Posts Tagged ‘1954’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4543 | Post No. : | 16117 |
‘Baazooband’ (1954) was produced by Ashalata Biswas under the banner of Variety Productions jointly with Ramanand Sagar who also directed it. The star cast included Balraj Sahni and Sulochana Chatterjee in the lead with Roopmala, Anwar Hussain, Om Prakash, Radhakrishan, Shanta Kanwar, Noor Jahan (Sr.), Noreen Linford etc in the subsidiary roles. The story, screenplay and dialogues were written by Ramanand Sagar.
The main theme of the story of the film is that in a well-settled family, a distraction by way to some vices especially when ‘other woman’ comes into the life of the husband, can wreck the family – both financially and emotionally. It is the faith and the trust with which an understanding wife can steer the husband from the wrong path. The gist of the story of the film is as under:
Seth Surajmal (Balraj Sahni), his wife, Radha (Sulcohana Chatterjee) and his two children are a wealthy and happy family. But Surajmal has one weakness. Come evening and he is magnetically attracted to make a visit to Amma’s kotha where he is under the magical spell of the dancer Chanda (Roopmala). He watches her dance and gift costly jewelries to her on his each visit . By mid-night, he returns home fully sozzled in alcohol. This is Surajmal’s daily routine.
The regular patrons of Chanda include Saanwariya (Om Prakash) and Bankelal (Anawar Hussain). Saanwariya, once upon a time a wealthy merchant, has now become almost pauper and spend his entire time in the kotha. Bankelal on the other hand is financially weak and looking for some way to raise money so that he and his foreign fiancé Josephine (Noreen Linford) can settled abroad. For this, Bankelal has found a way out by joining hands with Chanda to financially fleece Surajmal with a false promise to her that when she has collected sufficient money from Surajmal, he will marry her and settle abroad.
Radha’s mother and younger sister try to impression upon her to confront Chanda but she takes a stand that the fault lies with her husband who is mesmerised by Chanda. So, she has to take measure to bring her husband to the correct path. She is sure that her devotion towards her husband and the children would one day bring him back to senses. But would it not be too late for Radha?
In the meanwhile, hearing the news that her mother is unwell, Radha leaves for her mother’s place leaving the children with Surajmal. Bankelal finds a opportunity to place Chanda in Surajmal’s house in the guise of looking after his children. One day, when Surajmal is under the influence of liquor, Chanda gets him to sign a will that after his death, Chanda will be the sole owner of all his assets including the house.
Bankelal’s next move is to get Surajmal killed in such a way so as to appear as accidental fall from a hill top while under the influence of liquor though he would by pushed to death by Chanda. This plan is accidentally heard by Saanwariya. He cautions Radha and at the same time, he decides to tackle Bankelal. While both Bankelal and Saanwariya seems to be enjoying their drinks in the former’s house, Saanwariya mixes poison in the drinks as a result of which Bankelal dies.
Simultaneously, as per plan, Chanda after making Surajmal drinks a lot, takes him to a hilltop in the pretext of a romantic walk. However, Radha has been following them. When Chanda is struggling to push Surajmal from the hilltop, Saanwariya also reaches the spot and kills Chanda by stabbing. He throws her dead body from the hilltop. Radha reaches the spot and rescues Surajmal. Police arrives and arrests Saanwariya when he tells them that he had killed Bankelal by poisoning him and stabbed to death Chanda. Surajmal has now a changed man spending his evenings with his family. All is well that ends well.
The problem with the film is that the story is too familiar for the audience as they would have watched many films with such story in the 40s and early 50s. There is no harm making one more film on such a story provided the director has presented the story in a different cinematic presentation. But it is not. As I watched the film, I did not find the film gripping to an extent that I would complete the film in one sitting.
Balraj Sahni did not have much scope to show his performance as an actor as most of his scenes were with Chanda (Roopmala) in a drunken state. Sulochana Chatterjee as Radha did her best to reflect in her performance the balancing act between her husband and the children while tackling the husband’s problems. Roopmala in the role of Chanda performed very well both as a dancer as well as a vamp. Ramanand Sagar did not make the film melodramatic to draw the sympathy for the role of Radha nor he made Chanda more villainous to make the audience to hate her character. This would have been certainly a negative for the audience of that time.
Ramanand Sagar collaborated with Ashalata Biswas in three films – ‘Badi Bahoo’ (1951) as a story, screenplay and dialogue writer followed by ‘Mehmaan’ (1953) and ‘Bazooband’ (1954) – the last two also as a director and producer in partnership with Ashalata Biswas’s Variety Productions. Unfortunately, despite the good music, none of these films succeeded in the box office front. ‘Bazooband’ (1954) was the worst performer on the box office to such an extent that after this, Ashalata Biswas’s film production company, Variety Productions did not venture into the film production. Ramanand Sagar did not direct any film for the next 6 years until ‘Ghoonghat’ (1960).
On the positive side of the film, ‘Baazooband’ (1954) had 5 beautifully tuned songs from Lata Mangeshkar (out of 7 songs) under the baton of Mohammed Shafi. 3 songs from the film have been covered in the Blog.
I am presenting the 4th song, ‘aarzoo ye hai ki nikle dam tumhaare saamane’ from the film ‘Baazooband’(1954). The song rendered by Lata Mangeshkar is picturised on Roopmala who is dancing to seduce Balraj Sahni in the presence of Anwar Hussain who is the instigator for such an act. Om Prakash is a moot spectator to his dislike. The song is written by Daagh Dehlvi which is set to music by Mohammed Shafi.
It may be a rare occasion in a film in which as many as 4 songs (out of 7) have been picturisedon Roopmala who is not only the mujra dancer but also a vamp in the film. All the 4 mujra dance songs picturised on Roopmala were choreographed by Gopikrishna. Roopmala (real name, Mumtaz) was a popular dancer of Hyderabad. She started her filmy career with ‘Basera’ (1950).
In this song, everything is best – Daagh Dehlvi’s words, Lata Mangeshkar’s voice, Mohammed Shafi’s tune and musical arrangements, Roopmala’s dance performance with seductive expressions and gestures and choreography by Gopikrishna.
