Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Nalini Jaywant Solo Songs’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4542 Post No. : 16112

Chandraseniya Kayastha Prabhu, popularly known as CKP is one of the numerically smallest Marathi speaking communities of Maharashtra. But he cummnity has produced many intellectuals, playwrights, writers and bureaucrats. They are also regarded as an elite and a broad-minded community. But when one of their girls, Saroj Shilotri (Shobhna Samarth after marriage) tried to venture into films, her maternal uncle (who became the guardian after the death of her father) vehemently opposed her entry into films. The reason was, ‘who will marry her’? Those days, even broad-minded communities regarded working in the films as an act of moral turpitude.

Luckily for Shobhna Samarth, before signing her first film in 1935, she got engaged to Kumar Samarth who also belonged to CKP community. He had just returned from Germany after completing a course in cinematography. Later, they married. But her maternal uncle did not forgive her for the act of what he regarded as a sacrilege of family traditions.

About 5 years later, Shobhna Samarth’s maternal uncle again faced a similar situation. This time, it was his daughter, Nalini Jaywant who was inclined to join the film industry after she was picked up by producer Chimanbhai Desai for his film, ‘Radhika’ (1941). After a great deal of persuasion by a common friend of Chimanbhai Desai and Nalini Jaywant’s maternal uncle, the latter reluctantly permitted her to act in the film.

Today, December 24, 2020 is the 10th Remembrance Day of Nalini Jaywant. 10 years ago, she died of a heart attack but it came to the notice 3 days after her death in her bungalow by neighbours, thanks to the continuing howling by her two pet dogs. She was staying alone after the death of her husband, Prabhu Dayal and was leading a life of a recluse with a couple of pet dogs to give her the company. A distant relative of her is said to have took her body on a municipal ambulance and cremated her.

This unfortunate happening shows that Nalini Jaywant’s 25 years of an active and successful filmy career with 63 films did not counted at the end. During her heydays, she used to host a number of filmy parties and get-together in her bungalow. But after the death of her husband, Prabhu Dayal, the same bungalow had witnessed almost a deserted look during her last 20 years. Her first marriage her director, Virendra Desai in 1945 who was already married with children (whom she divorced in 1948) probably the marriage arising out of infatuation. The second with Prabhu Dayal in 1963 were probably the marriage of convenience. Her parents and brothers kept distance from her. Probably, they did not like her indulgence in socially unexpected behaviour after she joined the films.

Nalini Jaywant (18/02/1926 – 24/12/2010) had two distinct phases of her filmy career. The first phase began with her debut film ‘Radhika’ (1941) produced by Chimanbhai Desai and directed by his son, Virendra Desai. Baburao Patel, the editor of ‘Filmindia’ magazine did not review the film by saying that he did not want to waste the costly paper by reviewing the useless film. Her second film to release was Mehboob Khan’s ‘Bahen’ (1941) where she was paired with Sheikh Mukhtar in the role of his younger sister. This was followed by ‘Nirdosh’ (1941) with Mukesh, ‘Aankh Michowli’ (1942) with Satish Batra and ‘Aadab Arz’ (1943) with Karan Diwan. These films did not create much ripples in the box office front but Nalini Jaywant established herself in the Hindi film industry as an accomplished actress.

Sometime in 1945, Nalini Jaywant married Virendra Desai who was already married with children. This was not liked by his father, Chimanbhai Desai who expelled Virendra Desai from the house and removed him from his film production company, Amar Films. Later, both of them signed a 2-year contract with Filmistan – Nalini Jaywant as an actress and Virendra Desai as a director with a monthly salary and a bungalow in Malad to stay. However, both of them did not get any assignment during the period of contract though Filmistan had produced films like ‘Shikaari’ (1946), ‘Aath Din’ (1946), ‘Safar’ (1946), ‘Do Bhai’ (1947), ‘Saajan’ (1947). ‘Shehnaai’ (1947) etc during the period of their contract. The two-year contract was like two-year ‘vanwaas’ for them from films. This gap was long enough for the film industry to forget their existence.

The first thing Nalini Jaywant and Virendra Desai did after the period of contract got over was to re-establish themselves in the film industry. Both of them formed a film production company, Nalini Films. ‘Gunjan’ (1948) was the outcome of it which was directed by Virendra Desai. After the failure of the film at the box office, Nalini Jaywant divorced Virendra Desai in 1948. My assessment of their divorce is that she may have realised that so long as her name is attached with Virendra Desai, she would not get any role in the new films in the making as her husband would insist to be the director of her films. The divorce was also good for Virendra Desai in that he went back to his family.

