Archive for April 2020
Dil Ko Ye Kya Hua
Posted on: April 30, 2020
- In: "chaayageet" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Happy song | joie de vivre | Love song | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4304 | Post No. : | 15571 |
chupke se kho gaya. . .
Searching through his list of songs, I chanced upon this gem of a melodious creation – one of those ‘love at first hear’ type songs that I have really come across after so many days. It has been sitting in my collection forever, and I pulled it today, looking for an unheard or less heard song to include in this post. The composition is quite atypical with a different sound structure attempted. A beautiful melody that I am sure you will also fall in love with.
Remembering C Arjun today, on the anniversary of his passing away (30 April, 1992).
Preparation for this post started a couple of days ago. And in the interim, the industry and the lovers of Hindi films have been shaken by the news of two luminaries passing away yesterday and today. Yesterday morning we got the news about Irfan Khan, who lost his battle with cancer at Kokilaben Hospital in Mumbai. The emotions are still to settle, and the second shocking news came in today morning. Rishi Kapoor, the darling Chintu Baba of the 1970s and 80s, lost his battle with leukemia at another Mumbai hospital today. Irfan Khan, 53 – too yuong, too early. Rishi Kapoor, 67 – lively, and a lot of life still to go. But alas no, this is the ‘as much’ that was ordained.
As I check out the dates on C Arjun today, when he passed away, he was 59. Just about midway between Irfan and Rishi, in terms of years. The writ of life is no one’s command – it is what it is. We see, we compare, we critique, we like, sometimes we ignore. But then, when the finality of the process dawns upon us, one is left with a vacuum somewhere inside that says – wish there was more. . .
Very little details are available about C Arjun’s life and times. The article in Pankaj Raag’s book dedicated to this music director is almost completely based on his work, the films that he did, and the wonderful songs that he has composed. Other than that, very little about the person himself.
He was born on 1st Sep, 1933 in Sindh. His full name – Arjun Chandnani, which was later modified to be C Arjun, for the sake of brevity in film circles, and to avoid any confusion with the name of his mentor music director Bulo C Rani (full name Bulo Chandirani). After partition, his family moved to and settled in Baroda.
C Arjun’s father was musically inclined and was a singer. There is no information available about his training. In one place, there is anecdotal mention that C Arjun fondly remembers being present at the recording of a song by Noorjehaan in Lahore. This anecdotal nugget does not carry any other details. We read about his career initiation in early 1950s – appearing as assistant music director working with Bulo C Rani, in films like ‘Shikaar’ (1955), ‘Aabroo’ (1956), ‘Baadshah Salaamat’ (1956) and ‘Jeevan Saathi’ (1957).
In 1958 came the hit Sindhi film ‘Abana’. In this film, C Arjun shared the credits for music direction with Bulo C Rani, and not just as an assistant. Then in 1960, he got his first break as an independent music director in Hindi cinema with the film ‘Road No. 303’. His career remained very patchy throughout, despite some of the most wonderful songs and ghazals created by him. The songs gained popularity with the listening public, but that never really translated into more work for him from the producers in the industry. Following is the list of films he has composed for,
- 1961 Main Aur Mera Bhai
- 1964 Punarmilan
- 1965 Ek Saal Pehle
- 1966 Chale Hain Sasural
- 1966 Sushila
- 1967 Lambu In Hong Kong
- 1970 Mangu Dada
- 1971 Ustad Pedro
- 1973 Guru Aur Chela
- 1975 Jai Santoshi Mata
- 1976 Raksha Bandhan
- 1977 Aankh Ka Tara
- 1977 Subah Zaroor Aayegi (possibly a re-release of Sushila from 1966)
- 1978 Nawab Saheb
- 1980 Karva Chauth
- 1981 Kaanoon Aur Mujrim
Unreleased Films
Sant Valmiki
O Mere Jaan e Jigar
Gunaahon Ka Mandir
Besides these, he also has given music to films in Sindhi, Gujarati and Haryanvi. He also has composed music for non-film albums in Sindhi. He was actually in a recording studio, rehearsing with artists for the recording of a Sindhi non-film album release, when he suffered a cardiac arrest and passed away.
Today’s song is from his debut Hindi film ‘Road No 303’. The film is produced under the banner of Mahesh Pictures, Bombay, by Bheeku Bhai and Ratan Kumar. The film is directed by Dharam Kumar. The star cast is listed as Shobha Khote, Mehmood, Bhagwan, KN Singh, Tiwari, Sheelu, Helen, Altaf, Maqbool, Raju, Mirajkar, Ramlal, Fazlu, Majnu, Joshi, Kashi, S Kerawala, Master Nisar, Bakshi and others.
The film has six songs, equally shared between the songwriters Jaan Nisar Akhtar and Naqsh Lyallpuri. This particular song is sung by Asha Bhosle. Only the audio of this song is available, and I request our more knowledgeable readers to please add more information about this song, and the movie itself.