Video Clip:
Audio Clip:
Song-Aarzoo ye hai ke nikle dam tumhaare saamne (Baazooband)(1954) Singer-Lata, Lyrics-Daag Dehalvi, MD-Md Shafi
Lyrics (Based on Video Clip)
aa aa aa aa
aaa aaa aaa
aarzoo ye hai ke nikle
dam tumhaare ae saamne
haan aaa aaa aaa
aaa aaa aaa
aaa aan aaa
aa aa aa
tum hamaare saamne ho
hum tumhaare saamne
hum tumhare saamne
tum hamaare saamne ho
hum tumhaare saamne
hum tumhaare saamne
aaaa aaa aaa aaa
aaa lab par
aaye thham thham kar ke
tum ghabra na jaao
o o o o o o o o
dard dil mein ho magar
aeji dard dil mein ho magar
kum tumhaare saamne
kum tumhaare saamne
aarzoo ye hai ke nikle
dam tumhaare saamne
dam tumhaare saamne
aaa aaa aaa aaa aaaa aaa
baad mere royega
saara zamaana dekhna
aa aa aa aa
jhoom ke hoga mera
jhoom ke hoga mera
maatam tumhaare saamne
haan tumhaare saamne
aarzoo ye hai ke nikle
dam tumhaare saamne
dam tumhaare saamne
aaaa aaaaaa aaaaa
katl kar daalo hamen
yaa zulm e ulfat baksh do
haan aaa aaa
aaa aaa aaa
aan aan aan
lo khade hain haath baandhe
aeji lo khade hain haath baandhe
hum tumhaare saamne
hum tumhaare saamne
aarzoo ye hai ke nikle
dam tumhaare saamne
dam tumhare saamne
tum hamaare saamne ho
hum tumhaare saamne
hum tumhaare saamne
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4512 | Post No. : | 16062 |
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Blog 10-Year Challenge (2010-2020) – Song No. 94
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November 2010, much like november 2020, saw songs being covered in the blog at a relatively slow rate. On this day ten years ago, five songs were covered in the blog:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Gayaa andheraa huaa ujaaraa | Subah Ka Taaraa-1954 | 05 of 08 songs posted |
| Sapnon mein aana chhed chhed jaanaa | Sheesham-1952 | 07 of 10 songs posted |
| Muhabbat ke jhoothhe sahaaron ne loota | Sanskaar-1952 | 05 of 07 songs posted |
| Ye maanaa dil jise dhoondhe | Zimbo-1958 | All songs covered |
| Tirchhi nazar ka piyaa waar hai | Madaari-1959 | All songs covered |
Two out of five of these movies have since been YIPPEED in the blog. So potentially songs of three movies are eligible to be discussed in the blog ten year challenge today.
“Subah Ka Taaraa”(1954) is one of these three eligible movies. This movie was directed by V Shantaram for Rajkamal, Bombay. The movie had Jayashree, Pradeep Kumar,Shakuntala, Chandrakanta, Naaz, Ameerbai Karnataki, Ameenabai ( sister of B.Nandrekar), V.Shantaram etc. in it.
The movie had eight songs in it. Five songs have been covered in the past.
| Song | Posted On |
|---|---|
| Gayaa andheraa huaa ujaaraa | 24.11.2010 |
| Apni naakaami se mujhko kaam hai | 18.07.2012 |
| Do haklon ka suno fasaanaa | 23.06.2013 |
| Yoonhi huye badnaam saanwariya | 08.12.2013 |
| Bhaabhi aayi | 15.05.2016 |
The movie made its debut ten years ago with the most well known song of the movie.
Today, ten years later, here is another song from “Subah Ka Taara”(1954). This song is sung by Lata. Noor Lucknowi is the lyricist. Music is composed by C Ramchandra.
The song is picturised on Jayshree and Pradeep Kumar.
Lyrics of this song are sent by Prakashchandra. Blog ten year details are sent by Avinash Scrapwala.
Audio (Full)
video link:(partial)
Song-Kahoon kaisey main mann ki baat jiyarwa haale doley (Subah Ka Taara)(1954) Singer-Lata, Lyrics-Noor Lucknowi, MD-C Ramchandra
Lyrics(audio link)(Provided by Prakashchandra)
(longer than the video link)
aa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa
kahoon kaasey main
kahoon kaasey main mann ki baat
jiyarwa haaley doley ho
kahoon kaasey main mann ki baat
jiyarwa haaley doley ho
tadap seene mein dil par haath
jiyarwaa haaley doley ho
aaa aaa aaaaa aaa
aaa…aaa…aaaaa…aaa
khushi bhi ho rahi hai
aankh bhi sharmaayi jaati hai
khushi bhi ho rahi hai
aankh bhi sharmaayi jaati hai
kahey kaisey koyi ye dil ki lagi
nahin batlaayi jaati hai
kahey kaissey koyi ye dil ki lagi
nahin batlaayi jaati hai
ye nahin batlaayi jaati hai
meri tamanna hai mere saath
jiyarwa haaley doley ho
kahoon kaasey main
kahoon kaasey main mann ki baat
jiyarwa haaley doley ho
aaa aaa aaaaa aaa
aaa aaa
aaa aaa aaaaa aaa
aaa aaa aaa aaa
basti hai nainon ki galiyaan aan
hain ab jeewan mein rangraliyaan aan aan
basti hai nainon ki galiyaan
hain ab jeewan mein rangraliyaan
jhoom jhoom jhoom ke aayeen bahaarein
kaisi khili hain ye kaliyaan
jhoom jhoom jhoom ke aayeen bahaarein
kaissi khili hain ye kaliyaan
hai ae ab jeewan mein rangraliyaan
din sunahre suhaani hai raat
jiyarwa haaley doley ho
kahoon kaasey main
kahoon kaasey main mann ki baat
jiyarwa haaley doley ho
aaa aaaa
aaa aaa aaa
aaa aaa aaa
aaa aaaa aaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4504 | Post No. : | 16043 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part VIII: Year 1954
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In this episode, we arrive at the ninth year of Lata Mangeshkar as a playback singer in Hindi movies. Like in the past six years, this year too she dominated, singing 172 songs in 43 movies out of 117 movies released in the year.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1954 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Amar | Naushad | 7 | 7 | 7 | 0 | 0 | 0 | Shakeel Badayuni |
| 2 | Angaarey | S D Burman | 6 | 6 | 5 | 1 | 0 | 0 | Sahir Ludhianvi |
| 3 | Baadshah | Shankar Jaikishan | 6 | 6 | 5 | 1 | 0 | 0 | Hasrat Jaipuri (5) Shailendra (1) |
| 4 | Baap Beti | Roshan | 4 | 4 | 4 | 0 | 0 | 0 | Kavi Pradeep |
| 5 | Baaraati | Roshan | 4 | 4 | 3 | 0 | 1 | 0 | D N Madhok (2) Jaan Nisaar Akhtar (1) Raja Mehdi Ali Khan (1) |
| 6 | Baazooband | Md Shafi | 2 | 5 | 5 | 0 | 0 | 0 | Prem Dhawan (3) Daag (1) Pt Chandrashekhar (1) |
| 7 | Bahut Din Huye | B S Kalla | 2 | 7 | 6 | 0 | 1 | 0 | Pt Indra |
