Posts Tagged ‘Chitragupta’
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Hamaara Ghar”(1950) was directed by Nanabhai Bhatt for Hindustan Chitra, Bombay. The movie had Durga Khote, Umakant Desai, Veera, Agha, Meena Kumari, Geeta Bose, David, Jankidas, Ramesh Gupta etc in it.
The movie had seven songs in it. One song from the movie has been discussed in the blog in the past.
Here is the second song from “Hamaara Ghar”(1950) to appear in the blog. This song is sung by Geeta Dutt and Rafi. Rammurty Chaturvedi is the lyricist. Music is composed by Chitragupta.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Chupke chupke dil mein mere aane waale ho (Hamaara Ghar)(1950) Singers-Geeta Dutt, Rafi, Lyrics-Rammurty Chaturvedi, MD-Chitragupta
Both
Lyrics
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
aji hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
bachpan ke din bhole bhaale
khel khel mein beete
haan khel khel mein beete
bachpan ke din bhole bhaale
khel khel mein beete
ho khel khel mein beete
nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete
nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete
aaj umangon ka hai mela aa
aaj umangon ka hai mela
dheere dheere
dheere dheere rah rah ke tadpaane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
janam janam ke jeewan-saathi
saath kabhi na chhoote
ho saath kabhi na chhoote
janam janam ke jeewan-saathi
saath kabhi na chhoote
haan saath kabhi na chhoote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote
tum mere
main bani tumhaari ee
tum mere
main bani tumhaari
jhoom jhoom ke
jhoom jhoom ke dil mera bahlaane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
Ho chat mangni to pat shaadi
Posted on: May 7, 2017
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from film Chaalbaaz (1958).
What an year 1958 was, in terms of musical films ! Most Music Directors had offered their best songs in this year. The popular playback singers were very busy and the musicians and the arrangers had a field day, running from this studio to that studio for rehearsals and recordings. The films that came in 1958 were full of wonderful music and one can not make choices in those films. Not only that but there was a variety of different Genres of films on offer. Historical, Costume, stunt,Mythologicals, social, Comedy….you name it and you would have it. A grade, B grade and C grade… all grades of films had A grade music. An example to quote would be “Hamen to loot liya mil ke husn walon ne…”a very popular qawwali from a C grade film like “Al Hilal “- 58.
Madan Mohan had 7 films in 1958 and almost all had superb music. Just take a look at these films of 1958… Panchayat, 24 Ghante, P.B.999, Samrat Chandragupta, Jasoos, Mausi, Do Phool, Police, Solva Saal, Sitaron se aagey, Talaq, Kaarigar, Amardeep, Yahudi, Baghi Sipahi, Sadhana, Light House, Dilli ka Thug, Adalat, Jailor, Aakhri Daav, Night Club, Khazanchi, Khota Paisa, Chandan,Kabhi andhera kabhi ujala, Mr. qartoon M.A., Mujrim, 12 o’clock, Howra Bridge, Phagun, Raagini, Sone ki chidiya, Lala Rukh, Phir subah hogi, Takdeer, Rambhakta Bibhishan, Savera, Detective, Parvarish, Suvarn Sundari, Sohni Mahiwal, Madhumati, Al Hilal, Naya Paisa, Aji bas shukriya………….
Film Chaalbaaz-58 too had very good songs, Chitragupta-the melody Maker being the composer for it. However the film being a stunt picture, songs from this film were not exposed to the elite or a larger section of population, hence it could not compete with other other film songs. As such the Indian public was drenched in lovely music from so many films in 1958 and for a stunt film there was no chance to showcase its music at all. The film had 7 songs- 5 written by Prem Dhavan and 2 by Anjum Jaipuri. Rafi, Lata, Asha,Geeta and Ram Kamlani had sung these songs. The main lead actors of the film were P.Jairaj and Nirupa Roy.
