Archive for the ‘Lata -Asha Bhonsle duet’ Category
Ae Kaash Kisi Deewaane Ko
Posted on: May 25, 2017
- In: "Advice" song | Artist century song in blog | Asha Bhonsle songs | Baag/Bagiya song | Century songs for the blog | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this post, the blog now carries 700 songs by Laxmikant Pyaarelal.
The story of Laxmikant Pyaarelal reads like a dream rags-to-riches story. But it is also a story of hard work and persistent effort. Laxmikant, the senior partner in the team, was three years elder to Pyaarelal. Interestingly, both were born on 3rd of the month, Laxmikant in November and Pyaarelal in September. Pyaarelal is the son of the renowned musician Ram Prasad Sharma. Although active in the film industry since the latter part of 1930s, Ram Prasad did some films independently from 1947 to 1950. Not adept with commercial acumen, his financial status was poor most of his life. Pyaarelal, his eldest son, had to start working as a musician in recording studios at the age of 12, to support his family. The story of Laxmikant’s childhood is even more depressing. He was raised in the slums of Vile Parle in Bombay. His father passed away when he was just a toddler. A friend of his father supported him and guided him towards learning music. With time, his talent shone through, and he too started working as a musician in the film industry.
Remembering Laxmikant Shantaram Kudalkar on the 19th anniversary of his passing away today (25th May).
Growing up in financially difficult times, the childhood of these two great musicians and music directors kind of weaved through the same threads. Laxmikant got the opportunity to learn violin from Husnlal (of Husnlal-Bhagatram duo), and from Bal Mukund Indorekar. Pyaarelal learnt from his father, and other contemporaries of his father, like Anthony Gonsalves.
The two young musicians met in Sureel Kala Kendra, a center for teaching music to young children. This center was run by the Mangeshkar family. Lata ji was very impressed with the talent of this pair, and through her references, they started getting work as musicians for the recordings of some of the main line music directors of that era. The melody was in the making and the 1950s was the time that this pair of youngsters learnt their trade working under the stalwarts like Naushad, C Ramchandra, SD Burman etc. By the later part of 1950s, the career of Kalyanji Anand ji team was taking off, and Laxmi-Pyaare’s team was working as assistants to them. Although both worked together as a team, Pyaarelal was more incharge of orchestration and arrangements, and Laxmikant was more towards composition and vocals. By early 1960s, this team started to get independent offers. What came about in the short space of 5 to 7 years was a string of memorable hits and Jubilee films, that established Laxmi-Pyaare as a force to reckon with in the industry. Sample their successes from the 1960s – ‘Parasmani’ (1963), ‘Dosti’ (1964), ‘Sant Gyaneshwar’ (1964), ‘Mr X In Bombay’ (1964), ‘Hum Sab Ustad Hain’ (1965), ‘Lutera’ (1965), ‘Shriman Funtoosh’ (1965), ‘Aaye Din Bahaar Ke’ (1966), ‘Pyaar Kiye Jaa’ (1966), ‘Milan’ (1967), ‘Pathat Ke Sanam’ (1967), ‘Shagird’ (1967), ‘Night In London’ (1967), ‘Farz’ (1967), ‘Jeene Ki Raah’ (1969), ‘Inteqam’ (1969), ‘Do Raaste’ (1969) – the list simply goes on and on.
Many readers may be aware that Laxmikant made an appearance as himself in the 1983 film ‘Teri Kasam’. There is a sequence wherein a song is being recorded for a rising young star, role played by Gaurav Kumar. The initial part of this song is pictruized inside a recording studio, where Laxmikant is sitting in the control room. Incidentally we also see Kersi Lord, one of the expert music arrangers of our industry, also present, working on the recording machinery.
For the anniversary today, I bring this last remaining song of the film ‘Aaye Din Bahaar Ke’ from 1966. Six of the seven songs of this film are already posted on our blog. A quick look as the list below, and you can imagine, what a musical treat this film is – one of the early films of Dharmendra as he is taking off as a romantic hero.
| 1. Mere Dushman Tu Meri Dosti Ko Tarse |
| 2. Suno Sajna Papeehe Ne |
| 3. Khat Likh De Sanwariya Ke Naam Babu |
| 4. Mera Mehboob Hai Bemisaal |
| 5. Phoolon Se Mukhde Waali |
| 6. Ye kali jab talak phool ban ke khiley |
This last song is an all female duet, which is sung by Asha Bhosle and Lata Mangeshkar. On screen, it is performed by Nazima and Asha Parekh. The words are from the pen of Anand Bakshi. An important note here about the association of this duo music directors and this song writer. This combination has been one of the most prolific songwriter – MD combinations in the industry. Over the decades, they have produced more than 300 songs together, a majority of which have been significant hits.
