Posts Tagged ‘1954’
- In: "chaand" song | Artist century song in blog | Calling the beloved | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Melancholic song | Missing the loved ones | Poignant Song | Post by Sudhir | sad song | Separation song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4345 | Post No. : | 15653 |
Saga Of Sleepless Nights – 8
– – – – – – – – – – – – – – –
aa jaao tadapte hain armaan
ab raat guzarne waali hai. . .
Good morning. It is 8 am, on Wednesday, the 10th June, 2020. We are onto the 162nd day of the year, and running through the 24th week. It is the 5th day (panchmi) of the waning moon cycle (krishna paksh) of the month of Aashaad. As per the Hijri calendar, today is the 17th day of the month of Shawwal.
The other important associations of today’s date are – it is the International Iced Tea Day – be sure to have a frosty glass of iced tea today. Today also is the International Ball Pen Day. This day in 1943, the first patent was issued in the US, for what would and has become the most popular writing instrument across the globe.
Notable Indian cinema association for today – it is the remembrance day of character actor and villain – Jeevan.
And the upcoming notable anniversaries are – actress Shyama on 12th June and songwriter Prem Dhawan on the 13th June.
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This song is another one in the series of the sleepless nights saga.
aa jaao tadapte hain armaan
ab raat guzarne waali hai. . .
The song is from the 1954 film ‘Danka’. The film is a stunt cum costume drama which is produced under the banner of Goodwill Pictures, Bombay, and is directed by JP Advani. The cast of actors is listed as Nimmi, Amarnath, Mohna, Sundar, Heera Lal, Neelam, Shivraj, Uma Devi, Roop Kumar, and Om Prakash etc.
The film has eleven songs listed in the Geet Kosh. The songs are written by three lyricists – Jaan Nisar Akhtar, Nazim Panipati and Arshi Ajmeri. This song is from the pen of Jaan Nisar Akhtar. The music for this film is composed by Aziz Hindi. The singing voice is that of Lata Mangeshkar. Viewing the list actors, it seems most likely that this song would have been picturized on Nimmi.
The song is an expression of sadness, expressed by the lady, as she is calling out to her beloved, telling him about the ambiance of the lovely albeit a lonely night that she is experiencing without him. The moon, the stars, the clear skies of a calm and sad night, all are waiting with her, giving her company in this loneliness. The emotions of longing and eagerness to be with him are making this forlorn night a difficult time to pass. The mighty splendors of love turn into a sigh of melancholy in the lonely nights of separation, as the heart and the arms ache to be with the beloved. And when that happens, the mind of the poet will express itself in these beautiful verses.
This lovely song is a new discovery for me. I am hearing it for the first time, as I checked out the short list of songs that I have prepared for this series. The words, the melody, and the life infused in them through of the singing voice of Lata – all come together to create this lovely song of wait and longing.
Listen and enjoy this obscure melody from the golden era of Hindi film music.
Ed note:- With this song, Jaan Nisaar Akhtar completes 200 songs as a lyricist in the blog.
Song – Ye Sitaare Ye Chaand, Ye Raatein Jawaan (Danka) (1954) Singers – Lata Mangeshkar, Lyrics – Jaan Nisar Akhtar, MD – Aziz Hindi
Lyrics
ye sitaare ye chaand
ye raaten jawaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand
bheegi raaten ye taaron bhara aasmaan
aa ja varna guzar jaayega ye sama
bheegi raaten ye taaron bhara aasmaan
aa ja varna guzar jaayega ye sama
tere bin soone soone hain donon jahaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand
kab se aankhen hain bekhwaab tere liye
tere liye
kab se aankhen hain bekhwaab tere liye
tere liye
har tamanna hai betaab tere liye
haaye tere liye
main hoon aur gham ki khaamosh tanhaaiyan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand
chhut na jaaye ummeedon ka daaman kahin
lut na jaaye tamanna ka gulshan kahin
chhut na jaaye ummeedon ka daaman kahin
lut na jaaye tamanna ka gulshan kahin
reh na jaaye adhoori meri daastan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand
ye sitaare ye chaand
ye raaten jawaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand
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Hindi script lyrics (Provided by Sudhir)
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ये सितारे ये चाँद
ये रातें जवां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद
भीगी रातें ये तारों भरा आसमां
आजा वरना गुज़र जाएगा ये समा
भीगी रातें ये तारों भरा आसमां
आजा वरना गुज़र जाएगा ये समा
तेरे बिन सूने सूने हैं दोनों जहां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद
कब से आँखें हैं बेख़्वाब तेरे लिए
तेरे लिए
कब से आँखें हैं बेख़्वाब तेरे लिए
तेरे लिए
हर तमन्ना है बेताब तेरे लिए
हाय तेरे लिए
मैं हूँ और ग़म की खामोश तनहाईयां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद
छुट ना जाये उम्मीदों का दामन कहीं
लुट ना जाये तमन्ना का गुलशन कहीं
छुट ना जाये उम्मीदों का दामन कहीं
लुट ना जाये तमन्ना का गुलशन कहीं
रह ना जाये अधूरी मेरी दास्तान
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद
ये सितारे ये चाँद
ये रातें जवां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद
Ram Ras Barse Re Manwa Ram Ras Barse
Posted on: June 5, 2020
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4340 | Post No. : | 15640 |
It is 8am, on Friday, the 5th June, 2020. We are onto the 157th day of the year, and running through the 23rd week.
It is also the full moon day today – the Purnima, as per the lunar calendar. It is the last day today of the month of Jyeshtha. From tomorrow, the month of Aashaad with commence.
It is Kabir Jayanti today, the day of the birth of Sant Kabir Das, one of the main architects of the Bhakti Movement in the 15th century India.
The other important associations of today’s date are – it is the World Environment Day today, as the per the calendar of the United Nations. The other lesser known association for today is – International Day for the Fight against Illegal, Unreported and Unregulated Fishing. As I checked the internet there are a few more very interesting associations of today’s date, no doubt being driven by business considerations. 🙂
It is the International Doughnut Day today, and one is encouraged to bring home their favorite variety of this sugar-rich bakery item. Other notable celebrations for today – it is the Hot Air Balloons Day, the Fish and Chips Day, Moonshine Day, Co-working Day, and also the day to acknowledge the Long Term HIV Survivors. Of these listed above, let me clarify that the Moonshine day has nothing to do with moonlight or moon gazing. The ‘moonshine’ referred to here is Scotch whisky, and today is the day to celebrate the history of this distinctly flavored and the most notorious of alcoholic beverages. The word ‘moonshine’ here has a historical association dating back to the times when production and trade of this beverage was not legal. It was smuggled around during the night – hence the phrase ‘moonshining’ as it relates to illicit activities in the dark of night. The persons involved with this unlawful activity were called ‘moonshiners’ or ‘moonrakers’.
