Archive for the ‘praising a person’ Category
- In: "Searching for Beloved" Song | Babbul Supriyo - Srinivas Duet | Babul Supriyo Songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Group Dance | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Peevesie's mom | praising a person | Rain song | Song Sung Inside A Cinema Hall | Songs of 1990s (1991 to 2000) | Songs of 1998 | Srinivas Songs | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5402 | Post No. : | 17726 | Movie Count : |
4748 |
Hullo Atuldom
Back after a gap of around one & half months.
Have been so active, doing various other activities, that for the first time, since 2009 (when I discovered the blog) and 2012 (when my first post appeared on the blog), I missed a few milestones (the 17,700th post) on the day it was posted. Also missed a post by Sudhir ji, which featured a song which I simply love to see “Wo Ladki Hai Kahaan“.
Also I missed writing posts on a few occasions for which I had drafts ready in my mind, but could not get down to writing or typing them. Occasions like the Hindu New Year (call them by any name- Ugadi, Vishu, Baishakhi, Cheti Chand etc.), birthdates and anniversaries of a few favourite celebs (Sachin Tendulkar, Rishi Kapoor, Irfan Khan, etc). Of course, there were posts on these special dates, just that I have been catching up on them over the last few days.
This last month and half, I have been attending a few weddings and landmark birthdays of my brothers & beloved Aunty (‘Kaaki‘ sounds more personal than Aunty). That meant hurried trips to Kerala & Mumbai (twice), and three days in Chennai. I managed to meet Guru ji on my first trip to Mumbai, but could spend only an hour with him. And saw he was preparing for his book ‘Forgotten Artists of Early Cinema and The Same name Confusion’ release. Feel so proud that I know him.
Getting to the purpose of this post- 3rd May is a special date in the annals of Indian Film Industry. It was on this date, in the year 1913, that Dadasaheb Phalke’s ‘Raja Harishchandra’, the first full length feature film produced in India, was premiered at Coronation Theater in Bombay. (The first ever film, projected moving pictures, was presented by the Lumiere Brothers in December 1895 in Paris, France).
Starting from that screening of the silent film ‘Raja Harishchandra’ till today, it is 110 years. We have had hundreds & thousands films made in almost all the Indian languages possible. There have been instances of films borrowing story ideas from our mythologies, folklore etc. Stories of India’s freedom struggle, biographies of leaders who were at the forefront at that time. The films made in India have converted novels, books into moving images that have left a permanent imprint in the minds of the enthralled fans. The list of ideas on which films are based are as varied as the framework of our country.
I have never felt the need to see films made in any other country, never had time to discover anything else. Of course, there have been a few English films that have crept into my list of films seen in my lifetime, these may add up to 15/20. But, largely, I have relished films made in Hindi, Malayalam, Tamil, Marathi, Telugu etc. In the days when Doordarshan was the sole home-entertainment source, I have even seen films in Gujarati, Bengali & Punjabi.
I know for sure that films were initially made in Lahore, Calcutta, Madras, Bombay, Kolhapur, Poona etc. Post 1947, Bombay, Madras & Calcutta (don’t know about Kolhapur & Poona) were the movie making centres with most South Indian language films being made in Madras. I am not sure about when Kerala, Andhra Pradesh & Karnataka and other states set up their own film cities. (I am expecting answers to all my doubts from the knowledgeable Atulites).
Just as story-ideas were exchanged between the films of all the languages, actors from one region were seen in films of other regions. That trend still continues.
Similarly, there has been a trend of bilinguals & trilinguals (movies made in two or three languages simultaneously) that is accepted by the audiences. And finally there are dubbed versions of popular films too. Even, this system has not been given up, and so we have ‘KGF’ (essentially a Kannada film), ‘RRR’ (Telugu), ‘Bombay’ (Tamil), ‘Roja’ (Tamil) being brought to the notice of the Hindi audiences by dubbing them. I would love to add instances of films from other languages too , but I am ignorant of these. I know for sure that ‘English Vinglish’, ‘Dil Se’, ‘PK’ have been dubbed into south Indian languages.
To celebrate the birthday of the Indian Film Industry I have chosen a song from the film ‘Doli Saja ke Rakhna’ (1998). This is Priyadarshan remaking Fazil’s (who normally made movies in Tamil and Malayalam) ‘Aniyathi Pravu’ (which directly translates as ‘Younger Sister Dove’). ‘Aniyathi Praavu’ was remade as ‘Premisthunnanu’ in Telugu, ‘Kadhalukku Mariyadhai’ in Tamil & ‘Preethigagi’ in Kannada. This is what made me feel ‘DSKR’ was an eligible option to celebrate the Indian Film Industry. It has Anupam Kher, Moushumi Chatterjee, Aruna Irani, Paresh Rawal, Mohnish Behl, Tej Sapru, Ninad Kamat, Suresh Menon, Umesh Shukla playing the family and friends to Akshaye Khanna and Jyothika. Amrish Puri had a special appearance in this film. Malayalam actor Innocent Vareed Thekkethala, known mononymously as Innocent, also made his Hindi debut in this film.
‘DSKR’ is also the debut film of Jyothika who was born in Mumbai in 1978. She starred in many South Indian films and became very popular too.
I would like to put in a few words about Innocent. He was a versatile actor who graced the Malayalam screen from 1972 and was seen playing characters that mostly brought a smile on the viewers face. He made an excellent foil, co-actor to all his co-stars and his pairing with KPAC Lalitha (who passed away in 2022) was well-received. His career of close to 700 films featured Tamil & Kannada films too. There were two Hindi films also, both made by Priyadarshan. He was also a writer, film producer and a politician. Innocent, who was born on 28th February 1948 died recently, on 26th March at the age of 75. He was a cancer survivor who took ill on 3rd March and died three weeks later. We can see him in today’s song in the uniform of an Army Colonel.
Today’s song is sung by Babul Supriyo & Srinivas. (Again meeting of artists from two regions). The song is composed by AR Rehman and written by Mehboob Kotwal (who is always credited as Mehboob).
