Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4449 Post No. : 15906

————————————————-
Blog ten year challenge (2010-2020)- Song Number 84
————————————————–

This day ten years ago (viz 22 september 2020) was another normal day for the blog, when six songs from six different movies were discussed. First post of the day appeared at 7:29 AM and the final post at 9:12 AM.

Here are the details:-

Song Movie title-Year Remarks
Raaton ki neend chheen lee aankhon ke intezaar ne Shokhiyaan-1951 All Songs covered
Teri kaafir nigaah kar gayi dil ko tabaah Miss Coca Cola-1955 All Songs covered
Yaad karoon tori batiyaan Mr Lambu-1956 All Songs covered
Tum aur ham bhool ke gham Fashion-1957 06 songs posted
Mujhe gale se lagaa lo bahut udaas hoon main Aaj Aur Kal-1963 All Songs covered
Jidhar dekhoon teri tasweer nazar aati hai Mahaan-1983 01 song posted

One can see from the above that four out of six movies whose songs were covered ten years ago have been YIPPEED by now,

“Fashion”(1957) was one of the two as yet unYIPPEED movies.

“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.

The movie had eight songs in it. six songs have been covered in the past. Here are the details :-

Song Posted On
Bahaaron se poochho ・laakh sambhaala magar kho gaya 23.09.2009
Tum aur ham bhool ke gham 22.09.2010
Madbhari hain pyaar ki palkein 05.08.2012
Dharti ki goad mein aasmaan ke chhaaon mein 19.07.2016
Honthon pe tera naam 17.10.2016
Maati ko lajaanaa naa 16.07.2019

It turns out that the last two songs of the movie were multiple version songs. The first part was a multilingual song sung by Sulochana Kadam and Mubarak Begam. The second part in Hindi was sung by Asha Bhonsle. Bharat Vyas was the lyricist. Music was composed by Hemant Kumar.

Part I is listed in HFGK as “Bindu baashi daao more haath, aaj nishi bazaari” which are in Bangla. This song is available as Bharat Ke Lok Geet. This fact is also mentioned in HFGK Part III footnote at page no.349 movie no.697.

On listening to the song, the Bangla portion is not to be found. Marathi, Gujarati, Marwadi and Punjabi portions can be heard. So it appears that the Bangla portion has got omitted for some reason.

Lyrics of this song and other BTYC details were sent to me by Avinash Scrapwala.

Lyrics of the first part (the multilingual one) as noted leaves a lot to be desired mainly because of lack of familiarity with the languages. I request our knowledgeable readers familiar with these languages to help fill in and suggest additions/ corrections in the lyrics.

With these songs, all the eight songs of “Fashion”(1957) get covered and the movie joins the list of movies that have been YIPPEED in the blog.

Moreover, Hemant Kumar now has 300 songs in the blog as a music director.

(Part-I)

Song-(Part I)Regional language folk song (Fashion)(1957) Singers-Sulochana Kadam, Mubarak Begam, Lyrics-Bharat Vyas, MD-Hemant Kumar
Song-(Part II)
Song-Naya naya fashion naya hai zamaana (Fashion)(1957) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Hemant Kumar
Chorus

Lyrics (Provided by Avinash Scrapwala)

—————————————————–
Part I (Regional language song- Marathi/ Gujarati/ Marwadi/ Punjabi)
—————————————————-

sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji

ke garbo ghoome re gabbar ne gokh
ke garbo jaage re chaachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
ke garbo jaage re chachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh

aaj mhane
aaj mhane jewar
?
aaj mhane jewar ??
mhaane bikaaneri
mhaane jodhaaneri
mhaane udiyaapur ni
chundadiyaa silaa di he maa
?
aaj mhane jewar ??

main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??

—————————
(Part-II)
—————————
nayaa nayaa fashion
nayaa hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa

badal do rang
badal do dhang
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
aaj pad gayi halki ee
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee

baal kataa lo o
husn badhaa lo o
baal kataa lo
husn badhaa lo

badal do chaal
badal do dhaal
badal do
uttar dakshin
purab paschim
sab kuchh chhod ke taana
kahe zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

kapdon ka kharch bachaa lo
mat husn pe pardaa daalo
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
chaar chaand chamkaa lo
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo o
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o

duniyaa bhaage ae
badh gayi aage
duniyaa bhaage
badh gayi aage

badal do ?
badal do ?
badal do motor gaadi
tram ki sawaari
ud kar jaanaa
raah takta(?) hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa ・


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15767 Movie Count :

4346

Today is the 31st of July.
A date that has an immediate connect with most HFM lovers, for it signifies to them the passing away of one of Hindi film industry’s biggest legends.

Mohammad Rafi, or, as many (including myself) refer to him with the greatest respect, Rafisaab.

Today is his 40th death anniversary – and all of us here on the blog, and I’m sure millions around the world, remember him with great love, affection and respect.

That I’m a big Rafisaab fan is no secret.
This is also why, despite any other constraints I might have, I always try to write a post on 24th Dec (his birthday) and 31st July (death anniversary) for this blog.
It is my very small way of paying respect to someone who has given me so much joy in my life from just listening to his voice. I already feel blessed to be able to listen to him. To then be able to write about him is such a pleasure, and yet a humbling experience.

In many of my previous posts on Rafisaab, I’ve discussed him not just as a singer par excellence but also as a very special human being. For me, it’s difficult to separate the artiste from the person.
And in Rafisaab, I find myself lost in admiration on both counts – his mastery of his art, and his character as a human being.

In life one comes across, or reads about, all sorts of people.
There’s a lot to learn from others, their conduct and experiences in life.
The other day I’d written about Rajesh Khanna and how his life, inspite of all the mistakes he made, is a lesson for others.
The same applies to Rafisaab too – although not due to his mistakes, but due to his elevated thinking.
Much to learn from it.

The industry, for all its seeming “biraadari” and bhai-chaara, can be a nasty place. Stories of egos, back-stabbing, credit-grabbing, politics abound. Many artistes themselves say it’s a dog-eats-dog industry.

And yet, in such an industry, there was also a Rafisaab.

Throughout his career, from the late 40s till he passed away in 1980, there wasn’t a single blemish on his character. No story of ego, or back-stabbing or politics, or anything of that sort.
It’s quite remarkable – but that was Rafisaab.
Others in the industry might have tried to throw their weight around, even manipulate or belittle Rafisaab, but he never reciprocated with any anger or vengeance. He was on a different plane altogether – an elevated one.
This is why though there were incidents with legends like BR Chopra, OP Nayyar and Lata Mangeshkar, they always patched up with him.
Such was Rafisaab’s personality – you just could not but respect him, inspite of any difference of opinion you have.

Stories of Rafisaab’s humility abound.
Whenever he’d be praised for a song, he’d point upwards to suggest it was all God’s doing.
Such was his humility that he would ask a composer after singing “Was it ok?” And if the composer had even the slightest doubt, Rafisaab would sing it again.
This, even with composers of far less stature than Rafisaab.
No ego, just thorough professionalism, and the desire to give the best he could.

Stories of Rafisaab’s generosity abound. How he would take just a one-rupee token fee from struggling composers. How he would support various poor and underprivileged people, without the slightest fuss or publicity.

It’s hard to imagine a person like this in today’s world. Such a soft-spoken, gentle person, ever-smiling, and with so much kindness in his heart.

Yes, there’s a lot to learn from Rafisaab, the person.

I’m no singer (ok, am just a bathroom singer) but am sure professional singers would have a lot to learn from Rafisaab’s professionalism, and sheer dedication to his profession. He always tried to give the very best he could – because that is what the composer, and the public, deserved. So no half-hearted measures or shortcuts.

Mind you, for a large part of his career, he was a superstar singer, so he could have got away without so much effort. But he wouldn’t be Rafisaab then. Right till the end, whether it was his riyaaz at home, or his rehearsals, or recordings, the effort and dedication was a hundred percent.