Nirupa Roy (4-1-1931 to 13-10-2004) was an enigma of Hindi Cinema. An ordinary lower middle class housewife turned into an actress due to need to survive. Funny thing was that it was her husband who had visited the studio to get a job as an actor and the studio selected his wife instead ! Nirupa Roy who acted in over 250 movies has been variously branded as a Goddess of Mythological films, a suffering wife of a poor farmer, a troubled housewife of social films, an acclaimed quintessential mother of Bollywood and even a Stunt film actress !
She has been a Heroine in 110 films, a mother in over 50 films,has been a Goddess in 50 Mythological films, a suffering wife in over 30 films and a Stunt girl in about 10 films. She sang Bhajans, romantic songs, Comedy songs, qawalis, sad songs and peasant folk songs on the screen.
She changed her Heros like “Badalate huwe saathi”. She did 18 films with Trilok Kapoor ( 50-65), 12 films with Balraj Sahni ( 53-72), 16 films with P.Jairaj ( 53-78), and 21 films with Ashok Kumar ( 56-89). She was Amitabh’s mother in 12 films and stunt Girl in 8 films. She even wrote a popular film song for film Samrat Chandragupta-58 ( Mujhe dekh chaand sharmaye – Lata).
Due to all this, one could never put any specific label to Nirupa Roy. God had given her a face which exuded Daya, Kshama,and Shanti all the time,so she suited best for the role of Goddesses in Mythological films. Not having a very beautiful face, she fitted very well as a poor farmer’s wife or a toiling,suffering middle class wife of a middle class husband. With heavy make up and Gaudy dresses, she could pass muster in Costume or Historical films. But while doing stunt films, same Nirupa Roy so ravishing,different and suitable ( in shirt and trousers) that one wondered if she was the same actress who did “Goddess “roles so convincingly ! This was possible due to her acting capabilities.
I have seen most of her stunt films. Recently, our own Raja ji said in one of his comments on the Blog that he can not think of Nirupa Roy in any dress other than a Saree or Salwar kameez ( not exact words, but with this meaning). I would stress that in films like Chaalbaaz-58 he could have seen Nirupa Roy in a different avatar all together. She has copied Fearless Nadia-almost, in being dressed in a shirt and trousers and by participating in various stunts and swordswomanship (like swordsmanship). The story of the film too was suitably built, with a trained Horse-Moti and a Trained Dog-Tiger too for masala effect.
The Director of film Chaalbaaz was Nanabhai Bhatt ( 12-6-1915 to 24-4-1999). He was her director in many films,because he directed mostly Mythological and stunt films only. Nanabhai was born as Yashwant ( pet name – Batuk) at Porbandar. Since he was the younger one he was called Nanabhai ( opposite to Motabhai-elder brother). This name continued till the end. His father was a doctor. After matriculation, he went to Mumbai in 1934, where his elder brother Balwant Bhatt was working. Balwant started with Imperial,shifted to Sagar and now was with Prakash pictures of Vijay and Shankar Bhatt. he got Nanabhai a job as Sound Recordist.Soon he graduated to Production Executive.He also wrote several screenplays.
In 1942 he directed “Muqabala”, for Homi Wadia, as Batuk Bhatt. Homi Wadia became his good friend. When Homi established his own Basant Pictures, Nanabhai joined him and directed his “Hunterwali ki Beti”-43, with Nadia again. He also did mauj, Jee Haan, Chaalis Karod etc. He directed about 50 films of various genres like Stunts, Mythologicals,crime, social, costume etc.
Nanabhai’s first wife was Hemlata. He also married Shirin banu, his Heroine of few films. To circumvent the Bigamy law, he married her in a Temple and that too in the presence of Hemlata ! He had 3 children from Hemlata and 6 from Shirin. Mukesh and Mahesh Bhatt are from Shirin. His children and grandchildren married is different religions.Thus his big family was an example of Secularism ! In addition to 9 children Nanabhai also produced 20 films under his own Deepak Pics and Gautam Chitra !
