke sitaare
tujhe Mathura ki kasam hai
Mathura ke sitaare
tujhe Mathura ki kasam hai
Jamuna ke sahaare
tujhe jamuna ki kasam hai
Jamuna ke sahaare
tujhe jamuna ki kasam hai
O Raadha ke pyaare ae ae ae ae
O Raadha ke pyaare
tujhe Raadha ki kasam hai
kehti hai ye Raadhaa
mere Mohan ko bachaa le
kehti hai ye Raadhaa
mere Mohan ko bachaa le
kehti hai ye Raadhaa
mere Mohan ko bachaa le ae ae


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4002 Post No. : 15103 Movie Count :

4147

Today’s song is from film ‘Jeena Seekho’ (1946). The film was made by Prabhakar Pictures, Bombay, which belonged to Bhalji Pendharkar, the elder brother of Baburaao Pendharkar – the hero of this film. Pendharkar brothers were quite big names in Maharashtra for film making. In fact, the whole clan of Pendharkar was connected with other famous people from film line, like Master Vinayak and V.Shantaram. Let us see how.

Bhal ji Pendharkar (Bhalchandra Gopal Pendharkar) was the son of Dr.Gopal Pendharkar, the Royal Physician of Shahu Maharaj of Kolhapur state and his partner Radhabai. Dr. Gopal was already married to another lady. This couple gave birth to Bhalji and Baburao Pendharkar. Their mother Radhabai left Dr. Gopal Pendharkar and married Damodar Karnataki. They had two sons – Master Vinayak, the famous actor, director, producer and a studio owner (also father of Baby Nanda), and his brother Vasudev – who became a Cameraman. Kamalabai, the younger sister of Radhabai married Rajaram Vankudre and they had 2 sons – V.Shantaram, famous actor, director, producer and a studio owner and his brother V Avadhoot – equally famous cinematographer.

Thus all the stalwarts were related to each others and everyone of them made a name in the film industry – both Hindi and Marathi.

Baburao Pendharkar had an illustrious career in films. He worked in different capacities, acted in Marathi and Hindi films and even directed a Tamil film. As per the entry in The Encyclopedia of Indian Cinema, by Rajadhyksha and Willeman,

Baburao Pendharkar (1896-1967) was a pioneer Marathi actor and producer born in Kolhapur. Actor-manager of Maharashtra Film (1919); then a manager in Prabhat (1929); manager and main star at Kolhapur Cinetone (1933) and for several years associated with Master Vinayak at Hans Pics (1936) and Navyug Chitrapat; then producer with Navhans (1943). Best-known work after the mid-40s was with V. Shantaram at Rajkamal Kalamandir, including the classic role of the Chinese general in ‘Dr Kotnis Ki Amar Kahani’ (1946), and with his brother, the director Bhalji Pendharkar. Noted actor as a villain in mythologicals (e.g. in Shantaram’s ‘Ayodhyecha Raja / Ayodhya Ka Raja’ (1932), Kans in Vasant Joglekar’s ‘Nand Kishore’ (1951), and Keechaka in Pethkar’s ‘Keechaka Vadha’ (1959)) and for character roles in socials by Atre (the crotchety grandfather in ‘Shyamchi Aai’ (1953); the title role in ‘Mahatma Phule’ (1954)). Directed Prabhat’s only major Tamil film, ‘Seeta Kalyanam’, a landmark in Tamil cinema. Also a noted stage actor. His autobiography (1961/1983) is also an important record of Marathi film history. From ‘Jalti Nishani’ (1932) to ‘Amrapali’ (1966), he worked in 69 films in all.

The music for the film Jeena Seekho was given by Pt. Hanuman Prasad (Sharma) aka HP Sharma. To my mind the name Hanuman creates an image of a Pehelwan (wrestler). When I was in school and college in the 50’s decade, there was a craze of wrestling shows all over India. Many big names like King Kong, Hercules, Phantom, The Masked Man, Zorawar Singh, Gama-Gunga and many other unspellable names from Europe and Middle East came to India to show their wrestling prowess to an excited gallery of thousands of people in big stadiums.

