Posts Tagged ‘1955’
Hai door badi door
Posted on: February 25, 2020
This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4239 | Post No. : | 15451 |
Mohammed Rafi: The incomparable (II) – Song No. 16
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25/02/2020 – Death anniversary of S. H. Bihari
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I am presenting this Rafi sahab solo, philosophical song in memory of Shamsul Huda Bihari (1922-1987) on his 33rd death anniversary day today (25 february 2020).
S. H. Bihari was born in 1922 and his filmy career started in late 1940s it appears.
First song in Rafi Excel sheet is the Rafi-Suraiyya duet “Qismat ke likkhe ko mitaa na sakaa” from Duniya(1949). This would appear to be the first film song by S. H. Bihari, because even the website(http://www.shbihari.com/Welcome.html) on S. H. Bihari is listing his film career from 1950 onwards. There is no mention of his having written this song or other songs from the film. Another song from this film has featured in my series “Divas of hindi film music”.
As per the stats page in the blog he has written total 425 film songs, out of which 175 are posted in the blog. Frankly, through 50’s and 60’s the lyricist scene was full of stalwarts and legendary poets mainly urdu shayars. The music director had multiple choices. Some chose to stick to their tried and tested poets for long durations like Shankar-Jaikishan and Naushad. Others are moving from lyricist to lyricist and poet to another poet or using a combination of poets to write songs for them. But by and large, each music director would work with one lyricist for a particular movie, depending of the genre of the film and type of songs required. A case in point is Ravi- Shakeel Badayauni for ‘Chaudhvi ka chaand” and S. D. Burman- Shakeel Badayuni for ‘Benazir”. Another situation is Madan Mohan-Kaifi Azmi for Chetan Anand’s films like namely ‘Haqueeqat”, ‘Hindustaan ki Qasam”, “Hanste Zakhm” and “Heer Ranjha”. Otherwise Madan Mohan had distinct preference for Raja Mehdi Ali Khan, Rajendra Krishan and Majrooh Sultanpuri. Madan Mohan even did “Laila Majnu” with Sahir Ludhianvi.
Let’s go back to S. H. Bihari. Seeing his filmography, he seems to be a favourite of Hemant Kumar through 50’s and Ravi’s during late 50’s. Through 60’s he worked extensively with O. P. Nayyar, achieving the peak with block buster films like ‘Kashmir ki Kali” and “Ek Musafir Ek Hasina”. The 60’s is the productive decade also working with various music director like, Usha Khanna, Ravi, Shankar-Jaikishan, Ram-Ganguly etc. During 70’s again is mixed fare with Shankar- Jaikishan, O. P. Nayyar and various composers. And the 80’s is mostly with Laxmikant-pyarelal and notable hit music score is in Pyar Jhukta Nahi(1985).
This song from Madhur Milan(1955) is a sweet sounding melodious, motivational and philosophical song. The more I hear such Rafi song the more I am enamoured with Rafi sahab solos of 50’s decade. Song of this film released on 01.01.1955, are composed by Bulo C. Rani. The cast is Mahipal, Madanpuri, Bhudo Advani, Roopmala and Nigar Sultana. Out of twelve songs only 5 songs are posted in the blog. A trivia I gathered from these posts is that the lead actor Nigar Sultana has written a song for the film which is picturized on herself.
The song talks of long journey and hurdles in the journey. It could also mean the eternal journey which is inevitable, seeing that “jaana hai musaafir tujhe har haal mein jaana” is repeated many times. Also the ‘thikaana’ is not just ‘dur’ but ‘badi door’ also, means a long struggle to reach the destination. The line “Chhoti teri seemaaon ka dushman hai zamaana” is meant to convey the personal limitations of the ‘musaafir’ or it can even mean the ‘boundaries of integrity/values’ which the musaafir is loath to lose that the ‘zamaana’ would prefer to destroy. Also those ‘taqdeer ki faujen’ is a phantom, creating a scene where there is a fight with the destiny for the values, truth and maintain the integrity.
The second stanza is too fascinating. This talks of ‘revolution’ or great upheaval, which will go down in history as an achievement. “chaand sitaare” bear witness of this ‘bravery’ and the world shall remember the fascinating story.
I am taking a liberty of reproducing an essay which I wrote(again) for an essay competition in the office.
Integrity – A way of life.
Integrity for me – definitely should be a way of life.
Integrity will come with total transparency in all aspect of life. This is the only way of achieving it. Total integration of thoughts, speech and deeds. Ha, so simple isn’t it?
