Posts Tagged ‘Chitragupta’
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4724 | Post No. : | 16436 |
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Geeta Dutt – Solos and Duets (06)
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Question:
Kitaaben bahot si
padhi hongi tum ne
magar koyi chehra bhi
tum na padha hai
Answer:
Padha hai meri jaan
Nazar se padha hai
Next Question:
Bata mere chehre pe
Kya kya likha hai
The above is a film song from the film ‘Baazigar” written by Zafar Gorakhpuri. There have been some songs in hindi films which refer to ‘Kitaab’, like
Dil ki kitaab kori hai kori hi rehne do and Haathhon mein kitaab baalon mein gulaab.
The second song above is my own post from 2015. As I read it again today, I found that I referred to the ‘Baazigar’ song in that post as written by Sameer, but that’s incorrect. Another reason why I am talking about books today is, in a recent post I talked about film magazines. That evoked a few comments from regulars, which in turn made me remember a lot of mishaps or near misses, which have happened in my life.
My love for reading has always been an important factor in my life. Not necessarily, useful things or text book learnings, but anything on any topic that catches my fancy and is readable and reasonably understandable to my unscientific mind. Scientific theories are beyond me, and maths was my weakest subject in school. But I was not at all lacking in analytical abilities and general knowledge, which seems to have gotten me through at least one all india level competitive exam, where lakhs of people aspiring for government jobs tried. It could have been sheer luck that I got most of ‘analytical ability’ part objective type answers correct. It certainly cannot have been the mathematical portion of the exams. One portion was of English language, that must have helped. I kept the ‘Maths’ part for the last, and some of the answers I just marked randomly :-). The exam was for undergraduates, but my father still could not believe it, when he saw the merit list.
Reading, reading and more reading, has made me a more balanced person, where I don’t get easily rattled. Never bored under any circumstances. Magazine is ‘risaala’ in urdu language. I have grown up with all kinds of publications, periodicals, weekly, fortnightly, monthly, and of course the daily newspapers. Digests also, in Urdu and ‘Reader’s digest’ in English. I have read many novels in Urdu too, which are difficult to come by now. I know, digital version is available, if I really want to read them now. All my maternal uncles and paternal uncle, would carry some newspaper or magazine with them whenever they came to our place. Now I go to their places, there is no sign of magazine or newspapers in their household. We can blame this on digital media, which has put paid to the printed material’s role, in our daily lives. It comes DTH, appears cheaper, requires no hard-work or maintenance even. Don’t have to save it from small children. That the children should be kept away from things digital, is another matter.
Thus, I was exposed to different type of publications in English, Urdu, Hindi and Marathi, while growing up. I consider myself fortunate to have seen “Blitz” in English and in Urdu, for e.g. All periodicals published in the south also I have read while growing up, be they political, sports or financial. Maybe in 1993 people still referred to books as ‘kitaab’, but now the word is rarely heard, unless I am watching an urdu drama series. There also only the older generation is heard talking of ‘kitaab’. In school textbooks were ‘kitaab’ and notebooks were ‘copy’ or kaapi.
Living and growing up in a metropolitan city has its own advantages. Major ones in my opinion are, the cosmopolitan outlook that one develops in personal and social aspects, plus the opportunities for growth and success in life professionally, are better. A thriving city is like a big machinery, it cannot afford to let any part of it be disrupted. Be it the lowest of slums or the poshest of locality. And overall people are not bothered what others are doing, which augers well in some ways. In terms of personal freedom and mental well-being.
So here I was, growing up in Mumbai, in which good fortune I had no contribution to make. It was destiny. A couple of things, like missed opportunities that have surfaced in the memory, is a job opportunity in a financial magazine. I got a call for some sort of test they were taking, I must have applied for the ‘trainee’ job, right after graduation. I attempted that test, without knowing what to expect there. I may not have fared well there, as I never got a call or any communication.
Another instance of a missed opportunity is one where I attended a walk-in interview somewhere in the Fort area for some trainee post at TCS in 1990-91. Computers were the new in-thing in the late 80’s and in college we had ‘computer science’ as optional subject. TCS was on its way up to the greater things it achieved in later years. There was group discussion also among the candidates who had turned up that day. I remember there were around 15-20 of us. At the end of it all some were shortlisted, then were told to take up the course, which was costing may be 10000/- or so, I don’t exactly remember. They said that the candidates will be absorbed in the company after that course, but the fees had to be paid. I came home and discussed all this with my parents. I was not so keen on computer programming, as it is, so didn’t press the issue. Theory subject were my forte, and I used to do well in subjects like economics. Late 80’s and early 90’s was also a period of great boom in share markets investments. It turned out that my father has shares of TCS, which he obviously got at the time of issue years ago. Lo and behold, if he knew or had an inkling of the company’s prospects and potential, then he could have guided me in that direction. But that was not to be, as it was not destined to be. After all God Almighty is the best of planners, and it is his will and his alone, that can take us in a particular direction.
Nida Fazli has said accurately:
“waqt se pehle qismat se zyada, kisi ko mila hai na kisi ko milegaa”
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Lakdi jal koyla bhayee
koyla bhayee raakh
Main baawri aisi jali
koyla bhayee na raakh
This is the actual doha, from which the initial lines of the song are inspired. Lyricist is Anjum and the composer of this truet song is Chitragupt. The singers are Geeta Dutt, Shamshad Begum, and Shanti Sharma. Shanti Sharma is a new name for me, but I see in the stats page that she has 2 songs in the blog.
This is a nice qawwali style song, I had saved the link for featuring in this series of Geeta Dutt. One more variation, in the singer’s repertoire for sure. She has been part of many qawwali’s in the career, as she was capable of singing all types and moods of film songs. She was comfortable in the mischievous songs also, with her strong vocals, with a hint of khanak, like Shamshad Begum. Asha Bhosle has in later years, tried to adopt the strength in voice which was a signature of Shamshad Begum and which Geeta Dutt has demonstrated in many songs.
