Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Theme song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jawaani Ki Hawa” (1959) was produced by P N Arora and directed by M Sadiq for All India Pictures, Bombay. The movie had Vyjyanti Mala, Pradeep Kumar, Purnima, Raj Mehra, Shammi, Anwar, Badri Prasad, Helen, Amar, Anil Kumar, S Bannerji, Kesho, Parshuram, Johny Walker, Tiger (Dog) etc. in it.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Ravi.

From the sounds of it, this song is the title song of the movie. Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chali kaisi ye jawaani ki hawaa (Jawaani Ki Hawa)(1959) (Jawaani Ki Hawa)(1959) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi

Lyrics

chali kaisi ye jawaani ki hawa aa aa
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke
jaane aankh ko bhi kya ho gaya
ke ghadi ghadi ye bhi phadke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke ae

kabhi is karwat
kabhi us karwat
pehlu badalte hi raat kate ae ae
kabhi is karwat
kabhi us karwat
pehlu badlte hi raat kate
machle hi machle
zara bhi na sambhle
dil se na pal bhar haath hate
paapi jiyra na maane meri baa aa aat
paapi jiyra na maane meri baat
ke haari main to lad lad ke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke

bhoole se kabhi jo zara aankh lage
to mere sapnon mein aaye
koi reh reh ke
bhoole se kabhi jo zara aankh lage
to mere sapnon mein aaye
koi reh reh ke
kuchh bhi na pata chale
kaun hai vo chhaliya
chupke se chala jaaye kuchh keh ke
pehle soti thhi main saari saari raat
pehle soti thhi main saari saari raat
ke uthh jaaun ab tadke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke
jaane aankh ko bhi kya ho gaya
ke ghadi ghadi ye bhi phhadke

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (24 february 2017) is the biggest Shiv festival of India-MAHASHIVRATRI. I, on this occasion, wish all our readers a very pious,happy and fulfilling day of Bhakti and celebration.

Shravan Somvar and Mahashivratri have been special days in my life. My father was a great Shiv-Bhakta and he had built a big Shiv Temple in the premises of our bungalow in Hyderabad. On every Shivratri day, there used to be a long queue of devotees for Darshan and Pooja. The temple was always open for the public. The temple was situated in the open area adjacent to our bungalow, so we had no problem with the crowd of devotees. Whole day bhajans were played on loudspeakers and a special pooja by 101 Bramhins was arranged. All this made a deep impact on my mind.

In addition, we had stayed in Banares for an year, in 1948. Our house was close to Vishweshwar mandir and the river Ganga. So, Shiv has been a part of my life since my childhood.Till my wife was alive, we used to celebrate Mahashivratri, with great enthusiasm and religious fervour, in our house.

Shiv literally means auspiciousness, welfare. He is the third god of the Hindu Trinity, representing darkness. Because he is often portrayed as the angry God and the God of destruction. Lord Shiv is one of the most feared and worshipped gods in Hinduism. He is said to play a complementary role to Brahma because he is protector of souls until they are ready for recreation by Lord Brahma. Shiv has eight forms: Rudra, Sharva, Bhava, Ugra, Bhima, Pashupati, Ishana and Mahadeva; which, according to the Shiv Purana, correspond to the earth, water, fire, wind, sky, a yogi called Kshetragya, the sun, and the moon respectively.

Shiv symbolically represents the tamasic quality. This happens to be one of the gunas in Hinduism, symbolizing inactivity. His body color, which is white, denotes his purity and association with the snowy mountains. His three eyes represent the sun, the moon and the earth, the three paths of liberation and the triple nature of creation. The third eye is actually the eye of wisdom or occult knowledge. Epithets note his distinctive hairstyle; he has matted hair which holds the flowing Ganges River and a crescent moon. Shiva is said to be the essence of the Vedas and the creator of the Word. He is also the creator of Dance. Shiva’s dance of anger is called the Roudra Tandava and his dance of joy, the Ananda Tandava. He dances both the dance of destruction and the dance of creation. The rhythms he dances to are that of a world continuously forming, dissolving and re-forming.

The legend of marriage of Shiv and Shakti is one the most important legends related to the festival of Mahashivaratri. The story tells us how Lord Shiva got married a second time to Shakti, his divine consort. According to legend of Shiv and Shakti, the day Lord Shiv got married to Parvati is celebrated as Shivaratri – the Night of Lord Shiva.