There is no doubting that a human beings integrity should be beyond doubt. One may ask the question that it is beyond doubt in all cases, where exactly? In the utopian world would be my answer.
We may lament all we want about the limitations of human fallibility. The path of truth is always fraught with thorns, as the thinkers and philosophers throughout the history of this civilization have concurred.
As the most superior creation of the God Almighty, we have a unique gift to offer to the world. We can be true to ourselves as we possess the intelligence to see the truth and recognize it and achieve a semblance of it, to whatever extant it is possible for each one of us. Truth truly is an achievement, has always been one in all eras. The very nature and purity of the concept makes sure that it is a superior achievement, taking the achiever to a higher plain. In an ideal society this achievement should have been the goal of life. All the ancient philosophies and religions point to this.Religious beliefs are a very sure shot way of achieving this recognition of truth and total amalgamation of truth in thoughts, speech and deeds. The belief that the god Almighty is watching us, nothing is hidden from him and that we have to answer for all our deeds on the ‘Day of Judgment’, will go all the way to the achievement of this task. The fact that nothing can be hidden from a superior force will make each and every one of us to face facts.
During my school days, I recall that there used to a lecture/period for the topic of ‘Deeniyat’. Here as very young children, we were taught that there are two angels sitting on both our shoulders, recording our deeds. The angel on the right shoulder records all our good deed, like we helped someone, gave charity, spoke truth. Alternatively, the angel on the left shoulder records all our bad deeds, if we lied, if we deceived someone, or treated anyone badly etc. Come to think of it, when all is said and done, there are more things that we can do are in the category of bad deeds and there are very few falling under good deeds. I can elaborate, but there is no need for it. In our circumstances and makeup, it is easier to do bad deeds than good. Because sticking to the truth is tougher and keeps getting tougher.
Here is another story heard in childhood, which adds value addition to my discourse here:
A teacher gave a task to the children – He gave them a chick each, asked them to take it to a place where no one can see you and kill it.
Next day, all the kids came and told their story of the task. Somebody went to the bathroom, someone went to the storeroom, to garage etc to kill the chick. Only one child had still not killed it and brought it to school. The teacher asked him that why he did not complete the task. The child replied that he could not find a place where no one can see it to complete the task, because God almighty was everywhere and is constantly watching, so where to go. There is no place where you can hide from the omnipresence of God almighty.The religions, I have always believed are the means to achieve one goal,that is to regulate human behavior.
A wise man was once asked: Sir, in which field could I make a great career ?
He said: Be a good human being. There is a huge opportunity in this area and very little competition.
And lastly, life is about choices. Some we regret, some we are proud of and some will haunt us. We are what we choose to be.
Everything that happens in life is not fixed… it can be changed by a weapon called will power.
I think Allama Iqbal meant this only here :
Khudi ko kar buland itna ke har taqdeer se pehle
Khuda bande se khud puchhe bataa teri razaa kya hai.
Song-Hai door badi door (Madhur Milan)(1955) Singer-Mohd Rafi, Lyrics-S H Bihari, MD-Bulo C Rani
Lyrics
Hai door badi door
badi door thikaana
Jaana hai musaafir
Tujhe har haal mein jaana
Jaana hai musaafir
Tujhe har haal mein jaana
Utthtaa hua toofaan hai
Behti hui maujen ean
Utthtaa hua toofaan hai
Behti hui maujen
Badhti hi chali aati hain ea ea ean
Badhti hi chali aati hain
Taqdeer ki faujen
Chhoti si(teri) seemaaon ka
Dushman hai zamaana
Jaana hai musaafir tujhe
har haal mein jaana
Jaana aa hai musaafir tujhe
har haal mein jaana
Hai door
Hai door badi door
badi door thikaana
Jaanaa hai musaafir
Tujhe har haal mein jaana
Jaanaa hai musaafir
Tujhe har haal mein jaana aa
Aati hai to ooo ooo
Aati hai to aa jaane de
Kashti se tabaahi
Aati hai to ooo ooo
Aati hai to aa jaane de
Kashti se tabaahi
