Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5052 Post No. : 16965

Today’s song is from the movie ‘Amar Kirtan-1954’.

The song is ‘Hari Om Tatsat’ sung by Geeta Dutt. I had come across this song in 2014 and had noted it then. However so far it remained to be posted on the blog.

When I had shared this song (lyrics only) earlier in ‘2014’ I was not equipped with HFGK Vol-III (1951-1960). Now, when I was preparing this write-up to present this song, I check the HFGK Vol-III for more information of this movie and the list of its other songs.

I find that there is a ‘part-2’ of this song sung by S.D. Batish and Asha Bhonsle as mentioned in HFGK. However, when I looked for the link of this song I do not find it except that I find a link where both the female & male versions are combined together.
When I listened to it I noted that the male version abruptly ends at one place though after two stanzas (the second one being incomplete). (So we don’t know if this song was in a male and female version or a female and a duet version).

On this combined link of this song we can read a comment from the ‘YouTube’ account ‘Ragmala’. ‘Ragmala’ is the official channel of Batish family.
The comment on this song link says that the tempo of recording in this song is faster and it should be on lower tempo. After reading this comment we can conclude (?), that this song should be a male-female version only. And there is no duet version of this song. The comment doesn’t mention anything about the complete song in it.

“Amar Kirtan-1954” was directed by K.C. Pandit for ‘Punjab Film Corporation, Bombay’.
It had Asha Mathur, Shahu Modak, Jayant, Naaz, Rajendra, Sita Bose, S. Prakash, Prem Kumar, Sitaram, Maya Das, Heera Sawant, Kumkum, Lalan, Bansari, Chand Burq, and others. Kumari Amita Devi, Kamal Mehra, and Madan Puri make a guest appearance in this movie.

This movie was passed by Censor Board on 27.07.1954.

This movie had eleven songs (including two two-part songs) all written by Wali Sahab.

Music for this movie was composed by S.D. Batish.

Here is the list of songs of this movie:-

SNo Song Title Singer/s Posted On
01 Jai gurudeva, jai gurudeva, yug yug yug… S.D. Batish, Others
02 Hari om tatsat, hari om tatsat…(part-1) Geeta Dutt
03 Jaat paat aur oonch neech ko…(part-a) S.D. Batish, Asha Bhonsle
04 Thaare gail chaloon re saanwariya Asha Bhonsle 21.04.2017
05 Prabhu mori pariksha naahi karo S.D. Batish
06 Morey ghar shyam ghataa nahin barsi Geeta Dutt
07 Bhool gaya … panchhi bhool gaya path S.D. Batish 26.08.2017
08 Main to hoon bhagton ka das S.D. Batish
09 Hari om tatsat, hari om tatsat (part-2) S.D. Batish, Asha Bhonsle
10 Jin dhyayo shyam, tin paayo shyam (part-b) Asha Bhonsle
11 Nirdhan ki dasha S.D. Batish

From the above table we can see that, so far, only two songs from this movie ‘Amar Kirtan-1954’ have been posted earlier in ‘2017’ on the blog.

Today’s song is a ‘two-part’ song as mentioned above.

I would request knowledgeable readers to throw more light on this movie and its songs. I would also request readers to provide link of this song in the voice of S.D. Batish if they came across it or are already aware of it.

Let us listen to the today’s song now…

Geeta Dutt version

S D Batish version


Song-Hari Om Tatsat (Amar Keertan)(1954) Singer-Geeta Dutt/ S D Batish, Lyrics-Wali Sahab, MD-S D Batish

Lyrics

————————-
Geeta Dutt version
————————

Hmm mm mm hmm hmm
Hmm hmm hmm
mm mm hmm hmm
hmm mm hmm hmm

Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Mahaa mantra hai ye
Tu isko japaa kar
Maha mantra hai ye
Tu isko japaa kar
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om

Mahaa neech ban kar
Mahaakal ban kar
Diye dukh jo Raavan ne
Chandaal ban kar
Diye dukh jo Raavan ne chandaal bankar
To ye mantra kaam aa gaya dhaal bankar
To ye mantra kaam aa gaya dhaal bankar
Hari Om tatsat
Hari Om tatsat
Mahaa mantra hai ye
Mahaa mantra hai ye
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om

Dushaasan ne jab haath saari pe daala
Dropadi ke pat ko sabhaa me uchhaala
Dropadi ke pat ko sabhaa me uchhaala
To is mantra ne uske sankat ko taala
To is mantra ne uske sankat ko taala
Hari Om tatsat
Hari Om tatsat
Mahaa mantra hai ye
Mahaa mantra hai ye
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om

—————————-
S.D. Batish version
—————————-
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Mahaa mantra hai ye
Tu isko japaa kar
Maha mantra hai ye
Tu isko japaa kar
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om

Koi kasht sansaar mein tujhko ghere
Nazar aayen chaaron taraf hi andhere
Nazar aayen chaaron taraf hi andhere
Nazar aayen chaaron taraf hi andhere
To uthhkar Japaa kar
Savere savere
To uthhkar Japaa kar
Savere savere
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat

Mahaa mantra hai ye
Mahaa mantra hai ye


Hari Om tatsat
Hari Om tatsat

Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om tatsat
Hari Om

Ubalte huye tel mein
Jabke phenka
To nirdosh prahlad kaise bachaa thha
To nirdosh prahlad kaise bachaa thha
Yahi shabd thhe us ghadi Uske munh par
Yahi shabd thhe us ghadi uske munh par


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5035 Post No. : 16946

Today 1st May’2022 is the one hundred and third birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013). As a tribute to him, I am presenting a motivational song sung by him from the movie ‘Prahaar-1991’.

‘PRAHAAR: The Final Attack’ was a film Produced by Sudhakar Bokade and Directed by Nana Patekar. The star cast includes Nana Patekar, Dimple Kapadia, Madhuri Dixit, and Gautam Joglekar who played the second lead with Madhuri Dixit. Prominent Stage artist Shri.Habib Tanvir played the role of Gautam’s father.
The film was produced under the banner of ‘Divya Films combine’. Its cinematography was done by Debu Deodhar.

‘Prahaar’ had as many as three songs, and the one under discussion today has three versions sung two by Manna Dey (happy and sad) and one by Kavita Krishnamurthy. The lyrics are written by Mangesh Kulkarni, and music is scored by Laxmikant–Pyarelal.

I had watched this movie during my stay at Kota (Rajasthan) and I liked it very much. I watched this movie at least three-four times.

The movie highlights many issues within our society and for me this is one of the bests movies of Hindi Cinema. I will not go into the details of the story of the movie as it is better to watch and feel than to read about this movie. I wish that this film should be watched by everyone in India and introspect ourselves and our surroundings and the happenings around us… for a better India.

All the actors and actresses acting in the movie have delivered a power packed performance.

A detailed article about this movie has been written by our Respected Shri Sadanand ji while presenting the song Dhadkan zara ruk gayee hai.

Today’s song has three versions and all of them are being presented here. This song is sung by Manna Dey and Kavita Krishnamurthy. The highly motivational lyrics are by Mangesh Kulkarni, and the divine music is given by Laxmikant-Pyarelal.

Let us listen to this wonderful song …

Male version (normal)-Audio

Male version (Slow)-Audio

Female version (normal)-Audio

Male versio video (Partial)

Song-Hamaari hi mutthi mein aakaash saara (Prahaar)(1991) Singer-Manna Dey/ Kavita Krishnamoorthy, Lyrics-Mangesh Kulkarni, MD-Laxmikant Pyarelal
chorus

Lyrics

———————-
Male version (Normal)/ Female version (similar except last humming stanza)
———————-

Hmm hmm hmm
Hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai

Suljhaane unko naa
Aayegaa koyi
Samajhnaa hai unko
Ye apanaa karam hai
Hmm hmm hmm hmm
Aa aa aa aa

Apne karam se
Dikhaanaa hai sab ko
Khud kaa panapanaa,
Ubharnaa hai khud ko
Hmm hmm hmm hmm
Andheraa mitaaye jo nanhaa sharaaraa
Hmm hmm hmm hmm
Dishaa jis se pehchaane
Hmm hmm hmm hmm
Sansaar saaraa
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai

Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le len
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara

Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm

Aa aa aa aa
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa

Aa aa aa aa

—————————-
Male version(Slow version)
—————————-

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le le
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Aa aa aa aa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4988 Post No. : 16878

Today we have a 2-part song from the film Guzara-1954.

The film was made by Aina pictures-owned by S.M.Yusuf. The film was produced and directed by S.M.Yusuf himself. he also did a small role in this film- the only film role he ever did in his film career. There were 3 lyricists- Raja Mehdi Ali Khan (5 songs), Fauk Jami (2 songs) and Munir Lucknowi (1 song) for the film’s 8 songs. Music Director was Ghulam Mohammad.