Song – Taram Pum Taram Pum Taram Pumm, Chalo Usko Dhhodhenge Hum (Doli Saja Ke Rakhna) (1998) Singer – Babul Supriyo, Srinivas, Lyrics – Mehboob, MD – AR
Male Chorus
Female Chorus
Lyrics (Provided by Sudhir)
ye khoya khoya rehta hai
ye din mein soya soya rehta hai
ye raaton mein uth uth ke yahi gaata hai
wo le gai dil
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
itni haseenon mein
chhupi ik aisi haseena hai
ke moti seep mein ho jaise
angoothi mein ho
nageena koi wo
dekha hai tumne
kaho kya usko
ho o o o
jaise nageena koi wo
dekha hai tumne
kaho kya usko oo oo oo
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
tarram pum tarram pum tarramm pumm
tarram pum pum pum pum pum pumm
tarram pum tarram pum tarramm pumm
tarram pum pum pum pum pum pumm
doodh si rangat hai
dhuli ho chaandni se jaise
kamal ke jaisi nazaakat hai
karishma hai wo
khuda hi ka to jo
dekha hai tumne
kaho kya usko oo oo
jaise karishma hai wo
dekha hai tumne
kaho kya usko oo oo oo
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
ये खोया खोया रहता है
ये दिन में सोया सोया रहता है
ये रातों में उठ उठ के यही गाता है
वो ले गई दिल
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
इतनी हसीनों में
छुपी इक ऐसी हसीना है
के मोती सीप में हो जैसे
अंगूठी में हो
नगीना कोई वो
देखा है तुमने
कहो क्या उसको
हो ओ ओ ओ
जैसे नगीना कोई वो
देखा है तुमने
कहो क्या उसको ओ ओ ओ
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
तर्रम पम पम पम पम पम पम्म
तर्रम पम तर्रम पम तर्रम्म पम्म
तर्रम पम पम पम पम पम पम्म
दूध सी रंगत है
धुली हो चाँदनी से जैसे
कमाल के जैसी नज़ाकत है
करिश्मा है वो
खुदा ही का तो जो
देखा है तुमने
कहो क्या उसको ओ ओ
जैसे करिश्मा है वो
देखा है तुमने
कहो क्या उसको ओ ओ ओ
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
Mathura Na Jaao Bhai Kaashi Na Jaao
Posted on: March 4, 2022
- In: Bhajan | Devnagri script lyrics by Sudhir | Devotional song | Duet | Guest posts | Krishna Kalle songs | Lyrics contributed by readers | Manna Dey songs | Manna Dey-Krishna Kalle duet | Post by Avinash Scrapwala | praising a person | Songs about a place | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4977 | Post No. : | 16854 | Movie Count : | 4585 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 168 # Missing Films of 1972 – 17#
——————————————
Today’s song is from the movie ‘Shiv Bhakt Baabaa Baalaknaath’. I was not aware of this movie earlier, till coming across it in the ‘Hindi Film Geet Kosh’ – Vol-V i.e., 1971-1980.
‘Shiv Bhakt Baabaa Baalaknaath’ was directed by Avtar for Balaknath Art Films, Bombay. It is a devotional (bhakti pradhan) movie passed by Censor Board on 09.05.1972. The star cast of this movide includes Babloo, Jayshree Gadkar, Mahesh Desai, BM Vyas, Sulochana, Babu Raje, Sulochana Chatterjee, Radheshyam, Anuradha Guha, Suresh Divekar, Thakur, Lakiram, Pushpa, Bhagirath, Raghu, Moolchand, Omi, Sitaram, Parasram, Maruti, Madhukar, Narendra Shridhar and others. SN Tripathi and Aarti make a special appearance in this movie.
As per HFGK, this movie has eight songs written by five lyricist as per details given below.
| Sl. No. | Song Title | Singer/s | Lyricist |
| 01 | Om Jai Kalaadhaari Hare, Swami Jai Pauna Hari Hare | Mahendra Kapoor, chorus | Durgadas Jagota |
| 02 | Ulfat Ki Rawaani Mat Poochho, Bewa Ki Jawaani Mat Poochho | Mahendra Kapoor | Bharat Vyas |
| 03 | Chanda O Mere Chamke Tu Aisa Ki Mit Jaaye Jag Ka Andheraa | Usha Mangeshkar | Bharat Vyas |
| 04 | Aaj Guru Ki Aagyaa Le Kar… Is Bharat Ki Bhoomi Par Aise Teerath | Mahendra Kapoor | Thakur Chhabda |
| 05 | Ghar Ghar Bhatkoon, Dar Dar Bhatkoon, Milta Nahin Mujhe Tera Thhikaanaa | Usha Mangeshkar | Sudarshan Sharma |
| 06 | Mathura Naa Jaao Bhaai, Kaashi Naa Jaao … Jinki Ek Jhalak Se … | Manna Dey, Krishna Kalle, chorus | Bharat Vyas |
| 07 | Baba Mera Suhaag Naa Ujde Suhaag, Ban Ke Suhaagin Rahi Abhaagan … | Usha Mangeshkar | Bharat Vyas |
| 08 | Hote Hain Dilwaale | Kamal Barot, Usha Bansal | Gauhar Kanpuri |
Today’s song is sung by Manna Dey and Krishna Kalle with chorus. Audio and video links for the songs of this movie seems to be unavailable as of now. However, this movie is available in parts on YouTube.
Let us have take another look on the list of movies of 1972 alphabetically after adding today’s movie, which is the 117th movie of 1972 in the listing as per Geet Kosh. For brevity the list given below includes the list of movies missing on the blog and list of all movies from the last post – “O Kheton Ki Shahzaadi” from the movie ‘Shaayar-e-Kashmir Mahjoor’ to today’s movie song-post.
| Sl. No. | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07121972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | MS Vishwanathan | 17111972 | Songs Not Available | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04111972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07101972 | 0 | No Information |
| 50 | Gunfighter Johnny | KSR Das | Aadi Narayan Rao | 25031972 | Songs Not Available | 5 |
| 53 | Hunterwaali | KS Reddi | Satyam | 02091972 | Songs Not Available | 5 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05061972 | 0 | No Information |
| 68 | Lady James Bond | KSR Das | Satyam | 11071972 | Songs Not Available | 5 |
| 73 | Maayaa Darpan | Kumar T Shahni | Bhaskar Chandavarkar | 12121972 | 0 | No Information |
| 81 | Miss Chaalbaaz (Tingoo Agent 000) | Ravi | Rajan-Nagendra | 27111972 | Songs Not Available | 4 |
| 95 | Raajdhaani Express | BJ Patel | L Chakravarty | 04031972 | Songs Not Available | 5 |
| 115 | Shaayar-e-Kashmir Mahjoor | Prabhat Mukherjee | Prem Dhawan | 24081972 | 1 | 10 |
| 116 | Sharaarat | Manmohan Desai | Ganesh | 21021972 | 7 | 6 |
| 117 | Shiv Bhakta Baabaa Baalaknaath | Avtaar | Roshanlal Khatri | 09051972 | 0 | 8 |
*Notes: –
- Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’, ‘Hunterwaali’, ‘Lady James Bond’ and ‘Miss Chaalbaaz’ (Tingoo Agent 000) seem to be unavailable as of now.
- There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadu Nagari’ and ‘Maaya Darpan’ as mentioned above.
Let us now listen to today’s song, and welcome ‘Shiv Bhakt Baba Baalak Nath’ on the blog.