With a tribute to Laxmikant today, listen to this wonderful expression of aspirations of falling in love, and the simultaneous advice against it. The words are superb, and the composition is very attractive. And yes, with this song, the film ‘Aaye Din Bahaar Ke’ completes its tally of songs on the blog. Time for another ‘Yippeee’ call.
With this song, Laxmikant Pyarelal now have 700 songs in the blog as music directors. They become only the second music directors, behind Shankar Jaikishan to reach this figure in the blog.
[Ed Note: Harish ji Raghuvanshi (of Surat) has informed in a separate email that Laxmikant-Pyaarelal are the only music directors in Hindi films to have crossed the 500 films milestone. There may be other names from South film centers, but as far as Hindi films is concerned, L-P are the leaders.]
Song – Ae Kaash Kisi Deewaane Ko (Aaye Din Bahaar Ke) (1966) Singers – Asha Bhosle, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyarelal
Lyrics
ae kaash kisi
deewaane ko
hum se bhi mohabbat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
hai waqt abhi tauba kar lo
hai waqt abhi tauba kar lo
allah museebat ho jaaye
allah museebat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
tum maloom nahin shaayad
kitne be-dard sanam hongey
tum maloom nahin shaayad
kitne be-dard sanam hongey
ye aap ne sach farmaaya hai
ulfat mein laakh sitam hongey
ulfat mein laakh sitam hongey
hain laakh sitam manzoor hamen
bas ek inaayat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
har saans ko har ik dhadkan ko
wo apni yaad banaa daaley
har saans ko har ik dhadkan ko
wo apni yaad banaa daaley
tum aaj agar ik nagma ho
tumko fariyaad banaa daaley
tumko fariyaad banaa daaley
gairon se to ho shiqwe tumko
khud se bhi shikaayat ho jaaye
hai waqt abhi tauba kar lo
allah museebat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
har ek khataa ki is duniya ki
is ke khataa se behtar hai
har ek khataa ki is duniya ki
is ke khataa se behtar hai
ye pyaar nahin ik dard sahi
ye dard dawaa se behtar hai
ye dard dawaa se behtar hai
bas chain hamen aa jaaye jo
bechain tabiyat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
hai waqt abhi tauba kar lo
allah museebat ho jaaye
allah museebat ho jaaye
allah museebat ho jaaye
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ए काश किसी
दीवाने को
हम से भी मोहब्बत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
है वक़्त अभी तौबा कर लो
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
तुमको मालूम नहीं शायद
कितने बे-दर्द सनम होंगें
तुमको मालूम नहीं शायद
कितने बे-दर्द सनम होंगें
ये आपने सच फरमाया है
उलफत में लाख सितम होंगें
उलफत में लाख सितम होंगें
हैं लाख सितम मंजूर हमें
बस एक इनायत हो जाये
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
हर सांस को हर इक धड़कन को
वो अपनी याद बना डाले
हर सांस को हर इक धड़कन को
वो अपनी याद बना डाले
तुम आज अगर इक नग़मा हो
तुमको फरियाद बना डाले
तुमको फरियाद बना डाले
गैरों से तो हो शिक़वे तुमको
खुद से भी शिकायत हो जाये
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
हर एक खता इस दुनिया की
इस एक खाता से बेहतर है
हर एक खता इस दुनिया की
इस एक खाता से बेहतर है
ये प्यार नहीं इक दर्द सही
ये दर्द दवा से बेहतर है
ये दर्द दवा से बेहतर है
बस चैन हमें आ जाये जो
बेचैन तबीयत हो जाये’
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये
Dhadkaa o dil dhadkaa
Posted on: February 14, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bharosa”(1963) was produced by N.Vasudeva Menon and directed by K.Shankar for Vasu Films, Madras. This movie had Guru Dutt, Asha Parekh, Mehmood, Sudesh Kumar, Neena, Kanhaiyalal, Sulochana Chatterjee, Nana Palsikar, Lalita Pawar, Shivraj, Om Prakash, Shubha Khote etc in it.