A wonderful creation in my opinion. Listen and enjoy.
Audio
Song – Dil Ko Ye Kya Hua (Road No 303) (1960) Singer – Asha Bhosle, Lyrics – Naqsh Lyallpuri, MD – C Arjun
Lyrics
aaa aaaaaa
aaa aaaaaa
aaa aaaaaa
aaa aaaaaa
aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa
dil ko ye kya hua
taaron ki chhaon mein
mehki hawaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
maine khushi ka
dekha savera
jaaga ujala dooba andhera
mausam bhi hai jawaan
jhoome hai aasmaan
rangeen fizaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
meri nazar mein
hain wo nazaare
deewana kar den jinke ishaare
saagar pe jhoom ke
lehron ko choom ke
sapnon ke gaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
mujh ko bulaayen
phoolo ki baahen
hansti hai mere jeewan ki raahen
sun ke bahaar ki
mastaana raagini
meethi sadaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
आs आssss
आs आssss
आs आssss
आs आssss
आs आss आs आss आs आss आs आss आs आss आs आss आs आss आs आss
दिल को ये क्या हुआ
तारों की छाँव में
महकी हवाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मैंने खुशी का
देखा सवेरा
जागा उजाला डूबा अंधेरा
मौसम भी है जवां
झूमे है आसमां
रंगीं फिज़ाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मेरी नज़र में
हैं वो नज़ारे
दीवाना कर दें जिसके इशारे
सागर पे झूम के
लहरों को चूम के
सपनों के गाँव में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मुझको बुलाएँ
फूलों की बाहें
हँसती हैं मेरे जीवन की राहें
सुनके बहार की
मस्ताना रागिनी
मीठी सदाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4303 | Post No. : | 15569 |
During 1950s and 1960s, there were quite a few South Indian movies that were dubbed into Hindi. While dialogues were dubbed, original songs sung in the South Indian language were resung in Hindi.
“Aayi Phir Se Bahaar”(1960) is one such movie. It was a remake of Tamil movie “Raaja Raani” (1956). The movie was written by M Karunanidhi and directed by A Bhimsingh. The movie had Padmini, Sivaji Ganesan, S S Rajendran, Raja Sulochana, T A Madhuram, N S Krishnan, Rajgopal, Doraiswami, etc in it.
The Tamil movie had T R Pappa as the music ditector. When this movie was dubbed in Hindi, Vedpal Verma was tasked with recording songs in Hindi.
The Hindi version had eight songs. One song has been covered in the past.
Here is the second song from “Aayi Phir Se Bahaar”(1960) to appear in the blog. The song is sung by Lata. Vedpal Verma is the lyricist as well as the music director. The song is picturisec as a radio song.Padmini switches on the radio and this song begins to play right from the beginning. No time wasted for previos song, or announcement. In my radio listening days I could rarely time my radio switching to this perfection. 🙂
After the song is over, the radio gets switched off. So in effect, the radio gets used as a record player, which by the way was not yet invented till that time. 🙂
Audio
Video
Song-Tu dulhan banegi teri doliya sajegi (Aayi phir Se Bahaar)(1960) Singer-Lata, Lyrics-Vedpal Verma, MD-Vedpal Verma
Lyrics
Tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori
laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori
laayega raaja baaraat
chanda banega maathe ki bindiya
kaari badariya kaajal
kaari badariya kaajal
amber banega teri chunariya
aur bijuriya paayal
aur bijuriya paayal
laaj rachegi bankar mehandi
kar degi peele haath
ho gori laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori laayega raaja baaraat
preet ye teri dulhan banegi
dulha sajan ka pyaar
dulha sajan ka pyaar
baadal banenge teri paalki
pavan jhakore ka haar
pavan jhakore ka haar
pahle milan me karna tu gori
rangreliyaan saari raat
ho gori laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori laayega raaja baaraat
Aa jaa re tera ek sahaara
Posted on: April 28, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4302 | Post No. : | 15568 |
“Baaraat”(1960) was produced and directed by K Amarnath for K Amarnath Productions, Bombay. This “social” movie had Ajit, Shakila, Mukri, Salim, Protima Devi, Murad, Shalini, Brahm Bhardwaj, Gulnar, Pandey, Amrit Rana, Ravikant, Sheila Kashmiri, Sajjan etc in it.
The movie had eight songs in it. Seven of these songs have been covered in the past.