| 8 | Bhai Sahab | Ninu Majumdar | 0 | 2 | 2 | 0 | 0 | 0 | Shailendra |
| 9 | Biraj Bahu | Salil Chaudhary | 1 | 1 | 0 | 1 | 0 | 0 | Prem Dhawan |
| 10 | Chaalis Baaba Ek Chor | S D Burman | 7 | 8 | 6 | 2 | 0 | 0 | P L Santoshi |
| 11 | Chaandni Chowk | Roshan | 5 | 5 | 4 | 0 | 0 | 1 | Shailendra (3) Majrooh Sultanpuri (2) |
| 12 | Chor Baazaar | Sardar Malik | 3 | 3 | 3 | 0 | 0 | 0 | Shakeel Badayuni |
| 13 | Daaku Ki Ladki | Hemant Kumar | 3 | 5 | 3 | 2 | 0 | 0 | S H Bihari (3) Kaif Irfani (2) |
| 14 | Danka | Aziz Hindi | 2 | 2 | 2 | 0 | 0 | 0 | Nazim Panipati (1) Jaan Nisaar Akhtar (1) |
| 15 | Ehsaan | Madan Mohan | 2 | 2 | 2 | 0 | 0 | 0 | Kaif Irfani |
| 16 | Guzaara | Ghulam Mohammad | 1 | 3 | 2 | 1 | 0 | 0 | Raja Mehdi Ali Khan |
| 17 | Haar Jeet | S D Batish | 1 | 1 | 1 | 0 | 0 | 0 | Kaif Irfani |
| 18 | Kavi | C Ramchandra | 1 | 1 | 0 | 1 | 0 | 0 | Rajinder Krishan |
| 19 | Maan | Anil Biswas | 5 | 5 | 5 | 0 | 0 | 0 | Kaif Bhopali (3) Safdar Aah Sitapuri (1) Raja Mehdi Ali Khan (1) |
| 20 | Manohar | S V Venkatraman | 0 | 2 | 1 | 1 | 0 | 0 | Vishwamitra Adil |
| 21 | Meenaar | C Ramchandra | 4 | 4 | 3 | 1 | 0 | 0 | Rajinder Krishan |
| 22 | Mehbooba | Roshan | 4 | 4 | 3 | 1 | 0 | 0 | Tanveer Naqvi (2) Majrooh (1) Indeewar (1) |
| 23 | Naagin | Hemant Kumar | 9 | 9 | 8 | 1 | 0 | 0 | Rajinder Krishan |
| 24 | Naastik | C Ramchandra | 8 | 8 | 6 | 2 | 0 | 0 | Kavi Pradeep |
| 25 | Naaz | Anil Biswas | 5 | 5 | 5 | 0 | 0 | 0 | Satyendra Athhaiyya (2) Prem Dhawan (2) Kidar Sharma (1) |
| 26 | Naukri | Salil Chaudhary | 1 | 1 | 1 | 0 | 0 | 0 | Shailendra |
| 27 | Pahli Jhalak | C Ramchandra | 6 | 6 | 6 | 0 | 0 | 0 | Rajinder Krishan |
| 28 | Pahli Taarikh | Sudhir Phadke | 1 | 1 | 1 | 0 | 0 | 0 | Qamar Jalalabadi |
| 29 | Parichay | Shailesh | 2 | 4 | 4 | 0 | 0 | 0 | Akhtar Yusuf (3) Keshav (1) |
| 30 | Pensioner | Hansraj Bahl | 0 | 1 | 1 | 0 | 0 | 0 | A Shah Shikarpuri |
| 31 | Pilpili Sahab | Sardul Kwatra | 3 | 6 | 3 | 3 | 0 | 0 | Hasrat Jaipuri (5) Shailendra (1) |
| 32 | Pooja | Shankar Jaikishan | 4 | 4 | 3 | 1 | 0 | 0 | Hasrat Jaipuri (1) Shailendra (3) |
| 33 | Radha Krishna | S D Burman | 2 | 6 | 5 | 0 | 1 | 0 | Narendra Sharma (2) Sahir Ludhianvi (2) Satyendra Athhaiyya (2) |
| 34 | Rishta | K Datta | 1 | 2 | 2 | 0 | 0 | 0 | Pt Phaani |
| 35 | Samaaj | Arun Kumar Mukherjee | 1 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 36 | Samrat | Hemant Kumar | 3 | 3 | 3 | 0 | 0 | 0 | Rajinder Krishan |
| 37 | Shabaab | Naushad | 7 | 7 | 5 | 2 | 0 | 0 | Shakeel Badayuni |
| 38 | Shart | Hemant Kumar | 4 | 4 | 3 | 1 | 0 | 0 | S H Bihari (3) Rajinder Krishan (1) |
| 39 | Shiv Kanya | Manna Dey | 1 | 1 | 1 | 0 | 0 | 0 | Bharat Vyas |
| 40 | Subah Ka Taara | C Ramchandra | 6 | 6 | 4 | 1 | 1 | 0 | Noor Lucknowi (5) Dewan Sharar (1) |
| 41 | Suhaagan | Vasant Ramchandra | 0 | 4 | 4 | 0 | 0 | 0 | Ehsan Rizvi (2) Saraswati Kumar Deepak (2) |
| 42 | Taxi Driver | S D Burman | 4 | 4 | 4 | 0 | 0 | 0 | Sahir Ludhianvi |
| 43 | Toofaan | S D Batish | 2 | 2 | 2 | 0 | 0 | 0 | Kaif Irfani |
| Total | 43 movies | 25 MDs | 140 | 172 | 144 | 23 | 4 | 1 | 35 Lyricists |
In this year, Lata Mangeshkar achieved a major feat that went unnoticed at that time. She completed 1000 songs as a playback singer in Hindi films. She was the first playback singer to achieve this distinction in HFM.
Here is the summary of her playback career in Hindi movies till end of 1954 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | All time highest figures in a year for Lata |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| Total upto 1954 | 276 movies | 945 | 1126 | 829 | 215 | 53 | 29 |
During the year 1954, she worked for the first time with nine music directors- Arun Kumar Mukherjee, Aziz Hindi, B S Kalla, Ninu Majumdar, S V Venkatraman, Sardar Malik, Sardul Kwatra, Shailesh and Vasant -Ramchandra. As for lyricists, she worked for the first time with Akhtar Yusuf, Daagh, Jaan Nisaar Akhtar, Kaif Bhopali, Keshav, Pt Chandrashekhar, S H Bihari, Saraswati Kumar Deepak, Tanveer Naqvi, and Vishwamitra Adil.
By 1954, Lata Mangeshkar had worked with 68 music directors and 110 lyricists. Top six music directors, namely C Ramchandra (183), Shankar Jaikishan (108), Husnlal Bhagatram (98), Anil Biswas (98), Roshan (65) and Naushad (53) alone composed 705 of these Lata Mangeshkar songs !
Top six lyricists, viz Rajinder Krishan (160), Shailendra (87), Shakeel Badayuni (75), Hasrat Jaipuri (73), P L Santoshi (61) and Prem Dhawan (40) penned as many as 396 of these songs.
We notice that Lata Mangeshkar sang 172 songs in 43 movies of 1954. The blog has 140 of these songs. All Lata Mangeshkar songs from 30 of these movies are covered in the blog. That leaves us with only 13 movies of 1954 that offers us a few Lata Mangeshkar songs to discuss.
Alphabetically, the first such movie of 1954 is “Baazooband” (1954).
“Baazooband”(1954) was directed by Ashalata Biswas and directed by Ramanand Sagar for Variety Productions, Bombay. The movie had Sulochana Chatterji, Balraj Sahni, Roopmala, Anwar, Ramesh Kapoor, baby saroj, Om Prakash, Noorie, Linford, Shanta Kunwar, Noorjahana, Brahm, Indira, Sindura etc with Radhakishan as guest artist.
There were seven songs in the movie. Two songs from the movie has been discussed in the past.
The movie had five Lata Mangeshkar songs in it. They were all solo songs. The two songs covered in the blog were both Lata solos. So three more Lata songs are yet to be covered in the blog.
Here is the third such song from “Baazooband”(1954). the song is sung by Lata Mangeshkar. Prem Dhawan is the lyricst. Music is composed by Md Shafi. Like other Lata Mangeshkar songs, this song is picturised on Roopmala. I request our knowledgeable readers to help identify others seen in the picturisation.