The first film Nalini Jaywant signed after her divorce was ‘Anokha Pyaar’ (1948) with Dilip Kumar and Nargis. This film gave her a new lease of life in her filmy career. Film critics praised her in the role of a flower girl. But the real-take off in her filmi career came from a hit film. ‘Samaadhi’ (1950) in which she paired with Ashok Kumar for the first time. This was followed by another big success for her in ‘Sangraam’ (1950), once again pairing with Ashok Kumar. The success of Ashok Kumar-Nalini Jaywant combination resulted in both working together in as many as 11 films during 1950-57. Her second film. ‘Shikast’ (1953) was a milestone in that she could stand-up to the acting caliber of Dilip Kumar for which he praised her for her performance.

The box office success of ‘Naastik’ (1954) in which she was paired with Ajit resulted her working with him in 11 films. But after ‘Kaala Paani’ (1958), Nalini Jaywant did not have films to much talk about. From the beginning of the 1960s, film offers started declining. Many new leading actresses had joined the film industry and the age was catching with her.

The box office failure of ‘Amar Rahe Ye Pyaar’ (1961) jointly produced by Radhakrishan and Prabhu Dayal and directed by Prabhu Dayal financially broke both of them. While Radhakrishan committed suicide by jumping from his building, Prabhu Dayal who by this time had married Nalini Jaywant, became an alcohol addict. ‘Bombay Race Course’ (1965) was virtually her last film as a heroine after which she did not work in the films until she was offered character roles in ‘Bandish’ (1980) and ‘Naastik’ (1983).

In an interview published on DNA India on the eve of Dilip Kumar’s 90th birthday, he said among other things that he consistently rated Nalini Jaywant as his formidable co-star. He further said that she was the only actress who could spring surprises in the final takes if he was not alert, thanks to the natural spontaneity she possessed.

In a rare interview of Nalini Jaywant published in the Deccan Herald after her death in 2010, she regretted that she could get the opporrtunity to show her acting prowess only in films like ‘Anokha Pyaar’ (1948), ‘Samgraam’ (1950), ‘Shikast’ (1953), ‘Raahi’ (1953) and ‘Kaala Paani’ (1958). She said that she was not interested in making a come back in the film when the offer came for a character role in ‘Naastik’ (1983). But she had to accept it after many requests from Pran and Promod Chakravarty.

Pranay Gupte, the first cousin of Nalini Jaywant [Pranay’s mother, Professor (Dr.) Charusheela Gupte and Nalini Jaywant’s mother are sisters] who had visited her bungalow many times in his teen, wrote a tributary article – ‘Alone and Forgotten’ which appeared in ‘The Hindu’- December 29, 2010. In this article, he said “Actor Nalini Jaywant was a relic of a glorious past who lived in an unforgiving present. Listening to her in the autumn of her life made you flinch”. By the way, Pranay Gupte is a veteran international journalist and authors of several books who is based in the U.S.A.

On the occasion of Nalini Jaywant’s 10th Remembrance Day, I have selected one of the songs from her second released film ‘Bahen’ (1941). In this film, there were 12 songs of which 2 songs have been covered in the Blog. The songs picturised on Nalini Jaywant in the film were sung by her.

The song I am presenting is ‘aayi jawaani jiya lehraaye’ which is rendered by and picturised on Nalini Jaywant who was 15 years of age. The song is written by Safdar Aah Sitapuri which is set to music by Anil Biswas. As the song comes to an end, one can see Shaikh Mukhtar weeping because he does not want his sister to go away from him after marriage. A young Kanhaialal, the prospective bridegroom, is also seen at the end of the song.

Video Clip:

Audio Clip:

Song-Aayi jawaani jiya lahraaye (Bahan)(1941) Singer-Nalini Jaiwant, Lyrics-Safdar Aah Sitapuri, MD-Anil Biswas

Lyrics (Based on Video Clip)

jiya lehraaye
aayi jawaani
jiya lehraaye
aayi jawaani
jiya lehraaye
piya ghar jaana
sajan ghar jaana
piya ghar jaana
sajan ghar jaana
naihar ki galiyon mein kachhu na suhaaye
naihar ki galiyon mein kachhu na suhaaye
aayi jawaani
jiya lehraaye
aayi jawaani
jiya lehraaye

sakhiyaan saheliyaan hoy gayin suhaagin
sakhiyaan saheliyaan hoy gayin suhaagin
hoy hoy mora jiya lalchaaye
hoy hoy mora jiya lalchaaye
pee ke kunwar bin sooni sooni laagoon
pee ke kunwar bin sooni sooni laagoon
sundar gahanwa more man bhaaye
sundar gahanwa more man bhaaye
aayi jawaani
jiya lehraaye
aayi jawaani
jiya lehraaye
piya ghar jaana
sajan ghar jaana
piya ghar jaana
sajan ghar jaana
naihar ki galiyon mein kachhu na suhaaye
naihar ki galiyon mein kachhu na suhaaye
aayi jawaani
jiya lehraaye
aayi jawaani
jiya lehraaye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4107 Post No. : 15258

“Gunjan” (1948) was a Nalini Production movie. It was directed by V Desai. The movie had Trilok Kapoor, Nalini Jaiwant, David Abraham, Pande, Balraj Sahni, Veena Kumari, Purnima, Narmada Shanker etc in it.