Details of the seven songs covered in the blog are :-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Muft huye badnaam kisi se haay dil ko lagaake | 461 | 29-Dec-2008 |
| 2 | Chalo ab kehna maan jaao | 6431 | 13-Aug-2012 |
| 3 | Zaalim kehna maan lachakti chal na | 6454 | 16-Aug-2012 |
| 4 | Pakdi gayi pakdi gayi lo gori ki chori pakdi gayi | 14288 | 21-April-2018 |
| 5 | Mohan main ek bhatka raahi | 15535 | 12-April-2020 |
| 6 | Arre jaanewaale hamaari gali aana | 15555 | 24-April-2020 |
| 7 | O baabu tel maalish karaa lo boot polish | 15561 | 26-April-2020 |
Here is the eighth and final song from “Baaraat”(1960) to appear in the blog. If the movie made its debut in the blog with an iconic song Muft huye badnaam kisi se haay dil ko lagaake, the final song from the movie is no less of an iconic song. It is sung by Lata. Majrooh sultanpuri is the lyricist. Music is composed by Chitragupta.
This “calling the beloved” genre of song is picturised on Shakila.
With this song, all the songs of “Baaraat”(1960) are covered in the blog and the movie joins the list of movies that are YIPPEED in the blog.
Audio
Video
Song-Aaja re tera ek sahaara (Baaraat)(1960) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
o o o o o o
o o o o
o o o
aaja re tera ek sahaara aa
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasmen wo pyaar ki
jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasme wo pyaar ki
sajna wo saara waada kahaan hai tumhaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re tera ek sahaara
sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
par main lagaaaun kaise dil ko dubaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
tere bina kaun jaane dard hamaara
aaja re ae tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
Jo qaail e mehr o wafaai na ho
Posted on: April 28, 2020
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4302 | Post No. : | 15567 | Movie Count : |
4285 |
Recently, I came across a very rare song from an unreleased film ‘Rustom Aur Sohrab’ (1940s). The song was uploaded on video sharing platform by Giridharilal Vishwakarma sometime in 2018. Despite an extensive search on the website, I could not get details about the film such as producer, director, actors etc. Probably, this film may have been one among many films that had become the victims of partition in 1947.
The title of the film indicates that it was based on the legendary poem of the same name by the 10th century Persian poet, Firdausi which was a part of his epic, ‘Shahnameh’. I had some exposure to Firdausi in our History classes while covering the Persian Empire. I had also watched the ‘Rustom Sohrab’ (1963) on Doordarshan sometime in the 1980s. But I do not remember details of the story.
Just to recapitulate the details of the story as depicted in the film, a few days back, I watched the full film ‘Rustom Sohrab’ (1963) on VCD and in the process, I enjoyed Sajjad Hussain’s gems which have been well picturised. The surprise from watching the film was that after many years, I realised that the story of Rustom-Sohrab had some similarities with that of a story in a Yakshagana play in Kannada titled ‘Babruvahan Kaalaga’ (Babruvahan’s Battle) which I had watched during my childhood in the late 1950s. Of course. what ever may be the similarities, they are co-incidental.
During my childhood, I used to accompany our family to watch the artists performing Yakshagana which were generally held in the Cosmopolitan Sports Club ground in Matunga, Mumbai. Since it was staged in Kannada, I had difficulties in understanding the poetic renditions and dialogues. But I used to enjoy the dances, the costumes of the artists and the rhythm of ‘Chendu’ – a type of percussion. I can say that during my childhood, I have seen more numbers of Yakshagana performances than the films. A few of my relatives were also pursuing their hobby as Yakshagana artists. Because of this, I had easy access to their make-up and rehearsal rooms when Yakshagana plays were being staged.
Before I come back to the main subject, I need to explain what is Yakshagana Baylata (I guess, the word ‘baylata’ may have been derived from English word ‘Ballet). It is a dance drama, combining the poetic singing by a singer, called ‘Bhagvatar’ accompanied by music with artists dancing with expressions and gestures and thereafter delivering dialogues. The Yakshagana plays are mostly based on the stories from Ramayan and Mahabharat. This form of folk theatre is popular in the west coast of Karnataka from where it originated about 500 years back.
In the story in the Yakshagana play, ‘Babruvahan Kaalaga’ (Babruvahan’s Battle), there is a battle between Arjun and his son, Babruvahan. In the story of ‘Rustom Sohrab’ (1963), there is a battle between Rustom and his son, Sohrab. In both these stories, father and son are not aware of their relations until the battle comes to an end. Let me set out in details some similarities in the story of Arujun-Babruvahan battle versus Rustom-Sohrab battle.
While Pandavas were in exile, Arjun wandered into the kingdom of Manipura and paid a visit to the king who had a beautiful daughter, Chitrangada. During his stay, Arjun fell in love with her and asked the king for his daughter’s hand. King agreed on one condition that the son born after his marriage with Chitrangada would be the future king of Manipura. Arjun agreed and the marriage was solemnised. When Chitrangada was carrying Babruvahan in her womb, Arjun had to leave Manipura. In the intervening period, Arjun had no occasion to visit his wife Chitrangada and the son Babruvahan. Later, Babruvahan succeeded his grandfather as the king of Manipura.