Hain chaand sitaare
Teri himmat ki gawaahi ee eeee
Duniya ko sadaa yaad rahegaa ye fasaanaa
Jaana hai hai musaafir tujhe
har haal mein jaana
Jaanaa hai musaafir tujhe
Hai door badi door badi door thikaana
Jaana hai musaafir
Tujhe har haal mein jaana
Hai doo ……ooo…….oooo …..ooor
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Lyrics in Devnagri script (Provided by nahm)
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है दूर बड़ी दूर
बड़ी दूर ठिकाना
जाना है मुसाफिर तुझे
हर हाल में जाना
जाना है मुसाफिर तुझे
हर हाल में जाना
उट्ठता हुआ तूफ़ान है
बहती हुई मौजें एँ
उट्ठता हुआ तूफ़ान है
बहती हुई मौजें
बढ़ती ही चली आती हैं
बढ़ती ही चली आती हैं
तक़दीर की फौजें
छोटी सी सीमाओं का
दुश्मन है ज़माना
जाना है मुसाफिर तुझे
हर हाल में जाना
जाना है मुसाफिर तुझे
हर हाल में जाना
है दूर
है दूर बड़ी दूर
बड़ी दूर ठिकाना
जाना है मुसाफिर तुझे
हर हाल में जाना
जाना है मुसाफिर तुझे
हर हाल में जाना
आती है तो ओ ओ
आती है तो आ जाने दे
कश्ती से तबाही
आती है तो ओ ओ
आती है तो आ जाने दे
कश्ती से तबाही
हैं चाँद सितारे
तेरी हिम्मत की गवाही
दुनिया को सदा
याद रहेगा ये फसाना
जाना है मुसाफिर तुझे
हर हाल में जाना
है दूर बड़ी दूर
बड़ी दूर ठिकाना
जाना है मुसाफिर तुझे
हर हाल में जाना
है दू………उ ……उ……र
Gori kar le tu aaj singaar
Posted on: December 11, 2019
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4163 | Post No. : | 15335 |
Today is 97th birthday of the thespian Dilip Kumar. Dilip Kumar, real name Yusuf Khan is the most revered and copied star of this film Industry. The second most inspiring and copied star would be Mohammed Rafi’s voice. Because truly the voice was the star in Rafi Sahab’s case.
Dilip Kumar has had a fruitful and successful career of more than 50 years. This has again been equalled only by Amitabh Bachchan in recent years.
Dilip Kumar is like a lone man standing from the pre-independence era. Again he has only Lata Mangeshkar for company. Also yesteryears actress Nimmi(Born 1933) is giving him company, but she is more than a decade younger than Dilip Kumar. Nimmi was a co-star in significant films in Dilip Kumar’s career, namely Amar, Aan and Deedar. I feel she was type cast in this as the third angle in a triangle.
Dilip Kumar is the true ‘Gulfaam’ of the hindi film world. There was a Urdu Magazine by that name back in the 80’s which I had thought was dedicated to Dilip Kumar, as almost every issue had Dilip Kumar on its cover. I found a very interesting article on “The lost world of Urdu film magazines” in the net, link is here.
Dilip Kumar has often been described as an institution, by many of the later day film stalwarts, especially by the actors.
I have found the genesis of acting style of all the major superstars of hindi film industry can be found in Dilip Kumar’s style of acting.
As per the excel sheet of “Mohammed Rafi songs”, there are roughly 60 songs where Rafi Sahab gave playback for Dilip Kumar. This include one small ditty from Ganga Jamuna and the small snippet of a beautiful song from ‘Insaaniyat’ (1955). The list misses a song from “Kranti” (1981), “chana jor garam baabu” where Rafi Sahab sang just this line for Dilip Kumar :
Mera chana hai apni marzi ka
Ye dushman hai khudgarzi ka
Sar kafan baandh ke nikla hai
Deewana hai ye pagla hai
Mit jaane ko mit jaayega
Aazaad watan kar jaayegaa
I am presenting here the small snippet from the film ‘Insaaniyat”(1955) , which is composed by C. Ramchandra. Lyrics are by Rajendra Krishan and Dilip Kumar is singing this with obvious enjoyment while driving a bullock cart. I tried finding a whole song, which was not available. It may have been recorded as a full- fledged song, but I could not find it on youtube.
Some of my favourite songs by Rafi songs on Dilip Kumar are :
So presenting a small but appealing ditty in Rafi Sahab voice to celebrate Dilip Kumar Sahab’s 97th birthday today.
Song-Gori kar le tu aaj singaar (Insaaniyat)(1955) Singer-Rafi, Lyrics-Rjinder Krishan, MD-C Ramchandra
Lyrics
Hoye ye ye
Ha haa aaa haa
Gori kar le tu aaj singaar
Rasiyaa dwaare khade
Gori kar le tu aaj singaar
Rasiyaa dwaare khade
Gori kar le tu
Ho Gori kar le tu aaj singaar
Rasiyaa dwaare khade
Gori kar le tu aaj singaar
Rasiyaa dwaare khade
Gori kar le tu aaj singaar
Rasiyaa dwaare khade
Ho oo ooo
Ah haa aaa haa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4157 | Post No. : | 15326 |
“Chingaari”(1955) was directed by S Srivastava for co-operative pictures production, Bombay. The movie had Shekhar, Nalini Jaywant, Leela Misra, Sunalini Devi, Pran etc in it.