I have not seen this film. However, from what I have learnt about the film from various sources is that , the film was based on the life of a middle class family who finds it difficult to run the family in the limited income that the family had. The story concluded that mental happiness with our own people is the greatest happiness compared to rich living ! A typical Nehruvian philosophy- very popular in those times. Even big filmmakers like Mehboob Khan were also sold on this ideology. These were the days of rationing and shortages, increasing corruption and black marketing. The common man was broken in pieces but was fed the socialistic wine to keep him quiet !

The cast of the film was Karan Dewan, Paro, Jabeen jalil, Chand Burke, Baby Naaz, Romi, Tiwari, Balam and many others. This was the film in which actress Jabeen Jalil made her Debut.

In the early days of cinema, people joined the film industry for various reasons like…
1) joining filmline did not need any special skill
2) language, religion, education was not a consideration
3) need to earn
4) readiness to do any work

As the Talkie film era started, the requirements changed. For acting, one needed the ability to speak Hindi/Urdu fluently. A reasonably good looking personality and knowledge of singing were additional qualifications. For other technical departments, readiness to do hard work and a will to learn were required. During this phase many girls from singing families (read Tawaifs) were preferred and for them entry into films was easier compared to others. Many girls joined the filmline to get a good husband and settle as a housewife with dignity. Thus many Gujarati Sethiyas married actresses.

There was a very small but distinct category of artistes, who joined films as a “time pass’ or a passion for a short period. These artistes had no intention to continue in the film line.Their interests were varied and different from only doing work in films. included in this category were Classical singers like Manik Varma, Hirabai badodekar, Ram Marathe, Phiroz Dastoor, actresses like Shakuntala Paranjpye, Vasanti, Renuka Devi etc, writers like Dewan Sharar, Lyricists like Moti,B.A., MD like Mukund Rai Trivedi, actors like Kaycee Mehra, Shashi Kapoor Sr. etc, classical instrument players like Ravi Shankar, Pannalal Ghosh, Alla Rakha, Ali Akbar khan etc.

Nevertheless 99% of people joined because they needed to earn money. In the cast of today’s film Guzara-54, you see a name Jabeen Jalil. She is one such artiste who needed to earn money. Jabeen Jalil was a short petite but attractive actress.She was born on 1st April 1936 in Delhi, but was educated in Japan and Bombay, as her father was in foreign services of India.

She used to take part in college dramas and in one such drama the judges were Nigar Sultana and her director husband S.M.Yusuf. They offered her a film as a Heroine. Jabeen’s father had expired and only mother and younger brother were there. She accepted the offer. Her first film was Guzara in 1954. Her second film in 55 was Lutera. Her first hero was Karan Dewan and second was Nasir khan.
She became famous in New Delhi-56, in the role of Kishore’s sister Nikki’s role. She acted in 29 films, out of which 6 were unreleased. She also acted in 4 Punjabi films. She got a National award in 1962 for a Punjabi film in which her Hero was Prem Chopra.
She married Ashok Kak, a kashmiri Brahmin in 1968 and she did her last movie in 1974 Vachan. In 1989 they went to the US for 10 years and came back to Mumbai.Her son Divvij Kak is also an actor and Jabeen became a producer with Jabeen International.
She lives in Dadar, Mumbai nowadays.

Jabeen was a very short, thin and small frame girl. Some other actresses like her were Nimmi, Chand Usmani,and Smriti Biswas who all always looked like young girls.

The Hero of the film was Karan Dewan.

In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).

All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artists Association. Bharat Bhushan worked as a watchman in a film studio, in his last days. Even he died unsung and only the men from the Association were present at the cremation.

Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful.

Dewan Karan Chopra aka Karan Dewan ( 6-11-1917 to 2-8-1979 ) youngest of three brothers, was born at Gujranwala, Punjab (now in Pakistan), British India. He studied in Lahore, where he became interested in Journalism and started editing a film magazine in Urdu, Jagat Lakshmi. One of the local distributors he met was Tarachand Barjatya, who was then the Manager of Chandanmal Inder Kumar’s distribution office at Lahore. Through his connection with Barjatya he landed in Calcutta, and in 1939, made his acting debut as Puran in the Punjabi feature film Puran Bhagat

Dewan started his film career with the role of Puran in Puran Bhagat in Punjabi in 1939 in Calcutta. It was produced by Raisaheb Sukhlal Karnani and directed by Roop K. Shorey’s father R. L. Shorey. His second film Mera Maahi (1941) was also a Punjabi film, directed by Shankar Mehta at Lahore and starring Ragini and Manorama. This was the movie in which he sang songs for the first time in the movies under the baton of legendary music director Shyam Sunder. Later, in Rattan, he sang for the first time in Hindi movies for Naushad. B R Chopra, then working as a film journalist in Lahore, helped Karan Dewan to get in touch with Devika Rani, who invited Dewan to come to Bombay. When this did not help Dewan get films, he taught “Urdu pronunciation to actors and actresses”.

In 1944, Karan Dewan acted in Rattan, a musical romantic drama, directed by M. Sadiq, which became one of the most popular films of that year. “A tremendous hit”, it paired Dewan with Swarnalata. His decisive film was Rattan (1944), which was produced by his brother Jaimini Diwan, and this movie turned out to be the biggest hit of 1944. He also sang songs in this movie under music director Naushad, and his song “Jab Tum Hi Chale Pardes” became popular. He sang in films such as Piya Ghar Aaja (1947), Mitti Ke Khiloune (1948) and Lahore (1949). His other important films were Zeenat (1945), Lahore (1949), Dahej (1950), Bahar (1951) and Teen Batti Char Rasta (1953). Known as a “jubilee star”, about twenty of his films are stated to have been jubilee (twenty-five weeks or more) hits.

Dewan married co-actress Manju in 1944 following the release of Rattan, in which she had a character role. By 1966, he was working as a casting agent for the film unit of Maya (1966). He continued to work in the 1960s and 1970s playing supporting parts in films such as Apna Ghar (1960), Shaheed(1965), Jeene Ki Raah (1969) and Nadaan (1971), with the last film in which he was credited, being Sohanlal Kanwar’s Atmaram (1979).

He worked in 73 films and sang 18 songs in 9 films. He worked with all leading actresses of his times,including Noorjehan and Nargis. At the end of his career, however, he was down financially and had to work as a Manager with B R Chopra’s company. When he died, except two workers of the Cine artistes association, no one else from the Film industry was present.

Today’s song is the 3rd song from the film Guzara-1954. In the part 2 song you will be surprised to hear the voice of Pt.Hridaynath Mangeshkar. It sounds just like a girl’s voice. I was confused but on inquiry, our Sadanand Kamath ji confirmed that the voice was that of Hridaynath only. Enjoy…

Part I

Part II

Song- Rang Rangeele pyaare pyaare laaye hum khilaune (Guzaara)(1954)- Singer- Lata / Hridaynath Mangeshkar– Lata, Lyrics-Raja Mehdi Ali Khan, MD-Ghulam Mohammad
Lata + Hridaynath Mangeshkar

Lyrics

——————————–
Part I- Lata Mangeshkar
——————————-

o o o o o
Rang Rangeele pyaare pyaare
laaye hum khilaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

mausi ye gudiya tumhaari
ee ee ee ee ee ee
mausi ye gudiya tumhaari
bahu ban ke aayegi
haan bahu ban ke aayegi
pyaar se rakhogi usey
tumhaari ban jaayegi
tumhaari ban jaayegi

usko tum sataana na
zulm ispe dhhaana na
samdhan ko rulaana na
karogi rasoi ye bhi
bichaayegi bichaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

?? ghar ki
udhar na lagaana
bhabhi aur bhaiyya ne maara
maara maari na karaana
maara maari na karaana

dulha miyaan dekho duniya
pyaar ki basaana
miyaan biwi jhagdenge to
hansega zamaana
dek bahu
nanad ko sataana na
saas ko jalaana na
susar(??) ko phudaana na
tum ?? seekhna
A B C D seekhna

theek hai beti

baaten nahin meri
mithhai ke ??
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

———————————
Part II (Lata- Hridaynath Mangeshkar)
———————————-

Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

babujee namaste
mausi jee namaste
pyaare bhaiyya
tum hi le lo
mere khilaune saste
ho o o
pyaare bhaiyya
tum hi le lo
mere khilaune saste

chaar aane mein gudiya doongi
chulha aur bichaune
chaar aane mein gudiya doongi
chulha aur bichaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

seth jee
o seth jee
arre chal chal chal

jhidkiyaan de log denge
hum na kuchh bhi zabaan se

maare maare kyun phirte hain
poochho ye bhagwaan se ae ae
poochho ye bhagwaan se
bheekh nahin lenge baaba
le lo ye khilaune
bheekh nahin lenge baaba
le lo ye khilaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune

chalte chalte tum hamaare
dil ke tukde kar gaye
dil ke tukde kar gaye
ek thhokar se tumhaare
jeete jee hum mar gaye

jeete jee hum mar gaye
dil toota khilaune toote
aankhen lagi rone
dil toota khilaune toote
aankhen lagi rone
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4951 Post No. : 16815

Today 6th February’2022 is the one hundred and seventh birth anniversary of Kavi Pradeep(6 February 1915 – 11 December 1998).