FILMOGRAPHY OF NANABHAI BHATT: 1942: Muqabala; 1943:Hunterwali Ki Beti; Mauj; 1945: Chalis Karod; 1946: Maa Baap Ki Laaj; 1947: Meerabai; 1949: Shaukeen; Veer Ghatotkach; Sudhaar; 1950: Hamara Ghar; Janmashthami; Veer Babruwahan; 1951: Lakshmi Narayan; Daman; Lav Kush; Ram Janma; 1952: Apni Izzat; Baghdad; Sinbad the Sailor; 1954: Toote Khilone; Watan; 1956: Kismet; 1957: Mr X; Ustad; 1958: Chaalbaaz; Son of Sinbad; 1959: Bazigar; Daaka; Kangan; Madam XYZ; Naya Sansar; 1960: Lal Qila; Police Detective; Zimbo Comes to Town; 1961: Teen Ustad; 1962: Baghdad Ki Raatein; Rocket Girl; 1963: Alapiranthavan; Bhootnath; Cobra Girl; 1964: Samson; 1965: Adhi Raat Ke Baad; Bekhabar; 1966: Shankar Khan; 1967: Arabian Nights; 1968: Jung Aur Aman; 1974: Jeevan Rekha; 1975: Balak Aur Jaanwar; 1976: Dharti Mata; 1981: Gajara Maru; 1982: Jaya Parvati Vrat.( Thanks to Harish Raghuwanshi ji and Encyclopedia of Indian Cinema for some information.)
Film Chaalbaaz was produced by his elder brother Balwant Bhatt and Ram Kamlani. Today’s song is only the second song to be posted here. It has a very melodious tune and is sung by Geeta Dutt and Mohd. Rafi. The story of the film is…
This is the story of the princess of a kingdom,who is very proud and selfish. She wanted her people to contribute for her crowning ceremony. Her army collected money from the people by force. A young son of a blind headman of a nearby village comes to Princes to complain against the army. He is arrested and hanged as a rebel.
Roopa (Nirupa Roy) his sister is shocked and wants to take a revenge. She dons a male costume and a hood and attacks the army people, snatching money from them and distributing to the people. She is soon declared as a rebel and becomes a wanted criminal.
Roopa and the Princess love the same young man-Randhir (P.Jairaj). Displeased with the Princess for her cruelty, Randhir leaves her court and joins Roopa and her fight against the army. He too is declared a rebel. They both are arrested by deceit and sentenced to death. Meanwhile the friends of Randhir and Roopa infiltrate the jail, liberate Randhir and Roopa.
There is a final show down when the princess and the army is attacked. A sword fight between Roopa and the princess takes place. No need to guess what will happen next. It happens same way and the end is sweet. Randheer becomes the King and Roopa becomes his Queen.
Song- Ho chat mangni to pat shaadi (Chaalbaaz)(1958) Singers-Geeta Dutt, Rafi, Lyricist- Anjum Jaipuri, MD- Chitragupta
Lyrics
ho chat mangni
to pat shaadi
na dil ko todo ji
bade lafde hain shaadi mein
ye lafde chhodo ji
ho chat mangani
to pat shadi
na dil ko todo ji
bade lafde hain shaadi mein
ye lafde chhodo ji
shaadi hogi bachche honge padega kamaana
muft ki roti khaane waale
karo na bahaana
aha shaadi hogi bachche honge
padega kamaana
muft ki roti khaane waale
karo na bahaana
ye rishta hai mohabbat ka
khushi se jodo ji
bade lafde hain shaadi mein
ye lafde chhodo ji
ho chat mangni to pat shadi
na dil ko todo ji
aha
bade lafde hain shaadi mein
ye lafde chhodo ji
shaadi hogi band bajega
karo na ghotaala
do din ki ye deewaali hai
phir hai deewaala
oho
shaadi hogi band bajega
karo na ghotaala
do din ki ye deewaali hai
phir hai deewaala
hain duniya mein bahut andhe
hamen to chhodo ji
bade lafde hain shaadi mein
ye lafde chhodo ji
gori rangat dil hai kaala
chali ho banaane
doodh se ujla naari ka man
arre o deewaane
arre gori rangat dil hai kaala
chali ho banaane
doodh se ujla naari ka man
arre o deewaane
ye dil le lo
wo dil de do
nazar na modo ji
bade lafde hain shaadi mein
ye lafde chhodo ji
ho chat mangni
to pat shadi
na dil ko todo ji
are baba re baba re
bade lafde hain shaadi mein
ye lafde chhodo ji
Jab sur alag ho saaz se
Posted on: May 4, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Gopal Singh Nepali (11 aug 1911-17 april 1963) was born in Bettiah (Bihar). He made his mark in Hindi literature at a young age. His first poem “Bharat Gagan Ke Jagmag Sitaare” was published in 1930 in a children’s magazine edited by Ramvrikshh Benipuri.