Notable Indian cinema associations for today – it the birth date of film producer Mukesh Bhatt.
Yesterday, 4th June, we got the sad news of the passing away of the famous director Basu Chatterji. I am sure all have enjoyed the wholesome entertainment provided by his films,
Basu Chatterji
RIP
10 Jan 1930 — 04 Jun, 2020
1969 Sara Akash
1972 Piya Ka Ghar
1974 Rajnigandha
1974 Uss Paar
1975 Chhoti Si Baat
1976 Chitchor
1977 Khatta Meetha
1977 Priyatama
1977 Safed Jhooth
1977 Swaami
1978 Chakravyuh
1978 Dillagi
1978 Do Ladke Dono Kadke
1978 Tumhaare Liye
1979 Baaton Baaton Mein
Etc.
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The influence of the writings of Sant Kabir Das on the religious and spiritual ambiance of this land, can never be understated. His message stands tall and proud in a social milieu where many a divisions based on religion, caste, social status etc. have been hammered into our society. An unlettered son in a family of weavers, rose to become one of the most learned and wise teachers, not just of his own era, but for all times to come.
Life of Kabir Das is mostly known from legends that abound, rather than from any documented history. It is agreed by historians that he was born into a Muslim family of traditional weavers. His thirst for knowledge was intense, and he was determined to be led by a learned Guru. Those times were of the Bhakti movement across the length and breadth of this land. In the holy city of Varanasi, the most learned teacher was acknowledged to be Swami Ramanand, whose list of disciples reads like the Who’s-Who of the Bhakti movement.
Kabir Das’ initial efforts to become a disciple were fraught with difficulties of caste and religion, and Swami Ramanand refused to take him in as a student. Knowing the daily routines of the one whom he had already accepted as his teacher in his mind, one day Kabir Das went early morning while the dawn was still dark, to the bathing ghats on the banks of River Ganga, and lay down on the steps from where his trusted master would be alighting down towards the water. In the darkness, Swami Ramanand’s foot touched Kabir Das, and the learned master instinctively uttered the words ‘Ram Ram’. Kabir Das took this utterance as the Guru Mantra and took the touching by the master’s feet as the initiation. The Guru-Shishya relation was established. Later historical descriptions clarify that Swami Ramanand did accede to bring Kabir Das into his inner circle of students.
Kabir Das’ daily routine was his traditional working as a weaver, and a small gathering in the evening outside his hut abode, of people who would come to listen to his daily sermons. He did not sermonize, as in speaking / lecturing, but he sang – the poems and the couplets he would be composing during the day, as his hands worked on the looms and shuttles, creating fabric out of thread. His poems and his philosophy is so much the richer, as he attempts to explain the mysteries of life and existence using the weaving paradigm.
The film ‘Mahatma Kabir’ was released in 1954. The film was produced by MS Ahluwalia under the banner of New Premier films, and it was directed by Gajanan Jagirdar. The lead role of Kabir Das was played by Surendra. The rest of the cast of the film is Sulochana, Jagirdar, Randhir, Lalita Pawar, Rajkumar, Munshi Khanjar, Maqbool, Aruch Tarapur, Radheshyam, Heera Sawant, Fazal, Chandabai, Shiraz, Ghosh, Babu, Madan Puri, Chaman Puri, Lohana, snd Master Indrajeet.
The film has 12 songs, some of which are the original poems of Kabir, and the rest are songs written by Chandra Shekhar Pandey, Ehsan, Izhar Malihabadi, Pt Narendra Sharma, and Safdar ‘Aah’. The music composition is by Ani Biswas. The song presented today is written by Chandra Shekhar Pandey and is sung by CH Atma.
The words are not original as written by Kabir Das, however the words and composition quite closely match with his traditional verses. The song tells about the blessings of the Lord, as they unendingly descend like rain upon each one of us. And some of us are afraid to get wet, and try to rescue themselves from this shower of munificence. The voice of CH Atma brings out the poignancy of the message in these verses.
An interesting side note here – we are hearing the voice of CH Atma on this blog after a gap of more than 3 years now.
Song – Ram Ras Barse Re Manwa Ram Ras Barse (Mahatma Kabir) (1954) Singer – CH Atma, Lyrics – Chandra Shekhar Pandey, MD – Anil Biswas
Lyrics
ram ras barse re manwa
ram ras barse
re mann chaatak kyon tarse
re mann chaatak kyon tarse..e..e
ram ras barse re manwa
ram ras barse..e..e
boond boond mein daya hari ki
bare ambar se
boond boond mein daya hari ki
bare ambar se
kyon tu chhupa hai ot mein pagle
kyon tu chhupa hai ot mein pagle
bheejan ke darr se..e..e
ram ras barse re manwa
ram ras barse..e..e
kaam krodh mad lobh moh ka
chakra hata sar se
kaam krodh mad lobh moh ka
chakra hata sar se
prem neer mein bheej baawre
prem neer mein bheej baawre
bheetar baahar se..e..e
ram ras barse re manwa
ram ras barse..e..e
virtha dol raha ban ban mein
poochhat dar dar se..e..e
virtha dol raha ban ban mein
mann mandir mein ram basey hain
mann mandir mein ram basey hain. . .