On this occasion, as a tribute to him, here is a song from the movie ‘Sambandh-1969’.

“Sambandh-1969” was directed by Ajay Biswas for ‘S.M.F. Syndicate Productions, Bombay’. It had Deb Mukherji, Anjana, Pradeep Kumar, Anita Dutt, Sulochana, Vijaya Chaudhary, Achala Sachdev, Abhi Bhattacharya, Nana Palsikar, Ulhas, Leela Mishra, Rani, Janaki Das, Manik Dutt, Sajjan and others.

This movie was based on Bangla Novel ‘Pratham Prem’ by Achintya Kumar Sengupta.

This movie had twelve songs written by Kavi Pradeep and composed to music by O.P. Nayyar.

Here is the list of all songs from this movie.

SNo Song Title Singer/s Posted On
01 Chal akelaa, chal akelaa, chal akelaa aa, tera mela peechhe chhoota raahi Mukesh 20.07.2009
02 Andhere mein jo baithhe hain Mahendra Kapoor 11.03.2011
03 Akeli hoon main piyaa aa Asha Bhonsle 23.07.2011
04 Apni maa ki qismat par mere bete tu mat ro Asha Bhonsle Being discussed today
05 Yah khushi leke main kya karoon Mahendra Kapoor
06 Dard ke gaaon se niklo Asha Bhonsle
07 Jo diya thha tumne ek din, mujhe phir wo pyaar de do Mahendra Kapoor, Hemant Kumar 01.10.2011
08 Hey jagat pitaa parmaatmaa Asha Bhonsle, Hemant Kumar (19.07.2019
(
09 Tum ko to karodon saal huye batlaao gagan gambhir Asha Bhonsle (19.07.2019
10 Main to kaanton mein rah loongi Asha Bhonsle Being discussed today
11 Ab to shamshaan ki maati hi meri maata hai Mahendra Kapoor 09.01.2022
12 Ab to is desh ki maati hi teri maata hai Hemant Kumar 19.07.2009

Today’s song is sung by Asha Bhonsle. The song appears twice in the movie– once in the childhood of the hero of the movie (i.e., Deb Mukherji). His mother (Solochana) sings it when she is about to leave him with Abhi Bhattacharya and Achala Sachdev . The second time the song appears is when she has died and her son lights her funeral pyre.

Also seen in the picturisation of this song are Sulochana Latkar, Abhi Bhattacharya, Achala Sachdev, Deb Mukherji and others.

Lyrics for today’s song were sent by Prakashchandra.

(Lyrics for both the versions are same however videos are different as the song gets played on two different occasions in the movie. The second version does not have the ‘mukhda’ but ‘antaras’ are same).

Let us listen to the today’s song now and pay our tributes to Kavi Pradeep.

Part I (Video)


Part I (Audio)

Part II (Video)

Song-Apni maa ki kismat par mere bete tu mat ro (Sambandh)(1969) Singer-Asha Bhonsle, Lyrics-Kavi Pradeep, MD-O P Nayyar

Lyrics (Provided by Prakashchandra)

——————-
Part I
——————-

apni maa ki qismat par
mere bete tu mat ro o
apni maa ki qismat par
mere bete tu mat ro o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par
mere bete tu mat ro o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par

tu hi mere din ka sooraj
tu hi meri raat ka chandaa
tu hi mere din ka sooraj
tu hi meri raat ka chandaa
ek din to degaa tu hi
mere ant samay mein kandhaa
mera dekh ke ujdaa jeevan
tu aaj dukhi mat ho o
main to kaanton mein jee loongi
jaa aa tu phoolon par so o
apni maa ki qismat par

hansne ke ye din hain tere
rone se teraa kya naataa
hansne ke ye din hain tere
rone se teraa kya naataa
rone ke liye to beta
janani hai jagat mein maataa
mere laal ye aansoo de de
apni dukhiyaa maa ko o
main to kaanton mein jee loongi
jaa aa tu phoolon par so
apni maa ki qismat par
mere bête tu mat ro
main to kaanton mein jee loongi
jaa aa tu phoolon par so
apni maa ki qismat par

————————-
Part-II
————————

tu hi mere din ka sooraj
tu hi meri raat ka chanda
ek din to degaa tu hi
mere ant samay mein kandhaa
mera dekh ke ujdaa jeevan
tu aaj dukhi mat ho o
main to kaanton mein ae rah loongi
jaa tu phoolon par so
apni maa ki qismat par

hansne ke ye din hain tere
rone se teraa kya naataa
rone ke liye to beta
janani hai jagat mein maataa
mere laal ye aansoo de dey
apni dukhiyaa maa ko o
main to kaanton mein reh loongi
jaa tu phoolon par so
apni maa ki qismat par
mere bête tu mat ro o o
main to kaanton mein aen reh loongi
jaa aa aa tu phoolon par so o


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16794

#The Decade of Seventies – 1971 – 1980 #
—————————————————————-
# Bhoole-Bisre Geet # 160 # Balidaan -1971#
———————————————–————

Today 26th Janunary’2022 is the seventy-third Republic Day of our country India.

On this day we celebrate our ‘republic’ and pay tributes to all who fought for the freedom of our country. It is because of them that we the ‘new generations’ enjoy the ‘fruits of freedom’.

On this blog we celebrate this day by listening to patriotic songs as well as songs praising our motherland.
Films on patriotic themes and on the biographies of great martyrs have been made from time to time. Such films are watched with equal enthusiasm all over. There is a long list of films made on patriotic themes, biographies of great leaders, freedom fighters and martyrs. Such movies serves to remind us of the great culture, rich heritage, and diverse traditions of our country.

We as Indians use the great resources, nature, and flora and fauna of this land. Our country has different seasons which helps in growing crops and feeding the people. Ours is the country bestowed with rich treasures of nature.

Therefore, we do have a collective responsibility to take care of our motherland which has given us so much to sustain our lives. It is our duty to protect the honour of our motherland. It is our duty to express our gratitude towards our ‘Matru Bhoomi’.

Today I am presenting a song which expresses the above mentioned sentiments.

This song is from the ‘1971’ movie ‘Balidaan’.

“Balidaan-1971” was directed by Ravi Tandon for ‘Verma Films Enterprises, Bombay’.It was produced by Aroon Varma and Darshan. It had Saira Banu, Manoj Kumar, Dev Kumar, Bharat Bhushan, Manmohan, Poornima, Manmohan, Anwar Hussain, Randhir, Asit Sen, Polsan, Heeralal, Janki Das, Bhushan Tiwari, Devraj, Gulab Singh, Kirti Kumar, Ranveer Raj, Om Sahni, Mahesh Raj, and Bindu and others.

This movie introduced Devyani.

Story of this movie was written by Balkrishna Mouj. Editing of this movie was done by Harish Pathare.

Additional dialogues and final screenplay were written by Manoj Kumar.

This movie was passed by Censor Board on 27.12.1971.

‘Balidaan-1971’ had six songs including one multiple version song. All songs for this movie were written by Verma Malik and they were composed by Shankar-Jaikishan.

The details of the songs in this movie are as given below.

SNo Song Title Singer/s Posted on the blog
01 Pranaam karo is dharti ko jisne hamko janam diya Mahendra Kapoor Being posted today
02 Haay haay ri daiyya mui main to kyun jawaan hui Asha Bhonsle, Mahendra Kapoor 17.05.2019
03 Manjeera baaj rahaa chhun chhuk chha chhun Mahendra Kapoor 24.07.2021
04 O jhoothhi muhabbat ke bhookhe darinde Lata Mangeshkar 22.08.2020
05 Chaley aao dil mein bachaa ke nazar Lata Mangeshkar 22.08.2010
06 Pranaam karo is dharti ko jisne hamko janam diya Krishna Kalle Being posted today

From the above table we can see that four songs from this movie have been posted earlier on the blog. Today’s song – in multiple version – is the final song from this movie to be presented here.