Legend goes that once Lord Shiv and his wife Sati or Shakti were returning from sage Agastya’s ashram after listening to Ram Katha or story of Ram. On their way through a forest, Shiva saw Lord Rama searching for his wife Sita who had been kidnapped by Ravana, the King of Lanka. Lord Shiv bowed his head in reverence to Lord Rama. Sati was surprised by Lord Shiv’s behavior and inquired why he was paying obeisance to a mere mortal. Shiv informed Sati that Rama was an incarnation of Lord Vishnu. Sati, however, was not satisfied with the reply and Lord asked her to go and verify the truth for herself.

Using her power to change forms, Sati took the form of Sita appeared before Rama. Lord Rama immediately recognized the true identity of the Goddess and asked, “Devi, why are you alone, where’s Shiv ji ? ” At this, Sati realized the truth about Lord Ram. But, Sita was like a mother to Lord Shiv and since Sati took the form of Sita her status had changed. From that time, Shiva detached himself from her as a wife. Sati was sad with the change of attitude of Lord Shiv but she stayed on at Mount Kailash, the abode of Lord Shiv.

Later, Sati’s father Daksha organised a yagna, but did not invite Sati or Shiv as he had an altercation with Shiva in the court of Brahma. But, Sati who wanted to attend the Yagna, went even though Lord Shiva did not appreciate the idea. To her great anguish, Daksha ignored her presence and did not even offer Prasad for Shiv. Sati felt humiliated and was struck with profound grief. She jumped into the yagna fire and immolated herself.

Lord Shiv became extremely furious when he heard the news of Sati’s immolation. Carrying the body of Sati, Shiv began to perform Raudra Tandava or the dance of destruction and wiped out the kingdom of Daksha. Everybody was terrified as Shiva’s Tandava had the power to destroy the entire universe. In order to calm Lord Shiv, Vishnu severed Sati’s body into 12 pieces and threw them on earth. It is said that wherever the pieces of Shakti’s body fell, there emerged a Shakti Peetha, including the Kamaroopa Kamakhya in Assam and the Vindhyavasini in UP.
Lord Shiv was now alone, undertook rigorous penance and retired to the Himalayas. Sati took a re-birth as Parvati in the family of God Himalaya. She performed penance to break Shiva? meditation and win his attention. It is said that Parvati, who found it hard to break Shiv’s meditation sought help of Kamadeva – the God of Love and Passion. Kaamadeva asked Parvati to dance in front of Shiv. When Parvati danced, Kaamadeva shot his arrow of passion at Shiv breaking his penance. Shiv became extremely infuriated and opening his third eye that reduced Kaamadeva to ashes. It was only after Kamadeva? wife Rati? pleading that Lord Shiv agreed to revive Kaamadeva.

Later, Parvati undertook severe penance to win over Shiv. Through her devotion and persuasion by sages and devas, Parvati, also known as Uma, was finally able to lure Shiv into marriage and away from asceticism. Their marriage was solemnized a day before Amavasya in the month of Phalgun. This day of union of God Shiv and Parvati is celebrated as Mahashivratri every year.

According to another version of the legend, Goddess Parvati performed tapas and prayers on the auspicious moonless night of Shivaratri to ward off any evil that may befall her husband. Since then, womenfolk began the custom of praying for the well being of their husbands and sons on Shivaratri day. Unmarried women pray for a husband like Shiv, who is considered to be the ideal husband.

Today’s bhajan is from film Mahashivratri-72. I have not seen this film, because by 1970, I was busy in Career building and family raising etc, and I had practically stopped seeing films. In any case, films made after 1970,according to my opinion, were not as good quality- wise as earlier movies,especially the music part, which further discouraged me. Also by the 80s, VCR and VCPs were in vogue, so homes had become theatres of convenience.

The song/bhajan is written by Bhagwat Mishra aka B.D.Mishra or Bhagwat Datt Mishra. He entered the film world in as far back as 1948 with Wadia’s film “Shri Rambhakta Hanuman”. He was brought in by Homi Wadia himself. After this film Mishra was closely associated with S.N.Tripathi and wrote songs for as many as 26 of his films, out of 45 films for which he wrote about 200 songs. unfortunately he wrote for only Action, stunt and Mythological films. Though his lyrics were of good quality, he never came to limelight as his field remained B and C grade films only.

The film was directed by Shantilal Soni, who started his directorial career with ‘Sinhaldweep ki Sundarei-60’and went on to direct 30 films. His last film was ‘Mahima kaali maa ki-2000’. Most of his films were Mythologicals( 20 out of 30). Some of his well known films were Mr.X in Bombay-64, Shreeman Funtoosh-65, and Professor ki Padosan-93.