In Rustom-Sohrab story, Rustom, a confident of the king of Iran, on a visit to Samangan, a neighbouring kingdom, rescues the chariot of Princess Tehminia and her entourage from a huge fallen tree by removing the tree by his sheer strength out of her way. The Princess is impressed. Before she could expressed her love for him, Rustom rides on his horse and moves back to Iran. To entice Rustom to come back to her, she arranges stealing of Rustom’s favourite horse. As expected, Rustom comes to Samangan, the Princes kingdom in search of his horse and meets her who reveals the truth behind stealing of his horse. Rustom likes the Princess. Both get married. In the meanwhile, trouble is brewing in Iran and Rustom must go back to Iran to save the kingdom. He leaves the Princess who is carrying Sohrab in her womb. Before leaving for Iran, Rustom gives the Princes a metal armlet with Rustom’s family logo with the instructions that she should put on the arm of their yet to be born offspring. She gives birth to Sohrab who over a period of time becomes as great a warrior as his father.
The trigger for Arjun-Babruvahan battle is the capture by king Babruvahan of the horse as a part of Ashwamedh Yagna. Arjun as the protector must get the horse released by defeating Babruvahan. In the battle, King Babruvahan defeats the army of Arjun and kills him with an arrow which was given to him by Ganga as a boon. When Babruvahan comes to know that Arjun was his father and by his act, he has made his mother widow, he tries to kill himself. But his step-mother Uloopi, using Nagamani (magical stone) as sanjivani, revives Arjun. So, this is a happy ending of father-son dual.
While in Rustom-Sohrab battle, just like in Arjun-Babruvahan battle, Rustom and Sohrab were unaware of their relations as father and son at the time of their fight. It is only when Rustom fatally injures Sohrab during the fight, and sees the armlet on the arm of Sohrab, he comes to know that he had fatally injured his own son and he repents. Sohrab dies in the arms of his father, Rustom. Thus, the story has a tragic end.
In both the stories, the killing of father by Babruvahan and killing of son by Rustom is to avenge the killings of the son of King Afsayed of Turanak by Rustom and killing of Bhishma, the son of Ganga by Arjun in Kurukshetra war. For instance, after the son of King Afsayed of Turanak is killed by Rustom while rescuing the King of Iran from their captivity in Turanak, Afsayed takes a vow that he would kill Rustom’s son. In the process, he comes to know that Sohrab is the son of Rustom. Having failed to kill Sohrab because he is as strong a warrior as his father, he lures him to fight Rustom on behalf of the Kingdom of Turanak so that in the fight, Sohrab will get killed by Rustom. In the case of Arjun, it is an arrow given as a boon by Ganga to Babruvahan to kill Arjun to avenge his killing of her son, Bhishma by deceit.
It is also interesting to note that in both the stories, a horse is captured albeit for different reasons.
‘Rustom Aur Sohrab’ the unreleased film of the 1940s had 6 songs. I am presenting the first song from the film ‘jo qaail-e-mahr-o-wafaa hi na ho’ which is sung by Nazira Begum. The name of the lyricist is not known. The song is set to music by Master Mohan which, I guess, is the same person as Mohan Junior who was the music director for film ‘Ajamil (1948) and ‘Dana Paani’ (1953). There was a music director, Master Mohan who has composed music for films during 1931-36.
The song is written in a ghazal format with high sounding Urdu words. From the wordings of the ghazal, I feel that this song fits well in a situation in the film equivalent to the situation of the song “ye kaisi ajab daastan ho gayi hai” in the film ‘Rustom Sohrab’ (1963).
Audio Clip:
Song-Jo qaail e mehr o wafaai na ho (Rustom Aur Sohrab)(1948) Singer-Nazira Begam, MD-Master Mohan
Lyrics
jo qaail-e-mahr-o-wafaai na ho
jo qaail-e-mahr-o-wafaai na ho
waade ka nibhaana kya jaane
waade ka nibhaana kya jaane
jo munkar-e-dard-ae-ulfat ho
jo munkar-e-dard-ae-ulfat ho
wo dil ka lagaana kya jaane
wo dil ka lagaana
kis tarah teer mohabbat ka
kis tarah teer mohobbat ka
pae wast(?) jigar mein hota hai
pae wast(?) jigar mein hota hai
iss raaz ko koi kya samajhe
iss raaz ko koi kya samajhe
ik dukh ko zamaana kya jaane
ik dukh ko zamaana kya jaane
ummeed kaa daaman chhoot gaya
ummeed kaa daaman chhoot gaya
aasaar bure hain furqat mein
aasaar bure hain furqat mein
ye aag lagaayi hai jisne
ye aag lagaayi hai jisne
wo isko bujhhaana kya jaane
wo isko bujhhaana
wo dil jo kabhi toota hi na ho
wo dil jo kabhi toota hi na ho
wo chot ki lajjat kya jaane
wo chot ki lajjat kya jaane
jis haath mein khanjar sajta ho
jis haath mein khanjar sajta ho
marham ka lagaana kya jaane
marham ka lagaana kya jaane
jo qaail-e-mahr-o-wafaai na ho
jo qaail-e-mahr-o-wafaai na ho
waade ka nibhaana kya jaane
waade ka nibhaana
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4301 | Post No. : | 15565 |
Hullo Atuldom
“Shankar Shambu” (1976) was directed by Chand for AK Movies and had Feroz Khan, Vinod Khanna, Sulakshna Pandit, Bindu, Jagdeep, Ajit, Anwar Hussain, Pradeep Kumar, Sulochana, Jayshree T. Jankidas, Sudhir, Lalita Pawar, Viju Khote etc. It was a bandit story which is in my list of movies to be seen. This movie had five songs three of which have been posted on this blog. All the songs were written by Sahir Ludhianvi a favorite lyricist of a few followers of this blog.