This forgotten movie had eight rare songs in it. Four songs have been covered in the past.
Here is the fifth song from “Chingaari”(1955) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Manohar aka Manohar Arora.
Song-Ye dil ki majbooriyaan (Chingaari)(1955) Singer-Lata, Lyrics-Shailendra, MD-Manohar Arora
Lyrics
ye dil ki majbooriyan aur ye pyaase nain
uljhan ki is raat mein do dil hain bechain
ye dil ki majbooriyaan
poochh raha hai chaand gagan ka hum kyun hain majboor
poochh raha hai chaand gagan ka hum kyun hain majboor
saath hain donon paas hain donon
phir bhi kitni door
kis dar ne kis soch ne chheena inka chain
ye dil ki majbooriyaan
apni manzil pe aakar bhi
kyun ye dil ghabraaye
apni manzil pe aakar bhi
kyun ye dil ghabraaye
dil ghabraaye
neend na aaye
har aahat chaukaaye
anjaane is des mein kaate kate na rain
ye dil ki majbooriyaan
pyaar agar hai paas to batla
ae duniya naadaan
pyaar agar hai paas to batla
ae duniya naadaan
tujhmein aisa kya hai jispe naaz kare insaan
kuchh na soojhe preet mein jab uljhen do nain
ye dil ki majbooriyaan aur ye pyaase nain
ye dil ki majbooriyaan
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4152 | Post No. : | 15318 |
“Chingaari”(1955) was directed by S Srivastava for co-operative pictures production, Bombay. The movie had Shekhar, Nalini Jaywant, Leela Misra, Sunalini Devi, Pran etc in it.
This forgotten movie had eight rare songs in it. Three songs have been covered in the past.
Here is the fourth song from “Chingaari”(1955) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. HFGK mentions the music director as Manohar.This Manohar is Manohar Arora.
This movie had seven Lata solo songs in it. It can be assumed that they were all meant for the lead actress viz Nalini Jaiwant.
Song-Dhak dhak dhadke jiyara laaga rog suhaana(Chingaari)(1955) Singer-Lata, Lyrics-Shailendra, MD-Manohar Arora
Lyrics
dhak dhak
dhak dhak
dhak dhak
dhak dhak
dhadke jiyara
dhadke jiyara
laaga rog suhaana
laaga rog suhaana
ghadi ghadi
ghadi ghadi dil mein aaye jaaye
aaye jaaye
ek pardesi anjaana
ho o laaga rog suhaana
kal maine unko dekha
ek sapna din ko dekha
nain mila ke neh lagaa ke
chain ganwaaya
apnon se main aankh churaaun
ho o
aankh churaaun
man bhaaya begaana
ho o
laaga rog suhaana
mere nainon se
mere nainon se dil me samaaye koi
mere honthon ko hansna sikhaaye koi
man mandir mein seekh rahi hoon
seekh rahi hoon
pyaar ke deep jalaana
ho o
laaga rog suhaana
chhup chhup jhaanke taaron se
chain churaaye ishaaron se
paas na aaye
door na jaaye
ji tarsaaye
man ke chor ko dekh na paaun
ko dekh na paaun
mile na koi bahaana
ho o
laaga rog suhaana
dhak dhak
dhak dhak
dhadke jiyara
dhadke jiyara
laaga rog suhaana
laaga rog suhaana
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4150 | Post No. : | 15316 | Movie Count : |
4220 |
Hindi Songs in Bangla Films – 9
– – – – – – – – – – – – – – – – –
‘Shaap Mochan’ (1955, Bangla film) was based on a story of the same name written by the Bengali novelist Falguni Mukhopadhyay. The film was directed by Sudhir Mukherjee. The main actors in the film were Uttam Kumar, Suchitra Sen and Pahadi Sanyal. The film is available on-line for viewing without English sub-titles.
The film is about a musical family in which one of the forefathers had been cursed by a Guru that any one in his family who takes up singing would die prematurely or become invalid for insulting him for non-acceptance as Guru. Devendra (Pahadi Sanyal) became blind while taking up the singing as the career forcing him to give up the singing. Because of the curse, he gets the assurance from his younger brother, Mahendra (Uttam Kumar) that he would also not practice singing.
