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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4030 Post No. : 15150

Mohammed Rafi : The Incomparable (II) – Song No. 13
———————————————————-

Remembering Mohammed Rafi Sahab on his 39th death anniversary :

No need to keep a reminder in the mobile.  I come across Rafi Sahab’s  name or reference to or one of his songs every day.  The figure is at 2955/4845 on the blog’s stats page.  The excel sheet of Rafi Sahab’s songs that I have says total 5373 songs.  The difference between the two figures is more than 500 songs.

The excel sheet does not feature the song “Ye Sitaare Hain Motiye Ke Phool” from Shohrat (1949), which is my post for this anniversary in 2018. The excel sheet has these two songs additional in for the film “Ganga Jamuna”(1961).

 

Bailan Ki Jodiayan Sab Jaane Man Ki Batiyan Ganga Jamuna 1961 Mohd Rafi Naushad Ali Shakeel Badayuni
Chal Chal Ri Goriyaa Ganga Jamuna 1961 Mohd Rafi Naushad Ali Shakeel Badayuni

 

The above two are actually small snippets of songs which are used in the film, unlike some songs which are deleted from the films. “Chal Chal Ri Goriya…… Nadiya Kinaare Mora Gaon” is a chorus of Rafi Sahab and a female voice (sounds like Shamshad Begum to me). The video clips of both these songs are available on youtube.  It is debatable, if these can be treated as songs.

I remember that ‘Bluefire ji’ had commented in the blog some years ago that there are hundreds of small snippets of songs / couplets composed by Chitragupt and others which Rafi Sahab sang, mostly in mythological films which do not find a mention in Geet Kosh. It is possible that most or all of these snippets are included in the excel sheet that I refer to.

Rafi Sahab has a wide range of religious songs – naats, qawwaalis etc in his body of work, apart from the bhajans. These non-film religious songs and naats are a treat for Rafi Fans.  I have chosen a naat as the commemorative post for today’s occasion.  I am giving the lyrics as per the recorded version.  There is a live show recording also available, which is a more lengthy and full of energy, no doubt to enhance the enjoyment of the audience watching it live, but the lyrics are basically same.  The recorded version is also very endearing rendition of this traditional naat, the composer is not mentioned anywhere.  Only the lyricist name is available as Nirang Sambhali.  It is rendered in a traditional tune of naat, used by quite a few music directors for their songs including Madan Mohan.

It expresses the yearning to visit Makkah and Madina and perform Hajj.

INTRODUCTION OF HAJJ:
‘Hajj’ is one of the five pillars of Islam. It is a journey to the heart. The yearly flood of pilgrims from the remotest places of Islam has been a remarkable means of spiritual renewal for distant communities which are thus brought closer to manifest the centre of Islam. Historically, the pilgrimage has been a means of knitting together the many races and nations that make the muslim community, and there is no other event on earth that can compare with it.

Hajj is obligatory upon those who can ‘make their way’ to Makkah Sharif. That is to say that the requirement is not absolute, but incumbent upon those whose health and means permit it, and who in doing so, do not compromise their responsibilities towards their families.

Hajj relates to the life of test and trials lived by Prophet Hazrat Ibrahim (PBUH) and his son Prophet Hazrat Ismail (PBUH) in the vicinity of Makkah.

INTENTION OF HAJJ:
The most important factor of Hajj is the intention to perform the Hajj only to please Allah and fulfill his command. It should not be mixed up with even the slightest worldly interest.

BEFORE STARTING JOURNEY OF HAJJ :
Before starting the journey for Hajj, make you conscience feel you are going for Hajj because the Almighty Allah is pleased with you and has paved the way for you to perform Hajj. Give alms (sadqa) to the needy, and request your neighbors, friends and relatives to excuse you for your shortcomings and misbehavior towards them. This is in effect an attempt to compensate those you have ever cheated or treated badly, willfully or unintentionally. A smallest of aberration hurting fellow human beings is counted as bad deeds. So try and make amends before leaving for hajj.

It is a matter of beatitude and blessedness to us that we have been granted the opportunity to perform Hajj, falling in the month of August this year. So it’s the granting of a dear wish to find our way to ‘makkah and madina’  aka ‘raah e madina’ in the ‘Naat’.

On this momentous occasion I am remembering this great surah from the Quraan called Surat ul Rahman – a very famous and one of the most beautiful surah of the Quraan.  Salient feature is the repetition of the aayah which broadly translates to ‘which of the favours, gifts  and wonders of the Master, are you both (man and Jinn) going to be in denial of’.

I am giving a brief translation of this beautiful surah which is compiled from different sources. The ‘aayaah‘ of the Quraan are in Arabic and according to the scholars, cannot be perfectly translated so as to convey the grace and the messages perfectly – so some of the beauty is bound to be lost in translation.

Ar-rahmaan (The Beneficent):

I seek Allah’s protection from shaitaan, the accursed one.
In the name of Allah, the most gracious, the most merciful.