Like most artistes, Rafisaab also had ups and downs in his career.
One fine day, from being the most popular male voice for at least two generations, he found himself overshadowed by Kishore Kumar as the most popular voice of a new generation. It obviously hit him hard – his self-confidence apparently took a bit of a beating.

But, like they say, you can’t keep a good man down for long – and Rafisaab came back.
And how!
By 1976-77, with Laila Majnu, Amar Akbar Anthony and Hum Kisise Kam Nahin all featuring hit songs from him prominently, he was back with a bang.

From then on, till his death in 1980, he was very much back in business. That’s how you come back even when you seem to be down and out.

Yes, there’s a lot to learn from Rafisaab, the artiste.

No wonder I am such a big fan of Rafisaab.
And I know I’m in pretty good company.
Company of at least a few million others.

I haven’t talked about Rafisaab’s songs here – what can I say? Right from his very early days, with songs like “yahaan badla wafaa ka” and “ik dil ke tukde” to his last days, with songs like “tu is tarah”, Rafisaab’s voice was totally in a league of its own.
Divinity incarnate.

And add to this divine voice, his control over pitch, his intonations, the “thehraav” in his voice. No wonder he could sing “o duniya ke rakhwaale” and “meri duniya mein tum aayi”, two songs on two totally opposite ends of the spectrum, with equal aplomb. Such was his mastery that he could easily adapt his voice to blend with any mood or moment.
Happy, teasing or sad.
Ghazal, qawwali or bhajan.
One moment, the despair of “ye mehlon ye takhton”. The next, the fun and frolic of “sar jo tera chakraaye”. Listen to this, and you feel it IS Johnny Walker’s voice.

Yes, that was another Rafisaab skill. To seamlessly adapt his voice to the actor on screen.

The “thehraav” in Rafisaab’s voice is something that I can never get enough of. I’ve listened to the title song of “Mere Mehboob” so many times, just to marvel at the “thehraav”.

Listening to Rafisaab’s voice is therapeutic for me. Whatever be my frame of mind, I just have to close my eyes and listen to “pukaarta chala hoon main”, and I suddenly feel better. 🙂

I could go on and on, but let me now move on to the song for today.

A few days ago, I was on youtube listening to some Rafisaab songs. But this time, instead of listening to his popular songs, I thought I’d look for lesser-known ones. There’s a special joy in discovering songs you’ve never heard before. True of any singer, but for me, especially true of Rafisaab.

I came across a few, shared them with Avinashji too, because he’s an even bigger Rafisaab fan than I am. 🙂

It was an enriching experience, since there were some songs with a decent spattering of Urdu – always a delight for me. 🙂

Today’s song isn’t one in this category. But I loved it the first time I heard it a few days ago, so I decided it would be the song for today.

Actually, I’m somewhat surprised I hadn’t heard this song before. Surprised because it’s from a 1982 film, Raakh Aur Chingaari. Starring Vinod Mehra, Vidya Sinha and Anil Dhawan. 1982 was still within my “active consciousness” of films and songs, and these actors are prominent actors – but somehow this film and song seem to have passed me by.

I also noticed that this film doesn’t figure on the blog yet – another surprise. So it’s making its debut here today.

Then the lyricist & composer. Lyrics by Tajdar Taj, music by Ratandeep Hemraj. Both new names for me.

I see that this combo is already on the blog in Sudhirji’s post.

But what is surprising is that this was MY era, and yet these names are new to me. It’s a very humbling realization. 🙂

I like the lyrics and the music – and of course, Rafisaab’s voice.

This happens to be a multiple-version song. The female version is sung by Chandrani Mukherjee.

So here it is “ye anjaan raahen”. Hope you like the song too.

And Rafisaab, you will always remain in our hearts.
Always.
There’s a very special place for you in all our hearts.
Thank you for making life that much more worth living. 🙂

Mohammad Rafi

Chandrani Mukherjee

Song-Ye anjaan raahen ye manzil paraayi (Raakh aur Chingaari)(1982) Singers-Rafi/ Chandrani Mukherjee, Lyrics-Tajdar Taj, MD-Ratandeep Hemraj

——————————
Rafi version
——————————

Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen

Kismat ne wo thokar maari
Dil ka sheesha toot gaya
Pyaar ki mehfil raas na aayi
Yaar ka daaman chhoot gaya
Kismat ne wo thokar maari
Dil ka sheesha toot gaya
Pyaar ki mehfil raas na aayi
Yaar ka daaman chhoot gaya
Saaya bankar
Saath chalegi
Jeevan bhar
Ye tanhaai
Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen

Aaj meri majboor wafaa
Khud mere liye ilzaam hui
Roothh gaye hain geet milan ke
Dard mein doobi shaam hui
Aaj meri majboor wafaa
Khud mere liye ilzaam hui
Roothh gaye hain geet milan ke
Dard mein doobi shaam hui
Jaane kis din tootegi ab
Saanson ki ye shehnaai
Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen

—————————-
Chandrani Mukherjee version
—————————-

Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen

Aaj meri majboor wafaa
Khud mere liye ilzaam hui
Roothh gaye hain geet milan ke
Dard mein doobi shaam hui
Aaj meri majboor wafaa
Khud mere liye ilzaam hui
Rooth gaye hain geet milan ke
Dard mein doobi shaam hui
Jaane kis din tootegi ab
Saanson ki ye shehnaai
Ye anjaan raahen
Ye manzil paraayi
Mujhe zindagi tu
Kahaan leke aayi
Kahaan leke aayi
Ye anjaan raahen


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4388 Post No. : 15749

Hullo Atuldom

Today’s song is sure to get a “How Come?” reaction from all concerned, even Atulji and Sudhirji will probably include it in the category of “How come this song was not posted earlier?” and “How did I forget to post this song earlier?”. Also I know we have fans of today’s song among the followers of the blog who will say “How did we miss it in all these 12 years of the blog?” I, who regularly try and send a song for the birthday and anniversary of the main actor in this song, also kept putting it off for God Knows what occasion!!!

But better late than never. And here is an all-time popular song.

There are hundreds of multi-version songs in filmdom. Usually we will have the same song sung as happy and sad, male- female, family reunion versions etc. Today’s is a hatke (different) multi-version song. It cannot be categorized as Happy-Sad or Male -female versions. In both versions of this song all the characters involved lip-sync. There are two couples, hence four singers. And finally, the mood of the songs are “roothna-manaana” and/or “teasing song”. I won’t call it eve-teasing as one song has the girls teasing the guys. There is equality here. 😉
The first version (in the movie) happens when the boys -Chuttan and Puttan land up accidentally in the house of Shaila (Aruna Irani) and she walks in, with her friend Poonam (Anjana -she was not yet Anjaana Mumtaz then). The girls have the upper hand in this version as they threaten the boys of handing them over to her father (Jeevan) or Poonam’s inspector brother (Chandrashekar). The song closes with the girls tying up the boys.

The second one is in Mahabaleswar where the boys are in hiding from their strict father (Ashok Kumar). I must mention here that I was reminded of this movie because of Guruji’s recent post where he mentioned the actress who played the mother character to Chuttan (Mehmood) and Puttan (Vinod Mehra). This movie “Do Phool” was a 1973 release which was directed by S. Ramanathan, a remake of the Tamil “Anubavi Raja Anubavi”. The movie had four songs written by Majrooh Sultanpuri which were set to music by R D Burman. Only one song from this movie Muthukodi kawaadi hadaa is present on the blog, posted way back in 2009.

Here is the next one today, which also happens to be Mehmood’s 16th anniversary. It is in the vocals of Asha, Usha, Kishore and Mehmood.