kyon na charan parse..e..e
ram ras barse re manwa
ram ras barse
re mann chaatak kyon tarse
re mann chaatak kyon tarse..e..e
ram ras barse re manwa
ram ras barse..e..e
——————————————–
Hindi script lyrics (Provided by Sudhir)
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राम रस बरसे रे मनवा
राम रस बरसे
रे मन चातक क्यों तरसे
रे मन चातक क्यों तरसे॰॰ए॰॰ए
राम रस बरसे रे मनवा
राम रस बरसे॰॰ए॰॰ए
बूंद बूंद में दया हरी की
बरसे अंबर से
बूंद बूंद में दया हरी की
बरसे अंबर से
क्यों तू छुपा है ओट में पगले
क्यों तू छुपा है ओट में पगले
भीजन के डर से॰॰ए॰॰ए
राम रस बरसे रे मनवा
राम रस बरसे॰॰ए॰॰ए
काम क्रोध मद लोभ मोह का
चक्र हटा सर से
काम क्रोध मद लोभ मोह का
चक्र हटा सर से
प्रेम नीर में भीज बावरे
प्रेम नीर में भीज बावरे
भीतर बाहर से॰॰ए॰॰ए
राम रस बरसे रे मनवा
राम रस बरसे॰॰ए॰॰ए
विरथा डॉल रहा बन बन में
पूछत दर दर से॰॰ए॰॰ए
विरथा डॉल रहा बन बन में
मन मंदिर में राम बसे हैं
मन मंदिर में राम बसे हैं॰ ॰ ॰
क्यों ना चरण परसे॰॰ए॰॰ए
राम रस बरसे रे मनवा
राम रस बरसे
रे मन चातक क्यों तरसे
रे मन चातक क्यों तरसे॰॰ए॰॰ए
राम रस बरसे रे मनवा
राम रस बरसे॰॰ए॰॰ए
Kavita naam hai gyaan ka
Posted on: April 17, 2020
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Duet | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Question-Answer song | Rafi songs | Showdown song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Talat Mehmood - Rafi duet | Talat Mehmood songs | Theme song | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4291 | Post No. : | 15544 |
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Blog 10-Year Challenge (2010-2020) – Song No. 21
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Today’s song is from the movie “Kavi-1954”. I have neither watched the movie nor I am aware of many of its songs. However, when I noticed this movie is due for ‘Blog ten-year challenge’ of 17.04.2020, I checked its pending songs. I came across a duet sung by Rafi Saab and Talat Mehmood which I found interesting since I was not aware of this song. Also, the music of this movie is composed by C. Ramchandra ji one of my favorite music directors which is another reason why I am sharing this song here today.
Three songs were represented on the blog on 17.04.2010 including a song from this movie ‘Kavi-1954’;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Bolo he zameen bolo aasmaan | Chakradhaari-1954 | All songs covered |
| Main pee ke nahin aaya | Kavi-1954 | |
| Nuktaa cheen hai gham e dil | Mirza Ghalib-1954 | All songs covered |
“Kavi-1954” had total ten songs in it, all written by Rajinder Krishan. Music for this movie was composed by C. Ramchandra.
Lata Mangeshkar, Mohd Rafi, Talat Mehmood, Asha Bhonsle and Chitalkar (C. Ramchandra) had given their voices to the songs in this movie.
So far, the following five songs from this movie have been posted on the blog;
| Song | Posted On |
|---|---|
| Main pee ke nahin aaya | 17.04.2010 |
| Tere raaste pe hamne ek ghar banaa liyaa hai | 19.04.2010 |
| Ham kar ke mohabbat ye samjhe | 28.06.2017 |
| Chhotisi zindagi mein kya pyaar muskuraaye | 25.11.2016 |
| Teri ik ik adaa jhoothhi | 07.09.2019 |
Today’s song is the sixth song of this movie being presented on the blog. As mentioned above today’s song is sung by Mohd Rafi and Talat Mehmood.
On our blog the following three songs have been discussed where Rafi and Talat Mehmood have sung together;
| Bhar de jholi Allah naam | Laila Majnu-1953 | 14.02.2013 |
| Gham ki andheri raat mein | Sushilaa-1966 | 22.06.2010 |
| Ek chaand aasmaan pe hai | Aadmi-1968 | 09.10.2009 |
I have not been able to get correct word at the place marked as (?), I would request our editors and knowledgeable readers to kindly provide the same and correct me please…
let us now enjoy this lovely song.
Song-Kavita naam hai gyaan ka (Kavi)(1954) Singers-Rafi, Talat Mehmood, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
Kavita naam hai gyaan ka aa
ise likhne waale gyaani ee
shoom (?) ka beta bane kavi ee
ye hai uski naadaani ee
dhor charaane waale ae
bhaasha ke ras ko kya jaane ae
aise kavi to kaala akshar
bhains baraabar maanen ae
aise kavi duboyen lutiyaa
Kavita likhne waalon ki ee
aise kavi duboyen lutiyaa
Kavita likhne waalon ki
nayi kalpnaa gayi bhaad mein
dhoom machee nakkaalon ki ee
dhor charaane waalon ki ee
gyaan prabhu ki den hai
nahin kisi ki ye jaagir
jag ko bud’dhi denewaala
dekhe naa gareeb ameer
Ramaayan se badhkar achchha
aur nahin koi lekh
uske likhne waale daaku
Valmiki ko dekh
jaat paat naa poochhe koi
Kavita likhne waalon ki ee
jaat paat naa poochhe koi
Kavita likhne waalon ki
mahal chhod kar bani ye daasi
bojh uthhaane waalon ki ee
Kavita likhne waalon ki ee
badaa kavi hai kahin ka aa
to ik baat bataa aa
jagat mein pehle pahal pehlaa aa
chhand kisne likha aa
sawaal itnaa badaa hai
jawaab chhotaa saa aa
jagat wo chhand hai
Jagdish ne ae isey likhaa aa
badaa kavi hai kahin ka aa
to ik baat bataa aa
jagat mein pehle pahal pehlaa aa
chhand kisne likha aa
sawaal itnaa badaa hai
jawaab chhotaa saa aa
jagat wo chhand hai
Jagdish ne ae isey likhaa aa
banaaya jisne ye sansaar
uska roop hai kya aa
kisine aaj talak
usko aankh se dekhaa aa
hawaa nazar nahin aati ee
hawaa ka roop to hai
jo kuchh nazar mein hai
parmaatma ka roop to hai
khataa muaaf
hai munh chhotaa
aur baat badi ee
zaraa jawaab do o
hai din badaa ya
raat badi ee
bhalaaa ye poochhi hai tumne
kahaan ki baat badi ee
kabhi ke din hain bade ae
aur kabhi ki raat badi ee
tumhaari baat mein
Kavita ka ras nahin aaya
jawaab maine jo sochaa thha
wo nahin paaya
khataa muaaf
hai munh chhotaa
aur baat badi ee
hai din ghareeb ka aa
dhanwaan ki ee hai raat badi ee
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Devnagri script lyrics (Provided by Avinash Scrapwala)
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कविता नाम है ज्ञान का आ
इसे लिखने वाले ज्ञानी ई
शून(?) का बेटा बने ए कवि ई
ये है उसकी नादानी ई
ढोर चराने वाले ए
भाषा के रस को क्या जाने ए
ऐसे कवि तो काला अक्षर
भैंस बराबर माने ए
ऐसे कवि डूबोयें लुटिया
कविता लिखने वालों कि ई
ऐसे कवि डूबोयें लुटिया
कविता लिखने वालों कि
नयी कल्पना गयी भाड में
धूम मची नक्कालों की ई
ढोर चराने वालों की ई
ज्ञान प्रभु की देन है