Let us now listen and enjoy this Bhajan from Film “Mahashivratri”-72, on this holy occasion of Mahashivratri. Jai Mahadev !

With this song, Maha Shivratri(1972) makes its debut in the blog.


Song-Aayi mahaa shivraatri siddhi ki daatri (Maha Shivratri)(1972) Singers-Mahendra Kapoor, Lyrics-B D Mishra, MD-S N Tripathi
Mahenda Kapoor + Laxmi Nayampalli
Chorus

Lyrics

aayi maha shivraatri
aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahaadev mangalkaari
aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari

jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
sagaar manthan se jab nikli
kaal koot ki jwaala
nikli kaal koot ki jwaala
sabki raksha karne ko
tumne wo vish pee daala
tumne saara vish pi daala
neelkanth tum huye
sabhi ke liye
sarv sankat haari
jai mahadev mangalkaari

aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har

aa aa aa
aa aa aa
aane lagi jab swarg se ganga aa aa
aa aa
aane lagi jab swarg se ganga
apna veg badhaaye
ganga apna veg badhaaye
baandh jataaon mein ganga ko
ganga dhar kahlaaye
prabhu tum ganga dhar kahlaaye
sheesh suhaaye
gang uma hai sang tumhaari chhabinaari
jai mahadev mangalkaari

aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
tumhe digaane ko jab manmathh ne
pushp baan jab maare
tum par pushp baan jab maare
khol teesra lochan
khol teesra lochan
tumne barsaaye angaare
tumne barsaaye angaare
jala kaam ka ang
hua wo anang
rahe tum adhikaari
jai mahadev mangalkari

aayi maha shivratri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari
jai ho
shambhu
jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
tumhe pooj kar hi raghav ne
om namah shivaay
tumhe pooj kar hi raghav ne
raavan par jai paayi
raam ne raavan par jai paayi
sakal bhav bhayhari
jai mahadev mangalkaari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev
har har mahadev
har har mahadev
har har mahadev


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ek Nazar”(1972) was produced by A D Diwan and Anil Khanna and directed by B R Ishara for Amar Chitra Internbational, Bombay. The movie had Amitabh Bachchan, Jaya Bhaduri, Raza Murad(Introducing),Nadira, Dulari, Asit Sen, Tarun Bose, Manmohan, Sudhir, Johny Whiskey, Daya Devi, Raja Duggal, Rashid Khan, Kamla, Hameed, Jyoti, Fazlu, Abdul, Manohar, Suman, Ramlal, Hari Shukla, Anand Narula, R.P.Ghosh, Ranveer Raj, DinaNath, Kanwar Ajeet Singh(Dharmendra`s real life brother),Manmohan Krishna etc in it.

The movie had five songs in it. Four of these songs have been covered in the past.

Here is the fifth and final song from “Ek Nazar”(1972) to appear in the blog. This song, which is the title song of the movie, is sung by Kishore Kumar. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Amitabh Bachchan and Jaya Bhaduri.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Ek Nazar”(1972) joins the list of movies that have all their songs covered in the blog.

Video

Full audio

Song-Pyaar ko chaahiye kya ek nazar ek nazar (Ek Nazar)(1972) Singer-Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

hmm
hmm
ek nazar
ek nazar
pyaar ko chaahiye kya
ek nazar
ek nazar
pyaar ko chaahiye kya
ek nazar
ek nazar
pyaar ko chaahiye kya
ek nazar
ek nazar
der se tu mere armaanon ke aayine mein aen
der se tu mere armaanon ke aayine mein aen
band palken liye baithhi hai mere seene mein aen
band palken liye baithhi hai mere seene mein
ae meri jaan-e-haya
dekh idhar
dekh idhar
dekh idhar
pyaar ko chaahiye kya
ek nazar
ek nazar
pyaar ko chaahiye kya
ek nazar
ek nazar

beqaraaron ki dawa
ek nazar
ek nazar
beqaraaron ki dawa
ek nazar
ek nazar
chain dekar bhi jo bechain bana deti ho o
chain dekar bhi jo bechain bana deti ho o
ho toh shabnam si magar
ho toh shabnam si magar
aag laga deti ho
jab miley shor uthhe
haay re dil
haay jigar
haay jigar
beqaraaron ki dawa
ek nazar
ek nazar
beqaraaron ki dawa
ek nazar
ek nazar

dardmandon ki sada
ek nazar
ek nazar
dardmandon ki sada
ek nazar
ek nazar
shiqwa baaqi na rahe
door gila ho jaaye ae
shiqwa baaqi na rahe
door gila ho jaaye
is tarah dekh
deewaane ka bhala ho jaaye
chaahnewalon mein aa
der na kar
der na kar
der na kar
dardmandon ki sada
ek nazar
ek nazar
dardmandon ki sada
ek nazar
ek nazar