Part I

Part II

Song-Maaf Karo Maaf Karo (Do Phool)(1973) Singers-Asha Bhonsle, Usha Mangeshkar, Kishore Kumar, Mehmood, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

———————
Part I
———————

maaf karo
maaf karo
ha jaane do
ha jaane do
arey haye allah
arey haye allah
chhod do na
chhod do na
arre paagal ho gaye ho kya aa tum
baba maaf karo
ha baba maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum

leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
socho zara
ladki hoon main
itna na sharminda karo
aankhon se tum maro mujhe
thokar se phir zinda karo

(girls blabbering)
chhup
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum

kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
jaane bhi do
peecche hato
aage mere kyun ho khade
dekh ke chalo
ae gulbadan
raaho mein hum
bhi hai pade

(mujhe toh rona aa raha hai
mat ro mat ro baby mat ro
chhup)

ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
m m maaf karo
m m maaf karo
j j jaane do
j j jaane do
hai hai hai allah
hai hai hai allah
chh chh chhod do na
chh chh chhod do na
arre paagal ho gaye ho kya aa tum

————–
Part II
————–

chtu chtu chtu
ho maaf karo,
haan maaf karo
jaane do,
arre jaane do
hai allah,
hai hai allah
chhod do na,
chhod chhod do na
chup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chup

aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
ha ha ha
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
keh toh raha
hoon main sanam
maafi karo galti hui
bandhan toh ab (aa)
khulta nahi (oh)
karte raho ui ui
(maine kaha tha na,
tune mujhe fasaaya
tune mujhe fasaaya,
tune
tune mujhe fansaya,
tune, main kaha tha)
chup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum

vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main toh maaroongi phoolon ki jhadi
ha ha ha
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main to maaroongi phoolon ki jhadi
nazuk hoon main,
dhakka na do
ro doonga main,
meri kasam
rona nahi,
main bhi kahin rone lagoon
teri kasam
mat ro, mat ro, main kehta hoon mat ro
mat ro
chhup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chhup


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4387 Post No. : 15748

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 43
———————————————————————————–

Ten years back on this day 22nd July 2010 five songs were posted on the blog as per following.

Song

 Movie title-Year

 Remarks

 Chaahaa thaa banoon pyaar ki raahon ka devata  Gunhaahon Kaa Devtaa-1967  3 of 7 songs posted
 Dil milaa ke milo paas aake milo  Thakur Jarnail Singh-1966  3 of 6 songs posted
 Ye khaamoshiyaan ye tanhaayiyaan  Ye Raaste Hai Pyaar Ke-1963  All songs covered
 Bheegi chaandni chhaayi bekhudi  Suhaagan-1964  All songs covered
 Ik baat bataa de jogi  Taj-1956  All songs covered

So, today, we have two movies eligible for posting a song under ‘Blog Ten-Year Challenge’ viz. ‘Gunaahon Ka Devta’ (1967) and ‘Thakur Jarnail Singh’ (1966). In this post, I am presenting a song from ‘Gunaahon Ka Devta’ wherein Prakash ji had sent the lyrics of this multiple versions song.

When I saw the mail and the song title, I was surprised to note that this song has not been posted yet on the blog. But when I checked the other remaining song from this movie, I was more surprised to note that there is one more song which I like very much because of the actor performing on it 😊 but this song too is yet to be posted on the blog. Well, I had watched this movie during my stay at Parli-Vaijnath from 1985-1988. And this movie did bring back memories of my stay there and the ‘peak movie watching period’ for me there, when I used to watch maximum movies of yesteryear coming to theatres. I remember I liked this movie and its songs too.

The film is produced and directed by Devi Sharma for ‘Janta Chitra’. It has Rajshri, Jeetendra, Mehmood, Leela Chitnis, Aruna Irani, Randhir, Tun Tun, Farida, Shahid, Rekha, SK Prem, Sujata, Jankidas and Jeevan. The story of this movie is also written by Devi Sharma, and its screenplay was written by Ravi Kapoor. Dialogues of this movie were written by Sarshar Sailani. Editing of this movie was done by Dharamvir. The movie was passed by Censor Board on 19.05.1967.

This movie has seven songs including one multiple version song. Lyrics were written by Hasrat Jaipuri and Shailendra (one song – the title song only). Music of this movie was composed by Shankar-Jaikishan. Mohd Rafi, Lata Mangeshkar, Mukesh, Manna Dey and Sharda had given their voices to for the songs in this movie.

So far, the following songs from ‘Gunaahon Ka Devta’ have been posted on the blog; 

Song

 Posted On

Chaahaa thaa banoon pyaar ki raahon ka devata  22.07.2010
 Raam kare kahin nainaa naa uljhen  30.07.2010
 Teer aankhon ke jigar ke paar kar do yaar tum  13.07.2012

Today’s song is the multiple version song where the male version is sung by Mohd Rafi and the female version has the voice of Sharda. Jeetendra is lip syncing in the voice of Rafi Saab in the male version whereas in the female version Rajshri is lip syncing in the voice of Sharda. Both of them are seen in the picturization of this song where we could see the lovers ‘complaining’ about each other for ‘trapping in love’ and simultaneously also reminding that one will not be able to forgot them easily.

As mentioned above lyrics of this song were sent by Prakashchandra.

Let us now enjoy this lovely song in both versions …

Male Version (Video)

Male Version (Audio)

Female Version (Video)

Female Version (Audio)

Song – Hum Ko To Barbaad Kiya Hai, Aur Kisey Barbaad Karoge (Gunaahon Ka Devta) (1967) Singer – Mohammed Rafi, Sharda, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan

Lyrics (Provided by Prakashchandra)

haaye
kis ki jaan logi
kyaa iraada hai

hum ko to barbaad kiya hai
aur kise barbaad karoge
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hum ko yaad karoge
hum ko to barbaad kiya hai

tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
uff na karenge
hum bhi to dekhein
kitne sitam iijaad karoge
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
dil waalon se paala pada hai ae
tum bhi bhala kya yaad karoge
ha haa
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge ae
hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge
neend na hogi in aankhon mein
tadpoge fariyaad karoge ae
ha ha
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-

हाए
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
उफ़ ना करेंगे
हम भी तो देखें
कितने सितम इजाद करोगे
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
दिल वालों से पाला पड़ा है
तुम भी भला क्या याद करोगे
ह हा
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
नींद न होगी इन् आँखों में
तड़पोगे  फ़रियाद करोगे
ह ह
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4386 Post No. : 15744 Movie Count :

4340

Today 21st July’2020 is the ninetieth birth anniversary of lyricist Anand Bakshi (born on 21 July 1930, he passed away on 30th March 2002). As a tribute to him here is a song written by him from the 1982 movie ‘Insaan’.

“Insaan-1982” was directed by Narinder Bedi for ‘Mukesh Movies Pvt Ltd’. Narinder Bedi also wrote the screenplay of this movie.

This movie was produced by Ved Khanna. It had Jeetendra, Vinod Khanna, Reena Roy and Amjad Khan. They were supported by Shyama, Late Karan Diwan, Narendra Nath, Sudhir, Kishore Jariwala, Asit Sen, Roopesh Kumar, Viju Khote, Pannu Balouch, Dev Kishan, Jayshree T., Meena Roy, Dulari, Birbal, Amrit Pal, G.S. Aassie, Dhanalal, Misrilal, Narbada Shankar, Sharma, Thakurdas T., Moolchand. Aruna Irani made a special appearance in this movie and the movie introduced Master Sameer.

Story of this movie was written by Veena Bedi. Dialogues of this movie were written by Rajinder Singh Bedi. Scenario writer of this movie was Satish Bhatnagar.

Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali. Dev Kishan was the dialogue director of this movie. Robin Bhatt was the chief assistant director and Dilip Kotalgi was the chief assistant editor of this movie.

This movie had total six songs including one multiple version song (which is being presented today). All the songs were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.
Background music for this movie was given by Sapan-Jagmohan.

Mohd. Rafi, Kishore Kumar, Asha Bhonsle, Shailendra Singh and Amit Kumar had given their voices to the songs in this movie. This movie was passed by Censor Board on 15.05.1982.