Song-Dekho to dil hi dil mein jalte hain jalne waale (Hamaara Ghar)(1950) Singers- Geeta Roy, Shamshad Begum , Shanti Sharma, Lyrics-Anjum, MD-Chitragupta
All
Lyrics
Lakdi jal koylaa bhayee
Aur koyla jal bhayaa raakh
baaki dushman yoon jale ae ae
ki koyla bhaye na raakh
dekho to dil hi dil mein ean
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa
aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa
ho oo oooo
kaam nahin duniya mein kisi ko
dekh ke jalne waalon ka
haan dekh ke jalne waalon ka
aaa aa aa aa
khoob samjhte hain matlab
in ulti seedhi chaalon kaa
hai dhokhe ki ye duniyaa aa
hai dhokhe ki ye duniyaa
kehte hain kehne waale
haay kehte hain kehne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki
dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki
ho oo o o o
aankhen ho to haalat dekho
deepak ki parwaane ki
haay deepak ki parwaane ki
ooo oooooo
ye baat magar kapti dil ke
nahin samajh mein aane ki
qismat mein jab likkha hai
qismat mein jab likkha hai
rote hain rone waale
haay rote hain rone waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
Ganga mein nahin Jamuna mein nahin
Posted on: June 22, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4722 | Post No. : | 16433 |
Today’s song is from a Mythological film- Shri Krishna Bhakti-1955. Made under the banner of Combined films Traders, Bombay, it was directed by the Wizard of Trick scenes- Babubhai Mistry. MD was my favourite- Chitragupta. All the 8 songs of this film were written by G S Nepali.
Hindu religion describes how the 10 Avatars of Lord Vishnu (Dashavataar) actually represent the Evolution of the Human race. The 10 Avatars were…
| 1. | Matsya….Life started from water. |
| 2. | Kachha(Tortoise)…. First Amphibian who learned to live both in Sea and on Land. |
| 3. | Varaah (The Boar)….Life solely on Land. |
| 4. | Narsimha….Half qualities of Animal and half of Human. |
| 5. | Waman….Developing Humans. |
| 6. | Parshuram….Human ruled by Emotions |
| 7. | Shri Ram….Perfect Human being. |
| 8. | Shri Krishna….Survival amongst the opposition. |
| 9. | The Buddha….Extreme stage of Sacrifice |
| 10. | Kalki….End of Anarchy and present set up, to start a New Age all over again….Yet to come. |
The most popular among these are, of course, Ram and Krishna. But what was the necessity of these Avatars at all ? Answer to this is in Bhagwad Geeta. BHAGAVAD GITA is one of our cultural heritage books. It is a part of Mahabharat and is also a part of Bramhopnishad-which is a scripture on Yogas.
This is a dialogue between Lord Shri Krishna and Arjun. The legend says that when Kauravas and Pandavas stood opposite each others for a war on Kurukshetra, Dhritrashtra,the blind father of Kauravas asked Sanjay- who had the divine power of seeing the war at Kurukshetra- to describe him the war happenings. Sanjay starts and in the course of his reporting, the entire Geeta too is narrated.
Without going into the details further, enough to stress that Lord Shrikrishna explains to Arjuna that, whenever there is a decline of Dharma and righteousness, He takes birth from age to age (sambhavami yuge yuge), to protect the virtuous, destroy evil-doers and to reestablish Dharma and righteousness.
This is described in the IV chapter, stanzas 7 and 8 in Bhagavad Gita thus-
“Yada Yada Hi Dharmasya
Glanirva Bhavathi Bharatha,
Abhyuthanam Adharmaysya
Tadatmanam Srijami Aham’.Bhagavad Gita (Chapter IV-7)
“Whenever there is decay
of righteousness O! Bharatha
And a rise of unrighteousness
then I manifest Myself!”Praritranaya Sadhunam
Vinashaya Cha Dushkritam
Dharamasansthapnaya
Sambhavami Yuge-Yuge.”Bhagavat Gita (Chapter IV-8)
“For the protection of the good,
for the destruction of the wicked and
for the establishment of righteousness,
I am born in every age.”
Indian filmmakers have made several films on the stories associated with these two Avatars- Ram and Krishn. Lord Ram has always been hailed as the “Purushottam” or the complete man. Personally, I feel that Characters like Shri Ram are not suitable for this age. For today’s times, the best suited is Krishna. While Ram taught us how to rule righteously, Krishna taught us how to win over the Villains and be successful. In today’s context, Krishn-Niti is more suitable,I aver. When your righteous living is in danger due to evil forces, you can not remain like a Purshottam. You will need to adopt Krishn Niti for survival. The best difference between these two can be explained by this Shlok.
Shri Ram – Ahinsa Parmo Dharmah….There is nothing greater than Non violence.
Shri Krishna – Dharma Hinsa tathaiva cha….You are justified to pick up arms for a just cause.
For the last 100 odd years, we were taught only the first part, but now we realise the second part is more suitable for our survival, in these times. Krishna Niti says, there is nothing wrong to adopt unconventional methods if your Right Cause is facing strong opposition. Lord Krtishna’s life was full of interesting episodes and therefore I like Krishna more than Ram, for his relevance to modern times.
Today’s song is from a film which depicts the story of a Krishn Bhakt. It is about how the devotee is saved from imminent death. The story of the film is….
