Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Helen” song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5771 Post No. : 18297

#the Decade of Seventies – 1971 – 1980 #
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# R.D. Burman – Music from ‘The 1970s’# (Darling Darling-1977)
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With this post we go back to the ‘decade of ‘seventies’. Of late very few songs from the ‘seventies’ have been posted on the blog. We are still a long way off from the estimated eight thousand songs that were created in this decade, so far, only 2834 songs from 1970s have been posted on the blog. On personal front,I also have many songs from this decade lined up to be present here. All these days I was listening to and enjoying songs on ‘radio’ every morning and evening while travelling to workplace and returning back to home.

Today’s song is from the movie ‘Darling Darling-1977’. I have presented a song from this movie in the past where I had mentioned that this movie had a few good songs that were played frequently on loud-speakers on those years.

Title song of this movie was heard more than other songs. I have mentioned that I did not like this ‘title song’ ‘hello darling bolo hello darling’ as I found it very irritating. As growing children the word ‘darling’ was taboo for us growing up in conservative surroundings. It was an ‘ultra-modern’ word for children like us who were studying in ‘small village school’:). This song is yet to appear on this blog and it will be coming here soon 🙂

Today another song from this movie is being presented with this post.

“Darling Darling-1977” was directed by Gogi Anand for ‘Fortune Films International, Bombay’. It was produced by Kishore Doshi. ‘Darling Darling-1977’ is mentioned as a movie from ‘genre’ of ‘social movies’ in HFGK Vol-V (1971-1980). It had Dev Anand, Zeenat Aman, Mahmood, Jeevan, Nadira, Dheeraj Kumar, Poonam, Sajjan, Durga Khote, Helen, Ranjan, Raj Verma, Shivraj, Shefali, V. Gopal, Hercules, Baby Goody, Baby Padmini, Janki Das, Zankhana, Pushpanjali, Birbal, Roopa, Dev Raj, Julian, Hira, Geeta Khanna, Monto, Pushpa Nepali, Bhushan Sawhny, Dhanna, Shahid Bijnori, Shaikh, and others.

Story and screenplay of this movie was written by Gulshan Nanda. Dialogues of this movie were written by Bhushan Banmali. Editing of this film was done by Ashok Ghai.

This movie has six songs that were written by Anand Bakshi and composed by R.D. Burman. Kishore Kumar, Asha Bhonsle and R.D. Burman had given their voices to the songs in this movie.

Following is the brief about the story of this movie taken from filmiclub.com

‘Darling Darling’ is a 1977 Indian Bollywood social film released in 1977. The film is directed by Gogi Anand.
It is the story of a young man and woman brought together by circumstances. In a bid to solve their own individual problems, they strike a bargain with each other, pass through various vicissitudes and ultimately fall in love and are united. – “Darling Darling” is the story of two lovers who are caught in the cob-web of crime and conspiracy. The story takes unexpected turns almost in every reel and keeps the audience engrossed throughout the film. . Kumar (Dev Anand) is the grandson of a wealthy widow (Durga Khote). Having been jilted in love by Seema (Poonam), Kumar resolves never to marry. His grandmother wants a good wife in the house and threatens Kumar to disinherit him of the money if he did not marry soon. . On the other hand, there is Madhu (Zeenat Aman) who has been brought up by her step-mother (Nadira) and tortured by step-sister Seema. To inherit the entire property of Madhu, left to her by her father Rai Bahadur Dinanath (Sajjan) Jeevan, Nadira, Seema and Jeevan’s son, Dheeraj conspire to marry Madhu with Dheeraj and kill her after marriage. . Madhu is saved from the pursuing thugs of Mrs. Rai Bahadur by Kumar, who on the adivce of his friend Debu (Mahmood) brings her to his house with Debu posing as her father and makes her acceptable to his grandmother. Kumar thinks that he will get the entire property by having a “hired wife while the grandmother reveals to Madhu that they are actually very poor and the entire property has been mortgaged. . . The story takes a sudden twist when, in the absence of his grandmother, Kumar is unable to pay off the creditors. Madhu then offers to take him out of trouble if he became her “hired husband” and brought the conspirators to book. Where this all leads to is to be watched in the movie. 🙂

This movie ‘Darling Darling-1977’ which has good music by Pancham featured in the top twenty ‘Bollywood movies’ of ‘1977’ (as per IMDB). None of the songs from this movie appeared in the annual list of ‘Binaca Geetmala’ of ‘1977’. Though this annual Binaca Geetmala list of 1977 had as many as eleven other songs composed by Pancham there.

‘Radio listeners’ know that the song ‘aise naa mujhe tum dekho’ is the top favorite of almost all FM channels on radio nowadays and it gets frequently played on radio in between. Four songs out of the six songs from this movie have already been posted on the blog.

Today I am presenting the fifth song from this movie which is a nice entertaining hummable song with the special ‘Pancham’ beats. There is an interesting story behind the ‘fast paced’ clap-sound in this song which are part of the interlude of this song. It is mentioned in the biography of Pancham – ‘R.D. Burman – The Man, The Music’ – by Anirudha Bhattacharjee & Balaji Vittal that Pancham asked his musician Amrutrao Katkar to take off his shirt and sit in the recording room where Pancham played these ‘series of beats’ by his hands like a ‘tabla’ on the shirtless back of Amrutrao (listen in video of this song from 05:27 to 05:40 & 03:00 to 03:15 in the audio of this song). Now we all know that there are many such stories when Pancham created music by using unconventional ways and achieve new heights in his musical journey making him a ‘genius’ and ‘unique’ the history of music of Hindi Cinema. The story of Pancham songs will keep continuing further.

Today’s song happens when Kumar (Dev Anand) takes Madhu (Zeenat Aman) to a club party where the club dancer (Helen) teases Kumar after Kumar tells her that he has been engaged to Madhu and is going to marry her. While the club dancer sings the song to Kumar, Madhu being a simple girl watches her but provoked by the club dancer’s singing and dancing she joins the performance with her ultra-modern get-up.

We have Dev Anand lip-syncing for Kishore Kumar and Helen and Zeenat Aman lip-syncing for Asha Bhonsle in this foot tapping song. There are many other artists present in the picturization of this song. Lyrics for the song are by Anand Bakshi and music is composed by R.D. Burman.

Enjoy the song!!!
Audio

Video (video, with dialogues)

Song-Bhool gaye tum ham ko(Darling Darling)(1977) Singers – Asha Bhonsle, Kishore Kumar,LYRICS – Anand Bakshi, MUSIC – R.D. Burman
chorus

Lyrics

Ha ha ha ha aa ha
hey ae
bhool gaye tum ham ko
yaad nahin kya tum ko
arey re re re re re
kal miley thhe
ham tum

aaj phir milnaa thhaa aa
arey ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee

haa haa
ha haa haa
ha haa haa
bhool gaye tum ham ko
yaad nahin kya tum ko
kal miley thhe ham tum
aaj phir milnaa thhaa aa aa
hey ae ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee

ho ho
o ho ho
o ho ho
bhool gaye tum ham ko
yaad nahin kya tum ko
ho o kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
haan haan ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee samjhe

aa ssssssssss
samjhe ae
aa aa aa

wow wow
wow wow
wow wow

roz shuroo karte hain
ham ek kahaani nayee ee

paa paa paa paa
maaf karnaa aa
maaf karnaa aa
dost naye pyaar nayaa
aur zindagaani nayee ee

paa paa paa paa
maaf karnaa aa aa
beqadar tum nikley
bewafaa harjaayee ee
kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
arey sab jazbaat
ek raat ki baat
raat gayee
baat gayee
samjhe

aa aa aa

paa paa pa ra paa
paa pa ra paa
paa paa paa
paa paa paa

paa paa paa
paa paa paa
paa aa
paa paa paa
paa aa
paa paa paa

aap ka hamaaraa bhi
pyaar puraanaa huaa
ru ru ru ru oo
maaf karnaa aa
maaf karnaa aa
ek hi soorat dekhte
zamaanaa huaa
ru ru ru ru oo
maaf karnaa aa
bewafaai tum se hi
seekh li
kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
pyaar ki baaraat
ik raat ki baat
raat gayee
baat gayee
haa haa
ha haa haa
ha haa haa
bhool gaye tum ham ko
yaad nahin kya tum ko
ho o kal miley thhe ham tum
aaj phir milnaa thhaa aa aa aa ssssssssss


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5604 Post No. : 18080

#the Decade of Sixties – 1961 – 1970 #
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The song being discussed in this article is from the movie ‘Golden Eyes-1968’. It was a movie belonging to the genre of ‘spy thriller’.