The male version of today’s song is sung by Mahendra Kapoor, and female version is sung by Krishna Kalle. I guess that the male version is picturised on Bharat Bhushan on the screen and the female version is picturised on Poornima. In both versions many other artists are also seen.

Let us now listen to today’s song

With today’s song all songs from ‘Balidaan-1971’ have been covered on the blog and this movie joints the ‘list of movies – all songs covered’

!! Jai Hind …!!!

Audio-Male version

Audio-Female version

Song-Pranaam karo is dharti ko (Balidaan)(1971) Singer-Mahendra Kapoor/ Krishna Kalle, Lyrics-Verma Malik, MD-Shankar Jaikishan

Lyrics

———————
Male version (Mahendra Kapoor)
———————

pranaam karo is dharti ko o
jisne hamko janam diya

pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko

patta patta daali daali
gulshan gulshan jhoome
patta patta daali daali
gulshan gulshan jhoome
jhuk jhuk ke hariyaali
dekho dharti ka mukh choome
jhuk jhuk ke hariyaali
dekho dharti ka mukh choome
kahin umang mein ae ae
kahin umang mein rang bharaa hai
kahin roop ka phool khila aa aa
pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko

soch le kisi ke haathon se
ye raunak naa mit jaaye
soch le kisi ke haathon se
ye raunak naa mit jaaye
ujad naa jaaye ye basti
koyi mamtaa naa lut jaayen
ujad naa jaaye ye basti
koyi mamtaa naa lut jaayen
toone bhi to o o
toone bhi to is janani ke haathon se
hai doodh piyaa aa aa
pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko

—————————————
Female version ( Krishna Kalle, chorus)
—————————————-
pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko

pranaam karo is dharti ko o
jisne hamko janam diya
pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko

soch le tere hi haathon se
ye raunak naa mit jaaye
soch le tere hi haathon se
ye raunak naa mit jaaye
ujad naa jaaye ye basti
koyi mamtaa naa lut jaaye
ujad naa jaaye ye basti
koyi mamtaa naa lut jaaye
toone bhi to o
toone bhi to is janani ke haathon se
hai doodh piyaa aa aa
pranaam karo is dharti ko o
jisne hamko janam diya
kitni badi hai goad iski
kitna badaa hai dil iskaa
pranaam karo is dharti ko o


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4939 Post No. : 16791

A. R. Rehman – The musician of 21st century – 2
————————————————————–

64th Birthday of Kavita Krishnamurthy
——————————————————————

Once upon a time, in our office, the crowd was more interfering in each other’s lives. There would be judgmental comments about each other, if someone works very hard, there was gossip about them. If someone is not very hard working there would be gossip and snide comments about them. 90’s and early 2000’s was a time when all had more time to bother about other people. Interference is one way to look at it. We were in one corner of Mumbai, and there were very few people who travelled long distances to arrive, and most of us were from nearby areas. There was less of anonymity or disregard of big city atmosphere. Come to think of it, most of us used to think of the office as a second home. As the working day would be full of work, talking to people and friends. We were more open to all sort of talk, discussions and even gossip. The office building would be like a small village, where everyone knew everything about everyone. That was an atmosphere, where, every new day was a new beginning. And come weekend, we would be full of plans for the next week. On Monday, we will do this or start on that work.

I don’t know, it feels as if things have gradually changed over the decades. Now every Friday, most of us actually feel joy that there will be no office for 2 days. Long weekend is more joyous, we all wish each other happy weekend. Whereas earlier it was, ‘see you on Monday’.
There was no A.C. in the office, nor fancy blinds or fancy name plates on the cabins, not much eating out and very few snack parties. But those were the happier days. Today, I have more money to spend, more authority to assert, freer to shop what ever the sales persons bring to sell, more snacks and lunch to order from outside eateries, as the office canteen is still is very bad. But the comradery of old days is absent. For sure, not all is ingenuine, but still the happiness quotient is gone. Or maybe I am simply bored.

Yeah, change is a part of life. Colleagues and friends of the older generation have all retired. Some of the dear friends have moved away, or transferred to different places. One corner of Mumbai has begun to feel and behave like a city. I am ready to admit, that I may have also changed. As we mature, it brings a certain discretion, in how we deal with new people. What was working and meeting with other people, has now become more of a dealing with people. Or having learnt from so many experiences, I have learnt to have superficial contact with people. I thought being superficial is just not my nature. But recently, I am introspecting, that maybe I have become like everyone else. Not a good sight.

I have seen some people in my life, and every time I have resolved, never to be like them. Some times we encounter people with really ugly mindset. I have a friend, who would always be looking for excuses, why certain person behaves like that, or has such type of manner. For a longish time, I also tried to look the other way, whenever such ugliness showed its face. I became so adept at ignoring things, that it would take a new person coming into the set up and that person would show me with examples, that such and such things are happening and I am not even aware. So, this was actually a sort of tuning out, from the atmosphere, so the bad things are totally ignored.

The reason I went into the flashback and into those good old days is the song from the film ‘Taal’. In early 2000’s we used to have lot of extra curricular activities in the office. One of the favourite events was ‘antakshari’. In one of those competitions, I had my friend as my partner. This one was a serious competition, very serious with all the contestants very keen to win. The hosts had done lot of hard work, to prepare for the tough rounds. One such tough rounds were picking up chits of a set of words, and recognize the song, which I found to be very easy. We did very well in that round. We did well in the round for recognizing the mukhda from the stanza also. Then there was the round of ‘dumb-charade’ where the chit was for movie name. My partner, picked up the chit and it was ‘Taal’. She made the suitable ‘Taal’ action and I knew the name. But unfortunately, I could not sing any song, none would come to mind. Both me and my friend were repeating ‘taal se taal milaa’, but that is not mukhda. So, we lost those crucial points, despite recognizing so many of the songs in stanza/mukhda round and the ‘set of word’ round, we finished second.

The movie ‘Taal’ was produced and directed by Subhash Ghai, who celebrated his birthday on 24/01/2022. Now it is the birthday of Kavita krishnamurthy today, so the second version is by Kavita Krishnamurthy and Sukhwendra Singh with Chorus. First version is actually a group song, which has Sonu Nigam with ARR, Anuradha Sriram, and Sujata Mohan. This song has long been in the list of Sonu Nigam songs, which I want to post. No better occasion, then Kavita Krishnamurthy’s birthday and post no. two of series on ARR. The Kavita Krishnamurthy version is listed as a separate song actually, but the same mukhda of first version is part of this song too, so it is a version song. The songs are picturized on Aishwarya Rai, Anil Kapoor and Akshaye Khanna.

Those were cable TV days, so I have seen this movie on cable TV. Some Sundays were spent watching movies on cable TV, 2-5 and then 6-9 shows. They would show the newer movies at 11-2 also sometimes. Like all Subash Ghai movies, this was also a musical, teaming up with ARR for the first time, who teamed up with Anand Bakshi as lyricist for the first time. I find this score of a purely hindi film much more attractive then, the dubbed songs in Mani Ratnam films.
More on ARR in coming posts, so we can listen to this wonderful sufiana/situational song.

Part I Audio:

Part – I video:

Part – II video

Song-Ishq bina kya marna yaaron (Taal)(1999) Singers-Sonu Nigam, A R Rahman, Anuradha Sriram, Sujata Mohan/ Kavita Krishnamurthy, Sukhwinder Singh, Lyrics-Anand Bakshi, MD-A R Rahman

Lyrics

———————-
Part I
———————-

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq a….
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq a….
Ooo oooo
Oooo ooooo
Ooooo oooo

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa

Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
ek nahin sau
baatien kar lo
sau baaton ka
ek matlab hai ea
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….

ho oo oooo
oooo ooooo
ho ooo oooooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
(Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa)
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq

Ishq hai kya
Yeh kis ko pataa
Yeh ishq hai kyaa aaa
Sab ko pataa aa
Yeh prem nagar
Anjaan dagar
Saajan ka ghar
Kya hai kis ko khabar
Chhotti si umar
Yeh lamba safar
Yeh ishq hai kya
Yeh kis ko pataa aa
Yeh dard hai ya
Dardon ki dawaa
Yeh koyi sanam
Ya aap khudaa
Yeh koyi sanam
Ya
aap khudaa
aap khudaa aaa

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa

Tum ne ishq ka naam sunaa hai ea
Ham ne ishq kiya hai ea

Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…

Ooo oooo
Oooo ooooo
Ooooo oooo

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ooo oooo
Ishq ishq
Oooo ooooo
Ishq ishq
Ooooo oooo
Ishq ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo

———————————
Part II
———————————
Kisi ko ishq ke ea
Waade ea
Kahin tum tod aaye hain
Magar yeh dil
Yeh jaan
Shayad wahin een ham
Chhod aaye hain ean

Ishq binaa aaa
Ishq binaa aaa aaaa
Aaaa aaa
Ishq binaa kya jeena yaaran
Ishq binaa kya marna
Aa aaaa

Ishq
Ishq
Ishq

Gud se meethha
Imli se khatta
Ishq
Waada yeh pakka
Ishq
Dhaaga yeh kachchaa
Ishq
Ooo oooo
Oooo ooooo
Ooooo oooo

Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye
hain
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye hain ea
raste mein dariyaa hai koyi ee
raste mein ea
dariyaa hai koyi ee
iss mein saare ea
doob gaye ea hain en
har sach se sachcha
har jhoot se jhoota aa
waada yeh pakka aa
dhaaga yeh kachchaa
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa main
oo oo
ishq binaa wo
oo oo
ishq binaa aa

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron

Mansi…
I love you mansi
I love you

Aaa aaaaaaaa
Aaaaaaaa

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron

ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4912 Post No. : 16731 Movie Count :

4554

Hullo Atuldom

‘Adhikaar’ meaning ‘Rights’ is a title that has been used four times by Bollywood. This information I gathered from the blog’s ‘List of songs- Moviewise’ tab. Of the four films titled ‘Adhikaar’ the ones released in 1938, 1954, and 1971 have already made their debut on the blog; in fact the ones released in 1954 and 1971 have been Yippeee’d too. The 1938 ‘Adhikaar’ has four out of seven songs on the blog. Today’s post sees ‘Adhikar’ (1986) make is debut on the blog. The song with this post is the one that plays as the movie’s titles play on-screen and we can see this ‘Adhikar’ is an ‘a’ short.

“Adhikar” (1986) was a movie that I recall having seen in a cinema theater. It had the standard, run-of-the-mill story, popular in that period.

A rich girl loves and marries a not so rich man. Her parents initially agree to the wedding but cracks begin to appear in the marriage when the girls’ parents start interfering in the couple’s daily life.

This is the two-line synopsis of movies like ‘Pyar Jhukta Nahi’ (1985), ‘Pyar Ke Kaabil’ (1987) etc.

The common element between ‘Pyar Jhukta Nahin’ (PJN), ‘Pyar Ke Kaabil’ (PKK) and ‘Adhikar’ is Bindu- she played the heroine’s interfering mother in all the three films. PJN had Padmini Kolhapure play a simple girl born to rich parents, and PKK had her (Padmini) play a lady working in her mother’s business venture. ‘Adhikar’ was slightly hat ke in the sense that Tina Munim played a simple girl born to an ambitious mother who wants her to be a singer and become rich & famous. So that should give a brief idea about what the movie was about.

‘Adhikar’ had Tina Munim and Rajesh Khanna play the parents to a sweet boy credited as Master Lucky on some sites (even in the titles of the film) and Baby Bulbul on others. Zarina Wahab, Bindu, Danny, Raza Murad, Murad, Sulochana, Yunus Parvez etc. form the supporting cast. Tanuja is there in a special appearance. Bappi Lahiri is the music director and Indeevar is the lyricist. Lata Mangeshkar, Chandrani Mukherjee, Anupama Deshpande, Uttara Kelkar, Kavita Krishnamoorthy and Kishore Kumar are the playback singers used in the movie. The movie is directed by Vijay Sadanah and produced by Jawaharlal Bafna and Vasant Doshi. It is the last movie that Rajesh Khanna and Tina Munim came together for and then the hit pairing came to an end.

The song with this post plays at the start, establishing Rajesh Khanna’s (Vishal’s) single parent status. The song shows Lucky developing interests in horses etc. Oh, I forgot to add that Rajesh Khanna plays a retired jockey. The sad version, in Kavitha Krishnamurthy’s voice, occurs at the end, when the child sings it to try and revive an unconscious Vishal. Vishal has had an hemorrhage after winning his last race as a jockey, and the doctor has given little hope of his survival. But Vishal survives and the film has a happy ending with the misunderstandings between the couple clearing up.

This song showcases Rajesh Khanna at his emotional best. His charming smile, that reaches his eyes and the mustachioed look, at the start of the song is what I liked about Rajesh Khanna – remember the look he sported at the start of ‘Dushman’ (1971). He was the heart throb of a whole generation of movie goers in the early 70s and he had ardent followers who were loyal to him forever – whatsay Avinash ji, Raja ji, and others!!!! We were upset when Amitabh Bachchan dislodged him but there were people, like yours truly, who loved to see ‘Anand’, ‘Namak Haraam’ as much for Kaka as for Amitabh Bachchan. I loved AB Sr. in ‘Inquilaab’ as much as Kaka in ‘Aaj Ka MLA Ram Avatar”. I am sure there were fans who didn’t know who to choose as favorite. The careers ran parallel for some time. But then all these have been written a number of times and will be written forever till the 70s generation decides who they loved more —- that means forever I suppose.

Thinking of Kaka a.k.a Rajesh Khanna on his birth anniversary. He would have gone a year closer to 80.

Male Voice

Female Voice

Song – Main Dil Tu Dhadkan, Tujh Se Mera Jeevan (Adhikar) (1986) Singer – Kishore Kumar, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Chorus

Lyrics (Provided by Sudhir)

Male Version
oo oo oo oo
oo oo oo oo

aa aa aa aa
aa aa aa aa

suraj se kirnon ka rishta
seep se moti ka
tera mera wo rishta
jo aankh se jyoti ka

main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan

aa aa aa aa
aa
aa aa aa
aa aa aa

tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
mere jeevan ka ye deepak
tujhse hi roshan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

Female Version
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan

aaa aaa aaa
aaa aaa aaa

tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

aaaa aaaa
aaaa aaaa

tere dum se judi hui hai
saanson ki ye kadi
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi. . .
main to. . .  ek ghadi. . .

aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4875 Post No. : 16670 Movie Count :

4544

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LXI: Year 2010
———————————————————————————————————

In this episode, the 61st episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2010.

By the first decade of the millenium, Lata Mangeshkar’s share in Hindi movie playback had dwindled to a trickle. Searching for her songs in movie of this decade was like searching for needle in a haystack.

In 2010, Lata Mangeshkar sang just one song in one movie released in 2010.

Here are the details of the song sung by Lata Mangeshkar in Hindi movies released in 2010 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Dunno Y..Na Jaane Kyon Nikhil Kamat 0 1 1 0 0 0 Satyaprakash
Total 1 movie 1 MD 0 1 1 0 0 0 1 lyricist

Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2010.

Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2007. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5242 songs that Lata Mangeshkar had sung in Hindi movies till end of 2010. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2010 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 142 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 151 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 173 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 190 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 100 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 62 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 60 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 4 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 3 5 1 2 0 2
2001 6 movies 2 12 6 5 0 1
2002 2 movies 1 8 3 5 0 0
2003 NIL movies 0 0 0 0 0 0
2004 1 movie 4 9 2 4 0 3
2005 3 movies 1 4 3 1 0 0
2006 1 movie 1 1 0 1 0 0
2007 1 movie 1 1 0 1 0 0
2008 0 movie 0 0 0 0 0 0
2009 1 movie 1 1 1 0 0 0
2010 1 movie 0 1 1 0 0 0
Total upto 2010 1882 movies 3765 5242 3388 1515 213 126

“Dunno Y..Na Jaane Kyun”(2010) is the only movie released in 2010 that has a song sung by Lata Mangeshkar.

“Dunno Y..Na Jaane Kyun”(2010) was produced by Rajkumari Satyaprakash and Yuvraaj Parashar and directed by Sanjay Sharma for Movies Masti Magic Studios. The movie had Kapil Kaustubh Sharma aka Kapil Sharma, Zeenat Aman, Kabir Bedi, Hazel Croney, Helen, Yuvraj Parashar, Asha Sachdev, Rituparna Dasgupta, Parikshat Sahni, Maradona Rebello, Mahabanoo Modi-Kotwal, Vinay Apte, Tara Sharma etc. Special appearances were by Aryan Vaid, Vivek Vaswani,Tara Sharma. Others in the movie were Ganesh Yadav, Sonam Arora, Vikran Rai, Akhlaque Khan, Jennifer Maryani, Neena Singh, Rishi Dwivedi, Devendra Gautam, Mansi, Bharat Kale, Kamlesh Rathore, Raisuddin Ansari, Meet Sharma, Hetvi Shah, Parveen, Prishita Sood, Rehan Shah, Vijay Shankar, Rasraj, Rajendra Ganotra, Mohan Iyer, Aryan Seth, Nary, Nishi, Shri, Kumkum, Sanjana, Rahul Chaudhary, Aryan Seth, Nayan, Shamonisha, Tarun Joshi, Raj Udhan etc.