Song – Mathura Na Jaao Bhai Kaashi Na Jaao (Shiv Bhakt Baba Baalak Nath) (1972) Singer – Manna Dey, Krishna Kalle, Lyrics – Bharat Vyas, MD – Prem Dhawan
Manna Dey + Krishna Kalle
Chorus
Lyrics
mathura na jaao bhaai
kaashi na jaao
teerath na jaao
aur na ganga nahaao
jin ki ek jhalak se janam janam ke paap kat jaayen
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhuni ramaao
mathura na jaao bhaai
kaashi na jaao
teerath na jaao
aur na ganga nahaao
uttar dakshin
purab paschim
koi na aaye kaam re ae
baba ke charnon mein dhoondho
milenge chaaron dhaam re ae ae
milenge chaaron dhaam re ae
na bhasmi ramaao aur na maala phiraao
mandir mandir mann ko at bhatkaao
jin ki ek jhalak se janam janam ke paap kat jaayen
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhooni ramaao
mathura na jaao bhaai
kaashi na jaao
teerath na jaao
aur na ganga nahaao
baalak roop hai kitna pyaara
sab devon se nyaara hai
sabhi devta jhilmil taare
baba to dhruv taara hai ae
baba to dhruv taara hai
in ki mohini moorat bhaai
sab ki jyot hai in mein samaai
jin ki ek jhalak se janam janam ke paap kat jaayen
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhooni ramaao
mathur na jaao bhaai
kaashi na jaao
teerath na jaao
aur na ganga nahaao
jin ki ek jhalak se janam janam ke paap kat jaayen
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhooni ramaao
aise baba ke gun gaao
baba ki dhooni ramaao
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
मथुरा ना जाओ भाई
काशी ना जाओ
तीर्थ ना जाओ
और ना गंगा नहाओ
जिनकी एक झलक से जनम जनम के पाप कट जाएँ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
मथुरा ना जाओ भाई
काशी ना जाओ
तीर्थ ना जाओ
और ना गंगा नहाओ
उत्तर दक्षिण
पूरब पश्चिम
कोई ना आए काम रे
बाबा के चरणों में ढूंढो
मिलेंगे चारो धाम रे
मिलेंगे चारो धाम रे
ना भस्मी रमाओ और ना माल फिराओ
मंदिर मंदिर मन को मत भटकाओ
जिनकी एक झलक से जनम जनम के पाप कट जाएँ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
मथुरा ना जाओ भाई
काशी ना जाओ
तीर्थ ना जाओ
और ना गंगा नहाओ
बालक रूप है कितना प्यारा
हर देवों से न्यारा है
सभी देवता झिलमिल तारे
बाबा तो ध्रुव तारा है
बाबा तो ध्रुव तारा है
इनकी मोहिनी मूरत भाई
सबकी ज्योत है इन में समाई
जिनकी एक झलक से जनम जनम के पाप कट जाएँ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
मथुरा ना जाओ भाई
काशी ना जाओ
तीर्थ ना जाओ
और ना गंगा नहाओ
जिनकी एक झलक से जनम जनम के
पाप कट जाएँ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
ऐसे बाबा के गुण गाओ
बाबा की धूनी रमाओ
O Kheton Ki Shahzaadi
Posted on: March 2, 2022
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | praising a person | Rare song | Songs of 1970s (1971 to 1980) | Songs of 1972 | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4975 | Post No. : | 16851 | Movie Count : | 4584 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 168 # Missing Films of 1972 – 16#
——————————————
Today’s song is from the movie ‘Shaayar-e-Kashmir Mahjoor’.
I had never read or heard about this movie earlier till I become aware of this in HFGK Vol-V (1971-1980). It seems to be an obscure movie and very less information about it is available so far. Luckily though few of its songs have been uploaded by music lovers and I sincerely express my gratitude towards them.
‘Shaayar-e-Kashmir Mahjoor’ was directed by Prabhat Mukherji. It seems that Prabhat Mukherji was also the producer of this movie, as HFGK mentions the production company as Prabhat Mukherji (Producer, Calcutta).
The star cast of the movie is listed as Balraj Sahni, Ajay Sahni (Parikshit Sahni), Miss Kaul, Kalpana Sahni, Pran Kishore Kaul, Badgami, Raja Hamid, Kishori Kaul, Rajani Gupta, Gitanjali Desai, Shazda Zameer Ahmed, Ghulam Muhammad Pandit, Ghulam Muhammad Sufi, Krishna Pandit, Zehar Rai, and others. It was passed by Censor Board on 24.08.1972.
Here is brief about this movie which is mentioned on its song-link on YouTube by the uploader of the today’s song.
Mahjoor (Peerzada Ghulam Ahmad) was a poetic legend in the valley of Kashmir, known for his revolutionary poetry of 20th Century, Unfortunately, not much documented and heard beyond the valley. Balraj Sahni was amazed with the popularity of the poet in the region and decided to document the poet’s life on celluloid in mid 60s. He opted his son Parikshit to play the role of the poet in biopic, while he himself played father of Mahjoor. The music was given by Prem Dhawan with songs penned by Kaifi Azmi & Prem Dhawan (a few translations of Mahjoor’s works). The bilingual film directed by Prabhat Mukherjee got delayed in making and release and could only be released in 1972. The song gives some insight, how Mahjoor was the poet & the VOICE of the folk, the common people of the valley with his images, and characters from common walks of life.
As per HFGK Vol-V (1971-1980) this movie had ten songs written by two songwriters – six songs by Prem Dhawan and three songs by Kaifi Azmi. One song is a traditional and famous ghazal penned by Mirza Ghalib. Though HFGK mentions Prem Dhawan’s name for six songs it does not mention Kaifi Azmi’s name for the remaining four songs. However, for lyricists of the movie the credit is given to both.
The list of songs in this movie is as given below (as provided in HFGK).
| Sl. No. | Song Title | Singer/s | Lyricist |
| 01 | Phir Mujhe Deed-Ay-Tar | Mahendra Kapoor | Ghalib |
| 02 | Aaja Aaja O Mere Dilbar | Usha Mangeshkar, chorus | |
| 03 | Chaman Waale | Mahendra Kapoor, chorus | |
| 04 | Aazaadi Hamaare Ghar Aayi | Mahendra Kapoor, chorus | |
| 05 | Subah Ki Hansmukh Dulhan | Manna Dey, chorus | Prem Dhawan |
| 06 | O Kheton Ki Shahazaadi | Talat Mehmood | Prem Dhawan |
| 07 | Maine Naye-Naye Phool Choone | Usha Mangeshkar | Prem Dhawan |
| 08 | Ruk Jaa Aaj Ki Raat | Krishna Kalle, chorus | Prem Dhawan |
| 09 | Tamanna Kab Se Hai Dilbar | Suman Kalyanpur | Prem Dhawan |
| 10 | Jaane Kab Aaoge O Dilbar | Manna Dey, chorus | Prem Dhawan |
Today’s song is sung by Talat Mehmood. I had not listened to this song earlier and when I discovered the link for this song, I got a pleasant surprise. Besides being a song sung by Talat Mehmood it was also not posted on the blog and I got this opportunity to present it on the blog.
With the today’s song ‘Shaayar-e-Kashmir Mahjoor’makes its debut on the blog.
Let us have a look on the list of movies of 1972 alphabetically after adding the today’s movie. For brevity the list given below includes the list of movies missing on the blog and list of all movies from the last post “Is Duniya Mein Rehnewaale Sab Hon Ek Samaan” from the movie ‘Samaanta’ to today’s movie song-post.