The most beneficent, taught the Quraan.
Created man, and taught him eloquence.
The sun and the moon (move) by precise calculation.
And the stars and trees prostrate, and the heaven He raised.
And imposed the balance, that you not transgress.
Within the balance, and establish weight in justice,
And do not make deficient the balance.
And the earth He laid out for the creatures.
Therein is fruit and palm trees, having sheaths of dates.
And grain having husks and scented plants.
So which of the favours of your Lord would you deny ?

He created man from clay like that of pottery,
And He created jinn from smokeless flame of fire.
So which of the favours of your Lord would you deny ?

The Lord of two East
And the Lord of two West,
He released the two seas, meeting (side by side).
Between them is a barrier,
(So) neither of them transgresses.
So which of the favours of your Lord would you deny ?

From both of them emerge pearl and coral,
So which of the favours of your Lord would you deny ?

And to Him belong the ships,
(With the sails) elevated in the sea like mountains.
So which of the favours of your Lord would you deny ?

Everyone upon the earth will perish,
And there will remain the countenance of your Lord,
Owner of majesty and honour.
So which of the favours of your Lord would you deny ?

All that is within the heavens and earth entreat Him
EverydayHe exercises (universal) power.
So which of the favours of your Lord would you deny ?

We will attend to you, O you two dependents (man and jinn).
So which of the favours of your Lord would you deny ?

O company of jinn and mankind,
If you are able to pass beyond the regions
Of the heavens and the earth, then pass.
You will not pass except, by authority (from Allah).
So which of the favours of your Lord would you deny ?

There will be sent upon you
A flame of fire and smoke,
And will not defend yourselves.
So which of the favours of your Lord would you deny ?

And when heaven is split asunder
And becomes rosy like red hide,
So which of the favours of your Lord would you deny ?

Then on that day none will be asked
About his sin among men or jinn,
So which of the favours of your Lord would you deny ?

The criminals will be known by their marks,
And they will be seized by the forelocks and the feet.
So which of the favours of your Lord would you deny ?

This is hell, which the criminals deny,
They will go around between it and scalding water,
Heated (to the utmost degree)
So which of the favours of your Lord would you deny ?

But for he who has feared, the standing before his Lord,
Are two gardens.
So which of the favours of your Lord would you deny ?

Having (spreading) branches.
So which of the favours of your Lord would you deny ?

In both of them are two springs, flowing.
So which of the favours of your Lord would you deny ?

In both of them are of every fruit, two kinds.
So which of the favours of your Lord would you deny ?

They are reclining on beds whose lining are of silk brocade,
And the fruit of the two gardens is hanging low.
So which of the favours of your Lord would you deny ?

In them are those of modest gaze,
Untouched before them by man or jinn-
So which of the favours of your Lord would you deny ?

As if they were rubies and coral.
So which of the favours of your Lord would you deny ?

Is the reward for good (anything) but good ?
So which of the favours of your Lord would you deny ?

And beside them both (in excellence)are two (other) gardens
So which of the favours of your Lord would you deny ?

Dark green (in color) with foliage.
So which of the favours of your Lord would you deny ?

In both of them are two springs, spouting.
So which of the favours of your Lord would you deny ?

In both of them are fruit and palm trees and pomegranates.
So which of the favours of your Lord would you deny ?

In them are found good and beautiful  –
So which of the favours of your Lord would you deny ?

Fair ones reserved in pavilions –
So which of the favours of your Lord would you deny ?

Untouched before them by men or jinni –
So which of the favours of your Lord would you deny ?

Reclining on green cushions and fine carpets.
So which of the favours of your Lord would you deny ?

Blessed is the name of your Lord,
Owner of majesty and glorious honor.
God Almighty speaks the truth.

The Quraan, by admission is a book of guidance and there are signs in it for all mankind. The uniqueness of the Surat-ul-Rahmaan, is that here the Almighty is talking to or about both men and jinn. There are two seas, there are two easts and two wests, also there are two gardens and beside them there are again two gardens in Jannah. This description of jannah or paradise comes after the description of destructions and annihilation of all that is on earth.  Because Jannah is for those who is conscious of the fact that one day he is to stand before the Lord, Almighty God and answer for the deeds committed during the lifetime.  Whoever is conscious of this will be afraid of the hellfire and take care during the life on earth not to have to see it first hand. The description should be enough to make mankind want to avoid the hellfire. This life on earth is really a test for us and how we fare in this test is depends on how much we imbibe and obey the guidance. The hereinafter is the eternal existence for which we carry our deeds from this earth, to the day of judgment. To be aware is to beware and be prepared as result. As a forewarning, Surah Rahaman is an excellent lesson. A ‘rehemat’ (divine mercy, divine blessing, kindness).

I have always held the belief that the purpose of all religion is to regulate human behavior. Seems to jell with what the the Almighty says in the above surah :

And imposed the balance, that you not transgress.
Within the balance, and establish weight in justice,
And do not make deficient the balance.
And the earth he laid out for the creatures.

Here is the ‘naat’ of ‘aqeedat’ (devotion) and ishq-e-nabi.