The movie had nine songs in it. The title song of the movie had male and female version. The female version was sung by Lata Mangeshkar. That song was her only song in the movie.

Here is that song. The female version song is picturised as a background song. One can see Kabir Bedi, Zeenat Aman, Rituparna Sengupta, Kapil Sharma, Yuvaraj Parashar and Asha Sachdev in the picturisation.

The male version song sung by Shaan gets played towards the end of the movie as movie ending song as credits roll in and audience begin to leave the hall.

Lyrics are penned by Satyaprakash. Music is composed by Nikhil Kamath.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, the movie makes its debut in the blog.

Audio link female version(Longer )

video link female version(shorter than the audio link)

Audio link male version

Song-I don’t know why na jaane kyon (Dunno Y Na Jaane Kyun)(2010 Singers-Lata/ Shan, Lyrics-Satyaprakash, MD-Nikhil Kamath

Lyrics(Provided by Prakashchandra)

————————–
Female version (Audio version)
—————————

(Chorus voice singing)

pal mein hi nazrein milti hain
pal mein hi chaahat khilti hain
ajnabi bhi pyaaraa lagtaa hai aey ae ae ae
pal mein hi rishtey badaltey hain
pal mein hi armaan pighaltey hain
aisa zindagi mein hotaa hai aey ae ae ae
I don`t know why
na jaaney kyon
aisa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai aey ae ae ae ae ae

(Chorus voice singing)

pal mein hi nazrein milti hain
pal mein hi chaahat khilthi hain
ajnabi bhi pyaaraa lagtaa hai aey ae ae ae
pal mein hi rishtey badaltey hain
pal mein hi armaan pighaltey hain
aisa zindagi mein hotaa hai aey ae ae ae
I don`t know why
na jaaney kyon
aisa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisa zindagi mein hotha hai ae aey ae

(Chorus voice singing)

jo lamhe aen aen aen
sang hum jiyein aen aen (sang hum jeeyein aen)
taazee hain ae ae ae
woh khushboo`oyein aen aen (woh khushboo`oyein ae)
jo lamhein aen aen aen
sang hum jiyein aen ae
taazee hai ae ae ae
woh khushboo`oyein ae ae
aaj bhee saanson mein
mehkey ehsaason mein
aaj bhee saanson mein
mehkey ehsaason mein
tann badan ye aey ae
tere liye aey ae ae
pal pal ye raatein dhalti hain
pal pal betaabi badhti hai
bechain dil ho jaataa hai aey ae ae ae
pal pal baatein yaad aati hain
pal pal ye jaan jaati hai
sabr dil kaa kho jaata hai aey ae ae
don`t know why
na jaaney kyon
aisa zindagi mein hota hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai ae ae aey ae ae

kitni haseen thhee zindagee (thhee zindagee)
kho gayee woh o o o
saari khushee (saari khushee)
kitni haseen thhi zindagee
kho gayee woh o o saari khushee
door tum ho gaye ae ae
door hum ho gaye ae
door tum ho gaye
door hum ho gaye
har taraf hai ae ae bas bebasee
pal mein jo apney se lagte hain
pal mein woh sapney se lagatey hain
kuchch bhee na bas mein rehtaa hai ae ae
pal pal lamhe guzratey hain
ek pal na ye thehartey hain
waqt yoon chaltaa rehtaa hai ae ae
don`t know why
na jaaney kyon
aisa zindagi mein hota hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai ae ae ae

hoke judaa aaa aaa
tum kho gaye ae (tum kho gaye)
kya se kyaa aa aa
hum ho gaye ae aey ae ae (hum ho gaye ae)
hoke judaa aaa aaa
tum kho gaye aey ae ae
kyaa sey kyaa hum ho gaye ae ae
pyaar kee raah par
bas milee aah bhar
pyaar kee raah par
bas milee aah bhar
jo bhulaayenge ae
naa umr bhar.r.r.r
pal mein hi mausam badaltey hain
pal mein hi har gham ubhartey hain
jab chhot dil pe lagti hai aey ae ae
pal mein hi dard saa uthhtaa hai
jab koyee sheeshaa chhataktaa hai
beqararee see badh jaati hai aey ae ae aey ae ae
don`t know why
na jaaney kyon
aisa zindagi mein hota hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai ae ae aey ae ae ae ae

don`t know why
na jaaney kyon
aisa zindagi mein hota hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai ae ae aey ae ae ae ae ae

———————————-
Male version (Based on audio link)
———————————–

(Chorus voice singing)
pal mein hi nazrein milti hain
pal mein hi chaahat khilti hai
ajnabi bhi pyaaraa lagtaa hai aey ae ae ae ae
pal mein hi rishtey badaltey hain
pal mein hi armaan pighaltey hain
aisa zindagi mein hotaa hai aey ae ae ae ae
I don`t know why
na jaaney kyon
aisa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai aey ae ae ae

(chorus voices singing)

pal mein hi nazrein milti hain
pal mein hi chaahat khilti hai
ajanabi bhi pyaaraa lagtaa hai aey ae ae ae ae
ho o o o ho o o o
pal mein hi rishtey badaltey hain
pal mein hi armaan pighaltey hain
aisa zindagi mein hotaa hai aey ae ae ae ae
I don`t know why
na jaaney kyon
aisa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisa zindagi mein hota hai aey ae ae ae

(chorus voices singing)

ik pal gham..mmm
ik pal khusheee..ee
hai ajab see ee
ye zindagi..eee
ik pal gham ek pal khushee..eee..eee
hai ajab see ye zindagee..ee…eee
kis ki manzil hai kyaa
kis ko haasil hai kyaa
kis ki manzil hai kyaa
kis ko haasil hai kyaa
koyee jaaney ae
na ye kabhee..ee..eee…ee
pal mein gharondey ujadtey hain
tinkey tinkey bikhartey hain
leher jab saagar mein uthhati hain..aen..en..en
pal mein hi duniyaa kho jaati hai
pal mein hi khushiyaan kho jaati hain
hawaa jab gham ki chalti hai aey ae ae ae
I don`t know why
na jaaney kyon
aisa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisaa zindagi mein hotaa hai aey ae ae ae ae ae

kitni haseen..een
thhi zindagee…eee
kho gayee woh..oo..oo
saaree khushee..ee
kitni haseen thhi zindagee..ee..ee
kho gayee woh..oo saaree khushee..ee..ee
door tum ho gaye
door hum ho gaye
door tum ho gaye
door hum ho gaye
har taraf hai ae ae ae
bas bebasee..ee..eee..ee..ee…eee
pal mein jo apney se lagte hain
pal mein woh sapney se lagatey hain
kuchch bhee na bas mein rehtaa hai ae aey ae ae
pal pal lamhei guzratey hain
ik pal na ye thehartey hain
waqt yoon chaltaa rehtaa hai..ae…aey..ae
I don`t know why
na jaaney kyon
aisa zindagi mein hota hai
don`t know why
na jaaney kyon..on
aisa zindagi mein hota hai ae ae ae aey ae

hey aey ae ae hey aey ae ae ae ae ae
hey aey he ae aey hey ae
hey aey he ae aey hey ae
aey hey ae aey he ae
aey hey aey ae ae
aey ae ae
ae ae

milke galey ae ae hum kho gaye ae
ek jaan sey ae hum ho gaye ae ae
milke galey ae hum kho gaye ae ae
ek jaan sey ae hum ho gaye ae ae
na koyee darmiyaan
bekhabar hai samaa
na koyee darmiyaan
bekhabar hai samaa
pyaar dil mein aen
hai be-intehaa..aa..aan..aa..aa
pal pal ye saansein mehakti hain
pal pal ye dhadhkan behakti hai
bekhudi kaa aalam hotaa hai aey ae ae ae
hai aey ae ae ae
aey ae ae hey aey ae
pal pal dooree simatati hai
pal pal masti see chadhti hai
be-qaabu dil ho jaataa hai ae ae ae
I don`t know why
na jaaney kyon
aisaa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisaa zindagi mein hotaa hai aey ae ae ae ae ae ae ae ae ae
I don`t know why
na jaaney kyon
aisaa zindagi mein hotaa hai
don`t know why
na jaaney kyon
aisaa zindagi mein hotaa hai aey ae ae ae ae ae ae ae ae ae
aey ae ae ae ae
ae ae ae aey ae


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4856 Post No. : 16646 Movie Count :

4536

Pancham’s Music – Eighties (1981-1990) -4 (1984)
————————————————

In today’s post we move on to Pancham’s music in 1984.