For me this movie gives me an opportunity to remember two very handsome actors on their death anniversary today 27th April. It was a talk of Bollywood that these two actors became friends during the making of this movie. They then came together again for Qurbani (1980). I am talking Feroz Khan and Vinod Khanna. It is said that FK was so impressed by VK that when he began his ‘Qurbani’ Vinod Khanna was an automatic choice for the role of Amar. When Feroz Khan remade Maniratnam’s ‘Nayakan’ in Hindi as “Dayavan” Vinod Khanna was there in that too. But what I didn’t relish was the way the two left this world. There are various videos available on YouTube where artists from the industry pay tributes to these two and can’t stop themselves from mentioning that these two left the world on the same date; only nine years apart.
The first two songs from this movie posted on the blog were tributes to Sahir by Avinashji and came in 2016. The third one came last year in June. Today’s song is sung by Asha Bhonsle and lip-synced by Bindu. From the picturisation it looks like Shankar and Shambhu have had a tiff and at the same time Bindu seems to be pacifying Vinod Khanna and also looks like she loves him. We also see spoil-sport Anwar Hussain directing cops to the hideout of the bandits.
BTW Bindu also turned 79 this year on 17th April. Let us enjoy the short song. (looks rather short from the clip I found).
Audio
Video
Song-Gar nibhaane ki himmat na thhi aap mein (Shankar Shambhu)(1976) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Kalyanji Anandji
Lyrics
na jaao re ae ae ae
gar nibhaane ki himmat na thhi aap mein
gar nibhaane ki himmat na thhi aap mein
dil lagaana na thha
dil lagaana na thha
haath thhaama thha mera toh yoon raah mein
chhod jaana na thha
chhod jaana na thha
gar nibhaane ki himmat na thhi aap mein
na jaao re ae ae ae ae ae
toot jaaye jo pal mein woh ikraar kya
toot jaaye jo pal mein woh ikraar kya
jisko duniya ka darr ho woh dildaar kya
pyaar ki raah mein jab kadam rakh diya
pyaar ki raah mein jab kadam rakh diya
dagmagaana na thha
dagmagaana na thha
gar nibhaane ki himmat na thhi aap mein
dil lagaana na thha
dil lagaana na thha
gar nibhaane ki himmat na thhi aap mein
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4301 | Post No. : | 15564 |
“Jheel Ke Us Paar”(1973) was produced and directed by Bhappie Sonie forBhappie Sonie Productions, Bombay. This movie was based on a Gulshan Nanda novel of the same name. It had Dharmendra, Mumtaz, Prem Chopra, Junior Mehmood, Ranjeet, Fariyaal, Veena, Anwar Hussain, Ifthikar, Urmila Bhatt, Sujata, Polson, Baby Cheeku, Madan Kenny, Rajan Kapoor, Altamash Ghaznavi, Yogita Bali with guest appearance by Jagdish Raj and special appearance by Pran.
The movie had Six songs in it. Three songs have been covered in the past.
Here is the fourth song from “Jheel Ke Us Paar”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by R D Burman.
The song is picturised on Mumtaz and Anwar Hussain. I have not watched the movie so I cannot say for sue if Mumtaz plays a blind girl or he pretends to be one in this song. I request our knowledgeable readers to help throw light on the picturisation of this song.
Audio
Video
Song-Do ghoont mujhe bhi pilaa de sharaabi (Jheel Ke Us Paar)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae ae
zaalimaa aa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaaungi laaj se main aen
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaungi laaj se main
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
laaj ka ye ghoonghat uthhaa de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai ae
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai
saakiyaa re a
e ae saathhiyaa,
arrey arrey, arrey arrey
pyaar thhoda is mein milaa de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
is khel kaa
is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise qe
is khel kaa, is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise
soniya ve ae ae
raanjhiya
are are are are
ek baar, ek baar, pahra hata de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm
Tod de tu is bandhan ko
Posted on: April 26, 2020
- In: "Advice" song | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | One actor lip syncing in multiple voices | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4300 | Post No. : | 15563 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 91 # “Dil Aur Deewaar-1978’
———————————————–—————————–
In Hindi ‘Dil’appears in a large number of titles. I am not listing them here because it will be a ‘long list’.