It was during this period, Dara Singh won many wrestling matches. He had a record of not losing a single match in his entire wrestling career. Then he entered films.  I saw a Dara singh and King Kong wrestling match in Fateh Maidan stadium in Hyderabad. Guru Hanuman’s akhada in the North India was very famous. I also remember that there was a woman wrestler named Hamida Banu and that she had defeated many male wrestlers.

However, this Hanuman Prasad was not a wrestler. He was actually a very soft spoken, good natured person. He was a multi faceted artiste. Besides giving music to 18 films, he had acted in a film ‘Aasuon Ki Duniya’ (1936); wrote lyrics in films – ‘Gaali’ (1944), ‘Rasilee’ (1946), ‘Jasoos’ (1947) and ‘Saudagar’ (1951); directed a film – ‘Rasilee’ (1944) and even sang a song in this film ! Apart from this, he was a qualified Kathak dancer. Due to his expertise in music, he was called Pt Hanuman Prasad and due to his excellence in dancing, he was called Ustad Hanuman Prasad !

He was born in 1920 at Sujangarh in Rajasthan . He attained proficiency in music and dance. He came to Bombay and started teaching dance and music in the music school run by Pt Gouri Shankar in Hindu colony, Dadar. One day he heard the singing of a young girl, who lived with her family in top floor of the same building as his. This you girl was Geeta Roy. Attracted by her voice he met her father Devendra Roy Chaudhuri and requested him to allow her to sing in his film. He gave her one line each in 4 songs, in the chorus. Only two of these are now available. Though she was uncredited, her voice is identifiable in those songs. The rest is history – as they say. Hanuman Prasad thus engraved his name forever in the history.

He has one more claim to fame(?). He was the first husband of yesteryear actress AMBU aka Lalita Pawar. She divorced him later and married GP Pawar. She divorced him also and finally married Gupta – a producer.

First time, he gave music in the film ‘Chowringhee’ (1942). In this film his co-MD was Kazi Nazrul Islam – Bengal’s revolutionary poet and writer. HP composed 11 songs, whereas Kazi Nazrul Islam composed and wrote 2 songs. HP was impressed with Sajjad Hussain, who was a struggler at that time. Sajjad’s mastery over a number of instruments mesmerised HP and he took Sajjad as his assistant. HP also gave a break to Sajjad Hussain in film ‘Gaali’ (1944), in which Sajjad composed 3 songs and HP composed 9 songs.

HP was an expert in classical music, which he used in ‘Draupadi’ (1944), a film made by Baburao Patel (of magazine Film India fame) for his wife Susheela Rani. She sang 9 solo songs in it. She had also acted in it. The film was a flop.

The films of HP were , ‘Chowringhee’ (1942), ‘Ismat’ (1944), ‘Gaali’ (1944), ‘Draupadi’ (1944), ‘Rasilee’ (1946), ‘Nai Maa’ (1946), ‘Jeena Seekho’ (1946), ‘Bhakta Prahlad’ (1946), ‘Jasoos’ (1947), ‘Middle Fail’ (1948), ‘Hip Hip Hurray’ (1948), ‘Jannat’ (1949), ‘Daulat’ (1949), ‘Chilman’ (1949), ‘Bhool Ka Shikar’ (1950), ‘Apni Chhaaya’ (1950), ‘Saudaagar’ (1951) and ‘Usha Kiron’ (1952).

HP’s music was outdated in the new decade. He realised it and gave up this line. He spent all his time in teaching dance and music to students. He was a Saibaba devotee. Hanuman Prasad died in 1972 in Bombay.
(Adapted from an article in book ‘Rahen na rahen hum’ by Shantaram Mankikar and ‘Yadon ki Baraat’ by Shirish Kanekar, with thanks).

Today’s song is sung by my favourite singer – Saraswati Rane (real name Sakina Bi aka Chhotu Tai). Born on 4-10-1916, she was the youngest daughter of legendary Maestro of Kirana Gharana, Ustad Kareem Khan and Tarabai Maane. Her siblings in music fields were Suresh Babu Maane (real name Abdul Rehman) and Hirabai Badodekar (real name Champakali). She was one of the finest ever singers in India. She cut more than 200 records of classical singing. She won many awards too.