Gopal Singh Nepali had made his mark as a poet and he would get invited in kavi sammelans. It is in 1944 that he arrived Bombay to participate in an all Indian kavi sammelan. Sashdhar Mukherji was present in the audience and he was impressed with Gopal Singh Nepali’s poems. Filmistan owner Seth Tularam Jalan signed him up for a four years long contract at Rs 200 per month.
Gopal Singh Nepali made his debut as a lyricist in Hindi movies with “Begam”(1945). He penned all the nine songs of this movie. Naseem Bano
s’s Kaliyon mein kali hoon anaar kali and Ashok Kumar’s Aankhen to huyi band magar dard jagaa re became especially popular and they remain popular to this day. The songs of this movie became quite popular.
Gopal Singh Nepali penned songs in five Filmistan movies. First of them was “Mazdoor”(1945) followed by “Shikari”(1946). “Shikaar”(1946), which was S D Burman’s debut movie as a music director had some superb songs in it, viz, Rangeela rangeela rangeela re and Duniya ne hamen do din rahne na diya mil ke . “Eight Days”(1946) was another movie where Gopal Singh Nepali collaborated with S D Burman.
The net two Filmistan movies of Gopal Singh Nepali were “Safar”(1947) and “Leela”91947), both with C Ramchandra as music director. Maine laakhon ke bol sahe sanwariya tere liye (Leela) and Kabhi yaad kar ke gali paar kar ke (Safar) were among the more popular songs from these movies.
After his contract with Filmistan was over, Gopal Singh Nepali penned patriotic songs in “Ahinsa”(1947).
Gopal Singh Nepali collaborated with Anil Biswas in “Gajre”(1948).Door papeehaa bolaa raat aadhi rah gayi and Kab tak kategi zindagi kinaare kinaare are two especially popular songs from this movie.
Original music director of “Gajre”(1948) was Naushad, whose fevaourite lyricist was Shakeel Badayuni, whereas the producer wanted Gopal Singh Nepali as the lyricist. Naushad agreed to give five songs each to Shakeel Badayuni and Gopal Singh Nepali. But Gopal Singh Nepali put his foot down. Finally he was retained as Naushad was replaced with Anil Biswas. This was one of very few cases where a lyricist had got his way in a Hindi movie.
Gopal Singh Nepali was a man of principles. He refused to work with Kishore Sahu because he had the history of humiliating a few lyricists in the past.
One music director with whom Gopal Singh worked in lots of movie was Chitragupta. They worked together in 18 movies, all in 1950s.
Overall, Gopal Singh Nepali penned around 400 plus songs for around 50 odd movies. Most of these movies were mythological / re;igious movies. Like Bharat Vyas, he had got typedcast in this genre of movies.
He of course could pen songs of other genre too. For instance, Kahaan teri manzil kahaan hai thhikaana (Nayi Raahen), Ankhiyon mein samaate ho dil na chura lena (Maaya Baazaar)
Gopal Singh Nepali had tried his hands at producing films as well under his banners of “Himalay Films” and “Nepali Pictures”, but with disastrous results.
We in this blog know his as a lyricist, but he was much more than that. He was a respected poet of “post chhaayaawaad” genre. His poems were included in school tet books. I in fact first became aware of him because one of his poems was there in my class VII Hindi text book.
Gopal Singh Nepali, having participated in a kavi sammelan, was waiting for a train on platform number 2 of Bhagalpur Railway Station on 17 april 1963 when he suffered a heart attack and died there. He was only 52 years old at that time.