| Sl. No. | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | MS Vishwanathan | 17.11.1972 | Songs Not Available | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 50 | Gunfighter Johny | KSR Das | Aadi Narayan Rao | 25.03.1972 | Songs Not Available | 5 |
| 53 | Hunterwaali | KS Reddi | Satyam | 02.09.1972 | Songs Not Available | 5 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
| 68 | Lady James Bond | KSR Das | Satyam | 11.07.1972 | Songs Not Available | 5 |
| 73 | Maayaa Darpan | Kumar T Shahni | Bhaskar Chandavarkar | 12.12.1972 | 0 | No Information |
| 81 | Miss Chaalbaaz (Tingoo Agent 000) | Ravi | Rajan-Nagendra | 27.11.1972 | Songs Not Available | 4 |
| 95 | Raajdhaani Express | BJ Patel | L Chakravarty | 04.03.1972 | Songs Not Available | 5 |
| 107 | Samaantaa | Nitin Bose | Nitin Mangesh | 30.12.1972 | 1 | 3 |
| 108 | Sanjog | SS Balan | RD Burman | 03.02.1972 | 4 | 4 |
| 109 | Sant Tulsidas | P Bhalchandra | Ram Kadam | 07.09.1972 | 1 | 8 |
| 110 | Savera | VK Sharma | RD Burman | 05.10.1972 | 2 | 4 |
| 111 | Sazaa | Chaand | Sonik-Omi | 20.05.1972 | 1 | 5 |
| 112 | Seeta Aur Geeta | Ramesh Sippy | RD Burman | 27.10.1972 | 5 | 5 |
| 113 | Shaadi Ke Baad | LV Prasad | Laxmikant-Pyarelal | 18.03.1972 | 2 | 5 |
| 114 | Shahzaada | K Shankar | RD Burman | 05.09.1972 | 4 | 5 |
| 115 | Shaayar-e-Kashmir Mahjoor | Prabhat Mukherjee | Prem Dhawan | 24.08.1972 | Making its debut on the blog today | 10 |
*Notes: –
- Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’, ‘Hunterwaali’, ‘Lady James Bond’ and ‘Miss Chaalbaaz’ (Tingoo Agent 000) seem to be unavailable as of now.
- There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadu Nagari’ and ‘Maaya Darpan’ as mentioned above.
Let us now listen to the today’s song, and welcome ‘Shaayar-e-Kashmir Mahjoor’ on the blog.
Song – O Kheton Ki Shahzaadi (Shaayar-e-Kashmir Mahjoor) (1972) Singer – Talat Mehmood, Lyrics – Prem Dhawan, MD – Prem Dhawan
Lyrics
o kheton ki shehzaadi
qurbaan tujh pe vaadi
o kheton ki shehzaadi
qurbaan tujh pe vaadi
tu jab bhi muskura di
har phool ne dua di
har phool ne dua di ee ee
o kheton ki shehzaadi
qurbaan tujh pe vaadi
khushboo ki tarah hardam
awaara jungalon mein
khushboo ki tarah hardam
awaara jungalon mein
kaatib ka chaand jaise
bechain baadlon mein
rangeen sabaab jitna aa aa aa
rangeen sabaab jitna
utni hi seedhi saadi
utni hi seedhi saadi
o kheton ki shehzaadi
qurbaan tujhpe vaadi
jhoomar hain motiyon ka
maathhe ka ye paseena
jhoomar hain motiyon ka
maathhe ka ye paseena
karti hai rashq tujh pe
mehlon ki har haseena
sab ki muraad lekin
sab ki muraad lekin
qismat ne naa muraadi
qismat ne naa muraadi
o kheton ki shehzaadi
qurbaan tujhpe vaadi
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
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ओ खेतों की शहज़ादी
कुर्बान तुझपे वादी
ओ खेतों की शहज़ादी
कुर्बान तुझपे वादी
तू जब भी मुस्कुरा दी
हर फूल ने दुआ दी
हर फूल ने दुआ दी॰ ॰ ॰
ओ खेतों की शहज़ादी
कुर्बान तुझपे वादी
खुशबू की तरह हरदम
आवारा जंगलों में
खुशबू की तरह हरदम
आवारा जंगलों में
कातिब का चाँद जैसे
बेचैन बादलों में
रंगीं शबाब जितना॰ ॰ ॰
रंगीं शबाब जितना
उतनी ही सीधी सादी
उतनी ही सीधी सादी
ओ खेतों की शहज़ादी
कुर्बान तुझपे वादी
झूमर है मोतियों का
माथे का ये पसीना
झूमर है मोतियों का
माथे का ये पसीना
करती है रश्क तुझपे
महलों की हर हसीना
सब की मुराद लेकिन
सब की मुराद लेकिन
किस्मत ने ना मुरादी
किस्मत ने ना मुरादी
ओ खेतों की शहज़ादी
कुर्बान तुझपे वादी
Sipaahi toone jeet liya maidaan
Posted on: February 27, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4972 | Post No. : | 16845 |
Today’s song is from the film Phir Milenge-1942.
The film was made by Minerva Movietone. In 1942, WWII was on its peak. Till that time, the Germans were on the attack, but from 1942 onwards, their decline had started and by 1945 end, both Japan and Germany had lost the war and surrendered to the Allies. However, the damage caused by the war situation continued for a few more years and like all other industries the film industry too took time to normalise its set up.
The war affected the film industry mainly in 3 ways. Firstly, the essential commodities like Petrol, Sugar etc went into shortage and the Government put several items under ” Rationing”. The list also included a shortage of Raw Film, the main requirement for making movies. Many restrictions like the length of the film etc were implemented. To rationalise and to take advantage of the powerful media like films, the Government gave additional raw film to producers on ‘ controlled rates ‘, provided they made a film with a story of helping the government war efforts. It was called a “propaganda” film.
Major film producers make a film or two such films to take advantage of the concession and allotment. During this period many such ‘ War effort’ films were made. Some examples are, Master Vinayak made ” Badi Maa”-1945 with Nurjahan and others ( including Lata and Asha). Acharya Atre’s Navyug films made the film ” Panna”-1944 with Jairaj and Geeta Nizami and film ” Phir Milenge”-1942 was made by Minerva Movietone.
The second impact of War, on the Indian Film Industry was that considerable clandestine Black Money entered the film making and many new, so called ‘Producers’, with bags of money were seen making films. Although more money became available to make more films, the directors had to entertain the whims of the producers about selection of actors or changes in the story. Many such producers started to ‘Direct’ the films. This lowered the quality of films, but brought in many new artistes and provided work to more people.
The third effect of the War was the most damaging. Since the new producers and directors did not have their own studios, they started alluring the studio employed artistes by giving more money per film. They hired studios for shooting films. This devastated the ” Studio Culture”, because artistes started “Freelancing”, without getting attached to a studio. This crumbled the studios on one hand and on the other hand the cost of engaging artistes escalated many folds. Before the war, films could be made in 75000 to 1 lakh rupees, now films needed 1 to 2 lakhs to make one film. It went on increasing and today, making a film in the 2020’s decade one needs atleast 40 to 50 crores per film.
Film Phir Milenge-42 had Sardar Akhtar, Sadiq Ali (later on called The Prince of Minerva), Meena, K N Singh, Menaka and a host of others. The film was directed by Sohrab Modi.
Sohrab Modi’s rise from a Stage Actor to a very popular and successful studio owner, actor-famous for his Dialogue Delivery of very long sentences, producer and director is very interesting. With small successes and big failures, he learned the art of giving what the audience liked in those days. However, one drawback of such people is that they can not and do not change as per the need of the times and become obsolete, ending their careers pathetically.
Famous for making large scale films, powerful dialogues and films with a lot of dramatics, Modi could not cope up with the changing tastes of the audience from the 30’s to the 60’s. The audience changed with 2 generations, but Sohrab Modi’s Minerva Movietone could not change their success formula which was not working now unlike earlier times ! May be he never wanted to change-due to self admiration or king size Ego !!
