Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4547 Post No. : 16125

Rajesh Khanna – Birth Anniversary on 29/12/2020
—————————————————————-

Rajesh Khanna, the first superstar of hindi films, was born as Jatin Khanna on 29/12/1942 at Amritsar, Punjab. He is said to have had 17 solo hits from 1969 to 1971. This might be the only thing where Rajesh Khanna is ahead of superstar of the millennium, Amitabh Bachchan. He holds the record of 48 Platinum Jubilee hits and 26 Golden jubilee hits plus 22 silver jubilee hits. Certainly overtook the Silver Jubilee star Rajendra Kumar in a big way, who had 25 silver Jubilees in his time.

Not, really having lived through the era of ‘Rajesh Khanna phenomena’, makes the experience that much less effective, but I have read a lot about it in urdu film magazine “Shama”. I can also vouch for his versatility as actor, who was comfortable in any type of character. Even through the superstardom, the quality of real story based meaningful films was maintained. With his performance in films like Anand, Safar, Khamoshi, Bawarchi, Mere Jeewan saathi, Amar Prem, Aradhana, Bahaaron ke Sapne, Namak Haram etc. he proved his mettle as an versatile actor.

As a tribute on his 78th birth anniversary, I am presenting a song from ‘Disco Dancer’ 1982, where Rajesh Khanna had a special appearance. There are quite a few special appearances and guest appearances in his filmography, which shows he did remember the benefactors in his life and did return the favours if he could. He did many number of films with Hrishikesh Mukherjee, Manmohan Desai, J. Om Prakash and Shakti Samant.

The song is a multiple version song, composed by Bappi Lahiri and written by Anjaan. Suresh Wadkar is giving playback to Rajesh Khanna and Usha Mangeshkar is singing for a child artist playing the young Mithun Chakravorty. This happy version is a ‘road side tamasha’ category song as Rajesh Khanna and the child perform in the streets. The child artist could be Baby Pinky. The sad version is a climax situation song in the auditorium, where again Rajesh Khanna is trying to coax a grown up disco star Mithun Chakravorty to start singing. This is a solo version of Suresh Wadkar.

A Trivia about this film:
Rajesh Khanna agreed to make a small appearance in this film without charging a fee. He did so to return a favour he owed to the film’s producer, director B. Subhash. It was Subhash who had recommended Rajesh Khanna to the producers of “Thodi si Bewafaii” (1980) when they were considering Sanjeev Kumar for the film’s lead role. The success of “Thodi si Bewafaii” helped stabilise Khanna’s career at a time when his films were bombing one after the other.

These two songs from this film are so far posted in the blog:

Song Date of posting
Krishna dharti pe aa jaa tu 12 April 201
I am a Disco dancer 16 June 2018

A last memory about Rajesh Khanna is a poetry loving character who is seen carrying around and reading a small book of Urdu poetry in this song of ‘Anand’. The book could be Sahir Ludhianvi’s “Parchhaiyaan”, but I am not sure.

It is a great tribute to the love of the language if a Bengali set up film shows a book in urdu script. The Bengali itself being a rich language, literature wise and status wise. It could have been Rajesh Khanna’s own choice.

Version 1 (happy):

Version 2 (sad) :

Song-Goron ki na kaalon ki ye duniya hai dilwaalon ki (Disco Dancer)(1982) Singers-Suresh Wadkar, Usha Mangeshkar, Lyrics-Anjaan, MD-Bappi Lahiri
Both

Lyrics (Provided by Avinash Scrapwala)

———————–
Happy version :
———————–
Goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
haan goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho oo
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

gali gali mein
geet hamaare
goonje subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam

arre gali gali mein
geet hamaare
goonjen subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam
na sonaa
na chaandi ee
geeton se ham ko pyaar aar
na sonaa
na chaandi ee
geeton se ham ko pyaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

haan jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar
arrey jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar

kya teraa
kya meraa
bhulaa de ae
mere yaa aar
kya teraa
kya meraa
bhulaa de ae
mere yaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

—————————
Sad version :
—————————
kya tera
kya merabhula de mere yaaar

gaao beta gaao

goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

na sonaa
na chaandi ee
geeton se ham ko pyaa aar
na sonaa
na chaandi ee
geeton se ham ko pyaar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4545 Post No. : 17120 Movie Count :

4397

With the 300th post behind me, I can really get on with my regular song posts. I missed a few anniversary posts in November and December, but a few are coming up in the remaining days of December.

How does one start a birthday post for controversy’s favourite child? I have a little doubt whether he is controversy’s favourite child or controversy is his favourite child.

To be truthful, I stumbled upon this RFAK song link shared by someone on facebook. The songs of this movie and the movie itself has been kept fresh, not by frequent viewing on TV, but the songs which keep coming back to mind, with each subsequent song in the inevitable ‘eid release’ Salman Khan movies every passing year. I was an infrequent visitor to the theatre still in 2010. After ‘Dabangg’ came ‘Dabangg 2’ and ‘Dabangg 3’, to make the list of successful sequels.

I have discovered that Salman Khan’s full name is Abdul Rashid Salim Salman Khan. He is born on 27th December 1965, so he is turning 55 in 2020. That makes him 45 in 2010, when this movie ‘Dabangg’ released, which figures. A lot is there on the net and media about Salman Khan’s personal life and conduct, which has made him the favourite child of controversy. The media makes or breaks these people superstars or non-stars, so it is a two-sided coin. This show-biz is more murky waters now than it was, say, 50 years ago.

60 or 70 years ago, only the extremely poor were making their daughters join the film industry, as it was not known as a good profession. Very few girls from well to do families, or from the really noble families were working in the film industry. Even the filmy families who made it big would not allow their daughters or daughter-in-laws to work in films. Kapoor family is a case in point. Babita went against the family traditions and launched Karishma in films. But in recent decades things have changed a lot. It is no longer a case of question of survival for most of the stars or actors working in films and show business today. They are ready to go to whatever length they are required to earn name and fame and the resultant moolah. It is better not to judge anyone for their deeds and misdeeds. They need the media and the media needs them, so the circus goes on.

I would rather mention the positives, like Salman Khan’s charity work. Or the good unpretentious work he does to give back to the society. He does his bit, with or without media attention. There is a very good reason for his title as ‘bhai’. It is not just Salim Khan’s good offices that have taken him out of a few soups, that’s what I have heard.

Coming back to the song from ‘Dabangg’, it is two version song, one is a solo with chorus by Rahat Fateh Ali khan, second is a duet version by RFAK and Shreya Ghoshal.

Faaiz Anwar is the lyricist and composers are Sajid -Wajid. The duo Sajid-Wajid are borthers and sons of Sharafat Ali khan, a table player. Wajid was younger of the two and he expired on June 1, 2020, after he had a major operation for Kidney transplant in March 2020.