नहीं किसी की ये जागीर
जग को बुद्धि देनेवाला
देखे ना गरीब अमीर
रामायण से बढ़कर अच्छा
और नहीं कोई लेख
उसके लिखने वाले डाकू
वाल्मीकि को देख
ज़ात पात ना पूछे कोई
कविता लिखने वालों की ई
ज़ात पात ना पूछे कोई
कविता लिखने वालों की
महल छोड़ कर बनी ये दासी
बोझ उठाने वालों की ई
कविता लिखने वालों की ई
बड़ा कवि है कहीं का आ
तो इक बात बता आ
जगत में पहले पहल पहला आ
छंद किसने लिखा आ
सवाल इतना बड़ा है
जवाब छोटा सा आ
जगत वो छंद है
जगदीश ने ए इसे लिखा आ
बड़ा कवि है कहीं का आ
तो इक बात बता आ
जगत में पहले पहल पहला आ
छंद किसने लिखा आ
सवाल इतना बड़ा है
जवाब छोटा सा आ
जगत वो छंद है
जगदीश ने ए इसे लिखा आ
बनाया जिसने ये संसार
उसका रूप है क्या आ
किसीने आज तलक
उसको आँख से देखा आ
हवा नज़र नहीं आती ई
हवा का रूप तो है
जो कुछ नज़र में है
परमात्मा का रूप तो है
खता मुआफ़
है मुंह छोटा
और बात बड़ी ई
ज़रा जवाब दो ओ
है दिन बड़ा या
रात बड़ी ई
भला ये पूछी है तुमने
कहाँ की बात बड़ी ई
कभी के दिन है बड़े ए
और कभी की रात है बड़ी ई
तुम्हारी बात में
कविता का रस नहीं था आ
जवाब मैंने जो सोचा था
वो नहीं पाया
खता मुआफ़
है मुंह छोटा
और बात बड़ी ई
है दिन गरीब का आ
धनवान की ई है रात बड़ी ई
Gungunaai Fiza Jagmagaaya Samaa
Posted on: March 31, 2020
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Honky Tonk song for the blog | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Manorama (singer) Songs | Post by Sadanand Kamath | Shyam Kumar - Manorama (singer) duet | Shyam Kumar song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
- 6 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4274 | Post No. : | 15508 | Movie Count : |
4274 |
In the golden period of Hindi film industry, there were many popular and famous actors (actors include actresses) who were well known to most of the cine goers of their relevant time. Those actors included heroes, heroines, character actors, villains and vamps, comedians, dancers etc. However, there were actors who were not well known to most of the cine goers as most of the time, they would have small roles in films. But even with small roles, some of them have left lasting impressions on the connoisseurs of Hindi films. There was eagerness to know as to who were those actors. Among this set of actors is the playback singer and actor, Shyam Kumar.
Born as Gul Hamid Ali in Pune, Shyam Kumar (1913 – 1981) joined Kardar Studio as a playback singer on the recommendation of Naushad. He sang for Naushad in ‘Sharda’ (1942), ‘Namaste’ (1943), ‘Sanjog’ (1943), ‘Kanoon’ (1943), ‘Ratan’ (1944), ‘Pehle Aap’ (1944), ‘Sanyasi’ (1945), and ‘Dillagi’ (1949). He worked in some of these films but never sang for himself. However, his playback singing career never took off as he had tough competitions from GM Durrani and later from Mohammed Rafi, Mukesh, Talat Mehmood etc. After ‘Guzaara’ (1954), Shyam Kumar virtually gave up playback singing. After 1954, he sang for the last time in ‘Tilasmi Duniya’ (1962).
Being on the payroll of Kardar Productions, Shyam Kumar also acted in the films produced/directed by AR Kardar which included ‘Sharda’ (1942), ‘Sanyasi’ (1945), ‘Dard’ (1947), ‘Dulaari’ (1949), ‘Jaadoo’ (1950), ‘Deewana’ (1952) ‘Dil-e-Naadaan’ (1953), ‘Yaasmeen’ (1955) etc. Due to his impressive physique, he was considered for roles with negative shades though in a few films like ‘Vijaygarh’ (1954), ‘Rashtraveer Shivaji’ (1965) etc, he was the lead actor. During his four decades of filmy career, Shyam Kumar acted in over 140 films and sang around 30 songs in 15 films.
The first time I became aware of Shyam Kumar was in my younger days when I had heard his voice in the iconic song “Tu Mera Chaand Main Teri Chaandni” in ‘Dillagi’ (1949) which used to be often played on Radio Ceylon. It was only during my 78 RPM gramophone record collection period in early 1970s I came to know through my friend, also a record collector, of the confusion created by the name ‘Shyam’ on 78 RPM record. As the song was picturised on the hero of the film, Shyam (actor Shyam Chadha) who was accredited as ‘Shyam’ in the credit titles of the film, many felt that the actor Shyam sang this song for himself. On the other hand, Shyam Kumar, the singer who also acted in this film was accredited as ‘Sham Kumar’ in the credit titles. The fact was that actor Shyam lip synced the voice of Shyam Kumar in the song.
I had no inkling as to how Shyam Kumar looked like though I had seen him in many films as a familiar actor without knowing his name. He generally worked in ‘B’ grade films in negative roles but in most of ‘A’ grade films, he worked as one of the henchmen of the villains. Even in scenes where his presence was minuscule among other prominent actors, by his sheer expressions and unusual dresses he wore for the films, the audience would notice his presence. I have included a few samples of his expressions and dress sense in the films as montages in the audio clip of a song I am presenting with this article.
Shyam Kumar was the lead actor along with Krishna Kumari in the film ‘Vijaygarh’ (1954). The other star cast included Habib, Abu Bakar, Mohammed Sandow, Maqbool, Ranjana, Rafiq etc. The film was directed by AY Sheikh. The film seems to be an obscure one as not much information is available on it. From the title, it would appear that the film belongs to the genre of historical drama. But the star cast of the film gives me an impression that it was a costume drama/stunt film.
The film’s 7 songs are as obscure as the film. Songs were written by two lyricists – Muzaffar Shahjahanpuri and Indivar and were set to music by two music director – Krishna Dayal and AK Prem. I have uploaded the video of the first song from the film which is “Gungunaai Fiza Jagmagaaya Sama”. It is a duet sung by Manorama (not the actress Manorama) and Shyam Kumar. This song is attributed to Muzaffar Shahjahanpuri and AK Prem as lyricist and music director, respectively. I heard the name of Manorama as a playback singer for the first time. She appears to be a trained singer. Checking through the Geet Kosh listings, we find that the singer Manorama was apparently active only during the period of 1954-55 during which time she sang a total of eleven songs for four films.