Minerva was the last big studio and film maker in the list of eminent studios established in the 30’s. When Minerva Movietone was established in 1936, there were already studios like Madon Theatres (est.1919), Imperial (1926), Ranjit Studio (1929), Prabhat (1929), Sagar Movietone (1929), New Theatres (1931), Wadia movietone (1931) and Bombay Talkies(1933). Therefore Minerva was the youngest studio. It is to its credit that it survived with dignity for a longer time-and actively too- than its predecessors and competitors, who perished, some tragically, from 1938 (Madon) to Ranjit (1963).
Sohrab Modi was a colossal personality. leela Chitnis,actress who had the experience in working for films made in different centers like Bombay, Poona, Kolhapur, madras, Calcutta,and Lahore writes in her Marathi autobiography ” चंदेरी दुनियेत “, about all major studios. About Minerva, she writes -“The atmosphere in Minerva was very playful, but once Sohrab Modi entered the premises, everyone used to be quiet and only did his work. He was a taskmaster and a great disciplinarian. he did not like people laughing or whiling their work time. it felt like a Jailor taking rounds in the jail. The atmosphere became suffocating sometimes. ”
I liked him and his films. However I always felt that Sohrab Modi was a polished, educated and a white collared version of Dara Singh. I liked his dialogue delivery style. Later I shifted my liking to Raajkumar ‘Jaani’.
In the cast we see a new name Eruch Tarapore. I was keen to know about this actor because of his strange name. It was a typical Parsee name. I searched quite a lot. Ultimately one day I accidentally came across a site about Parsee artistes. I forgot to note down the name and URL address of that site and till today I did not find it ever again. Anyway I found this information about Eruch Tarapore on this site.
Eruch Tarapore was a distant relative of Sohrab Modi and he worked only in Modi’s films. He worked in 16 films, right from Modi’s first film Hamlet-35 up to 1948. Eruch sang one song each in 3 films, Meetha zehar-38, Jailor-38 and Phir milenge-43. He died in 1948.
Today’s song is sung by Sardar Akhtar and chorus. The song was written by Pt. Sudarshan.
Song- Sipaahi toone jeet liya maidaan (Phir Milenge)(1942) Singer- Sardar Akhtar, Lyricist- Pt. Sudarshan, MD- Meer Saheb
Unknown male voice
Chorus
Lyrics
Sipaahi toone jeet liya maidaan
Sipaahi toone jeet liya maidaan
ladta chal tu
badhta chal tu
ladta chal tu
badhta chal tu
saath tere Bhagwaan
saath tere Bhagwaan
sipaahi toone
sipaahi toone
sipaahi toone
jeet liya maidaan
sipaahi toone jeet liya maidaan
?? bahaadur hai tu
?? bahaadur hai tu
ek ladaai jeet gaya
ek ladaai jeet gaya
jo kaala din aaya thha wo
jo kaala din aaya thha wo
hanste hanste beet gaya aa
hanste hanste beet gaya
dekh dekh kar himmat teri
dekh dekh kar himmat teri
duniya hai hairaan
duniya hai hairaan
sipaahi toone jeet liya maidaan
sipaahi toone jeet liya maidaan
kal wo din thha jab duniya ne
kal wo din thha jab duniya ne
dekhta thha laachaar tujhe
dekhta thha laachaar tujhe
aaj ladaai toone jeeti
aaj ladaai toone jeeti
aaj ?? hathiyaar tujhe
aaj ?? hathiyaar tujhe
kal duniya jai jai bolegi
kal duniya jai jai bolegi
hain sabhi ek zabaan
hain sabhi ek zabaan
sipaahi toone jeet liya maidaan
sipaahi toone jeet liya maidaan
sipaahi toone jeet liya maidaan
- In: "gratitude" song | "Please don't go" song | Blog century song | Calling the beloved | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Poignant Song | Post by Sudhir | praising a person | Songs of 1960s (1961 to 1970) | Songs of 1963 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- 12 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 16800th post in the blog.
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Blog Day : |
4942 | Post No. : | 16800 |
Centuries – pivotal events. And always welcome. Give us a quantized measure of manageable progress. Like one part of a lo..ong project accomplished. Or like completing one cycle of an endless process. Would we like to compare with the earth going around the sun? Maybe not a good idea. A century taking 365 days to complete. Or maybe compare to Victor Trumper and Don Bradman and Majid Khan – getting a century in the very first session of a test match. Ah but that maybe going too fast for this crowded bandwagon of Atulites.
Well then maybe the Phileas Fogg of the Victorian Britain, who put the girdle around the world in eighty days. Hmm. . . that could be a close measure. Although I assure you that this bandwagon is trotting along somewhat faster than him, and his trusted valet – Passepartout. Now this name always intrigued me till the time I discovered that this faithful valet was a Frenchman. And that explained a lot that happened in the saga of the precise Mr. Fogg.
So let’s see. We are now at the 168th century mark on this trip into the dreamland of music. If he did a Fogg-Song-A-Day on his trip, one girdle of the earth would account for 80 songs. And if he did this 168 times, he would have enjoyed the flavor of 13,440 editions of Hindi film music. So yes, we are doing better than him on that count.
[Ah yes, you may catch the misdirection in my drift, but then this is just a tongue in cheek opening of the one hundred and sixty eighth hundred milestone post of remarkable blog.]
Remarkable is just one word, and it is incapable of spanning the entire gamut of emotions that arise when I begin to describe this blog. And its accomplishments. And yes, we have a gargantuan accomplishment, as recent as three days ago, that we must also talk about. And we will.
So yes, remarkable is an inadequate qualifier. Into the fourteenth year now, and few months away from completing it. And no bureaucratic or corporate infrastructure to drive it. And appearing on a day to day basis, just like the sun rising in the east every day. The drive of THE one person, and the “साथी हाथ बढ़ाना. . .” pull and push of the entire bandwagon. In my entire personal experience of all the young years I have, I have never seen or even heard someone mention something similar; of the classic real life manifestation of the celebrated poetic idiom of Majrooh Sb – “. . . लोग साथ आते गए, और कारवां बनता गया”.
Beyond all the kudos and accolades and all the bouquets and all the doffed headgear that we can shout out with joy, we must also acknowledge and honor – that element of destiny that actually drives all the human endeavors. Like the Marco of ‘Guide’ says to Raju, when he discovers the lost caves of ancient history, replete with sculpted beauties – a lifetime of aspirations realized. He says, “. . . लेकिन तुम जानते हो राजू, आज तक कोई पारखी यहाँ तक क्यों नहीं आया? क्योंकि ये काम मेरी किस्मत में लिखा था।” [“But do you know Raju, why no connoisseur has ever reached here? Because this discovery was destined to be my endeavor.”]
Yes, the endeavors of the chosen, ordained by destiny. For other than that, there is no plausible explanation as to why it happens so in the affairs of men and in the flow of history. Accomplishments, discoveries, explorations, deeds of triumph – history always has a name written on them. It is never that hordes of men discovered America, or that a whole school of mathematicians got together to propose the methods of Calculus. History always has a name – a singular busybody to associate with high tides of achievements.