ishq maange hai duwa
ek nazar
ek nazar
ishq maange hai duwa
ek nazar
ek nazar
khoon-e-dil se badhe rukhsaar ki laali teri ee
khoon-e-dil se badhe rukhsaar ki laali teri
meri aahon se palak aur ho kaali teri
meri haalat pe na ja
aur sanwar
aur sanwar
aur sanwar
ishq maange hain duwa
ek nazar
ek nazar
pyaar ko chaahiye kya
pyaar ko chaahiye kya
ek nazar
ek nazar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aaya Toofaan”(1964) was directed by Muhammad Hussain for R M Art Productions, Bombay. This movie had Dara Singh and Helen in lead roles. Others is the movie were Anwar, Maruti, Indira, Jeewan Kala, Padma Rani, Shaam Kumar, Lalita Desai, Champak lala, Tuntun, Habib, Prakash, Shekhar Purohit, Baron Van Hexie, Trilok Singh, King Kong, Ray appelone, Madhumati, Rani, Aruna, Bela Bose etc.

This movie had six songs in it. Four of these songs have been covered in the blog in the past.

Here is the fiufth song from “Aaya Toofaan”(1964) to appear in the blog. This song is sung by Rafi. This song is the title cum theme song of the movie which plays in the background while Dara Singh and Helen are seen braking the toofaan that arrives.

Farooque Kaiser is the lyricist of this song. Music is composed by Laxmikant Pyarelal.


Song-Zindagi mein aaya toofaan (Aaya Toofaan)(1964) Singer-Rafi, Lyrics-Farooque Kaiser, MD-Laxmikant Pyarelal
Chorus

Lyrics

aa aa
aa aa aa aa

aa aa aa
aa aa aa
ho o o o o

zindagi mein aaya toofaan
zindagi mein aaya toofaan
huye aaj sab paraaye
din ye kaise aaye
do ghadi mein aaya toofaan
zindagi mein aaya toofaan

aa aa aa aa
aa aa aa aa
aa aa aa aa

aa aa aa aa
phaili ghamon ki syaahi
main hoon mera hamraahi ee
phaili ghamon ki syaahi
main hoon mera hamraahi
ho o o
maangi na thhi tujhse dunia
maine mohabbat chaahi ee
pyaar banke aaya toofaan
zindagi mein aaya toofaan
huye aaj sab paraaye
din ye kaise aaye
do ghadi mein aaya toofaan
zindagi mein aaya toofaan

aa aa aa aa
aa aa aa aa
aa aa aa aa

aa aa aa aa
yaad karega zamaana
kismat ka ye tadpaana aa
yaad karega zamaana
kismat ka ye tadpaana
ho o
heeron ko thhukraane waale ae
chunte hain daana daana aa
haaye kaisa aaya toofaan
zindagi mein aaya toofaan
huye aaj sab paraaye
din ye kaise aaye
do ghadi mein aaya toofaan
zindagi mein aaya toofaan
zindagi mein aaya toofaan
zindagi mein aaya toofaan
zindagi mein aaya toofaan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeena Yahaan”(1979) was produced by N P Ali and directed by Basu Chatterji for Jaamu Pictures, Bombay. This movie had Amol Palekar,Zarina Wahaab,Sunder, Purohit,Devendra Khandelwala,V.K.Pathak, Arvind Deshpande, Dina Pathak, Shekhar Kapoor, Shabana Azmi, Kiran Vairale etc in it.

Though it is a movie of recent vintage by the standards of this blog. this movie as well as its music became obscure as soon as they were released.

This movie had three songs in it. Here is the first song from this movie to appear in the blog. This song is sung by Lata and Yesudas. Yogesh is the lyricist. Music is composed by Salil Chaudhary.

The song is picturised on Zarina Wahab and Amol Palekar.

Lyrics of this song were sent to me by Prakashchandra long ago in 2013.

With this song, “Jeena Yahaan”(1979) makes its debut in the blog.

