Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4759 Post No. : 16503

Hullo Atuldom

This post by Avinashji reminded me of today’s song.

“Naam” (1986) had a cast headed by Nutan, Poonam Dhillon, Amrita Singh, Kumar Gaurav and Sanjay Dutt along with a few familiar faces forming the supporting cast. Pankaj Udhas had a guest appearance in the iconic song “Chitthi aayi hai aayi hai chitthi aayi hai“.

Avinashji’s post gives the technical details, censor certificate date, and the complete star cast. All the trivia that I had in mind before commencing this post viz: how the cast of “Mother India” became related post the marriage of Kumar Gaurav (Rajendra Kumar’s son) to Namrata Dutt (daughter of Nargis and Sunil Dutt). Atulji’s post for Chitthi aayi hai aayi hai chitthi aayi hai also mentions how the movie was meant to help Kumar Gaurav’s career but Sanjay Dutt benefited from the movie.

The basic story of the movie was- Nutan is the mother of Ravi (Kumar Gaurav) and Vicky (Sanjay Dutt). Both the sons love each other immensely and but are contrasting characters. Ravi is the more responsible and straight-forward of the two and is forever helping Vicky out of tricky situations. Vicky decides to go to Dubai to earn enough to keep his brother and mother happy and bring the family out of financial problems. Ravi helps him with the documents needed to go to Dubai but unfortunately Vicky finds himself in all kinds of problems on landing in Dubai- fraud visa, entangling with a ruthless underworld led by Rana (Paresh Rawal) etc. The story shifts to Malaysia, as Vicky is sent on an errand by Rana and Ravi ends up following Vicky there to try and bail him out of the mess. But only ends up loosing his beloved brother and bringing back his pregnant widow (Amrita Singh) to India.

Today’s emotional song is sung by Mohammad Aziz and Manhar Udhas. Anand Bakshi is the lyricist and Laxmi-Pyare the music directors. This song may not have been popular in its time but deserved to be. THe song has both the brothers getting drunk at the farewell that Ravi has arranged for Vicky.

Let us wish Sanju Baba a very Happy Birthday and lots of health and happiness with this post. I recall having read a news, same time last year, that he was undergoing treatment for lung cancer. Hope he is fit and fine and will be back to what he does best- entertain his fans.

Drunk version

Sad version

Song-Tu kal chala jaayega to main kya karoonga (Naam)(1986) Singer-Md Aziz Manhar Udhas Lyrics-Anand Bakshi MD-Laxmikant Pyarelal

Lyrics
——————–
Drunk version
——————–

tere jaane ki khushi
aur dil udaas hai
door hum huye toh kya
dil toh dil ke paas hai

tu kal chala jayega toh main kya karoonga
tu kal chala jayega toh main kya karoonga
tu ya.aa.ad bahut aayega
tu yaad bahut aayega toh main kya karoonga aa
tu kal bichhad jaayega toh main kya karoonga
tu kal bichhad jaayega toh main kya karoonga aa
tu muhjko bhool jaayega toh main kya karoonga
tu kal chala jaayega

teri yaad ko kahin
door chhod aaoon main
teri yaad ko kahin
door chhod aaoon main
iss kadar pila mujhe
tujhko bhool jaoon main
iss kadar pila mujhe
tujhko bhool jaaoon main
tujhko bhool jaaoon main
hosh magar aayega toh main kya karoonga
arre hosh magar aayega toh main kya karoonga
tu yaad bahut aayega toh main kya karoonga aa
tu kal chala jaayega

tere jaisa kaun hai
aur kiska naam loon
tere jaisa kaun hai
aur kiska naam loon
la main issi baat par aur ek jaam loon
la main issi baat par aur ek jaam loon
aur ek jaam loon
jaam chhalak jaayega toh main kya karoonga
jaam chhalak jaayega toh main kya karoonga
tu muhjko bhool jaayega toh main kya karoonga aa
tu kal chala jaayega

bhool jaana tu mujhe
zindagi sanwaarna
bhool jaana tu mujhe
zindagi sanwaarna
yaad na karna mujhe
hanske din guzaarna
yaad na karna mujhe
hanske din guzaarna
hanske din guzaarna
tera gham rulaayega toh main kya karoonga
arre tera gham rulayega toh main kya karoonga
tu yaad bahut aayega toh main kya karoonga aa
tu kal chala jayega toh main kya karoonga
tu yaad bahut aayega toh main kya karoonga aa
tu kal bichhad jaayega toh mai kya karoonga
tu muhjko bhool jayega toh main kya karoonga aaa
tu kal chala jaayega

—————————————-
Sad version
—————————————-

tu kal chala jaayega toh main kya karoonga
tu kal chala jaayega toh main kya karoonga
tu yaad bahut aayega toh main kya karoonga
tu kal chala jaayega

chhod jaayega yahaan
tu kayi kahaaniyaan
chhod jaayega yahaan
tu kayi kahaaniyaan
umr bhar rulaayegi
yeh teri nishaaniyaan
umr bhar rulaayegi
yeh teri nishaaniyaan
yeh teri nishaaniyaan
tu laut ke na aaya toh main kya karoonga
tu laut ke na aaya toh main kya karoonga
tu yaad bahut aayega toh main kya karoonga aa
tu kal chala jaayega


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4748 Post No. : 16478

Hullo Atuldom

18th July 2012- nine years to the date since the first superstar of Bollywood passed away. An actor who charmed his way into the hearts of his (female) fans with a smile that reached his eyes and could express his emotions with his eyes.

The style with which he said “Pushpa, I hate tears”. Or the the way he said “why are you roing?” to his girlfriend (Farida Jalal) who has come to wish him ‘all the best’ as he is leaving for the war.

Can anyone forget “Zindagi aur maut toh uparwale ke haath mein hain jahaanpanaah……” There are numerous such dialogues and sequences that are etched in the collective minds of his fans. But all these superlative scenes and dialogues came in the first few years of his stardom when he gave 15 consecutive hits.

What happened next? A tall lanky man walked in and went on to become the next superstar. But did he actually dislodge our Kaka from his pedestal? Not exactly. Kaka still kept coming up with movies were he was the solo hero, which were decently successful at the Box-Office too. In 1984-85 he had 11 releases of which 8 were hits in spite of the Amitabh mania being at its peak. In fact none of the superstars (past and/or present) Amitabh Bachchan, Salman Khan, Aamir Khan or Shahrukh Khan or all those who followed, can say that they have similar crazy fans. There are anecdotes about how female fans threw themselves at his car, how many of them were heart-broken when he got married etc.

I have read Amitabh Bachchan’s blog (that is the only other film-based blog, besides ASAD that I read/follow on such occasions) where he has said “The word ‘Superstar’ was invented for him, and for me it shall ever remain his, and no others .. !! His generation and the generations that follow, shall never be able to describe, or understand his phenomena .. !!”. What more can say about Kaka a.k.a Rajesh Khanna.

He was the highest paid actor for the longest time and he made an eye-pleasing pair with all his heroines of the time. Be it Hema Malini, Rekha, Shabana Azmi, Moushumi, Waheeda Rehman, Zeenat, Parveen babi etc. etc. etc. and Sridevi, Jaya Prada, Padmini Kolhapure, Tina Munim etc. from the next set. R D Burman, Kishore Kumar and Rajesh Khanna were a successful team and had worked together in 32 films. He had a keen sense of music and the songs of his movies right from ‘aur kuch der thahar aur kuch der na jaa’ to ‘Jai Jai Shiv Shankar’ to any songs, which any reader wants to add in this list, are well loved and still popular .

Selecting a song for this post was not easy as there are so many songs to choose from. I have tried to find a song which is not by R D Burman and the first song that I thought of is a personal favourite which, I am surprised, is not yet on the blog. In fact, Sudhirji had pointed out the absence of this song on the blog a long time back.

The song is written by Sawan Kumar Tak and composed by Usha Khanna. The song had two versions one by Lata Mangeshkar which was sung on screen by Padmini Kolhapure and the other by Kishore Kumar which was lip synced by (but of course) Rajesh Khanna. Both the versions cannot be classified as happy or sad but the song is very philosophical. Yes, I am talking of “Zindagi pyar ka geet hai” from ‘Soutan’ (1983). I don’t want to get into any discussion about which version is better and has stood the test of time. We shall straight away get to the song.

Here is that ever-so-popular song where we have both actors at their emotional best.

Male version

Female version

Song-Zindagi pyaar ka geet hai ise har dil ko gaana padega(Sautan)(1981) Singer-Kishore Kumar/ Lata, Lyrics-Saawan Kumar Tak, MD-Usha Khanna

Lyrics

—————————-
Male version (Kishore Kumar)
—————————-

zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega
zindagi gham ka saagar bhi hai ae ae
hans ke us paar jaana padega

zindagi ek ehsaas hai
toote dil ki koi aas hai
zindagi ek ehsaas hai
toote dil ki koi aas hai
zindagi ek vanwaas hai ae ae
kaat kar sabko jaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega

aaaaa aaaaaaaaaaa
aaaaaaaaa aaaaaaaa

zindagi bewafa hai toh kya
apne roothe hain humse toh kya
zindagi bewafa hai toh kya
apne roothe hain humse toh kya
haath mein haath na ho toh kya aa aa
saath phir bhi nibhaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega

zindagi ek muskaan hai
dard ki koi pehchaan hai
zindagi ek muskaan hai
dard ki koi pehchaan hai
zindagi ek mehmaan hai ae ae
chhod sansaar jaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega
zindagi gham ka saagar bhi hai ae ae
hans ke us paar jaana padega
aaaaa aaaaaaa aaaa
aaaaa aaaaaaa aaaa

———————————–
Female version (Lata Mangeshkar)
———————————-
zindagi pyaar ka geet hai ae
ise har dil ko gaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega
zindagi gham ka saagar bhi hai ae ae
hans ke us paar jaana padega

jiska jitna ho aanchal yahaan par
usko saugaat utni milegi
la la laa
la la laa
la la la la laa
jiska jitna ho aanchal yahaan par
usko saugaat utni milegi
phool jeevan mein gar na khilen toh
kaanton se bhi nibhaana padega
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega

hai agar door manzil toh kya
raasta bhi hai mushkil toh kya
la la laa
la la laa
laa laa laa laa laaa
hai agar door manzil toh kya
raasta bhi hai mushkil toh kya aa aa
raat taaron bhari na mile toh o
dil ka deepak jalaana padega aa
zindagi pyaar ka geet hai ae ae ae
ise har dil ko gaana padega

zindagi ek paheli bhi hai,
sukh dukh ki saheli bhi hai
la la laa
la la laa
laa laa laa laa laaa
zindagi ek paheli bhi hai
sukh dukh ki saheli bhi hai ae ae
zindagi ek vachan bhi toh hai ae ae
jise sabko nibhaana padega aa
zindagi pyaar ka geet hai ae ae
ise har dil ko gaana padega
zindagi gham ka sagar bhi hai ae ae
hans ke us paar jaana padega


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4742 Post No. : 1668 Movie Count :

4473

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLII: Year 1988
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1988.