Today’s song is sung Kishore Kumar and second version or rather the sad version is sung by Amit Kumar. I had not watched this movie so can’t say much about the movie and its box office performance. However, I became aware of this song in 1987-89 when I bought a audio cassette of Amit Kumar ‘hits’ by HMV. But only the sad version of this song was there in this cassette. Later when I started contributing lyrics to this blog in 2012-2013, I came across the Kishore Kumar version or a happy version of this song. I like this song very much as it comes from my favorite category of ‘motivational-philosophical songs’ 😊

The meaningful lyrics are by Anand Bakshi. The happy version is picturized on Jeetendra with Master Sameer also seen in the picturization of this song. I am not aware of the picturization of the sad version of this song.

With this song ‘Insaan-1982’ makes its debut on the blog. And that also serves the ‘mission’ of bringing ‘movies with same titles’ on the blog. So far, we have ‘Insaan-1944’ and ‘Insaan-1952’ already introduced on the blog.

Your sincerely also had a part in sharing the song from ‘Insaan-1952’ three years back on the blog. As per HFGK one more movie with same title was released in ‘2005’ too.

If we have look on the annual list of ‘Binaca Geetmala’ of the year 1982 we can see as many as five songs from Anand Bakshi and Laxmikant-Pyarelal making it to the annual list then. The movies were ‘Ek Hi Bhool-1981’, ‘Fifty-Fifty-1981’(2 songs), ‘Raaste Pyaar Ke-1982’(2 songs), ‘Desh Premee-1982’, ‘Apnaa Banaa Lo-1982’, however the top six songs were by other lyricist and on the ‘top of the list’ was Majrooh Sultanpuri’s ‘angrezi mein kehti hain ke’ from ‘Khuddaar-1982’.

Let us now enjoy the beautiful lyrics of Anand Bakshi and the composition of Laxmikant-Pyarelal.

Happy version
Audio

Video

Sad version
Audio

Song-Koi na jab tera saathi ho (Insaan)(1982) Singer-Kishore Kumar/Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

————————-
Happy version
————————-

aa aa aa …

koyi naa jab tera saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

apni dagar par chal jhoomkar r
kaahe ka gham hain
kaahe ka darr
apni dagar par
chal jhoomkar
kaahe ka gham hain
kaahe ka darr r
raahein badi albeli hain
raahi hain tu albelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

kya hain judaai ee
kya mel hain ae
kya hain judaai ee
kya mel hain ae
bas dhoop chhaaon ka aa khel hain
jeena usika jeena hain ae
jo zindagi se khelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

aa aa aa
aa
aa aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa …

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa aa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa aa

———————————–
Sad version
———————————–

aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa
kya hain bharosa kab tak rahegaa
ye zindagi ka aa melaa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa

aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa

——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
भाग-१ (हर्ष)

आ आ आ …

कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
अपनी डगर पर चल झूमकर…र
काहे का ग़म है
काहे का डर
अपनी डगर पर
चल झूमकर
काहे का ग़म है
काहे का डर…र
राहें बड़ी अलबेली हैं
राही हैं तू अलबेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं जुदाई ई
क्या मेल हैं ए
क्या हैं जुदाई ई
क्या मेल हैं ए
बस धुप छाँव का आ खेल हैं
जीना उसीका जीना है ए
जो ज़िन्दगी से खेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ …

आ आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

————————
भाग-२ (शोक)
————————
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का आ मेला
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ
आ …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4371 Post No. : 15707

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 40
——————————————————————————

Ten years back on 06.07.2010 three songs from three movies were represented on the blog:-

Song Movie title-Year Remarks
Gori hain kalaayiyaan tu lade mujhe hari hari choodiyaan Aaj Ka Arjun-1990 02 songs posted
Sajna mera dil tera dil gayaa mil Jhoola-1962 All songs covered
Piyaa piyaa naa laage moraa jiyaa Phagun-1958 All songs covered

Two movies ‘Jhoola-1962’ and ‘Phagun-1958’ have already been YIPPEED, so we have only one movie viz. ‘Aaj Ka Arjun-1990’ which is eligible for ‘blog ten-year challenge’ today (6 july 2020).

I remember that I was staying at Kota (Rajasthan) when this movie ‘Aaj Ka Arjun’ was released. Two of its songs had become very much popular. The song ‘chali aana tu paan ki dukaan pe’ was played on cassette-recorder in every ‘paan-shop’ in the ‘gali’ and ‘nukkad’ 😊 while the other song ‘gori hain kalaayiyaan’ was also played and could be heard everywhere (specially in Rajasthan).

Befittingly these two songs have already been covered on the blog. It proves that the same two songs were considered the most popular by the editor of the blog as well. 🙂

Song Posted On
Chali aana tu paan ki dukaan pe saadhe teen baje 26.05.2009
Gori hain kalaayiyaan tu lade mujhe hari hari choodiyaan 06.07.2010

I had never watched this movie (for me it was a ‘No Amitabh movie’ years those days), so when our Prakash ji sent the lyrics of the today’s song, I had no recollections of having listening to this song. Other than the above mentioned two songs of this movie I was not aware of remember any other songs of this movie. However, when I listened to today’s song, I liked it. I may have heard this song in the past but the song may have failed to register with me in the past.

This song is in two versions- one is sung by Amit Kumar and the other by Lata Mangeshkar.

“Aaj Ka Arjun-1990” was directed by K.C. Bokadia for BMB Productions. K.C. Bokadia was also the producer of this movie. It had Amitabh Bachchan, Jaya Prada, Radhika, Suresh Oberoi, Kiran Kumar and Amrish Puri. The movie introduced Rishabh Shukla on the big screen.

Asrani and Anupam Kher make special appearance in this movie. The above cast was supported by Preeti Sapru, Baby Guddu, Bramhachari, Praveen Kumar, Anirudh Agarwal, Junior Mehmood, Ram Kumar and Vikas Anand.

Story of this movie was written by P. Vasu and screenplay was written by Santosh Saroj. Dialogues of this movie were written by Anirudh Tiwari. Saroj Khan and Chinni Prakash were the choreographers for this movie. Editing of this movie was done by M.S. Shinde.

Lata Mangeshkar, Kavita Krishnamurthy, Alka Yagnik, Shabbir Kumar, Mohd Aziz and Amit Kumar had given their voices to the songs in this movie. Anjaan was the lyricist for the songs in this movie and music was composed by Bappi Lahiri.

This movie was passed by Censor Board on 03.08.1990.

Let us now listen to today’s multiple version song. It is sung by Amit Kumar and Lata Mangeshkar. Lyrics are by Anjaan and music is composed by Bappi Lahiri.

Lyrics of this song were sent by Prakashchandra.

Audio (Male version)

Audio full (Female version)

Video (Female version)

Song-Naa jaa re naa jaa re (Aaj Ka Arjun)(1990) Singers-Amit Kumar/ Lata, Lyrics-Anjaan, MD-Bappi Lahiri

——————————
Lyrics (Provided by Prakashchandra)

—————————
Male version
————————–

naa jaa re ae ae ae ae
naa jaa re ae ae ae ae

naa jaa re ae
naa jaa re ae
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae ae ae
naa jaa re
na jaa re
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae ae
naa jaa re
na jaa re ae

munne mere dekh ke tujhko
ab tak zindaa hoon
bhool huyi to
maaf bhi kar de
main sharmindaa hoon
tu jo mujhse rooth gayaa to
main mar jaaungaa aa
mar kar bhi main
behna ko kya munh dikhlaaungaa aa
toot jaaungaa main
naa jaa yoon rooth ke ae ae
naa jaa re ae
naa jaa re
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae
naa jaa re
naa jaa re
naa jaa re
naa jaa re
naa jaa re
naa aa jaa re