Pancham continued entertaining his audience by composing good music in this year ‘1984’ too. There were as many as seventeen movies (released) in this year 1984, where the music was composed by Rahul Dev Burman or our beloved Pancham Da.

The list of these seventeen movies is as listed below.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Aanand Aur Aanand Dev Anand Anjaan 11.05.1984 1 of 6 songs posted
2 Aawaaz Shakti Samanta Anand Bakshi 27.10.1984 3 of 6 songs posted
3 Andar Baahar Raj N Sippy Gulshan Bawra 30.08.1984 2 of 5 songs posted
4 Bheemaa Dinesh Saxena Anjaan 07.04.1984 0 of 4 songs posted
5 Duniyaa Ramesh Talwar Javed Akhtar 18.09.1984 2 of 6 songs posted
6 Hum Dono B.S. Glaad Anand Bakshi 21.12.1984 0 of 5 songs posted
7 Hum Hain Laajawaab Mohan Saigal Anand Bakshi 21.08.1984 1 of 7 songs posted
8 Jaagir Pramod Chakravarti Anand Bakshi 20.10.1984 1 of 6 songs posted
9 Jawaani Ramesh Bahl Gulshan Bawra 10.12.1984 1 of 6 songs posted
10 Jhoothha Sach Ismayeel Shroff Majrooh Sultanpuri 22.08.1984 1 of 5 songs posted
11 Karishmaa I.V. Sassi Gulshan Bawra 30.11.1984 0 of 5 songs posted
12 Maati Maange Khoon Raj Khosla Anand Bakshi 22.03.1984 0 of 6 songs posted
13 Manzil Manzil Naasir Hussain Majrooh Sultanpuri 26.09.1984 0 of 8 songs posted
14 Musaafir* (U/R 1986) Jabbar Patel Gulzar 15.10.1984 1 of 3 songs posted
15 Sunny Raj Khosla Anand Bakshi 15.09.1984 3 of 6 songs posted
16 Yeh Desh T. Rama Rao Anand Bakshi 16.02.1984 0 of 5 songs posted
17 Zameen Aasmaan Bharat Rangachari Anjaan 14.05.1984 1 of 5 songs posted

In-spite of composing good music and giving some timeless classics in some of the above movies, none of the song from the above movies appeared in the ‘annual list of Binaca Geetmala’ that year of 1984.

Songs of ‘Hero-1983’, ‘Sharaabi-1984’ and ‘Tohfa-1984’ ruled the roost by securing number 1,2 and 3 respectively. Another song of ‘Tohfa-1984’ was on number four.

If I am asked to select the best of Pancham that year the album “Duniya-1984” certainly was the topper for me. It had a varied range of songs composed by Pancham – the foot tapping ‘tu chaand nagar ki shehzaadi’, taking you far from world ‘gehre halke, halke gehre’, the philosophical ‘phirte hain kab se dar-badar’, the entertaining ‘duniya bahut hi kamaal hai’, the party song ‘jhoomti raat jawaan’ and lovely one ‘teri meri zindagi pyaar bhari zindagi’. The lyrics of all the songs by Javed Akhtar were all magical.

The movie ‘Sunny’ (aur kya ahd e wafaa hote hain etc), ‘Zameen Aasmaan’, ‘Aawaaz’, ‘Ham Hain Laajawaab’, ‘Jhoothha Sach’ also have some good compositions by Pancham. But the albums mostly heard and were a run-away hits were songs from ‘Jawaani’ and ‘Manzil Manzil’. However, none of them made it to the ‘Binaca Geetmala annual list of 1984’.

Today we are going to listen to a song from the movie ‘Manzil-Manzil’. This song is picturised on Dimple Kapdadia and Sunny Deol who are lip-syncing for the voices of Asha Bhonsle and Shailendra Singh respectively.

This song has two parts, the first one is the duet, and second part is in the voice of Shailendra Singh which is the ‘third stanza’ of the duet repeated in slower version. This song stood at sixth rank in the ‘annual Binaca Geetmala of 1985’.

One song of ‘Manzil Manzil’ stood at rank twenty-three while one song from ‘Jawaani-1984’ ranked at number eleven and one song from the movie ‘Jhoothha Sach-1984’ appeared on in the annual list of Binaca Geetmala of 1985.

Let us have a look on the details of today’s movie now.

“Manzil Manzil” was directed by Nasir Hussain for his home productions ‘Nasir Hussain Films, Bombay’. Nasir Hussain was also the producer of this movie, and he wrote dialogues of this movie too.

This movie had Dimple Kapadia, Sunny Deol, Prem Chopra, Danny Dengzongpa, Kulbhushan Kharbanda, Tariq, T.P. Jain, Rinku Jaiswal, Sajida, Surendra Pal, Raj Bibra, Abid Sayyad, V. Malhotra, Ahmed Khan, Moijuddin, Meghdoot, D.S. Rana, K.K. Raj, Ramesh Goyal, Naveen Kumar, Dolly Jena, Anuradha, Leena Das, Jazbel, Nihal Khan, Hemendra Sinha, Deval Raiji and others.

Actor Feroz made his debut in this movie.

Asha Parekh and Ravindra Kapoor make friendly appearance sin this movie.

This movie was passed by Censor Board on 26.09.1984.

SNo Song Title Singer/s Posted On
01 Jhalak dikha ke kar gayi deewaana Shailendra Singh
02 O mitwa mitwa tujhko aana hi padega Asha Bhonsle
03 Ho lut gaye ham to raahon mein Asha Bhonsle, Shailendra Singh
04 Man re, man re, pyaar hari ke dwaar miley Chandrashekhar Gadgil, chorus
05 O meri jaan, o meri jaan ab nahin rehna tere bina (part 1) Asha Bhonsle, Shailendra Singh
06 Aa he baba he baba, mil kahin ek din he baba Asha Bhonsle
07 Ho he saba he saba o saba, ho ye naina yaad Asha Bhonsle, Shailendra Singh
08 O meri jaan, ab nahin rehna tere bina (part 2) Shailendra Singh

As mentioned above, today’s song is sung by Asha Bhonsle and Shailendra Singh. Lyrics are by Majrooh Sultanpuri, and music is composed by R.D. Burman.

With today’s song the movie ‘Manzil Manzil-1984’ makes its debut on the blog.

Let us now enjoy today’s song. …

Audio

Video

Audio (Part II)

Song-O meri jaan ab nahin rehna tere bina (Manzil Manzil)(1984) Singers-Asha Bhonsle, Shailendra Singh, , Lyrics-Majrooh Sultanpuri, MD-R D Burman
Both

Lyrics

o meri jaan
o meri jaan
o meri jaan
o meri jaan
o meri jaan
o meri jaan
ab nahin rehnaa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

haari main tujhse munh pher ke ae
aankhen khulin par zaraa der se
ho o o o o
haari main tujhse munh pher ke ae
aankhen khulin par zaraa der se
ae ae ae
koi meraa aa tujhsaa kahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

tu hai to thhokar kha loongi main
kaanton mein Jeevan bita loongi main
ho o o o
tu hai to thhokar kha loongi main
kaanton mein Jeevan bita loongi main aen aen
le chal mujhe ae ae
chaahe jahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

jis din se dekha
yaara tujhe
manzil manzil
pukaara tujhe
ho o o o
jis din se dekha
yaara tujhe
manzil manzil
pukaara tujhe
ae ae ae
paa ke tujhe
jaana kahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan
ab nahin rehnaa aa
tere binaa

aa aa aa aa
aa aa aa aa
ha aa aa aa
aa aa aa aa

—————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————

ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
अब नहीं रहना
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

हारी मैं तुझसे मुंह फेर के ए
आँखें खुली पर ज़रा देर से
हो ओ ओ ओ
हारी मैं तुझसे मुंह फेर के ए
आँखें खुली पर ज़रा देर से
ए ए ए
कोई मेरा आ तुझसा कहाँ
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

तू है तो ठोकर खा लूंगी मैं
काँटों में जीवन बिता लूंगी मैं
हो ओ ओ ओ
तू है तो ठोकर खा लूंगी मैं
काँटों में जीवन बिता लूंगी मैं
ले चल मुझे ए ए
चाहे जहां
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

जिस दिन से देखा
यारा तुझे
मंजिल मंजिल
पुकारा तुझे
हो ओ ओ ओ
जिस दिन से देखा
यारा तुझे
मंजिल मंजिल
पुकारा तुझे
ए ए ए
पा के तुझे
जाना कहाँ
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान
अब नहीं रहना आ
तेरे बिना

आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4835 Post No. : 16618

koi aaghe aaghe thhi venu vaay chhe

Thus sang the Nightingale of Gujarat, Kaumudi Munshi, who is regarded as the pioneer in popularising the semi-classical non-filmy songs in Gujarati.