This article is special because it marks the 100th song of Gopal Singh Nepali in the blog. I had quite a few nice songs to chose from as his century song. Finally I zeroed on in this song from “Sati Madalsa”(1955). This song is quite an appropriate song and a representative song of Gopal Singh Nepali because it is a mythological song (his specialisation), and it was composed by Chitragupta, his most frequest music director partner. The song is sung by Asha Bhonsle, who, like Gopal Singh Nepali and Chitragupta found herself mostly in B and C grade movies those days , and who ended up lending her voice to most Gopal Singh Nepali songs.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
I have not been able to get a few words right in the lyrics. I request our readers with keenera ears to help fill in the blanks/ sugggest corrections in the lyrics as applicable.
With this song, Gopal Singh Nepali becomes the 81st artist and 27th lyricist to achieve 100 songs in the blog. Seeing that he is an artist from the 1940s and quite a few of his songs are difficult to locate, putting together 100 songs of Gopal Singh Nepali is quite a creditable feat, I think.
Song-Jab sur alag ho saaz se (Sati Madalsa)(1955) Singer-Asha Bhonsle, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Lyrics
Jab sur alag ho saaz se
ae ae
ae ae ae
lay ?? sabhi
bichhde ?? to sur mile
ae ae
payaal bhi bolegi kabhi
naache chham chham
aansoo hardam
mujh birhan ke gaal pe
bol birah ke bol
paayaliya dukhiyaari ke haal pe
dukhiyaari ke haal pe
raha bulbulon ka ik joda
sajni se sajan bichhuda
chaman ujda
ro ke kaati raat andheri
bulbul sookhi daal pe
bol birah ke bol
paayaliya dukhiyaari ke haal pe
dukhiyaari ke haal pe
naari badri ek jagat mein
baadariya yahaan barse wahaan barse
naari ka jeewan paawan ki
rimjhim rimjhim taal pe
bol birah ke bol
paayaliya dukhiyaari ke haal pe
dukhiyaari ke haal pe
jhoom chali main piya milan ko
bedardi mujhe jaane na pehchaane
milan hua to piya na maane
sar maaroon deewaal pe
bol birah ke bol
paayaliya dukhiyaari ke haal pe
dukhiyaari ke haal pe
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Band Master”(1963) was directed by Ravindra Dave for R L Films, Bombay. This obscure movie had Jagdeep, Azra, Lalita Pawar, Rajan Haksar, Ravikant etc in it.
According to HFGK, this obscure “Social” movie had four songs in it. Details of singers of these songs are not given in HFGK. Fortunately, all these four songs are available and one can make out the singers of these songs as well. The movie had one Rafi-Geeta Dutt duet, one Rafi-Lata duet, one Rafi solo and one Lata solo in it.
The Rafi-Geeta Dutt duet has been discussed in the blog as far as in 2010.
Here is the second song from “Band Master”(1963) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Chitragupta.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. My own guess is that this song may have been picturised on Azra, the leading lady of the movie, going by the star cast.
I had never heard this song before. It is nice to be able to listen to this forgotten gem of a song.