———————————————–
Female version:
———————————————–

naa aa jaa re ae
naa a a a a aa aa aaa
naa jaa re ae
naa aa jaa..aaa

naa jaa re ae
naa jaa re
yoon mujhe ae chhod ke ae ae
naa jaa re ae
na jaa re ae
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae
naa jaa re ae
naa jaa re ae
yoon mujhe ae chhod ke ae ae
naa jaa re ae
naa jaa re ae

tujhse bichhad ke
tere bina to
jee na sakoongi main ae
aayegaa tu
laut ke phir to
phir na miloongi main
tujhse bichhad ke
tere bina to
jee naa sakoongi main aen
aayegaa tu
laut ke phir to
phir naa miloongi main
o o o o o o
o o o o o o
o o o
o o o o
ho o o o
yoon nazar mod ke
gham se dil jod ke ae ae ae
naa jaa re ae
naa jaa re ae
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae
naa jaa re ae
naa jaa re ae

saari bahaarein
saare nazaare
saath hi letaa jaa aa
jaate jaate mujhko thhoda
zehar hi detaa jaa aa
saari bahaarein
saare nazaare
saath hi letaa jaa aa
jaate jaate mujhko thhoda
zehar hi detaa jaa
o o
o o o o o o o o o
o o o o
o o o o
tujhko meri qasam
ye qadam rok le ae ae ae
naa jaa re ae
naa jaa re ae
yoon mujhe ae chhod ke
dil meraa aa tod ke ae ae ae
naa jaa re ae
naa jaa re ae
yoon mujhe ae ae chhod ke ae
naa jaa re ae
naa jaa re
naa jaa re ae
naa jaa re ae

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-
(पुरुष स्वर)
————————————————
ना जा रे ए ए ए ए
ना जा रे ए ए ए ए
ना जा रे ए ना जा रे ए
यूं मुझे ए छोड़ के
दिल मेरा तोड़ के ए ए ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के
दिल मेरा आ तोड़ के ए ए
ना जा रे ना जा रे ए
मुन्ने मेरे देख के तुझको
अब तक ज़िंदा हूँ
भूल हुयी तो
माफ़ भी कर दे
मैं शर्मिन्दा हूँ
तू जो मुझसे रूठ गया तो
मैं मर जाऊँगा आ
मर कर भी मैं
बहना को क्या मुंह दिखलाऊंगा आ
टूट जाऊँगा मैं
ना जा यूं रूठ के ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के
दिल मेरा आ तोड़ के ए ए
ना जा रे
ना जा रे
ना जा रे
ना जा रे
ना जा रे
ना जा रे
———————–
(महिला स्वर)
———————–
ना जा रे ए
ना आ आ आ आ आ आ °°°°°
ना जा रे ए
ना जा°°°°°आ°°°°°
ना जा रे
ना जा रे
यूं मुझे ए छोड़ के ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के
दिल मेरा तोड़ के ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के ए ए
ना जा रे ना जा रे

तुझसे बिछड़ के
तेरे बिना तो
जी ना सकूंगी मैं ए
आएगा तू
लौट के फिर तो
फिर ना मिलूंगी मैं
तुझसे बिछड़ के
तेरे बिना तो
जी ना सकूंगी मैं एं
आएगा तू
लौट के फिर तो
फिर ना मिलूंगी मैं
ओ ओ ओ ओ ओ ओ ओ °°°°°
ओ ओ ओ ओ ओ ओ ओ °°°°°
हो ओ ओ ओ ओ ह ओ ओ ओ
हो ओ ओ ओ °°°°°
यूं नज़र मोड़ के
ग़म से दिल जोड़ के ए ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के
दिल मेरा आ तोड़ के ए ए
ना जा रे ना जा रे

सारी बहारें
सारे नज़ारे
साथ ही लेता जा
जाते जाते मुझको थोडा
ज़हर ही देता जा आ
सारी बहारें
सारे नज़ारे
साथ ही लेता जा
जाते जाते मुझको थोडा
ज़हर ही देता जा
ओ ओ ओ ओ ओ ओ ओ °°°°°
ओ ओ ओ ओ ओ ओ ओ °°°°°
हो ओ ओ ओ ओ ह ओ ओ ओ
हो ओ ओ ओ °°°°°
तुझको मेरी क़सम
ये क़दम रोक ले ए ए ए
ना जा रे ना जा रे
यूं मुझे ए छोड़ के
दिल मेरा आ तोड़ के ए ए ए
ना जा रे ना जा रे
यूं मुझे ए ए छोड़ के ए
ना जा रे ना जा रे
ना जा रे ना जा रे ए …


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4355 Post No. : 15674

Hello everyone,

So after what seems like ages, I’m back here with a post.
You can therefore assume it must be a special occasion.
A special anniversary, of an artiste or celebrity.

And it is.

Today is the birthday of the most important celebrity for this blog.
In fact, without this celebrity, the blog would not even have existed.
Yes, I’m talking about Atul himself.

Wish you a very very happy birthday, Atul.
Many happy returns of the day!

Now Atul might not consider himself a celebrity – but for us, he very much is.
I checked the dictionary definition of “celebrity” and there are two definitions
“a famous person, especially in entertainment or sport”
“the state of being well known”.

Atul satisfies BOTH conditions, in the context of this blog.
Ok, so he might not be a celeb in Bollywood yet, he might not make it to Page 3 or gossip columns (or maybe he does, I don’t know!). But if the dictionary definition is satisfied, I am too. 🙂

I don’t know where to start writing from, but I think a journey down memory lane might not be such a bad place to start. Those of you who have heard this before, kindly bear with me.

It all started in the first half of 2005. Probably around April or so.

In those days I was in Holland, and pretty crazy about cricket.
Not the right sport for that country, or the right country for that sport. 🙂
I got no TV coverage of cricket – and I was desperate to discuss cricket with like-minded cricket fans.

Luckily I had internet – so that was a life-saver in this context.

BBC in those days had a forum called BBC  TMS where one could discuss cricket. It was mostly Indians and Pakistanis, so you can imagine the level of discussion and amount of abuse. 🙂 Much of it was deliberately in Hindi, to avoid catching the eye of the forum moderators.

But after a while, they caught on to what was going on – and eventually the forum was shut down.

I then began hunting for other options.
I came across a Pakistani cricket forum which I joined.

It was there that I came across a person who went by the handle of “squarecut” (I think).

Now most of the discussion on the forum was obviously of modern/current cricket (Tendulkar, Wasim Akram etc) but this handle posted on topics of an earlier era – mostly the 1970s. And mostly talking about Indian cricketers of that era – like Vishwanath.

I could immediately relate to this. This was MY era, and I loved to discuss cricket of that era. So I immediately warmed to this person.

What was most remarkable was that his experiences were very similar to mine.
And his posts were also very interesting.

After a while, I got bored of that forum and continued my search for other options.

I came across a new forum, started by a few Indians in the wake of the BBC TMS shutdown.

I was initially a bit unsure of it, but then I saw a familiar handle.
The same “squarecut”.

So I joined that forum.
And for many years, Atul and I (and many other friends we made on that forum) spent many wonderful moments discussing cricket, and a lot of non-cricketing stuff, on that forum.

Anyway, long story – of How I Met Atul.
(Someone needs to make a Netflix series on this. :-))

Continuing (Season-2 of HIMA), the best thing about the forum was that though it was primarily a cricket forum, we could, and would, discuss anything under the sun.

Politics, movies, music, culture, anything.
And since there were people from around the world, it was quite interesting.

It didn’t take long for me to discover that Atul was keen on Hindi songs too.
Bas, phir kya tha?

We set up a section on the forum to discuss just this.
We called it Geetmala, where each person would pick up a topic (Atul picked up “trains” – anyone surprised?) and post 10 or so songs on it.

One day Atul announced that he had just started a blog.
He has always been someone who likes to experiment with things, so this was a sort of experiment for him too.
For nostalgia sake, I checked just now and found that blog still very much intact – it is on the blogroll of this blog.

One of the posts is http://squarecutsblog.blogspot.com/2008_06_01_archive.html .
Dated 1st June 2008.

