Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Free Spirit Song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4927 Post No. : 16766 Movie Count :

4563

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 04#
——————————————

Today’s song is from the 197’ movie ‘Do Gaj Zameen Ke Neeche’.

I vaguely remember that when I was still a child our senior friends used to discuss about this movie. In the ‘horror’ ‘genre’ of movies, this movie was a first of its kind I think (knowledgeable readers can throw light on this). This was the first by Ramsay Brothers in the horror category.

This movie is a making a debut on the blog today, and it is one of the movies from the year 1972 that was missing from the blog till now. Alphabetically this is the 38th movie of 1972 as per HFGK Vol-V (1971-1980). Following are the details.

 

S. No.

Movie Title Director Music Director Passed by Censor Board No of Songs on the Blog

No of Songs as per HFGK

1

Aakraant Girish Vaidya Jagat Singh 07.12.1972

0

No Information

2

Aanbaan Prakash Mehra Shankar-Jaikishan 15.04.1972

6

6

3

Aankh Michouli Ramanna Shankar-Jaikishan 26.04.1972

2

5

4

Aankhon Aankhon Mein Raghunath Jhalani Shankar-Jaikishan 05.04.1972

6

6

5

Achchhaa Buraa Mohammad Hussain Rajkamal 05.07.1972

1

4

6

Annadaataa Asit Sen Salil Chaudhary 19.04.1972

6

6

7

Anokhaa Daan Asit Sen Salil Chaudhary 22.12.1972

5

5

8

Anokhaa Milan Jagannath Chatterjee Salil Chaudhary 26.06.1972

2

2

9

Anokhi Pehchaan Satyen Bose Kalyanji-Anandji 17.08.1972

1

5

10

Anuraag Shakti Samanta S.D. Burman 22.11.1972

6

5

11

Aparaadh Feroz Khan Kalyanji-Anandji 18.04.1972

2

5

12

Apnaa Desh Jambu R.D. Burman 28.03.1972

6

6

13

Baabul Ki Galiyaan Satya Dev Narang Ravi 01.08.1972

2

5

14

Baankelaal Ratan Kumar Pardesi 30.08.1972

1

8

15

Baawarchi Hrishikesh Mukherjee Madan Mohan 30.06.1972

6

6

16

Baazigar Thakur Karunesh Sapan-Jagmohan 05.08.1972

2

4

17

Bachche Mere Saathi T.N. Babu M.S. Vishwanathan 17.11.1972 Songs Not Available

6

18

Bahaaro Phool Barsaao Umesh Mathur Rajan Pal 05.03.1972

1

6

19

Bandagi K. Shankar Shankar-Jaikishan 17.05.1972

2

6

20

Bansi Birju Prakash Verma Vijay Raghav Rao 29.08.1972

2

7

21

Bees Saal Pehle Prabir Roy Hemant Kumar 06.06.1972

2

7

22

Beimaan Sohan Lal Kanwar Shankar-Jaikishan 05.06.1972

4

7

23

Bhaai Ho To Aisaa Manmohan Desai Sonik-Omi 11.05.1972

2

5

24

Bharat Darshan Khwaja Ahmed Abbas Jaidev 04.11.1972

0

No Information

25

Bharat Ke Shaheed Vishram Bedekar Prem Dhawan 18.07.1972

5

7

26

Bhaavna Thakur Karunesh Jaidev 05.07.1972

2

5

27

Bijli Ram Kumar Usha Khanna, (Bulo C. Rani) 25.03.1972

1

5 (4)

28

Bombay To Goa S. Ramnathan R.D. Burman 25.02.1972

6

6

29

Buniyaad B. Subhash Laxmikant-Pyarelal 22.08.1972

4

4

30

Daastaan B.R. Chopra Laxmikant-Pyarelal 02.03.1972

5

5

31

Daraar Ved Rahi Sudhir Phadke 26.07.1972

2

4

32

Dhadkan Devendra Goel Ravi 10.04.1972

2

9

33

Dil Daulat Duniya Prem Narayan Arora Shankar-Jaikishan 12.06.1972

5

5

34

Dil Ka Raajaa P. Madhawan R.D. Burman 29.11.1972

1

5

35

Do Bachche Dus Haath K. Parvez Sonik-Omi 23.09.1972

1

4

36

Do Chor Padmanabh RD Burman 27.12.1972

5

5

37

Doctor X B. Gupta Sonik-Omi 04.05.1972

1

6

38

Do Gaj Zameen Ke Neeche R Tulsi Shyam Sapan-Jagmohan 29.08.1972

Making a debut on the blog today

3

As mentioned earlier, from the above list of movies songs for ‘Aakraant’, ‘Bachche Mere Saathi’ and ‘Bharat Darshan’ seems to be unavailable as of now.

‘Do Gaj Zameen Ke Neeche’ was directed by R Tulsi Shyam for Ramsay Film, Bombay. This was a suspense movie. It had Surendra Kumar, Pooja, Imtiaz, Shobhna (New Discovery), Satyen Kappu, Smita, Mayank, Habib, Dhoomal and others. This movie was passed by Censor Board on 29.08.1972.

This movie had three songs written by Naqsh Lyallpuri and composed to music by Sapan-Jagmohan. The list of songs in this movie is as given below (as provided in HFGK).

SNo Song Title Singer/s
01 Main hoon teri joganiya shyam, Vani Jairam
02 Ik panchhi ban ke main udti jaaun, Vani Jairam
03 Pii kea aye gharwa bedardi aadhi aadhi raat Asha Bhonsle

I guess that today’s song is on screen performed by actress Shobhna. Also seen in the picturisation is one actor and few child artists who I am unable to identify. I would request knowledgeable readers to throw more light on this movie and its songs.

Let us now listen to the today’s song …

With the today’s song the movie ‘Do Gaj Zameen Ke Neeche’ makes its debut on the blog.

Song – Ek Panchhi Ban Ke Main Udti Jaaun (Do Gaz Zameen Ke Neeche) (1972) Singer – Vani Jairam, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan

Lyrics

o o o o o o o o o o o o o o
o o o o o o o o o o o o o o

ik panchhi ban ke ae
main udti jaaun
ik panchhi ban ke ae
main udti jaaun
mast pawan ke sang lehraaun
ho
neel gagan ko chhoo kar aaun
ik panchhi ban ke ae
main udti jaaun
ik panchhi ban ke ae ae
main udti jaaun

o o o o o o o
aa aa aa
la la laa lalla lalla laa laa

badara ki
chhainyya mein
koi dekhe ye meri udaane
badara ki
chhainyya mein
koi dekhe ye meri udaane
mere nainon mein sapne suhaane ae ae ae
mera mann aaj meri na maane
na maane
na maane

na maane

na maane

ik panchhi ban ke ae
main udti jaaun
ik panchhi ban ke ae
main udti jaaun

chupke se
chori se
koi aayega neendiya churaane ae
chupke se
chori se
koi aayega nindiya churaane
mere baalon mein kaliyaan sajaane ae ae ae
kaun aayegaa koi na jaane
na jaane
na jaane

na jaane

na jaane

ik panchhi ban ke ae
main udti jaaun
ik panchhi ban ke ae
main udti jaaun
mast ke pawan ke sang lehraaun
ho
neel gagan ko chhoo kar aaun
ik panchhi ban ke ae
main udti jaaun
ik panchhi. . .