I was under the impression that ‘jasoosee’ movie is a ‘detective’ movie. ‘Detective’ and ‘spy’ appear synonymous, but now I have learnt that there is a difference in their purpose and ‘modus operandi’.:) I think ‘spying’ is more correct word here. 🙂 I had always liked to watch movies of this genre. During my childhood days I used to read and like the detective stories of ‘Inspector Dhananjay’ written by Baburao Arnalkar very much. (Interested readers can read more about him in this article written by our respected In-house Encyclopedia Shri Arunkumar ji on the blog.

If one goes through the various ‘genre’ of movies for Hindi films (mentioned in the Geet Kosh Vol-I to VI i.e. 1931 to 1985) the following list of ‘genres’ emerges from which movies are made, and that are mentioned for each film in HFGK. (There also some cases where the ‘genre’ for the movie is not mentioned. But such cases are very rare and for very few movies only.) Out of these, maximum movies, more than 75% movies or more, say -75% to 85%- movies are in the ‘genre’ of ‘सामाजिक’ or ‘social drama’ kind of movie.

Here is the list of all ‘genres’ of Hindi movies. (I have tried to note all different kind of ‘genres’ mentioned in the Geet Kosh for films from 1931-1985. Still, I apologise if I have missed any to include in the list below).

S No Genre Remarks
1) सामाजिक – social drama (e.g.’Sholay-1975, etc – many movies, or all movies except from the following genres)
2) रहस्य प्रधान/रहस्य – mystery/suspense (e.g. Qismat Ka Khel-1956,The Train-1970, etc)
3) स्टंट – stunt (e.g. Bade Saaheb-1951, Diamond King-1961 etc) (I don’t know why the Hindi word for ‘Stunt’ is not mentioned 🙂 )
4) भक्ति प्रधान – devotional (e.g. Ishwar Bhakti-1951 etc)
5) पौराणिक – mythological (e.g. Bholaa Shanker-1951 etc)
6) धार्मिक – religious/religion based (Chhath Maiyaa Ki Mahimaa-1979, Khwaajaa Ki Deewaani-1981, etc)
7) ऐतिहासिक – period / (historical ?) – (e.g. Aandolan-1951, Anand Math-1952 etc)
8) देश भक्ति प्रधान – patriotic (e.g. Shaheed-1965, Kraanti-1981, Desh Premi-1982 etc)
9) काल्पनिक – fictional (e.g. Alladin Aur Jaadui Chiraagh-1952, Jaadui Angoothhi-1964 etc)
10) स्वप्नचित्र – fantasy (e.g. Baghdad-1961, Jaadoo Nagri-1961, etc)
11) जीवनी संबंधी – biographical (e.g. Vidyaasaagar-1952, Baapu Ne Kahaa Tha-1962, etc)
12) जासूसी – spy (/detective?) – (e.g. Mera Saaya-1966, Aankhen-1968 etc)
13) विज्ञान संबंधी – science fiction (sci-fi) (e.g. Professor X-1966 etc)
14) हास्य/ हास्य प्रधान – comedy (e.g. Bahaar-1951, Do Dooni Chaar-1968, etc)
15) वेषभूषा प्रधान – costume drama (e.g. ‘Baadal-1951, Arabian Nights-1967 etc)
16) अपराध – crime (e.g. ‘Baazi-1951’, ‘Jaal-1952’, C.I.D.-1956, Train Dakaiti-1984, etc)
17) आख्यात्मक – legend/folklore (e.g. Talaash-1952, Lailaa Majnoon-1953, Heer Ranjha-1970, etc)
18) शास्त्रीय संगीत प्रधान – Classical Music Based (e.g. Baiju Baawaraa-1952 , Shabaab-1954, Jhanak Jhanak Paayal Baaje-1955 etc)
19) संगीत प्रधान – Musical ( e.g. Pratibha-1937, Sangeet Samrat Tansen-1962)
20) वृत चित्र – Documentary type (e.g. Gautam Buddha-1957, Jain Teerthkshetra Darshan-1975, etc)
21) यौन शिक्षा संबंधी – sex educational (e.g. Gupt Gyaan-1973, etc)
22) शैक्षणिक / शिक्षा संबंधी – educational (e.g. Cancer Aur Gupt Rog-1981*) *HFGK Vol-VI mentions this movie in the foot note on this movie page as ‘A moral movie on Sex Education’
23) रहस्य-रोमांच – Suspense Thriller (e.g. Rocket Girl-1962, Tower House-1962)
24) साहित्यिक- Literature based (e.g. Chandrashekhar-1948,)
25) बाल-फिल्म – Movies for Children – (e.g. Diler Bachche-1981)

There are some exceptions also where the movies are mentioned with a ‘joint genre’ e.g. सामाजिक-स्टंट – Jawaahir-E-Hind-1937, स्टंट-रहस्यप्रधान – Naujawaan-1937. Also in the decade of 1931-1940 a movie titled ‘Heer Ranjha (alias ‘Hoor-e-Punjaab’)-1932- is mentioned from the ‘genre’ ‘आध्यात्मक –Spiritual(?) which I guess is a printing mistake and it should be ‘आख्यात्मक’ ‘genre’ which is mentioned with other movies with the same title.

(‘Genres’ for very few movies are not mentioned, which may be because of unavailability of their details or any other reason, e.g. ‘Do Dulhe-1955’, ‘Night In London-1967’, etc.)

A film producer in India (or an applicant whoever it is) has to mention the ‘Kind of film/Genre’ in the application form, while applying for certificate from the ‘Central Board of Film Certification in India’. The details of this application and its guidelines are available on the website of CBFC and ‘cinepramaan’. However, while going through the guidelines I noted one thing which I find strange is that for the ‘kind of film/genre’ it is mentioned that ‘it should be in accordance with the duration of the film’, but for example in the ‘demo’ it mentions the ‘genre’ (i.e. crime) only. So I guess that the ‘duration of the film’ has no role for this particular field there.

If one goes through the ‘genres’ for films produced in initial decades i.e. 1931-1951 one can notice that majority of movies of those days fell under ‘social’, ‘costume drama’, ‘fictional’, ‘fantasy’, ‘stunt’, ‘mythological’, ‘devotional’ etc. This trend continued till 1970 and even later. However movies in the ‘genre’ of ‘fantasy’, ‘costume drama’ got reduced over the years. Movies in the ‘genre’ of ‘suspense thriller’ were also introduced. And movies in the ‘spy genres’ were made only in the decade of 1961-1970. Movies with ‘spy stories’ might have been produced in later years also, but they were mentioned under other ‘genres’. Gradually the different ‘genres’ merged into ‘social’ movies as can be seen from movies made in 1971-1985. For example a title ‘Paataal Bhairavi-1952’ was a ‘fantasy movie’, but movie with the same title made in 1985 was made in the ‘genre’ of ‘social’ movie. (I hope to come with more detailed statistics on this in a future post on the blog).

Let us come back to the ‘genre’ of today’s movie i.e. ‘Spy film’. In the decade of the sixties the first movie based on the character of James Bond created by Ian Fleming was released in ‘1962’ . It was ‘Dr No’ featuring Sean Connery as James Bond or Secret Agent 007. ‘Farz-1967’ is considered as the first Hindi movie inspired by the character of James Bond and it was later followed by many such movies. However if one goes through the ‘genre’ of the movie, ‘Farz’ is mentioned in Geet Kosh as a ‘Social’ movie. (This is the same case for other movies by the same director i.e. Ravikant Nagaich where movies based on ‘spy stories’ have been categorized under the same ‘genre’ i.e. ‘social movie’ (e.g. ‘Keemat-1973’, ‘The Gold Medal-1975’, ‘Surakshaa-1979’, ‘Wardaat-1981’ etc).

The first movie in the ‘genre’ of ‘जासूसी’ फिल्म to appear in the Geet Kosh is ‘Mera Saaya-1966’. I think ‘detective film’ should be the right word for this ‘genre’ going by the story of this movie, or should it be ‘suspense thriller’?, or may be ‘rahasya pradhaan chitra’ I guess.

The next movie coming in this genre chronologically is ‘Aankhen-1968’ which is a ‘spy thriller’ and this movie perfectly fits in for this genre. It is also one of my favorite movies from this ‘genre’. I might have watched many movies from this ‘spy-stories’ but I particularly remember ‘Aankhen-1968’ and like it very much. In the later years another ‘spy’ movie which I liked is ‘The Hero-The Love Story of a Spy-2003’. And I think the ‘genre’ of this movie was correctly mentioned as ‘Spy Thriller’.