In a village lives a boastful Bramhin Balbhadra Shastri and Cheta-the Krishn Bhakta Harijan. One day Cheta invites several Sadhus for food, whom Balbhadra had insulted. At the time of meals, the Sadhus get more than enough food. At the same time, food from Balbhadra’s house disappears. This enrages Balbhadra Shastri. On Janmashtami day, Shanti- Balbhadra’s daughter serves Prasad to Seva, son of Cheta. Balbhadra is very angry and hits Seva. He becomes unconscious. Same time the Idol in the temple disappears miraculously. People are afraid and request Cheta to invoke God to come back. Cheta sings a Bhajan and Seva comes alive and at the same time the Temple idol returns. All the people start hailing Cheta.
Balbhadra is very angry and decides to kill Cheta, but in the melee, instead of Cheta, Balbhadra kills his own daughter Shanta. Balbhadra accuses Cheta of her murder and takes him to court. Cheta is sentenced to death. On the day of execution, when Cheta is singing a bhajan while on way to the Gallows, suddenly, Shanta comes running and explains that the killed girl was someone else and she was kidnapped. Cheta is freed. Balbhadra repents and Cheta is honoured as a Great Krishn Bhakt.
The great Editor and special effect-Trick scene expert Babubhai Mistri ( 5-9-1918 to 20-12-2010), in the beginning, was an assistant with Prakash pictures.Prakash was making a film “Khwabon ki Duniya”- 37, based on the famous novel “The Invisible Man” by H.G.Wells,1897.The shooting started but the basic problem was how to show the ‘invisible‘ man. There was no special effect technique available in India till then, like in Hollywood.
Vijay Bhatt had an assistant called Babubhai Mistri, who accepted the challenge and using a dim light, a black curtain and a black thread to move articles, he achieved the desired results. This made the film not only a hit and popular one, but also a unique one. Babubhai Mistri, thus, became the father of the trick scenes and special effects in India. In the process, Babubhai also earned a nickname of ‘kaala dhaaga‘ (black thread) for the rest of his life, in the film industry.
Babubhai directed 49 Hindi films-mostly B and C grade Mythologicals, Costume, and Historical films. He also directed 1 Telugu and 9 Gujarati films. His first film as a director was Muqabala-42. Surprisingly he started off with a social film, but there was a valid reason. The initial Poster Painter had developed into a skilled Editor and trick scene expert, by his own hard work, encouraged by the Wadia brothers. The film was an unusual film of a story of twin sisters. Wadias wanted Babubhai to do something which will make the film stand out from all other such films.
Directed by Babubhai Mistry, it was the last movie of Fearless Nadia for Wadia Movietone. She had a double role of twin sisters: good Madhuri and bad Rita.
This film was First in India to use Split-screen method for double roles, where both sisters could cross each others, shake hands and talk together. The other attraction was the Night club set, which, in case of police Raid, could be converted into a respected residence in few minutes. It was a great fun to watch these two things.
A happy ending picture, but to see and hear the laboured Hindi dialogues of Madhuri (good Nadia) was another treat.
Today’s song is a bhajan by Mohd. Rafi and chorus.
Song- Ganga mein nahin Jamuna mein nahin (Shri Krishn Bhakti)(1955) Singer- Mohd. Rafi, Lyricist- G S Nepali, MD- Chitragupta
Chorus
Lyrics
Ganga mein nahin
Jamuna mein nahin
mehlon mein nahin
kutiyon mein nahin een een een
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
mehlon mein nahin
kutiyon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
kyun naam na lekar dhan jode
kaudi ke liye naataa tode
kyun naam na lekar dhan jode
kaudi ke liye naataa tode
sone mein nahin chaandi mein nahin
sone mein nahin chaandi mein nahin
heere mein nahin moti mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
chupke se ro(?) man ki maala
chupke dekhe murli waala
chupke se ro(?) man ki maala
chupke dekhe murli waala
jantar mein nahin mantar mein nahin
jantar mein nahin mantar mein nahin
dharti mein nahin saagar mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
paataal gagan jal mein thhal mein
muskaata hua ?? pal mein
paataal gagan jal mein thhal mein
muskaata hua ?? pal mein
mandir mein nahin teerthon mein nahin
mandir mein nahin teerthon mein nahin
Geeta mein nahin Vedon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
mehlon mein nahin
kutiyon mein nahin
jahaan yaad karo Bhagwaan wahin
jahaan yaad karo Bhagwaan wahin
- In: "Aankh" song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Geeta Dutt songs | Guest posts | Lyrics contributed by readers | Post by nahm | Rafi songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1958 | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4654 | Post No. : | 16320 |
Geeta Dutt – Solos and Duets (05)
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Geeta Dutt – Solos and Duets (05)
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Among the first few songs, I had selected for posting in this series, is this group song, with folksy tune. The film is ‘Chaalbaaz’ (1958), the music is composed by Chitragupt and lyricist is Prem Dhawan. The title of the film evokes memories of late Sridevi and her double role and the comic act in the film of same title in the year 1989.
The song is a brief one for a group song and the lyrics are very colorful, and not just because of the color-coding. Reminds me of a famous song, a truet of Lata-Rafi-Mukesh, with choruses and Rafi Sahab’s alaaps – “Ramaiyyaa Vastavaiyya“. This is a famous song, and we know all about this one.
Present song is not so famous one, but for all I know it might have been a hit and popular one in 1958. Singers are Geeta Dutt, Mohammed Rafi and Usha Mangeshkar. I found it last year on YouTube and saved it for this series, as it sounded folksy and peppy, with the clap sounds enhancing the enjoyment. Apart from ‘Qawwalis’ and the ‘Tappa’ genre, the folk forms use the clap as a rhythmic addition in the song, which must be enjoyable for those not actually singing or playing music instrument, as they can also participate. Hindi film songs are a dime a dozen for using ‘claps’ in songs.