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ

इक पंछी बन के
मैं उड़ती जाऊँ
इक पंछी बन के
मैं उड़ती जाऊँ
मस्त पवन के संग लहराऊँ
हो
नील गगन को छू कर आऊँ
इक पंछी बन के
मैं उड़ती जाऊँ
इक पंछी बन के
मैं उड़ती जाऊँ

ओ ओ ओ ओ ओ ओ
आ आ आ
ल ल ला लल्ला लल्ला ला ला

बदरा की
छंईयां में
कोई देखे मेरी उड़ानें
बदरा की
छंईयां में
कोई देखे मेरी उड़ानें
मेरे नैनों में सपने सुहाने॰॰ए॰॰ए
मेरा मन आज मेरी ना माने
ना माने
ना माने

ना माने

ना माने

इक पंछी बन के
मैं उड़ती जाऊँ
इक पंछी बन के
मैं उड़ती जाऊँ

चुपके से
चोरी से
कोई आएगा निंदिया चुराने
चुपके से
चोरी से
कोई आएगा निंदिया चुराने
मेरे बालों में कलियाँ सजाने॰॰ए॰॰ए
कौन आएगा कोई ना जाने
ना जाने
ना जाने

ना जाने

ना जाने

इक पंछी बन के
मैं उड़ती जाऊँ
इक पंछी बन के
मैं उड़ती जाऊँ
मस्त पवन के संग लहराऊँ
हो
नील गगन को छू कर आऊँ
इक पंछी बन के
मैं उड़ती जाऊँ
इक पंछी॰ ॰ ॰


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4923 Post No. : 16756 Movie Count :

4559

Hullo Atuldom

This post is courtesy my youngest sister. We were on this telephonic chat and she was asking me about my new hobby/addiction and how it is coming by. In the conversation she mentioned about the how she appreciated Dilip Kumar in the song”Nain Lad Jaihe To Manwaa Maa Kasak Hoibe Kari” – his dancing to be more exact. She spoke about how the dance was almost continuous like a single shot song. And my reply to her was that the song from “Jewel Thief”Hothon  Mein Aisi Baat Main Dabaa Ke Chali Aayi” is an ideal example of a song in a single-shot and how Vyjayanthimala has danced and cameras were strategically placed to catch every movement and moment. To this my sister replied that being a trained classical dancer it would not have been so difficult for Vyjayanthimala but see Dilip Kumar dance in ‘Ganga Jamna’.

Now the Dilip Kumar dance I have been seeing from time immemorial and it is one of the songs on my personal favorites list. But after speaking to my sister, I saw the song again just before I started this post. Even if it is not a single shot-song, the choreography makes it seem so. There is a flow in the movements and actions from one frame to the other and the end result is one amazing continuous dance-song.

What the morning conversation did was it reminded me of another song that is nearly like the Dilip Kumar song viz. the choreography makes it feel that the artists have danced seamlessly, without any cuts between shots. This is the handiwork of Farah Khan. It is from the 2004 released ‘Main Hoon Na’ that is produced by Gauri Khan (Red Chillies Entertainment) and Ratan Jain (Venus Records and Tapes) and directed by Farah khan. It has a small star cast consisting of Naseeruddin Shah (special appearance), Kabir Bedi (special appearance), Suniel Shetty (in a negative role), Satish Shah, Kiron Kher, Boman Irani (forgetful principal), and Sushmita Sen, Amrita Rao, Sharukh Khan and Zayed Khan. Plus there are Rakhi Sawant, Tabu and Sajid Khan (Farah’s brother) in blink and miss roles.

The songs are written by Javed Akhtar and Anu Malik is the music director. It was nominated for a few awards in that year and won the Filmfare Award for best music. Shreya Ghoshal, Sonu Nigam, Abhijeet, KK, Vasundhara Das, Alka Yagnik, Sunidhi Chauhan and the Sabri Brothers – Hashim and Aftab, are the voices that have sung in this film. Even Anu Malik sang a song in the film. Today’s song is in the voices of KK and Vasundhara Das.

We shall have this song today to wish Farah Khan on turning a year older. She had made her debut in films as dance director in 1992 with ‘Jo Jeeta Wahi Sikandar’ with the brilliantly picturised “Pehla Nasha Pehla Khumar” which had Aamir Khan prancing on the slopes of the Nilgiris in Ooty. She has since choreographed dance routines for about a 100 songs in 80 movies. She turned director with ‘Main Hoon Na’ and producer with ‘Joker’ (in 2012) which was directed by her husband Shirish Kunder. She has been in front of the camera in films right from 1995 as a person among the crowd etc. and she had a formal full length role in ‘Shirin Farhad Ki Toh Nikal Padi’ (2012) where she was romantic lead pair with Boman Irani and her aunt Daisy Irani played her to-be mother-in-law. Of course she has made it a practice to get her whole crew in front of the camera, along with the end-titles, in all the films that she has directed.

A very Happy Birthday to this multi-talented personality who comes from a family of artists who have been in Bollywood since the late ’50s – her maternal aunts are Honey and Daisy Irani, her father Kamran Khan was a stuntman-turned-filmmaker, Javed Akhtar is her maternal aunt’s ex-husband, so that makes Farhan Akhtar and Zoya Akhtar (filmmakers) her cousins.


Song- Chale jaise hawaayen sanan sanan(Main Hoon Na)(2004) Singers-Vasundhara Das, KK,Lyrics-Javed Akhtar, MD-Anu Malik
Male chorus
Female chorus
Vasundhara Rao + K K

Lyrics

lalalalalala
lalalalalala
lalalalaa
lalalalalala
lalalalalala
lalalalaa

whats up?

o o o o
o o o o
o o o o
o o o o
o o o o
o o o o

chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he he he
hehe wo o o o
he he o ho
aa haa aa aa aa
main deewaani dil ki raani gham se anjaani
kab darti hoon wo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan

chhuk chhuk chhuk chhuk dum
chhuk chhuk chhuk chhuk dum
chhuk dum chhuk dum dum
chhuk dum dum

whats up?

say what?

koi roke koi aaye
jitna bhi mujh ko samjhaaye
main naa sunungi kabhi
apni hi dhun mein rahti hoon
main pagli hoon mai ziddi hoon
kahte hain ye to sabhi
koi nahin jaana
ke armaan kyaa hai mera aa aa

chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he
he he
he he
o o o
he he
o ho
aa ha
aa aa aa aa

main deewaani dil ki raani gham se anjaani
kab darti hoon vo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan

[Dialogues]

nananana
nananan
nananana
nananan
nananan

aayen haseenaayen to aayen
mujh ko dikhaane apni adaayen
main bhi kuchh kam nahin
yeah
aankhon mein aankhen jo daaloon
dil main churaa loon hosh chura loon
koi ho kitna haseen
mera
ho gayaa wo
jo ik baar mujh se mila aa aa aa

chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan
jaayen bhanwre jaise chaman chaman
yoonhi ghoomoon main bhi magan magan

he he
he he
he he
o o o o
he he
o ho
aa haa
aa aa aaa

main deewaana main anjaana gham se begaana
hoon aawaara lekin pyaara
sab ne maana
chale jaise hawaayen sanan sanan

uden jaise paride gagan gagan
jaayen bhanwre jaise chaman chaman/font>
yoonhi ghoomoon main bhi magan magan
chale jaise hawaayen sanan sanan
ude jaise parinde

gagan gagan


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4749 Post No. : 16484

So. Finally it is official.

We are teenagers now, the first step into the growing up years. The childhood years left behind and now the coming of age years are starting.

What started off as a ‘let’s-try-it’ hobby run with the simplest of the simple philosophical musings – “Miley Na Phool To Kaanton Se Dosti Kar Li“, has come of age today and has blossomed into a huge tree with thousands of branches spread out, with roots that are deep and strong, and are full of conviction. A tree that provides shade in terms of solace to the lovers of music, which in turn are spread out all over the globe. This is the world tree of music and songs. This is a tree that has a flavor for every palate, a tree that has fruits of everlasting tastes for the connoisseurs, a tree that conserves and perpetuates that enchanting phenomena that is the lovely Hindi Film Music – this is a tree that has many different meanings and many different treasures for the seekers of pleasure in music. There is a whole universe of music that has  settled itself around this tree. Although the desires abounded for flowers, but when none were forthcoming this direction, the protagonist settled for the proverbial thorns to start with. That humble gesture ensured that flowers of all shades and colors, and also, flower bearers of all tastes and wonders, kept on coming together one by one, till a complete orchestra of performers was formed, and the bandwagon got its name.

Thirteen years and counting. And if you talk of counting, here are some counts that will really make you happy with wonder.

Do you know that we have a visitor to this blog, every thirty seconds – the total count (and still counting) is upwards of 14.5 million visitors. Now that is a number to really wonder about.

Do you know that we have been averaging quite, quite close to one new film per day since the inception of this blog. 4749 days today and 4480 films showcased. And oh yes, that is not counting the Non-Film songs categories. Adding them categories, we shall surely be at 1+ new film or new non-film song category per day. Isn’t that a wow that makes one feel like flying.

Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.

And that is where the superlatives start ceasing to have an impact.

13 years – 4,749 days – 16,484 posts. . .

And just ONE person.  Now isn’t that something to boggle the google. Especially when we know it is a labor of love, and that it is not an endeavor for remuneration. Ah yes, it does finally boil down to love. As does of course, everything else in this universe.