Song-Dil ki mehfil mein aake chale ho kahaan (Baazooband)(1954) Singer-Lata, Lyrics-Prem Dhawan, MD-Md Shafi
Lyrics
dil ki mehfil mein aake
chale ho kahaan ji chale ho kahaan
dil ki mehfil mein aake
chale ho kaha ji chale ho kaha
mujhse daaman chhudake chale ho kaha ji chale ho kahaan
dil ki mehfil
adhoori na rah jaaye dil ki kaahaani
ji dil ki kahaani
ghadi do ghadi ki hai ye zindagaani
ghadi do ghadi ki hai ye zindagaani
jalti shama bujha ke chale ho kahaan ji chale ho kahaan
dil ki mehfil mein aake
chale ho kahaan ji chale ho kahaan
dil ki mehfil
haan ye jalwe ye shokhi ye nagme ye masti
na jaane ujad jaaye kab saari basti
na jaane ujad jaaye kab saari basti
aisi basti basaa ke chale ho kahaan ji chale ho kahaan
dil ki mehfil mein aake chale ho kahaan ji chale ho kahaan
dil ki mehfil
kayaamat hai mera zara sa ishaara
zara sa ishaara
bacha kab koi meri nazron ka maara
bacha kab koi meri nazron ka maara
mujhse nazren bacha ke chale ho kahaan ji chale ho kahaan
dil ki mehfil mein aake chale ho kahaan ji chale ho kahaan
mujhse daman chhudaa ke chale ho kahaan ji chale ho kahaan
dil ki mehfil
Moorakh baithha aaj ki soche
Posted on: October 31, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4488 | Post No. : | 16011 |
31/10/2020 – Remembrance day of S D Burman
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Sab kahan kuchh laala-o-gul mein numaayan ho gayin
Khaak mein kya sooratien hongi jo pinhaan ho gayin
Yesterday I was at the farewell function for officers retiring in my office. Many people were there, and the officers were felicitated with customary shawl and coconut, bouquet and token gifts etc. All attendees were wearing masks and photos were clicked. While all this was going on, there flashed the second line of the above sha’ir by Ghalib. With a change of one word, the sha’ir perfectly suits the situation, as is:
Sab kahan kuchh laala-o-gul mein numaayan ho gayin
“Mask” mein kya sooratien hongi jo pinhaan ho gayin
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We commemorated 114th birth anniversary of the Dada Burman or Burman Da, as he was affectionately called by colleagues and friends, senior and juniors alike, a month ago. Now it is his 45th death anniversary today. He formed an immortal dynasty with son R. D. Burman, which is unparalleled. As a father, he is bound to have a bigger hand in forming RDB, the musical phenomena than vice versa.
I have been a die-hard fan of S. D. Burman’s songs, whether they are by Mohammed Rafi, Kishore Kumar, Mukesh, Talat Mehmood, Lata Mangeshkar or Asha Bhosle. I want to list my favourite by each of these singers, here it is:
| Singer | Song |
|---|---|
| Kishore Kumar | Dil aaj shaayar hai |
| Mukesh | Chal ri sani ab kya soche |
| Talat Mehmood | Jalte hain jiske liye |
| Lata Mangeshkar | Ab to hai tum se |
| Asha Bhonsle | O panchhi pyaare saanh sakhaare |
| Geeta Dutt | Waqt ne kiya kya haseen sitam |
| Hemant Kumar | Jaane wo kaise log the inke |
(Not including the favourite Rafi songs and duets, saving it for another post)
A few trivia found on the net about the song of “Pyaasa” listed above:
• Jane Woh Kaise Log The Jinke Pyar Ko Pyar Mila – The tune of the line “Humne to jab kaliyan maangi” in this song may have been S.D. Burman’s adaptation of the line “Punjab Sindh Gujarat Maratha” from the Indian national anthem composed by Rabindranath Tagore.
• Jane Woh Kaise Log The Jinke Pyar Ko Pyar Mila – This was the only song in the film in which the voice of a male singer other than Mohammed Rafi was used. S.D. Burman’s decision to use Hemant Kumar for this song may have been to fulfill a promise he had made to the singer to give him at least one song a year – a promise Hemant Kumar himself reminded the composer of. Additionally, the fact that the song was influenced by Rabindra Sangeet may have swung the decision in favour of Hemant Kumar, a seasoned practitioner of this form of music.
I cannot talk about S. D.Burman and not rewind immortal songs of Abhiman, Guide, Tere ghar Ke saamne, Sujata, Bandini, Bambai ka babu, Pyasa, Kaaghaz ke Phool, Sharmilee, Paying guest, kaala bazaar, Kaala Pani, Jewel thief, Prem Pujari, Gambler, Talaash, Sharmilee etc.
The total songs composed by S. D. Burman are 666 in 87 movies. Out of these 666 songs which must include non-film songs too, 637 are already posted in the blog. This tally must exclude the songs composed for Bengali/Assamese and Oriya films. 23 songs sung by S. D.Burman are posted in the blog, so they may include some Bengali songs too. With less than 30 songs to complete the tally, it was bound to be a tough task to find a song to post. Still I did find a 50’s song, a solo by Shamshad Begum from the film “Chaalis Baba ek chor”. Lyricist is Pyarelal Santoshi. Eight songs from this film are posted out of 12 songs. I have only the audio of the song, which appears with to be in two parts and it is mentioned as two separate songs elsewhere. So there may not be 12 songs in this film.
The song itself appears like a kid is singing this song, with family members. Trying to make light of the financial problems, the singers all are enjoying making fun of their own situation. This is a feat, not easy to achieve, however worse or bad are the times.
Myswar is mentioning 4 solos by Shamshad Begum. One of those songs is titled “doodhwala bhaiyya aaya maange rupaiyya”, this seems to go with the theme of this current song which refers to sethani(land lord), dhobi, darzi etc. so dhoodwala coming and asking for his money is in same vein. Some links on youtube are giving name “darji hai kapda chor”. But I couldn’t find the “doodhwala bhaiyya” song, and it is not part of the links that I heard of the current song.
Shamshad Begum, is one of the most prolific playback singers of her generation. As per the stats page, she has sung 1273 songs in her career, 695 of which are posted in the blog.
Song-Moorakh baithha aaj ki soche (Chaalis Baba ek Chor)(1954) Singer-Shamshad Begam, Lyrics-P L Santoshi, MD-S D Burman
Chorus
Unknown male voice
Lyrics
Ae ji moorakh baithhaa aa
aaj ki soche
aur kal ki soche siyaa..aanaa
kaal ke pankh pasaare dekho
udtaa aa aaa
jaaye zamaana aa
ae ji hafton se
ae ji maheenon se
ae ji barson se
apni ye gaadi rahi chal
aaj nahin kal baba
aaj nahin kal
baba aaj nahin kal
baba aaj nahi kal
shor machaati wo aayi sethhaani
naam hai baby
baby ee
haan haan baby raani
bigdi deewaani
budhiya naani
kehne lagi ee
kehne lagi ee
de do kiraaya yaa
jaao nikal
ham ne kahaa
aaj nahin kal baby
aaj nahin kal
uss ne kahaa aaj
nahin kal
aaj nahin kal
baby aaj nahin kal
baby aaj nahin kal
baby aaj nahin kal
ae ae ae
chor chor chor chor
darji hai kapda chor
hamaara darji hai kapda
chor chor chor chor
darji hai kapda chor
hamaara darji hai kapda chor
dil ka chhotaa
neeyat ka khotaa
kapda diya thha knicker banaane
laaya banaa ke langotaa
ultaa machaave shor
machaave shor
o kapda
chor chor chor chor
darji hai kapda chor
hamaara darji hai kapda
chor chor chor chor
dhobiye ne dhobi dhobi
dho dho dho
dho dho dho
dhote to ho betaaj (?)
ae ji dhobi ke jhoote thaathh
ghar mein
tooti taati khaat
tooti taati
tooti taati
tooti taati khaat
bichha kar
soye puraana taat
gadhe par
baitthaa jaave ghaat
gadhe par
gadhe par
gadhe par
dhobi ke dekho thhaath
kisi ki pant
kisi ka coat
pehan kar bana
governer laat
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4464 | Post No. : | 15948 |
“Baaraati” (1954) was directed by J K Nanda for Kardar Productions, Bombay. The movie had Chand Usmani, Peace Kanwal, Agha, Om Prakash, Sham Kumar, Leela Mishra, Baby Sheela, Darpan, Johny Walker, abbas, Rajan KHaksar, Heera Sawant, Agha Miraz, Kathana, Ameer Ali, Agha Mirza etc. in it.