In order to sustain the family, Devendra sends his brother Mahendra to Kolkata to his friend for getting him a job. Mahendra stays with him who has a daughter, Madhuri (Suchitra Sen). During the course of their inter-action, Madhuri comes to know that Mahendra is a talented singer. She encourages him to become a singer. He reveals to her as to why he can not take up singing. However, Madhuri does not believe in the superstition.
It so happens that Mahendra remains unemployed which forces him to become a singer for earning. Over a period of time, he becomes a famous singer and earns good money in his profession. Madhuri and Mahendra fall in love. However, the curse falls on Mahendra and he becomes seriously ill. Madhuri tends him and gets him to fully recover from his serious illness. With this, the family’s superstitious belief in curse is broken. The film has a happy ending.
The film has 6 songs of which one song is in Hindi. That song is a bandish, ‘kaliyan sang karata rang raliyaan’ which is rendered by Pandit D V Paluskar in Raag Bahar as Chhota Khayal. The bandish was written by Kiniwaale Ram. Although Hemant Kumar has been accredited as the music director for all the six songs in the film, it is apparent that Pandit D V Paluskar had a say in the composition of the tune in Raag Bahar.
Earlier, I was under the impression that Pandit D V Paluskar sang as a playback singer in only one film – Baiju Baawra’ (1952). His jugalbandi song, aaj gaawat man mero jhoom ke, rendered with Ustad Amir Khan is par excellence among the Hindustani classical raag-based Hindi film songs. It was G N Joshi of HMV who had suggested to Naushad saab to take Ustad Amir Khan and Pandit D V Paluskar for this jugalbandi song. Naushad first approached Ustad Amir Khan who agreed to sing provided Pandit D V Paluskar was his ‘opponent’ and he would not mind losing in the jugalbandi to him. This showed the respect Pandit D V Paluskar commanded from his equally illustrious classical vocalist. Incidentally, both Ustad Amir Khan and Pandit D V Paluskar never sang this jugalbandi in their respective public concerts despite the demand from the audience.
Pandit D V Paluskar (28/05/1921 – 25/10/1955), the Hindustani classical vocalist rendered mostly khayal and tarana in his own style without attaching himself to the orthodox Gharanas. But experts in Hindustani classical music believe that his singing style was close to Gwalior Gharana. In the short span of 34 years of his life, he had become one of the foremost among the Hindistani classical vocalist. Those who had witnessed his concerts had observed that he was a classical vocalist with a difference – he sang for the common man blending the classical renditions with popular appeal. He also sang bhajans in Hindustani classical raags.
G N Joshi of HMV who was also an illustrious Hindustani classical vocalist and the music director had mentioned in one of his articles that Pandit D V Paluskar had a rare quality of recording any Hindustani classical raag within the disc space of about 3:25 minutes in 78 RPM gramophone records incorporating all the ‘alankars’ (ornamentations) that generally go with the Khayal type of renditions. Pandit D V Paluskar was also known for his exquisite aalaaps and taans which are evident in the bandish under discussion.
The bandish describes the spring season during which bees are flirting with new flower buds. Gardens are in full bloom. Peacocks are calling and koels are singing. Trees, laden with blossoms are waving in the breeze. Women are out in groups with buckets to bring water from the river. Overall, the scenarios gladden the heart of everyone.
I am not sure whether I have captured all the sargam in lyrics for the second half of the chhota khayal as Pandit ji’s rendition of sargam taan is very fast.
A more elaborate rendition ( nearly 15 minutes) of this bandish in Raag Bahar by Pandit D V Paluskar is now available on-line here which he had performed on All India Radio’s National Programme of Music sometime in early 1950s.