That one person, carrying the entire earth on his shoulders, like the legendary Atlas. Not pausing for even a day to rest. Of course yes, there have been rarities that we have had dot days. But in the final count, the averages will speak for themselves. No matter how many runs and how many centuries – double, triple – any other batsman has scored, the Don Bradman remains the Don Bradman when the averages are calculated.

Atul ji, over the years that we have been associated for this endeavor, we have completely used up all the possible epithets and adjectives to address our appreciation of your work. And now, we are at a loss to articulate this emotion any further. And will finally end up saying these lines that I borrow from another legend – ABBA,

So I say
Thank you for the music, the songs I’m singing
Thanks for all the joy they’re bringing
Who can live without it? I ask in all honesty
What would life be?
Without a song or a dance, what are we?
So I say thank you for the music
For giving it to me

And not just to me – to this entire world, a compilation that is sans any peers. Who would have thought it could have been possible. Your own words have been that your earliest flights of imagination brought you to a number of maybe 2,500. And that then you would rest.

Aah, but for the passion this ignited, within yourself, and within this motley crew of the musical bandwagon. The counter is ticking oh so close to 16,500 posts. And not a day’s breather seems to be in view. Mightier and stronger and higher we ride the Olympian altitudes. And the bandwagon keeps chugging along, day on day, week on week, month on. . .

I just thought of taking a look at the date of 19th July across our travels. We have had a total of 68 posts that have been celebrating this anniversary, after the intial 19th July post of 2008. Seven posts in 2009, 4 posts in 2010, 5 posts in 2011, 6 posts in 2012, 5 posts again in 2013, then on to 7 posts once again in 2014, 5 posts in 2015, and wow, a whopping 8 posts in 2016, back to 4 posts in 2017, aah – 3 posts in 2018, 4 posts in 2019, back up to 6 posts in 2020, and then today, 4 posts again to celebrate this wondrous milestone. With songs posted across the entire spectrum of decades, from 1936 all the way up to 2002, the celebrations of this anniversary have been multifarious and varied.

Ah but let me not bore you with any more statistics and analyses. And bring you to this song for the celebration today.

Geeton Ka Sansaar Yahaan Par

Took me a while to locate this wonderfully complementary theme song for this celebration. And for its rarity, it is – sorry, it was not yet available online. The film is ‘Nai Reet’ from 1948. The film itself makes a debut on our blog today.

The film has been produced under the banner of India Film Corporation, Bombay and is directed by Shubh Karan Ojha. This relatively obscure film that probably did not garner much attention and box office receipts when it was released in 1948, has the cast listed as Sulochana Chatterjee, Geeta Bali, Rajendra, Krishankant, Tiwari, Badri Prasad, Tara Bai, Leela Mishra, and Ramesh Sinha. Most names are familiar, and I am sure the full cast would be carrying more names.

The film has 8 songs in total. All the songs are written by a team of two songwriters in collaboration – Bal Krishan Gupta and Ratan Kumar Gupta. The footnote that is carried in the Geet Kosh, succinctly states that – “As per the information recieved from Lyricist Bal Krishna Gupta all songs this film were written by both Lyricists working together, i.e. `Kumar-Gupta` (Ratan `Kumar` Gupta + Bal Krishna `Gupta`. However the records carry the name as `Kumar Gupta`.” So by this input, we would also use the lyricist’s name as Kumar-Gupta.

The music is by SK Pal, and the singing voice is that of Meena Kapoor.

And the words – they oh so well sum up the emotions of this celebration today – that here is a universe of songs that has been put together for us.

गीतों का संसार यहाँ पर
मुसकानों का मेला है
पत्ती पत्ती झूम रही
हर फूल में जादू फैला है

A world of songs is here
It is a festival celebration of smiles
Every leaf is swaying with delight
There is a joyous magic spread through every flower

मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है

In haste I come here
To gather this treasure spread about
I try to garner it all in my arms
And the mind is in a dilemma
What all shall I take
And what all shall I leave

एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
कली सा खिल खिल खेला है

What a joyful garden this world is
So beautiful and lovely
The whole world is a sweet melody
And my mind is untamed in passion
Blossoming like new buds playing

Yes, all these emotions run through the mind when I look at this incredible and phenomenal treasure of enchanting melodies – this world of songs, here, with us.

A grand celebration for this inception day milestone.

A wonderful musical greetings to all readers and all members of the musical bandwagon.

And a bagful of wishes and blessings, that this tree may only proliferate further, day by passing day.

And that this journey may never cease.

तमन्ना है ये साथ चलते रहें हम ना बीते कभी ये सफर. . .

Song – Geeton Ka Sansaar Yahaan Par  (Nai Reet) (1948) Singer – Meena Kapoor, Lyrics – Kumar-Gupta, MD – SK Pal

Lyrics

geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai
patti patti jhoom rahi
jhoom rahi
patti patti jhoom rahi
jhoom rahi
har phool mein
har phool mein jaadu phaila hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai

main bhi apni jholi laai
main bhi apni jholi laai
bhar lene ko bikhri daulat
main bhi daudi daudi aayi
kya chhodoon kya chun loon is mein
kya chhodoon kya chun loon is mein
lagta bada jhamela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai

ek anokha baag hai duniya
ek anokha baag hai duniya
sundar sundar pyaara pyaara
maano meetha raag hai duniya
maano meetha raag hai duniya
paagal mann mera masti mein
paagal mann mera masti mein
kali sa khil khil khela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है
पत्ती पत्ती झूम रही
झूम रही
पत्ती पत्ती झूम रही
हर फूल में
हर फूल में जादू फैला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है

मैं भी अपनी झोली लाई
मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है

एक अनोखा बाग है दुनिया
एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
पागल मन मेरा मस्ती में
कली का खिल खिल खेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4354 Post No. : 15673 Movie Count :

4317

Songs Repeated in Hindi Films – 20
– – – – – – – – – – – – – – – – – –

It is like cherry picking a hit parade – the repeat songs are almost always the popular hit songs that have made a serious mark on the collective memory of the audiences and lovers of Hindi films and film songs. And this song is no exception. Rather this song has been so popular – with its catchy lyrics and a very hummable melody – that one hears this song being used in many different avatars outside of the film frame – remixes, revival melodies, even background music for recorded dance performances. One can find such samples online on YT.

This iconic song, originally from the 1968 film – ‘Kismat’, has been reused in the 2011 film ‘Tanu Weds Manu’. Whereas the original song was a disguise cum diversion song, in a situation where the lead pair is trying to get away from a group of bad-men, in the newer film, this song is being used as a wooing-cum-proposal-making song. The occasion is a wedding of a friend of the leading lady. Tanuja (Kangana Ranaut) aka Tanu is trying to muster up courage to proposition Manu, who appears to be too shy and unprepared to take a step towards a relationship. Using the wedding scenario as an excuse, Tanu gets drunk (or appears to get drunk). The situation develops and reaches this song in a couple of minutes, and in the guise of this song, Tanu finally gets to speak her heart out to Manu,

kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan

Please note that in this re-use, the original song has been presented as it is, the only one change is that two stanzas have been used instead of 3. So what we hear in this song are the original voices of Asha Bhosle and Shamshad Begum, the mukhda and antara lines suitably edited to present a shorter version.

The info about this reuse has been shared with me by Anekant ji. He has been a regular contributor and there is still a few more songs in my pending list for this series, that have been suggested by him.

The original song from the film ‘Kismat’ came on to this blog on 9th February, 2009. It can be accessed here – “Kajra Mohabbat Wala, Akhiyon Mein Aisa Daala“.

Check out this resue, and witness an energetic on screen performance by Kangana, who, under the supposed influence of alcohol, is desirous of presenting a Kanpuria dance for the occasion. And enjoy.