The movie had nine songs in it. hree of these songs have been covered.

Here is the fourth song from “Gunjan” (1948) to appear in the blog. This song is sung by Nalini Jaiwant. S R Saaz is the lyricist. Music is composed by Ashok Ghosh.

Only the audio of the song is available. It is clear that the song was picturised on Nalini Jaiwant herself who was not only the leading lady of the movie but also the producer of the movie. Nalini Jaiwant is considered an occasional singer but she has sung this song like an accomplished singer. This song is arguably the best of all the Nalini Jaiwant songs that she has sung in HFM.


Song-Jal barsaaye nainwa man mein kaisi aag lagi(Gunjan)(1948) Singer-Nalini Jaiwant, Lyrics-S R Saaz, MD-Ashok Ghosh

Lyrics

aa
jal barsaaye nainwa
man mein kaisi aag lagi
man mein kaisi aag lagi
man mein kaisi aag lagi
kyun aa gayi jawaani mujhpar
liye dukhon ka haar aar
gaya kahaan wo bhola bachpan
kit gayen laado pyaar
uljhan mein hai jaan phansi
phir ye kaisi aag lagi
man mein kaisi aag lagi
man mein kaisi aag lagi

aa aa
main samjhi thhi prem kali se
mahak uthhegi kyaari
jaane ekaaek hua kya
kali bani chigaari
hey
ghar ke deepak se ghar jalta hai
dhuaan nikal na paaye
ae
ghut ghut kar marti abla sa
nikle na munh se haay
uljhan mein hai jaan phansi
phir ye kaisi aag lagi
man mein kaisi aag lagi
man mein kaisi aag lagi ee
man mein kaisi aag lagi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3737 Post No. : 14685

“Gunjan” (1948) was a Nalini Production movie. It was directed by V Desai. The movie had Trilok Kapoor, Nalini Jaiwant, David Abraham, Pande, Balraj Sahni, Veena Kumari, Purnima, Narmada Shanker etc in it.

The movie had nine songs in it. Two of these songs, both sung by Mukesh, have been covered in the blog long ago, viz on 2012 and 2013.

Here is the third song from “Gunjan” (1948) to appear in the blog. This song is sung by Nalini Jaiwant. Vrajendra Gaud is the lyricist. Music is composed by Ashok Ghosh.

Only the audio of the song is available. It is clear that the song was picturised on Nalini Jaiwant herself who was not only the leading lady of the movie but also the producer of the movie..


Song-Kiska saath nibhaaun nibhaaun (Gunjan)(1948) Singer-Nalini Jaiwant, Lyrics-Vrajendra Gaud, MD-Ashok Ghosh

Lyrics

kiska saath nibhaaun
nibhaaun
ye hai sooraj ye hai chanda
main sandhya si rahi beech mein
kiska saath nibhaaun nibhaaun
kiska saath nibhaaun nibhaaun
ye hai sooraj ye hai chanda

sooraj tan mein aag lagaata
bhole man ko chaand sataata
sooraj tan mein aag lagaata
bhole man ko chaand sataata
main samjhaati khadi akeli
peeda kise sunaaun sunaaaun
kiska saath nibhaaun nibhaaun
ye hai sooraj ye hai chanda

tan hai sooraj ke bandhan mein
tan hai sooraj ke bandhan mein
chaand
chaand chhipa man ke gunjan mein
chaand
chand chhipa man ke gunjan mein
main samjhaati ulajh rahi hoon
kuchh bhi samajh na paaun
nibhaaun
kiska saath nibhaaun nibhaaun
ye hai sooraj ye hai chanda


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saga Of Sleepless Nights – 3
– – – – – – – – – – – – – – –

neend kabhi rehti thi aankhon mein
ab rehte hain saanwariya

Aah, so now we know, the sleep can no longer come to the eyes, for the eyes are already occupied with the images of the beloved. You cannot accommodate two swords in a single scabbard. Or for that matter, two lions in the same cave. So it has to be that sleep will have to wait outside, while the joys of visions of the beloved crowd all the room inside the eyes.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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