The song I am presenting is one of the best songs of year 2010. There was no Binaca geet mala then as there is no such thing now, but this song would have featured on such a programme. This song is unique that the mukhda is being sung by two different types of male choruses and I detect RFAK’s voice in both choruses, one a normal mode of singing and second in classical qawwali style. RFAK has vast invaluable experience of live singing with his uncle Nusrat Fateh Ali Khan, as a chorus companion and singing alaaps during his long qawwali renditions. The experience shows in qawwali-cum-sugam sangeet songs like these, where the pitch is different for the solo version and the duet version.

I rather think these songs sung by RFAK were not actually composed by the music directors assigned. Most likely they were just credited to the music director of the film but were actually composed by RFAK himself, be it Himesh Reshammiya, Sajid-Wajid, Vishal-Shekhar or Vishal Bharadwaj. The quota was usually one song per film only.

The duet version song is picturized on Salman Khan and Sonakshi Sinha(daughter of Shatrughan Sinha). Both look good in their role play, as a police inspector and a poor pottery maker. The movie is making its debut in the blog, with this earthy and natural sounding song.

Solo Version:

Duet version Audio:

Song-Tere mast mast do nain mere dil ka le gaye chain (Dabangg)(2010) Singers-Rahat Fateh Ali Khan, Shreya Ghoshal, Lyrics-Faaiz Anwar, MD-Sajid-Wajid
Chorus
Rahat Fateh Ali Khan + Chorus

Lyrics

——————————
Solo version
——————————
Taakte rehte tujh ko ooo
saanjh sawere ea
nainon mein ae ae ae
haay ae
nainon mein ae ae ae
ae ae
haay ae ae ae ae

taakte rehte tujh ko
saanjh savere ae
nainon mein basiyaan jaise
nain ye tere ae
nainon mein basiyan jaise ae
nain ye tere ae
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

pehle pehal tujhe
dekhaa to dil meraa
dhadkaa haay dhadkaa
dhadkaa haay
ho o o o o o o o
pehle pehal tujhe
dekhaa to dil meraa aa
dhadkaa haay dhadkaa
dhadkaa haay
jal jal uthhaa hoon main
shola jo pyaar ka
bhadkaa haay bhadkaa
bhadkaa haaye ae
neendon mein ghul gaye hain
sapne jo tere ae
badle se lag rahe hain
andaaz mere
badle se lag rahe hain
andaaz mere ae
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

aa aaaaa aaaaaa
ho oo oooo ooooooo
ooooooo

maahi be-aaaab saa
dil ye betaab saa aa
tadpaa jaaye tadpaa
tadpaa jaaye
maahi be-aab saa
dil ye betaab saa aa
tadpaa jaaye tadpaa
tadpaa jaaye ae
nainon ki jheel mein
utraa thhaa yoonhi dil
dooba jaaye doobaa
doobaa jaaye ae
hosh-o-hawaas ab to
khone lage hain
ham bhi deewaane tere
hone lage hain
ham bhi deewaane tere
hone lage hain
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

taakte rehte tujh ko o o
saanjh savere ae
nainon mein basiyaan jaise
nain ye tere
nainon mein basiyaan jaise ae
nain ye tere
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

———————————
Duet version
———————————
Taakte rehte tujh ko o
saanjh sawere ae
nainon mein ae ae ae ae ae
haay ae ae
nainon mein ae ae ae ae
haay ae ae ae ae

taakte rehte tujh ko
saanjh savere ae
nainon mein basiyaan jaise
nain ye tere ae
nainon mein basiyaan jaise
nain ye tere ae
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

pehle pehal tujhe
dekhaa to dil meraa
dhadkaa haay dhadkaa
dhadkaa haay
jal jal uthhaa hoon main
shola jo pyaar ka
bhadkaa haay bhadkaa
bhadkaa haaye ae
neendon mein ghul gaye hain
sapne jo tere ae
badle se lag rahe hain
andaaz mere ae
badle se lag rahe hain
andaaz mere ae
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

ho ho ho ho ho
ho ho ho ho ho
ho ho ho ho ho

tujh se shuru huyi
tujh pe hi khatm ho
duniya meri duniyaa
duniyaa meri ee ee
ye baat dil mein thhi
nainon ne bol di
main hoon teri
main hoon
main hoon teri ee
tujh ko hi yaad kar ke
aahen bharoon main
mil ke bhi mil na paaun
ab kya karoon main
mil ke bhi mil na paaun
ab kya karoon main

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

Taakte rehte tujh ko o
saanjh sawere ae
nainon mein ae ae ae
haay ae ae
nainon mein basiyaan jaise
nain ye tere
nainon mein basiyaan jaise
nain ye tere
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain

tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain
tere mast mast do nain
mere dil ka le gaye chain
mere dil ka le gaye chain
tere mast mast do nain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4489 Post No. : 16012

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 90
———————————————————————————–

The blog was maintaining a high daily strike rate of nearly 6 songs daily during september 2010, which got reduced to a daily rate of 3 songs per day from October 2010 onwards. This rate was sustained in November 2010 as well.

This date ten years ago (viz 1 November 2010) saw three songs getting discussed. Here are the details:-

Song Movie title-Year Remarks
Kal raat zindagi se mulaaqaat ho gayi Paalki-1967 All songs covered
Sainyya chhod de bainyya Rakhi-1962 All songs covered
Badal rahi hai zameen badal rahaa hai aasmaan Fashionable Wife-1959 02 of 10 songs posted

We can see that only one out of the three movies from the above list can be taken up for Blog Ten Year Challenge today (1 November 2020). This movie, namely “Fashionable Wife”(1959) was produced and directed by B K Adarsh for Adarshlok, Bombay. The movie had Jaymala, Abhi Bhattacharya, Anoop Kumar, Daisy Irani, Nazir Husein, Manorama, Leela Misra, Achla Sachdev, Mirza Musharraf, Iftekhar, Anand Joshi, Vijay Kaul, Mastana Azad, Murlidhar, R.S.Dubey, Nitoo, Jagdish Shrivastava, B.R.Wadia, Radhakishan etc in it.

The movie had ten songs in it. Two songs have been covered in the past. Here are the details of the songs of this movie :-

Song Lyricist Posted On
Badal rahi hai zameen badal rahaa hai aasmaan Bharat Vyas 01.11.2010
Paschhim se aazaadi aayi, fashion ki shehzaadi aayi Bharat Vyas
Ho Shirdi ke Sai Baba hamre gusaayin baba Bharat Vyas
Jhoomon re jhoomne ke din aaye … Bharat Vyas 06.04.2013
Bangal ke baabu … peene ki bhi aadat aisi Anwar Farrukhabaadi
Jeewan path mein kahaan… chaltaa chal tu chaltaa chal Bharat Vyas
Sadak pyaar ki kadak badi hai har kooche bazaar mein Bharat Vyas
Tum thekedaar bane baithhe … ye bhi to insaan (I) Bharat Vyas Being posted today
Saadaa jeewan oonche khayaal… upar se ujley Bharat Vyas
Ye bhi to insaan eesh ki santaan (II) Bharat Vyas Being posted today

Today, as Blog ten year Challenge, here is another song from “Fashionable Wife”(1959). The song is a multiple version song. It is sung by Asha Bhonsle and chorus. Bharat Vyas is the lyricist. Music is composed by Suresh-Talwar.