In 1988, 130 Hindi movies containing 540 songs were released. Lata Mangeshkar got to sing in 21 of these movies and she sang 43 songs in these movies. So Lata Mangeshkar’s voice was heard in 16 % of the movies released in 1988. Her voice was heard in 8 % of the songs appearing in the movies of 1988.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1988 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Dharam Yudhh Rajesh Roshan 0 2 2 0 0 0 Kulwant Jaani
2 Do Waqt Ki Roti Laxmikant Pyarelal 0 2 1 0 1 0 Anand Bakshi
3 Ek Naya Rishta Khayyam 0 1 1 0 0 0 Naqsh Llayalpuri
4 Ganga Jamuna Saraswati Anu Malik 1 4 4 0 0 0 Indeewar (3) Prayagraj (1)
5 Gunaahon Ka Faislaa Bappi Lahiri 0 1 0 1 0 0 Anjaan
6 Hatya Bappi Lahiri 0 1 0 1 0 0 Indeewar
7 Hum To Chale Pardes Vijay Singh 0 2 2 0 0 0 Ravindra Peepat
8 Kabristaan Uttam Jagdeesh 0 1 1 0 0 0 Nida Fazli
9 Kab Tak Chup Rahoongi Bappi Lahiri 0 2 0 2 0 0 Indeewar (1) S H Bihari (1)
10 Khareeddaar Usha Khanna 0 1 1 0 0 0 Indeewar
11 Libaas R D Burman 4 4 2 2 0 0 Gulzar
12 Mil Gayi Manzil Mujhe R D Burman 0 1 1 0 0 0 Anand Bakshi
13 Naamumkin R D Burman 0 2 2 0 0 0 Anjaan
14 Paanch Faulaadi Uttam Jagdeesh 0 1 0 1 0 0 Nida Fazli
15 Paap Ki Duniya Bappi Lahiri 0 1 0 1 0 0 Anjaan
16 Raamavtaar Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
17 Saagar Sangam Bappi Lahiri 0 4 3 1 0 0 Anjaan
18 Shahanshah Amar Utpal 0 2 0 2 0 0 Anand Bakshi
19 Sone Pe Suhaaga Bappi Lahiri 0 1 0 1 0 0 Indeewar
20 Vijay Shiv Hari 1 3 1 1 0 1 Nida Fazli
21 Waaris Uttam Jagdeesh 1 5 2 3 0 0 Verma Malik (3) Sardar Panchhi (2)
Total 21 movies 11 MDs 7 43 24 17 1 1 12 lyricists

Lata Mangeshkar worked with 11 music directors and 12 lyricists in these 20 movies released in 1988. Laxmikant Pyarelal were the most prolific music directors with Lata, with 645 songs in HFM with Lata Mangeshkar by the end of 1988. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 329 Lata Mangeshkar and Kalyanji Anandji with 305 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108), Vasant Desai (104) and Rajesh Roshan (103). Together these sixteen music directors composed 3581 songs out of 4902 songs that Lata Mangeshkar had sung in Hindi movies till end of 1988. Anand Bakshi with 652 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (149). These ten lyricists had penned 3163 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1988 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 142 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 98 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 27 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 2 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 7 43 24 17 1 1
Total upto 1988 1754 movies 3689 4902 3242 1346 204 110

It can be seen from the table of 1988 that Lata Mangeshkar sang 43 songs in 21 movies released in 1988. So she made a recovery of sorts after singing the lowest number of songs in a year in 1987 (just 21).

7 songs sung by Lata Mangeshkar in movies of 1988 have been covered in the blog. That leaves us with 36 songs from movies of 1988 that are yet to be covered.

All Lata Mangeshkar songs of one movie of 1998, namely “Libaas”(1988) have been covered. So 36 Lata Mangeshkar songs from 20 movies of 1988 are still available for discussion in the blog.

Alphabetically “Dharam Yudhh”(1988) is the first movie of 1988 that offers us a Lata Mangeshkar song to be covered in the blog.

“Dharam Yudhh”(1988) was produced by Pawan Kumar (Secretary of Shatrughan Sinha) and directed by Sudarshan Nag for Amiya’s Bombay. The movie had Sunil Dutt, Shatrughan Sinha, Kimi Katkar, Aditya Pancholi, Suresh Oberoi, Saaniya, Sushma Sheth, Anjana Mumtaz, Ranjeet, Pran, Lalita Kumari(Sinha),Sunil Dhawan, Umesh Khanna, Rajesh Nigam, Prakash Johri, Anurag Sharma, Disco Shanti etc in it. This movie was a remake of Pakistani Punjaabi movie “Wadera”(1985).

“Dharam Yudhh”(1988) had six songs in it. It had one multiple version song which was sung by Lata Maneshkar. Here is that song. This bhai bahan song has two versions (happy and sad). Both are sung by Lata Mangeshkar. Kulwant Jani is the lyricist. Music is composed by Rajesh Roshan.

The happy version is picturised on Saania aka Saniya and Shatrughan Sinha in happier times with Shatrughan Sinha hoping to perform bidaai of his sister. The sad version shows the sister lying dead and it is her arthi instead of doli that is being carried ! One can also see Sunil Dutt, Lalita Kumari Sinha and Kimmi Katkar in the picturisation.

Lyrics of the song and other details were sent by Prakashchandra.

ith this song, “Dharam Yudhh”(1988) makes its debut in the blog.

Happy version
——————-
Audio link (longer)

Video link (shorter)

Sad version
Audio link(longer)

Video link (shorter)

Song-Bhaiyya bhi tu hai mera baabul bhi tu hai (Dharam Yudhh)(1988) Singer-Lata, Lyrics-Kulwant Jani, MD-Rajesh Roshan
Chorus

Lyrics(Provided by Prakashchandra)

—————————-
Happy version (Based on audio link)
—————————-

bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
ho o o o
ghar se vidaa karke
dil se tum apney ae ae
mujhko kabhee naa
bhulaanaa aan aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa
ho o o o
ghar se vidaa karke
dil se tum apney ae
mujhko kabhee naa
bhulaanaa aa aa aa
bhaiyaa bhi tu hai aey ae
mera baabul bhi tu hai

sone ki thaali mein khilaayaa hai tooney
phoolon pe mujhko sulaayaa
pairon ke neechey mere
kaliyaan bichchaayeen een
sar pe rakhaa apnaa saayaa
ho o o saarey jahaan mein kahaan
tujhsaa milegaa
koyee bhi apnaa begaanaa aa aaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishthon ki laaj nibhaanaa

angnaa mein tere maine
bachpan se ab tak
jee bhar ke kee hai manmaani
thodaa saa baaqi tere
ghar mein bachaa hai
ab to meraa daanaa paanee
ho oo o
main teri duniyaa se
jab door jaaoon oon
yaadon ke deepak jalaanaa aa aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
ho o o o
ghar se vidaa kar ke
dil se tum apney ae
mujhko kabhee naa
bhulaanaa aa aa aa
bhaiyaa bhi tu hai aey ae
mera baabul bhi tu hai
bhaiyaa bhi tu hai aey
mera baabul bhi tu hai ae ae

————————————–
Sad version (based on audio link)
————————————–

barson paalo
poso beti ee
phir khud karo bidaayeee
bedardee duniyaa ne ae ae
kyun kar r
aisee ee reet banaayee ee

aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa

angnaa mein tere maine
bachpan se ab tak
jee bhar ke kee hai manmaanee
aaa aaa aaa aaa
thodaa saa baaqi tere (aaa aaa aaa)
ghar mein bachaa aa hai (aaa aaa aaa)
ab to meraa daanaa-paanee (aaa aaa aaa)
main teri duniyaa se
jab door jaaoon (aaa aaa aaa)
yaadon ke deepak (aaa aaa aaa)
jalaanaa aa aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4735 Post No. : 16457 Movie Count :

4470

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLI: Year 1987
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1987.