 

(Live)

(Recorded)

Song – Agar Mil Gayi Mujh Ko Raahe Madina (NFS – Mohammed Rafi) (19??) Singer – Mohammed Rafi, Lyrics – Nirang Sambhali, MD – [Unattributed]

Lyrics 

agar mil gayee mujh ko 
raah-e-madinaa
mohammed ka naqsh-e-qadam 
choom loongaa
agar mil gayee mujh ko 
raah-e-madinaa
mohammed ka naqsh-e-qadam 
choom loongaa
aqeedat se kaabe mein
sar ko jhukaa kar
nigaahon se baab-e-haram
choom loongaa

jo taiy kar ke aayenge
raah-e-madinaa
milaa loonga main unn ke
seene se seena
jin aankhon ne dekhaa hai
taibaa ka manzar
wo aankhen khudaa ki
qasam choom loongaa
jin aankhon ne dekhaa hai
taibaa ka manzar
wo aankhen khudaa ki
qasam choom loongaa

meri zindagi sirf
ishq-e-nabi hai
jo gham mujh ko iss mien 
milaa wo khushi hai
issi gham ki raahon mein
aankhen bichchaa kar
main palkon se khaak-e-haram
choom loongaa
issi gham ki raahon mein
aankhen bichchaa kar
main palkon se khaak-e-haram
choom loongaa

agar dil ko hai kuchh
nabi se aqeedat
kisi din to jaagegi 
meri bhi qismat
jo aayenge kar ke
tawaaf-e-madinaa
main khush ho ke unn ke 
qadam choom loongaa
jo aayenge kar ke
tawaaf-e-madinaa
main khush ho ke unn ke 
qadam choom loongaa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

अगर मिल गई मुझको
राहे मदीना
मुहम्मद के नक़्श ए कदम चूम लूँगा
अगर मिल गई मुझको राहे मदीना
मुहम्मद के नक़्श ए कदम चूम लूँगा
अक़ीदत से काबे में
सर को झुका कर
निगाहों से बाब ए हराम चूम लूँगा

जो तय कर के आएंगे राहे मदीना
मिला लूँगा मैं उनके
सीने से सीना
जिन आँखों ने देखा है
तयबा का मंज़र
वो आँखें खुदा की क़सम चूम लूँगा
जिन आँखों ने देखा है
तयबा का मंज़र
वो आँखें खुदा की क़सम चूम लूँगा

मेरी ज़िंदगी सिर्फ इश्क़ ए नबी है
जो ग़म मुझको इस में
मिला वो खुशी है
इसी ग़म की राहों में
आँखें बिछा कर
मैं पलकों से खाक ए हराम चूम लूँगा
इसी ग़म की राहों में
आँखें बिछा कर
मैं पलकों से खाक ए हराम चूम लूँगा

अगर दिल को है कुछ
नबी से अक़ीदत
किसी दिन तो जागेगी
मेरी भी क़िस्मत
जो आएंगे कर के
तवाफ ए मदीना
मैं खुश हो के उनके कदम चूम लूँगा
जो आएंगे कर के
तवाफ ए मदीना
मैं खुश हो के उनके कदम चूम लूँगा

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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4028 Post No. : 15142

In old days, we had days of specialists. Hero, Heoine would sing songs, play lovey dovey, etc.

Villain’s would made the life of hero and heoine miserable. They would have mujra and or cabarat dancers as part of villain’s set up.
Singing quawwali in disguise would be the response of the lead actors.

Then there was comic side plot. And then character artists, such as parents of the lead actors, siblings of the lead actors etc.

From 1970s onwards, days of multitasking began and specialists found themselves threatened. Here the hero himself would do comedy as well as villainy. The heroine would perform cabarat/ mujra herself.

Fortunately, one did not witness multi tasking till 1960s and specialists ruled the roost those days.

As far as comedy was concerned, Johny Walker was the go to man, and he was followed by Mehmood.

When I try to analyse Johny Walker’s comedy, I find that his comedy often involved being in the wrong books of ladies. Sometimes he would find himself on the wrong side of dogs as well. 🙂

Johny Walker had acted in not one but two movies called “Baazi”, viz “Baazi” (1951) and “Baazi”(1968). “Baazi”(1951) was his debut movie, whereas “Baazi”(1968) came towards the fag end of his career.

“Baazi”(1968), lesser known that the 1951 namesake, was directed by Moni Bhattacharya for Golden Films Production, Bombay. The movie had Dharmendra, Waheeda Rehman, Johnny Walker, Mehmood, Helen, Ansari, Nazir Hussain, Ullhas, Chans Usmani, Amar, Manmohan, Keshto Mukherjee, Pinchoo Kapoor etc in it.

The movie had five songs in it. Two songs have been covered in the past.

Today (29 july 2019) is the 16th remembrance day of Johny Walker (11 November 1926 – 29 July 2003). As a tribute to him, here is a song from “Baazi”(1968). IT is a Johny Walker type comedy song, viz a song where he is in trouble at the hands of the fair sex. It turns out that he sees not one but two ladies simultanously and he finally gets caught by both.

So here is this song from “Baazi”(1968). it is sung by Manna Dey. Shakeel Badayuni is the lyricist. Music is composed by Kalyanji Anandji.