Read more on this topic…
“Vaasna” (1968) was an Anurita Arts Production. It was directed by T Prakash Rao. The movie had Raj Kumar, Padmini, Biswajeet, Kumud Chugani, Sayeeda Khan, Akashdeep, Rajendranath, Junior Mahmood, Laxmi Chhaya, Manorama, Mukri, Ravikant, Tiwari, David Abraham etc in it.
Read more on this topic…
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor of this blog.
Directed by Raj Khosla, Main Tulsi Tere Aangan Ki (1978) was a Nutan-Vijay Anand-Asha Parekh starrer with the last named being the “Tulsi” of the plot. It’s also known for Lataji’s evergreen title song Main tulsi tere aangan ki – which is already on this Blog.
Read more on this topic…
Jaan e man ek nazar dekh le
Posted on: January 16, 2013
- In: Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | One actor lip syncing in multiple voices | Post by nahm | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 3 Comments
This article is writteb by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I have recently seen the movie “Mere Mehboob” (1963) on Youtube, as recommended by the comments on the post of the song Tere pyaar mein dildaar jo hai mera haal e zaar .
Read more on this topic…
Kyaa huaa ye mujhe kyaa huaa
Posted on: December 10, 2012
“Jis Desh Mein Ganga Behti Hai” (1960) was an R K Films Production. It was produced by Raj Kapoor and directed by Radhu Karmarkar. The movie had Raj Kapoor, Padmini, Pran, Chanchal, Lalita Pawar, Raj Mehra, Tiwari, Nana Palsikar, Nayampalli, Salochana Chatterjee, Vishwa Mehra, Baboo Rao, S. K. Singh, Rattan Gaurang, Chang, Mohamed Ali, Anwari Bai, Sadhana, Azim, Master Amar etc in it.
Read more on this topic…
Last week, I suddenly felt an urge to write an article on Shashi Kapoor whom I admire for being a different Kapoor from his two illustrious brothers – Raj Kapoor and Shammi Kapoor. He may not have the genius and business acumen of Raj Kapoor nor have the yahoo image of Shammi Kapoor. But he scored over his two illustrious brothers in that he was the most handsome among them. I remember a handsome and boyish looking Shashi Kapoor in ‘Waqt’ (1965). With his handsome and ever smiling face, he had a huge fan following during his hey days. He was different from his brothers on one more count – he married an English girl Jennifer Kendal who was associated with a theater group.
Read more on this topic…
Ye ruki ruki hawaayen
Posted on: April 28, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ever since I heard the songs from film ‘Badi Maa'(1945) about four decades ago, I have been a fan of music director Datta Korgaonkar (known as K Datta). It is stated that when his songs from ‘Badi Maa’ were heard by some of his contemporary music directors, they were so impressed by his compositions ,especially ‘diya jalaaker aap bujhaaye’ that music directors like Shyam Sundar, Anil Biswas, Ghulam Haider and Rafiq Ghazanvi personally visited his house and congratulated him. During the last few days, I have been going through his songs on the internet and I found his compositions and orchestration of songs somewhat different from what was prevalent during his time. K Datta was active in the film industry between 1943-1956 during which time he composed music only for a dozen films but he churned out mostly good songs though they may not have become very popular among the masses. His last film as a music director was ‘Ajnabi’ (1966).
Read more on this topic…
Pad gaye jhoole saawan rut aayi re
Posted on: March 20, 2012
“Bahu Begam” (1967) was a movie which was produced and directed by M Sadiq. Starcast of the movie included names like Ashok Kumar, Pradeep Kumar, Meena Kumari, Sapru, Naaz, Leela Misra, Helen, Johnny Walker, Lalita Pawar, Zeb Rehman, etc.
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Jabse laagi tose najariyaa
Posted on: March 6, 2012
I often get confused between the two similarly named movies of 1960s, viz “Shikaar” and “Shikaari”. The confusion is compounded by the fact that both movies had similar storylines, where the hero would go to a jungle for “shikaar” where he would enounter tribals wearing Red Indian/ African kinds of heargears etc and the daughter of the chief would be the chief female dancer among the tribal dance troupe that would sing and dance at the drop of a spear.
Read more on this topic…
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