The movie had eight songs in it. Seven songs have been discussed in the past. Here are their details:-
| Blog post number | Song | Date | |
|---|---|---|---|
| 1742 | Kis naam se pukaaroon kyaa naam hai tumhaara | 11 August 2009 | |
| 2714 | Kahin door koyaliyaa gaaye re | 2 August 2010 | |
| 3219 | Aa phir se mere pyaar ki kismat sanwaar de | 17 November 2010 | |
| 8572 | Teri nazron ne hamko chheda hai | 22 August 2013 | |
| 15728 | Haaye koi keh de papeeha se jaa ke | 16 July 2020 | |
| 15775 | Saari raat jaage laage jo tose nainwaa | 2 August 2020 | |
| 15875 | Dhak dhak dhak dhak kare dil | 9 September 2020 |
Here is the eighth and final song from “Baaraati”(1954). This song is sung by S Balbir, Asha Bhonsle and chorus. D N Madhok is the lyricist. Music is composed by Roshan.
It uis a very long song (over seven minutes long). It is picturised as a “fair” (mela) song. I am unable to identify most actors seen in the picturisation. I feel that a lady seen dancing towards the end of the picturisaation could be Sheila Vaz, though her name does not figure in the credits. I request our knowledgeable readers to help identigfy her as well as others seen in the picturisation.
I have not been able to get the lyrics right to my satisfaction, especially in the parts with Punjabi words. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.
With this song, all the songs of “Baaraati”(1954) have been covered in the blog and this movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Naach le baawariya tohe lene aaya sanwariya (Baraati)(1954) Singers-S Balbir, Asha Bhonsle,Lyrics-D N Madhok, MD-Roshan
Male chorus
Female chorus
All chorus
Lyrics
naach le baawariya
naach le baawariya
tohe lene aaya saanwariya
naach le baawariya
naach le
naach le
nach le baawariya
tohe lene aaya saanwariya
naach le baawariya
mera chana masaale vaala
jisko khaaye seth ka saala
kha ker ho jaaye matwaala
moonchh pe taav de
chane hain bade chatpate
jaane waale baabu mohse ankhiyaan milaaye ja
jaane waale baabu mohse ankhiyaan milaaye ja
taras gaye more nain baawre
inko daras dikhaaye ja
jaane waale baabu
jaane waale baabu mohse ankhiyaan milaaye ja
o o o
bhaag ke aaja
kisi bahaane
laakh samjhaaya
jiya nahin maane
aaye jawaani jaaye jawaani raah take na teri
aaye jawaani jaaye jaawani raah take na teri
laakh baar samjhaaya gori
ek na maani meri
ae ae
kaajal waali ankhiyaan tohri
hoye kaajal vaali ankhiyaan tohri
hans hans ke kuchh bolen
inki boli main jaanoon
ye bhed tumhaare kholen
dil uksaaya hai
haaye dekh ke phir bhi hamen bulaayaaya hai
ha ha ha ha
hurr
balle balle balle balle balle
hrr
hahahaha
balle bulle balle
tu bhi sachcha main bhi sachchi donon hain majboor
dilon se hai nazdeek saanwre par kadmon se door
dilon se hai nazdeek saanwre par kadmon se door
hey kasam tumhaari raat kathhin aur din mushkil se beete
kasam tumhaari raat kathhin aur din muskil se beete
bina bulaaye aaja saanware hum haare tum jeete
main mar jaaungi
tere bin mere baalam kal na paaungi
hrr
o balle
o balle
haaye
baarah man ki dulhan dekho
vrindavan ki jogan dekho
london ki sair main kar ke
??
dilli ka raaj dekho
do do paise
do do paise
baarah man ki dulhan dekho
vrindavan ki jogan dekho
le jaana re ae
le jaana re ae
ganderiyaan paise ki paav ser
ye din hain bahaaron ke
aisi jatan karo darshan ho
pyaaro ke ae
aisi jatan karo o o
kajre ki syaahi hai
ansuvan ka paani chithhi saajan ko likh de
ansuvan ka paani ho
dil ro ro den duhaai
yaar tere milne nu
? jaan dukhaan vich paayi
yaar tere milne nu
seene vich laga teer jee
o lab da phirda(?) heer jee
seene vich laga teer jee
o lab da phirda (?) heer ki
?? chaar chaar ke main jee
chaar chaar ke
gal haaye
gall apni ?? chak waali bai
yaar tere milne nu
dil ro ro den duhaai
yaar tere milne nu
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
nanadi ke bhaiyya mera
jiya de duhaai re teri
jiya de duhaai re
nanadi ka bhaiyya mera
jiya de duhaai re teri
jiya de duhaai re
re ghata
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
jhoom jhoom aayi re ghata
jhoom jhoom aayi re
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4458 | Post No. : | 15936 |
Today’s song is from a film with an unusual story-Ferry-1954.
The story of the film was written by Dhruv Chatterjee, dialogues were by Akhtar Ul Imaan and the screenplay was done by the Producer and Director of the film – Hemen Gupta. His entire family was involved in this film. Wife Ratna Gupta sang a song in the film and his daughter Baby Bula acted in the film. This Baby Bula became Archana, when she grew up to be a Heroine in her debut film Umang-70. Next film was Buddha Mil Gaya-71 and her third and last film was Anokha Daan-72. After this she left films, married her classmate Yogesh Motwani and settled in life. For some time, she was doing Fabric business also.
The lead pair of this film was Dev Anand and Geeta Bali. At this time, Dev was still uncertain as to what type of roles he fits into. His own wish was to be a Romantic Hero and from the film Munimji-55 onwards, his career really took off as a Romantic hero – an image he desperately (and later on pathetically) tried to preserve in his films. When others stopped giving him films,he started producing and directing his own films, acting in it the same way he did, when he was young.
Dev Anand acted in 116 films, directed 19 films, sang in 4 films and even wrote 2 songs in film ‘Mr. Prime Minister’-2005. Prior to film Ferry-54, his films were of a variety of subjects, from musical to comedy to serious types. In the film Zalzala-52, he died on screen for the first time. The last time he died on screen was in the film Guide-65. He never liked to die on screen. It did not fit into his scheme of future planning to become a Romantic Hero. Film Tamasha-52 was a sort of comedy film and Ferry -54 was still a different type of role.