There are a few movies having ‘Deewaar’ in their titles (viz. ‘Sheeshe Ki Deewaar-1954’, ‘Chaandi Ki Deewaar-1964’, ‘Deewaar-1975’, ‘Waqt Ki Deewaar-1981’, and if we extend a little bit (or ‘cordon’ it? 😊) then ‘Chaar Deewaari’ in ‘1961’.
(I have included only those movies that have been launched on the blog. While preparing this post I found something new which needs to be checked with HFGK and we are always ready to wait for some interesting information in HFM, so we have to wait 🙂 ).
If I am not mistaken there is only one movie that contains both ‘Dil’ and ‘Deewaar’ in its title.
The movie is ‘Dil Aur Deewaar’ in 1978!!!
‘Dil Aur Deewaar – 1978’ was directed by K. Bappaiah for ‘Vijaya and Suresh Combines, Madras’. It was produced by D. Rama Naidu. It had Ashok Kumar, Jeetendra, Rakesh Roshan, Vijay Arora, Moushmi Chatterjee, Nirupa Roy, Prem Chopra, Jagdeep, Tarun Ghosh, Jagdish Raj, Pinchoo Kapoor, Sarika, Manorama, Shyamli, Shanti, Tuntun, Baby Shalu and others. Kamini Kaushal, Roopesh Kumar and K. Jaggaiah make a guest appearance in this movie.
Story of this movie was by Y. Sulochana Rani and its screenplay was written by Tarun Ghosh and Charandas ‘Shokh’. Charandas ‘Shokh’ also wrote the dialogues of this movie. K.A. Marthand was the Chief Editor.
This movie had six songs written by Anand Bakshi and composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Mohd Rafi had given their voices to the songs in this movie.
It was passed by Censor Board on 08.09.1978.
(As mentioned on ‘Wikipedia’ ‘Dil Aur Deewaar-1978 Hindi movie was based on a Telugu movie “Jeevana Tarangalu-1973’ directed by T. Rama Rao.)
I had not watched this movie in those years when I was growing up, but its name somehow was lying dormant in my memory and I don’t know why but I thought that there was something in the posters of this movie (may be a heart shape in place of the ‘ee’ ki maatra’ in its titles in Devnagri Script).
I watched this movie some two years back on my mobile phone (it became the second movie after ‘Aaj aur Kal-1966’ that I watched on my mobile which is the ‘most uncomfortable’ way of watching movies for me. I always prefer and like to watch movies on ‘big screen’ 🙂 )
‘Dil Aur Deewaar-1978’ is an interesting movie to watch and it keeps you engaged till the end of the movie. Few of its songs are also good. While watching the movie, I remembered being familiar with couple of songs from my radio listening days.
The song that I am presenting today appeared most familiar to me. My vaguely memory suggest that I have heard it frequently on radio in those days.
None of the songs of this movie featured in the annual ‘Binaca geetmala’ of that year the movie was released in.
I will not mention about the story of this movie and spoil it for those who wish to watch it. But I would like to write a review of this movie becausee I liked it. The performances of Moushmi Chatterjee, Jeetendra, Rakesh Roshan, Vijay Arora, Sarika and Ashok Kumar are also good given the story line and the regular ‘masaala’ in our movies of that time.
Today 26th April is seventy-second birthday (born on 26th April 1948) of Moushumi Chatterjee and on this occasion I present a song sung by Lata Mangeshkar and Asha Bhonsle, and both of them are singing for Moushumi Chatterjee only. 🙂
The lyrics are by Anand Bakshi and music is composed by Laxmikant-Pyarelal.
Going through the filmography of Moushumi Chatterjee, as I look back at the movies of her that I have watched, I can say I have not watched many of her movies. But I have vague recollections of having watched “Anuraag-1972”, “Ghulam Begam Baadshaah-1973”, “Raftaar-1975”, “Do Jhhoothh-1975” with elders in the family. I surely remember watching “Roti Kapada Aur Makaan-1974”, “Be-naam-1974”, “Jai Bajrangbali-1976”, “Swarg-Narak-1978”, “Manzil-1979”, “Swayamwar-1980”, “Pyaasa Saawan-1981”, watching with family members and cousins.
Also I think I watched “Angoor-1982”, “Ghar Ek Mandir-1984”, “Aag Hi Aag-1987” with cousins in ‘summer vacations’ if I remember clearly.
The latest movie of her I watched was “Piku-2015” and in between there was “Ghaayal-1990”.
I think I watched “Sabse Badaa Rupaiyya-1976” on TV.