[Note: Incidentally, Yashodara Katju had a younger sister, Manorama Katju and was associated with a film magazine ‘Screen’ in 1950s.]
It is often said that Shyam Kumar never sang for himself in the films. He gave playback to other actors. In ‘Vijaygarh’ (1954), Shyam Kumar was the lead actor and had sung three songs – two duets with Manorama and one solo. All these 3 songs are mix of romance and joy. Going by the list of other male actors in the film, I do not think that these 3 songs would make much sense if picturised on them. So, it is a point to ponder whether Shyam Kumar performed one or more of his three songs himself.
With this song, ‘Vijaygarh’ (1954) makes a debut in the Blog.
[Ed Note: A honky-tonk coincidence plays in with the addition of this song to our blog. This song belongs to the 4274th film on this blog, and it appears on the 4274th day of the blog. Well, what do you say. 😀 😀 .]
Song – Gungunaai Fiza Jagmagaaya Samaa (Vijaygarh) (1954) Singer – Manorama, Shyam Kumar, Lyrics – Muzaffar Shahjahanpuri, MD – AK Prem
Manorama + Shyaam Kumar
Lyrics
gungunaai fiza jagmagaaya sama
aa aa aa aa
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
tu ne ghunghat hataaya bahaar aa gayi
tu ne ghunghat hataaya bahaar aa gayi
roop chamka to bijli bhi sharma gayi
roop chamka to bijli bhi sharma gayi
chhaa gayeen muskuraane se rangeeniyaan
ho rangeeniyaan
ho o o o
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
aisi barsi khushi saare gham dhul gaye
aisi barsi khushi saare gham dhul gaye
zindagi ke naye raaste khul gaye
zindagi ke naye raaste khul gaye
ab basaayenge hum ek niraala jahaan
ek niraala jahaan
ho o o o
gungunaai fiza jagmagaaya sama
haa aa aa aa
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
गुनगुनाई फिज़ा जगमगाया समां
हा आ आ आ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ
तू ने घूँघट हटाया बहार आ गई
तू ने घूँघट हटाया बहार आ गई
रूप चमका तो बिजली बहई शर्मा गई
रूप चमका तो बिजली बहई शर्मा गई
छा गईं मुस्कुयाने से
हो रंगीनियाँ
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ
ऐसी बरसी खुशी सारे ग़म धूल गए
ऐसी बरसी खुशी सारे ग़म धूल गए
ज़िंदगी के नए रास्ते खुल गए
ज़िंदगी के नए रास्ते खुल गए
अब बसाएँगे हम इक निराला जहां
इक निराला जहां
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
हा आ आ आ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ
Duniya Ki Haalat Naram Naram
Posted on: February 29, 2020
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4243 | Post No. : | 15462 |
Entertaining Sales Pitch Songs – 11
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This post is likely the one which has been the most scrambled for. Leap day it is. So much history and folklore around this date, no doubt. But notwithstanding that, it struck us quite late in the day, as to how such a rare occasion be not celebrated, and not represented on our blog. We are all adept at combining celebrations and conjuring up milestones and reasons to post a celebratory article. So how come this leap day phenomena be left by the side. So we got going to get something in place, but it was quite late that we got started. Here is a brief about the gensis.
Time is 6:48 in the evening. An innocent query laden email from dear Arun ji lands in the mail box. He is enquiring about 29th Feb, 2016. The date seems to be blanked out on the blog, so were not posts added that day or is that an error of logging on the blog.
7:30 pm comes the response from Atul ji – yes, in 2016, the leap day actually was dot day.
Within one minute at 7.31 pm lands another follow up from Atul ji – and I quote –
“Today I wanted to post a blog leap day challenge, but my internet at home as well as office let me down. Atul”
There is radio silence for another about one hour or so. Around 8:20, I am back on my laptop, checking emails, and run into this exchange that has recently happened. It is 8:25 pm by the time I jump into the flow, and write to Atul ji, enquiring what did he have in mind.
Another 25 minutes creep by. It is 8:52 when Atul ji reply lands in the mail box. He wanted to follow up with a ‘challenge’ type post using one of the un-yippeee’d films from the list of posts from 29th Feb, 2012. Despite all the lethargy and laziness, I am stirred up to take on this challenge. Quickly I make a check of the films used on 29th Feb 2012. The list reads like,
| Ban Ban Ke Bigadti Hai Taqdeer Gareebon Ki | Guzaara | 1954 |
| Dil Ko Hai Tumse Pyaar Kyun | NFS – Jagmohan `Sursagar` | 1945 |
| Tum Saamne Aakar Jis Dam | Khazaanchi | 1958 |
| Dhal Chuki Shaam E Gham | Kohinoor | 1960 |
| Bhare Hain Aankh Mein Aansoo | Saara Jahaan Hamaara | 1961 |
| Manzil Ki Chaah Mein | Devdas | 1955 |
Only two films stand out as the candidates for this challenge – ‘Guzaara’ from 1954 and ‘Saara Jahaan Hamaara’ from 1961. Given the familiarity of the film and songs, I am tempted to attempt ‘Saara Jahaan Hamaara’. But then another peculiarity tries to pull my attention. The film ‘Guzaara’ from 1954 made its debut on the blog on this day – the leap – of 2012. And then – nothing else. For the past 8 years, the film has been sitting neglected, on one of the most interesting calendar days in, well, in the calendar. 🙂
And so, I decided to pick ‘Guzaara’. I sent out an email to Atul ji at 9:11 (that sounds almost sinister. . .) with the message – “‘Guzaara’ from 1954 would be an interesting candidate. Only one song, posted on leap day 2012, now second song on leap day 2020. 😀 :D”.
This time, the response is very immediate. Within a minute Atul ji confirms that he was also thinking to pick this film.
Poor ‘Guzaara’ – has been sitting on the bench for – goodness, 8 years. आते जाते हुये, the other films would ask cursorily – “How’s it going? Idling for long??”