A few such songs (non-Qawwali) which come to mind :
“Laara Lappa Laara Lappa Laai Rakhda” – from ‘Ek Thi Ladki’ (1949)
“Na munh Chhupa Ke Jiyo” – from ‘Hamraaz’ (1967)
“Is Duniya Mein Jeena Hai To Sun Lo Meri Baat” – from ‘Gumnaam’ (1965)
“Ye Chaand Sa Roshan Chehra” – from ‘Kashmir KI Kali’ (1964)
“Suno Jaana Suno Jaana Mere Pehlu Se Mat Jaana” – from ‘Hum Sab Ustad Hain” (1965)
Also there are many ‘garba’ songs which have women dancing with accompanying hand claps.
I have found a pdf file containing list of all Hindi film songs by Geeta Dutt. But I don’t know a way of sorting data, if it is possible in pdf file. I will try to get it converted in excel, that will make it easy to sort data. For example, we can know how many songs Geeta Dutt sang for Chitragupt in her career.
Atulji is doing a great job of collating information of all Lata mangeshkar’s songs year wise viz-a-viz songs posted in the blog. I can see that a similar collation of data is possible with a list of all songs of Geeta Dutt, with the help of this pdf file.
Okay, I found a way. I searched and found 94 times Chitragupt’s name in the pdf list of Geeta Dutt’s songs. So here goes the stats:
| Sr. no. | Name of singer/s | Total songs with Chitragupt | Songs posted in the blog |
| 1 | Geeta Dutt | 94 | 48 |
| 2 | Geeta Dutt-Rafi | 28* | 19 |
| 3 | Geeta-Rafi-Usha Mangeshkar | 2 | 1 |
*Includes 4 truets, two with Usha Mangeshkar and two with S Balbir.
Done with the stats, so let us move to the song, of which only audio is available.
Song – Hamen Maar Gayi Re Tirchhi Najariyaa Tori (Chaalbaaz) (1958), Singer – Mohammed Rafi, Geeta Dutt, Usha Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt
Male Chorus
Female Chorus
Lyrics
tinak tinak dhin
dhinak dhinak dhin
tinak dhinak
taat daat dhin tinak
taat dhin
taat tiba bap
bap brrrrrrrrrrr…
ho ooo oooo
ho ooooo
hoy ye……
ambuwa ki daal pe jhoole pade
arey saawan mein tere sang naina lade
hamen maar gayi re
tirchhi najar tori maar gayi ee eee
hamen maar gayi re ea
tirchhi najar tori maar gayi
kaisi ghadi haay naina lade
dil ko hazaar dukh sehne pade
main to haar gayi re
tose sajan main to haar gayi
ae ji haar gayi re ea
tose sajan main to haar gayi
aisi najar se saiyyan ne dekhaa
nanha sa jiya mora dol gaya
ha aaa aaaaaa
ho ooooo
aaaa aaaa
ho oooo
aisi najar se saiyyan ne dekhaa
nanha sa jiya mora dol gaya
dheere se aa ke
ghoonghat utha ke
nainon ki boli koi bol gayaa
haaye
dekhi sooratiya to reh gaye khade
poonam ki raat jaise chandaa chadhe
hamen maar gayi re
tirchhi najar tori maar gayi haan aan
hamen maar gayi re
tirchhi najar tori maar gayi
dhokha hai pyaar jaane saara zamaana
phir bhi kise na yahaan pyaar huaa
ha oooo oooo
ooo oooo
dhoka hai pyaar jaane saara zamaana
phir bhi kise na yahaan pyaar huaa
kis ka kalejaa hai bolo jahaan se
nazron ka teer nahin paar huaa
haaye
baitthe hain haath haaye
dil pe dhare
aage teri marzi hai jo bhi kare
hamen maar gayi re
tirchhi nazar tori maar gayi
ae ji haar gayi re
tose sajan main to haar gayi
ooo ooooo ooo
ooooooo
ae ji to haar gayi re
ooooooo
tose sajan main to haar gayi
oooo ooooooo
ae ji haar gayi re
ooooooo
tose sajan main to haar gayi
ae ji haar gayi re
tose sajan main to haar gayi
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Hindi Script Lyrics (Provided by Sudhir)
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तिनक तिनक धिन
धिनक धिनक धिन
तिनक धिनक
तात धिन
तात तिबा
बप बर्रर्रर्रर्रर्र॰ ॰ ॰
हो ओ ओ ओ ओ
हो ओ ओ
होय
अम्बुवा की दाल पे झूले पड़े
अरे सावन में तेरे संग नैना लड़े
हमें मार गई रे
तिरछी नजर तोरी मार गई॰॰ई॰॰ई
हमें मार गई रे
तिरछी नजर तोरी मार गई
कैसी घड़ी हाय नैना लड़े
दिल को हज़ार दुख सहने पड़े
मैं तो हार गई रे
तोसे साजन मैं तो हार गई रे
ए जी हार गई रे
तोसे साजन मैं तो हार गई रे
ऐसी नजर से सैंयां ने देखा
नन्हा सा जिया मोरा डोल गया
हा आ आ
हो ओ
आ आ
हो ओ
ऐसी नजर से सैंयां ने देखा
नन्हा सा जिया मोरा डोल गया
धीरे से आ के
घूँघट उठा के
नैनों की बोली कोई बो गया
हाए
देखि सुरतिया तो रह गए खड़े
पूनम की रात जैसे चंदा चढ़े
हमें मार गई रे
तिरछी नजर तोरी मार गई हाँ हाँ
हमें मार गई रे
तिरछी नजर तोरी मार गई
धोखा है प्यार जाने सारा ज़माना
फिर भी किसे ना यहाँ प्यार हुआ
हा ओ ओ
ओ ओ
धोखा है प्यार जाने सारा ज़माना
फिर भी किसे ना यहाँ प्यार हुआ
किसका कलेजा है बोलो जहां से
नज़रों का तीर नहीं पार हुआ
हाए
बैठे हैं हाथ हाय दिल पे धरे
आगे तेरी मर्ज़ी है जो भी करे
हमें मार गई रे