The film was a story of a widower Zamindar, Vikas (Dev), who also worked as a Government officer in a village. He has a young child-Raju (Master Babu, who became Ritesh Kumar as a grown up actor and also married actress Maushumi Chatterjee. He was the son of Hemant Kumar), who is curious about his mother. His father has told him that she has gone beyond the river and lives in a big white palace. The child hopes that one day his mother will surely come back to him. So, he, along with his next door friend Minu (Baby Bula) goes to the River bank every day, expecting his mother to arrive in the Ferry some day.
Once when Vikas has gone to the city for work, a young girl is found in the river. She is unconscious. Villagers bring her to the nearest house of Vikas. Doctor is called. The girl survives. She is Juhi-a tawayaf’s daughter (Geeta Bali). She stays in that house. The boy Raju develops a bond with her and she too starts loving the boy. However the Chachi of Vikas, who looks after the household does not like it. When Vikas comes back, he learns everything. When she tells her story he understands that she was kidnapped as a baby and sold to the tawaif – Munnibai (Chand Burke). Munnibai tries to sell her to customers. To avoid further trouble, Juhi jumps into the river.
Due to the opposition of Chachi and the villagers, Juhi is asked to leave the house. She goes to the river to wait for the Ferry. Raju falls sick and Vikas too is uneasy. He has also developed an affinity for her. He takes Raju and rushes to the river in time to stop Juhi from boarding it . They come back to the house. Vikas finally decides to marry Juhi and Raju also gets his mother. Happy ending.
Film Ferry was released first in Bombay at the Swastik cinema on 8-10-1954 and it ran only for 7 weeks. The All India response was also lukewarm. When I saw this film in Hyderabad in late October, I had liked it, but felt that the end was too hastily wound up. Maybe the length was already too much. The film had music by Hemant kumar. Like all Bangla composers, Hemant also had a ” Maajhee” song in this film (they could never resist the temptation if a river is in the film). There was a child song ( another weak point of HK), by baby Bula and Master Babu. 2 solos by Geeta Dutt and 1 by Ratna Gupta. One 2 part Mujra song by Laxmi Shankar. In addition a record for Sitar and Sarod playing was also issued. Ustad Ali Akbar Khan and his protege Nikhil Bannerjee had played them.
Director Hemen Gupta’s name will be remembered for a long time in Hindi film history for two films that he directed. One was the early era patriotic film “Anandmath”-52,based on the novel of Bankim babu,in which Hemen Gupta himself, Pradeep kumar and Hemant kumar made their debuts in Hindi films. The second film was Kabuliwala – 61, which won acclaim and a National Award too. This movie was a based on Gurudev Rabibdranath Tagore’s novel of the same name.
I was looking for information on Hemen Gupta ,but found it very difficult. As I have already said recently, getting information about southern and Bengali artistes in English, is a difficult task. When I was drawing a blank from all sources, Lady Luck smiled on me. Unexpectedly, one of my friends from the US, sent me a PDF of Hemen Gupta’s Biography and the Filmography, prepared by his own son Jayant Gupta. What a coincidence ! I was listening to a duet of Uma Devi and S.D.Batish for the film Taaksaal-56 and at the same time received most unexpectedly the authentic information on its director Hemen Gupta !!
Although the original PDF contains many pages, I have abridged and edited this Biography to suit this article. My sincere thanks to shri Jayant Guptaji and shri Salim Shah ji for this.
Hemen Gupta was born on 21-3-1912,in a middle class family in Rajasthan. His Grandfather shri Nabakumar Gupta was a big Zamindar in Dacca. Hemen’s early school and college education was done in Dacca. He joined an active political career in 1926 as a Congress worker and a freedom fighter. He was arrested in 1931 and was in jail till 1938. In the jail, he studied and completed his Master’s degree in History with Honours. He also read many books on film making and was interested in it. When he was released he joined New Theatres. He wanted to make Patriotic films but till 1946 he could not do so. He made the film Bhuli Nai in Bangla-a fiercely patriotic film which was rejected by the censors. After many obstacles it got released. He also made another patriotic film in Bangle ’42’. Both films gave him name and fame.
Shashadhar Mukherjee of Filmistan in Bombay called him with an attractive offer and Hemen came to Bombay. He wrote the screenplay and directed the film “Anandmath”-52. He took Pradeep Kumar as a Hero and Hemanta Kumar as MD- his old colleagues in Calcutta. For all the three it was a debut in Hindi films. In 1953 he started his own banner “Film trust of India”and made “Ferry”-54, a love story with Dev Anand and Geeta Bali. Again Hemanta Kumar was the MD. Hemant Kumar’s young son Ritesh played a small role in this film (Later Ritesh married the famous actress Maushami Chatterjee). Ratna Gupta,Hemen’s wife, sang songs in this film. His last film under Hemen Gupta Productions was Taaksaal-56. Meanwhile he directed Meenar in 1954.
He was a staunch nationalist and idealist who wanted to make artistic films,but the producers,distributors and the financiers did not allow him that freedom. He felt suffocated. He was fed up with the commercialism in film making and he had a difficulty in coping up with the market demands. In 1961 he directed “Kabuliwala”and won accolades and a National Award too. His last film was “Netaji Subhash chandra Bose””-1966 for producer B K Adarsha.
He wanted to resume making Bangla films. His film Ánamika’ was almost completed, when suddenly he died of brain Hemorrhage,on 1-7-1967.
He was the father of actress Archana( Buddha mil gaya-71).He directed the following films in Hindi-
Anandmath-52, Ferry-54, Meenar-54, Taaksaal-56, Raaj kamal-57, Insaaf kahan hai-59, Baabar-60, Kabuliwala-61, and Netaji Subhash Chandra Bose-66.
You will also find an unusual and unknown name Chand Burke in the cast of the film. Very little is known about her. Chand Burke made her debut in Maheshwari Productions’ Kahan Gaye (1946), which Niranjan wrote and directed. They fell in love on the sets and got married in 1945. Thereafter, Chand appeared in a number of films made in Lahore, and was widely known as “the Dancing Lily of the Punjab.”
Partition and her subsequent migration to Bombay adversely affected her career. After “Hamari Manzil,” which was released in 1949, Chand Burke went into complete oblivion. It was Raj Kapoor who selected her for that important role as children’s tormentor in “Boot Polish-53,” over 200 other contestants, her screen-test convincing Raj Kapoor that she was a talented actress. Some of her well known films were Ferry-54, Basant Bahar-56, yahudi ki beti-56, Adalat-58 and Lajwanti-58.
Chand was the only one in a family of twelve brothers and sisters to have joined the films (her brother S. M. Burke, I.C.S., was a Minister to the Scandinavian countries for Pakistan). Chand obtained judicial separation by mutual consent from her husband, writer-director Niranjan in 1954.
She was later married to Sunder Singh Bhavnani- grandfather of superstar Ranveer Singh. She is also related to Suneeta Kapoor.
She acted in about 30 films. Her last film was Pehchan-72.
Today’s song is an exceptionally sweet song – Lori – sung by Geeta Dutt. I would rate this Lori amongst her best songs and one of the best Loris of HFM ever. I am sure all the listeners will also love it. In addition to Geeta’s Lori, there is also a small video where Hemant Kumar, Baby Bula and Geeta dutt sing one line each. Enjoy….