And listlessly (pun intended) ‘Guzaara’ would reply – “गुज़ारा चल रहा है”. :D) :D)
And then suddenly another thought passed into the mind’s channels. Debut on the leap day in 2012, no action till the leap day on 2020, when the second song gets posted. And I hope this does not lead to a typecasting (so common in the industry, no?). because if it does, then poor ‘Guzaara’ would take more than two decades to get yippeee’d for its 8 songs. (LOL)
‘Guzaara’ is a social film from the production house of Aaina Pictures, Bombay produced and directed by SM Yusuf. The star cast is listed as Karan Diwan, Paro, Jabeen, Mirza Musharraf, Chand Burque, Baby Naaz, Romi, SM Yusuf, Manju, Tiwari, Baalam, Faizi, Sangeeta, Chhagan Romeo, Mehru. Hmmm. . . Karan Dewan and Paro, this would have been an important film of its time. The eight songs of this film are written by Fauq Zami – two songs, Muneer Lakhnavi – one song, and Raja Mehdi Ali Khan five songs. The music direction is by Ghulam Mohammed. The film comes from the same year as ‘Mirza Ghalib’, one of the most well known films with music by him.
Today’s song is a “sales pitch” song, rendered by Rafi Sb. The item for sale is ‘bhajia’, and the song goes along with homilies and interesting advises, as it tries to make better of selling ‘pakodas’. 😉 Looking at the star cast, the most likely candidate for performing this song is Karan Dewan himself. I cannot bring myself to imagine that Mirza Musharraf or Baalam would take on performing this song on screen. I would request our more knowledgeable friends and readers to please add more information about this song, and the film.
Ah so, the leap challenge, at last. And the film gets its second song on the blog, on the same leap day, eight years apart. Come to think of it – do we know what is the origin of the term ‘leap’ as it applies to this date and this calendar terminology. Hmmm. . . as we look at the calendars progression from one year to the next, and given 365 days in the year and 7 days in the week, the thumb rule is that the new year starts on the weekday, next to the day on which the previous year starts. Except for this peculiar creature called ‘leap year’ when the sequence of week day ‘leaps’ ahead by one day. Oh yes, this is the simple explanation available from dictionary.com.
I am sure all are familiar with the rules of the Julian calendar, set is place by Julius Ceaser, which instituted this leap day’s concept, and the later correction by Pope Gregory, resulting in the Gregorian calendar that makes an exception for missing a leap year every 100th year, but then also not missing it every 400th year, to account for the correct number of days passing per year, given that the earth uses up 365 days, 5 hours, 48 minutes, and 45 seconds, give or take a few milliseconds here and there, to completely go once around the sun. That is being astronomically correct. Otherwise, what would we know better, just being used for waking up with sunrise every day. Leap day, leap year – what does it matter. At the end of the day, and quoting from another song by Rafi Sb – “Jitni Likhi Thhi Muqaddar Mein. . .” – the number of breaths destined are what it is. History records that in 1582, when Pope Gregory announced this correction to the calendar, the official dates were adjusted by 10 days, There were riots in the city of Vatican and the common man protested, wanting 10 days of their lives to be returned.
Ah well, as the world turns. And not very precisely so. 🙂
So listen to Rafi Sb, and enjoy the ‘bhajias’.
Song – Duniya Ki Haalat Naram Naram (Guzaara) (1954) Singer – Mohammed Rafi, Lyrics – Raja Mehdi Ali Khan, MD – Ghulam Mohammed
Chorus
Lyrics
duniya ki haalat naram naram
o duniya ki haalat naram naram
halwa chhodo
poori chhodo
bhajiye kha lo garam garam
duniya ki haalat naram naram
tu ne bhi muft ki khaai hai
kya tu bhi mera bhai hai
o kya tu bhi mera bhai hai
meri hi tareh honge mister
tere pichhle janam ke karam karam
ho munna pichhle janam ke karam karam
o duniya ki haalat naram naram
halwa chhodo
poori chhodo
bhajiye kha lo garam garam
duniya ki haalat naram naram
hum tumko kahaan se den bhiksha
o bhaiyya ja kar ke khencho riksha
ho munna ja kar ke khencho riksha
mat desh pe apne bojh bahno
hai ye hi hamaara dharam dharam
hai ye hi hamaara dharam dharam
hoye
duniya ki haalat naram naram
halwa chhodo
poori chhodo
bhajiye kha lo garam garam
duniya ki haalat naram naram
chaar aane mein insaan bikey
do aane mein imaan bikey
chaar aane mein insaan bikey
do aane mein imaan bikey
ek aane mein bhagwan bikey
ae duniya waalo shame shame shame
ae duniya waalo sharam sharam
o duniya ki haalat naram naram
o duniya ki haalat naram naram
halwa chhodo
poori chhodo
bhajiye kha lo garam garam
duniya ki haalat naram naram
hoye
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
दुनिया की हालत नरम नरम
ओ दुनिया की हालत नरम नरम
हलवा छोड़ो
पूरी छोड़ो
भाजिया खा लो गरम गरम
दुनिया की हालत नरम नरम
तूने भी मुफ्त की खाई है
क्या तू भी मेरा भाई है
ओ क्या तू भी मेरा भाई है
मेरी ही तरह होंगे मिस्टर
तेरे जनम के पिछले करम करम
हो मुन्ना तेरे जनम के पिछले करम करम
ओ दुनिया की हालत नरम नरम
हलवा छोड़ो
पूरी छोड़ो
भाजिया खा लो गरम गरम
दुनिया की हालत नरम नरम
हुम तुमको कहाँ से दें भिक्षा
ओ भईय्या जा कर के खेंचो रिक्शा
हो मुन्ना जा कर के खेंचो रिक्शा
मत देश पे अपने बोझ बनो
है ये ही हमारा धरम धरम
है ये ही हमारा धरम धरम
होये दुनिया की हालत नरम नरम
हलवा छोड़ो
पूरी छोड़ो
भाजिया खा लो गरम गरम
दुनिया की हालत नरम नरम
चार आने में इंसान बिके
दो आने में इमार बिके
चार आने में इंसान बिके
दो आने में इमार बिके
एक आने में भगवान बिके
ए दुनिया वालो शेम शेम शेम
ए दुनिया वालो शरम शरम
ओ दुनिया की हालत नरम नरम
ओ दुनिया की हालत नरम नरम
हलवा छोड़ो
पूरी छोड़ो
भाजिया खा लो गरम गरम
दुनिया की हालत नरम नरम
This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4228 | Post No. : | 15435 |
Today’s song is from a Costume drama film, Dankaa-1954. The film was made by Goodwill Pictures and the director was J P Advani. The Music Director was Aziz Hindi aka Aziz Khan. The cast of the film was Nimmi, Amarnath (Bharadwaj), Mohana Cabral, Sunder (Singh), Heeralal, Neelam, Shivraj, Om Prakash etc etc.