Having now got some blogging experience, Atul decided to start a new blog where he would discuss one song a day.

And thus, on the 19th  of July 2008, a first post on this “one song a day” blog appeared.

And the rest, as they say, is history.

I’m sorry for this rather elaborate throwback to another era, but since it is Atul’s birthday today, I couldn’t help reminiscing how we first got to know each other.

And oh, we did manage to meet once too.

When Atul was posted in Nagpur, I made a trip to Nagpur to meet him and a common friend (from the cricket forum). My only trip to Nagpur ever.

It was wonderful meeting Atul, and having dinner with him.
We discussed cricket of the 70s, songs and of course this blog.

There are other memories too.
Atul and his special relationship with Bangladesh cricket, for example. 🙂

No mention of Atul would be complete without talking about Atulisms. 🙂

This is a term I coined to refer to Atul’s unique one-liners.

For example, on his first blog referred to above, in an August 2008 piece, he says “Knowing fully well that Indian authorities are not likely to exert themselves in such strenuous tasks like thinking, planning, etc, I have done all the hard work for them.” 🙂

I can go on and on, but I think readers might already be impatient about the length of this post.

So I’m going to go straight to the song now.

As usual, I owe this song to Avinashji. He was in fact the person who requested me to write a post for this occasion, and gave me a choice of a few songs to pick from.

I picked this one – Avinashji has provided the lyrics.

It is a multiple version song from the film ‘Jeevan Rekha’ (1974).

Some more details about the film, provided to me by Avinashji.

“Jeewan Rekhaa-1974” was directed by Nanabhai Bhatt for ‘Nanak Films, Bombay’. It has Pran, Farida Jalal, Tabrez, Jalal Agha, Keshto Mukherjee, Chandrashekhar, Asit Sen, Aparna Choudhari, Vikrant, Jagdish Raj, Ravish Dhillon, Shetty, K.N.Singh, Ajit, Raj Rani, Rajni Bala, Pravin Pal, Polson, Ramlal, Sudarshan Sharma, Kirti Kumar, Kamaldeep, Dev Sharma, Surendra Kohli, Thakur Chhabra, Vikas Bali, Ashok Seth, Prince Shakil, Sagar, Rashid Khan, Master Vijay and others. Manmohan and Fariyal make special appearance in this movie.

This movie has as many as seven songs (including one multiple version song being presented today).
Three lyricist Dev Kohli (four songs), Anjaan (two songs) and Kafil Azar (one song) wrote the lyrics for this movie.
Music was composed by two music directors Suman Raj – three songs and Jagdish J- four songs.

Asha Bhonsle, Mohd Rafi, Manna Dey, Mukesh and Chandrani Mukherjee had given their voices to the songs in this movie.

This movie was passed by Censor Board on 19.07.1974.

Male version of this song is sung by Manna Dey, the female version by Chandrani Mukherjee.

I vaguely seem to remember a film by this name, but I don’t recall hearing this song before.

When Avinashji sent me the video(s) and I listened to the song, I instantly fell in love with it.

It’s a cheerful and positive song – and I think quite fitting for this occasion – “Geet Hai Ye Zindagi, Gungunaate Aur Gaate Chale Chalo, Chale Chalo”.

Doesn’t this just describe what Atul has been doing with this blog? It seems just perfect for Atul on his birthday. 🙂

So once again, wish you a very happy birthday, Atul. I hope you like this choice of song.

Just want to mention that the composer Jagdish is a totally new name for me. If anyone knows more about him, kindly enlighten me.

And Atul, if I’ve got any facts wrong in this post (my memory isn’t very good) , please let me know. 🙂

Audio – Male Version

Audio – Female Version

Song – Geet Hai Ye Zindagi (Jeevan Rekha) (1974) Singer – Manna Dey, Chandrani Mukherjee, Lyrics – Dev Kohli, MD – Jagdish J

Lyrics (Provided by Avinash Scrapwala)

Male Version

geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo o
chaley chalo
geet hai ye zindagi

ise bhi ham se pyaar hai
hamen bhi is’se pyaar hai
ise bhi ham se pyaar hai
hamen bhi is’se pyaar hai
badi madhur ye preet hai
ye preet ki pukaar hai
geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo o
chaley chalo
geet hai ye zindagi

ye zindagi ee umang hai
haseen is ka rang hai ae
ye zindagi ee umang hai
haseen is ka rang hai
ye maana is mein dukh bhi hai
khushi bhi is ke sang hai
geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo o
chaley chalo
geet hai ye zindagi

hazaar aayen ae mushqilen
jahaan se aagey ae ham chalen ae
hazaar aayen ae mushqilen
jahaan se aagey ae ham chalen ae
ye kah rahe hain raaste
bulaa rahi hain manzilen
geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo
chaley chalo
geet hai ye zindagi

laal laa laa laa la laa
laa laa laa laa laa
laa laa laa laa laa
laa laa laa la laal aa

Female Version

geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo o
chaley chalo
geet hai ye zindagi

ise bhi ham se pyaar hai
hamen bhi is’se pyaar hai
ise bhi ham se pyaar hai
hamen bhi is’se pyaar hai
badi madhur ye preet hai
ye preet ki pukaar hai
geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo o
chaley chalo
geet hai ye zindagi

hazaar aayen ae mushqilen
jahaan se aagey ae ham chalen ae
hazaar aayen ae mushqilen
jahaan se aagey ae ham chalen ae
ye kah rahe hain raaste
bulaa rahi hain manzilen
geet hai ye zindagi
geet hai ye zindagi
gungunaate aur gaate
chaley chalo
chaley chalo
geet hai ye zindagi

laal laa laa laa la laa
laa laa laa laa laa
laa laa laa laa laa
laa laa laa la laal aa

————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
————————————————————

पुरुष स्वर

गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

इसे भी हम से प्यार है
हमें भी इससे प्यार है
इसे भी हम से प्यार है
हमें भी इससे प्यार है
बड़ी मधुर हए प्रीत है
ये प्रीत की पुकार है
गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

ये ज़िन्दगी उमंग है
हसीं इसका रंग है ए
ये ज़िन्दगी उमंग है
हसीन इसका रंग है ए
ये माना इसमें दुःख भी है
ख़ुशी भी इसके संग है
गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

हज़ार आयें ए मुश्किलें
जहां से आगे ए हम चलें ए
हज़ार आयें ए मुश्किलें
जहां से आगे ए हम चलें ए
ये कह रहें हैं रास्तें
बुला रही है मंजिलें
गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

ला ला ला ला ल ला
ला ला ला ला ला
ला ला ला ला ला
ला ला ला ल ला आ

महिला स्वर

गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

इसे भी हम से प्यार है
हमें भी इससे प्यार है
इसे भी हम से प्यार है
हमें भी इससे प्यार है
बड़ी मधुर हए प्रीत है
ये प्रीत की पुकार है
गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

हज़ार आयें ए मुश्किलें
जहां से आगे ए हम चलें ए
हज़ार आयें ए मुश्किलें
जहां से आगे ए हम चलें ए
ये कह रहें हैं रास्तें
बुला रही है मंजिलें
गीत है ये ज़िन्दगी
गीत है ये ज़िन्दगी
गुनगुनाते और गाते
चले चलो ओ
चले चलो
गीत है ये ज़िन्दगी

ला ला ला ला ल ला
ला ला ला ला ला
ला ला ला ला ला
ला ला ला ल ला आ


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4323 Post No. : 15613

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 30
—————————————————————————

Today’s movie eligible for ‘Blog Ten Years Challenge’ is “Ek Sholaa-1958”.

‘Ek Sholaa-1958’ was directed by Chander Saigal for ‘Deep & Pradeep Productions, Bombay’. Deep Khosla and Pradeep Kumar were the producers of this movie and that is why the name ‘Deep and Pradeep Productions’.