The song shows Johny Walker being taken to task by Helen and Shammi. Singing while being chased by two ladies, that is Johny Walker for us. 🙂

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Ek anaar do beemaar badi mushqil hai (Baazi)(1968) Singer-Manna Dey, Lyrics-Shakeel Badayuni, MD-Kalyanji Anandji

Lyrics (Provided by Avinash Scrapwala)

Are dil hamaara
uyi
Husn waalon ka akhaadaa
Akhaadaa ho gaya
Apne hi haathon se khud apna
Are apna kabaada ho gaya

Ek anaar
Do beemaar
Ek anaar do beemaar
Kaisi uljhan mein hain pyaar
Badi mushkil hai
Haan Badi mushkil hai
Haan haan badi mushkil hai ae

Do do ulfat ke bazaar
Hoga kaise karobaar
Badi mushkil hain
Haan badi mushkil hai
ho ho badi mushkil hai
Ek anaar do bimaar
Kaisi uljhan mein hai pyaar
Badi
Haan badi
Haan haan
Badi mushkil hai ae

Koyi mere ae
Koyi mere do tukde kar ke
Rok de is bumbaari ko o o o
Koi mere do tukde karke
Rok de is bumbaari ko
Ek tukdaa shole ko de de
Aur ik tukdaa chingaari ko
Is jhamele se yaaron main gharbra gaya aa
Is jhamele se yaaron main gharbra gaya
Dil dhadkane lagaa
Sar bhi chakra gaya
Gaya gaya gaya aa aa
Meri khaatir do do yaar
Meri khaatir do do yaar
Ladne marne ko taiyyaar hain
Badi mushkil hai
Haan badi mushkil hai
Haan haan badi mushkil hai
Ek anaar do beemaar
Kaisi uljhan mein hai pyaar
Badi mushkil hai
Haan badi mushkil hai
O ho badi mushkil hai

Uparwaale ae
Uparwaale ne mujhko
Do kaan diye do aankhen
Do o kaan diye do aankhen
Mil jaate jo do dil mujhko
Phir yoon naa ukhadti saansen
Phir yoon naa ukhadti saanse
Do ke chakkar mein meri akal phans gayi
Do ke chakkar mein meri akal phans gayi
Maine kheli thhi single
Double phans gayee
Double phans gayee
Da da da ba ba ba la la la
Double
Phans gayee ee ee ee
Badi samjhe mujhko yaar
Chhoti hai meri dildaar
Badi samjhe mujhko yaar
Chhoti hai meri dildaar
Badi mushkil hai
Haan Badi mushkil hai
Haan haan badi mushkil hai
Ek anaar do beemaar
Kaisi uljhan mein hai pyaar
Badi
Haan badi
Haan haan badi mushkil hai
Do do ulfat ke bazaar
Hoga kaise karobaar
Badi mushkil hai
Haan badi mushkil hai
Haan haan badi mushkil hai ae ae ae

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————
अरे दिल हमारा
ऊए
हुस्न वालों का अखाड़ा
अखाड़ा हो गया
अपने ही हाथों से खुद अपना
अरे अपना कबाड़ा हो गया

एक अनार
दो बीमार
एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल है ए

दो दो उल्फत के बाज़ार
होगा कैसे कारोबार
बड़ी मुश्किल है
हाँ बड़ी मुश्किल है
ओ हो बड़ी मुश्किल हैं

एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी
हाँ बड़ी
हाँ हाँ बड़ी मुश्किल है ए

कोई मेरे ए
कोई मेरे दो टुकड़े करके
रोक दे इस बम बारी को ओ ओ ओ
कोई मेरे दो टुकड़े करके
रोक दे इस बम बारी को
एक टुकड़ा शोले को दे दे
और एक टुकडा चिंगारी को
इस झमेले से यारों मैं घबरा गया आ
इस झमेले से यारों मैं घबरा गया
दिल धडकने लगा
सर भी चकरा गया
गया गया गया आ आ
मेरी खातिर दो दो यार
मेरी खातिर दो दो यार
लड़ने मरने को तैयार
बड़ी मुश्किल है
हाँ बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल है
एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
ओ हो बड़ी मुश्किल है ए

उपरवाले ए
उपरवाले ने मुझको
दो कान दिए दो आँखें
दो ओ कान दिए दो आँखें
मिल जाते जो दो दिल मुझको
फिर यूं ना उखड्ती साँसे
अई
फिर यूं ना उखड्ती साँसे
दो के चक्कर में मेरी अक्ल फँस गयी
दो के चक्कर में मेरी अक्ल फँस गयी
मैंने खेली थी सिंगल
डबल फँस गयी
डबल फँस गयी
ड ड ड ब ब ब ल ल ल
डबल
फँस गयी ई ई ई
बड़ी समझे मुझको यार
छोटी हैं मेरी दिलदार
बड़ी समझे मुझको यार
छोटी हैं मेरी दिलदार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल हहै

एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी
हाँ बड़ी
हाँ हाँ बड़ी मुश्किल है ए
दो दो उल्फत के बाज़ार
होगा कैसे कारोबार
हाँ बड़ी मुश्किल है
हाँ हाँ हाँ बड़ी मुश्किल है ए ए ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4026 Post No. : 15139

“Aasmaan Mahal”(1965) was directed by Khwaja Ahmad Abbas for Naya Sansaar, Bombay. This “social” movie had Pithviraj, Sureskha, Nana Palsikar, Rashid Khan, Madhukar, Yunus Parwez, Mridula, Dilip Raj, Ravikant, Veerendra Raj Anand, Chandar B Kaushal, Anwar Hussain, Naseem Bano, Ishrat Sultana, Anugeeta, David, Ram singh, Murthi, M A Parkar, Irshad Panjathan, Babbanlal, Agrawal, Rani, Shibghatullah etc in it.