The is a song with a message, about the evil social practice of untouchability, then quite prevalent and fortunately considerably reduced today, six decades later. The song is lip synced by Jaymala.

Lyrics of the song and other details were sent to me by Avinash Scrapwala.

Video (Part I)

Video (Part II)

Audio (Both parts)

Song-Ye bhi to insaan eesh ki santaan (Fashionable Wife)(1959) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Suresh-Talwar
Chorus

Lyrics (Provided by Avinash Scrapwala)

——————————–
(Part I)
——————————–

tum thekedaar bane baithhe ho
dharm ki in dukaanon par
insaan ko jo samjhe achhoot
laanat aise insaanon par
laanat aise insaanon par

ye bhi to insaan
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

ye pawan agan gagan
sabhi ke waaste ae
phir bhi kyun alag alag
hamaare raaste
inko chhoonaa paap hai
ye kya kamaal hai
inka bhi to apne jaisa
khoon laal hai
inko to pehchaan
inmein wahi jaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

inki pooja ka tilak
lagaaya shyam ne ae
inke shabri ke chakhe
thhe ber raam ne
inke liye tadap uthhi
gandhi ki aatmaa
inko gale lagaa ke
wo bane mahaatmaa
maan ya na maan
inmein hai bhagwaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

tum jhooth moothh hi reejh rahe ho
pathhar ke bhagwaanon par
nafrat ke teer chalaate ho tum
in gareeb insaanon par
tum tiraskaar ka namak chhidakte
inke ghaayaal praanon par
inke murde jalne naa dete
tum apne shamshaanon par
jo inhe dalit kahe ghrunaa kare to
thhu aise vidwaanon par
jo inhe shastra se thhukaraaye
dhikkaar hai aise puraanon par

ye hain bezubaan
bhagwaaan ke mehmaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun

—————————-
(Part-II)
—————————–
ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun
tum pavitra
ham achhoot kyun

ye bhi to insaan
eesh ki santaan

oonch neech ka ye bhedbhaav
chhodke ae
ham rahenge aaj ye
deewaar tod ke

jiske dwaar band hai
us raam ki qasam
ab na koyi kar sakegaa
ham pe ye sitam

chal padaa jahaan
gandhi ka le vardaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

ye bhi to insaan
ish ki santaan

ye bhi to insaan
eesh ki santaan

badal gayi ye kudrat kyun
hamse aisi nafrat kyun
badal gayi ye kudrat kyun
hamse aisi nafrat kyun

chhote bade samajhnewaali
padti jaati aadat kyun
raam ke mandir mein jaa saktaa
choohaa billi kawwaa
par seedhi bhi chhu naa sakta
ye insaan ka hauwaa

ham paapi aur tum dharmi kyun
iskaa hamen jawaab do
ham sewak aur tum swaami kyun
iskaa hamen jawaab do
ham pathhar aur tum moti kyun
iskaa hamen jawaab do
ham achhoot aur
tum pavtira kyun
iskaa hamen jawaab do
jawaab do
jawaab do
jawaab do
jawaab do o o o

ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun
ham bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

(noise, sound, protest, news headlines)

(achhooton ko nayaa Sandesh denewaala …


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15996 Movie Count :

4381

Hullo Atuldom

Wishing all a happy Dassera. I know parts of India celebrated the festival on Sunday and parts are celebrating it today. I think that has something to do with the movement of the Moon from one constellation to another or mostly the phases of the moon which doesn’t necessarily follow the Gregorian calendar. I was confused as to the exact date for Vijaya Dashami or Dassehra and put the query to a group of knowledgeable friends and this is the reply I got:

October 23 Friday 7:00 onwards Ashtami
October 24 Saturday 7:00 onwards Navami
October 25 Sunday 7:45 onwards Dashami
October 26 Monday 9:00 onwards Ekadashi.

Now going by that reply we have Dashami till 9 a.m. today but for convenience sake (read working day/ holiday) there are many (in Kerala atleast) who would have celebrated the festival. But for the pandemic even Ram Leela would have come to a close yesterday (Sunday) with RavanDahan, as Dashami was present in the evening hours. Don’t know if it was held this year!!!!

But today’s post is not a lesson on the Panchang that Indians follow and neither am I the competent authority to comment on the Sun, Moon and the planetary movements. As always my post is to wish a celebrity on turning an year older.

This celebrity is the daughter of Producer/ director of ‘Anhonee’, ‘Khel Khel Mein’ ‘Khuddar’ etc.Ravi Tandon’s daughter- Raveena Tandon turns an year older today. She made her debut in 1991, at the age of 17,in a movie produced by G.P.Sippy and directed by Anant Balani “PattharKePhool” which had Salman Khan as the hero. She then went on to act with Sunny Deol, Govinda, Akshay Kumar, Shahrukh Khan, Anil Kapoor. 1994 saw her star in “Zamaane Se Kya Darna” with Sanjay Dutt, “Dilwale” with Suneil Shetty and Ajay Devgan, “Insaniyat” with Sunny Deol, “Imtihaan” with Saif Ali Khan and Sunny Deol, “Laadla” with Anil Kapoor, “Andaz Apna Apna” with Aamir Khan, “Aatish” again Sanjay Dutt and Mohra with Akshay Kumar. She also played herself in a song-cameo in Saif Ali Khan- Akshay Kumar starrer “Main Khiladi Tu Anari” and a role in a Tamil movie in 1994. She took a hiatus post marriage but was seen in a cameo in PuriJagannadh directed “Bbuddah… Hoga Tera Baap” (2011) as she got a chance to do a romantic scene with Amitaabh Bachchan whose sister she had played in “Bade MiyanChhoteMiyan” in the ‘90s. Since 2011 we see her in a movie or two per year plus she has conducted a few shows on television. On her personal front, she had adopted two young girls when they were 10 and 8 when she herself was only in her 20s. After marriage she has two children of her own.

Her most popular song of the 1994 earned her the nickname the ‘mast mast’ girl. Though she has never claimed to be ‘Mast’ meaning wonderful. So also the other birthday personality.
He is our own Rajaji. He is (to use a Hindi expression) a ‘yaaron ka yaar’. He is a devoted family man. He is deeply sensitive and touched by many current occurrences in this world of ours. But the one thing that introduced us to him or shall I say the two things that got us connected to him-Cricket and Hindi Film Music are also dear to his heart.

He can write pages and pages about his love for the works of Sahir Ludhianvi and ponder about what would have been Sahir’s take on the life in this age and time. And he can do the same when he writes posts on his favourite Rajesh Khanna, Dev Anand, Mohd Rafi. He has told me that he can keep listening to Rafi songs all day and night and not tire of it. But that doesn’t mean he doesn’t appreciate Kishore Kumar, Amitabh Bachchan etc. He claims that he is just discovering movies of the 80s which he had banished for their deteriorating quality and quantity, he gives them a “Pass” certificate only no high marks to them. But even there he may relish and enjoy individual scene of the typical masala kind. I am sure he will enjoy the visual that the accompanying song has to offer.