Video

Song – Kajra Mohabbat Wala Akhiyon Mein Aisa Daala  (Tanu Weds Manu) (2011) Singer – Asha Bhosle, Shamshad Begum, Lyrics – SH Bihari, MD – OP Nayyar

Lyrics

kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan

aayi ho kahaan se gori
aankhon me pyaar le ke
aayi ho kahaan se gori

aankhon me pyaar le ke
chadhti jawaani ki ye pehli bahaar leke
dilli shahar ka saara
meena bazaar leke

dilli shahar ka saara
meena bazaar leke

jhumka bareli wala
kaano me aisa daala
jhumke ne le li meri jaan
hay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan

motor na bangla maangoon
jhumka na haar maangoon
motor na bangla maangoon
jhumka na haar maangoon
dil ko jalaane waale dil ka qaraar maangoon
sainya bedardi mere
thoda sa pyaar maangoon

sainya bedardi mere
thoda sa pyaar maangoon

kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
haay re main tere qurbaan

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान

आई हो कहाँ से गोरी
आँखों में प्यार ले के
आई हो कहाँ से गोरी
आँखों में प्यार ले के
चढ़ती जवानी की ये
पहली बहार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
झुमका बरेली वाला
कानों में ऐसा डाला
झुमके ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान

मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
दिल को जलाने वाले दिल का क़रार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
किस्मत बना दे मेरी
दुनिया बसा दे मेरी
कर लै सगाई मेरी जान
हाय रे मैं तेरे क़ुर्बान


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4346 Post No. : 15656 Movie Count :

4311

So far I have discussed three of the six feature films which Sai Paranjpye has directed in her filmy career – ‘Sparsh’ (1980) in “Geeton Ki Duniya Mein Sargam Hain Hum“,  ‘Chashm-e-Baddoor’ (1981) in “Is Nadi Ko Mera Aaina Maan Lo” and ‘Saaz’ (1997) in “Baa. . .dal Ghumadh Badh Aaye“. In this article, I take up one more film by her – ‘Disha’ (1990) which, is not well known to the public at large. Sai Paranjpye accords this film as her best feature film in terms of excellence in all the main departments of the film making – story, screen-play, dialogues, direction, and the acting contributions from all the actors associated with this film.

According to Sai Paranjpye, the story of the film was in the making process for about 17 years before it got fructified in 1990. The unique feature of the film is that the story is based on three different experiences she got over these 17 years which have no connection with each other. Yet, she weaved a story around three events linking them with a common theme of the problems of migrants and casual workers. She believed that the life around us offers so much material for the films that there is no need to get inspired from Hollywood movies. In other words, Sai Paranjpye’s sources of ‘plagiarisation’ are life around her.

Sometime in early 1970s, Sai Paranjpye made a visit to a village in Pune district along with her two friends who had adopted that village for water harvesting. During that time, she met a villager, an agricultural labourer who owned a small parcel of barren land. He was convinced that under his barren land was the source of water. So, for about 12 years, he had been digging the well, all alone in his free time, sometime even the whole night. But there was no trace of water. The villagers had branded him as a mad man. Fed up with his obsession for digging well, his wife has left him many times but would eventually return. And then one day, he struck water in the well. Villagers who were earlier calling him as mad man made him the hero of the village. The well was named after him. The story of that villager was cinematic but it was not enough to make a full-length film.

After few years, Sai Paranjpye met her friend, Sabhashini Ali (ex-wife of producer-director, Muzaffar Ali) in Mumbai. She was doing some social work among the mill workers who were mostly migrants and staying in what is known in Mumbai Chawls as Gala (a type of dormitory). This was at a time when old mills in Mumbai were in the verge of closure as they could not compete with mills with technologically advanced power looms.  She accompanied Sabhashini Ali to one of the Galas in mill area and was shocked to observe their staying conditions. In a single Gala, there were nearly 40 persons staying together in the shifts of 8 hours. They seem to enjoy their life. All were doing different activities – playing musical instruments, playing cards, shaving, some going out for practising lezim (folk dance). Sai Paranjpye talked to most of the mill workers after which she felt that it was a good theme for a cinema.

After some days, Sai Paranjpye once again met her two friends who had returned from Niphani after leading a protest against the tobacco growers and bidi makers for exploitation of tobacco workers. Those days, the middleman will recruit women from the nearby villages for making bidis at the end of which they would get daily wages based on the number of bidis they rolled in a day. But the middleman will exploit them by rejecting some rolled bidis on some false pretext. Also, some of the middlemen would make attempts for sexual favours as rewards for not rejecting some of the bidis rolled by them. Her two friends had taken up the issues with bidi factories and on behalf of the bidi workers.

With these three real stories, Sai Paranjpye wrote the script linking them with a common theme of the problems of migratory mill workers of Mumbai. This time, she decided to produce the film herself besides directing, writing the script, dialogues and songs. She roped in her favourite actors and also took Nana Patekar for the first time under her direction. The first part of the film was shot in a village near Pune. The second part of the film was shot in Mumbai in Sitaram and Indu Mills and the scenes of the migrant workers were shot in a real Gala of a Chawl. Some mill workers also acted in the films.

The main cast of ‘Disha’ (1990) consisted of Shabana Azmi, Om Puri, Nana Patekar, Raghuvir Yadav, Rajshri Sawant, Neelu Phule, Shayaji Shinde, Achyut Potdar etc. The gist of the story of the film is as under:

Bakuri is a non-descript village about one hour from Pune by road. In this village, the family of Parshuram (Om Puri) consisting of his wife, Hansa (Shabana Azmi), his five children and his younger brother, Soma (Raghuvir Yadav) stays in a hut. Parshuram is an agricultural labourer and has a small barren land in which nothing grows on it except the wild-flowers. However, he is convinced that under his barren land is the source of water. Hence for the last 12 years, he has been digging well, all alone whenever he is free. Hansa resents Parshuram’s obsession with digging well and often threatens to leave him. Soma plans to go to Mumbai for getting a job as most of the time, he is unemployed.

Soma is very friendly with Basanta (Nana Patekar) who stays with his old and sickly father (Neelu Phoole) in a hut close to Parshuram’s hut. Basanta is also an agricultural labourer whose marriage has been fixed with Phoolwanti (Rajshri Sawant) from an adjoining village. Basanta’s father wants his marriage to be performed with fun fare for which he takes a loan of Rs.10000/- against the hypothecation of a cow and a buffalo. The marriage of Basant and Phoolwanti is solemnised.

Soma comes to Mumbai for job and stays in a Gala where 40 other mill workers are staying, a few from his village. He gets a job in the mill. He sends money to his brother, Parshuram every month and sometime also sends readymade garments for his nephews and niece. Basanta, after his marriage feels uncomfortable as he is unemployed and the loan instalments are to be repaid which his father has taken for his marriage. So, he also departs for Mumbai in search of employment and lands in mill workers’ gala where his friend, Soma is also staying. Basanta also gets the job in the same mill where Soma is working.

After getting to know the realities in working condition in Mumbai, Basanta is determined to return to his village after working in the mill for 2-3 years and also advises Soma to return to the village  with him so that with the money they earned, they can start a cooperative farming in the village. But Soma is determined to work in Mumbai for a long time as he is now addicted to the life of Mumbai.

After few months of stay in Mumbai, Basanta calls his wife, Phoolwanti to Mumbai to show her the city. One of his roommates in the gala arranges a independent room in a chawl for 7 days. After seeing the staying conditions of Basanta in Mumbai, his wife tells him to return to the village as early as possible when she leaves Mumbai for her village.

In the meanwhile, to run the household, both Hansa and Phoolwanti works in a bidi making unit to roll bidis for which they get daily wages in terms of the number of bidis rolled. But the munshi (Achyut Potdar) of the bidi making unit tries to exploit them by finding their faults while rolling the bidis for which no amount is paid. His intention is to force them to give him some sexual favours.

At one time, Basanta’s father writes a letter to him to come to the village for some urgent work. He returns and finds that his father has got a transistor radio and supplies of bidis from Munshi. He also comes to know that his wife is working for a bidi making unit. He is unhappy that his wife has to work for running the household.

The next day, Parshuram strikes water in the well which he has been digging for 12 years. The whole village rejoices and the mad Parshuram becomes a hero in the village. There is a felicitation by the entire village during which he declares that the water in the well is for the entire village.

Basanta returns to Mumbai earlier than schedule and his friend, Soma is surprised. Basanta tells him that he got bored in the village within two days. Then there is a twist in the story. Basanta who has been pressurising Soma to return to the village along with him after 2-3 years, decides that he is going to work in Mumbai on a long-term basis to earn good amount of money as Soma has been advising him. However, this time, Soma surprises him by revealing that his brother has struck water in the well and he is going back to the village to do farming. The film ends with Soma boarding a state transport bus which is driving to his village away from Mumbai with Basanta struck in Mumbai.