Video Clip:
Audio Clip:
Song-Kaliyan sang karta rang raliyaan(Shaap Mochan)(1955) Singer-Pt D V Paluskar, Lyrics-Kiniwaale Ram, MD-Hemant Kumar
Lyrics (Based on Video Clip)
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
kaliyan sang karta rang raliyaan
kaliyan sang karta rang raliyaan
bhanwar gunjaare phooli phulwaare
chahoon oar mor bole
koyal ki kook suni hook uthhi
kaliyan sang karta rang raliyaan
kaliyan sang karta
kaliyan sang karta
lehrat leharaata
sab birachhan mori
le naar gadhwaa bharan aayi
aaj baag mein pukaare
‘Kiniwaale Ram’ bole
har baar baar
kaliyan sang karata rang raliyaan
[dialogues in Bengali]
aaaaaaa aaa aaaaaaaaaa
aa aaaa aaaa aaaa aaaa
aaaaaaa aaa aaaaaaaaa
aaaaa aa aaaaaaa
kaliyan sang karata rang raliyaan
aa aaa aaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaa aaa aa
aaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaa
aaaaa aa
kaliyan sang karata rang raliyaan
ae ae ae ae
kali……sang……
kaliyan sang karata rang raliyaan
kali eeeeeeeeeeeeeeeee ee ee ee…yan
kaliyan ee ee…yan….sang………..karata rang raliyaan
kaliyan sang karata rang raliyaan
aaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaa
kaliyan sang karata rang
aaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaa
aaaaaaa aa
kaliyan
kaliyan sang karata rang raliyaan
aaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaa
aaaaaa aa
kaliyan sang karata rang raliyaan
kaliyan sang karata
aaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaa
kaliyan sang karata rang raliyaan
aaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaa
kaliyan sang karata rang raliyaan
kaliyan
aaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaa
kaliyan sang karata rang raliyaan
kaliyan sang
ga ma pa ni sa
ni dha sa ni dha ni sa ni s ani sa
kaliyan sang karata
ga ma pa ni sa ni dha
sa ri ga ri ri s ani ga ri sa
sa ni sa ma pa ga ma sa ni pa
ga ma pa ni sa
kaliyan sang karata rang raliyaan
ga ma pa ni sa sa sa dha
sa ri sa pa ni sa ma pa ni pa ga
ma ni pa ga ma pa ni sa
kaliyan sang karata rang raliyaan
kaliyan aa
kaliyan aa
kaliyan sang karata rang raliyaaaaaa…..aan
Raah na soojhe jaaun kahaan
Posted on: October 18, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4109 | Post No. : | 15260 |
“Chingaari”(1955) was directed by S Srivastava for co-operative pictures production, Bombay. The movie had Shekhar, Nalini Jaywant, Leela Misra, Sunalini Devi, Pran etc in it.
This forgotten movie had eight rare songs in it. Two songs have been covered in the past.
Here is the third song from “Chingaari”(1955) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. HFGK mentions the music director as Manohar. We thought that it was Manohar Sonik, but by now we know that it was Manohar Arora.
This movie had seven Lata solo songs in it, so it follows that they were all meant for the lead actress viz Nalini Jaiwant. And so we can safely assume that this song was lip synced by Nalini Jaiwant in the movie.
This song, like other songs of the movie, is a forgotten gem.
Song-Raah na soojhe jaaun kahaan (Chingaari)(1955) Singer-Lata, Lyrics-Shailendra, MD-Manohar Arora
Lyrics
raah na soojhe jaaun kahaan
lut gaye mere donon jahaan aan
apna paraaya koi nahin
sar pe jhuk aaya aasmaan
aa
raah na soojhe jaaun kahaan
lut gaye mere donon jahaan
dil bechaara toota hua
gham ke haathon loota hua
kheench rahe hain is jaal ko
beraham ?? juda
ae suhaane gham tu bata
main tujhe ab chhupaaun kahaan
raah na soojhe jaaun kahaan
lut gaye mere donon jahaan aan
apna paraaya koi nahin
sar pe jhuk aaya aasmaan
dil ke mehmaan dil se bhi ja
ab tu is duniya mein na aa
bhool ja mujhko tu bhool ja
poochh na mujhse koi wajah
dil bhi mera dil na raha
ab tujhe main basaaun kahaan
raah na soojhe jaaun kahaan
lut gaye mere donon jahaan aan
apna paraaya koi nahin
sar pe jhuk aaya aasmaan aa
raah na soojhe jaaun kahaan
lut gaye mere donon jahaan aan
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4083 | Post No. : | 15223 |
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Blog 10-Year Challenge (2009-19) – Song No. 45
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The date today 22 september 2019. It is a sunday.
Ten years ago, this date (22 september 2009) was a working day. I was in Nagpur, Maharashtra. Despite that day being a working day, I had covered as many as eight songs on that day. Posting six or more songs in a day used to be no big deal for me.