It had Pradeep Kumar, Mala Sinha, Nazeer Hussain, Jawahar Kaul, Dhumal, Tuntun, Baby Naaz, Baby Ashwini, S.K. Prem, Deep Khosla, Leela Mishra, Shobha Khote, Rajan Kapoor, Jamila, Kathana, Visheshar, Indra, Ranjana Shukla, Ravi Tandon, Kamaldeep, Gopal Vashisht and others.

This movie had total eight songs in it including one two-part song. Music for this movie was composed by Madan Mohan whereas Majrooh Sultanpuri wrote the lyrics for all songs in this movie.

Asha Bhonsle, Mahendra Kapoor, Mohd Rafi and Geeta Dutt had given their voices to the songs in this movie.

This movie was passed by Censor Board on 28.11.1958.

So far, the following four songs from this movie have been posted on the blog;

Song Posted On
Ham kaalaa tum white 19.05.2010
Kahin chal na de raat kaa kyaa thikaanaa 18.08.2010
Maalik main poochhtaa hoon mujhe tu jawaab de 18.09.2013
Chanda se bhi payara hai, ankhiyon ka taaraa hai 01.01.2019

Ten years back on 19.05.2010 the following movies were represented on the blog including a song from the today’s movie.

Song Movie title-Year Remarks
Ham kaalaa tum white Ek Sholaa-1958 04 of 08 songs posted
Abhi to main jawaan hoon Afsaanaa-1951 All songs covered

Today’s song is the two-part song from this movie where the first part is sung by Asha Bhonsle, Mahendra Kapoor and chorus while the second part is sung by Asha Bhonsle and chorus. Mala Sinha and Pradeep Kumar are visible in the first part of the picturisation.

Lyrics for today’s song were sent by Prakashchandra.

Let us now enjoy the today’s song,

Video (Both parts)

Audio (Part I)

Audio (Part II)

Song-Jhoom ke man matwaala chala (Ek Shola)(1958) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Majrooh Sultanpuri, MD-Madan Mohan
Both
chorus

Lyrics Provided by Prakashchandra)
————————
(Part-1)
Asha Bhonsle-Mahendra Kapoor duet
————————

mujhe pyaar ki lagan
mujhe pyaar ki lagan
sachche pyaar binaa hai jeevan
ek soona saa ban
mujhe pyaar ki lagan
mujhe pyaar ki lagan

(laughing sound)

laut jaa…aa
laut jaa
khudgarz hai jahaan
uss mein ulfat kahaan
aaye iss raah mein
kitne hi kaarwaan
lut gaye ishq mein
Laila Majnoo yahaan
Heer Raanjhaa baney
dard ki dastaan
khudgarz hai jahaan
uss mein ulfat kahaan
laut jaa…aa
laut jaa aa

dil teri dhamkiyon se na ghabraayegaa
hai jo sachchi lagan
pyaar mein gaayegaa
hai jo sachchi lagan
pyaar mein gaayegaa

(laughing sound)

haaaa…aaa….aaaaa
haaa…..aaaaaaa

aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
ho o o
ho o o
ho o o

sun fasaanaa kisi bekaraar ka aa
sun fasaanaa kisi bekaraar ka aa
ek deewaana huaa ?? pyaar ka
sun fasaanaa kisi bekaraar ka aa

khaaq mein kho gayin saari hasratein
kaarwaan lut gayaa intezaar ka
sun fasaanaa kisi bekaraar ka
sun fasaanaa kisi bekaraar ka

kaam aayin naa apni fariyaadein aen aen aen aen
ummeed bharaa dil toot gayaa aa aa aa aa aa

duniyaa ke sitam kyaa aa aa batlaayen aen
ham ko to zamaanaa loot gayaa…aa aa aa
hum ko to zamaanaa loot gayaa

———————
(Part-2)
Asha Bhonsle solo
———————
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa

jhoom ke mann matwaala mera
pyaar ki raahon mein chalaa aa aa
jhoom ke mann matwaala mera
pyaar ki raahon mein chalaa aa aa

aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa

kuchh bhi na sochaa chal hi diye
pyaar ka lab pe naam liye ae
kuchh bhi na sochaa chal h e
pyaar ka lab pe naam liye ae
ruk si gayi toofaani hawaa aa aa
jaltey gaye raahon mein diye
gul se khiley ae
qadam ke taley
rut ka rang badlaa aa
jhoom ke mann matwaala mera
pyaar ki raahon mein chalaa …aa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa
aaaa…aaaa…. aaaaa

mauj hawaa aakaash zameen
kaun nashe mein choor nahin
mauj hawaa aakaash zameen
kaun nashe mein choor nahin
aaj iraada hai ke chalen ae ae
manzil se bhi door kahin
chal pada dil
machal pada dil
ab ruke meri balaa
jhoom ke mann matwaala mera
pyaar ki raahon mein chalaa aa aa
jhoom ke mann matwaala mera
pyaar ki raahon mein chalaa aa aa


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4319 Post No. : 15605 Movie Count :

4297

Hullo Atuldom

Today’s song is from a movie that released 32 years ago. This movie and song were instrumental in catapulting our today’s birthday girl into the big-league.

She had made her debut in Bollywood in 1984 through a Rajshri Productions movie which had a story similar to the Jaya Bhaduri starrer “Uphaar” of the 70s. Then followed a string of movies; which were not so successful; where she was an “also there” or what is generally termed as a glamour doll. Even 1988 saw her in four movies three of which were commercial failures. So we can term her start to be something like what the Big B experienced in the 70s.

But her fourth release of 1988 (release date 11 November) made her an overnight star along with re-affirming Anil Kapoor’s standing in the industry.

So today’s song is from N.Chandra’s “Tezaab” and with this we are wishing our “Mohini” a.k.a Madhuri Dixit (Nene got added to her name after marriage to Dr. Nene in 1999). Madhuri played a unfortunate, kindhearted and gentle girl who is forced to dance by her father so that his drunken ways are financed. She looked the role of a meek, frail girl but danced brilliantly.

Most Madhuri’s subsequent movies had atleast one great dance number. Who can forget “humko aaj kal hain intezaar”; “mera piya ghar aaya o ramji”; “Tamma tamma loge”; “dhak dhak karne laga” and the cream of them all “choli ke peeche kya hain” to name the most popular ones (there are many more) As I write this I find all the songs that I have mentioned here are yet to make their appearance on the blog except for the song from Khalnayak “choli ke peeche”.

She made an excellent pair with whoever she was cast opposite but the pairing with Anil Kapoor was a different class altogether. They did 18 films together including the 2018 release “Total Dhamaal”. There is a strange camaraderie between the two actors which is evident in any scene that they enact.

She must be among the few actress who have acted with pairs of father and son- Rishi and Ranbir Kapoor, Vinod and Akshaye Khanna for example.
Today’s song has a female and male version. Female playback -Alka Yagnik and male – Amit Kumar. The songs were written by Javed Akhtar and Laxmi-Pyare were the composers.

The male version is shot on the streets of Mumbai and we can see the steps of the famous Asiatic Library; also Akbarally’s which was one of the first departmental store of Mumbai (have done shopping there a few times when the kids were small.)

The Female version is a stage song which ends when a group of bandits or thugs led by Kiran Kumar, invade the scene with the intention to corner Anupam Kher (who played the drunkard father of Mohini). They leave carrying Mohini with them when they cannot find Anupam Kher.

So here is wishing the ever so beautiful brilliant dancer and of a million-bucks smile a long and healthy life and success in all her future ventures too. She still has a lot of time before she calls it a day. She is still very young.