In the decade of ‘sixties’ there were two more ‘jaasoosi movies’ i.e. ‘Golden Eyes-1968’ and ‘Spy in Rome-1968’. One more movie ‘Khilaadi-1968’ is said to have a ‘spy story’ but it is covered under the ‘genre’ of ‘social’ movie. Moving forward to the decade of ‘seventies’ there are no movies especially under this genre ‘spy thriller’ or ‘jaasoosi movies’ though movies may have ‘spy’ content in their stories. Some examples have already been given above. There are more such examples. A ‘spy movie’ ‘Agent Vinod-1977’ is covered under the ‘genre’ of ‘suspense/mystery’-रहस्य प्रधान. The movie ‘Bond-303-1985’ was categorized as ‘Social movie’.

We can find many movies having ‘spy’ content which got covered under the ‘genre’ of either ‘stunt’, ‘action’, ‘crime’ or ‘suspense/mystery’ or simply as ‘social movies’:) . And same thing can also be noted for films produced outside India too. (I am not going in the details for such movies for now 🙂 because I am not sure if the information about the ‘genre’ of the movies is mentioned correctly in the online information i.e. it is the same for which the movie was officially certified for).

The ‘spy’ stories got revived during the recent years in our country with movies like ‘Agent Vinod-2012’ and ‘Ek Tha Tiger-2012’ and subsequently we have ‘created’ our own ‘spy universe’ now 🙂 (The YRF spy universe’). And our ‘spy-agents’ have become stronger now as they can even save our ‘neighboring country’s PM too’ 🙂 (‘Tiger-3 🙂 ). But these movies have been categorized under the ‘genre’ of ‘Action/Drama/Thriller’ and like that, if the online sources which mentioned them are correct.

The plot of such ‘spy’ movies have been on similar lines where there is some ‘secret formula’ or ‘sensitive secret documents/map’ etc which ‘greedy anti-nationals’ are looking to sell it to an ‘enemy country’ or an ‘enemy country’ trying to get the formula to use for their own benefit. Or the enemy-nation agents are planning to and kidnap ‘scientists’ of our country, and demand ‘some important secrets or formula or demand to release their terrorists friends in our custody etc. 🙂

‘Golden Eyes-1968’ has a similar plot where two groups are vying for a ‘secret formula’ of ‘making of a bomb from helium gas’ which is developed by Indian Scientists. This formula has been saved in ‘microfilms’ in two parts and getting those both parts is the sole agenda of two different groups. Do they succeed in getting this or the ‘Secret Agent 007’ prevents them is what is to be watched in this ‘entertaining movie’. The movie is now available on online platform but sadly the ‘quality of print and the audio of the film’ is very poor’ which takes off all the ‘thrill’ of watching it.

“Golden Eyes” (alias ‘Secret Agent 077’) was directed by Kamal Sharma for ‘Madan Chitra, Bombay’. It was produced by Ramkumar Bohra. It had Mumtaz, Shailesh Kumar (as Secret Agent 007), Helen, Ram Kumar, Ravi Kumar, B.M. Vyas, Shabnam, Madhumati, Asit Sen, Ulhas, Rani, Rajan Haksar, Saudagar Singh, Samson, Rajan Kapoor, Ramesh Kant, Shaikh, Jeevankala, Khurshid, Ratan Gaurang, Nazir Kashmiri, H. Prakash, Amrit Rana, Vijaylakshami, Narbada Shankar, Musha Chang, Maqbool, Bhaskar, Ganesh, Bashir, Arvind, Abu Baker, Juliyan, Sayyad, Rachna, Rita, Baby Camne, Mohammedali, Steelman, Sattar Master and others. Story and dialogues of this movie was written by H.M. Singh and screenplay was written by Shreeram Bohra. Editing of this movie was done by S.R. Sawant.

This movie has six songs which all were written by Shewan Rizvi and music for this movie was composed by Baldev Nath or B.N. Bali. The playback for the songs in this movie is given by Asha Bhonsle, Mahendra Kapoor, Usha Balsawar and Kamal Barot.

The song under discussion is sung by Asha Bhonsle and it is picturised on Helen. Shailesh Kumar is also seen in the picturisation. Lyrics are by Shewan Rizvi and music is composed by B.N. Bali.

The lyric contains ‘arabic words’ like ‘anta habibi’ and ‘anta rafiqui’ for which the online sources mention the meaning as ‘my beloved’ for ‘anta habibi’. I am aware of the words ‘habib’, ‘rafiq’ and ‘rafiqui’ which mean a beloved, a friend and friendship respectively. However, I would request knowledgeable readers to throw more light on this or any valuable information they can add please.

Let us now enjoy this wonderful song and extend our birthday greetings to Helen whose birthday falls today (21 November).

Video

Audio

Song-Anta habeebi anta rafiqui (Golden Eyes)(1968) Singer-Asha Bhonsle, Lyrics-Shewan Rizvi, MD-B N Bali

Lyrics

gulshan pe ghataa chhaayi
bahaar aayi ee
zaraa dekh
aankhon mein mere pyaar ki
gehraayee zaraa dekh
ye dil kaa dhuaan hai
yaa kaleje kaa dhuaan hai
ye dil kaa dhuaan hai
yaa kaleje kaa dhuaan hai
ulfat ne kahaan aag ye
bhadkaayee zaraa dekh

antaa habibi ee
antaa rafiqui ee
antaa habibi ee
antaa rafiqui ee
jaaneman jaanaa naa
dil ye boley
haule haule
naa jaanaa naa jaanaa
habibi ee ho ho ho o
rafiqui ee ho ho ho o
antaa habibi
antaa rafiqui
jaaneman jaanaa naa
dil ye boley
haule haule
naa jaanaa naa jaanaa
habibi ee ho ho ho o
rafiqui ee ho ho ho o

ye rang naa thhaa
ye noor naa thhaa
jab yaar naa thhaa
mehfil mein
kya rang dikhaati
shokh adaa
dildaar naa thhaa
mehfil mein ae
ye rang naa thhaa
ye noor naa thhaa
jab yaar naa thhaa
mehfil mein
kya rang dikhaati
shokh adaa
dildaar naa thhaa
mehfil mein
ye shamaa naa thhaa parwaanaa
naa jaanaa naa jaanaa
habibi ee ho ho ho o
rafiqui ee ho ho ho o
antaa habibi
antaa rafiqui
jaaneman jaanaanaa
dil ye boley
haule haule
naa jaanaa naa jaanaa
habibi ee ho ho ho o
rafiqui ee ho ho ho o

kya kisne kahaa
kya kisne sunaa
ye baat na duniyaa samjhi
ik aankh uthhi
ik aankh jhuki
keh daali kahaani dil ki ee
kya kisne kahaa
kya kisne sunaa
ye baat na duniyaa samjhi
ik aankh uthhi
ik aankh jhuki
keh daali kahaani dil ki
nazron mein rahaa afsaanaa aa
na jaanaa na jaanaa
habibi ee ho o o o
rafiqui ee ho o o o
antaa habibi
antaa rafiqui
jaaneman jaanaa naa
dil ye boley
haule haule
naa jaanaa naa jaanaa
habibi ee ho ho ho o
rafiqui ee yaa hoo

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————-

गुलशन पे घटा छायी
बहार आयी ई
ज़रा देख
आँखों में मेरे प्यार की
गहरायी ज़रा देख
ये दिल का धुआँ है
या कलेजे का धुआँ है
ये दिल का धुआँ है
या कलेजे का धुआँ है
उलफत ने कहाँ आग ये
भड़काई ज़रा देख

अंता हबीबी ई
अंता रफीकी ई
अंता हबीबी ई
अंता रफीकी ई
जानेमन जाना ना
दिल ये बोले
हौले हौले
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ
अंता हबीबी
अंता रफीकी
जानेमन जाना ना
दिल ये बोले
हौले हौले
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ

ये रंग ना था
ये नूर ना था
जब यार ना था
महफिल में ए
क्या रंग दिखाती शोख अदा
दिलदार ना था
महफिल में ए
ये रंग ना था
ये नूर ना था
जब यार ना था
महफिल में ए
क्या रंग दिखाती शोख अदा
दिलदार ना था
महफिल में ए
ये शमा ना था परवाना
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ
अंता हबीबी
अंता रफीकी
जानेमन जाना ना
दिल ये बोले
हौले हौले
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ

क्या किसने कहा
क्या किसने सुना
ये बात न दुनिया समझी
इक आँख उठी
इक आँख झुकी
कह डाली कहानी दिल की ई
क्या किसने कहा
क्या किसने सुना
ये बात न दुनिया समझी
इक आँख उठी
इक आँख झुकी
कह डाली कहानी दिल की ई
नज़रों में रहा अफसाना आ
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ
अंता हबीबी
अंता रफीकी
जानेमन जाना ना
दिल ये बोले
हौले हौले
ना जाना ना जाना
हबीबी ई हो ओ ओ ओ
रफीकी ई हो ओ ओ ओ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5400 Post No. : 17718

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.105
————————————————————————————–

On this date ten years ago (1 May 2013), eight songs from eight different movies were covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8013 Ajee dil ho qaaboo mein to Village Girl (1945) 11 songs covered out of 12 by now. Final song unavailable
8014 Tan Man Mera tarse Paataal Bhairavi (1952) 5 songs covered out of 9 by now
8015 Pyaar nahin chhupta chhupaane se Laadla (1954) 9 songs covered out of 10 by now
8016 Teri mehfil tera jalwa teri soorat dekh li Sohni Mahiwal(1958) Movie YIPPEED in the blog by now
8017 Pehle beej akela Sant Tukaram (1965) 4 songs covered out of 8 by now
8018 Jobna se chunariya khisak gayee re Dhundh (1973) Movie YIPPEED in the blog with this song
8019 O phoolon ke desh waali…Haath mere hai madhu ka pyaala Aarop (1974) Movie YIPPEED in the blog by now
8020 Bibi mendhki ri tu to paani mein ki raani Garam Coat(1955) Movie YIPPEED in the blog by now

We observe that four movies (out of eight) whose songs were covered in the blog on this date ten years ago (on 1 May 2013) have since been YIPPEED.Two more movies have only one song left to be covered, but these songs are not available. So practically only two unYIPPEED movies are eligible for Blog Ten Year Challenge today on 1 May 2023.

“Sant Tukaram”(1965) is one of the BTYC eligible movies today.

“Sant Tukaram”(1965) was produced by R A Puria and directed by Rajesh Nanda for Ashok Films, Bombay. The movie had Anita Guha, Shahu Modak, B.M.Vyas, Rohit Kumar, Madhu Apte, Badri Prasad, Kesari, Narbada Shankar, Vishwas Kunte, Rajpal, Tun Tun, Sadhna Khote, Raaj Kumar, Baby Shobha, Uma, Helen etc in it.

“Sant Tukaram”(1965) had eight songs in it. Four songs have been covered so far.

Here is the fifth song from the movie to appear in the blog. This song is sung by Asha Bhonsle and Manna Dey. Bharat Vyas is the lyricist. Music is composed by Ved Pal.

The song is picturised as a seduction song on Helen (playing seductress Rambha)and Shahu Modak.

Lyrics of the song were sent to me by Prakashchandra.

Video link:

Song-O bhole jogee sun meri paayaliya ki chhun chhun (Sant Tukaram)(1965) Singers-Asha Bhonsle, Manna Dey, Lyrics-Bharat Vyas, MD-Ved Pal
Both

Lyrics(Provided by Prakashchandra)

ye poonam ki chaandni
ye ae ae ghadiyaan aaa anmol
beet na jaaye raat ye jogee
aankhein aen ae khol
jogi o jogi
o bholey jogi sun
meree pyaaliyaa ki chhun chhun
sun o bholey jogi sun
meree paayaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae aey ae

goree goree baahon mein
mera kangnaa khan khan khankey
goree goree baahon mein
mera kangnaa khan khan khankey
aayee hoon main ban thhan ke ae
aur gaaoon geet milan ke
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogee sun
meree pyaaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae

kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley ae
kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley
tere paas khadee hoon jogee
mujhe apne ang lagaa ley
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogi sun
meree paayaliyaa ki chhunn chhunn
raat ye beetee jaaye re
jawaani phir nahin aaye rey ae ae
jawaani phir nahin aaye rey ae ae ae

o paththar ke insaan
tu aankhein khol
o paththar ke insaan
tu aankhein khol
dekh tu apne prabhu kee maayaa
kaisaa sundar roop banaayaa
neel kamal se ae nain banaaye
kokil jaisey bain banaaye
o o ooo
ho o o
o o o o
hoo oo
kokil jaisey baain banaaye
inhein chhod kar kyon khothaa hai
ye jeevan anmol
ye jeevan anmol
paththar ke insaan
tu aankhein ae khol

jal mein wahee hai
thhal mein wohee hai
is jeevan tan man mein wahee hai
tujhmein wahee hai
mujh mein wahee hai
dhartee ke kan kan mein wahee hai
ho o ho o ho o o
ho o
ho o o ho o dharthee ke kan kan mein wohee hai
is neeras jeevan mein jogi
prem kaa amrit ghol
prem kaa amrit ghol
paththar ke insaan tu aankhein khol

hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

Hari


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5352 Post No. : 17552

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No. 45
————————————————————————————–

On this date ten years back viz on 14 March 2013, nine songs from eight different movies (plus one Non Film song) were covered in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
7672 Ud jaa re ud jaa papeehe Vishkanya(1943) 7 songs covered out of 12 by now
7673 Nanha sa dil deti hoon Chandan(1941) one song covered out of 12 by now
7674 Kuchh keh na sake kuchh keh bhi gaye Shahnaaz(1948) 8 songs covered out of 12 by now
7675 Sur ki gati main kyaa jaanoon Mukesh NFS(1950)
7676 Ek matwaala aaj chala apni manzil ko Aapki Parchhaiyaan (1964) Movie YIPPEED by now
7677 Aaye re din saawan ke Gaban (1966) Movie YIPPEED by now
7678 Badla dilwaayegaa yaa rab Alam Ara(1931) Songs unavailable
7679 Kaho kahaan chalen Bulandi(1980) One song out of 6 covered by now
7680 Papa kehte hain bada naam karega Qayamat Se Qayamat Tak (1988) 3 songs covered out of 6 by now

It can be seen that out of two movies (out of eight) whose songs were covered on this date ten years ago (on 14 March 21013) have since been YIPPEED. So technically six movies are eligible for Blog Ten Year Challenge today. But in reality, songs of some of the movies are unavailable.

Two unYIPPEED movies, whose songs are avaialble, have been taken up under the BTYC challenge earlier in the day. Here is the third unYIPPEED movie under this challenge.

This movie is “Bulandi”(1980).

“Bulandi”(1980) was produced by Mohan Rao and directed by Esmaayeel Shroff for Shree Kala arts. The movie had Raj Kumar, Danny Denzongpa(double role), Asha Parekh, Kim, Raj kiran, Kulbhushan Kharbanda, Jeevan, Krishan Dhawan, Mushtaq Merchant, Rakesh Bedi, Helen, Kadar Khan, Sudhir, Bharat Kapoor, Nitin Sethi, C.S.Dubey, Johnny whisky, Bhagwan, Ramesh Tiwari, Pratima devi, Azaad, Madhu, Rajrani, Lalita Kumari Sinha, Kanchan Mattoo, Sujtaa, Dharmaveer, Sunder Taneja, Siddharth Kak etc in it.

“Bulandi”(1980) had six songs in it. One song has been covered so far.

Now after the passage of exactly ten year, here is the second song from the movie to appear in the blog. The song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised as a bar dance song on Helen. One can see Bhagwan, Raj Kiran,Mushtaq Merchant and Sudhir, among others in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

audio link:

video link:

Song-Tera dil o re baabu (Bulandi)(1980) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics(Provided by Prakashchandra)

teraa dil o rey baabu
tere kheesey mein rakkho o o
teraa dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko
tera dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko
nakko o o o

kaayiko aisa kaam karoon jo mujhpe koyi hansey
man ke kehney mein jo aaye
machhli wahee phansey ae ae
kaayiko aisa kaam karoon jo mujhpe koyi hansey
man ke kehney mein jo aaye
machhli wahee phansey
keh to diyaa tere koo
dil hai bahot mere koo
kaayiko khotee kare tu…ooo
khotee kare tu…ooo
tera dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko
tera dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko o
nakko o o

chaahoon to main aisaa phandaa
maaroon khadey khadey
saari umar tadpey tu retee mein padey padey ae
chaahoon to main aisaa phandaa
maaroon khadey khadey
saari umar tadpey tu retee mein padey padey
keh to diyaa tere koo
dil hai bahot mere koo
kaahe ko khotee karey tu
khotee kare tu…ooo
tera dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko
tera dil o rey baabu
tere kheesey mein rakkho
naa baabaa naa rey baaba
mere ko nakko nakko
nakkho o o ooo


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5292 Post No. : 17328

Today’s song is a funny Dance song from the film – Naya Aadmi-1956.