Audio (Full)

Video

Song-Ham nahin dukh se ghabraayenge (Jeena Yahaan)(1979) Singers-Lata, Yesudas, Lyrics-Yogesh, MD-Salil Chaudhary
Both

Lyrics(Provided by Prakashchandra)

hum nahin dukh se ghabraayenge
aa aa aa
aaaaa
hum nahin dukh se ghabraayenge

hai nahin sukh zaraa saa
chaaron taraf hai niraashaa aa
hai nahin sukh zaraa saa
chaaron taraf hai niraashaa

phir bhi chhodenge naa
aashaa
hardam
muskuraayenge ae ae
ae
hum nahin dukh se ghabraayenge

toot’te sajte rahe
har ghadi chhubhte rahe..eee
sheeshon jaise sapne mere
hey
toot’te sajte rahe
har ghadi chhubhte rahe
sheeshon jaise sapne mere

inhin sapnon ke liye
hum andheron mein jiyen ae
inhien sapnon ke liye
hum andheron mein jiyen

ab ummeedon ke diye ban kar
jagmagaayenge ae
hum nahin dukh se ghabraayenge

hausle dil mein hamaare hain jawaan
paanv rakh denge jahaan
manzilein hongee wahaan

hausle dil mein hamaare hain jawaan
paanv rakh denge jahaan aa
manzilein hongee wahaan
hamne khaayee hai qasam
ab na rokenge kadam
hamne khaayee hai qasam
ab na rokenge kadam
jeenaa yahaan apnaa dharam
hans kar
jiye jaayenge ae
hum nahin dukh se ghabraayenge

kyun rahe mann mein ghutan
kyun ho jeevan mein jalan
chhalke kyun ye aakhir nayan
kyun rahe mann mein ghutan
kyun ho jeevan mein jalan
chhalke kyun ye aakhir nayan

ab koyee roye nahin
aanchal ye bhigoye nahin
ab koyee roye nahin
aanchal ye bhigoye nahin

hum woh din khoye kahin sukh ke
lekar aayenge
hum nahin dukh se ghabraayenge

toot’te sajte rahe
har ghadi chhubhte rahe..eee
sheeshon jaise sapne mere
hey
toot’te sajte rahe
har ghadi chhubhte rahe
sheeshon jaise sapne mere

inheen sapnon ke liye
hum andheron mein jiye ae
inheen sapnon ke liye
hum andheron mein jiye

ab ummeedon ke diye bankar
jagmagaayenge ae
hum nahin dukh se ghabraayenge

hai nahin sukh zaraa saa
chaaron taraf hai niraashaa
phir bhi chhodenge naa
aashaa
har dam
muskuraayenge ae
hum nahin dukh se

he ae
hum nahin
dukh se ghabraayenge
hum nahin dukh se ghabraayenge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamkadam”(1980) was produced by Tarachand Barjatya and directed by Anil Ganguly for Rajshree Productions, Bombay. The movie had Rakhee Gulzar, Parikshat Sahni, A.K.Hangal, Dina Pathak, Ritu Kamal, Helen, Biswajeet, Iftekar, Madan Puri, Dinesh Hingoo, Preetam, Pardesi, Partho Guha, Harish Mugan, Deepak, Chaturvedi, John Boland, Amol Sen, Anand Joshi, Pilloo Wadia, Nilu Arora, Komal Soni, Zubeda, Anita, Rajni Verma, Master Ashoo, Sameena Kashimiri, Baby Geeta Khanna etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song for discussion is from the film Sindbad the sailor-52 ( also called Sindbad Jahaazi ).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naiyya”(1979) was directed by Prashant Nanda for Chanda Pictures, Bombay. And all these days I was under the impression that this movie was a Rajshree Productions movie. 🙂
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jhaansi Ki Raani”(1953) which deals with the story of the famous Rani of Jhaansi, was produced and directed by Sohrab Modi fpr Minerva Movietone, Bombay. This movie had Mehtab (in title role), Sohrab Modi, Mubarak, Ulhas, ram Singh, Sapru, anil Kishore, Baby Shikha, Kamalkant, Michael Shea, Marconi, Nayampalli, Gloria Gasper, Shakeela, Dar Kashmiri (Jeewan), Chaube ji, Srinath, Burhanuddin, Jagdish Kamal, Baby Feroza, Bonani Chaudhary, Master Salim, Raja nandlal, Nandu Khote, Kabeer, Bhoop Kishore, Homi Sethna, Jerry, Chitralekha, Anant Joshi etc in it.
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“Matwaala”(1958) was directed by M A Thirumugam for Saraswati Pictures. The movie had Ranjan, Baliah, Anjali Devi, E. V. Saroja, P. S. Verappan, M. K. Radha etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has more than 12900 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12964

Number of movies covered in the blog

Movies with all their songs covered =909 Total Number of movies covered =3641

Total visits so far

  • 9,004,992 hits

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Blog Start date: 19 july 2008 Active for 3000 days.
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