The movie had six songs in it. One song has been covered in the past.

Here is the second song from “Aasmaan Mahal”(1965) to appear in the blog. This song is sung by Vijaya Majumdar. Ali Sardar Jafri is the lyricist. Music is composed by J P Kaushik.

The song is picturised as a mushaira song, where a lady (Surekha ?) recites this shayri, seated among her sahelis while men are seated in front.

I request our knowledgeable readers to help identify the actors seen in the picturisation.

I have not been able to get a few words right. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Toone samjhi hi nahin kya hai haqeeqat meri (Aasmaan Mahal)(1965) Singer-Vijaya Majumdar, Lyrics-Ali Sardar Jafri, MD-J P Kaushik

Lyrics

toone samjhi hi nahin
kya hai haqeeqat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin

jaam o meena ke siwa aur bhi paimaane hain
jaam o meena ke siwa aur bhi paimaane hain
dard-e-dil dard-e-mohabbat hi to maikhaane hain
tu na samjha hai na samjhega shiqaayat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin

khwaab daulat ke
gareebi ko dikhaane waale
aasmaanon pe mahal ?? banaanewaale
inki ?? se na bahlegi tabeeyat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin

sooni saajen(?) ki tamanna hai na resham ki talaash
khaak hai khaak ye daulat ka sunehra aakaash
teri aankhon hi mein aabaad hai jannat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin

kaanpte honthon pe ik harfe wafa ki khushbu
aa aa
kaanpte honthon pe ik harfe wafa ki khushbu
ik dhadakta hua dil ek chamakta aansu
yahi moti yahi heere yahi daulat meri
itni aasaan nahin ae dost mohabbat meri
itni aasaan nahin


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4025 Post No. : 15138

“Aawaara Baadal”(1964) was directed by Kedar Kapoor for Amarjyot, Bombay. This stunt movie had Ajit, Raagini, Jagdeesh Sethi, Dhumal, Helen, Indira Billi, Tiwari, Leela Mishra, Niranjan Sharma, Mridula, Ifthikhar, Keshav, Indira Bansal, Tuntun, Aasi, R Tiwari, Raj Kumar, Anand, Zarina, Asha, Pushpa, Prem, Sheroo, Pt Iqbal, Romani, Nepali Sinh, Ajay Kumar, Nagar Sharma, P H Joshi, Prakash Arora, Kripla, Bakshi, Master Sandeep, Master Farooque, Baby Shobha, Sujata etc in it.

The movie had six songs in it. One song had been covered in the past.

Here is the second song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a raj darbaar dance song on Raagini.

I request our knowledgeable readers to help identify the actors seen in the picturisation of the song.


Song-Parwaane teri shamma jal uthhi (Aawaara Baadal)(1964) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Usha Khanna

Lyrics

aa aa
aaaa aa aa aa
aaa aaa aaa

parwaane ae ae
teri shamma jal uthhi
parwaane ae ae
teri shamma jal uthhi
raat hai kaatil
sun lo gaafil
aahkri hai ghadi
parwaane e
ae teri shamma jal uthhi

raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
deewaane ae ae
teri saza hai yahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi

samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
pahchaane ae ae
to main wahi hoon wahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi

shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
afsaane ae ae
dil ke nazar kah gayi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4021 Post No. : 15133 Movie Count :

4155

————————————
Mukesh and his Composers – 19
————————————
chaahe kahin bhi tum raho,
chaahenge tumko umr bhar
tumko na bhool paayenge

Remembering Mukesh on his 96th birth anniversary (22 July 1923 to 27 August 1976).

A life and career spent on entertaining music lovers all over the world, the very mention of his name brings to the mind several of his priceless renditions. A voice which remains active on air-waves to this day and beyond. More than being on the air-waves and various technological formats, it is the legacy and remembrance of the familiar voice that continues to dwell in the hearts of music lovers. A voice so familiar that it directly conveys to our hearts the feelings expressed in his songs.

For this post, I have taken the liberty of using material and information provided by many fellow blog contributors as well as Shri Harish ji.

It all started when Sadandand ji posted a comment on this post of Sudhir ji in his rather elaborate and highly researched series on missing films and songs of the 60’s which was given to him as a homework. Sadanand ji in the comments section of the aforesaid post has provided quality information and the video link of the song. The fact that Mukesh had sung a solo for MGR made me sit up and take notice. I had heard the song but was not aware that it was featured on MGR.