There were 4 films with titles Aadmi – in 1939, 1957, 1968 and 1993. Then came films describing an Aadmi, like Aadmi sadak ka-1977, Pehla Aadmi-1950, Naya Aadmi-1956 and Bhala Aadmi-1958. Aadmi alone is not good, so films came like Aadmi aur Apsara-1991, Aadmi aur Aurat-1984 and 1999, Aadmi aur insaan-1969 and even Aadmi ki Aurat-2009 !

Since the times when the adventurous S.S.Vasan-Producer, Director and Owner of Gemini Studios, made his film ” Chandrakanta”- in Hindi in 1948 on a mammoth scale (with over 600 prints of the Hindi version for simultaneous release on All India basis on 24th December 1948), the Southern film industry woke up. After the film Chandrakanta was successful, Vasan started making remakes of his Tamil hit films in Hindi one after another. When other filmmakers of the South saw Vasan busy doing this and visiting his bank very often with several bags full of money to deposit, they too joined the bandwagon !

Thus, the entire decades of the 50’s and the 60’s saw many films from South, in the form of Remakes of Southern Hit films, Dubbed or shot at Madras for the All India audience of Hindi films. After Vasan’s Gemini, A.V.Meiyyappan’s AVM, Nagi Reddy’s Vauhini Studios and L.V.Prasad’s Prasad productions gave many films, made with all Southern, all Bombay or a mixed cast of actors. Many major Heroes of South secretly nurtured a desire to shine in the Hindi belt. They joined this race. Actors like M.G.Ramchandran (MGR), N.T.Tama Rao (NTR), A.Nageshwar Rao (ANR), Sivaji Ganesan, Gemini Ganesan etc., actresses like Bhanumathy, Jayalalitha, Jamuna etc and character artistes like Relang, S.V.Ranga Rao etc appeared in Hindi films. ( A very loooong list of such remakes and dubbed films is available on IMDB ). Even today many Southern Hit films are remade or dubbed in Hindi and the addition is, many Hindi Hits are also remade in Southern languages. The West Bengal Film Industry which actually led this trend in the 30’s and the 40’s has fallen way behind now.

The cast of film Naya Aadmi-56 was Anjali Devi (south), N.T.Rama Rao, jamuna, Ram Sarma, Ragini (South), Anwar hussain, Gope , Helen, Raja sulochana etc etc. Music was by the pair of M.S.Vishwanathan and T.K.Rammurthy. This was their First Hindi film as Music Directors. Film Naya Aadmi-56 was made by Jupiter Pictures, madras. The film was directed by C.P.Dixit. The original film was Tamil Hit film VELAIKARI – 1949, which was remade as Naya Aadmi in Hindi-1956, Santosham in Telugu in 1956 and also as Malli Maduve in Kannada in 1963.

Jupiter Pictures, one of the top Tamil banners of the time, entered into a five film contract with matinee idol N.T. Ramarao and simultaneously remade their box office Tamil hit, Velaikari (1949) as Santhosham in Telugu and Naya Aadmi in Hindi. Interestingly Velaikari was also released in some Telugu provinces with the title ‘Dasi Kanya’ in Telugu in the posters. C.P. Dixit who assisted L.V. Prasad for the Hindi version of Jupiter’s Tamil, Hindi bilingual Rani (1952) was signed to direct both Santhosham and Naya Aadmi . The cast for both the versions remained the same but for Anwar Hussain stepping in for Jaggaiah and comedian Gope replacing Relangi for Naya Aadmi.

Since Telugu language was a problem for the Bombay based director C.P. Dixit, T. Hanumantharao assisted him as dialogue director. Dixit later directed about a dozen movies apart from Naya Aadmi, in Hindi including Paras , Mausam, Fakira, Ghazab and Beta Ho Tho Aisa (1994). earlier he had also acted in Hindi film Namoona-1949. Viswanathan- Ramamurthy composed the music which also contributed to Santhosham ’s success. NTR signed a five film contract with Jupiter Pictures – Santhosham and Naya Aadmi followed by Umasundari (1956- directed by P. Pullaiah), Valmiki (1963 -C.S. Rao) and Marmayogi (1964- B.A. Subbarao).

When the film was remade in Kannada with Dr. Rajkumar in the lead as Malli Maduve (1963) G.K. Venkatesh composed the music. Santhosham was released on December 24, 1955 and Naya Aadmi a week later on January1, 1956.

Though NTR acted in 23 Hindi movies,Naya Aadmi-1956 was the only film which was simultaneously made in Hindi and Telugu and hence so to say, was his only Hindi film. The other 22 films were dubbed in Hindi.

He had dubbed his Hindi dialogues himself. As he had problems with Hindi,the Dialogues were written in Telugu for him to understand the correct diction.
The music was given by the famous duo of Vishwanath-Rammurthy,who were as prolific as S-J in Hindi.Vishwanath used to sing songs also in south films.
Madan Mohan was opted for this film,as he was quite popular in south production houses-who understood his talent. However,since most songs had same tunes like Telugu songs, the duo also was retained in Hindi version. My information from the southern journals is that this song was composed(except the tune) by Madan Mohan. I do not know why his name is not mentioned in HFGK.

Just for information,the Telugu song is equally interesting.It is also available on You Tube.

Speaking of the “comic talent ” of NTR, let me tell you, there was one movie in 1954, VADDANTE DABBU (which means-Money when denied also), in which NTR with ANR (Akkineni Nageshwar Rao), Jamuna and Janki made a tremendous impact in comedy. This film became so popular that later he was offered comedy roles only. He,however,continued with Mythology and Historical films. Incidentally, this was a remake of a Marathi film “LAKHACHI GOSHT,”-1952, which was the story of a Lakh of Rupees, starring Raja Paranjape, Raja Gosavi, Chitra and Rekha etc.

In the 40s and 50s, Hindi, Marathi and Telugu films were exchanging themes,without obligation.

I hope our readers had enjoyed the Telugu Superstar’s Hindi Qawwali, already posted on this blog a few years back.

I have seen this movie when it was released in 1956.I also saw “Santhosham”, its Telugu version which also came soon after. The Telugu film was a mammoth success,celebrated jubilees and was remade in Kannada as well.

The Hindi version NAYA AADMI-1956 was not successful, maybe NTR was not a name known to many people elsewhere. However the music became powerful. The film was directed by C.P.Dixit-his first Hindi film.Later he directed 10 more Hindi films featuring top guns like Sanjeev kumar etc. He also acted in the film Namoona-1949. He was earlier an assistant to L.V.Prasad.

The story of this film was….

Mayadas,a money lender is a wealthy widower,whose son Shekhar loves their maid Chandani and his daughter Rajani hates her.Sitaram who took loan to educate son Anand cannot repay and Mayadas auctions his house.Sitaram commits suicide.His son Anand returns and knows this.He plans revenge on Mayadas.
One day Anand and his friend Jaggu find the dead body of Parmanand,a rich Zamindar from England.Anand is his look-alike and impersonates him.The blind mother receives him gladly and fixes his marriage with Rajani.After marriage,Anand tortures Rajani,uses all her money and insults Mayadas openly.He also creates rift in Shekhar and mayadas. Mayadas throws Shekhar out and burns Chandani’s house.
Now Shekhar wants to take revenge on Anand.
The further story tells us how both the men are converted to goodness and how everything settles down to normalcy with respective persons learning their lessons in life.

The highlight of the film was its music.

One of the Heroines of this film was Jamuna. There was another Same Name actress Jamuna Barua from the Bangla films about whom we know. Let us know about this Jamuna from South.

Jamuna (born 30 August 1936) is an actress, director and politician who appeared mainly in Telugu films. She made her acting debut at the age of 16 in Dr. Garikapati Rajarao’s Puttillu (1953), and received her breakthrough with L. V. Prasad’s Missamma (1955). Her filmography also includes Tamil, Kannada, and Hindi films. She won a Filmfare Award and an award at Filmfare Awards South. She was a Member of Parliament in the 9th Lok Sabha (1989–1991) representing the Rajahmundry constituency.