It has the comic cop Paresh Rawal running around trying to dance in step with Akshay Kumar and Raveena Tandon. We have Tej Sapru exchanging a briefcase with an associate (would like to know who it is). Suniel Shetty is stalking them and please keep in mind that Akshay Kumar is a cop in disguise out to catch Tej Sapru and his associate.

This is a new age song which should appeal to the other birthday girl of this group. She is not an active participant and her father is. I hope she is a “Mast” child, meaning wonderful child.
There is another person, my first playmate, who has her birthday today. I cannot imagine how I was as a toddler before she entered my family in the arms of my Mom.
With this post I wish Raveena Tandon, Rajaji and the two unnamed girls “A Very Happy Birthday” May God bless them with lots of Health and Happiness.

(duet version) (video)

(Female solo version) (video)

Song-Tu cheez badi hai mast mast (Mohra)(1994) Singers-Udit Narayan, Kavita Krishnamurthy, Lyrics-Anand Bakshi, MD-Viju Shah

Lyrics (Provided by Avinash Scrapwala)

———————–
Duet version
———————–

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
pa pa
ni ni
sa sa
ma ma
pa ni dh ni
dha pa sa ni
sa ni dh pa
sa ni dh pa
paa ni sa aa
paa ni sa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

ni sa ga ma ni sa ga
sa re
sa re ga ma pa dha ni
sa ni dh pa
sa ni dh pa
sa ni dh pa

bol zaraa tu jaan e mehboobi ee
mujhme aisi kyaa hai khoobi
bol zaraa tu oo
aa aa aa
jaan e mehboobi ee ee
aa aa aa
mujhme aisi kyaa hai khoobi
aa aa aa
tu ik resham ki dor dor
tu ik resham ki dor dor
teri chaal pe aashiq mor mor
teri zulf ghani ee
teri zulf ghani chitchor chor
ghanghor ghataa badmast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

pa pa
ni ni
dh dh dh
ma ma
sa sa
ma ma
pa ni dh ma pa sa ni
sa ni dh pa
sa ni dh pa
?
paa ni sa aa
paa ni sa aa

ye dil teri aankhon mein doobaa aa
ban jaa meri tu mehbooba
ye dil teri aankhon mein doobaa aa
aa aa aa
ban jaa meri tu mehbooba aa
aa aa aa
mat teer nazar ke maar maar
mat teer nazar ke maar maar
ye chot lagegi aar-paar
aasaan
aasaan samajh mat yaar yaar
ye pyaar badaa hai sakht sakht
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa
————————-
Female solo version
————————-

(sigh & laughing sound)

main cheez badi hoon
mast mast mast mast mast

main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera aa
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

o o aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
jaane mera kya naam naam
ho jaane mera kya naam naam
jaane tera kya naam naam
par naam se hai kya
par naam se hai kya kaam kaam
kar jaam ka bandobast mast
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon mast
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)

o o
rakh yaad magar tu oo
mere deewaane ae
tera kya hogaa anjaam
na jaane ae
rakh yaad magar tu oo
mere deewaane ae ae
tera kya hogaa aa anjaam
na jaane ae
dil kitne toote baar baar
ho kitne toote baar baar
sab aashiq doobe aar paar
shaahon ke ae
shaahon ke chhoote yaar yaar
is pyaar mein taaj o takht takht
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4479 Post No. : 15987

The series of “Dheere dheere songs” has been in the making since May 2019 starting with this post. But nothing to worry about, as I am keeping track of these posts and will give a recap in the final post of the series.

Next song in this series is this multiple version song from the film Phool aur Kaante- 1991. The music director are the duo Nadeem Sharavan, with their trusted team member Sameer being lyricist. Sameer holds the records for having written highest number of film song. The singers are Kumar Sanu and Alka Yagnik.

Myswar.com has listed three versions of the song, a duet and Alka Yagnik solo of “Dheere dheere pyar ko badhaana hai” and a sad duet version with slight change in words of mukhda “dheere dheere hausla badhaana hai”. I was not able to find the Alka Yagnik solo, so the lyrics and links are given for the happy and sad duet versions.

Two songs of this film are posted 10 years apart in the blog 2009 & 2019:

Song Date posted
Tumse milne ko dil kartaa hai 11 June 2009
Maine pyaar tumhi se kiya hai 11 June 2019

Actually this song already posted in the series is inspired by Joyce Sims’ “Come into my life” (1987). On first hearing, the similar things between the songs are the similar words of “meri zindagi mei naana” and “come into my life”, plus the same guitar interlude at the beginning of both songs. But some work on the part of lyricist and music director is definitely involved in creating a lovely Indian sounding song. Aashiqui was in 1990, and this movie “Phool aur Kaante” was in 1991. Come to think of it, this “dheere dheere” is having a similar tune to the Aashiqui song.

Dheere dheere se meri zindagi mein aana
Dheere dheere se dil ko churaana

Dheere dheere pyaar ko badhaana hai
Hadd se guzar jaana hai

“Phool aur Kaante” was Ajay Devgan’s debut film and Madhoo was the heroine. The song’s both versions are picturised on them. I know that I have seen this movie at Bandra’s “Gaiety” cinema. But to recollect the actual happenings in the story is another thing. I visited the imdb page to get snippets of story etc. so can’t say it was a memorable film. And no, they haven’t translated the name of this movie to “Flower and Thorns” 🙂 🙂 .

Happy version- Video

Sad version-Video

Sad version (Full audio)

Song-Dheere dheere pyaar ko badhaana hai (Phool aur Kaante)(1991) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

———————
Happy version
——————–

dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
mujhe bas tujhse dil lagana hai
hadd se guzar jaana hai

dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai

aisi zindagi hogi
har taraf khushi hogi
itna pyaar doonga tujhe
ae mere sanam
ab na koi gham hoga
na ye pyaar kam hoga
saathi mere mujhko tere sar ki hai kasam

ek dooje ko aazmaana hai
hadd se guzar jaana hai
dheere dheere pyar ko badhaana hai
hadd se guzar jaana hai

main akela kya karta
aise hi aahen bharta
tere pyaar ke liye tadapta umr bhar
jaane kya main kar jaati
yoon tadap ke mar jaati
bin tere bhala kaise kat’ta ye safar

tere liye mar ke bhi dikhaana hai
had se guzar jaana hai
dheere dheere pyaar ko badhana hai
hadd se guzar jaana hai

tera chaand sa mukhda
tu jigar ka hai tukda
tu humaare sapnon ki jheel ka kanwal

jaan se tu hai pyaara aankhon ka tu hai taara
bin tere jiyenge ab hum na ek pal
sab kuch tujhpe hi lutaana hai
hadd se guzar jaana hai

dheere dheere pyaar ko badhana hai
had se guzar jaana hai
mujhe bas tujhse dil lagaana hai
hadd se guzar jaana hai

ho o
hadd se guzar jaana hai
haan
hadd se guzar jaana hai

——————–
Sad version
———————
aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham

aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham

bachh ke kahaan jaayegi
khushiyaan laut aayengi
haarenge na waqt ki in
aandhiyon se ham
dheere dheere hausla badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4473 Post No. : 15975

16/10/2020 – 72nd Birthday of Hema Malini
————————————————————-
So the dream girl is turning 7 & 2, 72. This same way we should make 2 & 2, 22. Right ? wrong, imdb is making “two and two make five”, in simple translation of the movie “Do aur do paanch”(1980). They have “Athiest” for “Nastik”, “The patriot” for “Deshpremi” and “Blind law” for ‘Andha Kanoon”. This is great going. But they go a step ahead and translate “Naseeb” as “Destiny and Fate”, whereas “Dard” is “Conflict of emotion”. I learnt today that ‘Trishul” is “Trident” and “Kasauti” is “Criterion” in English. Many of the 173 films listed in the filmography have been left alone, to dwell in their hindi/urdu quagmire. Some titles like ‘Shareef Badmash” ‘Sharafat” ‘Sholay” ‘Sachhe ka bolbalaa”, “ Ek chadar maili si”,”Jise tu qubool kar le” and ‘Maan Gaye ustaad” have been wisely given a wide berth.