Here are the details of the eight songs that were covered on 22 september 2009.
| Song (Movie title) | Year | Posting time | Remarks |
|---|---|---|---|
| Aandhiyaan gham ki yoon chalin (Zeenat) | 1945 | 1:29 | All Songs covered on the blog |
| Wo marne se nahin darte (Shama Parwaana) | 1954 | 2:19 | All Songs covered on the blog |
| Bahaaye chaand ne aansoo (Lagan) | 1955 | 5:00 | TWO/out of Eight songs covered |
| Ritu aaye ritu jaaye (Hamdard) | 1953 | 5:38 | All Songs covered on the blog |
| Mujh ko tum jo mil gaye (Detective) | 1958 | 7:10 | Seven/out of Eight songs covered |
| Idhar to haath la pyaare (Aakhri Daao) | 1958 | 7:59 | All Songs covered on the blog |
| Bahaaron se poochho (Mera Ghar Mere Bachche) | 1960 | 8:11 | Five/out of Nine songs covered |
| Dharti | 1970 | 8:34 | All Songs covered on the blog |
As can be noticed, I was awake till 2:19 AM after midnight and I had already posted two songs for the day. They I went back to sleep and woke up before 5 AM. Then I posted six more songs. The eights and final song for the day was posted at 8:24 AM !
Those were the days when I could post eight songs in a day by early morning ! What productivity ! 🙂
I hardly slept those days and that did not even affect my health. My wife, whenever she would join me would make adverse comments about my tendency to sleep less. Her persistent nagging may have finally borne fruit because these days I neither keep awake that late nor do I wake up so early. And I no longer post that many songs in a day. I actually wonder now how I was that motivated one decade ago.
By contrast from ten years ago, today (22 september 2019)I have so far posted just one post.
Here is the second song from the day, when it is already evening. This song is part of the blog ten year challenge. As can be seen from the table above, four out of eight movies have been YIPPEED by now. So only the remaining movies can be taken up for this ten year challenge.
The song taken up for this challenge is from “Lagan”(1955). This movie was produced by directed by O P Dutta for O P Films, Bombay. The movie had Nalini Jaiwant, Sajjan, Shammi, Randheer, Raj Mehra, Baby Naaz, Pappu, Om Prakash, Shamlal, Ram Avtar, Baij Sharma, Pt Iqbal, Shivrj, Uma Dutt, Parshuram, Kanwar Kesho etc , with guest appearance by David.
The song under discussion is the third song out of eight songs that this movie has.
The song is sung by Asha Bhonsle. Rajinder Krishan is the lyricisr. Music is composed by Hemant Kumar.
Only the audio of this song is available. The song appears to be a lullaby song. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Avinash Scparwala.
Song-Chhaayi maayi chhaayi maayi aaja nindiya (Lagan)(1955) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Hemant Kumar
Lyrics(Provided by Avinash Scrapwala)
Chhaayi maayi
Chhaayi maayi
Aaja nindiya
Saat suron ka leke meethhaa baaja Nindiya
Chhaayi maayi
Chhaayi maayi
Aaja nindiya
Saat suron ka leke meethhaa baaja Nindiya
Aa
Aaja nindiya
Raat bajaaye dholki
Chham chham naache taare
Sote sote ajab tamaasha
Dekhe bachche saare
Raat bajaaye dholki
Chham chham naache taare
Sote sote ajab tamaasha
Dekhe bachche saare
Ghoom ghoom ke naache
Chandaa rajaa nindiya aa aa
Saat suron ka leke meethhaa baaja Nindiya
Chhaayi maayi
Chhaayi maayi
Aaja nindiya
Saat suron ka leke meethhaa baaja nindiya
Aa
Aaja nindiya
Bani dulhaniya chaandni
Taare bane baraati
Baithe baithe khoob udaaye
Halwaa aur bataashe
Bani dulhaniya chaandni
Taare bane baraati
Baithe baithe khoob udaaye
Halwaa aur bataashe
Bani dulhaniya chaandni
Taare bane baraati
Baithe baithe khoob udaaye
Halwaa aur bataashe
Tu bhi aa ke laddu peda
Khaaja nindiya
Saat suron ka leke meethhaa baaja nindiya
Chhaayi maayi
Chhaayi maayi
Aaja nindiya
Saat suron ka leke meethhaa baaja nindiya
Chhaayi maayi
Chhaayi maayi
Aaja nindiya
Saat suron ka leke meethhaa baaja nindiya
Aa aa
Aaja nindiya
Aa aaja nindiya
Aa aaja nindiya
Aa aaja nindiya
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
छायी माई
छायी माई
आजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
छायी माई
छायी माई
आजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
आ
आजा निंदिया
रात बजाये ढोलकी
छम छम नाचे तारे
सोते सोते अजब तमाशा
देखे बच्चे सारे
रात बजाये ढोलकी
छम छम नाचे तारे
सोते सोते अजब तमाशा
देखे बच्चे सारे
घूम घूम के नाचे
चन्दा राजा निंदिया आ आ
सात सुरों का लेके मीठा बाजा निंदिया
छायी माई
छायी माई
आजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
आ
आजा निंदिया
बनी दुल्हनिया चांदनी
तारे बने बाराती
बैठे बैठे खूब उडाये
हलवा और बताशे
बनी दुल्हनिया चांदनी
तारे बने बाराती
बैठे बैठे खूब उडाये
हलवा और बताशे
तू भी आ के लड्डू पेडा
खाजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
छायी माई
छायी माई
आजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
छायी माई
छायी माई
आजा निंदिया
सात सुरों का लेके मीठा बाजा निंदिया
आ
आजा निंदिया
आ आजा निंदिया
आ आजा निंदिया
आ आजा निंदिया
Le le ye dil tera
Posted on: September 16, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4077 | Post No. : | 15215 |
“Baghdad Ka Chor”(1955) was Produced by Ram Kumar and directed by Shriram for Madan Chitra, Bombay. This “kaalpnik” (fantasy) movie had Chitra, Daljeet, Krishnakumari, Yashodhara Katju, Naaz, Amrit Rana, Ram Kumar, Sheikh etc in it.