In 1987, 116 Hindi movies containing 426 songs were released. Lata Mangeshkar got to sing in 12 of these movies and she sang 21 songs in these movies. So Lata Mangeshkar’s voice was heard in 10.3 % of the movies released in 1987. Her voice was heard in 4.9 % of the songs appearing in the movies of 1987.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1987 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aag Hi Aag Bappi Lahiri 0 3 3 0 0 0 Anjaan
2 Apne Apne R D Burman 0 2 1 1 0 0 Gulshan Baawra
3 Dacait R D Burman 0 1 1 0 0 0 Anand Bakshi
4 Diljala Bappi Lahiri 1 1 1 0 0 0 Kavi Pradeep
5 Dil Tujhko Diya Rajesh Roshan 0 2 2 0 0 0 Rajesh Roshan
6 Hawaalaat Anu Malik 0 1 0 1 0 0 Gulshan Baawra
7 Jaan Hathheli Pe Laxmikant Pyarelal 0 1 0 1 0 0 Anjaan
8 Kalyug Aur Ramayan Kalyanji Anandji 0 1 1 0 0 0 Verma Malik
9 Mera Karam Mera Dharam Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
10 Nazraana Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
11 Qudrat Ka Qanoon Laxmikant Pyarelal 0 2 1 1 0 0 Sameer
12 Sindoor Laxmikant Pyarelal 0 4 1 3 0 0 Anand Bakshi
Total 12 movies 6 MDs 1 21 13 8 0 0 7 lyricists

Lata Mangeshkar worked with 6 music directors and 7 lyricists in these 12 movies released in 1987. Laxmikant Pyarelal were the most prolific music directors with Lata, with 642 songs in HFM with Lata Mangeshkar by the end of 1987. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 322 Lata Mangeshkar and Kalyanji Anandji with 305 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108), Vasant Desai (104) and Raesh Roshan (101). Together these sixteen music directors composed 3570 songs out of 4859 songs that Lata Mangeshkar had sung in Hindi movies till end of 1987. Anand Bakshi with 646 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (142). These ten lyricists had penned 3150 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1987 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 98 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 49 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 27 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 2 41 22 17 0 2
1987 12 movies 1 21 13 8 0 0
Total upto 1987 1733 movies 3677 4859 3218 1329 203 109

It can be seen from the table of 1987 that Lata Mangeshkar sang 21 songs in 12 movies released in 1987. It is the lowest number of songs sung in a year by her after she made her mark in HFM in 1949.

1 song sung by Lata Mangeshkar in movies of 1987 have been covered in the blog. That leaves us with 20 songs from movies of 1987 that are yet to be covered.

All Lata Mangeshkar songs from 1 movie of 1987 (“Diljala”) has been covered in the blog. So 20 Lata Mangeshkar songs from 11 movies of 1987 are still available for discussion in the blog.

Alphabetically “Aag hi Aag”(1987) is the first movie of 1987 that offers us a Lata Mangeshkar song to be covered in the blog.

“Aag Hi Aag”(1987) was produced by Pahlaj Nihalani and directed by Shibu Mitra for Vishaldeep International combines, Bombay. The movie had Dharmendra, Shatrughan Sinha, Moushumi Chatterji,Neelam (Kothari), Richa Sharma(W/o Sanjay Dutt), Shakti Kapoor, Danny Denzongpa ,Mac Mohan, Tej Sapru, Om Shivpuri, Geeta Siddharth, Satish Kaul, Jagadish Raj, Pinchoo Kapoor, Yunus Parvez, Akela, Vinod, Chachi, Master Vishal Nihalani, Master Chirag Nihalani,Aniruddh Agarwal etc in it. The movie Introduced Chunky Panday. Vinod Mehra and Gulshan Grover made friendly appearances in the movie.

The movie had seven songs in it. Three of these seven songs were multiple version solo song in three parts, sung by Lata Mangeshkar. Anjaan is the lyricist. Music is composed by Bappi Lahiri.

Audio of the song offeres us longer versions of the song. Video versions of the song are only partial. The video tells us that the song is picturised on Mausami Chatterjee. Dharmendra, Richa Sharma Dutt, Om Shivpuri, Shatrughan Sinha, Geeta Siddharth, Chunky Pandey, Neelam Kothari are also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

Since this song has three versions, it counts as three Lata Mangeshkar songs. So three songs out of 21 songs sung by her in movies of 1987 get covered in one post. Only one Lata Mangeshkar song of 1987 was available in the blog till now. With this post, the number quadruples. The year 1987 now has 4 songs out of 21 Lata Mangeshkar songs of 1987.

With this song, “Aag Hi Aag”(1987) makes its debut in the blog.

Version I
————————
Audio

partial video link

Version II
Audio

partial video link

Version III
Audio

partial video link


Song-Milne se pehle bichhad jaayen ham kyun (Aag Hi Aag)(1987) Singer-Lata, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics(Provided by Prakashchandra)

—————————————
Version I (Audio version)
—————————————-

aaa aaa aaa aaaa aaa
aaa aaa aaaa aaa aaa
aaa aaa aa
aaa aaa aaa

milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
ho o o
aaye kabhi jo o o o
aaye kabhi jo khushiyon ke pal to
lag jaaye kyun gham ki aa aa aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa
o o o o o mitwaaa

aaa aaa
aaa aaaa

sajnaa aa chaley tum to
uss desh ki raah par r r r
jaake jahaan koyee ee ee
aaye na phir laut kar r r r
soonaa huaa jeevan
soonaa ye jeevan safar r r
kaisey binaa tere ae ae
beetegi ab ye umar
kaisey jiye ae
dulhan koyee
bichchda ho jisska suhaag
milne se pehle bichchad jaayein hum kyon
bann`ke bigad jaaye bhaag
mitwaa aa aa aa
o o o mitwaaa..aaa…aaa…aaa

aaa aaa aaa aaaa aaaa

aaa aaa aaa aaaa aaaa

maine ye thhaa samjhaa aa
aaye saverey naye ae ae ae
lekin ye andherey ae ae
hain saath ab bhi mere ae ae
jee bhar ro naa paayee
tumko lagaa ke galey aey
hoke yahaan mere ae ae
mere na tum ho sakey ae
milke bhi hum
mil naa sakey
kaisaa milaa hamko bhaa aa aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
hho o o
aaye kabhi jo o o o o
aaye kabhi jo khushiyon ke pal to
lag jaaye kyun gham ki aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa
ooo oo o mitwaaa..aaa…aaa…aaa

—————————————
Version II (Audio version)
—————————————-
aaa aaa aaaa aaaa aaa
aaa aaa aaaa aaaa aaa
aaaa aaaa aaaa
aaa aaa aaaa aaaa
aaaa aaa aaaaaa aaa

aaaa..aaa..a.aaaaaa….aaa

milnaa aa tera aisey
jaisey ho sapnaa koyee ee ee ee
bichchdey ae kabhi yoon naa aan aaa aaa
apnon se apnaa koyee ee ee ee
manzil nahin koyee
jaaoon to jaaoon kahaan aan aan
marnaa naheen bas mein ae ae
jeenaa to hogaa yahaan aan
jiss tann lagey
jaaney wohee
kyaa hai ye birhaa ki aa aa aag

pi ke har aansoon
har gham uthhaaoongi main aen
roye ae dil roye aey ae
par muskuraaoongi main aen
waadaa jo kiyaa woh
mar ke nibhaaoongi main aen aen
mitwaa teraa sapnaa aa
sach kar dikhaaoongi main ae
tere liye ae
jeene ke phir
armaan uthhey dil mein jaag..aag
milne se pehle bichchad jaayen hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa aaa
ooo oo o mitwaaa..aaa…aaa…aaa

———————————————-
Version III (movie ending part)
———————————————-

aaa aaa aaaa aaa aaa
aaa aaa aaaa aaaa aaa
aaa aaa aaaa aaaa aaa

milke aey ae ae
jo naa bichchdein
hum aaj aisey miley aey ae ae
dukh ke din sajnaa aan aa aa aa
jalti chitaa mein jaley ae
aaa..aaaa..aaa…aaa…aaaa
pyaasey phool dil ke
sholon mein jalke khilein aen ae
aakhir miley hum tum m m
lapton ke saaye ae taley ae
taqdeer mein
apni piyaa
thee bas ye aag hee aag
aaa..aaa…aaaa…aaaa…..aaa
aaa..aaa…aaaa…aaaa…..aaa

aaa..aaa…aaaa…aaaa…..aaa
aaa..aaa…aaaa…aaaa…..aaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4734 Post No. : 16454 Movie Count :

4468

Hullo Atuldom

“Ghar Ka Chiraag” is a title that has been used twice in Bollywood- in 1967 and 1989. The 1967 film had a cast of Dharmendra, Waheeda Rehman, Balraj Sahni, Indrani Mukherjee, Dev Kumar, Biswajeet etc and had music by Madan Mohan for songs written by Kaifi Azmi. This was directed and produced by Jagdev Bhambri.
The 1989 film had Rajesh Khanna leading a cast of Neelam, Chunky Pandey, Om Shivpuri, Shafi Inamdaar, Navin Nischol and Dipika Chikhalia in a special appearance. It had music by Bappi Lahiri and Anjaan was the lyricist. This one was directed by Sikander Bharti and produced by Rajeev Kumar Choudhry.

The content in both the films seem to be different going by the synopsis available on the internet. But I know for a fact that “Ghar Ka Chiraag” (1989) was majorly inspired by the 1969 Balraj Sahni- Sadhana- Sanjay Khan starrer “Ek Phool Do Mail”. This statement of mine is sufficient to give the followers an idea about the movie, correct? Of course, there were minor differences in the story. In “Ek Phool Do Mali” (EPDM) Sadhana becomes an unwed mother because she is molested, whereas “Ghar Ka Chiraag” (GKC) had Neelam getting pregnant with Chunky Pandey’s child. In EPDM Sanjay was a mountaineer and GKC had Chunky as a racing enthusiast. Rest of the story was same in both the movies. And both movies had melodious songs.

GKC had eight songs with two songs having happy and sad versions. “Tutak tutak tutak tutiya” was very popular when the movie had released and I think it was inspired by some Punjabi folk song; this one had two versions. Another song ‘yeh kismat hai kya, jaanta hai wahi’ also had two versions. The happy version is when Kumar (Rajesh Khanna) is celebrating his happiness with wife (Deepika) and friends. We see that this song is echoing the thoughts that Dilip Kumar and Shammi Kapoor had put forth in this song.

In the second version we have Rajesh Khanna singing out his life experiences, and says ‘ek thokar lagi, toota sara nasha’.