But they can’t stop from falling into “Seven on seven” for “Satte pe satta”. And they failed to translate “Dharmatma” into “The Godfather” ?. They could have done worse and translated “Raziya Sultan” to “Emperor of Contentment”. I did tell Peevesie’s mom the other day, this translating of movie names business is a good exercise for the brain.

Let us go to the song and birthday girl now. The Wikpedia page on Hema Malini is here and is quite exhaustive. If I have to say something from my own “two paisa worth” opinion, Hema Malini was one courageous female artist, who being a public personality, chose to be Dharmendra’s second wife, rejecting other eligible bachelors such as Sanjeev Kumar and Jeetendra. About Dharmendra’s commitment, there is very filmy dialogue “ekbaar main ne commitment kar li, to phir main apne aap ki bhi nahi suntaa”. Bigger men and personalities have been found to have feet of clay, in similar situations.

The song I have chosen to present today is a much heard and seen song in “Chaayageet”. It was lying buried in the memory and as soon as I saw the title of the song it came back that it is a song where HemaMalini is playing “hide n seek” with kids in the garden. The kids in question are, Master Chintu, Master Raju, Master Alankar, Master Laddu, Padmini Kolhapure, Madhu Malini, Master chicoo, Bunty, Bobby etc. all child artist. The list is sourced from two different sources, so could be inaccurate. There is sad version also of the song, where these kids are singing and searching for Hema Malini.

This is the brief story line of the film, which stars, Ashok Kumar, Dharmendra, Asrani, Prem Chopra etc.:

Sapna, who works under a number of aliases, is a modern day female Robin Hood, who steals from whoever she can, so that she can maintain a home for orphans. One day she meets with wealthy and eligible bachelor, AnupamVerma, and poses as a wealthy princess. He takes her to meet his grandparents, and even lets her live in his palatial bunglow. But soon Sapna’s past catches up with her, when she is recognized as Champabai, a prostitute.

The creative team is the prolific Laxmikant-Pyarelal-AnandBakshi, with Lata Mangeshkar singing both versions with few un-credited kids voices and chorus.

Happy version audio :

Happy version video

Sad version audio :

Sad version video

Song-Chhuppa chhupi khelen aao (Dream Girl)(1977) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Avinash Scrapwala)

———————–
Happy version
———————–

Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Paas hi chhupnaa
Door nahin jaana
Jab main bulaaoon
Daude daude chale aana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Luk chhup jaana
Makai ka daana
Raja ki beti aayee
Ha ha ha
Ha ha

Sab chhup gaye
Nahin nahin didi
Ek minute

Sab chhup jaao
Aage peechhe
Main baithhi hoon
Ankhiyaan meenchey
Ho o
Sab chhup jaao
Aage peechhe
Main baithi hoon
Ankhiyaan meenchey
Main aayee
Main aayee

Ye pakdi
Kaisi hai ye didi
Bhala aankh michaulee
Daayi aankh band ki
Baanyi aankh kholi

Kisne
Maine
Nahin to
Kaisi hai ye didi
Bhala aankh michaulee
Daayi aankh band ki
Baanyi aankh kholi

Pakadi gayee tum
Chhodo bahaana
Abb main chhupoongi
Mujhe dhoondh ke laana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Chalo abb meri baari hai
Dekho beimaani nahin karna
Haan

Dhoondh hi lenge dhoondhnewaale
Gora mukhda naina kaale
hoondh hi lenge dhoondnewaale
Gora mukhda naina kaale

Hey pakdee
Chhupne bhi diya nahin
Mujhe haay haay
Chori chori mere peechhe
Peechhe chale aaye
Chori chori mere peechhe
Peechhe chale aaye
Pakadi gayee main
Tumne ye jaana
Tumne ye maana hoga
Maine nahin maana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

Paas hi chhupna
Door naa jaana
Jab main bulaaoon
Daude daude chale aana
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao
Chhupa chhupi khelein aao

—————————-
Sad version lyrics :
—————————–

paas hi chhupnaa
door na jaana
jab ham bulaayen
didi daudi chali aana
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

tu to sach much chhup gayi didi
tu to sach much chhup gayi didi
roothh gayi tu
baat hai seedhi
gali gali dhoondhe
ma’afi maange
ham saare ae
gali gali dhoondhe
ma’afi maange
ham saare ae

saamne to aajaa
tu hi jeeti
ham haare
tu hi jeeti
ham haare

aankh michauli ka kar ke bahaana
achcha banaaya tu ne
hamko deewaanaa
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

bhool huyi ham
khel khel mein
reh gaye ham sab aaj akele
bhool huyi ham
khel khel mein
reh gaye ham sab aaj akele

ham se zyaada pyaare
kya meet mil gaye
lagtaa hai tujhe didi
naye geet mil gaye
naye geet mil gaye
bhool gayi wo geet puraana
jab ham bulaayen
didi daudi chali aana
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao

chhuppa chhuppi khelen aao
chhuppa chhuppi khelen aao


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4468 Post No. : 15962

11/10/2020 – 78th Birthday of Amitabh Bachchan
———————————————————————-

A few days ago I saw this whatapp forward video, where a few Africans were singing this hindi song “rote rote hansnaa seekho hanste hanste rona”. This song is a known song, often heard on radio, but not recently seen or heard.

I knew it was a song sung on screen by Amitabh Bachchan. I checked the blog, to find it was not posted. This is a well-known song from 1983 film “Andhaa Kanoon”, where Amitabh Bachchan’s role was supposedly a guest appearance. Getting the lyrics of this song was a breeze, as I knew the lyrics and lines of stanza’s.

This song is a multiple version song with Kishore Kumar happy version, Kishore Kumar sad version and Baby Rajeshwari sad version. I was not able to find the audio/video of sad version by Baby Rejeshwari. Music and lyrics are Laxmikant-Pyarelal and Anand Bakshi, respectively.