Today’s movie “Dil Aur Deewaar-1978” becomes the latest movie of Moushumi Chatterjee that I watched. I like her role in this movie very much and it’s a strong central character in this movie where I think she has performed very well.
Let us now wish Moushumi Chatterjee a very happy birthday today and a healthy and peaceful life ahead. Let us enjoy this song.
Audio
Video
Song-Tod de tu is bandhan ko (Dil aur Deewaar)(1978) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Based on audio link)
tod de ae
tod de ae
tod de tu is bandhan ko
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
teri maang mein lagaa hai jo
ik daagh hai wo
sindoor nahin
tod de tu is bandhan ko
baandh le
baandh le ae
baandh le man ko is bandhan mein
baandh le man ko is bandhan mein
farz hai ye dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
tod de ae
tod de ae
baandh le man ko is bandhan mein
jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai
jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai
mangalsutra nahin ye
dhaaga sachchaa hai
kachche dhaage se bandh jaaye
tu itni majboor nahin
tod de tu is bandhan ko
tod de ae
tod de ae
is dhaage mein bandhi
hazaaron qasmein hain ae ae ae
is dhaage mein bandhi
hazaaron qasmein hain
toot nahin sakti ye
jag ki rasmein hain
tujhpar log hanse
taane den
kya tujhko manzoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
tod de ae
tod de ae
byaah nahin ye dhokha hai
par ab kya ho saktaa hai
mujhko kuchh bhi yaad nahin
phir bhi tu aazaad nahin
ye sab kisne dekhaa hai
saakshi bhaagya ki rekha hai
ye rekha mit sakti hai
kisme itni shakti hai
kaun hai tu
kaun hai tu
kya tera hai
teraa jeevan mera hai
main teri na maanoongi
tujhe main bujhdil jaanoongi
hunh
ha ha ha ha ha
is dukh se dil choor hai ye
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
—————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
तोड़ दे ए
तोड़ दे ए
तोड़ दे तू इस बंधन को
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तेरी मांग में लगा है जो
इक दाग़ है वो
सिन्दूर नहीं
तोड़ दे तू इस बंधन को
बाँध ले
बाँध ले ए
बाँध ले मन को इस बंधन में
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
तोड़ दे ए
तोड़ दे ए
बाँध ले मन को इस बंधन में
जैसा भी है झूठ से ए
ये सच अच्छा है
जैसा भी है झूठ से ए
ये सच अच्छा है
मंगलसूत्र नहीं ये
धागा कच्चा है
कच्चे धागे से बंध जाए
तू इतनी मजबूर नहीं
तोड़ दे तू इस बंधन को
तोड़ दे ए
तोड़ दे ए
इस धागे में बंधी
हज़ारों कसमें है ए ए ए
इस धागे में बंधी
हज़ारों कसमें है
टूट नहीं सकती ये
जग की रस्में है
तुझपर लोग हँसे
ताने दे
क्या तुझको मंज़ूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
तोड़ दे ए
तोड़ दे ए
ब्याह नहीं ये धोखा है
पर अब क्या हो सकता है
मुझको कुछ भी याद नहीं
फिर भी तू आज़ाद नहीं
ये सब किसने देखा है
साक्षी भाग्य की रेखा है
ये रेखा मिट सकती है
किसमे इतनी शक्ति है
कौन है तू
कौन है तू
क्या तेरा है
तेरा जीवन मेरा है
मैं तेरी ना मानूंगी
तुझे मैं बुझदिल जानूंगी
हुंह
हा हा हा हा हा
इस दुःख से दिल चूर है ये
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4300 | Post No. : | 15562 |
Today (26 april 2020) is the 4300th day for the blog.
This date happens to be Akshay Tritiya.
According to a whatsapp message shared in our WA group, it is on this day that Satyug and Treta Yug started. Parshuram, the sixth avatar of Lord Vishnu, appeared on earth on this day. The gates pf Badrinath open today. River Ganga , as a result of Bhagirath’s tapasya, arrived on earth on this day. The war of Mahabharat ended today and with that the Dwapar yug came to an end.
What an important day our 4300th day in the blog has turned out to be. 🙂 Is it a coincidence ? People who are familiar with the various incidents involving the blog will know that some higher forces are guiding the blog and we are just the means.
For instance, when I look back at the beginning of the blog, I realise that the blog was started on 19 july 2008 which was important from the point of view of Indian calendars as well as Western calender. That date was the beginning of the month of Saawan, a month that is perhaps the biggest source of inspiration for Hindi movie songs. And that day happened to be the 201st day of the calendar year !
4300 days is a century day alright, but what can I write on this occasion. My creative juices do not flow as much as they did one decade back and so I was quite at a loss for ideas.
Then I thought of a far-fetched idea. Today is 4300th day after the blog started. Likewise there was a date that precedes the beginning of the blog by 4300 days. What date was that ? What was I doing on that day ?