Bappi Lahiri used Mohammad Aziz, Amit Kumar and Sapna Mukherjee (youtube is crediting Alka Yagnik for this song, need confirmation) for this song and Alisha Chinai and Amit Kumar for ‘Tutak tutak tutiya’. Udit Narayan, Alka Yagnik and Sarika Kapoor (another new name, for me at least) were the other playback singers.
Mohammad Aziz who sang the sad version of today’s song would have celebrated his 67th birthday on July 2nd. He was born in Kolkatta. He sang, primarily, in Hindi, Bengali and Odia films plus some Sufi devotional songs and also various genres in 10 other languages. He was also credited as Munna in some movies. ‘Mard’ by Anu Malik was his breakthrough though the 1984 movie ‘Amber’ with music by Sapan-Jagmohan was his debut in Bollywood. He has sung alongside all the prominent singers of the ’80s and ’90s with music composed by RD Burman, Laxmi-Pyare, Ravindra Jain, Raamlaxman etc; even OP Nayyar and Naushad.

Amit Kumar who has sung the duet with Sapna Mukherjee (or it could be Alka Yagnik, as per the tagging on youtube) celebrates his birthday on July 3rd turns 69!!!!! Is it so!!!!! Unbelieveable!!!! Cannot think of some people as aging, right no 🙂

We have enough fans of Amit Kumar on this blog and everyone knows his history, lineage etc. His last film appearance was in the 1989 release ‘Mamta Ki Chhaon’ which was a movie left incomplete by Kishore Kumar-his father. He had acted in many movies made by his father beginning with “Door Gagan Ki Chhaon Mein” in 1964. He won the Filmfare award for best singer in 1982 for the 1981 release “Love Story”.

Here is remembering Munna a.k.a Mohammad Aziz on his birth anniversary and Wishing Amit Kumar many more Happy Returns. May he continue to entertain us. He is launching a special RD Burman tribute on his birth-date on his YouTube channel… looking forward to it

Happy version (Duet)

Sad version (Sung by Md Aziz)

Song-Ye kismat hai kya jaante hain wahi zamaane mein hai jinki kismat buri (Ghar Ka Chiraag)(1989) Singers-Alka Yagnik/ Sapna Mukherjee, Amit Kumar, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics

———————-
Happy version
———————

aadmi kismat se kya
lad paayega bolo yahaan
darr ke kismat se ruka hai
iss zameen pe aasmaan

ye kismat hai kya jaante hain wahi
zamaane mein hai jinki kismat buri
ye kismat hai kya jaante hain wahi
zamaane mein hain jinki kismat buri
hooo ooooo
ooooo
ye kismat hai kya kisne dekha yahaan
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

ye kismat hai kya jaante hai wahi
zamaane mein hain jinki kismat buri
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

jitne oonche ho insaan ke hausle
utne oonche mahal uske kadmon taley
ho jitne oonche ho insaan ke housle
utne unche mahal uske kadmon taley

jinki mehenat ke dam se mahal hai khade
unko rehne ko milte hai kyon jhonpde
unki mehenat main ye akal shaamil na thhi
apni kismat banaata hai khud aadmi

ye kismat hai kya jaante hain wahi
zamaane mein hai jinki kismat buri

laakh mehnat se seenche koi gulsitaan
baag mein gul khila na sake baaghbaan
laakh mehnat se seenche koi gulsitaan
baag mein gul khila na sake baaghbaan
uski mehenat mein hogi kahi kuchh kami
warna kya hai jo kar na sake aadmi

aadmi khud ko insaan bana na saka
apni kismat banaayega kya aadmi
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

aaj ka aadmi chaand ko chhoo saka
phir bhi dharti ko khushaal na kar saka
yahaan mehenat se sholon pe bhi gul khile
buri kismat se barsaat mein ghar jale
aaa aaaa aaa aa
aa aa aa aa
ye takraar sadiyon se yoonhi chale
magar ho sake na kabhi faisle
ye sach hai ki mehnat se sab kuchh miley
magar jab ye kismat yahaan saath de
na mehenat hai chhoti na kismat badi
hai donon ke dam pe ye duniya khadi
ye kismat hai kya jaante hain khadi
zamaane mein hain jinki kismat buri
ye kismat hai kya kisne dekha yahaan
apni kismat banaata hai khud aadmi

——————————————–
Sad version (Sung by Md Aziz )
——————————————–

har dua ek baddua
kyun ban gayi,
pal mein yahaan
bewafa kismat bhi,
uthth gaya sar se aasmaan

ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri
aadmi khud ko insaan bana na saka
apni kismat banayega kya aadmi
ye kismat hai kya jaanta hai wahi
zamaane mein hai jinki kismat buri

ye kismat hai karti ajab faisle
yahaan milke sab kuchh
bhi kuchh na miley
bhatakti hai yoon dar-badar zindagi
ke marke bhi insaan mar na sakey
ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri

ek thhokar lagi toota saara nasha
ab hai jaanaa kahaan kuchh nahin hai pata
laake kismat ne chhoda hai kis mod par
jo musaafir thha khud ban gaya raasta
ye kismat hai kya jaanta hai wahi
zamaane mein hai jiski kismat buri
aadmi khud ko insaan bana na saka
apni kismat banayega kya aadmi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4706 Post No. : 16411

Hullo Atuldom

“Mehrban” (1967) as spelt in the titles of the movie was an AVM (Madras) production written and directed by A. Bhimsingh. It’s cast was headed by Ashok Kumar, Nutan, Sunil Dutt and had Ramesh Deo, Shyama, Ashim kumar, Jayanthi, Shashikala, Bharathi, Mehmood, Soodesh Kumar and Sulochana Latkar. The dialogues and lyrics were written by Rajinder Kishan and Ravi was the music director. The movie had seven songs of which the blog has the following two.

Song Date of posting
Ae mere dost ae mere hamdam 21 January 2013
Mera gadha gadhon ka leader 9 December 2016

As we can see this movie last made its appearance in 2016 with a wonderful post by Rajaji who was pushed to write by Avinashji. Infact, for the both songs posted, Avinashji was the lyrics contributor.

The 2013 post had a brief synopsis of the movie. It equated the movie to the 1990 David Dhawan directed Rajesh Khanna- Govinda starrer “Swarg”. I happened to see “Mehrbaan” recently and realised that the similarity is limited. Yes, Rajesh Khanna played the rich-man in “Swarg” similar to Ashok Kumar’s character in “Mehrban”. Govinda played the orphan who is devoted to the family similar to Sunil Dutt’s character in “Mehrban”.

The variations in the 1967 movie is that the wealthy couple Shanti Swarup (Ashok Kumar) and Parvati (Sulochana) have three sons and two daughters in addition to being the adoptive parents of Kanhaiya (Sunil Dutt). (In “Swarg” the wealthy couple are childess) They also bring in Laxmi (Nutan) whose parents were known to them and who die leaving Laxmi to fend for herself. So, as we can see it is a full house. That gives the story all kinds of good, bad and ugly characters which helps the writer to gives us a three-hour long movie with lots of ‘rona-dhona’ ‘kasam khana and khilana’ etc. i.e. a highly emotional movie. The end is predictable in that all the family members come together and live happily, once again.

Just remembered another variation between “Swarg” and “Mehrban”. In “Swarg” Krishna (Govinda) becomes rich by acting in movies, buys back the property of his ‘sahabji’ (Rajesh Khanna) and teaches the errant brothers a lesson or two before bringing them back to apologise for all the wrongs that they have done. Kanhaiya of ‘Mehrban’ doesn’t wait to earn riches before coming back to set matters right in the adoptive family. Kanhaiya (Sunil Dutt) has Laxmi (whom he marries before being sent away from the home by Sulochana) for support whereas Krishna does it with the help of his friend ‘Airport’ (Satish Kaushik).
Also, in ‘Swarg’ Sahabji’s wife dies of shock and in ‘Mehrban’ Shanti Swarup dies leaving his wife to the mercy of his ungrateful children.

‘Swarg’ was said to be a remake of ‘Mehrban’ which itself was a remake from the 1960 Tamil hit ‘Padikkadha Medhai’ (Uneducated Genius) which in turn was a remake of the 1953 Bengali movie ‘Jog Biyog’ which was based on the novel of the same name by Ashapurna Devi. So, that means this story will hold good in any time and age.

We are revisiting this movie today with a duet sung by Lata Mangeshkar and Mohd Rafi but (surprise) it is not a romantic song. In fact, the movie doesn’t have any romantic song, in the true sense of the term. There is a Lata Mangeshkar solo which has Nutan pacifying a sad Sunil Dutt. This song relates the story of Shanti Swarup to his grandchildren.

This is one of five movies where Nutan and Sunil Dutt played the lead. As I was looking up the anniversaries tab of the blog I found that the birth-dates of the two were one day apart. I wondered what scenario it would have been, back then, when the shooting of the movies were on. Nutan would have turned 85 on 4th June and Sunil (birth-name Balraj) Dutt would have been 92. Just a passing thought, their sons are actors too and have acted together in a few movies.

Editor’s note-Lyrics of this song, which turns out to be a multiple version song, were sent by Avinash Scrapwala long ago.