This blog, by any measure, is a feat of incalculable perseverance, and defined merit that has endured years and years of continuity. And that is yet an understatement, as for the subject matter that this blog deals with – the unending ocean of music that is the Hindi film song. And a project that has now assumed a life of its own. At the 16,800 mark today, we are just about at the one third mark, considering just the first five decades of Hindi cinema. And not even at one fifth, if the scale expands to cover almost the entire ten decades of film music – as the time passes. Only an insightful vision can fathom the purpose, the purposefulness, and the lasting dedication that has brought this humble beginning that started with saying – “Miley Na Phool To Kaanton Se Dosti Kar Li” to that zenith of accomplishment where the burden of the group song now is
Geeton Se Dosti Hai, Music Se Yaari Hai
Aise Maze Ki Pyaare Zindagi Hamaari Hai
A Labor of Love – so rightly printed in the banner of our home page. There is no other way accomplishments of such enormous magnitude are made. Decidedly yes, one song at a time. But the cumulative effect of the persistent doggedness and the dedicated perseverance brings us here to this pinnacle of a looming mountain range ahead.
There is so much about this blog that boggles the mind that I would like to propose we stop calling this Atul-Song-a-Day Blog and start calling it Atul-Song-a-Day Boggler. Because that is what happens with this bandwagon – a new mind boggling something or the other week-in and week-out. Everything is so colossal and titanic about this blog that it is now beyond even creating wonder in the minds of regulars.
And yet, we have events on the blog that shake us all. Three days ago, on 25th Jan, the visitor clock on our home paged logged in the 15 Millionth visit. Atul ji had done some basic averaging to announce that we are clocking more than three thousand visitors per day, which in turn translates to two visitors hitting this blog every minute. Quite a crazy number considering that this blog deals with a topic that one would consider as not being the choice of majority of the social media users. Hindi film song, and that too pre 1980s. And goodness, non digital music – who would prefer that in this age. But of course, the numbers belie expectations. 3000+ hits a day – I am sure very few non-commercial, non-social-media web sites can boast of such a massive following.
So, 168th century. And 15 million visitors. Celebrations are called for and have been announced. But of the date today, there is one more celebration that we must honor and observe. Suman Kalyanpur, an eminent and essential Diva of Hindi cinema, turns 85 today.
The profiles and biographies and discographies – all have been touched upon and presented in numerous posts on this blog itself. I will not attempt to present those details again. I will talk about Suman Kalyanpur, as I see her in my mind, an artist, an accomplished singer who has made her mark on the history of Indian cinema, in face of many odds and struggles.
The singular expression that comes to mind when her name is mentioned – a quiet and humble persona that has led a blemish-less career as a playback singer, a career that has lasted almost four decades of active performance. The tinsel town that is India’s film industry, is a hard and difficult place to survive. Much has been said about the circumstances that have been faced by many a talented and gifted artists who did not get their seat on the stage of first tier performers. And it is surprising to see many a name that did not make it.
But surely, here is a name that was not a first preference of the top line banners and music directors. Despite that, to make a mark and leave behind memories of songs that will never be forgotten – that is surely an accomplishment. A major part of her repertoire belongs to the B and C grade cinema. And when one listens to those obscure and forgotten sounds and melodies, one is surely inclined to wonder.
Today, I present an obscure and unheard melody – a song from an obscure film from 1963 – ‘Royal Mail’. One of the many variations of the theme of Zorro that have kept appearing regularly in Indian cinema. For a long time, this film was unavailable, until recently, when the video of this appeared online. Although the film is available now, but all the songs of this film are not. Especially this song, a solo rendition by Suman Kalyanpur – I have not been able to locate it online, and so I have uploaded it from my collection.
Way back in 2014, I had uploaded one song of this film, at the request of a reader of another blog. That song is “Chali Jaaye Re Jeevan Ki Gaadi”. The lead pair in this film are somewhat unknown names – Mahesh Kumar and Ambika. The above mentioned song was picturised on this lead pair. And today’s song also features the lead pair. Mahesh Kumar is present in the clip, but only Ambika is lip syncing the song. The dialogues leading into the song indicate the situation. The Rajkumari (Ambika) was in some trouble, and a masked vigilante (Mahesh Kumar) saves her. This masked person is known in the land as Royal Mail, and is a friend of the poor and the oppressed, and a foe of the oppressors. And when he asks permission to leave, Rajkumari breaks into this song, expressing her gratitude and requesting the masked masquerader to stay and accept her love.
The words are from the pen of Indeevar, and the music is by Avinash Vyas. An unheard and lovely song that I post today, to honor Suman ji on her 85th birthday. I wish her well, I wish her good health and comfort and I wish her many more such celebrations to follow.
So, we have had centuries today, we have had millions, and we also have an important birthday celebration. 28th Jan, 2022 – a red letter day of sorts.
I wish Atul ji, and the rest of the gang of bandwagoneers many more centuries up ahead. That the drums may keep rolling and the band keeps on playing – all the wonderful music that we love.
I would like to close this post with some lines remembered from the very first song posted by Atul ji, four thousand nine hundred and forty one days ago –
ab aage jo bhi ho anjaam, dekha jaayega
khuda tarash liya, aur bandagi kar li
Happy listening.
Song – Zindagi Dene Wale Dil To Mera Leta Jaa (Royal Mail) (1963) Singer – Suman Kalyanpur, Lyrics – Indeewar, MD – Avinash Vyas
Lyrics
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
dil ki aankhon se tujhko dekha
hum ne pehchaan liya
tere dil ki pooja mein
hum ne tujhe apna maan liya
hum ne tujhe apna maan liya
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
phool sa dil seena parbat sa
tujh sa koi dildaar kahaan
tere iraade rok sakey jo
aisi hai deewaar kahaan
aisi hai deewaar kahaan
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
sab kuchh de kar kuchh na liya
tu kaisa dene waala hai
tera shukriya jaane waale
kaisa jaadu daala hai
kaisa jaadu daala hai
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
दिल की आँखों से तुझको देखा
हमने पहचान लिया
तेरे दिल की पूजा में
हमने तुझे अपना मान लिया
हमने तुझे अपना मान लिया
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
फूल सा दिल सीना परबत सा
तुझ सा कूई दिलदार कहाँ
तेरे इरादे रोक सके जो
ऐसी है दीवार कहाँ
ऐसी है दीवार कहाँ
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
सब कुछ दे कर कुछ ना लिया
तू कैसा देने वाला है
तेरा शुक्रिया जाने वाले
कैसा जादू डाला है
कैसा जादू डाला है
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4939 | Post No. : | 16789 |
“Kaaran”(1980) was a recent movie by the standards of this blog. But the movie has ended up becoming a forgotten movie by now. This movie was directed by B R Ishara for BHagyalaxmi Chitra Mandir. The movie had Raj Kiran, Shoma Anand, Navin Nischol, Ramesh Deo, Aruna Irani etc in it.
IMDB contains its storyline as below:
Mayadevi, for the sake of her modeling career, compromises and gets pregnant. She abandons her child Suraj as soon as he is born. After 8 years, Suraj’s caretaker dies, and fate brings the child back to Mayadevi. Mayadevi has a carefree and unethical lifestyle. Suraj comes to know that Mayadevi is his mother, and he wants her to accept him as her son, but she does not. This angers Suraj. He turns a rebel and vows to revenge. Suraj tries to kill Mayadevi, unsuccessfully though, and gets arrested. Police department’s welfare officer Gill decides to turn Suraj to a good citizen. Suraj escapes jail. On the run, Suraj comes across Shashi, another victim of the male dominated society and an unmarried mother to be. Events leads Gill and Shashi to persuade Suraj to mend his ways. Mayadevi also accepts him as his son.