I was under the impression that it could be the only song sung by Mukesh for MGR. So I asked our Sudhir ji if he could send me the list of Hindi films in which MGR had acted. His prompt and detailed reply was as follows,

Year Movie
1951 Ek Tha Raja
1956 Gul e Bakaavali
1961 Baghdad
1962 Hamen Bhi Jeene Do
1962 Meri Bahen
1963 Raj Mahal
1965 Nartaki Chitra
1970 Koi Ghulam Nahin
1974 Aakhiri Nishaan
1975 Rangeen Duniya
1976 Love in Kashmir
1970s Ganga Ki God Mein (Unreleased)

A dozen films which included an unreleased film. Going through the list, one finds that the very first Hindi film in which MGR acted has a duet of Mukesh with Shamshad Begum. I am not sure if Mukesh sang for MGR in the duet, but it appears that the song under discussion is his only solo for MGR.

However, this post is on the collaboration of Mukesh with composer Dhaniram about whom very less material is available on the net. Shri Arunkumar ji helped me in sending the web-link of one of his interviews and it can be found here.

I have come across Dhaniram’s name many years back as two of his songs sung by Talat Mahmood are my personal favourites. They are Yeh Kya Hai Dhang Zamane Ka and aao baadal chain se royen.

The one from Dak Babu(1954) is simply out of the world. I request readers to listen to this composition and rendition by Talat Mahmood and especially the lines.

aye dil aisi mehfil se to
behtar tanhaai hai

One can only ask, where are those days and where are those people who created such majesties.

Coming back to Mukesh-Dhaniram, the present song appears to be their only collaboration and hence there will be no table. (But, then there is always a possibility of tracing obscure songs…)

The present film Meri Behan (1962) starring MGR was the dubbed version of the Tamil film ‘Aransilankumari’ (1961) as confirmed by Sadanand ji.

Now some interesting trivia.

Mere Behan (1962) was based on Tamil film Aransilankumari (1961).

Aransilankumari (1961) was based on 1952 Hollywood film Scaramouche.

Scaramouche (1952) in turn is based on the novel with the same title by Rafael Sabatini.

The novel by Rafael Sabatini is based on story set during the French revolution.

So, the conclusion can be deduced that our own Mere Behan (1962) was based on French Revolution. ?

Since I could trace very little to write on Dhaniram and considering the fact that Mukesh has a solitary song for the composer, I have probably failed to do justice to the post and the composer.

I am however glad to present this solo number sung by Mukesh for the great MGR. I thank Sadanand ji, Arunkumar ji, Harish ji, Sudhir ji and Atul ji for having given me this opportunity to present the song.

The post is a tribute to Mukesh on his birth anniversary for his voice has become an inseparable part of our lives which he himself had said in one of his songs…

chaahe raho jaa kar kahin
paaoge tum mujhko wahin
ki band gar aankhen zaraa
main khwaab ban kar aaunga


Song-Nanhe munne nanhe munne laal desh ke (Meri Bahan)(1962) Singer-Mukesh, Lyrics-Pt Indra Chandra, MD-Dhaniram

Lyrics

nanhe munne
nanne munne
laal desh ke
nanhe munne
nanne munne
laal desh ke
le tujh se boloon
baat cheet ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke

bade hoke manzil par tum
jald pahunchna
munne naam kamaana
bade hoke manzil par tum
jald pahunchna
munne naam kamaana
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
nanhe munne
nanne munne
laal desh ke

neem ped ooncha dikha
bhooton se log daraate ae ae ae
ae ae ae
neem ped ooncha dikha
bhooton se log daraate
mat darna polam pol
jhoothhi gappon se
nis din
rakhna khud pe bharosa
mere naujawaan
bade log baithh kahin
fizool ki baat karen
bade log baithh kahin
fizool ki baat karen
phailaayenge ye jhoothh
kabhi na maan’na re
beza aisi baat na inki
baabu maan’na na
baabu maan’na
nanne munne
nanne munne
laal desh ke
le tujh se boloon
baat seekh ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15132

21st July, 1969 – a tiny me was waiting for the arrival of the school bus, around 6.40 am in the morning, at the end of the lane where we lived, in Karol Bagh area of Delhi. Three, maybe four other friends, going to the same school – executing the normal morning routine, with strap bags on shoulders, waiting to espy the school bus that we all recognized oh so well, to take a turn from a crossing about 200 metres away – to come, and to gobble us up, and to carry us to yet another day at the school. I think, it was too early in life to philosophize about the love-hate relationship with education, school and school teachers. It was still kind of an eager fun to travel in the bus and get to a classroom, and spend time watching teachers do their things on the blackboard, for us. Ah yes, the blackboards back then were actually black, and white chalks were then the standard instrument of communication between the teacher and us.

Sorry, I am jumping the gun – classroom and education is not the topic today; ‘waiting for the bus’ is. So as I was saying, four five of us kids were at the appointed place, at the appointed time – waiting to be picked. Some of these memories are so vivid and crystal clear in the mind, as if it was just yesterday. Ah yes, does seem like yesterday. I remember there was a bakery and confectionery shop right on the corner where we used to wait for the bus. It was a family run business – two brother partners. Over the years, the ownership of that shop has remained in the family, but the subject matter of the shop has changed from confectionery to designer clothing today. I still remember, the board on the shop – ‘Paul’s – Bakers and Confectioners’.