From the above narration, the story of the film looks simple. I found the film interesting to watch because Sai Paranjpye in her usual way has relied on visuals to speak for the story along with some punch-line dialogues. For example, Shabana Azmi regards the well as her ‘soutan’ as Om Puri spends more time in the well than in the house. Sometime, he takes his afternoon siesta in the well itself. To this, Om Puri’s repartee to Shabana Azmi is that she should be thankful that her ‘soutan’ is ‘baanjh’ (infertile); otherwise one more platoon of children would have joined the family. Here ‘baanjh’ has another meaning in that despite digging for many years, water has not struck in the well.

The film was released in Mumbai in November 1991 and thereafter in Pune by Sai Paranjpye as no one was willing to distribute the film. It generated interest in the initial few days with house-full board. After watching the film, Manmohan Desai offered to release the film in the Delhi circuit. With the releases in limited theatres. the box office collection could barely cover the budget of the film.

The film did not get any award in India. However, when the film was shown in Chennai International Film Festival in 1991 as a private entry (it could not be shown in Indian Panorama as it had not won any award), it was highly appreciated because of which over a period of time, the film got invitations  in as many as 23 international film festivals all over the world where it has won 5 awards with cash prizes including one at Cannes international film festival.

Sai Paranjpye has mentioned in her book that the film had three songs. However, I found only two songs in the film – one is a lavani song and the other a fun song. Songs were not released on audio format. I am presenting the fun song, “Bambai Bambai Bambai Bambai Bam’ sung by Vinay Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar and Chorus. The song is written by Sai Paranjpye which is set to music by Anand Modak. I am not able to segregate the lyrics according to playback singers as I am not familiar with their voices except that of Ravindra Sathe. I have also observed that playback singers seem to lip sync for multiple actors  According to Sai Paranjpye, the ‘anokhe bol’ in the song have been rendered by Vinay Mandke in addition to his part of the song.

The song is picturised in a gala where about 40 mill workers stay. Except for about  10 actors, rest of the participants in the song are real mill workers staying in the gala. If one goes through the lyrics of the song, it would be observed that the sad realities of mill workers (or for that matter, migrant workers in general) have been presented in the mask of a fun song. In the last two stanzas, there are ‘locals verses migrants’ theme presented in ‘lavani’ style. The prelude music of the songs with “Dhak Dhak Dhak. . .” is akin to the sound generated by the power looms of a mill when they are operational.

This song is the essence of the film’s main theme. With this song, ‘Disha’ (1990) make a debut in the Blog.

Acknowledgements:

Some of the information about the background for making the film ‘Disha’ (1990) is based on

  1. An interview conducted by Sridhar Rangayan and Saagar Gupta titled ‘Queen of Humour: A Candid Interview with Award-Winning Director and Writer Sai Paranjpye,’ South Asianist, Vol 2, No.3 (2010).
  2. The Marathi book, ‘Sai – Maaza Kalapravaas’ (2016) written by Sai Paranjpye.

Song – Bambai Bambai Bambai Bambai Bam (Disha) (1990) Singer -Vinay Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar, Lyrics – Sai Paranjpye, MD – Anand Modak
Chorus

Lyrics

dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak
dhak dhak
dhak daa dham
dhak dhak
dhak dhak
dhak daa dham

arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
 
gaon mein behti doodh ki ganga aa
haay
gaon mein behti doodh ki ganga aa
kaanha murli bajaawat hai bhai 
kaanha murli bajaawat hai
aisa gokul chhoda… haay
aisa gokul chhoda bhai
kya narakpuri ye bhaawat hai
makdi ke jaal mein keeden ham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
 
dhuaan gootan aur bimaari
dhuaan gootan aur bimaari
yahaan jawaan mard ke baal pakey
har kuchh bikta hai is nagri mein
bol tumhaara chaar takey
arre chaar take bhi naahin kam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
 
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
bachche jo peechhe chhode wo
shaql baap ki dbhool gaye
bachche jo peechhe chhode wo
shaql baap ki bhool gaye
arre bhool gaye to kya hai gham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam bam bam bam
arre bambai bambai bambai bambai bam
bam bam bam bam
 
haaaaaaaaaaa
arre kameenon
beimaanon
badh badh taane dete ho
phir bharti kyunkar hote ho
tum phir bharti kyunkar hote ho
dham chik chik dham chik dham
arre bina bhulaaye tum mehmaan
upar se ho namak haram
waapas jaao
hari gun gaao,,o
waapas jaao
hari gun gaao
yahaan tumhaara kya hai kaam
yahaan timhaara kya hai kaam
kissa abhi karo ye khatam
khatam khatam bhai karo khatam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
 
aiyya
paapi pet yahaan le aaya…aa….aa
arre paapi pet yahaan le aaya
nagar nahi ye bhul bhulaiyya
khoon paseena yahaan bahaaya
arre khoon paseena yahaan bahaaya
iss nagri ka namak chukaaya..aa aa aa aaa
yahin basera ho ab hardam
yahin basera ho ab hardam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
b-bam bam bambai
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4285 Post No. : 15533

Divinity remembered today. Divinity – as in the voice of the divine – KL Saigal.

A hundred and sixteen years ago, this day, 11th April in 1904, was born a child who would be a legend within his own lifetime, short as it was, and forever be one. The legend continues to sustain more than a hundred years hence. The sound of the songs rendered by him continue to enchant generation after generation of listeners whose constancy of devotion has not, cannot be influenced by the superfluity of singing voices that have also performed since then. Saigal is Saigal, in his own might, in his own dimension – a voice that has not been matched in its depth, in its sentimental expression, and the effect it has on the minds and hearts of the listeners.

In his obituary, Baburao Patel, the publisher of the iconic ‘Film India’, wrote thus, and I quote a small portion of it,

For a week, after the daily papers flashed the news of Saigal’s death, riots, politics and Pakistan went out of the news and Hindus, the Muslims, the Christians, the Jews, the touchables and the untouchables – one and all reverently discussed the sad and sudden death of Kundan Lal Saigal, the greatest singer the Indian screen has ever produced in its long history of misadventures.

People didn’t merely love Saigal. They revered his glorious voice and called it divine. In his death died the music of millions of souls and it was no wonder to find every person, with a musical ear, a mourner with millions of music lovers all over the country.

Trains, buses, trams, taxis, streets, theatres, parks, race-courses – wherever one happened to be it was the dead Saigal that lived again in the memory of his affectionate fans. Men and women, boys and girls, the young and the old, the rich and the poor – one and all told one another what a great singer Saigal had been an each according to the mould of his mind quoted a different song the greatest memory of the dead artists.

Saigal was the one single person who had given the screen music a rare emotion that soothed the aching souls of people in the travails of modern life.

Millions wept with him when in ‘Devdas’, his unforgettable song ‘Dukh ke din ab beetat nahin’ came from the screen with its agonizing melody and yet in its very agony gave to the millions a rare soothe, for, in Saigal’s rare voice there was pathos and joy, pain and pleasure, a stab and a soothe all at once, wedded to an incomparable melody never before heard on the screen anywhere in the world. Saigal was easily the world’s most emotional male singer.

The one phrase I may take a liberty to add to in this scintillating praise written by Baburao Patel – that it was not only “. . . an incomparable melody never before heard on the screen. . .”, but also “not ever since. . .”.

Back in June of 2017, when I had introduced the song “Nidniya Mori Bairan Oye Hoye Re”, from the film ‘Karwaan e Hayaat’,  (then newly traced film from 1935), I had summarized the story line of the film as follows.

Watching this clip, this film, seems like a journey through time, a journey to another dimension, another world – world that I had not seen ever before. The story of the film is about Parvez, a prince who has a lively and romantic outlook in life. The queen mother arranges for a betrothal for her son, and the prince, fearing the bonds of a matrimonial household and no romance, disappears from the palace and joins a band of gypsies, disguised as one himself, and changes the name to Naazu. This secret is known only to his very close friend and sidekick, Suhail (role played by Bikram Kapoor). There is another side of the story unfolding. The Emir of Tikkim, an adjoining kingdom (role played by Nawab) also fancies the same princess, with whom the queen mother has arranged the alliance for Parvez. He has the princess kidnapped, and as destiny would have it, hides her in the very same camp of gypsies. Parvez encounters the princess in the gypsy camp, and they fall in love. Parvez, who is prone to playful antics and pulling legs of others, does not disclose his true identity, and continues to romance the willing princess. Other complications intervene. The Wazir (prime minister) of the state, traces Parvez to the gypsy camp. The Emir of Tikkim comes to the camp with his soldiers to claim his kidnapped bounty. And Zarina, a beautiful gypsy girl at the camp (role played by Ratan Bai) falls in love with Parvez. All the circumstances rolled together, make for a real fun movie, which is a treat to watch. And the premium icing on the cake of course is KL Saigal, and the songs which were not released on gramophone records.

I bring on board today, another lost song from this film, which was not released in gramophone record. It is another wonderful group song that is presented in the ambiance of the gypsy camp that has been infiltrated by Parvez, masquerading as a commoner. On screen, we see the inimitable Saigal, performing this joie de vivre song of free spirit in the company of the band of gypsies who have arrived to set up another temporary camp in their nomadic travels across the land. Accompanying him on screen are Miss Molina, in the role of Sonia, a gypsy girl, and Pahadi Sanyal in the role of Rahat, a young gypsy man. There is a host of other members of the gypsy clan that join in chorus. In a brief scene, we also see Nemo, in the role of the old gypsy witch, sitting with young girls and reading their palms.

The song tells of the comparison between their life in the forest, and the life of the cities – “Shehron Mein Wo Baat Kahaan Jo Jungle Jungle Aawat Hai”. Listen, view and enjoy this rare original clip from the film, that has been restored to public domain recently.

KL Saigal – the magic continues, the legend sustains.

 

Song – Shehron Mein Wo Baat Kahaan (Karwaan e Hayaat) (1935) Singer – KL Saigal, Molina, Pahadi Sanyal, Lyrics – Hakim Ahmed Shuja Pasha, MD – Mihir Kiran Bhattacharya
Chorus

Lyrics

shehron maa wo baat kahaan jo
jungle jungle aawat hai jo
jungle jungle aawat hai
shehron maa wo baat kahaan jo
jungle jungle aawat hai jo
jungle jungle aawat hai
shehron maa wo baat kahaan jo

baandhe paanv maa painjaniya jab
bhor suhaani aawat hai
baandhe paanv maa painjaniya jab
bhor suhaani aawat hai
har ek chidiya apna gaana
komal sur maa sunaavat hai
har ek chidiya apna gaana
komal sur maa sunaavat hai

mehakat aavat purvaiya
ya mast suhaagan aavat hai
mehakat aavat purvaiya
ya mast suhaagan aavat hai
shehron maa wo baat kahaan jo
jungle jungle aawat hai jo
jungle jungle aawat hai
shehron maa wo baat kahaan jo

pachham maa jab suraj sunehri
kiran jaa ke chhipaawat hai
pachham maa jab suraj sunehri
kiran jaa ke chhipaawat hai
saanjh chadariya kaari odhe
saanjh chadariya kaari odhe
dheere dheere aawat hai
aawat hai
shor macha hai jungle maa ke
raat suhaani aawat hai
shor macha hai jungle maa ke
raat suhaani aawat hai
shehron maa wo baat kahaan jo
jungle jungle aawat hai jo
jungle jungle aawat hai
shehron maa wo baat kahaan jo

prem ki bansi rain hamaari
chaaron oar nachaavat hai
prem ki bansi rain hamaari
chaaron oar nachaava hai
chaand aur taaran ke akaash pe
sunder phool khilaawat hai
toot giri jo koi kali wo
toot giri jo koi kali wo
jugnu ban ke aawat hai
shehron maa wo baat kahaan jo
jungle jungle aawat hai jo
jungle jungle aawat hai
shehron maa wo baat kahaan jo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

शहरों मा वो बात कहाँ जो
जंगल जंगल आवत है जो
जंगल जंगल आवत है
शहरों मा वो बात कहाँ जो
जंगल जंगल आवत है जो
जंगल जंगल आवत है
शहरों मा वो बात कहाँ जो

बांधे पाँव में पैंजनीया जब
भोर सुहानी आवत है
बांधे पाँव में पैंजनीया जब
भोर सुहानी आवत है
हर एक चिड़िया अपना गाना
कोमल सुर में सुनावत है
हर एक चिड़िया अपना गाना
कोमल सुर में सुनावत है

महकत आवत पुरवैया
या मस्त सुहागन आवत है
महकत आवत पुरवैया
या मस्त सुहागन आवत है
शहरों मा वो बात कहाँ जो
जंगल जंगल आवत है जो
जंगल जंगल आवत है
शहरों मा वो बात कहाँ जो

पच्छम मा जब सूरज सुनहरी
किरण जा के छिपावत है
पच्छम मा जब सूरज सुनहरी
किरण जा के छिपावत है
साँझ चदरिया कारी ओढ़े
साँझ चदरिया कारी ओढ़े
धीरे धीरे आवत है
आवत है
शोर मचा है जंगल मा के
रात सुहानी आवत है
शोर मचा है जंगल मा के
रात सुहानी आवत है
शहरों मा वो बात कहाँ जो
जंगल जंगल आवत है जो
जंगल जंगल आवत है
शहरों मा वो बात कहाँ जो

प्रेम की बंसी रैन हमारी
चारों ओर नचावत है
प्रेम की बंसी रैन हमारी
चारों ओर नचावत है
चाँद और तारन के आकाश पे
सुंदर फूल खिलावत है
टूट गिरी जो कोई काली वो
टूट गिरी जो कोई काली वो
जुगनू बन के आवत है
शहरों मा वो बात कहाँ जो
जंगल जंगल आवत है जो
जंगल जंगल आवत है
शहरों मा वो बात कहाँ जो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4178 Post No. : 15355 Movie Count :

4233

Songs Repeated in Hindi Films – 14
– – – – – – – – – – – – – – – – – –

An iconic song from 1965 – absoute gem, absolutely unforgettable. “Kaanton Se Kheench Ke Ye Aanchal. . . Aaj Phir Jeene Ki Tamanna Hai” from the 1965 film ‘Guide’. Created by the greats of that era – Shailendra, SD Burman and Lata Mangeshkar. And coming from a film directed by Vijay Anand, one is assured that the picturization would be superlative, which it surely is. The song continues to sustain its beauty even after more than five decades. It is such a genuine treat both visually and aurally.

Eighteen years after this song came into being, it was used again in the 1983 film ‘Qayaamat’. This film is one of the plethora of crime-and-punishment films that crowded the screens during the 1980s and 90s. The main roles are played by Dharmendra, Shatrughan Sinha, Smita Patil, Jayaprada and Poonam Dhillon. Dharmendra and Shatrughan Sinha are close friends. But there is a falling out in their friendship, when Dharmendra is sent to jail, and he holds his police officer friend responsible for it. On returning from jail, he seeks to avenge himself for something that he considers as injustice meted out to him.

I have not seen the film and so will not be able to comment on the sequencing of this song within the storyline. Apparently, Jayaparada is the love interest of Dharmendra, and she appears in flashback in the movie. So there is some tragedy also related here. The occasion for the song is the birthday party of Shatrughan Sinha. Dharmendra is calling on a phone line to greet his friend. He finds out that Smita is about to sing a song at the party. He requests his friend to keep the phone line open so that he can listen. Then the song starts. It starts in the party, and almost immediately Dharmendra rewinds to the past where he sees Jayaprada singing in a very picturesque hillside setting. Rest of the song plays out in this flashback, returning to the party just moments before it ends.

Personally speaking, the song and its theme does not seem to fit into the birthday setting or even the hillside flashback interlude. It seems like force fitted, and completely out of place. But then that is just me.

The song has been reused in its original form. It is not re-recorded. So we get to enjoy the original audio, picturized on a different set of actors, in a different setting.

This song was identified and suggested by our dear Satyajit Rajurkar ji, for inclusion in this series. Thanks Satyajit ji.

 

Song – Aaj Phir Jeene Ki Tamanna Hai  (Qayaamat) (1983) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – SD Burman

Lyrics

ho o o
kaanton se kheench ke ye aanchal

tod ke bandhan baandhi paayal
ho o
koi na roko dil ki udaan ko
dil wo chalaa
aa aa aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
jaane kya paake meri zindagi ne
hans kar kaha
haa haa haa aa ha aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

main hoon gubaar yaa toofaan hoon
koi bataaye main kahaan hoon
ho o o
main hoon gubaar yaa toofaan hoon
ko
i bataaye main kahaan hoon
ho o o
dar hai safar mein kahin kho na jaaun main
rastaa nayaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
phool hi phool zindagi bahaar hai
tay kar liyaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हो ओ ओ
काँटों से खींच के ये आँचल
तोड़ के बंधन बांधी पायल
हो ओ
कोई न रोको दिल की उड़ान को
दिल वो चला
आ आ आ आ आ आ

आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
जाने क्या पा के मेरी ज़िंदगी ने
हंस कर कहा
हा हा हा आ हा आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
डर है सफर में कहीं खो ना जाऊँ मैं
रस्ता नया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
फूल ही फूल ज़िंदगी बहार है
तय कर लिया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4031 Post No. : 15151

August 1st

Important for me, used to be my mom’s birthday. Thinking of her has only reinforced my feelings that the song with this post convey. She was one lively person who smiled through her illness and never let us know how much pain she was going through. She was always ready to accompany my dad on whatever tour he chose to organise. And I am sure they enjoyed every bit of their time and life together. That is the exact feeling that today’s song speaks of.

“Live life as if there are no tomorrows” – Kal Kya Hoga Kis Ko Pata, Abhi Zindagi Ka Le Lo Mazaa.

August 1st also happens to be the birth anniversaries of Meena Kumari and Bhagwan Dada. Meena Kumari, born Mahjabeen Bano, would have been 86 and Bhagwan Dada, born Bhagwan Abhaji Palav, would have been 103.

Both the actors had their share of fame and were lead actors in many movies. Master Bhagwan, as Bhagwan Dada used to be known in the early years, started his career in the era of silent films. And Meena Kumari stepped into films as a child artist sometimes in the early 1940s. They were part of a few movies together where Meena Kumari was the heroine and Bhagwan lead the comic side plot for example ‘Bandish’ (1955), ‘Main Bhi Ladki Hoon’ (1964} etc.

They had successful careers through the 1960s. We lost Meena Kumari in the beginning of the 70s but Bhagwan Dada was still there and I remember seeing him in many movies doing his signature step dance. In the initial stages of my movie watching I was unaware that he was such a huge star of his times. I always saw him as a side-kick or a dancer who was given prominence in various group dance numbers. Much later I happened to see his songs of ‘Albela’ and I realized that he was being copied by the actors of the 70s – HE was their inspiration. After associating with this blog, I read about his life and times and felt sad that what went up had to go down too. Probably he too subscribed to the thoughts of today’s song and lived in his “todays as if there were no tomorrows”.

Rose Movies’ ‘Kasme Vaade’ (1978) was produced and directed by Ramesh Behl. It had Rakhee, Neetu Singh, Amitabh Bachchan, Randhir Kapoor in the main lead with Rekha in a guest appearance and Amjad Khan in special appearance. Master Bhagwan (Dada) was there for one song at the start of the film. That song was meant to show the happy-go-lucky character of Randhir Kapoor. We find RK on a night out with his cronies, running amok in the streets doing wheelies etc. (it is obvious that all the motor bike stunts are by a body double) and that is the situation for today’s song.

I had always wanted to present this song on the blog to highlight Bhagwan Dada’s steps and dancing. Finally, here it is.

Video

Audio

Song – Praani Bhatak Raha Hai Ban Ban Mein. . . Kal Kya Hoga Kisko Pata  (Kasme Vaade) (1978) Singer – RD Burman, Lyrics – Gulshan Baawra, MD – RD Burman
Male Voice
Chorus

Lyrics (Provided by Prakashchandra)

aa..aayen
praa..aani. . .
bhatak rahaa
ban ban mein. . .

aah haaa
waah bhai waah

ye nahi jaane
paagal pre..ae..ae..ae..mi
rabb hai
uske..ae..ae..ae mann mein

arre isi liye to keh gaye hain

jati sati
karmi gati

aaye
miley jo sang pisach ka
sada miley
buri mati
buri mati

but where is bhaanumati?

ha ha ha ha
bhanumati?

arrey bhanumati ne qunba joda
bhanumati ne qunba joda
aaye haaye eent yahan ki wahaan ko roda
eent yahan ki wahaan ko roda

arre phir se gao
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa

kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey
dil waalo
duniya ki aisi taisi. . .
har pal
apna hai
din kaisa raat kaisi
oo hoooo hooo
hhooooo hoooo
hhooooo hoooo
hhooooo hoooo

hey
hey
aish karo
aish karo
nacho gao khao piyo
nacho gao khao piyo.
hey
hey
arre jeena hai to
jeena hai to
masti mein reh ke jiyo
masti mein reh ke jiyo

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey hey hey
hum jahaan
halla gulla hoga wahin
hum se ye
duniya hai
duniya se hum nahi
pak pakau pakau pakau pakau
pak pakau pakau pakau pakau
hey hey hoo haa
hey hey hey hey
hey hey hoo haa
hey ae ae ae

hey
hey
jab tak
jab tak
dum mein hai dum pyaare
dum mein hai dum pyaare
hey
hey
tab tak
tab tak
kahe ka hai gum pyaare
kaahe ka hai gum pyaare

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

kal kya hoga
kis ko pata
abhi zindagi ka
le lo mazaa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ॰॰आ॰॰आयें
प्रा॰॰आणि॰ ॰ ॰
भटक रहा
बन बन में॰ ॰ ॰

आह हा
वाह भई वाह

ये नहीं जाने
पागल प्रे॰॰ए॰॰ए॰॰ए॰॰मी
रब्ब है
उसके॰॰ए॰॰ए॰॰ए॰॰ मन में

अरे इसी लिए तो कह गए हैं

जति सती
करमी गति
आय
मिले जो संग पिशाच का
सदा मिले
बुरी मति
बुरी मति

बट व्हेर इज़ बहनुमती?

हा हा हा हा
बहनुमती?

अरे भानुमती ने कुनबा जोड़ा
भानुमती ने कुनबा जोड़ा
आय हाय ईंट यहाँ की वहाँ का रोड़ा
ईंट यहाँ की वहाँ का रोड़ा

अरे फिर से गाओ
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हेहे
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला

कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे
दिल वालो
दुनिया की ऐसी तैसी॰ ॰ ॰
हर पल
अपना है
दिन कैसा रात कैसी
ओ होsss होssss
होsss होssss
होsss होssss
होsss होssss

हे
हे
ऐश करो
ऐश करो
नाचो गाओ खाओ पियो
नाचो गाओ खाओ पियो
हे
हे
अरे जीना है तो
जीना है तो
मस्ती में रह के जियो
मस्ती में रह के जियो

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे हे हे
हम जहां
हल्ला गुल्ला होगा वहीं
हमसे ये
दुनिया है
दुनिया से हम नहीं

पक पकाऊ पकाऊ पकाऊ पकाऊ
पक पकाऊ पकाऊ पकाऊ पकाऊ

हे हे हू हा
हे हे हे हे
हे हे हू हा
हे ए ए ए

हे
हे
जब तक
तब तक
दम में है दम प्यारे
दम में है दम प्यारे
तब तक
तब तक
काहे का है ग़म प्यारे
काहे का है ग़म प्यारे

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

कल क्या होगा
किसको पता
अभी ज़िंदगी का
ले लो मज़ा


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4018 Post No. : 15129

It is the 8th year of my association with our Blog. I do not remember the date but it was in the month of July 2011 when I found this musical  Blog. I began my formal association with the Blog by posting my first comment sometime in the last week of July 2011. It was much later  I came to know that the Blog had then just completed its third birth anniversary.

Congratulation to Atul ji and his bandwagon for completing today the 11th year of the Blog. Over a period of time, our Blog has transformed into a cooperative movement to propagate Hindi film and non-film music especially of the vintage and the golden periods.

My interest in Hindi film music began during the early days of Binaca Geet Mala which used to be broadcast on Radio Ceylon every Wednesday. But it was during the late 1960s that I developed interest in the nitty gritty of Hindi film songs. I became the collector of 78 rpm gramophone records of popular as well as the then rare songs mostly of films released during 1940s to 1960s. However, by 1972-73, I had become disillusioned with my hobby for number of reasons, the main reason being the undesirable practices of a few of the record collectors and sellers.

During 1990s to 2000s, I was virtually cut off from the Hindi film music of the golden era as even my record player became irreparable and the India-made new ones were not available. The radio had become almost redundant. During this phase, I used to regularly watch TV programmes on Doordarshan (for Chitrahaar), Channel [V] and MTV. At that time, I started liking Hindi pop songs (Indipop). Those were the days when Hindi pop songs had become very popular to the extent that they were competing with Hindi film songs in terms of sales of the song albums. Among the Hindi pop singers, Alisha Chinoy, Sunita Rao, Sweta Shetty, Phalguni Pathak, Palash Sen, Diler Mehndi, Lucky Ali, Sonu Nigam and many others became very popular. The popularity of Hindi pop songs attracted some of the already well-established artists like Asha Bhonsle, Nusrat Fateh Ali Khan, Shubha Mudgal, AR Rehman, Majrooh Sultanpuri, Javed Akhtar etc. who got associated with Indipop.

After my final retirement from the service in June 2009, I again got interested in Hindi film music. It was during this phase when I came across this Blog and my interest in the Hindi film music was revived. But the most important contribution of the Blog for me was that my hobby of listening Hindi film songs got expanded to cover non-film songs and research in Hindi films and the music. The Blog has become a learning curve for me insofar as Hindi films and non-films music are concerned.

On the occasion of the 11th birth anniversary of our musical Blog, I have chosen one of my favourite indipop songs of the new millennium. The song is ‘Jahaan Ho Pyaar Ka Mausam’ (2002) rendered by the all-girls VIVA Band consisting of Seema Ramchandani, Pratichee Mohapatra, Neha Bhasin, Mahua Kamat and Anushka Manchanda. The song is written by Javed Akhtar which is set to music by Jatin-Lalit.

The song has a very thought provoking mukhda which has a universal appeal:

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi kahin na kahin

 When I heard this song recently after a long gap, it immediately struck me that the mukhda of the song was very apt for our Blog. For me, our Blog is the place where there is an atmosphere of love, union of hearts and minds. And where everyone speaks in a language of respect.

I should give some background about the song under discussion. In 2002, Channel [V] decided to promote pop stars in India. They started the first Indian version of the International Popstars Talent Show in 2002 in which 5 girls got selected. They formed a band named as VIVA. Their first album, VIVA produced by Times Music and Channel [V] was released in June 2002 which had 8 songs, including the song under discussion. All the songs were written by Javed Akhtar but they were  set to music individually by Shankar-Ehsan-Loy, Jatin-Lalit, Sandeep Chowta, Raju Singh, Kersi Lord and Ashtosh-Dhruv. The album received a very good response and in the first year itself, sales of albums crossed 5 lakhs.

VIVA Band got split within two years of its formation despite unprecedented success of its two albums. Probably, the girls in the band could not handle their sudden fame. Later, all of them pursued their solo careers in music and the related fields.

I had watched the video of the song under discussion umpteen times on TV during 2002-03. I always liked it for its meaningful lyrics and comparatively soft musical interludes than some of other Indipops.

For those who had watched the video of the song on TV in early 2000, it will be a nostalgic experience.

Audio

Video

 

Song – Jahaan Ho Pyaar Ka Mausam (NFS – VIVA) (2002) Singer – Seema Ramchandani, Pratichee Mohapatra, Neha Bhasin, Mahua Kamat, Anushka Manchanda, Lyrics – Javed Akhtar, MD – Jatin-Lalit

Lyrics


oou oou oou oou oou
oou oou oou oou

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
 
baaton mein ho ghul gayi
saare geeton ki jaise narmiyaan
aankhon mein ho yun khushi
moti bhari hon jaise seepiyaan
jahaan goonje prem shehnaai
jahaan zindagi le angdaai
jahaan har ghadi khushi ki ho daastaan
jahaan goonje prem shehnaai
jahan zindagi le angdaai
jahan har ghadi khushi ki ho daastaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam

rou rou rou rou rou
rou rou rou rou
rou rou rou rou

aisa ho nagar jahaan
chimni ka dhuaan phaila na ho
raahon mein hawaaon ka
aanchal zara bhi maila na ho
jahaan thande thande ho saaye
jahaan haule haule neend aaye
jahaan khwaab khwaab lagta ho har sama
jahaan thande thande ho saaye
jahaan houle houle neend aaye
jahaan khwaab khwaab lagta ho har sama
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ऊ ऊ ऊ ऊ ऊ
ऊ ऊ ऊ ऊ

जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ

जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम

बातों में हों घुल गई
सारे गीतों की जैसे नर्मियाँ
आँखों में हो यूं खुशी
मोती भरी हों जैसे सीपीयाँ
जहां गूँजे प्रेम शहनाई
जहां ज़िंदगी ले अंगड़ाई
जहां हर घड़ी खुशी की हो दास्ताँ
जहां गूँजे प्रेम शहनाई
जहां ज़िंदगी ले अंगड़ाई
जहां हर घड़ी खुशी की हो दास्ताँ
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम

रू रू रू रू रू
रू रू रू रू
रू रू रू रू

ऐसा हो नगर जहां
चिमनी का धुआँ फैला ना हो
राहों में हवाओं का
आंचल ज़रा मैला ना हो
जहां ठंडे ठंडे हों साये
जहां हौले हौले नींद आए
जहां ख्वाब ख्वाब लगता हो हर समा
जहां ठंडे ठंडे हों साये
जहां हौले हौले नींद आए
जहां ख्वाब ख्वाब लगता हो हर समा
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15078 Movie Count :

4136

I hope to bring in a party mood with today’s post. We are celebrating something very important. We are wishing our leader good health, good times, good infrastructure in the form of uninterrupted power supply and good broadband facilities. We are also wishing that he never loses interest in adding new posts and finds for us hitherto unheard songs from rare movies and gives us rare combinations in terms of music directors, singers, actors etc. And I promise on behalf of fellow followers of the blog that we will not stop following the blog, keep sending new farmaishes (requests), and the regulars will also help you keep track of upcoming milestones, birthdays anniversaries etc.

I am sure I have the support of all Atulites in what I have promised our dear Atulji. So, let us all wish him a very Happy Birthday. May you relentlessly keep the blog moving. 🙂

The party song with this post is from Dharma Prorductions’ 2006 release ‘Kabhi Alvida Naa Kehna’ which was directed by Karan Johar and starred his friend and favourite Shahrukh Khan with Rani Mukherjee, Preity Zinta, Kiron Kher, Amitabh Bachchan, Abhishek Bachchan with guest appearances by Arjun Rampal, Kajol and a few others. The movie had Shankar-Ehsaan- Loy for music directors and Javed Akhtar as the lyricist. Today’s song is in the voices of Shankar Mahadevan, Loy Mendonsa, Vasundhara Das and Shaan.

Happy Birthday Atulji!!! Lets party tonight.

Audio

Video

Song – Where’s The Party Tonight  (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Loy Mendonsa, Vasundhara Das, Shaan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Shankar Mahadevan + Vasundhara Das
Female Chorus
Male Chorus
All Together

Lyrics

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

pyare pyare lamhe
lamhe lamhe
pyari pyari baatein
baatein baatein
sapno ke din hain
din hain din hain
sapno ki raatein
raatein raatein
ho gunje hai dil ke tarane
bajne hai geet suhane
behke hai sare deewane
toh nach le nach le whole night

where’s the party tonight
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

oooo sajna aa
oooo sajna aa
tere bina main nahi
ooooooo

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight

jo meri manzil tha,
paagal jispe dil tha
ha wo mujhe mil gaya
phool jo mehka tha,
jispe dil behka tha
baahon mein woh khil gaya
meheki hai pyar ki raahein,
beheki hai saari nigahein
phaili hai khwabon ki baahein
toh nachle nachle whole night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

nach
nach all nite
get it right
nach
nach all nite
get it right

meri ye kahani
jiski hoon deewani
woh hai deewana mera
jo hai dil ki rani
usko bhi zabani
yaad hai fasana mera
ho puri hui koi kahani 
mil gayi dil ki nishani
jhoom uthi ye zindagaani
toh nachle nachle all night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
aaaa aaaaa

aaa aaaaaa

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16781

Number of movies covered in the blog

Movies with all their songs covered =1305
Total Number of movies covered=4565

Total visits so far

  • 14,994,661 hits

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Active for more than 4000 days.

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