The movie had eight songs in it. One song has been covered in the blog. These songs were penned by four lyricists.
Here is the second song from the movie to appear in the blog.
Only the lyricist’s name is mentioned in HFGK for this song. Details of singers are not given.
On listening to the song, it is clear that the song is sung by Asha Bhonsle.
Omar Khayyam Saharanpuri is the lyricist.
Music is composed by B N Bali.
Only audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
I have not been able to get a few words right towars the end of the song. I request our readers with keener ears to help fill in the lanks/ suggest corrections as applicable.
Song-Le le ye dil tera (Baghdad Ka Chor)(1955) Singer-Asha Bhonsle, Lyrics-Omar Khayyam Saharanpuri, MD-B N Bali
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
mausam e bahaar hai
dil mein mere pyaar hai
ek baar keh zara
ke tumko mujh se pyaar hai
ho ho ho ho
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
nazar se jab nazar mili
kali mere dil ki khili
mastiyon mein kho gayi
ik nayi zindagi mili
nazar se jab nazar mili
kali mere dil ki khili
mastiyon mein kho gayi
ik nayi zindagi mili
he he he he
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
phool muskura diya
bhanwra no gunguna diya
shama jali parwaana mite
?? diya
aa ha ha ha ha
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
hey
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4076 | Post No. : | 15214 |
“Albeli”(1955) was produced and directed by Devendra Goel for Fils and Television, Bombay. The movie had Geeta Bali, PPradeep Kumar, Johny Walker,Randheer, Rama Sharma, Brij, Ranjana Shukla, Tuntun, Om Prakash, Yogendra, Robin Kumar, Raje Kapoor, Meena, Gareeb Kumar, Kaiser Usmani, Ranjeet etc, with guest appearances by Shankar A Palav, Jankidas and Madan Puri.
The movie had seven songs in it. Four songs have been covered in the past.
Here is the fifth song from “Albeli”(1955) to appear in the blog. The song is sung by Asha Bhonsle. Raja Mehdi Ali Khan is the lyricist. Music is composed by Ravi.
The movie had three Asha Bhonsle solos, one Lata solo and one duet by Lata and Hemant Kumar. So it is difficult to be sure about the picturisation of these songs. I request our knowledeable readers to throw light on the picturisation of this song.
Song-O balma kyun na karoon main tose pyaar pyaar pyaar(Albeli)(1955) Singer-Asha Bhonsle, MD-Raja Mehdi Ali Khan, MD-Ravi
Lyrics
o balma
o o o o o balma
o balma
kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
o sainya kyun na dekhoon main tohe baar baar baar
tose preet puraani
o preet puraani
o o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
dil ki tamanna tere geeton mein khoyi re
phoolon ki aarzoo mein kaanton pe soyi re
tere liye o sainya kitna main royi re
kitna main royi re
phir bhi hui na aankhen chaar chaar chaar
main to prem deewaani
o o prem deewaani
o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
ho chuki tumhaari main to mujhe pehchaan lo
kya meri aarzoo hai nazron se jaan lo
main bekasoor piya baat meri maan lo
varna jee ro dongi main jaar jaar jaar
main to prem deewaani
o o prem deewani
o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o prem deewaani
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