Trivia about the film:

1.This film was a remake of the hit Tamil movie “Sattam Oru Iruttarai” (1981) starring Vijayakanth. The Tamil film was also remade in Telugu as “Chattaniki Kallu Levu” (1981), in Malayalam as “Maattuvin Chattangale” (1982) and in Kannada as “Nyaya Ellide” (1982). It was also remade in Tamil with the same title in 2012.

2.Rajinikanth made his Hindi film debut in this film.

3.The villains in this film, played by Prem Chopra, Danny Denzongpa and Pran, were named Amar, Akbar and Anthony after the film “Amar Akbar Anthony” (1977).

4.Amitabh Bachchan’s character in this film was named after the poet and lyricist Jan Nisar Akhtar.

5.Amitabh Bachchan had signed this film for a guest appearance. However, as the film’s shooting progressed his role was increased till it became an important supporting role.

Songs already posted in the blog :

Song Date posted
Ye andhaa kaanoon hai 11 October 2010
Meri behna deewaani hai 13 August 2011

That’s a typical of Amitabh Bachchan guest appearance where he is getting to sing the title song as well as a multipurpose song. It is not clear why his character in the movie was named after Jan Nisar Akhtar.

There are many names to given to Amitabh, like Big B, Shehenshah, Angry young man and star of the millennium. Big B would be the based on this stature of being a superlative performer and his authoritative voice plus the physical presence of screen. Shehenshah, is the title of 1988 film directed by Tinnu Anand, whose story is credited to Jaya Bachchan. The angry young man was the creation of Saim-Javed duo of script writers. Star of the millennium is a bit tricky, as millennium is period of thousand years. So starting in 1969, he has less than 30 odd years of stardom in the millennia of 1000-2000 and next millennia is now 20 years old. So technically this superstar is riding in a millennia to the next. Not that it matters to me as such, but things like titles also need to be logical. However unfashionable it might be.

Amitabh Bachchan is singing this song to stop his daughter from crying. His wife is played by Madhavi, who is also present in the song. Judging from the sad version, tragedy strikes the happy family, so this song is likely in flashback.

Full audio : (Happy version)

Video – (Happy version)

Audio – Kishore Kumar (Sad version)

Video – Kishore Kumar (Sad version)

Song-Rote rote hansne seekho hanste hanste rona (Andha Kaanoon)(1983) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics
———————-
Happy version
———————
Rote rote
hansnaa seekho
hanste hanste ronaa aa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

ham do ek hamaari
pyaari pyaari muniyaa hai
bas yahi chhoti si
apni saari duniyaa hai ae
ham do ek hamaari
pyaari pyaari muniyaa hai
bas yahi chhoti si
apni saari duniyaa hai
khushiyon se aabaad hai
apne ghar ka konaa konaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

badi badi khushiyaan hain
chhoti chhoti baton mein
badi badi khushiyaan hain
chhoti chhoti baaton mein
nanhe munne taare jaise
lambi raaton mein
badi badi khushiyaan hain
chhoti chhoti baaton mein
aisa sundar hai ye jeewan
jaise koyi sapan salonaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

mausam badle to
mat darr jaanaa
gudiyaa raani ee
mausam badle to
mat darr jaanaa
gudiyaa raani
saawan mein bijli chamkegi
barsegaa paani
dharti ambar bheeg jaayen
nainon ko nahin bhigonaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
rote rote
rote rote
hansnaa seekho
hansnaa seekho
hanste hanste ae
ronaa aa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa

——————————
Kishore Kumar (sad version)
——————————
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa

ham do ek hamaari
pyaari pyaari muniyaa thhi
bas yahi chhoti si
apni saari duniyaa thhi ee
ham do ek hamaari
pyaari pyaari muniyaa thhi
bas yahi chhoti si
apni saari duniyaa thhi
khushiyon se ae aabaad thha
apne ghar ka
konaa konaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4466 Post No. : 15954 Movie Count :

4371

Today 9th Oct’2020 is the sixth Remembrance Day of music director, lyricist and singer Ravindra Jain. He passed away on 9th Oct’2015 at the age of 71 yrs (born on 28th February’1944).
On this occasion as a tribute to him here is a song from the ‘1982’ movie ‘Bhaagya’ which is composed as well as written by him.

‘Bhaagya-1982’ was directed by Naval Kishore for ‘Baba Movietone, Bombay’. It was produced by Ravindranath Dasgupta.

It had Vinay Kumar, Meera, Sushma Verma, A.K. Hangal, Sulochana, Bhagwan Dada, Birbal, Chandrashekhar, Jagdeep, Keshto Mukherjee, Prabal Sen, Rajendra Singh Thakur, Zareen, Manmauji, Dev Sharma, Meghdoot.

Ajay Bannerjee make his debut appearance in this movie. Jalal Agha make a friendly appearance in this movie.

This movie was passed by Censor Board on 10.02.1982.

This movie had six songs (as per HFGK Vol.VI-1981-1985) composed by Ravindra Jain. Ravindra Jain also wrote lyrics for all the six songs.

Kishore Kumar, Hemalata, Yesudas, Amit Kumar, Abhijeet and Rachna, gave their voices to the songs in this movie.

Today’s song is sung by Kishore Kumar and Hemlata separately. HFGK mentions this song as two different songs i.e. ‘Koi phool na mahke’ and ‘janmon ka hai pyaar hamaara…’, however from the video (partial) of this song mentioned under part-II the female version appears in continuation after the male version (which might be the second stanza of repeat of few lines of the male version of this song).
(Also, if we watch the video of male version only (Part-1) we can see the heroine appearing at the end of this song and may be the female version starts here?) …

Knowledgeable readers who have watched this movie can throw more light on the movie and its songs…

I have not watched this movie and had neither heard of this song till seven years back when I came across it during my daily song listening browsing session and had shared it then itself, however this remains to be posted and today we are introducing it with the movie ‘Bhaagya-1982’ also making its debut on the blog.

Let us now listen to this song …

Video (partial)

Audio (Both versions)

Song-Koi phool na mahke koi panchhi na chahke (Bhaagya)(1982) Singer-Kishore Kumar/ Hemlata, Lyrics-Ravindra Jain, MD-Ravindra Jain

Lyrics

—————————–
Kishore Kumar version
—————————–

Koi phool na mahke
Koi panchhi na chahke
Koi phool na mahke
Koi panchhi na chahke
Sooni hain saari bahaarein
Pyaasi nigaahen
Tujhko pukaaren
Aaja re
Koi phool na mahke
Koi panchhi na chahke

Nadiya ka sunsaan kinaara
Aur bhi gumsum ho gaya
Sukh dukh mein sang jaagnewaale
Kyun tu aise so gaya
o janmon ke meet bataa tu
Bin bole kahaan kho gaya
Teri yaad sataaye
Din raat rulaaye
Sooni hai saari bahaarein
Pyaasi nigaahen
Tujhko pukaare
Aaja re
Koi phool na mahke
Koi panchhi na chahke

Aankh se ojhal honewaale
Dhoondhhta hoon tujhe khwaab mein
Tu hai kahaan jis’se bhi poochha
Chup ho gaya jawaab mein
Thha main kabhi tere pyaar mein dooba aa
Ab dooba hoon sharaab mein
Yahi ek sahaara
Mere ghamon ka chaara
Sooni hai saari bahaarein
Pyaasi nigaahen
Tujhko pukaare
Aaja re
Koi phool na mahke
Koi panchhi na chahke
Koi phool na mahke
Koi panchhi na chahke