Duet version


Rafi solo version

Song-Ek raaja ki sun lo kahaani (Meharbaan)(1967) Singer-Lata, Rafi, Lyrics-Rajinder Krishan, MD-Ravi
Both

Lyrics(Provided by Avinash Scrapwala)

—————————–
Duet version
——————————

ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni
kahin haathi na ghode na sena koi
na kahin thhi koi rajdha..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

teen bete thhe aankhon ke taare
bade pyaare pyaare
dilon ke sahaa..aa..re
woh thhe raja ke anmol moti
nigaahon ki jyoti
thhe maa ke dula..aa..re
palkon ki chhanv mein guzra tha bachpan
masti mein doobi jawa..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

ek aisa magar din bhi aaya
jisne raja ko nirdhan banaya
ho gaye khaali saare khazaane ae
haaye kaisa ye andher chhaaya

woh jo bete thhe aankhon ke taare
raja rani ke dil sahaare
kaam aise mein woh bhi naa aaye
chhupte phirte the aankhen churaaye

aaram ke saathi kya kya the
jab waqt padha toh koi nahi
dhan daulat ke sab rishtey hai
dhan rooth gaya toh koi nahin
kaun girte ko deta sahaara
woh raja bechaara
thaka aur ha..aa..ra
sochta thha kahaan hai woh moti
woh aankhon ki jyoti
bane jo saha..aa..ra
raja to chup chaap peeta tha aansoo
chup chup ke roti thi ra..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

ho gaya apna khoon paraaya
ho gaya apna khoon paraaya
kaam magar ek chaakar aaya
ek bhola insaan wahaan thha
bachpan se mehmaan wahaan thha
usne jiske tukde khaaye
sada usi ke paanv dabaaye
un bedardon ki mehfil mein
ek wahi hamdard bacha thha
lekin maalik ko kya deta
bechaare ke paas hi kya thha
bechaare ke paas hi kya thha

apne malik ke kadmon mein ro ro ke
khush hota charan uske dho dho ke
apna tan man nichhavar woh karta raha
ek ishaare pe malik ke marta raha
hai kahaani magar baat kal hi ki hai
na samjhna ise tum pura..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

—————————
Rafi solo version
————————–
Ek raja ki sunlo kahaani
Ek raja ki sunlo kahaani

Pehle rehte the saagar kinaare
Ab samaaye dilon mein hamaare
Yaad unki rahegi jahaan mein
Jab talak hai ye chaand aur taare
Jo naa mitaaye mitegi kisi se
Chhodi hai aisi nishaani

Ek raja ki sunlo kahaani
Ek raja ki sunlo kahaani


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4705 Post No. : 16409

Today’s song is from a very recent movie ‘Salaami-1993’.

This movie had made its debut on the blog during its early days and that was on 30.11.2008. It means that the second song of this movie is now appearing after a gap of 12 years, 6 months, and 6 days or after 4570 days. (including 04.06.2021).

This movie had some nice songs in it and the most popular song ‘chehra kya dekhte ho’ has already been posted on the blog.

Today we listen to another well known song from this movie which is a multiple version songs in the voices of Pankaj Udhas and Alka Yagnik.

“Salaami-1993” was directed by Sharukh Sultan for ‘Tess Mirza Films Pvt Ltd.’ It was ‘Venus Records and Tapes Pvt Ltd’ presentation.

This movie was produced by Tess Mirza. It had Ayyub Khan, Samyukta and Raushni Jafery (both debutant), with Kabir Bedi, Beena, Goga Kapoor, Lalita Shukla and Saeed Jafery. They were supported by Brij Kishore, Virendra Singh, Kishore, Vinkoo Bhalla, Romi, Binder Agarwal.

Sharukh Sultan the director of this movie was also the write of this movie. Dialogues of this movie were written by Mushtaq Jalili and Sharukh Sultan. Editing of this movie was done by Sakharam Borse.

This movie was passed by censor board on 23.11.1993.

Music for this movie was composed by Nadeem-Sharvan.
This movie had nine songs (including two multiple version songs) written by Sameer, Madan Pal, Surendra Sathi and Anwar Sagar.

Singers Asha Bhonsle, Kumar Sanu, Pankaj Udhas, Alka Yagnik and Kavita Krishnamurthy had given their voices to the songs of this movie.

As mentioned above one song from this movie was posted on the blog on 30.11.2008.

Today’s song is a multiple version song, where the solo version is sung by Pankaj Udhas and the duet version is sung by Alka Yagnik with Pankaj Udhas. Lyrics are written by Sameer and music is composed by Nadeem-Shravan.

In picturisation of the solo song we can see Ayyub Khan lip syncing to the voice of Pankaj Udhas, actress Samyukta (I guess) and others. I am unable to guess the other actor in this song.

While video of the solo version is available, I could not locate the video of the duet version.

I would request readers who have watched this movie to throw more light on this movie and its songs.

Let us now listen to today’s song (s 😊 )

Video (Solo version)

Audio (Duet version)

Song-Dil jabse toot gaya (Salaami)(1993) Singers-Pankaj Udhas, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

—————————————-
(Solo version, singer – Pankaj Udhas)
—————————————-

dil jab se toot gayaa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
dil jab se toot gayaa aa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

jaam ka hai sahaaraa aa
varnaa kya hai hamaaraa
jaam ka hai sahaaraa aa aa
varnaa kya hai hamaaraa aa aa
ye dawaa jo na peete ae ae
ham bhalaa kaise jeete
dekhe mud ke jahaan
hai wahaan bebasi
bekhudi ban gayi
ab meri zindagi
saath teraa chhoot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

tera vaada thhaa jhoothaa aa
pyaar ka rishta tootaa
tera vaada thhaa jhoothaa
pyaar ka rishta tootaa aa
toone pardaa hataaya
asli chehra dikhaaya
bewafaa be-khabar
sangdil
be-reham
sochte hain tujhe kya kahen sanam ham
kisko pataa
kisko khabar
zakhmon ko ham kaise seete hain
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

dil jab se toot gayaa
kaise kahen ae kaise jeetein hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

__________________________________________________________

(Duet version, singers – Pankaj Udhas, Alka Yagnik)
———————————————————-

dil jab se toot gayaa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
dil jab se toot gayaa
kaise kahen kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

jaan e wafaa
jaane na tu
jaan e wafaa aa
jaane na tu
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kaise tere binaa ham jeete hain

jaam ka hai sahaaraa aa
varnaa kya hai hamaaraa
jaam ka hai sahaaraa aa aa
varnaa kya hai hamaaraa aa aa
ye dawaa jo na peete ae ae
ham bhalaa kaise jeete
dekhe mud ke jahaan
hai wahaan bebasi
bekhudi ban gayi
ab meri zindagi
saath teraa chhoot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

tujhpe kar ke bharosaa
hamne khaaya hai dhokha
tujhpe kar ke bharosaa
hamne khaaya hai dhokha
pehle jo jaan jaate ae
tujhse dil naa lagaate
apni har aarzoo
aansuon mein dhali
dard ki aag mein har
tamannaa jali
kisko pataa
kisko khabar
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kaise tere binaa ham jeete hain

dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
jaan e wafaa aa
jaane na tu
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kabhi jyaada kabhi kam peete hain
kaise tere binaa ham jeete hain
kabhi jyaada kabhi kam peete hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16394 Movie Count :

4457

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVI: Year 1982
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1982.

In 1982, 151 Hindi movies containing 775 songs were released. Lata Mangeshkar got to sing in 45 of these movies and she sang 82 songs in these movies. So Lata Mangeshkar’s voice was heard in 29.8 % of the movies released in 1982. Her voice was heard in 10.6 % of the songs appearing in the movies of 1982.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1982 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aadat Se Majboor Usha Khanna 0 2 2 0 0 0 Indeevar (1) Nida Fazli (1)
2 Adhoora Aadmi R D Burman 0 3 3 0 0 0 Yogesh
3 Apna Banaa Lo Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
4 Ashaanti R D Burman 1 1 0 0 1 0 Anand Bakshi
5 Baawri Khayyam 0 2 1 1 0 0 Maya Govind
6 Baazaar Khayyam 1 1 0 1 0 0 Makhdoom Mohiuddin
7 Badle Ki Aag Laxmikant Pyarelal 0 2 1 1 0 0 Verma Malik
8 Bemisaal R D Burman 2 2 1 0 0 1 Anand Bakshi
9 Bezubaan Ram Laxman 0 1 1 0 0 0 Ravindra Raval
10 Bheegi Palken Jugalkishore-Tikalraj 2 2 1 1 0 0 M G Hashmat
11 Chatpati Basu Manohari 1 1 0 1 0 0 Yogesh
12 Daawedaar Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
13 Dard Ka Rishtaa R D Burman 0 1 1 0 0 0 Anand Bakshi
14 Deedaar e yaar Laxmikant Pyarelal 2 3 2 1 0 0 Amir Minaai (1) Sahir Ludhianvi (2)
15 Deshpremee Laxmikant Pyarelal 2 2 2 0 0 0 Anand Bakshi
16 Dil Aakhir Dil Hai Khayyam 1 2 1 1 0 0 Naqsh Llayalpuri (1) Nida Fazli (1)
17 Do Dishaayen Laxmikant Pyarelal 1 1 1 0 0 0 Anand Bakshi
18 Do Ustaad Bappi Lahiri 0 1 0 1 0 0 Verma Malik
19 Ghazab Laxmikant Pyarelal 1 2 1 1 0 0 Anand Bakshi
20 Gul e Bakaavali Rajesh Roshan 0 1 0 1 0 0 Indeevar
21 Hamaari Bahu Alkaa Rajesh Roshan 0 1 1 0 0 0 Yogesh
22 Jaanwar Laxmikant Pyarelal 0 1 1 0 0 0 Majrooh Sultanpuri
23 Johny I love you Rajesh Roshan 0 3 1 2 0 0 Anand Bakshi
24 Kaamchor Rajesh Roshan 3 3 0 3 0 0 Indeevar
25 Khuddaar Rajesh Roshan 2 4 0 2 0 0 Majrooh Sultanpuri
26 Log Kya Kahenge Kalyanji Anandji 0 1 0 1 0 0 Naqsh Llayalpuri
27 Mangal Pandey Anu Malik 0 1 1 0 0 0 Anjaan
28 Mehandi Rang Laayegi Laxmikant Pyarelal 0 2 2 0 0 0 Dr Hariram Acharya
29 Prem Rog Laxmikant Pyarelal 3 4 1 3 0 0 Kajal Bash (1) Pt Narendra Sharma (1) Santosh Anand (2)
30 Pyaas Bappi Lahiri 0 1 1 0 0 0 Naqsh Llayapuri
31 Raaj Mahal Kalyanji Anandji 0 2 1 1 0 0 Inderjeet Singh Tulsi (1) Verma Malik (1)
32 Samraat Laxmikant Pyarelal 0 2 1 0 0 1 Anand Bakshi
33 Sawaal Khayyam 0 2 0 2 0 0 Majrooh Sultanpuri
34 Shakti R D Burman 2 2 1 1 0 0 Anand Bakshi
35 Shrimaan Shrimati Rajesh Roshan 0 3 0 3 0 0 Majrooh Sultanpuri
36 Subah Hridaynath Mangeshkar 0 5 5 0 0 0 Pt Narendra Sharma
37 Suraag Bappi Lahiri 1 1 1 0 0 0 Kaifi Azmi
38 Swaami Dada R D Burman 2 2 0 1 0 1 Anjaan
39 Taqdeer Ka Baadshah Bappi Lahiri 0 2 2 0 0 0 Anjaan
40 Tarqeeb Bappi Lahiri 0 1 0 1 0 0 Anjaan
41 Teesri Aankh Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
42 Teri Maang Sitaaron Se Bhar Doon Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
43 Teri Qasam R D Burman 0 1 0 1 0 0 Anand Bakshi
44 Vidhaata Kalyanji Anandji 0 1 1 0 0 0 Anand Bakshi
45 Waqt Waqt Ki Baat Rajesh Roshan 0 2 0 2 0 0 Rajesh Roshan
Total 45 movies 12 MDs 27 82 41 37 1 3 20 lyricists