From the day films were made in Silent Mode till about late 1960s, Stunt films, Action films, Costume dramas, Folk story films, Mystery films, Murder and crime films, Mythology and Religious films, Social and Reforms films, Jungle films, Arabian Night story films etc etc were made. The audience had an open choice, because, at a time, films of several genres were available for its entertainment. I can not exactly describe what type of films are made nowadays, but I am sure, most Genres – as mentioned above, are not being made.
Films for all Mental ages were made and each could make a choice of his liking. Nowadays, all age groups see the same films. Technology has developed tremendously. Special Effects (SFX) can do wonders in a film. In 1938, when Prakash films made their first Sci-Fi film ” Khwabon ki Duniya” ( which was a copy of Hollywood film ‘ The Invisible Man’-1933, which was based on the famous H G Wells’ novel of the same name, written and published in 1897), Babubhai Mistry used Black curtains and Black threads to create illusions of an Invisible Man’s actions, successfully and the audience had fingers in mouth with awe and wonder ! For next many years, Babubhai Mistry had earned a Moniker of ” Kaala Dhaga” in the industry ! These days such scenes are a child’s play. I truly miss those costume and stunt films, but one must flow with the flow !
The name SHIVRAJ in the cast always created curiosity in my mind. I had seen this actor in several films. I was unable to get any information on him anywhere. His role as the meek husband of Kaushalya (Manorama) in film Seeta aur Geeta-72 is unforgettable. When I started work on this post, I tried again. This time I found an article – actually an Obitury – on him in The Hindu, dated 4-6-2017. Of course it described in it only about his different roles. From some other source, I got his date of Birth and Death and a little other information.
Shivraj was born on 11-6-1920 in Madhya Pradesh. His full name was Shivraj Pandey. After doing his graduation, he came to Bombay in search of a good job, but joined film industry. To start with he worked in Minerva as an assistant in administration, He did some film roles too without getting credited. He left Minerva and got a role in film Sarai ke bahar-47. This was a film made by National studios. His next films were Ziddi, Majboor, Batohi, and Asha all in 1948. Then there was no looking back. Shivraj acted in 212 films. He directed 1 film, Jaani Dushman-57. He retired from work in 2000, but his last released film was Yaar meri zindgi-2008. Shivraj died on 4-6-2017.
One of the actors in this film was Om Prakash. He was one of those actors whose presence in the film is taken for granted. He was a very popular person in the industry. His comedy acting was typical. I can not forget his role in film ” Chupke Chupke”-75. His facial expression had no parallel.
Omprakash was mainly a comedian, but he had been a hero, a villain and a character artiste too. Of course the major part of his career is as a Comedian. He was one of the most respected artistes of his generation, in the industry. For some time, he floated a Film production company in collaboration with his close friend C. Ramchandra. When their films flopped,he simply dissolved the company and later produced films on his own and he directed them too. When his film Jahan Ara-64 flopped miserably, giving him a heavy monitory loss, he stopped producing films.
Omprakash was a lover of life, joy, jokes, playing cards and he was the happiest, when among his friends. Not many people know that the famous producer Pachhi ( Around the world etc) was his younger brother. Omprakash’s first film was ‘Guru Ghantal’-37 where he worked uncredited. He next did a small role in Bombay Talkies film ‘Anjaan’-41, but his career started when Pancholi got him a role in film ‘Daasi’-44. He earned Rs 80 for this film.
Omprakash worked in 293 films and directed 4 films namely, Duniya Gol hai-55, Gateway of India-57, Kanhaiya-59 and Chacha Zindabad-59, all produced by him alone. There were some films like Annadata-72, buddha mil gaya-71, Charandas-77 etc made keeping him as a central character. He sang 6 songs in 5 films- Meena Bazar-50, Ladki-53, Bindiya-60,Vardaan-74, and Ghar ki Izzat-94. HFGK mentions his name as a Lyricist for a song in film Dost-54.
OMPRAKASH BAKSHI was born on 19-12-1919 at Lahore.At the age of 12 ,he started learning classical music.In 1937,he joined A.I. Radio on a salary of Rs.25 pm.
He took the pen name of ‘FATEH DIN’. He presented entertaining programmes. He was very popular in Punjab and Lahore,during that period.In private parties he was a centre of attraction. In one such Party,where he was regaling his audience, he was noticed by Dalsukh Pancholi and he offered Omprakash a role in DAASI-1944.Then came Dhamki-45 and Aayee Bahaar-46. In Shehar se door-46, he was a co Hero with Al Nasir and later in Ghungroo-52 he was the Hero opposite Sumitra Devi.
Just when he was settling in films, partition took place and he landed in Bombay. His first film in Bombay was Lakhpati-48 and then there was no looking back. He acted as Villain in Naach, Nirdosh, Baghi Sipahi etc. He was a good actor and played a variety of roles. In many films he was shown as a Pehelwan. In Pehli Jhalak, his bout with Dara Singh became the film’s attraction. Even in Chameli ki Shaadi, he was a pehelwan.
There were many films made with him as a central character like, Annadaata, Dus lakh, Sadhu aur shaitan. Dil Duniya Daulat -72 was a remake of Pugree-48 in which he did the role which was done by comedian Ghori in Pugree.
C.Ramchandra was his best friend.They together produced Duniya gol hai-55,jhanjhar-53 and Lakeeren-54. The trailer of Duniya Gol hai was more interesting than the film. In this trailer, Raj Kapoor, Dilip Kumar and Ashok kumar come on the screen one after another and say-I have directed this film,so you must see it. Lastly Omprakash comes on screen and says,” Ye sab pagal hain. Picture to maine direct kee hai”. Anyway all the 3 films flopped despite good music. Later Omprakash alone produced films like Gateway of India-57, Chacha Zindabad-59, Sanjog-61 and Jahan Ara-64. After Jahan Ara’s colossal losses he stopped producing films and converted his office into a Card Game centre for friends.
His last days-
He lived in Union Park, Chembur, a suburb of Mumbai. He died at age 78 in Mumbai, India of a heart attack. The actor who was always so full of life was still full of life till just two days before his death. He knew he was not well. He knew he was suffering from various complications but he never gave up his zest for life till his heart betrayed him. He kept calling friends to play a game of Rummy or just chat. He had an office at the Roop Tara Studios which was only used for “Rummy sessions” and “chat sessions”. Then, some years ago, he shifted his office to the suburbs to make it more convenient for his friends. He attended this office regularly till his health started failing him. He was confined to his bungalow (next to Ashok Kumar’s bungalow). He suffered his first heart attack in his own bedroom. He was rushed to the Lilavati Hospital where he suffered a second heart attack and went into a coma from which he never came out. He was declared dead at 1.30 pm on February 21, 1998. The news spread fast and the industry was shocked and stunned because he was the kind of man who could not be easily associated with something so sombre and solemn like death.