One can say that this movie was ahead of its time and that was the reason why it flopped.
The movie had three songs in it, all of them being male solos.
Here are the details of the two songs that have been covered so far.
| Blog Post number | Song | Date of post | Singer |
|---|---|---|---|
| 13250 | Saawan aag lagaaye re | 16 May 2017 | Yesudas |
| 14383 | Kaaran na jaane koi | 31 May 2018 | Kishore Kumar |
The third and final song from “Kaaran”(1980) is a male solo sung by Rafi. Indeewar is the lyricist. Music is composed by Usha Khanna.
It is a less known song, or a rare song. But what a gem of a song ! A forgotten gem indeed.
With this song, all the songs of “Kaaran”(1980) get covered in the blog. “Kaaran”(1980) thus joins the list of movies that have been YIPPEED in the blog.
Song-Jiska darshan karne ko sooraj nikalta hai wo tum ho(Kaaran)(1980) Singer-Rafi, Lyrics-Indeewar, MD-Usha Khanna
Lyrics
jiska darshan karne ko
sooraj nikalta hai
wo tum ho
jiska darshan karne ko
sooraj nikalta hai
wo tum ho
jiski chamak churaane ko
ye chaand machalta hai
wo tum ho
wo tum ho
wo tum ho
jiska darshan karne ko
sooraj nikalta hai
wo tum ho
nazar mili jab tumse
koi aur nazar na aaya
koi aur nazar na aaya
tumhen banaa kar rab ne apna
sundar roop dikhaaya
sundar roop dikhaaya
jiske saamne aane ko
darpan tadapta hai
wo tum ho
jiske saamne aane ko
darpan tadapta hai
wo tum ho
wo tum ho
wo tum ho
jiska darshan karne ko
sooraj nikalta hai
wo tum ho
taal se taal nikalte hain
sangeet basa baaton mein
sangeet basa baaton mein
kismat likh sakti ho tum
wo kala chhupi haathon mein
wo kala chhupi haathon mein
jis’se haath milaane ko
har koi tarasta hai
wo tum ho
jis’se haath milaane ko
har koi tarasta hai
wo tum ho
wo tum ho
wo tum ho
jiska darshan karne ko
sooraj nikalta hai
wo tum ho
- In: Baag/Bagiya song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Love song | Lyrics contributed by readers | Post by Avinash Scrapwala | praising a person | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4936 | Post No. : | 16785 | Movie Count : |
4569 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 08#
——————————————
Today’s song is from the movie ‘Maanavtaa’. This is another movie from the year 1972 which is still missing on the blog.
‘Maanavtaa’ was directed by Chanakya. It had Radha Saluja, Swroop Dutt, Vijayta, Ramesh Deo, Sulochana, Manorama, Manmohan Krishna, Randhir, Sapru, Kalpana Deewan, Ramesh Mehta, Vatsala, Shekhar Purohit and others. This movie also had child artistes Guddi, Mayank and Harsha. This movie was passed by Censor Board on 04.12.1972.
This movie has five songs – four penned by Indeewar and one song penned by Gulshan Bawra. Music for this movie was composed by Kalyanji-Anandji.
The list of songs in this movie is as given below (as provided in HFGK).
|
Sl. No. |
Song Title |
Singer/s |
| 01 | Tere Vishaal Hriday Ne Paayi | Kishore Kumar |
| 02 | Hello, Haay, Mast Jawaani, Phir Nahin Aani | Kishore Kumar |
| 03 | Mohe Na Maaro Kanha Muskaanon Ke Baan | Lata Mangeshkar |
| 04 | Tu Pyaar Pe Mere Eitbaar Karnaa | Kishore Kumar |
| 05 | Maanvtaa Hogi Kisi Aur Mein Na Aisi | Lata Mangeshkar |
I do not remember to have listened to the songs of this movie earlier. I think this must be an obscure movie of its time. I would request knowledgeable readers to throw more light on this movie and its songs.
Today’s song is sung by Kishore Kumar and on screen it is lip-synced by Swaroop Dutt. Also seen in the picturisation of this song is Radha Saluja. Before listening to the song let us have a look at the alphabetical list of movies of 1972 up to this movie.
Here is the alphabetical list of movies of 1972 up to today’s movie, which is the 67th film in this list.
Ed Note: In the interest of brevity, the list is collapsed to show the films onward from the previous episode in the series , namely ‘Kundan’ plus the ones that are without any available information or songs. Readers may refer to previous episodes of this series for earlier details – “Baanka Sipahiya Aaya Mori Daiyya“.
| Sl. No. | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 17 | Bachche Mere Saathi | TN Babu | M.S. Vishwanathan | 17.11.1972 | Songs Not Available | 6 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 50 | Gunfighter Johnny | KSR Das | Aadi Narayan Rao | 25.03.1972 | Songs Not Available | 5 |
| 53 | Hunterwaali | KS Reddi | Satyam | 02.09.1972 | Songs Not Available | 5 |
| 54 | Jaadoo Nagari | Vednatham Roghaviya | Aadi Narayan Rao | 05.06.1972 | 0 | No Information |
| 65 | Kavi Sammelan | Kedar Sharma | Not Mentioned | 18.02.1972 | Songs Not Available | 17 |
| 67 | Kundan | Prayag Raj | Ganesh | 05.12.1972 | 0 | 5 |
| 68 | Lady James Bond | KSR Das | Satyam | 11.07.1972 | 0 | 5 |
| 69 | Lalkaar | Ramanand Sagar | Kalyanji-Anandji | 25.05.1972 | 3 | 8 |
| 70 | Maalik | A Bhim Singh | Kalyanji-Anandji | 26.10.1972 | 1 | 13 |
| 71 | Maanavtaa | Chanakya | Kalyanji-Anandji | 04.12.1972 | Making its debut today |
5 |
*Notes: –
- Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’ and ‘Hunterwaali’ seems to be unavailable as of now.
- The film ‘Kavi Sammelan’ was a presentation of poetry by selected iconic poets of our country, of that time.
- There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’ and ‘Jaadoo Nagari’ as mentioned above.