Lata Mangeshkar worked with 12 music directors and 20 lyricists in these 45 movies released in 1982. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 576 songs in HFM with Lata Mangeshkar by the end of 1982. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji with 301 songs and C Ramchandra with 274 songs were the next most prolific. Other top music directors for Lata Mangeshkar were R D Burman (253), Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3324 songs out of 4582 songs that Lata Mangeshkar had sung in Hindi movies till end of 1982. Anand Bakshi became the top lyricist with Lata Mangeshkar this year dsplacing Rajinder Krishan. The top ten lyricists till end of 1982 for Lata Mangeshkar were Anand Bakshi (564), Rajinder Krishan (554), Majrooh Sultanpuri (388), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (109). These ten lyricists had penned 3022 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Jugalkishore-Tilakraj and Ram Laxman for the first time in movies of 1982. She also worked with Lyricists Amir Minaai, Dr Hariram Acharya, Kajalbaash, Makhdoom Mohiuddin and Ravindra Rawal for the first time in movies released this year.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1982 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 136 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 170 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 93 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 90 130 84 39 3 4
1971 52 movies 106 126 71 52 3 0
1972 62 movies 97 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 46 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 39 88 48 34 2 4
1982 45 movies 27 82 41 37 1 3
Total upto 1982 1582 movies 3606 4582 3076 1203 199 104

It can be seen from the table of 1982 that Lata Mangeshkar sang 82 songs in 45 movies released in 1982.

27 songs sung by Lata Mangeshkar in movies of 1982 have been covered in the blog. That leaves us with 55 songs from movies of 1982 that are yet to be covered.

All Lata Mangeshkar songs from 11 movies of 1982 are already covered in the blog. So 55 Lata Mangeshkar songs from 34 movies of 1982 are still available to be discussed.

Alphabetically “Aadat Se Majboor”(1982),the very first movie of 1982 offers us a Lata Mangeshkar song to cover in the blog.

“Aadat Se Majboor”(1982) was produced by Mohan Kumar and directed by Ambrish Sangal for M K Productions, Bombay. The movie had Ranjeeta, Mithun Chakraborty,Rameshwari, Madan Puri, Om Shivpuri,Amrish Puri, Mohan Choti, Ranbir Raj, Bhagwan, C.S.Dube, Kamal Deep, Dinshaw Daji, Pappu, Baby Priya, Master Farid, Harjeet, Mrs.Jugnu, Raj Kishore, Moolchand, Anand Joshi, Jaswant, Lal Bahadur, Hajee, Chand Pardesi, Khan, Sundar Taneja, Shivram Salvi, Ram Narayan etc with special appearances by Padmini Kapila, Pearl Padamsee, Sudha Shivpuri, Dulari and Ranjan Grewal.

The movie had six songs in it. Two of them were sung by Lata Mangeshkar.

Here is one of those Lata Mangeshkar solo song from “Aadat Se Majboor”(1982). The song is penned by Indeewar. Music is composed by Usha Khanna.

The song is a multiple versio n song. It has a male version too which is sung by Shailendra Singh. Both versions are picturised on Ranjeeta and Mithun Chakraborty.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aadat Se Majboor”(1982) makes its debut in the blog.

video link of Lata version:

video link of Shailendra Singh version

Song-Raam kare ke umar qaid hamen saath saath ho jaaye (Aadat Se Majboor)(1982) Singer-Lata/Shailendra Singh, Lyrics-Indeewar, MD-Usha Khanna

Lyrics(Provided by Prakashchandra)

—————————–
Lata Mangeshkar version
—————————–
raam karey ke
umar qaid hamein
saath saath ho jaaye ae

tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

laaa laaa laa
laaa laaa laa
laaaa laalaa
ho hoo oo oo hoo
aaaa aaa aaa aaaaa aaa

dekhey binaa
tujhko sanam
chain naheen dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
dekhey binaa aa aa
tujhko sanam m m
chaain nahin dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

dil ko mere tu jo milaa
khwaab huye rangeen een
pyaar ki ye kothri
raajmahal se haseen
dil ko mere ae ae
tu jo milaa aa
khwaab huye rangeen
pyaar ki ye kothri
raajmahal se haseen
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

yinvyinvyinvyingyinvyinvyinvying
yinvyinvyinvyingyinvyinvyinvying

yinvyinvyinvyingyinvyinvyinvying

pehley to main ek thhi
ek se ho gayee do o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
pehley to main aen ek thhi ee
ek se ho gayee do o o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
haayye raamaa raamaa
raam kare ke umar qaid hamein
saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho khushiyon ki na tootey ye ladiyaan
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan

——————————————-
Shailendra Singh version
——————————————-

raam karey ke
umar qaid
hamein saath saath ho jaaye aey ae ae
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae ae ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

soorat teri dhoondhaa kiye
har moorat mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o o soorat teri
dhoondhaa kiye ae
har moorath mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzooo
hey aey
tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzoo
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4681 Post No. : 16361

We all are witnessing a once in a century pandemic that is taking a heavy toll of precious human lives. There is information overload on this topic. Much of the “information” that we are being bombarded with is not useful, and may even be harmful.

I have been observing all this. I have tried to figure out what is going on. I have tried to piece together useful information about this virus. Here I would present my take on this pandemic and how I think we should deal with the situation.

It seems that very few people actually have an idea how covid infection takes place and how it spreads. Awareness about how to protect oneself against this virus also seems low among people. The outcome of low awareness about this virus has led to disastrous consequences as we all have seen.

In a situation where most people are pressing the panic button and losing their heads, we need to take a calm look at things so that we know how to deal with this situation. I will try to keep it as simple and easy to understand as is possible.

covid 19 virus can be likened to a well trained terrorist group. It is trained and armed and indoctinated outside our borders. Then they are sent across the border to create terrorist acts within our border. Here terrorists are equivalent to covid 19 virus, whereas our country is like our body.

How do these terrorists cross the border ? If they find no security across the border, then they just sneak in unchallenged. If security is tight then they try to sneak in while their army resort to shelling across the border to divert the attention of our security forces. These terrorists then try to sneak in.

These terrorists, if they sneak in, try to create terror attacks wherever they can. If security is tight, then their attempts are foiled most of the time. If security is slack or the terrorists get local support then they are able to create serious damage.

If the terrorists are able to fan out inside the whole country then they can create terror attacks all over the country. All this happened in India with regularity not too far back. This is the most severe kind of terror attacks that India has seen.

With this background, that all Indians can readily identify with, I will try to explain how covid 19 virus acts in a similar way.

Covid 19 virus tries to gain entry into human body. It is a respiratory virus, so it can only enter our body through the external respiratory parts, viz nose and mouth, and also through eyes. So if our body is a country then nose and mouth and eyes are our border posts through which this virus tries to gain entry. When this virus was unknown, it had a free passage into the human body through nose and mouth of unsuspecting victims. When its existence became known then people began wearing masks. It is as if earlier the borders were unmanned but now they need tight security. Face masks are the border security force that that guard our entrances (nose and mouth).

If nose and mouth are guarded then still the virus may lurk in, seeking to enter when the guard is down, viz when the face mark is removed. People do remove face masks when they feel that there is no virus around. Virus lurks in the air, on the person, on clothes, exposed part of the body etc. If a person touches something (on his person or any object containing virus) and then touches his nose or mouth, this is the opening that the virus needed. It then enters the respiratory tract of the body. Now you know why there is so much stress on sanitising objects, hands etc. This also shows us what is the importance of six feet distance. If people stand far off, then the chances of virus getting transmitted from one person to another reduces considerably.

If despite all precautions, some virus enters the respiratory system, its quantity (viral load) will be low. If we are outright careless (no mask, no social distancing) then our respiratory system may receive a heavy viral load.

What happens when the virus manages to enter the respiratory system dodging the mask? It depends on the preparedness near the border.

Masks at the nose are like BSF who guard the border. If the terrorists cross the border, then they have to face the army, who are stationed near the border. In case of covid infection, the army that confronts the virus is known as body’ immunity system. It is basically white blood cells of blood. These WBC are the army soldiers to deal with the infiltrators. These WBCs are trained to tackle known viruses that they have tackled in the past. As soon as they come across a previously known virus, they are immediately able to mobilise anti bodies to tackle that virus. The antibodies can be readily and rapidly deployed. On the other hand, when a new virus, viz covid 19 virus enters about which the WBCs have no previous information, then WBCs take some time to get prepared. As WBCs gather more information about the new virus, they begin to create anti bodies to tackle the virus. But for a new virus, especially if a heavy viral load had entered the respiratory system, the WBCs response may turn out to be slow and inadequate. In the meanwhile the virus is able to do considerable damage to the respiratory system. By the time the WBCs begin to create antibodies, it may be too late.

So, If the viral load is less, then the virus is stopped there itself. If viral load is heavy and the person is not vaccinated then the virus may overwhelm the immunity system and enter further into the body, namely the lungs. Lungs are like the different states of the country. The terrorists have now spread throughout the country, and now they can wreak severe damage. The security in the interior of the country is in the hands of police, which is far too ill equipped to deal with such security threats than the army. Same is the case with the immunity system of the body, which is helpless if the virus gains access to the lungs.