———————————-
Hemlata version
———————————

O ho o o o
O ho o o o
O o o o o
O o o o o

Janmon ka hai pyaar hamaara
Janmon tak sang jaayega
Kasme waade itni jaldi
Kaise koi bisraayega
Tod ke har deewaar milenge
Dil ko dil jo bulaayega
Kahin door nahin hoon
Jahaan dhoondhhe wahin hoon
Tu mere dil mein rahega
Tujhse miloongi
Jab bhi kahega
Aa jaa re
Main hoon prem deewaani
Tere sapnon ki raani

Kal bhi tujhse door na thhi main
Aaj bhi tere paas hoon
Mit kar bhi jo mit nahin paaye
Main aisi ek aas hoon
Jitna udaas tu mere bina
Main tujh bin utni udaas hoon
Mujhe bhool na jaana
Sadaa pyaar nibhaana
Tu mere dil mein rahega
Tujh se miloongi
Jab bhi kahega
Aa jaa re
Main hoon prem deewaani
Tere sapnon ki raani
O o o o o
O ho o o o
O o o o o O
o o o o
O o o
O o o
O o o
o o o
o o o

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————

——————–
किशोर कुमार संस्करण
——————–

कोई फूल न महके
कोई पंछी न चहके

कोई फूल न महके
कोई पंछी न चहके
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

नदिया का सूनसान किनारा
और भी गुमसुम हो गया
सुख दुःख में संग जागनेवाले
क्यूँ तू ऐसे सो गया
वो जन्मों के मीत बता तू
बिन बोले कहाँ खो गया
तेरी याद सताए
दिन रात रुलाये
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

आँख से ओझल होनेवाले
ढूंढता हूँ तुझे ख्वाब में
तू हैं कहाँ जिससे भी पूछा
चुप हो गया जवाब में
था मैं कभी तेरे प्यार में डूबा
अब डूबा हूँ शराब में
यही एक सहारा
मेरे ग़मों का चारा
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

कोई फूल न महके
कोई पंछी न चहके
——————————–
हेमलता संस्करण
——————————–

ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ ओ

जन्मों का है प्यार हमारा
जन्मों तक संग जाएगा
कसमे वादे इतनी जल्दी
कैसे कोई बिसरायेगा
तोडके हर दीवार मिलेंगे
दिल को दिल जो बुलाएगा
कहीं दूर नहीं हूँ
जहां ढूंढें वहीँ हूँ
तू मेरे दिल में रहेगा
तुझसे मिलूंगी
जब भी कहेगा
आ जा रे
मैं हूँ प्रेम दीवानी
तेरे सपनों की रानी

कल भी तुझसे दूर न थी मैं
आज भी तेरे पास हूँ
मिट कर भी जो मिट नहीं पाए
मैं ऐसी एक आस हूँ
जितना उदास तू मेरे बिना
मैं तुझ बिन उतनी उदास हूँ
मुझे भूल न जाना
सदा प्यार निभाना
तू मेरे दिल में रहेगा
तुझ से मिलूंगी
जब भी कहेगा
आ जा रे
मैं हूँ प्रेम दीवानी
तेरे सपनों की रानी
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ ओ


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4454 Post No. : 15924

Tribute to S. P. Balasubramaniam
—————————————————

The great playback singer of south india left for heavenly abode after his month long illness and Covid – 19 related complications, which had him hospitalised since August. He is said to have recorded his last song on 5th August at Hyderabad. Some sources are reporting he has total 40000 songs to his credit. This calculates to more than two songs per day, in a 50 year career. The career spanning 5 decades and active career he was much revered and loved in the south India’s movie and music fan. The four primary languages of the south, namely Kannada, Telegu, Tamil and Malayalam have the major share of his songs.

When thinking of his songs, the first film that comes to mind is “Ek Duje Ke liye” (1981). When I looked up the songs of this film and found this info about how S. P. Balasubramaniam finally got to sing the songs of this film:
This was singer S.P. Balasubramaniam’s debut Hindi film. Music directors Laxmikant – Pyarelal were not keen on using him for the film since they had not worked with him before. Director K. Balachander convinced them that S.P. Balasubramaniam was the right choice since his imperfect diction would suit the role of South Indian man played by Kamal Haasan in the film.

When S.P. Balasubramaniam first met Laxmikant – Pyarelal for this film, the music director duo had asked him to sing a song. The singer first sang the title song of “Mere Mehboob” (1963) composed by Naushad. The composers then asked him to sing a simple song and he sang “Jaanewalo Zara Mud KeDekhoMujhe” (“Dosti”, 1964) composed by Laxmikant – Pyarelal themselves. According to S.P. Balasubramaniam, it was this song that convinced the composers of his abilities.

Tere Mere Beech Mein (Duet) – This duet with Lata Mangeshkar was the first song S.P. Balasubramaniam had recorded for this film. He spoke a few Tamil lines in this song including “Nee romba nallapaadarae” meaning “You sing very well”. He later said that he found the words ironical since they came from a newcomer like him and were addressed to the legendary Lata Mangeshkar. He was apparently so nervous during the recording that he had accidentally spilt tea on her saree. Understanding his plight, Lata had praised S.P. Balasubramaniam during the rehearsals in order to put him at ease.

These details finally made me decide that I want to post a song from this film. I found that only two song from this film is posted in the blog till date:
Mere jeewan saathi pyaar kiye jaa
Solah baras ki baali umar ko salaam

And this beautiful song which was all the rage in the 80’s is not yet posted, which has two solo versions. One is by Lata Mangeshkar, a happy solo and other is by SPB a sad, very sad solo. Lata version is beautifully shot in picturesque locales of Goa with Rati Agnihotri singing and Kamaal Haasan, not comprehending the hindi song, trying to understand where she is pointing in the other direction. The last scene of this song, with both Rati Agnihotri and Kamaal Haasan, standing with their backs to the rock outcroppings, looking out to the see from the vantage point, with the beach below and the mountains just beyond, was the picture perfect poster on the movie hoardings, even in theatre’s.

The SPB version is shot in a hotel room, where both Kamal Haasan and RatiAgnihotri find themselves in adjoining room. They have promised Rati’s mother that they will not contact and meet each other for a year, so cannot meet. How inane is that, if they met by accident and not by design, than it is divine intervention. But this was an opportunity to create an intense song situation, with Rati doing more histrionics, with a sea-shell:). In an earlier scene, Rati’s mother burns the photo of Kamaal Haasan. Rati, in a fit of inspiration to prove her true love, mixes the burnt carbon remains of the photograph with tea and drinks it. I think the mother was played by Shubha Khote.