Song-Ham tumhaara naam sun ke (Band Master)(1963) Singer-Lata, Lyrics-Prem Dhawan, MD-Chitragupta
Lyrics
hum tumhaara naam sun ke
dil lage hain thhaamne
hum tumhaara naam sun ke
dil lage hain thhaamne
jaane kaisa haal hoga
aaoge jo saamne
hum tumhaara naam sun ke
dil lage hain thhaamne
nazron mein pyaar bhi hai
tera intzaar bhi hai
inhin bekaraariyon mein
thhoda sa karaar bhi hai
nazron mein pyaar bhi hai
tera intzaar bhi hai
inhin bekaraariyon mein
thhoda sa karaar bhi hai
maar daala
maar daala
humko tere naam ne
hum tumhaara naam sun ke
dil lage hain thhaamne
hum tumhaara naam sun ke
dil lage hain thhaamne
tu hi to hai aas meri
barson ki pyaas meri
kabse hai tere gham mein
duniya udaas meri
tu hi to hai aas meri
barson ki pyaas meri
kabse hai tere gham mein
duniya udaas meri
itni bhi der kya hai
aa bhi jaao saamne
hum tumhaara naam sun ke
dil lage hain thhaamne
hum tumhaara naam sun ke
dil lage hain thhaamne
aankhon mein ishaare honge
palkon pe taare honge
kaise kahen aaj kya kya
jalwe tumhaare honge
aankhon mein ishaare honge
palkon pe taare honge
kaise kahen aaj kya kya
jalwe tumhaare honge
humen tadpa diya hai
waadon waali shaam ne
hum tumhaara naam sun ke
dil lage hain thhaamne
hum tumhaara naam sun ke
dil lage hain thhaamne
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mahasati Savitri”(1955) was produced by R N Mandloi and directed by Ramnik Vaidya for Shree Omkareshwar Productions, Bombay. This mythological movie had Nirup Roy, Mahipal S N tripathi, B M Vyas, Umakant, Charubala, Anjali Devi, Shree Bhagwan, Nimbalkar, Amirbai Karnataki, Babu Raje, Indira Bansal, Anand Prabhu etc, with Neeru in guest appearance.
This movie had nine songs in it.
Here is the first song from “Mahasati Savitri”(1955) to appear in the blog. This song is sung by Rafi and Asha Bhonsle. Gopal Singh Nepali is the lyricist. Music is composed by Chitragupta.
Only the audio of this song is available. My guess is that the song is picturised on the lead pair of Mahipal and Nirup Roy. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, “Mahasati Savitri”(1955) makes its debut in the blog.
Song-Chori chori chaandni mein chakori chali aaye (Mahasati Savitri)(1955) Singers-Rafi, Asha Bhonsle, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Both
Lyrics
chori chori chaandni mein chakori chali aaye
chori chori chaandni mein
gora gora rang waala
chaand hi bula laaye
chori chori chaandni mein
chori chori chaandni mein
chakori chali aaye
chori chori chaandni mein
kehte hain pyaar jisko
man ki lagan hai ji
meethi jalan hai
kehte hain pyaar jisko, man ki lagan hai ji
meethi jalan hai
anjaane raahiyon ka hota milan hai ae
aisa chalan hai
o o o o o o
taaro bhari raat man ke taaron ko mila jaaye
chori chori chaandni mein
chori chori chaandni mein chakori chali aaye
chori chori chaandni mein
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
behti hain prem gangaa
tum bhi kinaara ji main bhi kinaara
behti hai prem gangaa
tum bhi kinaara ji
main bhi kinaara
lehren lagaati naata
tumse hamaara
o o
hamse tumhaara
o o o
pyaar hain to kisi ko bhi
koi na chhuda paaye
chori chori chaandni mein
chori chori chaandni mein chakori chali aaye
chori chori chaandni mein
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“Baazigar”(1959) was produced by Ram Dayal and directed by Nanabhai Bhatt for Mukul Pictures, Bombay. The movie had Nirupa Roy, Jairaj, Tiwari, Romi, Nazi, Helen, Mridula, Rana, Samson, Rajan Kapoor, Jagdish Kamal, Poonam Kapoor, Bimla, Jeewankala, Rafiq, Hanuman, Balaram, Narayan, Shafi, Dhondhu, Bihari, Vitthal, Sundar, Shammi, Majnu, Tiger (the dog), Mushtaq (the horse) etc in it.
Read more on this topic…
Tumse nazar kuchh aisi mili
Posted on: April 12, 2017
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In Hindi movies, we have had titles like “Maa Baap”, in 1944, 1960 and 1979. Then there was one film maker who decided to be “different” and he came out with a title called “Mummy Daddy”. 🙂
Read more on this topic…
Kar le ri solah singaar
Posted on: March 25, 2017
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“Zindagi Ke Mele”(1956) was directed by K B Lal for Prem Pictures, Bombay. The movie had Chandrashekhar, Lalita Pawar, K. N. Singh, Jagirdar, Chitra, Yakub, Dulari, Kumkum etc in it.
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