Let us now listen to the today’s song…
Video
Audio
Song – Tere Vishal Hriday Ne Paai Saaton Saagar Ki Gehraai (Maanavta) (1972) Singer – Kishore Kumar, Lyrics – Indeewar, MD – Kalyanji Anandji
Lyrics
tere vishaal hriday ne paai
tere vishaal hriday ne paai
saaton saagar ki gehraai
tere vishaal hriday ne paai
saaton saagar ki gehraai
saat rang se sundar tujh ko rang mila
saare sukh mil jaayenge mujh ko
kahin jo tera sang mila
kahin jo tera sang mila
tere vishaal hriday ne paai
saaton gagan
teri aankhon mein
saaton gagan
teri aankhon mein
saat suron ka
ras baaton mein
taal mein doobi
chaal ko teri
jal tarang ka dhang mila
saare sukh mil jaayenge mujh ko
kahin jo tera sang mila
kahin jo tera sang mila
tere vishaal hriday ne paai
ek badi tujh mein achchhaai
ek badi tujh mein achchhaai
pyaar mein tere hai sachchaai
madira bhi tu
ganga jal tu
tujhko anokha ang mila
saare sukh mil jaayenge mujhko
kahin jo tera sang mila aa
kahin jo tera sang mila
tere vishaal hriday ne paai
saaton saagar ki gehraai
saat rang se sundar tujh ko rang mila
saare sukh mil jaayenge mujh ko
kahin jo tera sang mila aa
kahin jo tera sang mila
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
तेरे विशाल हृदय ने पाई
तेरे विशाल हृदय ने पाई
सातों सागर की गहराई
तेरे विशाल हृदय ने पाई
सातों सागर की गहराई
सात रंग से सुन्दर तुझको रंग मिला
सारे सुख मिल जाएँगे मुझको
कहीं जो तेरा संग मिला
कहीं जो तेरा संग मिला
तेरे विशाल हृदय ने पाई
सातों गगन तेरी आँखों में
सातों गगन तेरी आँखों में
सात सुरों का रस बातों में
ताल में डूबी
चाल को तेरी
जल तरंग का ढंग मिला
सारे सुख मिल जाएँगे मुझको
कहीं जो तेरा संग मिला
कहीं जो तेरा संग मिला
तेरे विशाल हृदय ने पाई
एक बड़ी तुझ में अच्छाई
एक बड़ी तुझ में अच्छाई
प्यार में तेरे है सच्चाई
मदिरा भी तू
गंगा जल तू
तुझको अनोखा अंग मिला
सारे सुख मिल जाएँगे मुझको
कहीं जो तेरा संग मिला
कहीं जो तेरा संग मिला
तेरे विशाल हृदय ने पाई
सातों सागर की गहराई
सात रंग से सुन्दर तुझको रंग मिला
सारे सुख मिल जाएँगे मुझको
कहीं जो तेरा संग मिला
कहीं जो तेरा संग मिला
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4650 | Post No. : | 16314 |
“Mastaani”(1955) was produced and directed by Dhirubhai Desai for Sharad Productions, Bombay. This “veshbhoosha pradhan” movie had Nigar, Manhar, Shahu Modak, Ratnmala, Niranjan Sharma, Agha, Suryakant, Seeta Bose, Santosh Kumar, N Bhushan, Dilip, Roop Kumar, Mishrilal, B N Bali etc in it. This movie also had guest appearances by Kamal, Indira Bansal, Jankidas, Yashoshara and Bhagan.
The movie had 12 songs in it. 3 of these songs have been covered in the past.
Here is the fourth song from “Mastaani”(1955) to appear in the blog. The song is sung by Rafi and chorus. B D Mishra is the lyricist. Music is composed by B N Bali.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Koi aisi ho mastaani…Usi ka main hoon deewaana(Mastani)(1955) Singer-Rafi, Lyrics-B D Mishra, MD-B N Bali
Chorus
Lyrics
aa aa aa
koi aisi ho mastaani ee ee
ki jispe dil ko pyaar aaye ae ae ae
jo roye to gire shabnam m m m
hanse to chaandni chhaaye
ada se bijli giraaye
machal ke jhoomti aaye
nazar se masti lutaaye
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana
(ho ho ho ho
ho ho ho ho)
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
dikhaaye zulfon ki shokhi to ik nasha chhaaye
dikhaaye zulfon ki shokhi to ik nasha chhaaye
vo muskuraaye to seene se dil nikal jaaye
haay dil nikal jaaye
vo meri shamma ho
main hoon jiska parwaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana
(ho ho ho ho
ho ho ho ho)
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
lade jo aankh
kaleje pe chhuri chal jaaye
lade jo aankh
kaleje pe chhuri chal jaaye
haseen ho to wo aisi ho jo sitam dhaaye
haay jo sitam dhaaye
dikhaaye nakhre to aa jaaye us pe mar jaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
meri jaan khoob pehchaana
meri jaan
meri jaan
meri jaan khoob pehchaana
khoob pehchaana
khoob pehchaana
(ho ho ho ho
ho ho ho ho)
ada se bijali giraaye
machal ke jhoomati aaye
nazar se masti lutaaye
usi ka main hoon deewaana
usi ka main hoon deewaana
usi ka main hoon deewaana
Dhanywaad kavichand pukaare
Posted on: February 5, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4585 | Post No. : | 16204 |
“Samrat Prithviraaj Chauhaan”(1959) was directed by Harsukh Bhatt for ‘Dinesh Film, Bombay’. It had Jairaj, Anita Guha, Ulhas, Sapru, B.M. Vyas, Prem Adib, Chand Usmani, Sundar, Ramesh Sinha, Umakant, Shri Bhagwan, Rajkumar, Neelofar, Heera, Anand Joshi, Sudarshan Sethi, Shah, R.S. Dubey, Pinchoo, Sheila Vaaz and others. Leela Mishra and Sulochana made guest appearance in this movie.
This movie had nine songs (including one dance music). Two lyricists viz. Bharat Vyas (seven songs) and Anant Shyam (one song) penned the lyrics. Music was composed by Vasant Desai.
So far, the following six songs (in alphabetical order) from this movie have been posted on the blog;
| S.No. | Song Title | Posted on |
|---|---|---|
| 01 | Aapas ki phoot se baar baar badly rajdhaani hai | 20.06.2011 |
| 02 | Chhup chhup ke hamse na nainaa milaao jee | 18.04.2011 |
| 03 | Janani janmbhoomi swarg se mahaan hai | 07.07.2011 |
| 04 | Lo kaamna pooran hui | 20.04.2011 |
| 05 | Maajhi re himmat na haar | 27.12.2012 |
| 06 | Naa naa naa barso baadal | 28.08.2009 |
Today’s song is the seventh song from this movie to be posted on the blog.
We are going to listen to this song today, which is in the voice of Mohd Rafi. Lyrics are by Anant Shyam and music is composed by Vasant Desai.
Let us listen to the song now …
Video (Partial)
Audio
Song-Dhanyvaad kavichand pukaare (Samrat Prithviraj Chauhan) (1959) Singer: Mohd. Rafi, Lyrics-Anant Shyam, MD-Vasant Desai
Lyrics
arey kahaan ke ae
dhanyawaad
kavichand pukaare ae
jug jug jiyo kanojirai
manokaamnaa pooran huyi hai
kari hai kripaa
sharda maay
gajbhar chhaati
jaichanda ki ee ee
kaaya singh baran jo suhaay
arey moonchhen chaat rahin gaalon ko
ah ahaa ha
moonchhe chaat rahin gaalon ko o
choli badle wohi rahi jaaye
kya kehna hai raajneeti ko
raja Ramchandra sharmaat
arrey dushman ke ghar se main aaya
swaagat kiyo mitr ki bhaant
kilaa banaaya hai lohe ka
rakshaa kare kang ki dhaar
arrey kya majaal jo praan bachaa kar
panchhi nikal jaaye us paar h
chauthhe parkote ke andar
banaa swayamwar laal kamaal
arrey bade bade raajaa ha aa
ahaa haa haa
bade bade raaja
chadhhi chadhhi aayen
dekhen kise milat jaimaal
arey gajab dhaak jaychand rai ki
dhamke saaraa hindustan
arrey baat karoon kyaa
baat karoon kyaa
baat karoon kyaa
baat karoon kya auran ki
jab
kaanpe
kaanpe
kaanpe
ho jab kaanpe
dilli ka Chauhan ….
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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