Let us say that the person was already vaccinated. In that case, the immunity system was familiar with this virus. So as soon as the virus entered the respiratory system, the WBCs, being already aware about the nature of the virus, will be able to deploy antibodies immediately. So a vaccinated body is like a country with a strong well trained and well prepared army near the border. In that case most of the infiltrating virus would get neutralised there itself.

If the immunity is weak and person is not vaccinated, then the virus overwhelms the resistance at the entrance and invades the lungs. In that situation, the virus starts rapidly infecting the lungs that are unprotected and are now at their mercy. The virus damages the alveoli (tiny air sacs). The function of the alveolus is to transfer oxygen to the blood vessels. These blood vessels or capillaries carry the oxygen to the RBCs (Red blood cells). It is the RBCs that finally deliver the oxygen to all the internal organs in the body.

The virus works by damaging the wall and the lining of the alveolus and capillaries. The debris from the damage(exudate) , which is plasma protein accumulates on the alveolus wall and thickens the lining. As the walls’ thicken, the transfer of oxygen to the red blood cells is impaired. The thicker the wall gets, the more difficult it gets to transfer oxygen to the red blood cells, which causes difficulty in breathing as the body is running short of oxygen. And the lack of oxygen to the internal organs results in a deficit in the body and impairs the functioning of the organs. At this juncture, the body fights to increase oxygen intake.

And the first response of the body is to destroy the virus and prevent its replication, but if the individual has weaker immunity then the body is unable to stop the virus, and this aggravates the crisis.

As the air sacs are damaged, there is an influx of liquid which is mostly inflamed cells and protein and this fluid build-up leads to pneumonia. This further impairs the oxygen intake by the lungs and hinders the oxygen exchange. Due to the novelty of the Covid 19 strain, there is no immediate treatment to directly cure pneumonia in Covid 19 patients and they are mostly given supportive care.

There are some key indicators that the doctors use to judge the onset and severity of this severe condition called Acute Respiratory Distress Syndrome (ARDS) in infected individuals:

(1)Hypoxia – Low oxygen levels in the blood, due to damage to the alveolus

(2)Breathing difficulties and shortness of breath

(3)Chest x-rays of the lungs exhibit an opaque and glassy look against the black background

(4)Worsening symptoms over the course of time, from the day of detection of the virus

Is there no hope if the virus reach the lungs ? There is ! And it is this fact which is the most important thing to understand about this virus. The ammunition of the virus gets exhausted in nine days and so the virus gets ineffective nine days after it enters the body. If the damage to the body can be kept as low as possible though medication and other means then after nine days the recovery process begins. So the patient must be kept alive for nine days. If it can be achieved then he or she will survive. Forget low damage, even patients who suffered over 80% damage to their lungs have survived !

Virus may have become ineffective but it may have taken a heavy toll on the lungs by that time. The patient must lie prone on his/ her tummy and try to clear the contents of the lungs by coughing them out. Coughed up exudate (phlegm) would be variously coloured when the infection is severe. After a few days the colour would keep changing, from catechu colour (most severe) to black color (less severe)and finally as the infection reduces, the phlegm would become white. Finally phlegm would stop.

As the phlegm comes out, space is created in the lung and that makes breathing easier. Patients who are hospitalised and they have oxygen fitted on them mistakenly believe that they only have to keep lying down passively without doing anything. Not taking any proactive action to clear up the phlegm in their lungs is a mistake because in that case the situation will keep getting worse because the oxygen being pumped into their lungs will have no place to go in the lungs. If oxygen cannot reach the lungs then naturally they cannot be sent to RBC and from there to various parts of the body, and that would lead to serious complications.

It is seen that not just patients, even medical practitioners are often not very helpful (mainly because of their lack of experience). For instance, when a patient goes for chest x ray or HRCT, the report just states the facts, without any expert and helpful comments. A typical (and actual) HRCT report stated- “CT severity score of -36/40”

What will a normal patient do on reading the above ! He/ she will most probably die of shock if not covid because it indicates that the damage to the lung is over 80 %. Fortunately, the above patient happened to be the sister of my wife. My wife told her sister that she did not have to worry. The virus had done all it could and now the lung condition was only going to improve. To make space in the lungs, she advised her sister to do exercises that would expel the phlegm (technical term for this substance is exudate) stuck in her lungs. My wife’s sister followed the advice scrupulously. There was noticeable improvement in her condition. After a couple of weeks, her scan showed perfectly clear lung condition !

It was not the first case where my wife helped save a life. Last year, her brother too had suffered from covid and he too had delayed getting himself checked and treated, leading to a lung condition that was even worse. Even there, correct and timely advice by my wife helped save the life of her brother.

In my wife’s opinion, Rohit Sardana, the news anchor faced a similar situation as faced by her brother and sister and he could have been saved if he had received correct medical advice of the kind that she gave to her brother and sister. In Rohit Sardana’s case, he was in home isolation and he was making good recovery and was feeling better. It was on the advice of some well meaning colleague that he got his HRCT done. The HRCT showed similar severity as in case of my sister in law. But Rohit Sardana did not have the advantage of a good doctor’s advice who would tell him that the worst was over for him. Looking at the severity of his lung report, he went into shock and got himself admitted to a hospital, where he died soon thereafter.

So, to summarise all the above discussion, it can be said that the best protection against covid 19 is a properly worn mask. Do all in your ability to ensure that the virus cannot enter your respiratory system. The virus can enter your respiratory system only through nose and mouth (and in exceptional cases through eyes). Protect these entrances to your respiratory system with your life. If in rare cases virus does get in, only a light load of virus gets in if you have taken precautions, so that your present immunity system can deal with it. Do not be foolhardy to offer a free passage to the virus by going around without mask. Allowing a huge viral load to enter your respiratory system believing that you have a great immunity system is nothing but suicide. Such people will be mercilessly shown their mortality by the virus. Once the virus attacks your lung, then you will be forced to run around from pillar to post, but all these efforts will largely be fruitless. A mask costing a few rupees, and a disciplined lifestyle is more effective in preventing covid than all that desperate scramble clamouring for hospital beds, oxygen, remdesivir etc, and all that at black market prices.

And please get yourself vaccinated at the first opportunity available. India is one of the few countries that can produce its own vaccines and so India is not dependent on foreign supplies (which are difficult to come by). Most people are getting it for free in government facilities. but if some private hospitals are offering it against payment, then pay for it, avoid long waiting lists of government hospitals and get yourself vaccinated. Paying a few hundreds, or even a couple of thousands of rupees for the doses of this vaccine is fully worth it as will protect you from this deadly virus.

While discussing this deadly respiratory disease, I had decided that this article should be accompanied by a song dealing with “Saans”. The first “saans” song that I was reminded of was this song of “Aashiqui”(1990) but I thought that this song was already covered. On checking up, I heaved a sigh of relief (pun unintended) because this song was not yet covered in the blog.

Produced by Gulshan Kumar and Mukesh Bhatt and directed by Mahesh Bhatt, “Aashiqui”(1990) had Rahul Roy, Anu Agarwal, Reema Lagoo, Deepak Tijori, Avtar Gill, Tom Alter, Mushtaq Khan, Javed Khan, Sunil Rege, Homi Wadia, Anang Desai etc in it. Two songs from the movie have been covered in the past.

This movie turned out to be a musical blockbuster. The story of the movie was quite run of the mill and no great shakes, but the music made the movie a super duper hit.

The song under discussion has two versions. THe movie begins with the male version sung by Kumar Sanu. This song is picturised as a hotel/ club song. Rahul Roy lip syncs the song. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The female version song is sung by Anuradha Paudwal. Its video does not seem to be available. I had watched this movie in New Delhi and I vaguely recall having seen the female version also. But its video does not seem to be available now. In any case, it was the male version which was the more popular.

The song likens the need for a “sanam” to the need for “saans”. We take “saans” for granted, but not any longer, seeing the clamour of medical oxygen in these times. One never imagined that a time may come when one would be willing to pay money to be able to breath oxygen artificially. God has given us the ability to breathe this air for free. Let us hope that we will continue to be able to avail of this gift of being able to breathe naturally.

Today (12 May 2021) is also International Nurses’ day. On this occasion, let us all hail and appreciate the great service that they and other medical personnel are rendering in combating this pandemic.

Male version (Video)

Female (Audio)

Song-Saanson ki zaroorat hai jaise zindagi ke liye(Aashiqui)(1990) Kumar Sanu/ Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

—————————
Male version
—————————

ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise
zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
jaam ki zaroorat hai jaise
jaam ki zaroorat hai jaise
bekhudi ke liye
haan ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye

waqt ke haathhon mein sabki taqdeeren hain
waqt ke haathhon mein sabki taqdeeren hain
aaina jhoothha hai
sachchi tasveeren hain
jahaan dard hai wahin geet hai
jahaan pyaas hai wahin meet hai
koi na jaane magar r
jeene ki yahi reet hai
saaz ki zaroorat hai jaise
saaz ki zaroorat hai jaise mausiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye ae
haan ek sanam chaahiye ae ae aashiqui ke liye

Dialogues
————————————-
ladies and gentlemen
aaj hamaare beech mister and mrs Peston jee
apni shaadi ki pachcheesvin saalgirah mana rahe hain
let us give them a big hand

—————————————
ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

manzilen haasilen hain
phir bhi ek doori hai
manzilen haasilen hain
phir bhi ik doori hai
bina humraahi ke
zindagi adhhoori hai
milegi kahin koi rehguzar
tanha katega
kaise ye safar
mere sapne ho jahaaan aan
dhhoondhhoon main aisi nazar
chaand ki zaroorat hai jaise
chaand ki zaroorat hai jaise chaandni ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye

——————————-
Female version
——————————–
hmm hmm hmm hmm
hmm hmm hmm
aa aa aa aa
aa aa aa

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
shama ki zaroorat hai jaise
shama ki zaroorat hai jaise raushni ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

baaghbaan ke dil mein har kali khilti hai
baaghbaan ke dil mein har kali khilti hai
har lahar saahil se ik din milti hai
jahaan chain hai wahin bebasi
jahaan ashq hai wahin hai hansi
gham ke kaanton se chune ae usiko milti khushi
honthon ki zaroorat hai jaise
honthon ki zaroorat hai jaise baansuri ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

hmm hmm hmm hmm
hmm hmm hmm
laa laa laa laa
laa laa laa

har haseen dhadkan mein pyaar ki baaten hain
har haseen dhadkan mein pyaar ki baaten hain
har jawaan mehfil mein yaar ki baaten hain
jahaan nazm hai wahin hai ghazal
jahaan dhoop hai wahin hai kanwal
seene se lipte rahe ae kisi ke yaadon ke pal
dost ki zaroorat hai jaise
dost ki zaroorat hai jaise dosti ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4673 Post No. : 16349 Movie Count :

4440

#The Decade of Seventies – 1971 – 1980 #
———————————————————–———-
# Bhoole-Bisre Geet # 138 # Missing Films -1971- 05 #
———————————————–

I have mentioned in my earlier posts that this year ‘2021’ is special for the movies released in the year ‘1971’ as they will complete their ‘fifty years’ of release simultaneously, as this year ‘2021’ progresses.