तिरछी नजर तोरी मार गई रे
ए जी हार गई रे
तोसे सजन मैं तो हार गई रे
ओ ओ ओ
ओ
ए जी हार गई रे
ओ
तोसे सजन मैं तो हार गई रे
ओ
ए जी हार गई रे
ओ
तोसे सजन मैं तो हार गई रे
ए जी हार गई रे
तोसे सजन मैं तो हार गई रे
- In: Blog Ten Year Challenge (2011- 2021) | Duet | expression of love | Feelings of heart | Lyrics by Prakashchandra | Lyrics contributed by readers | Rafi songs | Rafi Suman Kalyanpur duet | Songs of 1960s (1961 to 1970) | Songs of 1962 | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
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Blog Day : |
4621 | Post No. : | 16268 |
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Blog 10-Year Challenge (2011-2021) – Song No. 18
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This date ten years ago (13 March 2011) saw six songs from six different movies getting discussed in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 3645 | Nukta cheen hai gham e dil | Yahudi Ki Ladki(1933) | 5 songs covered by now out of 19 |
| 3646 | Abhi shaam aayegi niklenge taare | Samadhi(1950) | Movie YIPPEED by now |
| 3647 | Ye haseen shaam gardish mein jaam (Teerandaaz) | Teerandaaz(1955) | 3 songs covered out of 6 by now |
| 3648 | Aankh mein shokhi lab pe tabassum | Reshmi Roomaal(1961) | Movie YIPPEED by now |
| 3649 | Jabse ham tum bahaaron mein Multiple version song | Main Shaadi Karne Chalaa(1962) | 5 songs posted out of 9 by now |
| 3650 | Chaandi ki deewaar na todi | Vishwaas(1969) | Movie YIPPEED by now |
One can see that two movies (out of six) whose songs were covered ten years ago are still unYIPPEED and so these movies are eligible for Blog Ten Year Challenge today. Song of one such movie, namely “Teerandaaz”(1962) has already been taken up earlier today under Blog Ten Year Challenge.
“Main shaadi karne chala”(1962) is the second movie eigible for the blog ten year challenge today.
This movie was directed by Roop K Shorey for Wadia Movietone, Bombay. The movie had I S Johar, Sayeeda Khan, Rajendra nath, Feroze Khan, Praveen Choudhary, Tabassum, Malika, Mumtaz, Badri Prasad, Durga Khotey, Manju, Prem Chopda,Vivek etc in it.
The movie had nine songs in it. Five songs have been covered in the past.
Here is the sixth song. It is sung by Rafi and Suman Kalyanpur. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. I request our knoledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Audio
Song-Aa idhar tasveer e jaana pyaar ki baatein karen (Main Shaadi Karne Chala)(1962) Singers-Rafi, Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Both
Lyrics(Provided by Prakashchandra)
saamne ae rakh ley tujhe ae
deedar ki ee baatein karein ae
deedar ki baatein karein
aa idhar tasveer-e-jaanaa
pyaar ki ee baatein karein ae
pyaar ki..eee baatein karein
aa idhar tasveer-e-jaanaa
pyaar ki ..eee baatein karein ae
pyaar ki baatein karein
aa meri
jaan-e-tamannaa
ek din bas ek baa..aar
aa meri
jaan-e-tamanna
ek din bas ek baar
chupke chupke
meri duniyaa mein bhi aa jaaye bahaar
ghar ka veeranaa sajey ae
gulzaar ki ee baatein karein ae
gulzaar ki baatein karein
aa idhar tasveer-e-jaanaa
pyaar ki ..eee baatein karein aen
pyaar ki baatein karein
be-sabab nazrein milaayein
muskuraate jaayein hum..mm
be-sabab nazrein milaayein
muskuraate jaayein hum
kuchch bhi kehne ko nahin ho
par sunaate jaayein hum
kuchch pate ki
kuchch yoon hi bekaar ki baatein karein aen
bekaar ki baatein karein
aa idhar tasveer-e-jaanaa
pyaar ki ..eee baatein karein aen ae
pyaar ki baatein karein
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Blog Day : |
4606 | Post No. : | 16237 |
“Maa Baap”(1960) was produced by Trikambhai Dave and directed by V M Vyas for Ratndeep Pictures, Bombay. The “social” movie had Rajendra Kumar, Kamini Kadam, Peace Kanal, Pran, Anar, Kumar, Naaz, Bipin Gupta, Kuldeep Kaur, Sundar, Kudsum, Romi, Leela Mishra, Baby Shobha, Keshav, Pratap Bhansali, Roop Kumar, Dinanath, Tribhuvan Sinha, Madan Sahgal, Leela Chitnis etc in it.
THe movie had eight songs in it. One song has been covered in the past.
Here is the second song from “Maa Baap”(1960) to appear in the blog. This song is sung by Lata Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Chitragupta.
This joie de vivre song is picturised on Kamini Kadam. I hope I have identified her correctly. I request our knowledgeable readers to help identify her.