Film Duniya Gol Hai-55 had a starcast of Karan Dewan, Anita Guha, Kuldeep Kaur, Sunder, Omprakash etc. Since this was his First film as a Director, as many as 13 actors worked in the film as “Guest Artistes” ! He was so popular that he had to say No to some more actors ready and eager to work as guest Atrtistes in this film. Till this film, it was a sort of record.
The Hero in today’s film was Amarnath. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were 2 Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath. This Amarnath was born in Hafizabad, in Gujaranwala district of Punjab (Now in Pakistan) in 1922. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.
Amarnath starred as Hero in many other films,like Naghma E Sehra-45, Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Izzat-52, Bahu Beti-53, Nav Durga-53, Toofan-54, Danka-54 etc. Then he switched over to side roles. In all, he worked in 81 films (CITWF data). His last film was Kaun ho tum-70.
Now something about the film’s Music Director….Ustaad Waheed Khan was a well known and respected player of Sitar and Surbahar. His place in the Etawah Gharana was high up. He had 3 sons. Bande Hassan,Hafiz khan and Aziz Khan. Waheed khan was very keen that his sons should continue his profession,earn a name and shine in classical music of Etawah Gharana. He thought working for music in films was below their dignity and a shame. Bande Hassan specialised in vocal music and became a famous qawali exponent. Second son Hafiz khan,after initial training in classical music turned to film singing,without father’s knowledge. Not only that,he also accepted the pen name of Mastana-awarded by composer Meer Sahib- to hide his identity from father. The third son Aziz Khan also went the film way,using the name Aziz Hindi sometimes.
Though Aziz Khan did not continue his family profession,he ensured that his son Pervez took the training and became an International Sitarist,settling in USA. Even son of Pervez- Shakir became a famous Sitarist. he continues the Etawah gharana tradition now.
A senior RMIM member Mr. Jayraman reported in 2008 that he had traced and found and met the only son of Hafiz khan Mastana,in Mahim,Mumbai. His name was Zaheer aka Alla Rakha. The son confirmed all the above facts and also that Aziz Khan was Aziz Hindi.
Though this fact was confirmed, books like ‘ Dhunon ki yatra’ (Pankaj Raag) mentioned Aziz Khan and Aziz Hindi as two different persons. Though the book was published in 2006, he can not be blamed for this, however. But since it is mentioned in a book, for many readers this wrong information is ‘authentic’ and this is quoted by many in their writings. This is because the findings of Mr. Jayaraman did not get enough publicity widely.
Aziz Hindi gave music to 17 films and composed 127 songs. His first film as an MD was Pandit ji-46 and the last one was Chalta Purja-58. Then he retired and migrated to US to be with his son.
Today’s song is a good song. I liked it. You may also like it…
Song- Shaam o sahar hai safar hi safar (Danka)(1954) Singers- Manna Dey, Asha Bhonsle, Lyricist- Arshi Ajmeri, MD-Aziz Hindi
Chorus
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa
shaam o sahar hai safar hi safar
shaam o sahar hai safar hi safar
o o o o
shaam o sahar hai safar hi safar
shaam o sahar hai safar hi safar
o o o o
hamaara watan hai kahaan
sitaaron se aage
sitaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
rahen hum hamesha rawaan aan
rahen hum hamesha rawaan aan
pukaaron se aage pukaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
aa aa aa aa
aa aa aa aa
safar umr bhar tera hoga na aakhir
ye duniya bani hai safar hi ki khaatir
safar hi ki khaatir
aa aa aa aa
safar umr bhar tera hoga na aakhir
ye duniya bani hai safar hi ki khaatir
safar hi ki khaatir
chala chal musaafir
chala chal musaafir
gaye hain kayi kaarwaan aan
pukaaron se aage
pukaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
aa aa aa aa
aa aa aa aa
aa aa aa aa
nahin hum kahin ghar banane ke kaayal
jahaan shaam hoye wahin apni manzil
wahin apni manzil
aa aa aa
nahin hum kahin ghar banazne ke kaayal
jahaan shaam hoye wahin apni manzil
wahin apni manzil
na toofaan ka dar
na parwaah e saahil
rahegi ye kashti rawaan aan
kinaaron se aage kinaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
shaam o sahar hai safar hi safar
o o o
shaam o sahar hai safar hi safar
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| Blog Day : | 4126 | Post No. : | 15282 |
“Watan” (1954) was directed by N Bhatt for Falcon Pictures. This movie had Trilok Kapoor, Nirupa Roy, Munawwar Sultana, Jayant, Gope, Madan Puri, Cuckoo, Surya Kumar etc in it.
There were six songs in this movie. Two songs from the movie has been covered in the past.
Here is the third song from “Watan” (1954) to appear in the blog. This rare song is sung by Asha Bhonsle. Shewan Rizvi is the lyricist. Music is composed by Hafiz Khan.
Only the audio of this song is available. Assuming that Nirupa Roy was the leading lady of the movie, my guess is that this song (and other songs sung by Asha Bhonsle in th movie) were lip synced by Nirupa Roy. Nevertheless, I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Taqdeer ka kehna hai ki.. roti hai to roya karey barbaad mohabbat (Watan)(1954) Singer-Asha Bhonsle, Lyrics-Shewan Rizvi, MD-Hafiz Khan
Lyrics
Taqdeer ka kehna hai ki ??
ghar hi jalaa doongi ee ee
rehta hai jahaan pyaar
wahaan aag laga doongi
roti hai to roya kare barbaad mohabbat
duniya mein na hogi kabhi aabaad mohabbat
roti hai to roya karey barbaad mohabbat
pehle to muqaddar ne tujhe mera banaaya
phir mere hi haathon se tujhe qaid karaaya
dil rota hai ae ae ae ae
dil rota hai
aur karti hai fariyaad mohabbat
duniya mein na hogi kabhi aabaad mohabbat
roti hai to roya karey barbaad mohabbat
barbaad ye dil thhaame jigar dekh rahi hoon
dekha nahin jaata hai magar dekh rahi hoon
Allah kar r r r r
Allah kar is gham se tu aazaad muhabbat
duniya mein na hogi kabhi aabaad mohabbat
roti hai to roya karey barbaad mohabbat a a a
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