Male version

Female version

Song-Ek do teen chaar paanch chhe saat (Tezaab)(1988) Singer-Amit Kumar/ Alka Yanik, Lyrics-Jawed Akhtar, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

——————–
Male version
——————–
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong

ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

chaudah ko jab maine kehlaaya thha
chaudah ko jab maine kehlaaya thha
pandarah ko aaoonga
main aaya thha
pandarah ko parde se nikli na tu
tujh ko na paake main ghabraaya tha
solah ko bhi
solah ko bhi subah se tha bekarar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

satarah ko soya nahin raatbhar
athhaarah ko bhi tu na aayi nazar
unees ko main deewaana hua
bees ko ghar se rawaana hua
galiyon mein
galiyon mein goonje deewaane ki pukaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah

ikkees ko aayi na
baaees ko tu
jab na mili teyees chaubees ko
pachees ko samjhaya sab ne mujhe
mat jaane de de na chhabees ko
duniya mein bas
duniya mein bas din hain mere aur chaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah

din lage hafte
re hafte maheene
maheene lagte saal
aake zaara tu dekh toh le
kya hua hai mera haal
deewaana dar dar main phirta hoon
na jeeta hoon na main marta hoon
tanhaayi ki raatein sehta hoon
aaja aaja
aaja aaja aaja
aaja ke din ginta rehta hoon
aaaa
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

—————————————–
Female version
—————————————–

mohini mohini mohini mohini
mohini mohini mohini mohini
ho ho ho ho
ho ho ho ho oooooo

namaskaar
namaskaar
kahiye, kya sunege aap
arre pehle ye kahiye, kahaan thi aap
main
main kar rahi thi kisi ka intezaar
kaun hai woh
jisse karati hoon pyaar
haaye
aur, jisse karati hoon minnate baar baar,
kaise
aise

ding dong ding,
ding dong ding dong ding dong
ding dong dong
ding dong ding dong dong dong
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon,
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

chaudah ko tera sandesa aaya
chaudah ko tera sandesa aaya,
pandrah ko aaoonga ye kehlaaya
chaudah ko aaya na pandrah ko tu,
tadpaake mujhko toone kya paaya
solah ko bhi
solah ko bhi solah kiye thhe singaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

satrah ko samjhi sang chhoot gaya
athharah ko dil toot gaya
ro ro guzaaraa maine saaraa unnees
bees ko dil ke tukde hue bees
phir bhi nahin
phir bhi nahin dil se gaya tera pyaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

ikkees beeti,
baayees gayi,
teyees guzari, chaubees gai
pachchees chhabees ne maara mujhe
birha ki chakki mein main pis gayi
din bas
din bas maheene ke hain aur chaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

din bane hafte re,
hafte maheene,
mahine ban gaye saal
aake zara tu dekh to le
kya hua hai mera haal
deewaani dar dar main phirti hoon
main jeeti hoon naa main marti hoon
tanhaayi ki raaten sehti hoon
aaja aaja
aaja aaja aaja
aaja ke din ginnti rehti hoon
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhai saat aath nau,
dus gyarah barah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4308 Post No. : 15582 Movie Count :

4290

Today (4 may 2020) is a day when no notable HFM personality was born. But on this day, one person totally unconnected with HFM was born in a far away land 365 years ago. He would invent a musical instrument that has played a vital role in the development of HFM. Movies of 1950s and 1960s were not complete if this instrument did not appear in at least in one song. In one movie, this instrument has even appeared in four songs !

The instrument that we are talking about is Piano. It was invented in 1709 by Bartolomeo Cristofori di Francesco(4 May 1655 – 27 January 1731), was an Italian maker of musical instruments.

Nine of his pianos still survive. Three of them are preserved in three museums, one in New York (Metropolitan Museum), Rome (Museo Nazionale degli Strumenti Musicali) and Leipzig university( Museum of musical instruments)

Hindi movies have had hundred on Piano songs in it. This blog has as many as 147 Piano songs. The earliest is from 1938. Pianon songs came into their own in HFM from late 1940s and ruled the roost in HFm till late 1970s. After that, Piano songs became few and far between. Pianos, which depicted class and prosperity of the character playing it in those days. From 1970s onwards, actors started sporting guitar instead. Guitar may have looked jazzy and spectacular, but it disd not have the old world charm of a Piano.

Most Piano songs of note (pun unintended) have already been covered in the blog.

When I searched for Piano songs on internet, I came across a few writeups, that discussed well known Piano songs. All of them have already been covered in the blog. When I went through one of these writeups (posted on 5 october 2016), I found the description of these songs familiar. I realised that the description was very much mine ! When I checked up these songs in the blog, I realised that this article had copied and pasted contents of the writeup of Piano songs in the blog ! For instance, my description of “Bhaabhi”(1938) Piano song goes like

This song is picturised as a piano song. P Jairaj is playing the piano and this song is sung by Renuka Devi. Her father V H Desai looks on and later the villain Rama Sukul too comes in and watches her sing with disapproval.

You will find this description faithfully copied and pasted in that article.

My description of “Andaaz”(1949) piano song, “hum aaj kahin dil kho baithe”, was

Dilip Kumar sits at the piano at night and sings this song. And Nargis arrives with her pet dog and watches Dilip Kumar sing the song, clutching her dog like a pillow.

This description is faithfully copied and pasted in that writeup.

Like this, all the 25 Piano songs described there copies contents from this blog, without giving credit. How very cheap of this so called blogger. I have posted a comment in that blog which is unlikely to see the light of the day, of course.

Coming to Piano songs, I quickly realised that these songs had gone the way of qawwaali songs, cabarat songs etc- viz they had vanished as the golden era of HFM drew to a close.

One can still find a few piano songs here and there, but these songs are nowhere near the same class of Piano songs that were created during the golden era of HFM.

After some frenetic search, I have been able to locate one as yet unrepresented Piano song. It is from a “recent” movie. Even the movie, a musical blockbuster, is not yet represented in the blog.

Today, on the occasion of the birth anniversary of the man who gave us Piano, here is a piano song from “Saajan”(1991). Yes, this movie, the biggest box office hit of the year 1991 was not there in the blog till now. This movie, which was produced by K C Bokadia and directed by Lawrence Desouza had Sanjay Dutt, Madhuri Dixit, Salman Khan, Kader Khan, Reema Laagoo, Laxmikant Berde, Ekta Sohini, Anjana Mumtaz, Dinesh Hingoo, Yunus Parvez, Raju Shreshtha, Tej Sapru, Vikas Anand etc in it.

I had fond memories of watching this movie in Vadodara in 1991, where I was attending a course those days.

The movie had ten songs in it.

Here is the first song from “Saajan”(1991) to appear in the blog. This song has male and female solo versions sung by S P Balasubhramanyam and Alka Yagnik respectively. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

It is the female version, picturised on stage, with Madhuri Dixit near a piano, that makes this song a Piano song. Unlike Piano songs of yore, some sort of mist engulfs her and the piano. I wonder what the director was trying to achieve with this kind of picturisation.

On the occasion of the birth anniversary of the creator of Piano, here is this memorable Piano song from 1991.

With this song, “Saajan”(1991) makes its debut in the blog.

Male version

Female version

Song-Bahut pyaar karte hain tumko sanam (Saajan)(1991) Singer-S P Balasubrahmaniam/ Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

————————-
Male version
————————
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru

bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam

humen har ghadi aarzu hai tumhaari
humen har ghadi aarzu hai tumhaari
hoti hai kaisi sanam bekaraari
milenge jo tumko to
milenge jo tumko to
bataayenge hum m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa

————————————-
Female version
————————————-
Bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

hamaari ghazal hai tassawur tumhaara
hamaari ghazal hai tassawur tumhaara
tumhaare bina ab na jeena gawaara
tumhen yoonhi chaahenge
tumhen yoonhi chaahenge
jab tak hai dam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

Saagar ki baahon mein maujen hain jitni
saagar ki baahon mein maujen hain jitni
humko bhi tumse muhabbat hai utni
ke ye bekaraari ee
ke ye bekarari na ab hogi kam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo o
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15916

Number of movies covered in the blog

Movies with all their songs covered =1221
Total Number of movies covered =4362

Total visits so far

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Active for more than 4000 days.

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