The song also won the following awards :
1981 – National Film Awards – Best Male Playback Singer – Tere Mere Beech Mein (Male) – S.P. Balasubramaniam
1981 – Filmfare Awards – Best Lyricist – Tere Mere Beech Mein (Duet) – Anand Bakshi

So I am presenting a song, which won SPB a National Film Award for best playback singer in 1981, as a tribute on his passing away. Of course his memory will be forever alive through his numerous songs. May his soul rest in eternal peace.

S. P. Balasubramaniamversion :

Lata Mangeshka rvesion :

Song-Tere mere beech mein kaisa hai ye bandhan anjaana (Ek Dooje Ke Liye)(1981) singer-S P Balasubrahmaniam/ Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

SP Balasubrahmaiam version:
———————–
tere mere beech mein
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
main ne nahin jaana
tu ne nahin jaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

ik dor kheenche doojaa
dauda chala aaye ae
ik dor kheenche doojaaaa
dauda chala aaye ae
kachche dhaage mein
bandhaa chalaa aaye
aise jaise koyee
ho o o aise jaise koyee
deewaaaaaana
aise jaise koyee
deewaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

neend na aaye mujhe
chain na aaye ae
neend na aaye mujhe
chain na aayeea
laakh jatan karoon
rokaa na jaaye
sapnon mein teraa
ho oo
sapanon mein teraa
aana jaanaa
sapanon mein teraa
aana jaanaa
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana

—————————
Lata Mangeshkar version :
—————————
ooooo
oooooooo
tere mere beech mein aen
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
maine nahin jaanaaa
tu ne nahin jaana
maine nahinjaanaaa
tu ne nahinjaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

ik dor kheenche doojaa
dauda chala aaye ae
ik dor kheenche doojaaaa
dauda chala aaye ae
kachche dhaage mein
bandhaa chalaa aaye
aise jaise koyee
ho oo aise jaise koyee
deewaaaaaana
aise jaise koyee
deewaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

oh ho
aapadiyaa

aah ha ha
jaise sab samajhgayaa

pehnoongi main tere haathhon se kanganaaa
pehnoongi main tere haathhon se kanganaaa
jaayegi meri doli tere hi anganaa
chaahe kuchh kar le
ho o
chaahe kuchh kar le
zamaaaaaana
chaahe kuchh kar le
zamaaaaaana
maine nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

(Tamil words)
rumba
ye rumba ruka kya hai

kitni zubaanen bolen log hamjolee
kitni zubaanen bolen
log hamjolee
duniyaa mein pyaar ki
ek hai boli
bolen jo shama’a
ho oo
boli jo shama’a
parwaaaaaana
bolen jo shama’a
parwaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
(tamil words)
kya
tere mere beech mein
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4453 Post No. : 15919

Dev Anand – 97th Birth Anniversary
—————————————————–
Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), is the full name of the dashing, debonair yet chocolate hero of the 50’s, also nicknamed as the ever green actor, he was a hero, director, producer and what not. He is known for never say die attitude and being a gentleman of the old world sense. He formed a trio of superstars with Dilip Kumar and Raj Kapoor in the black n white era.

He was like a shining star which kept shining when all his neighbour, were laid down by age, health and simply lack of motivation. In the old ways, the culture of the film industry was about respect of seniors, treating others including junior artists, with respect and values which were based on humanity and equality in opportunities etc. The background of Dev Anand is an educated family of means. Plus that was an erawhen people with means had rich tastes and it converted into their conduct and dealing with fellow human beings. I have no knowledge how charitable or not Dev Anand himself was, because charity is not just sharing of monetary wealth, but sharing of positivity and knowledge also amounts of charity. Of course, there are people with such meanness in their makeup they will not lift an eyebrow, to facilitate someone else. And if such a person did lift an eyebrow, and someone else was slightly benefitted from it, the former will not like it. Ah…. I don’t know where I am going with this, but this is not towards Dev Anand.

I have recently seen his movies, “Kaala Bazaar” “Manzil” and “Kaala Paani” on youtube. Other unforgettable movie are such classics as “Guide”, “Tere Ghar Ke Saamne , “Jewel theif”, etc. I have read the Wikipedia page on Dev Anand. As I read through it, things got curious, as there is not filmography there. Very few films are mentioned, some of them I am yet to see. Zeenat Aman finds a mention as being discovered by him, but there is no mention of “Hare Rama Hare Krishna”. Also I found amiss the mention of his brothers Vijay Anand and Chetan Anand who were instrumental in his life and career. No mention of his great equation with SDB-RDB and Kishore Kumar.

There is also this line :
“Guru Dutt, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Kishore Kumar, S.D. Burman and R.D. Burman were his closest friends from the film industry.” If a man is known by the company he keeps, than there are no better examples.

The song I am presenting as a tribute to Dev Anand on his 97th birth anniversary is from the film “Amir Garib” (1974). The song comprises of two separate solos, by Lata Mangeshkar and Kishore Kumar, which are the mirror images of each other. The song picturization and the lyrics are also mirroring each other. Both songs are picturised on Dev Anand and Hema malini, singing the two solos. With colourful clothes, a beach, an open jeep on the beach, than the Swimming pool at the Sun & Sand just beyond the Juhubeach(Common in both songs, with extra’s looking like Europeans in colourful swim suits) and a park road with a tonga ride. This is a beach song, tonga song, car song swimming pool song, teasing song, pacifying song all rolled into one.

About version songs which are mirror image of each other, I can recall one song from the film “Himalaya ki god mein”
.
The following three songs from “Ameer Gareeb”(1974)are already posted in the blog :

Song Date posted
Mere pyaale mein sharaab daal de phir dekh tamaasha 21 June 2009
Main aaya hoon leke saaz haathon mein 12 August 2012
Kahin janaab ko mera to intezaar nahin 3 December 2018

The post is by Peevesie’s Mom which has a synopsis of the film. Another trivia is that the first song from this movie appeared on the blog as early as 21.06.2009, within its first year.

Lata version

Kishore Kumar version

Song-Soni aur moni ki hai jodi ajeeb (Ameer Gareeb)(1974) Singer-Lata/ Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

————————
Lata version
————————
ho moni
Ho moni
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb

khoya phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa
galiyon mein bada shor
sunaa tere naam kaa
maana tere paas hai baajaa
tu hai raajaa
magar raani binaa kis kaam kaa aa
magar raani binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb

aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaayeea
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare piyaa baaten
mulaaqaaten
piya jal kat ke reh jaayeea
piya jal kat ke reh jaaye
hohohoho
hai mera mehboob meraa raqeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb

———————————-
Kishore Kumar version :
———————————-
ho Soni
ho soni
moni aur soni ki hai jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
ik door jaaye ik aaye qareeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb

khoyi phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa aa
galiyon mein bada shor
sunaa tere naam kaa
maana teraa naam hai raani
mahaarai
magar raajaa binaa kis kaam kaa aa
magar raajaa binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb

aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaaye ae
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare kabhi baaten
mulaaqaaten
jiya jalkat ke reh jaaye ae
jiya jal kat ke reh jaaye
hohohoho
mehboob meraa hai meraa raqeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16169

Number of movies covered in the blog

Movies with all their songs covered =1244
Total Number of movies covered =4402

Total visits so far

  • 14,127,184 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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