Jamuna was born in Hampi of present-day Karnataka to Nippani Srinivasa Rao and Kowsalya Devi. Jamuna was named Jana Bai. Her father is a Madhva Brahmin, while her mother is a Vaisya and they had an inter-caste love marriage. Her father was involved in the business of turmeric and tobacco and their family moved to Duggirala, in Guntur District of Andhra Pradesh when Jamuna was seven years old. She grew up in Duggirala. When Savitri was performing drama in Duggirala, she stayed in Jamuna’s house. Later, Savitri invited Jamuna to act in films. She entered as a heroine in movies at the age of 15. Jamuna’s mother tongue is Kannada.

Jamuna was a stage artist in school. Her mother taught her vocal music and harmonium. Dr. Garikipati Raja Rao (see Indian People’s Theatre Association IPTA) watched her stage show Maa Bhoomi and gave her an offer to act in his film Puttillu in 1952.She acted in 198 films in Telugu and other south Indian languages. She also acted in Hindi films, winning the Filmfare Best Supporting Actress Award for Milan (1967), repeating her role from the original Telugu film Mooga Manasulu (1964). Jamuna acted in 22 Hindi films. Her well known Hindi films were Miss Mary-1957, Sadhana-1958, Hamrahi-1963 and Milan-1967. These were films made in Hindi actually, at Bombay and Madras. All the other films were dubbed films.
She also established Telugu artist association and has been doing social service through it for the last 25 years.

It is almost a custom among the southern film artistes to be in Politics atleast for some time. Jamuna also had a political career. Jamuna joined the Congress party in the 1980s and was elected to the Lok Sabha from Rajahmundry constituency in 1989. She lost the 1991 election and quit politics but briefly campaigned for the in the late 1990s during Atal Bihari Vajpayee’s tenure.

Jamuna married Professor Juluri Ramana Rao, a zoology professor in SV University, in 1965; he died on 10 November 2014 aged 86 due to cardiac arrest. They have a son, Vamsee Juluri and daughter, Sravanthi. They live in Hyderabad, Telangana. (Adapted from wiki, nett4you,with thanks. I have also used information from The Hindu article dated 11-9-2014 and an article from Andhra Prabha dated 27-1-1974, muVyz, HFGK and my notes).

Now let us enjoy this dance song. Helen danced on this song, even in its Telugu version- Santosham-1956, which was her first Telugu film. Later she danced in many southern films.


Song- Athanni jahaan amma rupaiyya howe baap (Naya Aadmi)(1956) Singer- Asha Bhonsle, Lyricist- Rajendra Krishna, MD- M.S.Vishwanath-T.K.Rammurthy
Chorus
Male chorus/voice

Lyrics

athanni jahaan amma
rupaiya hove baap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap
athanni jahaan amma
rupaiya hove baap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap

paani ya pawan ya chaand ki chandaniya
paise se khareed ke dikhaaye zara duniya
maam parimba chumba chumba
maam parimba chumba

paani ya pawan ya chaand ki chandaniya
paise se khareed ke dikhaaye zara duniya
phir din raat kaisa paise ka ye jaap
arrey paise ka ye jaap
aisi duniya mein bhaiya
jeena bhi hai paap
jeena hai paap
athanni jahaan amma
rupaiya hove baap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap

dhan ke firaak mein na chain paaye man
bolo kis kaam phir aayega ye dhan
dhan ke firaak mein na chain paaye man
bolo kis kaam phir aayega ye dhan
dhan nahin dhan aisa ye to hai sharaap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap
athanni jahaan amma
rupaiya hove baap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap

mili hai ye zindagi to jeene ke liye
hansi hansi khaane aur peene ke liye
maam barimba chumba chumba
maan barimba chumba chum

mili hai ye zindagi to jeene ke liye
hansi hansi khaane aur peene ke liye
sab kuchh hote huye
rote kyun hain aap
aji rote kyun hain aap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap
athanni jahaan amma
rupaiyya hove baap
aisi duniya mein bhaiyya
jeena bhi hai paap
jeena hai paap

dubba chip
ajeeba chubba
dubbachibba
ajeeba chub chub
dub dubba chib
ajeeba jubba
dubba chibba
ajeeba jubba
jub jub


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5194 Post No. : 17175

Greetings and Happy Birthday wishes to Usha Khanna ji.

Born this day in 1941, she is all of 81 years old today. With a reign lasting from 1959 to 2003, she may be the most prolific and accomplished lady music director in the Hindi film industry. In the early decades of Hindi cinema, we have been earlier introduced to lady music directors viz., Bibbo, Jaddan Bai and Saraswati Rane. Then after a gap of maybe a decade, the teenaged Usha Khanna (she was 18 years when ‘Dil Deke Dekho’ was released in 1959) made her debut.

And the audience and the industry took notice of this new and attractive sound of music. After a slow beginning, she went on to become one of the mainline music directors in the industry. Over the period of about four and a half decade, she has composed music for more than 160 films. Her last film was released on 2003 – ‘Dil To Pardesi Hai’. We do not see more films from her after this, although technically she has not formally announced her retirement from an active career.

The song that I bring up today is from the 1964 film ‘Awaara Baadal’. This is a song performed on screen by Helen. And true to the spirit of this fabulous danseuse, the composition is so lilting and magical. On screen we see a dance being  performed by Helen and a group of supporting dancers. The performance is being viewed by Niranjan Sharma.

The lyrics of the song have been penned by Javed Anwar and the singing voice is that of Asha Bhosle.

A quick reminder for the readers, regarding the lyricist. Javed Anwar is a pseudonym for a team of two songwriters working together. Javed is the name that is used by Manohar Khanna, who is the father of Usha Khanna in real life. And Anwar is the pen name of the second songwriter – Raheel Gorakhpuri.

Wishing Usha ji for good health and many more such celebrations to come.

I invite you to listen to this foot tapping melody that is so apt for a Helen dance song.

Song – Dil To Niraala Hi Sharaabi Hai (Awaara Baadal) (1964) Singer – Asha Bhosle, Lyrics – Javed Anwar, MD – Usha Khanna

Lyrics

dil to niraala hi sharaabi hai
kehta hai un aankhon mein gulaabi hai
thodi si pee loon to kya kharaabi hai
haaye maasha allah maasha allah
maasha allah maasha allah

dil to niraala hi sharaabi hai
kehta hai un aankhon mein gulaabi hai
thodi si pee loon to kya kharaabi hai
haaye maasha allah maasha allah
maasha allah maasha allah

oo oo oo
o nasheeli aankhon waale sun
oo oo oo
o raseeli aankhon waale sun
ho
ho
ho
ho oo
o nasheeli aankhon waale sun
oo oo oo
o raseeli aankhon waale sun
in aankhon se
hamen peene de
hamen jeena hai
hamen jeene de
ho
ho
ho oo oo
dil to niraala hi sharaabi hai
kehta hai un aankhon mein gulaabi hai
thodi si pee loon to kya kharaabi hai
haaye maasha allah maasha allah
maasha allah maasha allah

oo oo oo
laakh rokega zamaana ye
oo oo oo
jhoomta rahega deewaana ye
ho
ho
ho oo
laakh rokega zamaana ye
oo oo oo
jhoomta rahega deewaana ye
samjhega ye
mastaana kya
mastaane ko
samjhaana kya
ho
ho
ho oo oo
dil to niraala hi sharaabi hai
kehta hai un aankhon mein gulaabi hai
thodi si pee loon to kya kharaabi hai
haaye maasha allah maasha allah
maasha allah maasha allah

oo oo oo
aa gayin hain wo hawaayen bhi
oo oo oo
chhaa gayin hain wo ghataayen bhi
haaye
haaye
haaye
aa gayin hain wo hawaayen bhi
oo oo oo
chhaa gayin hain wo ghataayen bhi
saari duniya
chaahe roothegi
tauba tooti hai
tauba tootegi
ho
ho
ho oo oo
dil to niraala hi sharaabi hai
kehta hai un aankhon mein gulaabi hai
thodi si pee loon to kya kharaabi hai
haaye maasha allah maasha allah
maasha allah maasha allah

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

दिल तो निराला ही शराबी है
कहता है उन आँखों में गुलाबी है
थोड़ी सी पी लूँ तो क्या खराबी है
हाए माशा अल्लाह माशा अल्लाह
माशा अल्लाह माशा अल्लाह

दिल तो निराला ही शराबी है
कहता है उन आँखों में गुलाबी है
थोड़ी सी पी लूँ तो क्या खराबी है
हाए माशा अल्लाह माशा अल्लाह
माशा अल्लाह माशा अल्लाह