Audio (Geeta Dutt Solo)
Video (Hemant Kumar-Geeta Dutt- Baby Bula)
Song-Rangeeli rangeeli chaabeeli raani nindiya (Ferry)(1954) Singer-Geeta Dutt, Lyrics-Rajinder Krishan, MD-Hemant Kumar
Lyrics(audio version)
rangeeli rangeeli chhabeeli raani nindiya
aa mere raaja ki ankhiyon mein aa
rangeeli rangeeli chhabeeli raani nindiya
aa mere raaja ki ankhiyon mein aa
aaja ri lekar sapne suhaane ae
sukh ke zamaane ae
aaja ri lekar sapne suhaane ae
sukh ke zamaane
dheere se aana
kahin duniya na jaane
duniya na jaane
palkon ki duniya tu aa ke basa aa
aa mere raaja ki ankhiyon mein aa
rangeeli rangeeli chhabeeli raani nindiya
aa mere raaja ki ankhiyon mein aa
bikhar gayee mere maathhe ki bindiya aa
bikhar gayee mere maathhe ki bindiya
dard na jaane mere manwa ki nindiya
bikhar gayee mere maathhe ki bindiya
dard na jaane mere manwa ki nindiya
keh de chandaniya se
dil na jalaa aa
aa mere raaja ki ankhiyon mein aa
rangeeli rangeeli chhabeeli raani nindiya
aa mere raaja ki ankhiyon mein aa
rangeeli rangeeli chhabeeli raani nindiya
aa mere raaja ki ankhiyon mein aa
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4448 | Post No. : | 15901 |
Today’s song is from film Daku ki Ladki-54. I remember, there was a film in 1933 with the same title, featuring Sulochana, Dinshaw Bilimorea, Ghulam Mohd. Hadi etc. In that film, Ghulam Mohd. had done the role of the Daku, Sulochana was Daku’s Ladki and Dinshaw was the Police Officer.Ghulam Mohd. was known as ” The Prince of Imperial Film Company”, in those days.
Today’s film was made by Harish Productions. Naturally, the director and the Producer was Tara Harish only. Music was by Hemant Kumar. The cast of the film was Geeta Bali, Sheikh Mukhtar, Arjun, Shivraj, Rajan Kapoor, Mukri, Sankatha Prasad, Cuckoo etc etc.
The word “Daku” regularly appeared in the film titles right from the time Talkie films started. There were a total 32 films starting with the word Daku. When the film Daku ki Ladki came in 1933, as if to counter it, a film called Daku ka Ladka came in 1935. Thank God Daku’s family did not expand further ! Interestingly, there were 16 films based on female Dakus and only 7 films on Male Dakus. I wonder, what is the Hindi word for female Daku. A Dakin ? or a Dakuin ? or is it enough just to say He Daku and She Daku ? While female Dakus were honoured by calling them Daku Rani in 5 films and Daku Maharani in 1 film, the poor He Dakus had prosaic titles like Daku Bhupat or Daku Mansoor etc.etc.
When I took up discussing the 50’s film songs, I found that a lot of melodious and good songs to be yet to be discussed. Today’s song is one such song. To listen to Lata and Hemant Kumar is nothing short of a Bliss. Out of 2 such duets from this film one had remained to be discussed. In one of her interviews, Lata had said that she had always enjoyed singing duets with Hemant Kumar. She also said ” I used to feel as if some Sadhu was singing when I heard him singing a song”.
In the Costume drama Daku ki Ladki-54, Ravi Shankar Sharma was Hemant’s assistant in composing music.In few Hemant Kumar films, Ravi has sung songs, including this film. Later on when Ravi himself became a famous and successful composer, he made Hemant Kumar sing in his films. HK was a very respected person in the industry. When he came to Bombay his Hindi was not so good. Like all Bangla people, he had inherent difficulty in pronunciation of certain Hindi words. This was because, in Bangla language, there are no such sounds as plain ” A ” (अ ). So, Arun becomes Orun and Lata becomes Lota. With great practice and hard work, he improved his Hindi. Initially, even Geeta Roy had this problem.
In the cast of the film, you will see a name Shivraj. Not much is known about this good actor. Sometimes I feel some actors have such features that they are fixed for certain roles only and they are misfits in another role. For example, can you ever imagine Rashid Khan or Kanhaiyalal in a role of a sophisticated Millionnnaire ? Or Aruna Irani or Padma Khanna in a Mythological Devi’s role ? They may be good actors, but their physical features and style of acting restricts them to certain roles only. This is true even in case of big stars. Thus, Ashok Kumar became a laughing stock as Abhimanyu or warrier Humayun in full war gear.
The name SHIVRAJ in the cast always created curiosity in my mind. I had seen this actor in several films. I was unable to get any information on him anywhere. His role as the meek husband of Kaushalya (Manorama) in the film Seeta aur Geeta-72 is unforgettable. When I started work on this post, I tried again. This time I found an article – actually an Obituary – on him in The Hindu, dated 4-6-2017. Of course it described in it only about his different roles. From some other source, I got his date of Birth and Death and a little other information.
Shivraj was born on 11-6-1920 in Madhya Pradesh. His full name was Shivraj Pandey. After doing his graduation, he came to Bombay in search of a good job, but joined the film industry. To start with he worked in Minerva as an assistant in administration, He did some film roles too without getting credited. He left Minerva and got a role in the film Sarai ke bahar-47. This was a film made by National studios. His next films were Ziddi, Majboor, Batohi, and Asha all in 1948. Then there was no looking back. Shivraj acted in 212 films. He directed 1 film, Jaani Dushman-57. He retired from work in 2000, but his last released film was Yaar meri zindgi-2008. Shivraj died on 4-6-2017.
There is also a name Arjun in the cast. Now this is a ‘ Same Name Confusion ‘ artiste. Arjun was the Hero in film Malhar-51, opposite actress Shammi (Nargis Rabadi). His name is confused with Music director C.Arjun and many people wrongly presume that C.Arjun acted in the film Malhar. This Arjun is different. His name was Arjun Bakshi Gill. His first film was Naujawan-51, then came Malhar-51.Later he acted in Daku ki Ladki-54 etc. He wrote screenplays and went on doing small roles in films. He migrated to Canada and opened a Music shop. A RMIM member met him there, and recognised Arjun as Malhar Hero. Arjun died in 2001. His daughter Jyoti Bakshi was also an actress, who died in pitiable condition in 2003.
Finally, let us take a look at dancer Cuckoo.
It was 1944. The talkies were already around for 15 years. Devika Rani and Shobana Samarth had already established their glowing presence but it was still a time when nice girls didn’t even become leading ladies, let alone do roles where they had to wriggle their hips — however tastefully — and bare flesh, which at the time meant shoulders and maybe a bit of leg. At such a time, a pretty, fresh-faced Anglo-Indian girl with eyes that danced as enchantingly as her feet appeared in two films — “Pehli Nazar”- 1945 (in which Mukesh made his debut with “Dil Jalta hai toh jalne de”) and “Mujrim -1944.” The girl’s name in the film’s credits was listed simply as “Cuckoo.” Cuckoo was perhaps the first of the most well known dancing queens of Indian Cinema. She was born on 4-2-1928. Her predecessors were many, including a dancer called Azurie, who it is said Cuckoo modeled herself on. But in terms of the sheer body of work and its impact, Cuckoo would have to be the first among Hindi cinema’s dancing queens. It was with her that “cabaret” became an almost indispensable part of films made between the 1950s and 1970s.