Today, October 13, 2021 is first Remembrance Day of vocalist, Kaumudi Munshi, the Gujarat Kokila who regaled her Gujarati admirers spread all over the world with her beautiful renditions of semi-classical non-film songs. She sang in the genres of bhajans, ghazals, thumris, dadras and other forms of ‘sugam sangeet’ in Gujarati and Hindi for over 6 decades.

I had watched the videos of the facilitations to Kaumudi Munshi on the occasion her 90th birth day, held sometime in 2019 during which she also rendered a few of her popular non-film songs. She looked hale and hearty even in her 90s with clear diction. Unfortunately, she became one of the victims of Covid and left for her heavenly abode in the early morning of October 13, 2020 at the age of 91. Aakashvaani, Rajkot paid a special tribute to Kaumudi Munshi by playing some of her non-filmy Gujarati songs on the same day.

Kaumudi Munshi (1929 – 13/10/2020) was the sixth child of Kunwar Nandlal Munshi and Anuben Munshi, born in Varanasi in a landlord family. Her forefathers belonged to Vadnagar in Gujarat but they had settled in Varanasi 6-7 generations back. Hence the family members mostly spoke in Hindi. Because of the servants in the house who spoke in Awadhi and Bhojpuri, she was proficient in speaking these dialects also.

From the childhood, Kaumudi was exposed to classical music as there used to be regular musical soirees in her house. After completion of graduation in music from Banaras Hindu University in 1950, she came to Mumbai where her brothers were settled. Her maternal uncle and Gujarati laureate, Ramanlal Desai and his son Akshay Desai helped her in pursuing a career in music. Akshay Desai taught her Gujarati in which she was not proficient due to her upbringing in Varanasi.

After passing the audition test, Kaumudi Munshi joined All India Radio (AIR) as a singer in 1951. Starting as a chorus singer, she graduated to singing solo songs on AIR, mostly composed by Ninu Mazumdar, the music director of Hindi films of 40s and early 50s who was also a music producer in AIR. This relationship developed into her marriage with Ninu Mazumdar in 1954.

Generally, training for vocalists in classical music starts in the childhood so that by the time, they attain adulthood, they are well trained to perform as concert vocalists. But in the case of Kaumudi Munshi, though she was interested in classical music, her family did not encourage her as singing was not regarded as honourable career for a girl. However, after the marriage, Ninu Mazumdar encouraged her to take a formal training in Hindustani classical music as a vocalist. She had two options to take training – Siddeshwari Devi, the thumri queen and Begum Akhtar, the ghazal queen. Kaumudi Munshi chose Siddeshwari Devi over Begum Akhtar purely from the logistic point of view as the former was staying in Varanasi and Kaumudi had the parental house in Varanasi.

During 1955-60, Kaumudi Munshi mostly stayed in Varanasi for her training and accompanied Siddeshwari Devi on her concerts and the music conferences. Later, she also took training from Ustad Taj Ahmed Khan for ghazal singing.

After returning to Mumbai in early 1960s, she concentrated on singing thumri, dadra, ghazal, bhajan, and folk songs mainly from Uttar Pradesh and Gujarat. Most of her songs were composed by her husband, Ninu Mazumdar though she also worked with other music director like Avinash Vyas, Dilip Dholkiya, Ajit Merchant etc. She sang semi-classical songs mainly in Gujarati and Hindi Probably, Kaumudi Munshi may be the first to popularise the Hindustani semi-classical songs in Gujarati. She also composed and sung children’s songs both in Hindi and Gujarati.

Kaumudi Munshi’s association with Hindi films was very limited. It started and virtually ended in 1954 with two films – ‘Bhai Saheb’ (1954) and ‘Teen Tasveeren’ (1954) for which her husband, Ninu Mazumdar was the music director. The reason was that she started singing in Hindi films only after her marriage with Ninu Mazumdar in 1954. In the same year, she left for Varanasi to be the disciple of Siddeshwari Devi. After her return to Mumbai in early 1960s, she and her husband concentrated on non-filmy semi-classical and folk songs though she sang in two Hindi films, ‘Shola Aur Shabnam’ (1961) and ‘Raja Aur Rank’ (1968) besides singing a song in a Bhojpuri film ‘Bidesiya’ (1963).

On the occasion of the first Remembrance Day of Kaumudi Munshi, I have chosen one of her songs from the film ‘Teen Tasveeren’ (1954). The song is ‘kar ke singaar chali, saajan ke dwaar chali’. The song is in two parts. The part of the song sung by Kaumudi Munshi and chorus is written by Prem Dhawan while remaining part-1 and the full pat-2 of the song sung by Ninu Mazumdar is mainly based on Sant Kabir Das’s nirgun bhajan.

‘Teen Tasveeren’ (1954) was a very obscure film with not so well-known cast. I have no idea about the story of the film. Hence, it is difficult to know the context in which the song under discussion was picturised. What I can surmise is that while the first part of the song rendered by Kaumudi Munshi and Chorus is pre-wedding ‘bidaai’ song, the part of the song sung by Ninu Mazumdar which continues in Part-2 is, in the broader context of ‘bidaai’ from this world. In a way, part-2 of the song is philosophical. The word, ‘saajan’ has been used metaphorically to mean the Lord of the universe in Ninu Mazumdar’s version.

The broad meaning of the Ninu Mazumdar’s version of the song is as under:

O clever woman, be ready with make-up and the best dresses. You have to go to the God’s house. Do wash, bathe and braid your hairs. There is no returning from God’s house where the shroud will be of earth; the bed will be of earth and thus you will have to get united with the earth.

————————————————————————————-

Note: The life sketch of Kaumudi Munshi is based on https://www.kaumudimunshi.com/about.html and the video of her interview taken in Gujarati on the occasion of her 90th birthday celebration.

Audio Clip (Parts-1&2):

Song-Kar ke singaar chali saajan ke dwaar chali (Teen Tasweeren)(1954) Singers-Kaumudi Munshi, Ninu Majumdar, Lyrics-Kabeer, MD-Ninu Majumdar
Chorus

Lyrics

————————-
Part-1
————————-

kar ke singaar chali
saajan ke dwaar chali
chatura albe..li
kar ke singaar chali
saajan ke dwaar chali
chatura albe..li
chhanan chhanan mori ghunghroo baaje
jhanan jhanan paayaliyaa re
jhanan jhanan paayaliyaa
chhanan chhanan mori ghunghroo baaje
jhanan jhanan paayaliyaa re
jhanan jhanan paayaliyaa
sanan sanan gaaye re pawan ghan
ghanan ghanan baadaliyaa
sanan sanan gaaye re pawan ghan
ghanan ghanan baadaliyaa
o o o o o o
kar ke singaar chali
saajan ke dwaar chali
chatura albe..li

dhin ta thai thai
dhin ta thai thai
dhin dha ki ta dhaki ta dha
dhin ta thai thai
dhin ta thai thai
dhin ta thai thai
dhin dha ki ta dhaki ta dha
dhaki ta dha
ta thai thai

gori teri saajan kaun albela
khel kahaan preet ka khela aa
gori teri saajan kaun albela
khel kahaan preet ka khela

o o o o o
mujhse na poochho
poochho in nainan se..ae
jaane ye kya kah baithe ae saajan se
thhaam ke mori bainyyaan
chupke se bole sainyaan
thhaam ke mori bainyyaan
chupke se bole sainyaan
ab raha jaaye na akela
o o o o o o
saj dhaj ke naar chali
ban ke bahaar chali
chatura albe..li
kar ke singaar chali
saajan ke dwaar chali
chatura albe..li

kar le singaa….ar
chatura albeli ee ee
saajan ke ghar jaana hoga
kar le singaa….ar

————————–
Part-2
————————–

kar le singaa….ar
chatura albeli ee ee
saajan ke ghar jaana hogaa
kar le singaa…aar

naha le dho le
sheesh gunthha le
naha le dho le
sheesh gunthha le
phir wahaan se nahin aana hogaa…aa
saajan ke ghar jaana hogaa
kar le singaa…ar
chatura albeli..ee ee
saajan ke ghar jaana hogaa
kar le singa….ar

mitti odhaawan mitti bichhaawan
mitti odhaawan mitti bichhaawan
mitti mein mil jaana hogaa…aa
mitti mein mil jaana hogaa
mitti mein mil jaana hogaa


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

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