The year ‘1971’ saw one hundred and fifteen movies released in that year. We are going to see the total list in future posts on the blog. Today we will see the list of movies released between Jan to April(From01.01.1971 to 30.04.1971).

Here is the list: ‘1971’ movies (in alphabetical order) released between 01.01.1971 to 30.04.1971…

SNO Movie Title Director Passed by Censor Board Song Status on the blog
1 Aag Aur Daagh A. Salam 20.01.1971 3/6 Songs posted
2 Adhikaar S.M. Sagar 28.04.1971 Yippeeee’ed
3 Andaz Ramesh Sippy 23.04.1971 Yippeeee’ed
4 Chandan Kewal Mishra 23.03.1971 2/5 Songs posted
5 Ek Paheli Naresh Kumar 16.01.1971 4/6 Songs posted
6 Elaan K. Ramanlal 30.04.1971 Yippeeee’ed
7 Gambler Amarjeet 16.02.1971 Yippeeee’ed
8 Gehraa Raaz Niranjan 01.02.1971 Yippeeee’ed
9 Haseenon Ka Devataa Ravi Nagaich 18.02.1971 1 song posted
10 Jal Bin Machhali Nritya Bin Bijalee V. Shantaram 11.01.1971 6 of 8 Songs posted
11 Johar Mehmood In Hongkong S.A. Akbar 04.01.1971 4 of 6 Songs posted
12 Kaalaa Parvat M. Sathyu 24.03.1971 No songs/Not mentioned
13 Kahin Aar Kahin Paar Maruti 23.01.1971 2 of 6 Songs posted
14 Laakhon Mein Ek S.S. Balan 24.03.1971 4 of 6 Songs posted
15 Lagan Ramanna 17.03.1971 2 of 6 Songs posted
16 Maataa Vaishno Devi Satish Kumar 16.04.1971 Making its DEBUT Today
17 Main Sundar Hoon Krishnan Panju 18.03.1971 Yippeeee’ed
18 Mehboob Ki Mehandi H.S. Rawail 30.01.1971 Yippeeee’ed
19 Melaa Prakash Mehra 04.03.1971 Yippeeee’ed
20 Nayaa Zamaanaa Pramod Chakravarty 23.03.1971 Yippeeee’ed
21 Paaras C.P. Dixit 08.04.1971 Yippeeee’ed
22 Parde Ke Peechhey K. Shankar 16.03.1971 2 of 6 Songs posted
23 Pyaar Ki Kahaani Ravi Nagaich 20.04.1971 Yippeeee’ed
24 Raamu Ustaad Mohammad Hussain 16.02.1971 1 of 4 Songs posted
25 Reshamaa Aur Sheraa Sunil Dutt 26.04.1971 Yippeeee’ed
26 Sher- E- Vatan Harbans 06.01.1971 1 of 4 Songs posted
27 Ummeed Nitin Bose 27.04.1971 Yippeeee’ed
28 Upaasanaa Mohan 15.03.1971 Yippeeee’ed
29 Veer Chhatrasaal Harsukh Bhatt 22.03.1971 1 of 5 Songs posted

From the above list we can see that all movies for the ‘Jan-April 1971’ period have been represented on the blog except one movie i.e., ‘Maataa Vaishno Devi’.

Today we are introducing this movie on the blog.

“Maataa Vaishno Devi-1971’ a mythological movie was directed by Satish Kumar for ‘Lokmanch Pvt Ltd, Bombay’. It had Jayshree Gadkar, Abhi Bhattacharya, B.M. Vyas, Anant Kumar, Mohan Choti, Tun Tun, Jeevan, Niranjan Sharma, Pal Sharma, Jayshree T., Madhumati, Shefali, Meenakshi, Saroj Naik, Baby Mala, Bhagwan Sinha, Radheshyam, Ramlal, Moolchand, Vishwas, Vijay Mohan and others.

This movie was passed by Censor Board on 16.04.1971.

This movie had six songs written by B.D. Mishra and composed to music by Dilip Ray.
Here are the details of these six songs.

S.No. Song Title Singer/s
01 Jai Vaishno maataa, Prem se bolo jai maataa ki Mahendra Kapoor, chorus
02 Chaand ne aisa jaadu daala ki hoke matwaalaa Asha Bhonsle, Usha Khanna
03 Man ke korey kaagaz pe tasveer kheench lo Ram ki Manna Dey
04 O naadaan meri maan, tu naa chhed mujhe Asha Bhonsle
05 Man ke korey kaagaz pe tasveer kheench lo Raam ki Asha Bhonsle
06 Raavan phoonko dhoomdhaam se, vijay Raam ne paayi re bhaiyya Mahendra Kapoor, chorus

Today’s song is a multiple version song. Male version is sung by Manna Dey and it is lip synced on screen by Jeevan. The female version is sung by Asha Bhonsle (and chorus) and it is lip-synced on screen by Jayshree Gadkar.

Let us now listen to this beautiful bhajan. With today’s song ‘Maataa Vaishno Devi-1971’ makes its debut on the blog.

Manna Dey version

Asha Bhonsle version

Song-Man ke korey kaaghaz pe tasveer kheench lo Raam ki(Maata Vaishno Devi)(1971) Singer-Manna Dey/ Asha Bhonsle, Lyrics-B D Mishra, MD-Dilip Ray
Chorus

Lyrics

—————————-
(Manna Dey version)
—————————

shri raam
raam raam
shri raam

man ke korey
kaaghaz pe ae
tasveer kheench lo
raam ki ee
man ke korey
kaaghaz pe ae
tasveer kheench lo
raam ki
kankar se shankar tak gaaye
mahimaa jinke naam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki ee

sooraj jaisa tej hai mukh pe
aur chandaa ka salonaapan
sooraj jaisa tej hai mukh pe
aur chandaa ka salonaapan
kesh hain kaale meghon jaise
mastak jaise neelgagan
nain kamal bhauhen kamaan si ee ee
nain kamal bhauhen kamaan si
honthhon mein chhavi muskaan ki ee
man ke korey
kaaghaz pe tasveer kheench lo
raam ki ee

parvat saa hai vaksh raam ka
bal agaadh hai baahon mein
parvat saa hai vaksh raam ka
bal agaadh hai baahon mein
har teerath har devaalaya hai
inke charan ki chhaaon mein
rang saanwlaa khiley ang pe
ae ae ae
rang saanwlaa khiley ang pe
shobha jaise shaam ki
man ke korey kaaghaz pe
tasveer kheench lo
raam ki ee

maathe tilak
kaan mein kundal
sheesh mukut man ko mohe
maathe tilak
kaan mein kundal
sheesh mukut man ko mohe
gal vaijayanti maal viraaje
peetambar tan pe sohe
dhoom machi hai
teen lok mein
ae ae ae ae
dhoom machi hai
teen lok mein
do akshar ke naam ki ee
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki ee
kankar se shankar tak gaaye
mahimaa jin ke naam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki ee

—————————
(Asha Bhonsle version)
—————————

shri raam
shri ee raam
shri ee raam

man ke korey
kaaghaz pe
tasveer kheench lo
raam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki
kankar se shankar tak gaaye
mahimaa jin ke naam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki ee

dharti ban ke bichhey hain wo hi
ambar ban ke chhaaye hain aen aen
dharti ban ke bichhey hain wo hi
ambar ban ke chhaaye hain
jal ban kar behten hain wo hi
agin pawan mein samaaye hain
ye sundar sansaar hai jhaanki ee
ee ee
ye sundar sansaar hai jhaanki
raam prabhu chhavi dhaam ki
man ke korey
kaagaz pe
tasveer kheench lo
raam ki ee

wo hi sakhaa
wo hi swaami hain
sab ke wo hi pitaa maataa
wo hi sakhaa
wo hi swaami hain
sab ke wo hi pitaa maataa
saare rishte naate jhoothhe
sachchaa unka hi naataa
raam ka jo ho jaaye usey kya
aa aa aa aa aa
raam ka jo ho jaaye usey kya
chinta hai dhan dhaam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki ee

poojan sumiran
bhajan bhakti hai
prabhu ke paane ki raahen aen aen
poojan sumiran
bhajan bhakti hai
prabhu ke paane ki raahen
kewal prem se raam reejhhte
dhan daulat kachhu naa chaahen
le lo mol tum preet raam ki
ee ee ee ee ee
le lo mol tum preet raam ki
bikti hai bin daam ki
man ke korey
kaaghaz pe
tasveer kheench lo
raam ki
kankar se shankar tak gaaye
mahimaa jin ke naam ki
man ke korey
kaagaz pe
tasveer kheench lo
raam ki ee
man ke korey
kaaghaz pe ae ae
tasveer kheench lo
raam ki ee
man ke korey
kaaghaz pe ae ae
tasveer kheench lo
raam ki ee


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16510

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered =4487

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