Her debut in 1944 was an instant hit and in the space of just the next five years, she had appeared in an incredible 49 films, including Mehboob Khan’s “Anokhi Ada” (1948), H. S. Rawail’s “Patanga” (1949) and Devendra Goel’s “Aankhen” (1950). The only major filmmaker of the time who did not feature Cuckoo in his films was V. Shantaram. In a lot of her films, her role was just a song but its impact was so electrifying that distributors considered it almost as indispensable as the heroine. Like the Helen-Asha combination later on, in many of these songs, Cuckoo’s screen `voice’ was Shamshad Begum. Together, they were responsible for some unforgettable hits.
Mehboob Khan’s films proved to be the turning points in Cuckoo’s career. Her dance numbers in hisAnokhi Ada established her as the leading dancer of the time; and Andaz, a romantic melodrama featuring Raj Kapoor, Dilip Kumar, and Nargis, gave the dancer an opportunity to showcase her acting skills.During her peak period,she was getting Rs.6000/- per dance appearance.
Cuckoo remained the top dancer of Hindi films till she was displaced by Helen and such dancer-actresses as Vyjayanthimala.Cuckoo gave dances in about 76 films. Ironically, it was Cuckoo who had initiated a 13-year-old Helen into films as a chorus dancer.Cuckoo continued to dance until the beginning of the 1960s, the last few years as part of the chorus dancing.It has been recently confirmed that Cuckoo’s real name was Cuckoo Moray.Cuckoo died a slow lingering death, due to Cancer on 30-9-1981 penniless and unattended. No one from the Film industry attended her cremation. (Thanks for some information from Cineplot and from the book”Tujhe mere geet bulate hain” by Sanjeev Tanwar).
Today’s song is a delightful duet of Lata and Hemant Kumar. Let us now enjoy it….
Song-Nazron se chhup gaya hai taqdeer ka saweraa (Daaku Ki Ladki)(1954) Singer-Lata, Hemant Kumar , Lyrics-Kaif Irfani, MD-Hemant Kumar
Lyrics
nazron se ae
chhup gaya hai ae ae
taqdeer kaa aa savera
nazron se chhup gaya hai
taqdeer kaa savera
girta hai jo bhi aansu
leta hai naam teraa
ham rah gaye tadap kar
munh zindagi ne phera
girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera
duniya mein ham ye kaisi taqdeer le ke aaye
tukde dil-o-jigar ke
ashkon mein muskuraaye
hansti hai mujhpe kismat
rota hai pyaar meraa
girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera
aaja ki dil liye hai maayoosiyaan nazar mein
ek shamma jal rahi hai
teri yaad ki jigar mein
baaki hai har taraf ab chhaaya hua andhera
girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera
girta hai jo bhi aansu
leta hai naam teraa
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Geeta Dutt solo | Geeta Dutt songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Melancholic song | Pathos | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
- Leave a Comment
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Blog Day : |
4442 | Post No. : | 15888 |
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Blog 10-Year Challenge (2010-2020) – Song No. 79
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15 september 2010, the day exactly ten years ago, saw the blog add its seven songs from seven movies. Here are the details:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Muhabbat badhaa kar judaa ho gaye | Daastaan-1950 | All Songs covered |
| Daaman naa chhudaa yoon door na kar | Lakeeren-1954 | 05 songs posted |
| Sare mehfil jo jalaa parwaanaa | Shamaa Parwaanaa-1954 | All Songs covered |
| Aa gaya mazaa pyaar ka nashaa | Sarhad-1960 | All Songs covered |
| Teri taqdeer ka sitaaraa kamaal hai | Zabak-1961 | All Songs covered |
| Aap yahaan aaye kis liye | Kal Aaj Aur Kal-1972 | 3 songs posted |
| Ik raastaa hai zindagi | Kaalaa Patthar-1979 | All Songs covered |
Five of these movies have been YIPPEED by now. That leaves us with “Lakeeren”(1954) and “Kal Aaj Aur Kal”(1972) as the two unYIPPEED movies whose songs are eligible for discussion today (15 september 2020) in our Blog Ten Year Challenge.
“Lakeeren”(1954) had made its debut in the blog ten years ago on this date. Simce then, five of its songs have been covered in the blog. Here are the details:-
Daaman naa chhudaa yoon door na kar15.09.2010Mohabbat ki duniyaa mein barbaad rehna07.02.2012Dil ki dhadkan pe gaa umr bhar muskuraa04.10.2012Nimbuwaa pe papeeha bola03.05.2014Duniya se jaa raha hoon duniya ke ham uthhaa ke06.11.2017
| Song | Posted On |
|---|
As part of the Blog Ten year challenge, here is the sixth song from “Lakeeren”(1954) to appear in the blog. The song is sung by Geeta Dutt. Shewan Rizvi is the lyricist. Music is composed by Hafeez Khan.
Only the audio of the pathos laden melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song and other BTYC details were sent to me by Avinash Scrapwala.
Song-Tujhse shiqwa kiya nahin jaataa (Lakeeren)(1954) Singer-Geeta Dutt, Lyrics-Shewan Rizvi, MD-Hafeez Khan
Lyrics(Provided by Avinash Scrapwala)
tujhse shikwaa kiyaa nahin jaataa aa
tujhse shikwaa kiyaa nahin jaataa aa aa
maut de de
jiyaa nahin jaataa aa aa
maut de de
jiyaa nahin jaataa aa
maut de de ae
ashq hi jab nahin
to royen kyaa aa aa aa aa aa aa
ashq hi ee jab nahin
to royen kyaa aa aa aa aa aa aa aa
khoon paani
khoon paani kiyaa nahin jaataa aa
maut de de
maut de de ae
jiyaa nahin jaataa aa aa
maut de de
begunaahon ke kitney dil tode
begunaahon ke kitney dil tode
ae ae ae ae ae
naam teraa
naam teraa liyaa nahin jaataa aa
maut de de
maut de de ae
jiyaa nahin jaataa aa aa
maut de de
doob jaane de
meri kashti ee ee ko o o o o o o o o
doob jaane de
meri ee kashti ee ko o o o o o o o o o o
ab sahaaraa
ab sahaaraa liyaa nahin jaataa
maut de de
maut de de ae
jiyaa nahin jaataa aa aa
maut de de
maut de de
maut de de ae
—————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
तुझसे शिकवा किया नहीं जाता आ
तुझसे शिकवा किया नहीं जाता आ आ
मौत दे दे ए
मौत दे दे
जिया नहीं जाता आ आ
मौत दे दे
जिया नहीं जाता आ आ
मौत दे दे ए
अश्क ही जब नहीं
तो रोयें क्या आ आ आ आ आ आ °°°
अश्क ही ई जब नहीं
तो रोयें क्या आ आ आ आ आ आ °°°
खून पानी
खून पानी किया नहीं जाता आ
मौत दे दे
मौत दे दे ए
जिया नहीं जाता आ आ
मौत दे दे
बेगुनाहों के कितने दिल तोड़े
बेगुनाहों के कितने दिल तोड़े
ए ए ए ए ए
नाम तेरा
नाम तेरा लिया नहीं जाता
मौत दे दे
मौत दे दे ए
जिया नहीं जाता आ आ
मौत दे दे
डूब जाने दे
मेरी कश्ती ई ई को ओ ओ ओ
ओ ओ ओ ओ°°°
डूब जाने दे
मेरी ई कश्ती ई को ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ°°°
अब सहारा
अब सहारा लिया नहीं जाता
मौत दे दे
मौत दे दे ए
जिया नहीं जाता आ आ
मौत दे दे
मौत दे दे
मौत दे दे ए
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