My calculation shows that the 4300th day prior to 19 july 2008 gives us the date of 10 October 1996. It was Thursday, Ashwin , Krishn trayodashi, the day of Masik Shivratri, which is observed every month on Chaturdashi Tithi during Krishna Paksha, which fell on this date.
Where was I on that day ? I was at Hubli. I had spent two years one month at Hubli and I was on the verge of being transferred. To the best of my knowledge, my transfer order was not issued by this date. It was issued a few days later and I was transferred to Secunderabad.
Did any important event happen on that day ? On checking, I find that Australian cricket team has arrived India those days and they played a solitary test. This one off test was played in New Delhi and it started on this day, viz 10 october 1996 !
Guess what was the result ! India won the test in four days, winning by 7 wickets.
When I look back at those days, i find that my postings in those parts of the country had some interesting results on the polity of the nation. When I was allotted that zone of South Central Railway, no one in India even thought that a South Indian could ever be Indian PM. My posting in those parts changed all that.
My first posting was in Andhra Pradesh followed by Marathwada (Nizam area). The next general election saw Narsimha Rao, belonging to the same parts becoming PM of the nation. No one can deny that this event, which was a big freak event in Indian history changed the fate of India for the better.
My next posting was to Hubli. To make matters doubly interesting, the next general election saw H D Devegowda of Karnataka becoming the PM of India !
PM ship was not the only thing I was causing to happen. Cricket in those parts also saw reaching its zenith. Azharuddin of Hyderabad became Cricket captain of India and remained so for one decade.
After I joined at Hubli, Karnataka became cricketing powerhouse of India.
Take this test, that began on 10 october 1996 for example. There were as many as five Karnataka players in the playing XI. Four out of five bowlers were from Karnakata and together they claimed 16 out of 20 Australian wickets to fall.
The five Karnataka players who played in this test team were Anil Kumble, Rahul Dravid, Venkatesh Prasad, Sunil Joshi and David Johnson.
While Kumble had made his debut six years ago, other four had made their debuts in 1996 itself. David Johnson in fact made his test debut in this test.
Please remember that Jawagal Srinath was not there in the playing XI !
In subsequent years, more Karnataka players played for India, namely Dodda Ganesh and Vijay Bhardwaj.
Having done my bit for Karnataka cricket, I went back to Hyderabad. As soon as I got posted there, VVS Laxman of Hyderabad made his test debut in November 1996. 🙂 Forget V V S Laxman, I ensured that even a mediocre player called Noel David got to play for India. 🙂
All these players may thank me later. I am in no hurry to get thanked. 🙂 Ye to mera farz thha.
Enough of those old memories. Let us now round up the discussion with a song.
While looking for a song to go with this writeup, I came across a song that was quite popular those days, though I never became aware of its details. Just now, I have become aware that this iconic song is from “Munimjee”(1972). This movie, produced and directed by Jugal Kishore for Jugal Kishore Productions, Bombay had Yogita Bali, Anil Dhawan, Ramesh Deo, Jayshree T, Junior Mehmood, Nazeer Hussain, Chandrashekhar, Maruti, Leela Mishra, R Wasti, Shahgul, Mohan Sherry, Ranjan, Narbad Shankar, Tulsi, James Bond Julian, Sudesh, Jagdeesh Shrotia, Deepak Thakur, Ratan Gaurang, Amrit Mahendra, Naginder, child artist Master Mohit, Parween Kotak, Nawal Kishore, Jameel, Saleem, Ali Raza, Balchand, Ravi, baby Manisha etc in it.
The movie had six songs in it. One song from the movie has been covered. The song under discussion is definitely the only reason why this movie is remembered. Personally I only remembered the song, I was not even aware of the movie. 🙂
The sensuous song is picturised on Jayshree T and a sadly miscast Ramesh Deo as a frolicking in water song.
The song is sung by Suman Kalyanpur. Lyrics of this song were supposedly penned jointly by Hasrat Jaipuri and Neeraj. This lyrics appears to be the work of Neeraj to me, though.
Usha Khanna is the music director.
Audio
Video
Song-Paani mein jale mera gora badan (Munimjee)(1972) Singer-Suman Kalyanpr, Lyrics-Hasrat Jaipuri, MD-Usha Khanna
Lyrics
paani mein jale
paani mein jale mera gora badan paani mein
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi lagai agan
lagi agan pani mein
paani mein jale
paani mein jale mera gora badan
pani mein
dekho o o
thhandi thhandi aag ye sataaye
aaye ae
aake koi aag ye bujhaaye
dekho o
thhandi thhandi aag ye sataaye
aaye
aake koi aag ye bujhaaye
jaloon main
jale dil
jale ?? haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badan paani mein
aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
bola main tere liye aaya hoon
haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badadan paani mein
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments