Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Blog century song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4757 Post No. : 16500 Movie Count :

4483

Slowly, steadily, and unnoticeably, the blog reaches yet another blog century. This post is post number 16500 for the blog. In other words, this song is the 165th century post for the blog.

When I thought about writing an article to go with post, I considered going through all the previous century posts. I kept going backwards from 164th century post, 163rd century post. After ten such posts, I gave up. If someone thinks that 164 songs and 164 song articles is a small number, then please try to do that exercise yourself. If one has to make a playlist of these century songs, the entire playlist will play for more than eight hours !

If that is the case for 164 of the choicest songs in the blog, then just imgine how many hours of music the entire blog contains. The blog has been going on at the rate of 3.5 songs a day for 4756 days. Assuming that these three and half songs a day are 12 minutes long then 12 minutes equals 0.2 hours of song every day. Multiply it with 4756. We get 951 hours of song in the blog. 951 hours means 40 days of non stop music if one plays it 24 hours a day without a break.

No normal human being will be able to do it, of course. If a normal music lover decides to savour music from the blog for just one hour a day, then he will have enough masala in the blog to last 951 days, viz 2 years and 8 months. During these 951 days, the blog would add another 195 hours of music, of course. 🙂

I think, some of our regulars have tried it. They should share their experiences with us. Since I post the articles and listen to the song myself, and that too more than once, I must have heard these songs for say 2000 hours already, but in a manner that did not burden me. Rather I must have enjoyed the experience, seeing that I am still at it, after more than 13 years.

The blog completed its 13th birthday recently, on 19 July 2021. Four articles were posted on the occasions. One was a Lata Mangeshkar yearwise songs series, which has been appearing every monday in the blog for the last 45 mondays. Other three articles, by three different regulars, were blog birthday celebration posts. My Lata Mangeshkar song series takes so much time out of me that it does not leave me time for any other article on mondays from me. That is why I could not post any special blog birthday articles. So I decisded to use this century post as century post cum belated blog birthday celebrating writeup. 🙂

As is usual now a days, our century posts are low key affairs. Our regulars do not seem to wait eagerly for them unlike in the past. Even the post writer leaves it till the last moment before he wakes up and starts to look desperately for a song appropriate for the occasion. Surprisingly, despite of such negligence, we always manage to find songs that are eminently suitable for the occasion.

Most of the blog century posts are from the golden era. The blog itself mainly covers songs from that era. But we have songs (including blog century songs) from pre golden era (before 1949) and also songs from post golden era (songs released after 1980).

It is popularly believed that the golden era of HFM was over after 1980. Even then, we continued to get some wonderful songs in HFM. Quite a few songs after 1980 have figured in the blog as blog century songs. Here are their details:

Blog post number Date (Blog day number) Song Movie (Year) Remarks
4100 30 june 2011 (1077) Aisa lage kahin door se Trishaagni (1988)
9800 1 May 2014(2113) Maine tumse kuchh nahin maanga Katha (1983)
13500 3 August 2017(3303) Ye paisa bolta hai Kaala Baazaar (1989)
15200 4 September 2019 (4065) Dil mein Mars hai Mission Mangal (2019) Newest century song in the blog
15500 27 March 2020(4270) Uljhan ho chaahe koi Chambal Ke Daaku (1982) One of the rarest songs
15600 11 May 2020 (4315) Goriya uski deewaani Aag Ka Darya (1990)
16100 15 December 2020 (4533) Hai ye kaisa nasha Chorni (1981)

One can see that as many as six songs from the decade of 1980s have figured i the blog as Blog century posts. But the newest song that has figured as the blog century post is from 2019. This song from Mission Mangal”(2019) became a century post in 2019, viz in the same year when this movie and its songs were released. That is one big surprise for most blog regulars. Even I , who presented the article, was surprised. I had myself forgoten about the fact that I had done something like this, and that too less than two years ago. 🙂

Songs that figure in the blog as blog century songs are special songs in one way or the other. And the speciality varies from one song to another.

The song under discussion is a song that was reasonably popular when the movie was released. The movie was forgotten with time and even this song seemingly went away. There are some songs, that get a second wind for some reasons and this time they become far far popular than what they were the first time round.

I can give quite a few such examples. Here are some examples:

April fool banaya(April fool) was a reasonably popular song of its time that got forgotten with time. In 1983 this song got reived when it was used in an important scene in “Andha Kaanoon”(1983).

Ek chatur naar(Padosan)(1968) was hardly popular during the first run of the movie. It is only after 1980s that this song has become an extremely popular song and it seems to have become more popular and this popularity is here to stay.

Main teri dushman dushman tu meri main naagan to sapera (Nagina) had run its course and had been forgotten. The song earned huge popularity in march 2018, thanks to reasons that had nothing to do be music and Indians. Non Indians popularised this song thanks to their childish pranks on the field of cricket. My writeup on this song described the funny episode leading to the revival of this song in this article.

The song under discussion got its second wind thanks to dance competion shows that have become popular on Indian TV. On these dance songs, ordinary folks dance on some olf Hindi film dance songs. In one episode one middle aged man, Sanjeev Sriastava (a ka Dabbu Uncle) performed dance on stage on this song alongwith his wife and took the TV audience by storm. Even Govinda, who originally danced on this song found Dabbu Uncle’s dance cute. This song was performed on screen by Govinda and Neelam. On a dance show, both of them were invited as judges. This song had earned such popularity by then that the two of then were asked to come on stage and dance on the song, three decades after they had originally danced on this song on screen. And they obliged.

And here is Dabbu uncle getting to perform with Govinda himself.

It goes without saying that this is one song that has been repopularised by an ordinary man. That is the power of an ordinar man. 🙂

The movie the song belonged to was “Khudgarz”(1987). The movie was produced and directed by Rakesh Roshan for Fimkraft, Bombay. The movie had Jeetendra, Shatrughan Sinha, Govinda, Bhanupriya, Amrita Singh, Neelam Kothari, Kadar Khan, Kiran Kumar, Saeed Jaffrey, Sudhir Dalvi,Sushma Seth, Praveen Kumar, Sangeeta Naik, Ghanshyam, Dinesh Hingoo, Satyen Kapoo, Mac Mohan, Master Javed Hyder etc in it. Rishi Kapoor and Abhi Bhattacharya had figured in guest appearances in the movie.

The movie was based on the story “Kane and Abel” penned by Jeffrey Archer without acknowedgement. Jeffrey Archer accused the maker of plagiarising his intellectual right without paying for it. It was the first time that a movie produced by Rakesh Roshan hit the jackpot at the box office. The movie was subsequently made in Tamil, Telugu, Kannada, Odia etc as well.

Here is this song from “Khudgarz”(1987). It is sung by Md Aziz and Sadhana Sargam. Indeewar is the lyricist. Music is composed by Rajesh Roshan.
Since it is the dance on the song that has repopularised the song, I was curous to know who was the dance master. I had to watch the movie for a few mintes, till the first song appeared on screen, accompanied by credits. According to credits Dances are choreographed by Suresh Bhatt. His assistants were Aruna and Sujata.

Here is this fantastic song. It is a song that has to be savoured by watching its video. The song, and its picturisation has earned enormous popularity on YT channels which was hardly the case a few years ago.

The movie makes its debut in the blog with this song.

With this song, the blog now had 16500 song posts in it. I take this opportunity to thank one and all whose continuous support and encouragement keeps fuelling this labour of love musical bandwagon. Like the lyrics of this song, eve for us in the blog “dil bahalta hai mera aapke (is blog pe) aa jaane se”. Keep visiting, keep commenting, and keep supporting us with your encouragement. We still have lots and lots of musical gems to discover and savour.


Song-Mai se meena se na saaqi se na paimaane se(Khudgarz)(1987) Singers-Md Aziz, Sadhana Sargam, Lyrics-Indeewar, MD-Rajesh Roshan
Chorus

Lyrics

Mai se meena se na saaqi se
Mai se meena se na saaqi se
Na paimaane se
Dil behalta hai mera
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Gul se gunchon se na bulbul ke
Gul se gunchon se na bulbul ke
gungunaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se

Khwaab mein jannat ka naqsha
Aa gaya jab saamne
ru ru ru ru ru ru
ru ru
ru ru
ru ru ru ru ru ru
ru ru

Khwaab mein jannat ka naqsha
Aa gaya jab saamne
Hooron se bhi dil na behla aa aa
Hum lage tujhe dhoondhne
Jannat ki bahaaron se na pariyon ke
Jannat ki bahaaron se na pariyon ke
muskuraane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se

Ek din main bhi gayi thhi
Jauhari bazaar mein

ru ru ru ru ru ru
ru ru
ru ru ru
ru ru ru ru ru ru
ru ru

Ek din main bhi gayi thi
Jauhari bazaar mein
Teri aankhein yaad aayin
Heeron ke bhi haar mein
Moti se na heeron se na jewar se
Moti se na heeron se na jewar se
Na kisi khazaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se

Mai se meena se na saaqi se
Mai se meena se na saaqi se
Na paimaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4640 Post No. : 16300

The musical bandwagon may be moving slower now a days, but it is moving on nevertheless. Everyday sees at least one post in the blog. The last DOT day for the blog was on 25 december 2019 (4177th day for the blog). Since then, the blog has added at least one song every day for the last 563 days.

Today is 4640th day for the blog. On this day we achieve yet another landmark figure, viz post number 16300. In other words, we complete the 163rd century for the blog today. It works out to an average of 28.5 days for one century. So by the time our moon completes one rotation of the earth, the blog completes one century of songs. 🙂

Here I have likened the progress of the blog to moon. But in the past, I have likened the blog to a bandwagon. And on other occasions, I have likened it to a train as well. 🙂

Come to think of it, trains fascinate us nearly as much as Hindi movie songs fascinate us. Trains in fact fascinate Hindi movie makers also. And so we find trains playing important roles in many Hindi movies. Many songs in these movies take place on trains.

When I checked up, I realised that the blog has just over one hundred train songs already. We have 102 rail related songs in the blog so far.

If one thinks that all these rail related songs have been covered by me ( a Railwayman myself), you cannot be more wrong. Most regular contributors of the blog have contributed to this impressive catalog of rail songs in the blog. Just take a look at the chart here to see the contributions of rail related posts and lyrics by our regulars :-

Contributor Number of Articles Lyrics Remarks
Atif M 2 Post no. 6157 and 6286
Ava Suri 2 Post no. 8536 and 14992
Arunkumar Deshmukh 6 Post no. 7670, 8255,9709,10742,10960 and 14578
Avinash Scrapwala 3 1 + 2 (Devnagri) Post no. 16069,16134 and 16135 Both Lyrics for posts 13964 and devnagri lyrics for 14903
Bharat Upadhyay 1 Post no. 11305
K Satish Shenoy 1 Post no. 14486
Khyati Bhatt 2 Post no. 5248 and 7450
Mahesh Mamadapur 1 Post no. 11226
nahm 2 Post no. 7676 and 9898
Nitin Shah 5 Lyrics for Post no. 5753,5791,8732,9606 and 10817
Pamir Harvey 1 Post no. 8160
Peevesie 1 Post no. 5756
Peevesie’s mom 4 Post no. 7564,8867,11717 and 16141
Prakashchandra 10 Lyrics for Post no. 5039,6447,6579,6705,6782,6871,8626,8865,10051 and 12828
Raja 2 Post no. 3161 and 13374
Sadanand Kamath 1 Post no. 7053
Satyajit Rajurkar 1 Post no. 9325
Sudhir Kapur 10 1 Post no. 3900, 3988,7368,8537,9561,9973,10729,11111,13929 and 15551. Lyrics for post number 3486

What an impressive collection of Rail related songs by our regulars.

Some of these songs have doubled up as blog century posts as well. Here is the list of Rail songs that have been used as blog century posts :-

Blog post number Song Movie (Year) Date of posting
2000 Dhak dhak karti chali jeewan ki rail re Dilruba(1950) 27 september 2009
2700 Jeewan hai ik sapnaa madhur suhaanaa sapnaa Honeymoon (1973) 30 july 2010
3500 Main hoon jhum jhum jhum jhum jhumroo Jhumru (1961) 4 February 2011
3900 Ye hai jeewan ki rail Mehlon Ke Khwaab 17 may 2011
15800 Hamaare dil ke station pe bhi baabu kabhi aanaa Fifty Fifty(1950) 12 August 2020

I have decided to use another Rail song as this blog century song. I had a good number of Rail songs to chose from. Avinash Scrapwala, one of the bigger Railway fans among the regulars, had sent me several rail related lyrics and he keeps reminding me about them periodically. I have chosen one of those lyrics for this post.

This song is from “Naach”(1949). “Naach” (1949) was directed by Ravindra Dave for Kuldip Pictures. The movie had Shyam, Suraiya, Kuldip, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Wasti, Om Prakash etc in it.

The movie had 11 songs in it. Eight songs have been covered in the past.

This rail song from “Naach”(1949) is sung by Geeta Dutt, Lata Mangeshkar and an unknown male voice.

I take this opportunity to thank one and all for their continued support and encouragement which has kept this musical labour of love to keep rolling on and on without any stoppages. Here is hoping that we will countinue to keep arriving at many more milestones during our musical journey.


Song-Chhak chhak chali hamaari rail (Naach)(1949) Singers-Geeta Dutt, Lata Unknown male voice, Lyrics-Mulkraj Bhakri, Md-Husnlal Bhagatram

Lyrics(Provided by Avinash Scrapwala)

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Liye jaa rahi hai ye kisiko
Bichhda sajan milaane ae ae
Liye jaa rahi hai ye kisiko
Bichhda sajan milaane

Koyi chhod apne sangi ko
Chalaa hai door thhikaane ae ae
Koyi chhod apne sangi ko
Chalaa hai door thhikaane
Kismet se hi hote hain ji
Bichhdon ke phir mel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Malaai hai malaai
Malaai hai malaai
gore haathon ne banaayi
gore haathon ne banaayi
Kunwaara bhi khaaye to
Mil jaaye lugaai
Mil jaaye lugaai
Poochhlo ise
Isne parson hi khaayi
Parson hi khaayi
Malaai hai malaai
Malaai hai malaai

Baalam morey ka shehar hai Dehli
Baalam morey ka shehar hai Dehli
Chhoti bajariyaa mein oonchi haveli
Chhoti bajariyaa mein oonchi haveli
Maikaa hai mora beech Bareilly
Maikaa hai mora beech Bareilly
Wahin ki ticket kataayi re
Wahin ki ticket kataayi re

Guard baabu
O Guard baabu
Guard baabu
O Guard baabu
Gaadi jaldi jaldi khench

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–

छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने ए ए

लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने
कोई छोड़ अपने संगी को
चला है दूर ठिकाने ए ए

कोई छोड़ अपने संगी को
चला है दूर ठिकाने
किस्मत से ही होते हैं जी
बिछड़ों के फिर मेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल

मलाई है मलाई
मलाई है मलाई
गोरे हाथों ने बनायी
गोरे हाथों ने बनायी
कुंवारा भी खाए तो
मिल जाए लुगाई
मिल जाए लुगाई
पूछलो इसे
इसने परसों ही खायी
परसों ही खायी
मलाई है मलाई
मलाई है मलाई

बालम मोरे का शहर है देहली
बालम मोरे का शहर है देहली
छोटी बजरिया में ऊंची हवेली
छोटी बजरिया में ऊंची हवेली
मैका है मोरा बीच बरेली
मैका है मोरा बीच बरेली
वहीँ की टिकट कटाई रे
वहीँ की टिकट कटाई रे

गार्ड बाबू
ओ गार्ड बाबू
गार्ड बाबू
ओ गार्ड बाबू
गाडी जल्दी जल्दी खेंच

छक छक चली हमारी रेल
छक छक चली हमारी रेल


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4583 Post No. : 16200

So it is that day again. The day when we reach a blog century. Though the going is quite slow now a days, still we are regular (no DOT days since 2020) and so we keep clocking our blog centuries every five to six weeks or so.

This article is blog post number 16200. This century took us exactly 50 days to reach.

I have mentioned it in the past that I remain tension free on most days but I get a bit tensed up when the century post arrives, because we need to look for a special song for the occasion. And I began worrying about locating the special song only at the eleventh hour and 59th minute. 🙂 This is an old habit of mine. My preparation for Examinations also used to be on similar lines. 🙂

The song that I have chosen for the occasion has been on my radar for several months. I considered covering it on many occasions during the last few months, but I backed off every time. There were many reasons.

One main reason why I could not cover this song earlier was its lyrics. Noting down the lyrics of this song has been a great challenge, mainly because the words are totally unfamiliar. At the same time, the words are not gibberish. They have definite meanings. So effort was needed to try and note them down as well as one could.

The second challenge was writing about the song. It is a special song, at at the same time a lesser known song. People have not been able to appreciate this song because this song is difficult to locate and secondly because of lack of information about what makes this song special.

This song is from “Patraani”(1956). “Patraani”(1956) was produced by Shankarbhai Bhatt (the elder brother) and directed by Vijay Bhatt (the younger brother) for Prakash Pictures, Bombay. The movie had Vyjayantimala, Pradeep Kumar, Omprakash, Shashikala, Durga Khote, David, Jeevan etc. in it. The story was written by Kanhaiyalal Maneklal Munshi.

The story, losely based on a real life story of 11th century has been narrated by Mr Arunkumar Deshmukh, our beloved inhouse encyclopedia, while discussing a previous song from the movie. Here is the story as narrated by him:-

King Karnadev Solanki, king of Gujrat(Pradeep Kumar) had many queens but no issues. The Rajmata(Durga Khote) insisted that he marry another girl after ascertaining astrologically her capability to give children.

The king had seen one princess in Somnath temple once and wanted to marry only her.But he does not know who she is. Actually she is princess Mrinal(Vyjayanti Mala) daughter of King Jai keshi(Ramesh Sinha) of Karnatak. She was on a Teerth yatra when she saw Karnadev. She also wanted to only marry him, but did not know who he was.

Munjal Mehta (David), Mahamantri of Karndev goes on a mission and soon finds out Mrinal. She is beautiful, but her skin becomes black in the sunlight. Munjal knows Karndev’s dislike of black. Mrinal is astrologically also fit. He tells her and shows the sketch of Karandev, after which she is happily ready to marry him.

They all travel to Gujarat, but during travel Mrinal’s skin becomes black. During marriage, there is a veil, but after marriage Karndev sees that she is black and rejects her.

She is good natured and becomes Raj mata’s pet. When the King falls sick, Mrinal serves him very well and slowly the King realises that outer skin colour does not make a person good or bad. He accepts her as she is and all’s well that ends well.

The movie was a musical blockbuster, with as many as ten songs in it. Nine songs have already been covered in the past. Here are the details of the songs already covered:-

Blog post number Song Date of posting Remarks
5560 Chandrma madbhara 2 March 2012 Lata solo. Based on Raag Shivranjani
11601 Arre koi jaao ree piya ko bulaao ree 27 November 2015 Three Mangeshkar sisters singing together
12206 Na jaane tum kaun meri aankhon mein sama gaye 12 July 2016 Lata solo
12453 Ho balma tum bedardi 15 October 2016 Lata solo
12521 Rang rangeeli pagiyaa baandhe aaye rituraaja 4 November 2016 C Ramchandra-Lata duet
12678 Dil gaya dard raha seene mein 10 December 2016 Lata solo
13758 Saat samandar paar haaye re mera sapnon ka sansaar 22 November 2017 Lata solo
15438 Kabhi to aa 15 February 2020 Lata solo
15812 Raaja pyaare mat karo pyaar ka mol 17 August 2020 Lata, Usha Mangeshkar duet

One can notice that the voice of Lata Mangeshkar was present in all the songs of the movie. Even the final song being discussed today contains her voice. So this movie was one of those special movies where one singer sang all the songs. All ten songs- in this case !

While most Hindi movie songs have classical music elements in them, the songs of “Patraani”(1956) were specifically so. Shankar Jaikishan, the most popular music directors of the golden era, seem to have composed the songs of this movie as a labour of love, rather than as a means to score another box office success. It appears that the songs were not promoted well during its time and they did not become as popular with music lovers of those days who already had many more popular songs to chose from.

The tenth and final song from the movie is listed in HFGK as “paawan ganga sir pe sohe”. The song begins with these words, and these words are among the few words that most music lovers can understand. Then the song gets transformed into a pucca classical song, namely Tarana. Tarana is a genre of pure classical Hindustani music which was created by Amir Khusro (1253–1325 AD). Amir Khusro was also the creator of a more popular form of semi classical music namely qawwaali. He was also the creator of Ghazal.

Unlike Qawwali and ghazal, Tarana is far less known and heard in Hindi movies and elsewhere. Hindi movies have had very few Taranas in them. One such tarana was covered by me in the blog in 2015 when I had started a series on Classical music. There I had given some information about Tarana. That song from “Ladki”(1953) was sung by Lata and it was picturised on Vyjyanti Mala.

The video of the final “Patrani”(1956) songs does not seem to be available, which is a shame. I am sure that the song, like the Tarana song from “Ladki”(1953) was picturised on Vyjyanmti Mala. I request our knowledgeable readers, who may have seen the movie, to throw light on the picturisation of the song.

The song is mentioned in HFGK as a Lata solo, but one can detect a male voice too who sings one full stanza of tarana bols. The song also has long passages sung by chorus, before Lata Mangeshkar resumes singing. Not just Shankar Jaikishan, even Lata Mangeshkar must have drawn considerable creative satisfaction in recording this song.

I request our knowledgeable readers to throw light on the identity of the male voice.

I have tried my level best to note down the lyrics of the song, but I have fallen short. I request our readers to help correct the lyrics wherever applicable.

Shailendra is the lyricist. If he actually came up with the tarana bols then that is a fantastic achievement for him. With this song, Shailendra completes 700 songs in the blog as a lyricist.

With this song, all the ten songs of “Patraani”(1956) are covered in the blog. The movie joins the list of movies that have been YIPPEED in the past. The movie becomes the 1248th movie to get YIPPEED in the blog.

With this one song, now all the Shankar Jaikishan compositions in HFM, each and every Shankar Jaikshan movie from 1949 to 1968, viz from “Barasaat”(1949) to “Shikaar”(1968)-all 94 of them- have been YIPPEED in the blog. Now one will have to look at movies of 1969 to find the earliest Shankar Jaikshan movie not yet YIPPEED in the blog.

So, this one song helps tick many invisible boxes in the blog.

This blog has survived for more than 12 years, and it has survived the COVID 19 year as well. With so much of musical treasure already covered, and with so much of musical treasure still to be covered, I am sure this musical bandwagon will continue to see many more milestones in the days to come. I take this opportunity to thank one and all whose continued support and encouragement serves as the fuel for this musical bandwagon and keeps it moving.


Song-Paawan ganga sir pe sohe (Patraani)(1956) Singer-Lata, Lyrics-Shailendra, MD-Shankar Jaikishan
Chorus
Unknown male voice

Lyrics

paavan ganga
sir pe sohe
maathe pe chandr chhata pyaari ee
jai jai shiv shankar tripuraari

tanitam tititam
jyotitakthaam
tadhita
tanata
dhunu ta
dhit ta
tatadhi
tatanajhum
titititadhi
ta
tanatana
ta
jhunu jhunu
ta
dhimi dhimi
ta
dhitata dhitata
tana tana
tajun
jhunu
tadhimi
dhimitakita ta
ta dhit ta
dhita ta
dhim
trimatam dha
dhit ta dhit
ta ta dhimi
tramadhita
dha ti ta
dhita ta
dhim trinadhum

dheem
dheem tanana
mu dha na ti
tim dheena na
na dhi dhim
dheem tananana
dheem
dheem tanana
tan udana theem
dhinana
na dir dheem
dheem tanana
na dir dheem dheem
tanana
odana dheem
dhi ra na
na dir dheem
dheem ta na na
na dir dheem
dheem tanana
na da na dheem ta
dhi na na
na dir dheem
dheem tanana

taam takitatam
ni dha ma
na ta ni dha
ni sa
tadam takam
ni dam
ma dha ni paa
na ta ki ta dum
ni dha ma ga
sa ni sa ra
tha
takadhum
takanam
ni dha ma da ni
ni ta jam jam
ma dhi ma hi
dhum
dha ni sa paa
ma ga sa ni
ma ga sa ma
ga ma ga ni sa
jhana jhunu
dhi na pama
ni ma ga sa
tadhi pa ta
tam ta
ni dha
tagum tari
dheem tiratam
ma ni dha ma ga
tam dhim dhinam

dheem
dheem tanana
u da na dheem
ta dhir ra tam
na dir dheem
dheem
ta na na dheem
dheem tanana
u da na dheem
na dhu na
na dhir dheem
dheem
tanana
dheem
dheem tanana
u da da dheem
dhi na na
na dir dheem
dheem tanana
na dir dheem


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 16000th post in the blog.

Blog Day :

4484 Post No. : 16000 Movie Count :

4382

This blog regularly clocks centuries of songs. So it follows that the blog clocks thousand songs too after every ten centuries.

The blog has seen 15 instances of thousandth posts so far.

These were special occasions when special writeups are presented with special songs.

It is interesting to look back at the 15 instances of thousandth posts in the blog. Here are their details:-

Post number Date of posting Song Movie (year) Blog day Days taken for the thousandth post
1000 30 march 2009 Piya ham saat mulk ka paani Lootmaar (1980) 255 days 255 days
2000 27 September 2009 Dhakdhak karti chali jeewan ki rail re Dilruba (1950) 436 days 181 days
3000 20 september 2010 Maa mujhe apne aanchal mein chhupa le Chhota Bhai (1966) 794 days 358 days
4000 13 june 2011 Kya se kya ho gaya bewafa tere pyaar mein Guide (1965) 1060 days 266 days
5000 13 nov 2011 Hamen to loot liya mil ke husn waalon ne Al Hilal (1957) 1213 153 days
6000 23 May 2012 Geet kitne gaa chuki hoon Asha Bhonsle NFS 1405 days 192 days
7000 13 Nov 2012 Falak se utre zameen pe taare Rafi NFS 1579 days 174 days
8000 28 april 2013 Beautiful baby of Bombay Ek Phool Chaar Kaante (1960) 1745 days 166 days
9000 13 November 2013 Ankhiyaan sang ankhiyaan laagi aaj Bada Aadmi (1961) 1944 days 199 days
10000 20 July 2014 Phul rahin belariyaan dole Trapped (1931) 2193 days 249 days
11000 31 March 2015 Kaam ki dhun mein hain rawaan Gyaarah Hazaar Ladkiyaan(1962) 2447 days 254 days
12000 20 April 2016 Door desh se aane waale Gaja Bhau(1943) 2833 days 386 days
13000 4 March 2017 Dil tumse lagaaya kyun hamne Captain Aazaad (1964) 3151 days 318 days
14000 1 February 2018 Khayyam hai Allah waala Omar Khayyam (1946) 3485 days 334 days
15000 21 April 2019 Deepak jo gaaye so paaye gyaan dhyaan Sahhanshah Akbar (1943) 3929 days 444 days
16000 26 october 2020 4484 days 555 days

We can see from the above that there has been at least one Thousandth song post every year from 2009 onwards. 2009, 2011, 2012 and 2013 saw two such posts, which means that the blog added nearly 2000 songs in these years.

All these songs were very very special songs in one way or the other. Some songs were iconic songs, some extremely rare, while some were popular in their times but had been forgotten with passage of time.

Some of these posts combined other major blog landmarks. For instance song post number 3000, a popular song, was Lata Mangeshkar’s 1000th post in the blog. Song post number 4000 , a popular songwas Rafi’s 1000th. 6000th post, a non film song was Asha Bhonsle’s 1000th post in the blog.

The 5000th song post, recognised Bulo C Rani, the less known music director of this iconic qawwaali, who completed his century in the blog with this song.

In the earlier days of the blog, regulars would eagerly look forward to the thousandth post and would try to guess the song. In some cases, for instance the 5000th post, people successfully guessed the song because we were posting far too many Bulo C Rani compositions in the blog those days to take him to his hundredth song in the blog. 🙂

Who could forget the leadup to the ten thousandth song in the blog ! Regulars, on those pre whatsapp days were keeping in touch with each other on e mail, sharing messages like, one more song posted, three to go. What song it is going to be, etc. The excitement, the eager anticipation, and finally the song getting posted, and the comments on the song post- those were heady days for the blog. Those who were part of those exciting days still fondly remember those days.

One can notice that the thousandth posts have been coming relatively slowly ever since. Song post 11000 took 254 days, whereas the next thousandth posts took over 300 days each to materialise.

Song post 15000 was the slowest. It took 444 days.

What about song post 16000 ? This gets posted today. It has taken 555 days !

444, 555. Such honky tonk numbers inadvertently and unnoticeably creep into the affairs of the blog. Who can forget the concidences involved while posting the “1” songs- viz song post numbers 1, 11, 111, 1111 and 11111 ! Those who have forgotten about the amazing coincidences noticed are requested to go though this article.

Another thing noticeable about these writeups is that they are penned by pillars of the blog, such as Raja, Sudhir Jee etc. Some of these writeups have been joint efforts, involving upto three contributors. Sudhir Jee’s contribution extends beyond the article writing. He would also dig up the song for the occasion, often a rare not yet on internet gem and upload that specially for the occasion. For instance, the 10000th song post was a song of 1931 (the earlist year for HFM) and it was especially uploaded by him minutes before that post was published on 20 July 2014 !

Selection of the song has been a matter of much speculation among the regulars of the blog, as discussed above. While some of these songs have been correctly guessed by them, guessing them has become difficult of late. That is because the person writing the article (that is often me) is not sure what song to pick. I myself manage to land an appropriate song often at the last moment. For example, I accidentally discovered the song for song post number 13000 and posted it for that occasion. When I was myself not clear about the song, how were others going to guess the song ! That way I feel like legendary leg spinner B S Chandrashekhar. He himself did not know what ball he was going to deliver next, so how was it possible for the batsman to anticipate his next delivery ! 🙂

In our whatsapp group of regulars, some of them have been guessing the song that would be the 16000th song for the blog. One guess is that it would be a Lata Mangeshkar song, alongwith her career records. That did not happen.

I was actually toying with such an idea. But then I realised that the songs that I could use with such an idea did not seem suited for an occasion like the 16000th song for the blog.

Just when it seemed that I was unable to find a suitable song, I stumbled upon this song which is being presented today. This song was discovered by me almost like how I discovered the 13000th song post song.

This song is as rare as they can be, from a movie that can be as rare as they come. The movie is “Toofaani Teerandaaz”(1959). The movie, a “stunt” movie, is produced and directed by A R Zameendaar for Navshakti Films, Bombay. The movie had Shanta Kumari, Deep Kumar, Tuntun, Sheikh, Habeeb, Shakeela Bano Bhopali, Ismail Azad, Sajjan, Goldstein, Daya Devi, Nazeer Kashmiri, Amir Ali, Sattar, Md Ali, Ghani, Azam, Haneef, Yunus, Nawab, Funtoosh, Baby Shahjahaan, Khan Habib, Khan Nusrat, Khan Atiq etc in it.

The movie had five songs in it. The movie is yet to make its debut in the blog.

The songs are rare, but they have been made available online thanks to the generosity of some well known HFM music collectots and sharers.

The song under discussion is a qawwaali. It is sung by Ismail Azad qawwaal and Sudha Malhotra,accompanied by male and female chorus. In all great qawwaalis, it is the lyricist who makes the qawwaali great.Farooque Kaiser is the lyricist of this fantastic qawwaali. Music is composed by Iqbal.

Only the audio of thd song is available. My guess is that this song was picturised on Ismail Azad (singing for himself) and Shakila Bano Bhopali, with others in the standard qawwaali set up so common in Hindi movies those days.

The song is in the same league as many iconic qawwaalis of Hindi movies. It is just that this song failed to get popular and so remained under the radar. With time, the song was forgotten. Thanks to music collecter Shri Girdharilal Vishwakarma, and the uploader shri Aditya Pant, we can enjoy this fantastic fantastic qawwaali. Our thanks to them.

The song, a nearly seven minute feast, starts with a long harmonium piece, followed by an interesting war of words between the two genders. Quite a remarkable song that will grow on the listeners if they listen to it a few times. I know it because I got tolisten to it quite a few times while trying to get the lyrics right.

“Toofaani Teerandaaz”(1959) makes its debut in the blog with this song.

Another thousandth song post done ! I feel relieved and happy. It will be a while before I will have to worry about finding another suitable song for the occasion. 🙂

I take this opportunity to thank one and all. This set of thousand songs took 555 days to arrive at a rate of less that two songs per day, but what is important is that we are still on the move and we continue to add to an already rich collection of songs. I take this opportunity to thank one and all. I expect that we will continue to recive the same support, help, encouragement, contributions etc for one and all.


Song-Hum wafaadaar nahin tu bhi to dildaar nahin(Toofaani Teerandaaz)(1959) Singers-Ismail Azad, Sudha Malhotra, Lyrics-Farooque Kaiser, MD-Iqbal
Male chorus
Female chorus

Lyrics

Shukr kar hamne tujhe chaand si soorat de di
naaz kaliyon ka hawaaon ki nazaakat de di
teri zulfon ko ghataaon ki bhi rangat de di
loot kar saare zamaane ki muhabbat de di
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

ham na hote to bahaaron mein na rangat hoti
chaand mein noor na kaliyon mein nazaakat hoti
pad gayi jaan zamaane mein hamaare dam se
pyaar tum kisko jataate jo na aurat hoti
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tujhko magroor kiya
keh ke haseena hamne
teri khaatir kiya
manzoor ye jeena hamne
banke majnu kahin laila pe huye hain qurbaan
cheer laaye pahaadon ka bhi seena hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

chaahe joban bhi
tera hukm na taala hamne
daali Mirza ke gale pyaar ki maala hamne
isko kehte hain muhabbat yahi hoti hai wafa
khud to girte bhi rahe
tujhko sambhaala hamne
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin

le sahaara meri baahon ka zara ab to sambhal
do kadam raah e wafa mein tu mere saath to chal
teri ulfat ki nishaani nahin jag mein koi
mard ke pyaar ka wo dekh nishaan Tajmahal
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

pahle mumtaz ne ki jaan muhabbat mein nisaar
baad mein Tajmahal ka hai banaana bekaar
waqt ne phoonk diye kitne wafaaon ke charaag
beh gaye mauj mein kitni hi kumhaaran ke pyaar
aise hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

zahar aankhon ka har ek jaam mein daala tumne
zulf ke parde mein hai saanp ko paala tumne
hashr(?) tak yaad rahega tera ye zulmo sitam
banke hawwa hamen jannat se nikaala tumne
phir bhi hamse ye gil hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

taane sakhiyon ke sune
hamne hi Radha banke
pyaar mein ho gaye ruswa kahin Laila ban ke
Ram ka saath diya kisne museebat mein bata
kaun jungalon mein phira saath mein Seeta ban ke
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin

jaa tere husn ka ab koi talabgaar nahin
dil hai aurat ka koi pyaar ka baazaar nahin
ham nahin ?? ke ab naaz uthhaane waale
aur aa jaayenge dil hampe lutaane waale
ham na honge to ye kya shaan rahegi baaqi
jaan jaayegi magar aan rahegi baaqi
kaun hai aap ki soorat se jo bedaar nahin
qatl kar denge tumhe haath mein talwaar nahin
?? naazuk mein ye taaqat meri sarkaar nahin
?? se nipatna koi dushwaar nahin
phir bhi hamse ye gila hai ke wafaadaar nahin

ham wo baazaar nahin tu bhi to dildaar nahin…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 15900th song post for the blog

Blog Day :

4447 Post No. : 15900

So we reach another blog century with this post. This century materializes in 39 days, which appears like a fast century vis a vis the previous eleven centuries that took an average of 61 days each. These eleven centuries were took nearly two years (from August 2018 till July 2020). If we look at the rate of centuries ten years ago, then we had achieved a blog century on 20 september 2010 as well. That was the 30th century for the blog and that had been achieved in 17 days flat !. Eleven centuries (viz 20th century to 30th century were achieved at an average rate of 33 days per century.

The quickest rate of centuries were achieved during 2011 and 2012. Calendar year of 2012 saw 21 blog centuries, a record not surpassed since ! These 21 centuries were achieved at an average rate of one century every 18th day !

When I try to think about the by now barely believable rate of posts and centuries in the past, I can pinpoint a few reasons. And I also learn a few lessons from them.

Ten years ago, I was ten years younger. at that stage in my life, I was perhaps at the most productive and creative stage of my life. My enery level and motivation level were on a different plane. I also realise that my eyesight was still good and I did not need glasses to read fine prints. It was sometime in 2011 that I began to realise that my eyesight was going downhill. That is when I needed glasses for the first time. With that being the case, it was no longer possible for me to pore over the computer screen with the same comfort as before. This may be one reason why I hav slowed down. I need to take breaks from computer for the sake of my eyes, which was not the case prior to 2011.

Secondly, at that stage, I found it easy to wake up early in the morning and staying up late as well. My wife complained that I was neglecting my health by not getting enough sleep. Her constant nagging has finally had its effect on me. For the last two years, I no longer wake up at 5 AM in the morning and finish off six or seven posts for the day in three hours.

25 september 2011 was a crazy day when as many as 13 writeups were posted. First post appeared at 8:10 PM and the last post at 23:59 PM ! It means that I devoted the entire day at the computer doing nothing but posting articles all th time ! The same feat was repeated on 6 september 2012. The first post of the day appeared at 7:32 AM. The thirteenth and final post of the day appeared at 23:47 PM and that marked the 66th blog century for the blog !

Those were crazy days for the blog! The concepts of movies making their debuts, moving getting YIPPEED in the blog etc were not known. I did not have access to HFGK, so I was blissfully unaware if all the songs of a movie were covered in the blog. Unburdened by all these considerations, and helped by the fact that most well known songs of well known movies were still up for grabs, we had no problem finding sngs to discuss. All those songs, not yet dscovered were like low hanging fruits that were easy to pluck. We have dealt with all those low handing fruits and now we are dealing with songs that were relatively less popular and lesser known. I was gifted HFGK on july 2014 by our two Maharathi contributors Mr Arunkumar Deshmukh and Sudhir Jee, on the occasion of the blog completing 10000th post. By that time, we were also on to concepts like individual artists centuries, blog contributors centuries etc. We had also evolved the concept of YIPPEE thanks to the ever enthusiastic Pradeep Raghunathan. All these factors meant that we had to do more research that before to locate specific songs that met specific requirements.

These days we are not able to score our centuries at Sehwag like rate (16-17 days) but even scoring centuries at test match rate is not bad. What matters is that the musical juggesrnaut keeps moving and does not remain stand still. We have managed to remain free of a DOT day in the blog for this entire calendar year 2020. There were three DOT days in 2019, 7 in 2018 and ZERO in 2017. So we have ben like a non stop musical bandwagon for the last four years with hardly any stoppages. And let us hope that it continues that way.

Another thing where we had managed to staay true to form is in the selection of our Century songs. We manage to come up with special songs for such special occasions. Seeing that we have had 158 Blog centuries so far, we have discussed 158 special songs on these occasions. 158 is not a small number by any stretch of imagination. One would need more than 8 hours to listen to these special songs !

The 15900th song of the blog is a special song as well. It is special because

(i) it is a rare and obscure song
(ii) the singer is also obscure, though she comes from a well known musical family
(iii) The song is one that has been reused in at least two movies, both obscure.

The song is from “Bhed”(1950). This movie was produced by Amba Cinetone(Jal K Baliwala Productions Bombay). That is all that HFGK contains for this movie. HFGK tells us that this movie had at least nine songs in it, may be more. Mukul Roy (brother of Geeta Roy, later Geeta Dutt) was the music director.

Three songs from this movie have been discussed so far. All these three songs were sung by Geeta Dutt.

Here is another song from “Bhed”(1950). Is it sung by Geeta Dutt ? No, it is sung by Lakshmi Roy, sister of Geeta Dutt. Geeta Dutt is a legendary singer in HFM, but her sister Lakshmi Roy has sung very few songs in HFM. Most of her songs are duets with other singers. This song is an axception. It is a solo song.

This song is penned by Madhukar Rajasthani.

I made another interesting discovery. Five songs from “Bhed” (1953) were later reused in “Do Bahaadur”(1953). Unlike “Bhed”(1950), details of starcast of “Do Bahaadur”(1953) is known. “Do Bahaadur”(1953) was produced by Nari Cawasji and drected by Baburao Pahalwan for Baghdad Pictures under supervision of Shantaram Athwale. The movie had John Cawas, Shanta Patel, Rohini, Dalpat, Goldstein, Rajni, Chitalkar, Dilawar, Baby Balo, Aziz Premi, Madhu Apte, Ali, Baburao Pahalwan etc in it.

This movie too had music by Mukul Roy. The movie had six songs in it. Five of these songs were same as those of “Bhed”(1950). the sixth song was taken from “Ustaad Pedro”(1951).

Such cut and paste job for music did not help the cause of “Do Bahaadur”(1953). For that matter even “Bhed”(1950) is a rare and forgotten movie.

Coming to Lakshmi Roy, she married producer director Pramod Chakraborty. Unlike her unfortunate sister Geeta, she enjoyed a long and happy married life.

As the 15900th song of the blog, here is this rare and special song from “Bhed”(1950).

A blog century on 20 september 2010 and a blog century on 20 september 2020 as well. So we have mnaged to achieve a different kind of “Blog Ten Year Challenge” today with this post. 🙂

As we can see, we are now just one more century away from the magic 16000 mark. Here is hoping that we will not just reach that landmark but also reach many distant landmarks in future. I take this opportunity to thank one and all for their continued support and encouragement.


Song-Ritu Pyar karan ki aayi (Bhed) (1950)/(Do Bahaadur)(1953) Singer-Laxmi Roy, Lyrics-Madhukar Rajasthani, MD-Mukul Roy

Lyrics

Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
mastiyaan le le kar angdaayi
mastiyaan le le kar angdaayi
kahi haan aayi haan aayi
saawan ban ke chhaayee
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee

chhaayee huyi khushrang(?) ghataayen
chhaayee huyi khushrang(?) ghataayen
naach rahi hain mast hawaayen
naach rahi hain mast hawaayen
koyal ne kook
koyal ne kook lagaayee
papeeha preetam ka saudaayee
kahen haan aayi haan aayi
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee

shama se kehta hai parwaana
shama se kehta hai parwaana
bulb(?) se hai gul suhaana
bulb(?) se hai gul suhaana
bhanwron se hai kaliyaan kehtin
chanda se kahen chakori
kya
kahen haan aayi haan aayi
kahen haan aayi haan aayi
Rut pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
rut pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4408 Post No. : 15800 Movie Count :

4352

This occasion is a recurring occasion for the blog and comes like clockwork. It is just that the timing of the clock is variable. 🙂 It typically used to come twice in a month in the past and now a days it comes after every two months or so.

I am talking about the century post of the blog.

This article marks the 15800th writeup for the blog. This century came up in “only” 40 days which appears quite “fast” compared to recent centuries that took 53 and 45 days. It is like how B S Chandrashekhar used to be the fastest bowler in Indian cricket team during 1960s and 1970s, when he was in the team as a spinner. 🙂

In the past, choosing the century song used to be an elaborate affair. The song was often identified well in advance. There are occasions when such songs were identified several months in advance. Their writeups used to be planned well in advance as well. There was much anticipation and expectation in the air. 🙂

Nowadays, it is different. These occasions have seemingly become passe. They come and go and one barely takes notice of them. They have virtually become just another post.

It is true that the century post nowadays are finalised at the eleventh hour and the writeup is “written” almost “extempore”- so to say.

But one thing still remains same, and that is the song itself. the song that features in the century writeup is invariably a special song, so what if it often gets chosen at the last moment.

Take the song under discussion, for instance. This song is as rare as they come. The only thing that is known about this movie is that it is from the 1940s. That means it could be from 1941 or even from 1950. This movie is called “Fifty Fifty”. Unlike the famous movie of 1956 of the same name, this movie was apparently unreleased. The movie, according to HFGK part 2 was a Hind Productions movie. It had more than four songs, but HFGK has details only for four songs.
PS-Mr Har Mandir Singh “Hamraaz”, the man behind HFGK commented on this post and informed that this record was issued in 1950. So this song is from 1950. So, records of this movie called “Fifty Fifty” were released in fifty. 🙂

There is no information about the director or the artists.

Out of the four songs whose details are available, one song has caught my fancy. It has fun mukhda that goes like “Hamaare dil ke station pe bhi baabu kabhi aana”. 🙂

I have chosen this song to be the 15800th song writeup in the blog. This song is sung by Indurani and Sheikh. Anjum Rahmani is the lyricist. Music is composed by K Kumar.

Going by the trends of those days, the song could well have been picturised on the singing duo themselves.

The lyrics of the song are quite fun, right up my alley as could be expected, as they deal with terms associated with railways. 🙂

I request our knowledgeable readers to throw light on this obscure movie, and also on the artists figuring in the song. Personally I have no idea about the lyricist and the music director. The music director is making his debut in the blog with this song. The movie itself is also making its debut in the blog with this song.

With this rare song, the blog now has 15800 song posts. So the magic figure of 16000 appears within striking distance. Hopefully we will reach there in less than 100 days from now.

I take this opportunity to thank one and all for their continued support, patronage and encouragement. Let us hope that this musical bandwagon keeps rolling on and on for as long as possible, seeing that we still have lots and lots of music gems yet to be covered and discovered.


Song-Hamaare dil ke station pe (Fifty Fifty)(1950) Singers-Indurani, Sheikh, Lyrics-Anjum Rahmani, MD-K Kumar

Lyrics

Hamaare dil ke station pe
Hamaare dil ke station pe bhi baabu kabhi aana
chhoote jab pyaar ki gaadi
to tum jhandi hila jaana
zara seetee baja jaana baabu saab
hamaare dil ke station pe
hamaare dil ke station pe bai bai saab kabhi aana
chhoote jab pyaar ki gaadi
to tum jhandi hila jaana
zara seetee baja jaana bee saab

ae ae ae ae
meri miss Frontier r r
arre chali ho tum kahaan farr farr
arre na ho jaaye kahin takkar
ke rasta hai nahin behtar
isi junction pe ruk jaana
zara jhandi hila jaana
zara seetee baja jaana bee saab

Hamaare dil ke station pe
Hamaare dil ke station pe bhi baabu kabhi aana
chhoote jab pyaar ki gaadi
tum jhandi hila jaana
zara seetee baja jaana baabu saab

aa aa aa aa aa
muhabbat ka engine hai
ke jo badhhta hi jaataa hai ae ae ae
sambhaale kitna hi baabu
magar takraa hi jaata hai
nahin aata hai bach jaana
zara seetee baja jaana
zara jhandi hila jaana
jhandi hila jaana baabu saab
hamaare dil ke station pe
hamaare dil ke station pe beebee saab kabhi aana
chhoote jab pyaar ki gaadi
to tum jhandi hila jaana
zara seetee baja jaana bai saab


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4368 Post No. : 15700

While covering songs on most days, I do not feel much pressure. The only pressure on me is that the day should not end up as a DOT day. I make sure that at least one writeup appears on the blog every day. Fortunately there has been no DOT days this year. The last DOT day of the blog was in December 2019.

The other “pressure”, apart from that of avoiding DOT day, is to make sure that guest posts are published within a day or so. If there is too much delay in publishing them then it may lead to avoidable misunderstanding. Then there is pressure of publishing articles that are topical (having to do with anniversaries, special days etc) which must be published on the appointed day otherwise they lose their relevance.

When it is a question of publishing one post to avoid DOT day, I am happy just being able to publish a bare bones article, an article that hardly has any details other than the most basic information, a far cry from some of the three thousand words plus writeups in the blog. A few of the special occasion writeups are also like that. Guest posts are “easy” because all the hard work is already done by others. It is articles by me on special occasions that put me under pressure. If I am aware of the special occasion well in advance then I am mentally prepared, but if I become aware of the special occasion only on the day when it arrives, then I am in “trouble”. It happens with me in case of many of the anniversaries, seeing that I am not very good in remembering such dates.

Then there are some many days, like Mother’s day, Father’s day, Doctor’s day, Chocolate day and other such largely artificially created days that one becomes aware of only in the morning when one starts the computer and open the search page viz google. And there is some special google doodle staring at you, informing you that it was “Milk” day on that day ! I became aware of “milk” day on the morning of 1st June 2020. I felt that I needed to write an article on the occasion. Much of my day was spend thinking about an appropriate song, because there were very few songs on milk. Then it struck me that milk products qualify as well. And there are so many Hindi film songs on “Maakhan” (butter). We in India even have a God (Lord Krishna) who is the brand ambassador of “Maakhan”. It was already afternoon when this idea struck me and then I started typing out my writeup on the topic. This article finally appeared on the blog in the afternoon at 16:39 IST.

I feel the most “pressure” when the blog reaches its nervous nineties. It means that we need to have a special song as our blog century song. Nowadays, we are barely going at the rate of two or three songs in a day and we do not seem to able to muster the kind of creative writing juices that seemed to flow in abundance till a few years ago. Those days, people would start eagerly anticipating the moment. They would sometimes even stat guessing the song, taking hint from the tallies of various artists in the blog, or basing their guess on the anniversaries to come.

Those days are behind us. Those days we were galloping at Rajdhani express speed, reaching a century in 16 days. These days we are crawling at the speed of a passenger train, reaching centuries in over 50 days.

Just like in case of special occasion songs, I obviously has to think of an appropriate song for the blog century song. The song must be a “special” song befitting the special occasion. As in the case of other “special” occasion songs, this special occasion also puts me under pressure. This time the pressure is of my own making because I myself do not pay attention to the matter in time, and start worrying about it only at the last moment.

I was aware that we are reaching out 157th century, viz song post number 15700, but it was only yesterday (2nd July 2020) when I finally realised that the century post had to be inevitably posted on 3rd July 2020, if I had to ensure that this occasion did not clash with other special occasions viz anniversaries etc.

Like on many similar blog century occasions, I have chosen a “special” song as the blog post number 15700 of the blog. This song can be described as belonging to the category of rare songs, that few people may have heard of. Forget the song, one may not even have heard the name of the movie. The movie is called “Safed Ghoda Kaala Sawaar”(1960) aka “Black Rider”(1960). It was directed by Mehmood (same as the comedian or someone else ?) for Screenarts Bombay. The B grade obscure movie had Kamran, Krishnkumari, Habeeb, Shaam, Najma etc in it. HFGK mentions five songs for this movie.

One song from this movie has been covered in the past. Here is the second song from “Black Rider” (1960) to appear in the blog. The song is sung by Balbir and Minu Prushottam with chorus. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.

The song is a qawwaali and sounds wonderful to listen to. But while most qawwaalis are quite long, this qawwaali ends after three minutes , after just two stanza, with the listeners wanting more. I wonder if this song was originally longer and only three minutes long version of the qawwaali was released on record. I request our knowledgeable readers to thow light on the movie as well as on the picturisation of the song.
[Ed Note: As Sudhir ji points out in his comment, the full song is double the length – it is 6+ minutes and appears on two sides of a 78 rpm record. Whoever has uploaded the song did not take care enough to upload the full song. Sudhir ji has now uploaded the full qawwaali and updated the lyrics.]

With this extremely rare song, the blog reaches another century in the blog. This century took 53 days. Now that we are onto song post number 15700, the next magic number 16000 appears near by. Hopefully we will reach that big landmark in a matter of another few months.

With this post done, now I feel free to post next few articles without much pressure, before it would be time for the next important events for the blog, viz blog anniversary (which falls in july itself) etc.

I take this opportunity to thank one and all for their continued support in helping this musical bandwagon keep chugging along merrily. Many more musical gems still lie ahead that we need to explore and savor.

Song – Husn Waale Khilauna Jaan Ke Dil Tod Dete Hain (Black Rider)(1960) Singers – S Balbir, Meenu Purushottam, Lyrics – Naqsh Llayalpuri, MD – Harbans
Male chorus
Female chorus

Lyrics

aa aa aa
haseenon ki adaaon ne
hazaaron ko mitaa daala
kisi ko kar diya ruswa
kisi ka ghar jalaa daala

husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain

kabhi palken jhukaa ke aur
kabhi zulfon ko bikhraa ke
aa aa aa
kabhi nazren milaa ke aur
kabhi aanchal ko lehraa ke
aa aa aa
dilon ko loot lete hain
dilaason per hi behlaa ke
tamaasha dekhte hain phir
tadapte dil ko tadpaa ke
sahaara dene se pehle
sahaare chhod dete hain
sahaara dene se pehle
sahaare chhod dete hain
nazar se loot lete hain
tadapta chhod dete hain
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain

hamaara naam bhi badnaam
kar daala zamaane ne
haa..aa..aan
ghazab ki talkhiyaan bhar di
mohabbat ke fasaane mein
bade hi tez hain ye ishq waale
dil lagaane mein
basa ke apne haathon
pyaar ki basti mitaane mein
ye aise raahbar hain jo bhatakta chhod dete hain
ye aise raahbar hain jo bhatakta chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain

haa..aa..aa..aan
bade masoom bantey hain
bahut hoshiyaar hotey hain
haa..aa..aan
sambhal paate nahin wo
jin pe inke waar hotey hain
ye zaalim ishq waale
kis qadar ayyaar hotey hain
jo in se dil lagaate hain
bahut bezaar hotey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
aaa aaa aaa aaa aaaaa
aaa aaa aaa aaaaa
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
aaa aaa aaa aaa
aaa aaa aaa aaa
ishq waale laga kar aag daaman chhod dete hain

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ आ आ
हसीनों की अदाओं ने
हजारों को मिटा डाला
किसी को कर दिया रुसवा
किसी का घर जला डाला

हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं

कभी पलकें झुका के और
लाभी ज़ुल्फों को बिखरा के
आ आ आ
अभी नज़रें मिला के और’
कभी आंचल को लहरा के
आ आ आ
दिलो को लूट लेते हैं
दिलासों पर ही बहला के
तमाशा देखते हैं फिर
तड़पते दिल को तड़पा के
सहारा देने से पहले
सहारा छोड़ देते हैं
सहारा देने से पहले
सहारा छोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं

हमारा नाम भी बदनाम
कर डाला जमाने ने
हाँ॰॰आँ॰॰आँ
ग़ज़ब की तल्खियाँ भर दीं
मोहब्बत के फसाने में
बड़े ही तेज़ हैं ये इश्क़वाले
दिल लगाने में
बसा के अपने हाथों
प्यार की बस्ती मिटाने में
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं

हाँ॰॰आँ॰॰आँ॰॰आँ
बड़े मासूम बनते हैं
बड़े होशियार होते हैं
हाँ॰॰आँ॰॰आँ
संभाल पाते नहीं वो
जिनपे इनके वार होते हैं
ये ज़ालिम इश्क़ वाले
इस कदर अय्यार होते हैं
जो इनसे दिल लगाते हैं
बड़े बेज़ार होते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
आ आ आ आ आ
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
आ आ आ आ आ
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4315 Post No. : 15600 Movie Count :

4295

So we reach yet another century of posts in the blog. It appears to be a rather fast century, even though it took 45 days. It is faster in comparison to “recent” centuries though. It is the fastest century since 147th century (Song number 14601 to 14700) which took 53 days to complete. There were days when centuries in 16 days used to be the norm. 🙂

Better late than never, of course. The blog keeps movis steadily, without a pause and that gives us the confidence that our musical bandwagon in moving (however slowly) and so we are indeed inching towards our destination.

During this journey, we often find ourselves reaching individual marks of artists as well. Then we try and combine these landmarks in one write up.

It so happens that today we are reaching two individual landmarks as well, with this article.

This song is the 2700th song of Asha Bhonsle as a playback singer. This song also happens to be the 1100th song of Rajinder Krishan as a lyricist.

On this occasion, here is a song from “Aag Ka Darya”(1990). This movie was produced by R Venkatraman and directed by S V Rajendra Singh. The movie had Dilip Kumar, Rekha, Amrita Singh, Avtar Gill, Padmini Kolhapure etc in it.

The movie had six songs in it.

Asha Bhonsle and Rajinder Krishan worked together in 380 songs in 181 movies, including 211 solo songs. This song was the last solo song penned by Rajinder Krishan for Asha Bhonsle. Music is composed by Laxmikant Pyarelal.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this money matter song.

It is a song that grows on the listeners after one has listened to it a couple of times. It is a nice hummable song to listen to.

With this song, “Aag Ka Darya”(1990) makes its debut in the blog.

I take this opportunity to thank one and all. Let us hope that our musical bandwago will not only maintain its run, but it will pick up speed as well.


Song-Goriya uski deewaani jiski paackit garam garam (Aag Ka Darya)(1990) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Chorus

Lyrics

Ho goriya uski deewaani jiski paackit garam garam
ho goriya uski deewaani jiski paackit garam garam
paackit garam garam o jiski paackit garam garam
goriya uski deewaani jiski paackit garam garam
are batuwa kholo note dikhaao chhodo sharam varam
goriya uski deewaani jiski paackit garam garam
ho goriya uski deewaani jiski paackit garam garam

apni apni garaj ka sauda aa aa
ho ho ho
apni apni garaj ka sauda
ismein kya hai dhokha
ismein kya hai dhokha
aji ismein kya hai dhokha

hoga wo naadaan jo chhode haath mein aaya mauka
chadhhi javaani ki nadiyon ko bolo kisne roka
husn ki khaatir bik jaate hain bade badon ke dharam
ho muniya uska bhare paani jiski paackit garam garam
ho muniya uska bhare paani jiski paackit garam garam
arre paackit garam garam arre paackit garam garam
o jiski paackit garam garam
batuwa kholo note dikhaao aji chhodo sharam varam
ho goriya uski deewaani jiski paackit garam garam

tarah tarah ke khel yahaan hain tarah tarah ke vele
ek raat mein mit jaate hain din ke laakh jhamele
din ke laakh jhamele
aji din ke laakh jhamele

isi liye to door door se aate hain albele
kaam yahaan kya uska jeb ho jiski naram
jaani main to uski raani jiski paackit garam garam
ho jaani main to uski raani jiski paackit garam garam
are paackit garam garam ho jiski paackit garam garam
batuwa kholo note dikhaao aji chhodo sharam varam
ho goriya uski deewaani jiski paackit garam garam
ho goriya uski deewaani jiski paackit garam garam
ho goriya uski deewaani jiski paackit garam garam


This article is written by Raja, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4270 Post No. : 15500 Movie Count :

4271

Ok, so Atul approached me a few days ago requesting me for a post for a special occasion.

My posts have become very infrequent here – in fact, before my latest post on Sahir’s birth anniversary (8th March), my previous post was on his death anniversary last year (25th October). So a gap of more than 4 months.

But then, like often happens in Test cricket, you wait and wait for a wicket to fall – and when one falls, another quickly follows.

Same has happened here. Following quickly on the heels of the 8th March post, here is another one.

And on such an occasion that I just could not refuse. Let’s just call it the perfect yorker. 🙂

Friends, I am SO honoured here to present Rafisaab’s 3000th song on this blog.

Please allow me now to take a deep breath to let this sink in.

I don’t remember now when we got to Rafisaab’s 1000th and 2000th songs, but as we scale new heights, it feels like we’re entering rarified space.

3000 songs of one artiste on our blog is quite an astonishing achievement. Of course, we’ve already got there with Lata Mangeshkar (she’s going strong with 3500+ right now) but Rafisaab is only the second artiste to hit this milestone here.

Even as I write this post, I feel extremely humbled – and undeserving of this honour. This post is supposed to be a tribute not just to Rafisaab, but to this blog itself.

And there have been so many more here, starting with Atul himself, who deserve to write this. My contributions have dramatically reduced – while there are at least a dozen others (actually many more), who contribute much more, and far more regularly.

But since I am a big Rafisaab fan, I think Atul approached me for this. (In fact there are even bigger Rafisaab fans here – but let’s not start comparing. :-))

Having said all that, let’s talk a bit about Rafisaab here – and our love for him.
I say “our”, because I know I speak for everyone here when I say, we all love Rafisaab here. Only the degree might differ.

Speaking for me personally (and maybe for others too), it has never been about just Rafisaab’s voice.

Sure, for his voice alone, he would easily have had a special place in my heart. That divinity in his voice, his ability to transport me into a different realm altogether, the intonations, the “thehraav” – all of these put him on a level that’s stratospheric for me.

I have spent hours listening to Rafisaab, often intending to listen to just one song. 🙂 I’d listen to one, then get tempted to listen to another, then another, and so on. And before I’d realize it, the minutes would turn into hours. I’ve even spent all night listening to him (ok, that was a few years ago, when I coul stay awake all night). 🙂

It has been said many times before, and by many, but I will say it again – at least in HFM, I haven’t seen any singer with the versatility of Rafisaab. He could deliver every single song in exactly the mood and range required for it. Which is why he could do rock and pop singing just as comfortably as he could do bhajans and ghazals.

Rafisaab could totally get you into any mood the song demanded. He could just mesmerize you into it.

One moment he’s singing the breezy “pukaarta chala hoon main” or the sensuous “aaja re aa zaraa”, the next he’s singing the bhajan “sukh ke sab saathi”. 🙂

One moment, you’re imagining yourself as Shammi Kapoor with “aaja aaja main hoon pyaar tera”, the next you’re Bharat Bhushan lamenting “o duniya ke rakhwaale”. 🙂

They said of Rafisaab that he was an extremely shy and quiet person outside the recording room. You could barely hear his voice.

But once, in the room, recording?

He was a totally different person.

He would be so totally immersed in the song, giving it the very best he could, that you couldn’t believe it was the same person who, outside the room, hardly ever spoke.

In this sense, Rafisaab was a thorough professional. He always sought to give his very best, regardless of who the composer was.

In stature, he was often far higher than most of the composers he sang for. So it is only normal that composers might have hesitated to ask him for a retake, and could have just gone with whatever had been recorded, even if they were not fully satisfied.

But such was Rafisaab’s humility, such was his professionalism, such was his lack of ego, that he would ask the composer if it was ok – and if the composer had any suggestions for improvement, Rafisaab would redo it to the composer’s satisfaction.

That is truly the sign of greatness of an artiste.
And, considering how many successful artistes end up with ego too to match, Rafisaab stands out as an exception.

There are so many other things about Rafisaab that speak of the greatness of him as a human being.

There are other examples of Rafisaab’s nature that are also endearing.

For example, the fact that he sang for composers for a nominal fee, even just a token one rupee, because he knew they could not afford to pay him fees compatible with his stature.

Even in the royalty issue, which resulted in his fallout with Lata, his stand was typical. I don’t want to play judge here, and talk about whether his/Lata’s action was right or wrong, but it was typical of Rafisaab to feel that he had been adequately compensated for the work he had done, and shouldn’t ask for more.

Rafisaab’s generosity went beyond the industry. He provided financial support to people who did not even know who their benefactor was.

All of this, without the slightest arrogance. When someone would praise one of his songs, Rafisaab would just smile and point upwards , as if to say “sab ooparwaale ki kripa hai”.

There’s SO much one could learn from Rafisaab and his values. Ever-polite, ever-professional, ever-helpful, ever-smiling, ever-humble. And ever the family man too, because he always enjoyed spending time with his family.

I’ve written many times about him here – and much of what I’m saying here is repetitive (and possibly boring), but it always gives me great joy to write about Rafisaab, whatever the occasion.

I invariably then write about his character and not just his songs, because his character amazes me just as much as his amazing voice.

So the fact that we have now got 3000 songs of Rafisaab on this blog is a hugely satisfying achievement. My hearty congratulations to Atul, and to everyone else who has been part of this process.

Oh, and in all the discussion about Rafisaab and his 3000th song, I almost forgot.

There’s another milestone to celebrate today – today’s song also happens to be the 15500th song on the blog.

Yes, 15,500.

There was a time, in the early years of the blog, when every century was a major milestone. Then, as the centuries began getting clocked with regularity, the celebration around them decreased. We had entered the chiliad league, so our major milestones became 1000, 2000, 3000 and so on….now past 15000.
The 100s became minor milestones.
While this is understandable to some extent after 155 centuries, I still think every century deserves to be celebrated.

Let us NEVER forget that EVERY song involves a fair amount of effort, and though contributors (*cough*, *cough*) do their bit, every song still requires time & effort from Atul/Sudhirji. And they’ve put this effort 100 times, since 15400. So, I definitely think they deserve appreciation and a round of applause for this.

Now onto the song for today.

You can always trust Atul to unearth songs that have long faded from people’s memory. Or maybe they never got attention when they were released.

The same applies to films too. After all, the Hindi film industry is prolific, with hundreds of films being released every year, and thousands of songs.

As a result, many songs and films never get attention.

This blog has always tried to unearth such songs and films, and to give them their share in the limelight, even if it is several years after their release. After all, every song involves a lot of effort from many artistes. And for a film? The effort is several times more – involving so many more people, in various capacities, each one playing his/her role hoping to see the film succeed at the box-office.

I don’t know the success rate of films, but I’d say there are far more films that don’t click at the box-office, than those which do. Let’s not get into reasons here – I’m no pundit – but I do always like to acknowledge the effort that has gone into making a film anyway.

Why so much of a build-up in this post?

Because the song for today has as much to do with the film as with the song itself.

Prima facie, the song looks like a routine song. It’s a qawwali, with its usual nok-jhok, and, as isn’t uncommon in movies, with disguises. 🙂

Now I’m a sucker for qawwalis, so even though this probably isn’t in the same league as many more illustrious ones, I’m happy to just listen to it, and enjoy it.
Besides, this was 1982 – and by then, qawwalis were slowly on the decline. The times had changed, and naturally films had to reflect the changed times.
So I wouldn’t judge this qawwali, keeping other classics in mind. 🙂

When Atul sent me an e-mail requesting me for a write-up, he explained why he picked this song. It has to do with not just the song, but the film as well.

This is what he said:

The song that I have chosen for the occasion is a special song. It is a rare song. It is composed by an obscure music director called B T Singh. It is the only song of B T Singh with Rafi in his career. HFGK mentions that music was arranged and composed by Uttam Singh. He could be assistant to B T Singh.

The movie is an obscure movie called “Chambal Ke Daaku”(1982). This movie was Produced by R S Sandhu , written and directed by S Azhar for S L Cheema films, Bombay.
The USP of the movie was “Real dacoits pesented first time on screen.”
The movie had real dacoits viz Mohar Singh, Madho Singh, Fateh Singh, Lakhan Singh, Kalyan Singh and hundred of ex dacoits, and actors like Nazneen, Javed Khan, Madhumalini, Sulochana, Malti Joshi, Yasmeen, Birbal, Dushyant, Deep, Ashok, S S Khan, Nirmal Singh, Shamsher Singh, Jeewan Singh, Joginder Singh, Amreek Singh, Joginder Singh Laddhar, Mahendra Singh, Chandrakala, Ramesh Deo, Sohel Khan, Joga Singh, Sayyad Khan, Praveen Lakhad, Gajendra Gadge, Rajkumar, Baw Brar, Shabbir Khan, Guest apppearances by Padma Khanna, Hina Kausar, Mahendra, Raza Murad etc.”

Wow!
So now we have a film here where real-life dacoits just decided to act in a film. Maybe there are other examples too (what about “Jis Desh Mein Ganga Behti Hai”)?

In any case, it is a rather fascinating scenario. And of course, when I learnt about this, my mind began working overtime, imagining all sorts of things.

– Were they active dacoits, wanted by the police? If so, how did they get to act? Or had they served their sentence, and reformed? In which case, they shouldn’t be judged on their past, of course.
– How much were they paid?
– Was it maybe just a smart move for the producer to co-opt real-life dacoits so that not only does he have a USP, but he also has access to their expertise, and could film in locations he wouldn’t otherwise dare to?
– How did co-stars, and the rest of the crew feel? Imagine having chai with a real-life dacoit. You’d probably not want to upset him, or even crack a joke about him, for fear of him taking offence at it
– In the shooting scenes, was anyone worried that the dacoits might just get excited and take it all too literally?

Such thoughts, and more, came to my mind, because this was reel life and real life potentially getting mixed up. The key word here is “potentially”. 🙂

Chambal itself was a common film theme in those days – especially in the 70s and early 80s. Films mirror real-life events, and dacoity used to be in the news off and on in those days. There were plenty of dacoit films made in that time, the most famous being Sholay, of course. 🙂

I remember VP Singh, CM of UP (1980-82) came down hard on dacoity in his time, and even got a lot of praise for it. But soon after, there was a major dacoity, as if to spite him – and he offered to resign as CM.

I myself used to travel a lot by train from Orissa to Delhi in the early 80s, and go through Gwalior-Morena (I think Dholpur in Rajasthan also), which I think is the Chambal area. The landscape would be “interesting”, and would trigger my imagination. 🙂

Anyway, enough of digression.

Back to the song, it is sung by Rafisaab (of course), together with Asha Bhosle and Manna Dey. Rafisaab passed away in 1980, so it’s possible this is one of his last few songs – unless the film took a while to get released.

I must admit I couldn’t recognise many faces – but Ramesh Deo is, of course, unmistakeable.

Hope you enjoy the song, and imagine yourself singing it with real-life dacoits in Chambal Valley. 🙂

And once again, congratulations to the blog for clocking Rafisaab’s 3000th, and the blog’s 15500th.

Audio

Video


Song-Uljhan ho chaahe koi aa jaaye mushqil (Chambal Ke Daaku)(1982) Singers-Rafi, Asha Bhonsle, Manna Dey, Lyrics-Gauhar Kanpuri, MD-B T Singh
Male chorus
Female chorus

Lyrics

banaayenge bhanwar mein raasta
aur lahron pe saahil
bhanwar kehte hain uljhan ko o
lahar ka naam hai ae ae mushqil

uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
mil ke rahegi yahin apni manzil
mil ke rahegi yahin apni manzil
kehta hai aaj yehi mera dil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil

kahaan se aaye ho
bolo ji kya iraada hai

Ji kya iraada hai
hamaari baat hai
ya doosron se waada hai

ye dil ka raaz hai
dil mein hi rehne do dilbar
haan rehne do dilbar
banega baat ka afsaana honthon pe aa kar
dilon ke raaz ko
o o o o o o
dilon ke raaz ko
nazron se ham to
kehte hain
kehte hain
kehte hain
ham si haseenon ko samjho na gaafil
gaafil
ham si haseenon ko samjho na gaafil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil

haaye
haseen adaaon ka rangeen nazaara dekhenge
nazaara dekhenge
ham apni aankh se kismat ka taara dekhenge
haaye ae ae ae
ae ae ae
aa aa aa aa aa
aa aa aa aa
nazar nawaaz
nazaaron mein jee nahin lagta
haaye ae ae
haseen chaand sitaaron mein aen
jee nahin lagta
sa ni ma dha pa ni
dhi ma pa ni sa
sa ni sa dha ni
pa dha
ma pa
ma ga ma
ga re ga sa re
sa re ga ma pa
nigaah e naaz ka hamko ishaara mil jaaye

ishaara mil jaaye
hamen bhi jeene ka
koi sahaara mil jaaye

isharaa paaoge ae ae ae
isharaa paaoge
jhaanko hamaari aankhon mein
aankhon mein
aankhon mein
chaand se chehre pe
taaron ki jhilmil
jhilmil

chaand se chehre pe taaron ki jhilmil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil

samajh gaya hoon main
dil aur nazar ke afsaane

nazar ke afsaane
anaar ek hai
aur uske do hain deewaane

deewaana kaun hai
duniya ko ye bataana hai
yahi bataana hai
nazar ke teer se taqdeer aazmaana hai
jo hoshiyaar hai
ae ae ae ae ae
jo hoshiyaar hai
duniya usi ke kaabil hai
kaabil hai
kaabil hai
mehfil se baahar bhi hai ek mehfil
mehfil

mehfil se baahar bhi hai ek mehfil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
kahin uljhan hai
kahin mushqil hai

kahin mehfil kahin manzil
ye lo mera fasaana
ye kissa hai puraana
oho
hamaara dil na todo
oho
ye dil ki bat chhodo
oho
mere nazdeek aao
oho
qayaamat na uthhaao
oho
tumhaara dil hai patthar
aha
magar tum ho sitamgar
oho
mujhe tarpaaya tumne
oho
mujhe uljhaaya tumne
oho
tujhe hamne pooja
oho
mere dil mein hai dooja

oho
kahaan hai wo kidhar hai
oho
idhar hai ye udhar hai


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Blog Day : 4206 Post No. : 15400

Regulars of this blog must have got used to the fact that only one or two “new” songs get discussed daily in this blog and that is all. But oldtimer regulars would recall days of yore when six to seven songs were discussed in a day. On occasions, I had the mortification of being admonished by a subscriber to the blog. “I am a music lover but not so much that I can tolerate getting a song post notification every hour”- he stated. He must have registered for the blog on those days when I was able to post even twelve and thirteen posts in a day. 🙂

This is the fifth post of the day. Going by the present sedate ways of the blog, it is rather unusual. The last time this blog had 5 posts in a day was on 17 march 2019. That was the only such occurrence in the blog in 2019. In comparison, 2018 saw 37 such days. In 2012, when the blog was operating at a Sehwag like strike rate, we had 60 such days. As many as eight songs were covered daily on 39 days in 2012 !

So temporarily, it is feeling like old days for me. But today the reason for this suddenly found enthusiasm is that I want to complete the 154th century writeup of the blog before the weekend, when the going will get tough as far as posting articles is concerned.

I find that the blogging mindset is different when one is posting many posts in a day vis a vis the situation when one intends to post just one write-up. In discussing just one (or two) song in a day, we take a conservative approach. We basically become status quo-ist. On the other hand, when one posts many songs in a day one acts like an adventur-ist.

A conservative man would get defeated by the weather conditions (cold foggy winters) while an adventurist man would wake up early and go on a morning walk when the entire world is hiding under razaai. I find that even on this count I have become an adventurist. For the last few days, I have started going on a morning walk come fog or cold. No, I have not done it voluntarily. It is my pet Chhote who has suddenly become fond of being taken for a walk. So he insists that I take him for a walk in the morning, in the afternoon, and in fact all the time. So now I have started to wake up early, and have started walking early morning, often in chilly low visibility foggy conditions. And after that, I have begun to feel like a million dollars. This winter weather is not so daunting, I have rediscovered. I in fact regularly used to wake up even earlier (at 5 AM) during my stay at Bareilly. So now I am rediscovering my old self when I used to be more determined, and less conservative.

And that determination may well have been getting reflected here in the blog today. 🙂 It is the fifth and final song for the day. and I am realising that covering so many posts in a day is not all that tough. 🙂

In the process, I ended up listeing to lots and lots of songs yesterday night (as I used to do earlier) and I rediscovered the pleasures of stumbling upon gems after musical gems. Yesterday, Sudhir Jee asked me if I had any particular song in mind for this century post and I replied in negative. Within a few hours, I was spoilt for choice ! I discovered so many great songs that I had never heard before. and that is the situation when I may have already heard more that 15400 plus songs !

This song is from “Choron Ka Chaor” (1970). This forgotten movie was a stunt movie which was produced and directed by Muhammad Hussain for MH Films, Bombay. The movie had Dara Singh, Shabnam, Madan Puri, Shetty, Agha, Bhagwan, Roopesh Kumar, Jayshree T, Randheer, Meena, Neelam, Paro Devi, Gul Hamid, Kamini Devi, Shefali, Jerry, Anjum, Dada Kurte, Moolchand, Dilip Dagi, Sabir, V Gopal, Vishwas Kunte, Master Ripple, Indira Bansal, Habeeb, Trilok Singh, Tiger Abdullah etc. in it.

The movie had four forgotten songs in it. Two of these songs have been covered in the past.

Here is the third song from the movie. This song is one that I had never heard before. It is sung by two female singers who are better known as sisters of their more famous singing sisters. Most of the time they used to get duets with more celebrated singers. Here these two relatively ‘unsung’ singers are given an opportunity to carry a song on their own shoulders. And I must say that the song is just FANTASTIC. Too bad that this song has been forgotten. Or may be it was not even heard by public. I know for sure that I had never heard this song before.

A fantastic song that we are covering as the 15400th song post in the blog. Only the audio of the song is available. Even the audio is quite rare to come by. This song deserves better treatment.

I request our knowledgeable readers to throw light on the picturisation of this song. This song sounds like a synchronized dance song performed by two female dancers in a ‘Villain’s den’ situation.

This song also marks the 100th song of Farooque Kaiser in the blog as a lyricist. Quite a befitting song to bring up his 100th song in the blog ! He becomes the 30th lyricist and 98th artist overall to complete a century of songs in the blog.

I take this opportunity to thank one and all for the continuous support and encouragement that has ensured continuous existence of this blog for over 4200 days (4206 days to be precise ! ). Let us hope that we will see many more such landmarks, and that the frequency of these landmarks will go up as was the case in the past.


Song – Dil Dhadka, Dil Dhadka, Wahi Shola Phir Bhadka (Choron Ka Chor) (1970) Singers – Shyama Hemmadi, Usha Mangeshkar, Lyrics – Farooque Kaiser, MD – Dattaram
Usha Mangeshkar + Shyama Hemmadi

Lyrics

dil dhadka
dil dhadka
wahi shola
phir bhadka
paas aana nahin mere jal jaaoge
baat kehti hoon patey ki lut jaaoge
dil dhadka
dil dhadka
wahi shola
phir bhadka
paas aana nahin mere jal jaaoge
baat kehti hoon patey ki lut jaaoge
dil dhadka
dil dhadka

ye akhiyaan
akhiyaan
ye akhiyaan
us pe ye mera sharmaana
haaye allah
allah
haaye allah
kar dega tumhen deewaana
zara dheere se
zara haule se
tadpaana
dil dhadka
dil dhadka

ji hamse
hamse
ji hamse
jaaoge kahaan tum bachke
o sajna
sajna
o sajna
pag pag pe kamariya lachke
zara tan tan ke
zara ban ban ke
tarsaana
dil dhadka
dil dhadka

ye jalwa
jalwa
ye jalwa
kaisa hai zara kehne do
ye parda
parda
ye parda
aankhon pe pada rehne do
zara ruk ruk ke
zara jhuk jhuk ke
lehraana

dil dhadka
dil dhadka
wahi shola
phir bhadka
paas aana nahin mere jal jaaoge
baat kehti hoon patey ki lut jaaoge
dil dhadka
dil dhadka
wahi shola
phir bhadka
paas aana nahin mere jal jaaoge
baat kehti hoon patey ki lut jaaoge
dil dhadka

dil dhadka

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

दिल धड़का
दिल धड़का
वही शोला
फिर भड़का
पास आना नहीं मेरे जल जाओगे
बात कहती हूँ पते की लुट जाओगे
दिल धड़का
दिल धड़का
वही शोला
फिर भड़का
पास आना नहीं मेरे जल जाओगे
बात कहती हूँ पते की लुट जाओगे
दिल धड़का
दिल धड़का

ये अखियाँ
अखियाँ
ये अखियाँ
उस पे ये मेरा शरमाना
हाए अल्लाह
अल्लाह
हाए अल्लाह
कर देगा तुम्हें दीवाना
ज़रा धीरे से
ज़रा हौले से
तड़पाना
दिल धड़का
दिल धड़का

जी हमसे
हमसे
जी हमसे
जाओगे कहाँ तुम बचके
ओ सजना
सजना
ओ सजना
पग पग पे कमरिया लचके
ज़रा तन तन के
ज़रा बन बन के
तरसाना
दिल धड़का
दिल धड़का

ये जल्वा
जल्वा
ये जल्वा
कैसा है ज़रा कहने दो
ये पर्दा
पर्दा
ये पर्दा
आँखों पे पड़ा रहने दो
ज़रा रुक रुक के
ज़रा झुक झुक के
लहराना

दिल धड़का
दिल धड़का
वही शोला
फिर भड़का
पास आना नहीं मेरे जल जाओगे
बात कहती हूँ पते की लुट जाओगे
दिल धड़का
दिल धड़का
वही शोला
फिर भड़का
पास आना नहीं मेरे जल जाओगे
बात कहती हूँ पते की लुट जाओगे


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16510

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered =4487

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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