ओ ओ ओ
ओ नशीली आँखों वाले सुन
ओ ओ ओ
ओ रसीली आँखों वाले सुन
हो
हो
हो
हो ओ
ओ नशीली आँखों वाले सुन
ओ ओ ओ
ओ रसीली आँखों वाले सुन
इन आँखों से
हमें पीने दे
हमें जीना है
हमें जीने दे
हो
हो
हो ओ ओ
दिल तो निराला ही शराबी है
कहता है उन आँखों में गुलाबी है
थोड़ी सी पी लूँ तो क्या खराबी है
हाए माशा अल्लाह माशा अल्लाह
माशा अल्लाह माशा अल्लाह

ओ ओ ओ
लाख रोकेगा ज़माना ये
ओ ओ ओ
झूमता रहेगा दीवाना ये
हो
हो
हो ओ
लाख रोकेगा ज़माना ये
ओ ओ ओ
झूमता रहेगा दीवाना ये
समझेगा ये
मस्ताना क्या
मस्ताने को
समझाना क्या
हो
हो
हो ओ ओ
दिल तो निराला ही शराबी है
कहता है उन आँखों में गुलाबी है
थोड़ी सी पी लूँ तो क्या खराबी है
हाए माशा अल्लाह माशा अल्लाह
माशा अल्लाह माशा अल्लाह

ओ ओ ओ
आ गईं हैं वो हवाएँ भी
ओ ओ ओ
छा गईं हैं वो घटाएँ भी
हाए
हाए
हाए
आ गईं हैं वो हवाएँ भी
ओ ओ ओ
छा गईं हैं वो घटाएँ भी
सारी दुनिया
चाहे रूठेगी
तौबा टूटी है
तौबा टूटेगी
हो
हो
हो ओ ओ
दिल तो निराला ही शराबी है
कहता है उन आँखों में गुलाबी है
थोड़ी सी पी लूँ तो क्या खराबी है
हाए माशा अल्लाह माशा अल्लाह
माशा अल्लाह माशा अल्लाह


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

5095 Post No. : 17025

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 59
———————————————–—————————————

This date ten years ago (viz 30 June 2012) saw five songs from five different movies getting covered in the blog. Here are ther details:-

Blog Post number Song Movie (Year) Remarks
6151 Koi bechaaraa Sannaata(1966) Movie YIPPEED by now
6152 Kaahe tu been bajaaye saperaa Saheli(1965) Movie YIPPEED by now
6153 Chhup chhup Meera roye dard na jaane koye Johny Mera Naam (1970) Movie YIPPEED by now
6154 Ek baat poochhoon Kathputli(1971) 2 songs covered in the blog out of 8
6155 Jalti hai duniya jalti rahe Johar Mehmood in Hongkong(1971) 4 songs covered in the blog out of 6

We can see that three movies (out of 5) whose songs were covered on this date ten years ago, have since been YIPPEED. That leaves us with two movies that are eligible for Blog Ten Year challenge today.

“Kathputli”(1971) is one of the eligible movie. This movie was produced and directed by Brij for Dynamo International, Bombay. The movie had Jeetendra, Mumtaz, Helen in lead roles along with Jalal Agha ,Malika, Manmohan, Asha chandra, Bhagwan, Agha, Kundan, Leela Misra, Praveen Paul, Radheshyam, Dilip Dutt, Kumud Tripathi, Bhola, Rajrani, Ramlal, Fazloo, Naidu, Jerry, Brij, Bishan Khanna, Master Chikoo etc in it.

Two songs have been covered in the past. Here is the third song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on Helen, with Jeetendra also seen in the picturisation.

Lyrics of the song and other details are provided by Prakashchandra.

Video link:

audio link:

Song-Jeena kaise ho pyaar binaa (Kathhputli)(1971) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

jeenaa…aaa…aa kaisaa
hho pyaar binaa
jeenaa…aaa kaisaa
o yaar binaa..aaa
dil ko lagaake jee..eee
armaan jagaake jee..ee
pyaar p
ke har pal ko..oo
rangeen banaake jee..ee
jeenaa…aaa…aa kaisaa
hho pyaar binaa..aaa

uss din ek saahab miley
miltey hi woh kehney lagey
oo..o my darling
I love you
main boli
par maine to aapko kabhi dekhaa nahin
woh hanske boley
waisey maine bhi aapko kahaan dekhaa hai
maine to aapke bank balance ko dekhaa hai Madam
kyon ke main bank manager hoon

(laughing sound)

zindagi hai woh..o o
pyaar mein guzrey jo..ooo..oo
manager waalaa nahin
sachcha pyaar
zindagi hai woh..ooo
pyaar mein guzrey jo..ooo
din guzaarney ko..o o
kyun zindagi kehthe ho..oo
gham ko bhulaake hanske hansaake
dhoom machaake jee..ee
tu dhoom machaake jee
jeenaa…aaa…aa kaisaa
ho pyaar binaa
jeenaa…aaa kaisaa
ho yaar binaa..aaa
dil ko lagaa ke jee..eee
armaan jagaa ke jee..ee
pyaar ke har pal ko
rangeen banaake jee..eee
jeenaa…aaa…aa kaisaa
ho pyaar binaa

us din ek Majnoo miley
milthey hi woh kehney lagey
paaney ko tera pyaar
kar saktaa hoon samandar paar
jo tooney kiyaa inkaar
to ho jaayegaa banthhaadhaar
jaan de doongaa
zehar khaa loonga
main dar gayee
haan kar gayee
main boli abhi chalo
mere daddy se milo
to woh boley abhee
abhi kahaan
baahar baarish ho rahee hai
main bheegaa
aur mujhe jhukaam ho gaya to.o

(laughing sound)

hai chaahney waalaa woh…oo
har haal mein chaahey jo..oo
hai chaahney waalaa woh…ooo
har haal mein chaahey jo..oo
qurbaani se jo darey….aey
pyaar naheen hai woh..oo
sukh dukh kaa tu saathi ban ke
pyaar nibhaake jee..ee
tu pyaar nibhaa ke jee…ee
jeenaa…aaa…aa kaisaa
hho pyaar binaa
jeenaa…aaa kaisaa
hho yaar binaa..aaa
dil ko lagaake jee..ee
armaan jagaa ke jee..ee
pyaar ke har pal ko..oo
rangeen banaa ke jee
jeenaa…aaa…aa kaisaa
hho pyaar binaa
jeenaa…aaa kaisaa
hho yaar binaa….aaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4954 Post No. : 16821

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 16
————————————————————————————–

Ten years back in February’2012 the blog was posting songs at the rate of just above six songs per day. The final tally of the month of February’2012 was 178 songs. Regulars on the blog now-a-days or those associated with the blog in recent years would not believe this 😊 but, that is the fact.

Like on the eight day of the month, 9 february 2012 too saw as many as eight song-posts getting posted.

Following is the list of songs posted on 09.02.2012 in ascending order (i.e., the last song of the day appears at the bottom of this list below)

Song Movie title-Year Remarks
Ho o o mujhe kisise pyaar ho gayaa Barsaat(1949) All songs covered
Chham chham chali piya ki gali Ek Saal(1957) All songs covered
Tu mere saath main tere saath Apsara(1961) 5 of 18 songs posted
Achchaa sanam kar le sitam Teesra Kaun(1965) All songs covered
Zindagi mein jab tumhaare gham nahin thhey Dooriyaan(1979) All songs covered
Doosron ka dukhdaa door karne waale Dashehra(1956) 02 of 11 songs posted
Dil ka qaraar le gayaa Bhootnaath(1963) 03 of 07 songs posted
Tere iss pyaar ka shukriyaa Aag Aur Daagh(1971) 04 of 06 songs posted

From the above table we can see that out of eight movies represented on the blog on 09.02.2012 four movies ‘Barsaat-1949’, ‘Ek Saal-1957’, ‘Teesra Kaun-1965’ and ‘Dooriyaan-1979’ have been covered for all their songs on the blog and thus Yippeeee’ed.

That gives us the remaining four movies viz – ‘Apsara-1961’, ‘Dashehra-1956’, ‘Bhootnath-1963’ and ‘Aag Aur Daagh-1971’ where we can discuss a song from these movies.

I am presenting a song from the movie ‘Aag Aur Daagh-1971’.

Lyrics of this song were sent by Prakashchandra.

‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh.

It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.

This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.

This movie was passed by Censor Board on 20.01.1971

This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).

Music for ‘Aag Aur Daagh-1971’ was composed by N. Dutta.

Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist Posted on
01 Ye pyaar ka jhagdaa hai Mohd Rafi Noor Dewasi 29.04.2012
02 Choli bheegi, lat bheegi Asha Bhonsle S.H. Bihari 16.04.2012
03 Hamse badhkar kaun hoga aap ka deewaanaa Mohd Rafi, Asha Bhonsle S.H. Bihari 06.07.2021
04 Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa Mohd Rafi S.H. Bihari 09.02.2012
05 a) Iski ho gayi, uski ho gayi b) Naa baaba naa Mohd Rafi S.H. Bihari
06 Kam nahin sharaab se shokhiyaan shabaab ki Asha Bhonsle S.H. Bihari

As mentioned above four songs from this movie have been posted on the blog.

Today we will listen to a song sung by Asha Bhonsle which is lip-synced by Helen who is also performing a dance on this song.

Jayant, Joy Mukherji, Komal, Rajan Haksar and others are also seen in the picturisation.

Lyrics for today’s song are by S.H. Bihari and music is composed by N Datta.

With today’s song the movie will have five songs on the blog. Thus it will be only one song short of getting YIPPEED. Let us see when it finally gets the ‘Yippeeee’ status on the blog.

Let us now listen to today’s song … I am sure readers will like it and enjoy the composition …

Audio

Video


Song-Kam nahin sharaab se shokiyaan shabaab ki(Aag Aur Daag)(1971) Singer-Asha Bhonsle, Lyrics-S H Bihari, MD-N Datta

Lyrics (Provided by Prakashchandra)

aaj ki raat
faisley ki hai
aaj ki raat kaa
jawaab nahin
huhh..hh
chaahey jitnaa gunaah kar daalo
aaj iskaa koyi ee hisaab nahin

kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae

pyaar ke nashe mein hum jidhar nikal gaye ae ae
har qadam pe aashiqon ke dil machal gaye
pyaar ke nashe mein hum jidhar nikal gaye ae ae
har qadam pe aashiqon ke dil machal gaye
is adaa se mastiyon mein jhoomke chalein
yahaan wahaan pe saikadon jawaan fisal gaye
kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae ae

zindagi hai apni aisi pyaar ke binaa aa aa
jaise koyi baag ho bahaar ke binaa
zindagi hai apni aisi pyaar ke binaa aa aa
jaise koyi baag ho bahaar ke binaa
yaa ke aisaa phool jis mein dilkashi naa ho
yaa dulhan suhaag mein singaar ke binaa
kam nahin een een
hmm hmm hmm hmm
shokhiyaan aan aan
hmm hmm hmm
ye hamaari mastiyaan
woh adaa janaab ki ee ee ee ee
kam nahin een een sharaab se ae ae ae ae

aisi dil ki mehfilein milengi phir kahaan aan
husn hai shabaab hai sharaab hai yahaan aan
aisi dil ki mehfilein milengi phir kahaan aan
husn hai shabaab hai sharaab hai yahaan aan
jitnaa chaahe jo yahaan behak ke dekh le
har khataa muaa`aaf hai
huzoor ki yahaan aan
kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4914 Post No. : 16734

‘Chaalu Mera Naam’ (1977) was directed by Krishna Naidu for BC Deora Films, Bombay. This B grade movie had Vinod Mehra, Mahendra Sandhu, Vidhya Sinha, Helen, Madan Puri, Anwar Hussain, Deven Verma, Nazneen, Maruti, Jagdish Raj, Prakash Thapa, Radheshyam, Ramesh Deo, Chandrashekhar Vaidya, Sajjan, Sulochana Latkar, Anand Girdhar, Gurbachan Singh etc. in it.

The movie had four songs in it. One song has been covered so far.

Here is the second song from ‘Chaalu Mera Naam’ (1977) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a celebration song (birthday celebration?) where Helen and Vinod Mehra (in disguise ?) perform this song and dance. Villains are in attendance in full strength , as we can notice in the picturisation.

I request our knowledgeable readers to tell us what is going on in this picturisation.

The song itself is quite wonderful to listen to. It reminds me of music of ‘Don’ (1978), composed by the same music director duo. Sadly, this movie, which predates ‘Don’ by one year could not take advantage of such a fantastic sounding song.

It is a nice song that has been forgotten with time, mainly because the movie failed at the box office.


Song-Tumse hi is mehfil mein aayi hai bahaar(Chaalu Mera Naam)(1977) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Both

Lyrics

is rangbhari mehfil se
ek cheez churaane aaye hain
kisi ke dil ki basti mein
hum aag lagaane aaye hain
hum kuchh galat no nahin keh gaye

nahin to
aapka matlab hai
khushiyon ke deep jalaane aaye hain
haan

arre tumse hi is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar

hamko bhi kheench laaya yahaan tera pyaar
hamko bhi kheench laaya yahaan tera pyaar
bhanwron se bachna hoga rehna hoshiyaar
haan haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar khabardaar
hoshiyaar khabardaar

ummeedon ke din hain
muraadon ki raaten
ummeedon ke din hain
muraadon ki raaten

hoti naseeb se hain aisi mulaakaaten
dil mein umang leke
aaj naya rang leke
dil mein umang leke
aaj naya rang leke
barson ke baad aaye karne deedaar
bhanwron se bachna hoga rehna hoshiyaar haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar hey khabardaar arre hoshiyaar arre khabardaar

palkon mein apni tujhko chhupaayen
palkon mein apni tujhko chhupaayen
jeewan ki baazi tujhpe lagaayen
maano hamaara kehna
duniya se bach ke rehna
maano hamaara kehna
arre duniya se bach ke rehna
duniya ke logon ka kya hai aitbaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
arre tumse hi /font>
is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar

hey
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar

arre
khabardaar
arre hoshiyaar
hey
khabardaar
:ff00ff;”> 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4903 Post No. : 16708

“Aansoo Ban Gaye Phool” (1969) was was produced by S M Sagar and Anoop Kumar and directed by Satyen Bose for Anoop Kumar Productions, Bombay. The movie had Ashok Kumar, Deb Mukherjee, Alka, Nirupa Roy, Raj Mehra, Anoop Kumar, Rakesh, Helen, Pran, Kumud Tripathi, Manik Dutt, Kumari Uma, Mughni Abbasi, Shekhar Purohit, Janki Das, Tarun Ghosh, Bazid Khan, Radhey Shyam, Gautam Mukherjee, Pardesi, Uma Dutt, Madhup Sharma, Prakash Misra, Behari, M.A. Latif, Vinod Sharma, Lalit Kapoor, Genius, Ramlal, Amrit Rana, Nadir, Deepak, Aziz Siddiqui,Habib etc in it.

The movie had five songs in it. Three songs have been covered soo far.

Here is the fourth song from “Aansoo Ban Gaye Phool” (1969) to appear in the blog. The song is sung by Asha Bhonsle. Taj Bhopali is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a cabarat dance song on Helen. One can watch lots of other actors milling around the dance floor which also doubled up as Villain’s den in Hindi movies of those days.

One can see four guitarists also. I have a feeling that they may be related in some way or the others to the dancers of Hindi movies. I request our knowledgeable readers to help identify the various actors seen in the picturisation.


Song-Ho o suno to jaani (Aansoo Ban Gaye Phool)(1969) Singer-Asha Bhonsle, Lyrics-Taj Bhopali, MD-Laxmikant Pyarelal

Lyrics

ho o
suno to jaani
ho o
meri kahaani
ho o
suno to jaani
ho o
meri kahaani
arre duniya hai mere peechhe
aur main teri deewaani
ho o
suno to jaani
ho o meri kahaani
arre duniya hai mere peechhe
aur main teri deewaani

teri aankhon ne haa
teri baaton ne
haaa
ye kya jaadu kar daala
tadpe meri jawaani
aisa na ho
sh
koi sunta ho
sh
ulfat karni hai tumse
ab to hai ji mein thhaani
ab to hai ji mein thhaani
aha aa
hahahaha
ha ho o
suno to jaani
ha ho o meri kahaani
arre duniya hai mere peechhe
aur main teri deewaani

llalalalalalalalala
lalalalalala
aah

ye ghabraana
haaye
ye sharmana
haaye
le legi jaan ek din
zaalim ada suhaani
ab jaaoge tum
kab aaoge tum
ye to kehdo phir hogi kis roz meharbaani
kis roz meharbaani
aa haa
hahahaha
o ho o
suno to jaani
o ho o
meri kahaani
arre duniya hai mere peechhe
aur main teri deewaani
ho o
suno to jaani
ho o
meri kahaani
arre duniya hai mere peechhe
aur main teri deewaani


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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Active for more than 5000 days.

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