Video
Audio
Song-Jal ja paraayi aag mein parwaana kah gaya(Maa Baap)(1960) Singer-Lata, Lyrics-Rajinder Krishan, MD-Chitragupta
Lyrics
aa aa aaaa aa aa
aa aa aa
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag me parwaana kah gaya
kitne pate ki baat ik deewana kah gaya
kitne pate ki baat ik deewana kah gaya
deewaana kah gaya
jal ja parayi aag mein parwaana kah gaya
mujhko to sabki pyaas bujhaane se kaam hai
mujhko to sabki pyaas bujhaane se kaam hai
honthon tak aake raaz ye paimaana kah gaya
paimaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya
deta na apne phool jo duniya ke baag ko
deta na apne phool jo duniya ke baag ko
aabaad main bhi hota ye weerana kah gaya
weerana kah gaya
jal ja parayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya
aayi subah to aakhri taara bhi toot ke
aayi subah to aakhri taara bhi toot ke
kaisi kati hai raat ye afsaana kah gaya
afsaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
kitne pate ki baat ik deewaana kah gaya
deewaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4593 | Post No. : | 16218 |
“Raaj Sinhaasan”(1958) was produced by Jagat Kumar and directed by Kundan Kumar for J D Films, Bombay. The movie had Amita, Mahipal, Chandrashekhar, Hiralal, Kammo, Sundar, Ram Mohan, Vazir Mohammad Khan, Kesri, Romesh Thakur, Dubey, Kanchanmala, Visva, Sheila Vaz, Radheshyam, Shashimala, Ramlal, Shetty, Krishn Duggal, Govind, Bakshi, Dinanath, Nadir Mota, Baijnath, Sadhgana etc in it.
The movie had seven songs in it. Three songs have been covered in the past.
Here is the fourth song from “Raaj Sinhaasan”(1958) to appear in the blog. This song is sung by Lata, Anjum Jaipuri is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. I request our knowledgeable readers to thros light on the picturisation of the song.
Song-Maine pyaar kiya koi chori nahin (Raaj Sinhaasan)(1958) Singers-Lata, Lyrics-Anjum Jaipuri, MD-Chitragupta
Lyrics
aisi julmi najariya se dekho nahin raja
maine pyaar kiya
koi chori nahin
maine pyaar kiya
ho koi chori nahin
aisi julmi najariya se dekho nahin raja
maine pyaar kiya
koi chori nahin
maine pyaar kiya
ho koi chori nahin
neend na aaye
chain na aaye
jab se laage naina
ho o neend na aaye
chain na aaye
jab se laage naina
jaagti aankhe sapne dekhoon
main tore din raina
kabhi dil ki nagariya mein piya more aaja
maine pyaar kiya
koi chori nahin
maine pyaar kiya
ho koi chori nahin
chamke jab aakash pe chanda
chanchal man kho jaaye
ho o chamke jab aakash pe chanda
chanchal man kho jaaye
sar se dhalke aachal mora
yaad teri tadpaaye
mere nainon mein sapnon ki kaliyaan khilaa ja
maine pyaar kiya
koi chori nahin
maine pyaar kiya
ho koi chori nahin
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4578 | Post No. : | 16187 |
“Mummy Daddy”(1963) was directed by Narendra Dave for Golden Movies, Bombay. This “social” movie had Ameeta, Sudesh Kumar, Lalita Paar, Tiwari, Maruti, Manorama, Niranjan Sharma, Jagdeesh Kanal, Rajendra Singh, Jamal, Satish, Shamlal, Rajnath, R P Sharma, Nadir, Mansaram, Amrit, Baby Chaand, Ravikant, Nazeer Kashmiri, Narbada Shankar, Rata Gaurang, Madhumati, Meera Parel, Rajni, Burhan, Bihari, R P Kapoor, Hari Sharma, Chanda etc in it.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from “Mummy Daddy”(1963) to appear in the blog. The song is sung by Mukesh and Lata. Prem Dhaan is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. My guess is that the song was picturised on the lead pair of Sudesh Kumar and Ameeta. Nevertheless, I request our knowledgeable readers to thro light on the movie as well as on the picturisation of this song.
Song-Aisa nahin hoon aji main main aisa nahin hoon(Mummy Daddy)(1963) Singers-Mukesh, Lata, Lyrics-Prem Dhawan, MD-Chitragupta
Lyrics
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
tujhe keh doon main apna phir haath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
aisi nahin hoon aji main aisi nahin hoon
teri hoke main sajna jo saath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
pyaar mera kaise duniya mitaayegi
yaad teri dil se mere jaane na paayegi
pyaar mera kaise duniya mitaayegi
yaad teri dil se mere jaane na paayegi
tujhse karoon waada
tujhse karoon waada
phir aap usey tod doon
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
dekhiye zamaana humko sataayega
aap mere saath hain to kya wo jalaayega
dekhiye zamaana humko sataayega
aap mere saath hain to kya wo jalaayega
darr ke zamaane se
darr ke zamaane se
jo pyaar tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
aisi nahin hoon aji main aisi nahin hoon
aap agar bolen haazir ye jaan hai
pyaar mein jo aisa kahe wo to naadaan hai
aap agar bolen haazir ye jaan hai
pyaar mein jo aisa kahe wo to naadaan hai
tod ke ye naata
tod ke ye naata
jo aur se main jod doon
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
teri hoke main sajna jo saath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
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Blog Day : |
4574 | Post No. : | 16178 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XVIII: Year 1964
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1964.