As per HFGK, her name appears for 26 songs in 11 films. However, she sang many more film songs, for which her name does not appear in HFGK, for whatever reasons. An example is today’s song, which is not credited in HFGK to anyone. It is thanks to the uploader, music expert and reputed collector Shri Girdharilal Vishwakarma ji (of Jodhpur), who provided the names of singer and the lyricist (Veer Mohammed Puri – what a strange name !). Singer Saraswati Rane died on 10-10-2006. She was the last of the children of Ustad Kareem Khan. I have not repeated her bio data as it was already given in 2015, in my write up for the song “Uhoon Uhoom Shikaar Na Khel“.

When you listen to this song, you will realise how an ordinary tune and music sounds sweet and melodious with Saraswati Rane’s singing. With this song, the film ‘Jeena Seekho’ of 1946 makes its debut on the blog.

 

Song – Sansaar Banaane Waale, Aisa Sansaar Bana De Re (Jeena Seekho) (1946) Singer – Saraswati Rane, Lyrics – Veer Mohammed Puri, MD – Hanuman Prasad

Lyrics

sansaar banaane waale
sansaar banaane waale
aisa sansaar bana de
bana de
bana de re
sansaar banaane waale
sansaar banaane waale
aisa sansaar bana de
bana de
bana de re

ik prem bhari duniya ho
ik prem bhari duniya ho
ik hulka phulka mann ho
ik hulka phulka mann ho
armaanon mein jeevan ho
armaanon mein jeevan ho
halka sa
halka sa ?? ?? ho
halka sa ?? ?? ho
main hoon mera saajan ho
main hoon mera saajan ho
aur gaada sa bandhan ho
us bandhan ke dhaagon mein
pyaara sa pyaar bana de
bana de
bana de re
sansaar banaane waale

mann saajan ki godi mein
mann saajan ki godi mein
aasha ?? ?? jagi ho..oo..oo
oo..oo..oo
meethe meethe
meethe swar mein
meethe meethe
meethe swar mein
sukh ki veena bajti ho..oo..oo
sukh ki veena bajti ho..oo..oo
duniya ho
duniya ho kar matwaali
duniya ho kar matwaali
preetam preetam bhajti ho
preetam preetam bhajti ho
us veena ke taaron mein
us veena ke taaron mein
aisi ?? bana de
bana de
bana de re
sansaar banaane waale
aisa sansaar bana de
bana de
bana de re
sansaar banaane waale

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

संसार बनाने वाले
संसार बनाने वाले
ऐसा संसार बना दे
बना दे
बना दे re
संसार बनाने वाले
संसार बनाने वाले
ऐसा संसार बना दे
बना दे
बना दे re

इक प्रेम भरी दुनिया हो
इक प्रेम भरी दुनिया हो
इक हल्का फुल्का मन हो
इक हल्का फुल्का मन हो
अरमानों में जीवन हो
अरमानों में जीवन हो
हल्का सा
हल्का सा ?? ?? हो
हल्का सा ?? ?? हो
मैं हूँ मेरा साजन हो
मैं हूँ मेरा साजन हो
और गाढ़ा से बंधन हो
उस बंधन के धागों में
प्यारा सा प्यार बना दे
बना दे
बना दे रे
संसार बनाने वाले

मन साजन की गोदी में
मन साजन की गोदी में
आशा ?? ?? जगी हो॰॰ओ॰॰ओ
ओ॰॰ओ॰॰ओ
मीठे मीठे
मीठे स्वर में
मीठे मीठे
मीठे स्वर में
सुख की वीणा बजती हो॰॰ओ॰॰ओ
सुख की वीणा बजती हो॰॰ओ॰॰ओ
दुनिया हो
दुनिया होकर मतवाली
दुनिया होकर मतवाली
प्रीतम प्रीतम भजती हो
प्रीतम प्रीतम भजती हो
उस वीणा के तारों में
ऐसी ?? बना दे
बना दे
बना दे रे
संसार बनाने वाले
ऐसा संसार बना दे
बना दे
बना दे re
संसार बनाने वाले


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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