In 1964, 99 Hindi movies containing 671 songs were released. Lata Mangeshkar got to sing in 46 of these movies and she sang 133 songs in these movies. So Lata Mangeshkar’s voice was heard in 46.5 % of the movies released in 1964. Her voice was heard in 19.8 % of the songs appearing in the movies of 1964.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1964 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aao Pyaar Karen | Usha Khanna | 4 | 4 | 3 | 1 | 0 | 0 | Rajinder Krishan |
| 2 | Aapki Parchhaaiaan | Madan Mohan | 1 | 1 | 1 | 0 | 0 | 0 | Raja Mehdi Ali Khan |
| 3 | Aaya Toofaan | Laxmikant Pyarelal | 4 | 4 | 2 | 0 | 1 | 1 | Asad Bhopali |
| 4 | Aayi Milan Ki Bela | Shankar Jaikishan | 3 | 3 | 2 | 1 | 0 | 0 | Hasrat Jaipuri (2) Shailendra (1) |
| 5 | Apne Huye Paraaye | Shankar Jaikishan | 4 | 4 | 3 | 1 | 0 | 0 | Shailendra |
| 6 | April Fool | Shankar Jaikishan | 2 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 7 | Baaghi | Chitragupta | 1 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 8 | Benazir | S D Burman | 4 | 4 | 4 | 0 | 0 | 0 | Shakeel Badayuni |
| 9 | Beti Bete | Shankar Jaikishan | 1 | 1 | 1 | 0 | 0 | 0 | Shailendra |
| 10 | Birju Ustaad | Kalyanji Anandji | 0 | 3 | 1 | 2 | 0 | 0 | Qamar Jalalabadi |
| 11 | Challenge | Ajit Merchant | 0 | 1 | 1 | 0 | 0 | 0 | Prem Dhawan |
| 12 | Chitralekha | Roshan | 3 | 3 | 3 | 0 | 0 | 0 | Sahir Ludhianvi |
| 13 | Dooj Ka Chaand | Roshan | 2 | 2 | 1 | 0 | 1 | 0 | Sahir Ludhianvi |
| 14 | Dosti | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 15 | Dulha Dulhan | Kalyanji Anandji | 5 | 5 | 1 | 3 | 1 | 0 | Anand Bakshi (2) Harun (1) Gulshan Bawra (1) Indeewar (1) |
| 16 | Ganga Ki Lehren | Chitragupta | 4 | 4 | 2 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 17 | Ghazal | Madan Mohan | 1 | 1 | 1 | 0 | 0 | 0 | Sahir Ludhianvi |
| 18 | Haqeeqat | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Kaifi Azmi |
| 19 | Ishaara | Kalyanji Anandji | 5 | 5 | 2 | 3 | 0 | 0 | Majrooh Sultanpuri |
| 20 | Jahaan Ara | Madan Mohan | 4 | 4 | 2 | 1 | 1 | 0 | Rajinder Krishan |
| 21 | Kaise Kahoon | S D Burman | 3 | 3 | 3 | 0 | 0 | 0 | Shakeel Badayuni |
| 22 | Kohraa | Hemant Kumar | 2 | 2 | 2 | 0 | 0 | 0 | Kaifi Azmi |
| 23 | Leader | Naushaad | 3 | 3 | 1 | 2 | 0 | 0 | Shakeel Badayuni |
| 24 | Main Bhi Ladki Hoon | Chitragupta | 2 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 25 | Main Suhaagan Hoon | Pt Lachchiram | 1 | 1 | 1 | 0 | 0 | 0 | Butaram Sharma |
| 26 | Majboor | Kalyanji Anandji | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 27 | Mera Qasoor Kya Hai | Chitragupta | 1 | 3 | 2 | 1 | 0 | 0 | Rajinder Krishan |
| 28 | Mr X in Bombay | Laxmikant Pyarelal | 4 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 29 | Phoolon Ki Sez | Adi Narayan Rao | 5 | 7 | 4 | 2 | 1 | 0 | Hasrat Jaipuri |
| 30 | Pooja Ke Phool | Madan Mohan | 4 | 4 | 4 | 0 | 0 | 0 | Rajinder Krishan |
| 31 | Punar Milan | C Arjun | 1 | 1 | 0 | 1 | 0 | 0 | Gulshan Bawra |
| 32 | Rajkumar | Shankar Jaikishan | 2 | 2 | 1 | 0 | 1 | 0 | Shailendra |
| 33 | Roop Sundari | Sardar Malik | 1 | 1 | 1 | 0 | 0 | 0 | Bharat Vyas |
| 34 | Saanjh Aur Sawera | Shankar Jaikishan | 2 | 2 | 2 | 2 | 0 | 0 | Shailendra |
| 35 | Samson | Chitragupta | 3 | 3 | 1 | 1 | 1 | 0 | Majrooh Sultanpuri |
| 36 | Sangam | Shankar Jaikishan | 3 | 3 | 1 | 1 | 0 | 1 | Shailendra (2) Hasrat Jaipuri (1) |
| 37 | Sant Gyaneshwar | Laxmikant Pyarelal | 4 | 5 | 5 | 0 | 0 | 0 | Bharat Vyas |
| 38 | Sati Savitri | Laxmikant Pyarelal | 6 | 6 | 4 | 1 | 0 | 0 | Bharat Vyas |
| 39 | Shabnam | Usha Khanna | 2 | 2 | 2 | 0 | 0 | 0 | Prem Dhawan |
| 40 | Subhadra Haran | Prabhakar Jog | 0 | 1 | 0 | 1 | 0 | 0 | Saraswati Kumar Deepak |
| 41 | Suhaagan | Madan Mohan | 3 | 3 | 1 | 2 | 0 | 0 | Hasrat Jaipuri |
| 42 | Veer Bhimsen | C Ramchandra | 1 | 1 | 1 | 0 | 0 | 0 | Kavi Pradeep |
| 43 | Wo Kaun Thhi | Madan Mohan | 4 | 4 | 3 | 1 | 0 | 0 | Raja Mehdi Ali Khan |
| 44 | Yaadein | Vasant Desai | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
| 45 | Ziddi | S D Burman | 2 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 46 | Zindagi | Shankar Jaikishan | 6 | 6 | 5 | 0 | 1 | 0 | Hasrat Jaipuri (4) Shailendra (1) |
| Total | 46 movies | 18 MDs | 122 | 133 | 91 | 31 | 8 | 3 | 19 lyricists |
Lata Mangeshkar worked with 18 music directors and 19 lyricists in these 46 movies released in 1964. Shankar Jaikishan with 335 songs in the voice of Lata Mangeshkar were the leading music directors for Lata Mangeshkar followed by C Ramchandra with 273 songs. Other top music directors for Lata Mangeshkar were Chitragupta (191), Madan Mohan (137), Roshan (128), Anil Biswas (118), Naushad (109), Husnlal Bhagatram (108), Hemant Kumar (108). Together these nine music directors composed 1497 songs out of 2742 songs that Lata Mangeshkar had sung in Hindi movies till end of 1964. The top seven lyricists till end of 1964 for Lata Mangeshkar were Rajinder Krishan (444), Shailendra (326), Hasrat Jaipuri (225), Prem Dhawan (176), Shakeel Badayuni (169), Bharat Vyas (162), Majrooh Sultanpuri (139). These seven lyricists had penned 1641 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar tied up with music director Ajit Merchant, C Arjun, Prabhakar Jog and Pt Lachchiram for the first time in movies released in 1964. Harun was one lyricist with whom she worked for the first time in a movie of 1964.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1964 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| Total upto 1963 | 730 movies | 2331 | 2742 | 1921 | 625 | 143 | 51 |
It can be seen from the table of 1964 that Lata Mangeshkar sang 133 songs in movies released in 1964. As many as 122 of these songs have already been covered in the blog. Out of 46 movies of 1964 where Lata Mangeshkar sang, all Lata Mangeshkar songs of 39 movies are alreday covered. So we only have 11 Lata songs belonging to 7 movies of 1964 that are not yet covered in the blog.
Alphabetically the first such movie that offers us Lata Mangeshkar songs to discuss is “Baaghi”(1964). This stunt movie was directed by Ramdayal for Mukul Movies, Bombay. The movie had Pradeep Kumar, Leela Naidu,Jagdeep, Mumtaz, Jeevan, Veena, Ulhas, Helen, Naaz, Vijaya Chaudhary etc in it.
The movie had six songs in it, including two Lata Mangeshkar solos. Two songs from the movie (including one Lata Mangeshkar solo) have been covered in the past.
Here is the second and final Lata Mangeshkar solo from “Baaghi”(1963). Hasrat Jaipuri is the lyricist. Music is composed by Chitragupta.
This lesser known song is a rare song and only its audio seems to be available. From the sounds of it, it appears to be a mujra dance song or so. I request our knowledgeable readers to throw light on the picturisation of this song. The song is quite a hummable song to listen to
Song-Tujhe iski khabar kya (Baaghi)(1964) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Chitragupta
Lyrics
wo ghar mein aaye hamaare
khuda ki kudrat hai
kabhi hum unko
kabhi apne ghar ko dekhte hain
tujhe iski khabar kya
tujhe iski khabar kya
tere deewaane pe kya guzri
tujhe iski khabar kya
tere deewaane pe kya guzri
tere aane pe kya beeti
tere jaane pe kya guzri
tujhe iski khabar kya
tumhaari ik hansi ne
kar diya zakhm e jigar gehra
tumhaari ik hansi ne
kar diya zakhm e jigar gehra
main apne hosh mein kab hoon
ajab kuchh haal hai mera
chaman kya jaan sakta hai
ki veeraane pe kya guzri
tujhe iski khabar kya
tere deewaane pe kya guzri
tujhe iski khabar kya
na dekho berukhi se
ye haseen armaan kehte hain
na dekho berukhi se
ye haseen armaan kehte hain
navaajish hum pe kab hogi
jawaan toofaan kehte hain
bataaye kya ki is dil pe
sanam khaane pe kya guzri
tujhe iski khabar kya
tere deewaane pe kya guzri
tujhe iski khabar kya
tumhaari to adaa hogi
kisi ki jaan jaayegi
tumhaari to adaa hogi
kisi ki jaan jaayegi
pukaarega koi kitna
magar vaapas naa aayegi
sahegi rooh haal-e-dil
ki mar jaane pe kya guzri
tujhe iski khabar kya
tere deewaane pe kya guzri
tere aane pe kya beeti
tere jaane pe kya guzri
tujhe iski khabar kya
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“Jai Shree”(1956) was directed by Balchandra Shukla and Harsukh Bhatt for Rajshree Productions, Bombay. HFGK mentions that Rajshree Productions had apparently bought the distribution rights of this movie and had released it under the banner of Ratndeep Pictures.
The movie had Nimmi, Pradeep Kumar, Lalita Pawar, Jeewan, Jayant, Radhakishan, Roopmala, Chaman Puri, Kesri, Gadadhar Sharma, Jagdeesh Kanwal, Baby Daisy Irani, Master Vijay Kumar etc in it.
This “social” movie had eight songs in it. Two song has been covered in the past.
Here is the third song from “Jai Shree”(1956) to appear in the blog. This song is sung by Shamshad Begam, Lata and chorus. Gopal Singh Nepali is the lyricist. Music is composed by Chitragupta.
Only the audio of this “sahelis teasing a lady” song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Kaahe ko pardesiya se aankh tu ladaaye (Jai Shree)(1956) Singers-Shamshad Begam, Lata, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Chorus
Lyrics
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
udta hua panchhi jaane apna thhikaana
udta hua panchhi jaane
udta hua panchhi jaane apna thhikaana
jhoom uthhi main sun ke uska taraana
sakhi uska taraana
jhoom jhoom ke ji kahin sar na ghoom jaaye
sar na ghoom jaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
maine to dekha thha zara yoon hi machal ke
maine to dekha thha zara yoon hi machal ke
nazro ke saath gaya dil hi uchhal ke
sakhi dil hi uchhal ke
kaske rahi jab kamaan
teer kyun chalaaye
teer kyu chalaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
dekhte hi aisa laga
mil chuke hain khwaab mein
dekhte hi aisa laga
dekhte hi aisa laga
mil chuke hain khwaab mein
kuch nahin soojha to sakhi uthh padi jawaab mein
jee uthh padi jawaab mein
pyaar to pehle hansaaye phir hansi udaaye
phir hansi udaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
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