The kids’ interest of course was in the candies, toffees and chocolate items displayed in the shop’s show cases. The shop would be open before we reached the waiting point, because being a baker, he was catering to the early morning needs of milk and bread supply, to the early riser families, which, in those times, was practically all the families in the neighborhood.

Ah, sorry, I digress again – waiting for the bus it was. So the different thing that happened on that morning was the the bus did not come on time. It was kind of a pleasant, expectation filled feeling in the kiddy hearts – is the bus not coming today? Well, bus used to be late once in a while. And the tiny minds would be inventing conjectures about the school being closed for this or that unimaginable reason. But then, those dreams used to be shattered within a matter of minutes – late it would be, but then it would appear on the horizon, and the young footsteps would prance on to the four steps and into bus, starting another day at the school.

But that day, the few minutes extended into many minutes – and no bus. Although we were all in the mood to run back home and make a pompous announcement of the mystery of the disappearing bus. Of course, none had the courage to do so. It was a mindless wait, but the instructions to this kiddy platoon was to stay rooted to the bus stop area, and not to wander away – no matter how late the bus was. And we waited. No, the parents were not with us. We kids were in that gray transition zone of trust building age, that the parents would drop us at the bus stop, and head back home, with the confidence that the kid would certainly board the bus and spend another productive day at the school. And so we waited.

One of the more enterprising member of this waiting platoon ventured into the bakery shop and asked for time. “Seven o five”, we were told – goodness the bus was twenty five minutes late. This had never happened before. It was a first in the long years of the tiny age of experiences that the kiddy minds had accumulated till then. But then, in the absence of any instructions for this unexpected, first time, unheard of situation, we were clueless as to what should be done. So we waited – did not have courage to venture back home – the certain thought in mind was that parents would simply scold us and ask us to get back to the bus stop immediately and wait some more. There must be a valid reason – breakdown, accident, petrol finish – whatever, but it will come. So go back.

But it didn’t come. Another fifteen minutes passed. Still no bus. The uncomfortable squirming had now transformed into an anxious fear – have we already missed it? Has the bus come and gone and all of us missed it by a minute or something. Now the fear started to grow, since if the bus had already gone, then the fault would be ours that we were a minute or two too late to reach the bus stop. And so what were we doing, while ambling towards the bus stop from home, how did we reach the bus stop late? And why? All sorts of uncomfortable thoughts were now cycling through the mind. And we waited.

But the tension was unbearable now. The urge was to rush back home, but in the absence of an explanation, the apprehension of the consequences did not allow us to move. First time in the long years of tiny experiences, we were facing a helpless situation, the CPUs of mind were primitive and no conclusive directions were forthcoming.

Finally, we saw a ray of hope. We espied a senior student of our school, walking towards our bus stop. This person used to board from the next stop on the route, about half a mile ahead. He came, he declared, and we conquered. 😀 😀

He informed us that the bus would not be coming that day, since the school had declared a holiday. So head back home and take a day off. Whoosh. . . the mounds of stones of uncertainty were suddenly lifted, a new energy seemed to flow now, in place of the helpless limbo. I am very very sure, all would have had this ‘Whoosh’ experience sometimes in school life – an unexpected holiday announcement. It was like ‘छप्पड़ फाड़ के’ – I am using this phrase in hind sight. Of course I was not aware of this phrase or its implications at that time.

Then one of us had the curiosity strong enough to ask, what happened, why this unannounced holiday. The senior was not very sure himself. He said his father had called the school, and the school had announced the holiday – it was because of the moon landing. Totally bewildered with this information the tiny brains could not process, we externally expressed relief and happiness, lugged the bags over the shoulders once again, and walked back home.

It was almost one hour after the bus time, and of course the parents were totally surprised to see me back at the doorway. Dad asked what was the matter. And I recounted in brief, about the wait, the senior student, the information about the holiday announcement and moon landing. Dad started to laugh. He had already known about this news – well he was part of the editorial team that published the morning paper. So he already had the information about the event in the late hours of the previous night. But there was no news in the papers about the school holidays. So then he ventured to confirm – went to another neighbor’s place to make a call to the school. We did not have a phone at home in those times. He returned after a few minutes, and his smile confirmed the announcement, and laid to rest any apprehensions, that I would be held to fault, for making up such tall story.

I asked him, and he explained, quite lucidly of course – he had prepared the news story for print just a few hours prior. But much of that did not register into the brain. The moon landing, Apollo 11, US spacecraft, Neil Armstrong – some key phrases stuck in the mind. I took up the newspaper and read through the story. The quantum and the quality of significance did not sink in then. But yes, this idea did sink in very earnestly that the event that happened was some towering, huge, first of its kind accomplishment by USA. In the later years, as my interest grew in scientific topics, I would come to realize the depth of significance and importance of this huge event. The man had landed on another celestial body for the first time in the history (known history??) of the mankind. Yes, it was huge.

On 25th May, 1961, John F Kennedy, the then US President, made this proposal to the US Congress, to land a man on the moon before the end of the decade. Of course, the objective was achieved on 20th July, 1969.

And so the event, and its earth shattering significance has stayed with me now, for all these years – all because the schools declared a holiday that day – to celebrate this towering achievement of the human race. The man had reached the moon, and the school was closed in celebration.

Today, we are celebrating the 50th anniversary of that accomplishment. Over the past 50 years, the science of astronautics, and the technology had progressed by leaps and bounds. But the ‘man on the moon’ event has this envious and non-duplicate-able quality about it – what more to say. The US scientists and NASA took almost 8 years to accomplish the target that their famous president had set for them. Long before that, the Indian cinema had already responded with the film ‘Rocket Girl’, in 1962, and with this humorous and lilting melody created by Prem Dhawan and Chitragupt.

Searching for an appropriate song for this celebration, I chanced to discover this fabulous gem of a song that has probably been considered lost and consigned to the deep. I tried to search for songs with reference to ‘chaand’. Another song from this film – “Na Jaane Chaand Kaisa Hoga” – is an iconic, popular hit song that is already posted on the blog. When I read the words of the mukhda of this, I was very curious to search and pull out this song, because the mukhda kind of hints at traveling to the moon. With some time spend, I am able to locate this song in my collection. As far as I could check online, this song is not yet available. So I prepared and uploaded this song, and here am presenting it for this celebration today.

Listening this song, I am so surprised that this song has remained obscure all these years. A vintage Chitragupt melody that takes the listener on a journey of lilting extravaganza – so beautifully tuned and so exquisitely arranged. The humming composition simply is not getting out of my mind at this time – the lady wants to travel to the land of the moon and have a romance amongst the stars, and gentleman is not at all convinced that they would reach there alive. 🙂  The words of the song are so interestingly crafted – it is a veritable treat to listen to.

‘Rocket Girl’ is a film from 1962, produced under the banner of Film Sansar, Bombay and is directed by Nanabhai Bhatt. The cast of actors is listed as Naaz, Sudesh Kumar, Jagdish Raj, Nilofer, Kanchanmala, Brahm Bhardwaj, Genius, Lal Bahadur, Mohammad Bhai, Ameer, Sandow, Shafi, Shammi, and Bhagwan Dada. Six songs are listed for this film, all from the pen of Prem Dhawan, with wonderful music compositions coming from the mind of Chitragupt.

I have no idea whether this film is about space travel, and visit to the moon. Listening to the two songs, it appears that his film is about space travel, I request our more knowledgeable readers to add more information about this film.
[Ed Note: Details about the film ‘Rocket Girl’ have already been posted by Arun ji, our in-house encyclopedia, with the earlier posted song of this film – “Na Jaane Chaand Kaisa Hoga”. The same are also available at Atul Movies – Rocket Girl (1962). Thanks to Aero Survey for this reminder.]

Fifty years of moon landing – and a surprisingly wonderful song to go along with – enjoy.

 

Song – Aa Ja Chalen Piya Chaand Waale Des Mein  (Rocket Girl) (1962) Singer – Suman Kalyanpur, Manna Dey, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
aisi baaton se hum nahin darenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge

jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jaao akele hum aahen bharenge
na na na na
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

kehte the tumhin
sitaare doonga tod ke
honge meri jaan
ye waade kisi aur ke
mil ke jiye hain mil ke hi marenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
ऐसी बातों से हम नहीं डरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे

झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
जाओ अकेले हम आहें भरेंगे
ना ना ना ना
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

कहते थे तुम्हीं
सितारे दूँगा तोड़ के
होंगे मेरी जान
ये वादे किसी और के
मिल के जिये हैं मिल के ही मरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15131

“Khilaadi”(1968) was directed by Homi Wadia for Basant Pictures Bombay. This “social” movie had Nadia, Dilip Raj, Uma Bhende, Sujata, Sheikh, Suzie, Amarnath, Wazir Mohammad Khan, Vishwas Kunte, Uma Dutt, Dalpat, Habib etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Khilaadi”(1968) to appear in the blog. This song is sung by Asha Bhonsle and Rafi. Farooque Kaiser is the lyricist. Music is composed by Lala Sattar.

The song is picturised on Dilip Raj and Uma Bhende. Dilip Raj was son of P Jairaj. Uma Bhende, a leading Marathi movie actress, had famously lip synced the popular “Dosti”(1964) song “Gudiya hamse roothi rahogi” earlier.


Song-Pyaar koi kam kam kare (Khilaadi)(1968) Singers-Asha Bhonsle, Rafi, Lyrics-Farooque Kaiser, MD-Lala Sattar

Lyrics

pyaar koi kam kam kare
haaye alla
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
haaye alla
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
kaahe gori chham chham kare

hove ruswa na meri jawaani
mujhpe itni karo meharbaani
dil hai haazir abhi pyaar kar lo
phir na aayegi rut ye suhaani

duhaai duhaai mere saajna
koi kya karega tera saamna
haaye pyaar koi kam kam kare
haaye allah
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
haaye alla
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
kaahe gori chham chham kare

tu jo chaahe to kismat bana loon
dil ki dhadkan mein tujhko chhupa loon

aisi nazron se dekho na balma
hosh apne main kaise sambhaaloon
nasha hai sanam ye mere pyaar ka
bharosa nahin hai tere pyaar ka
haaye kaahe gori chham chham kare
haaye allah
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
haaye alla
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
pyaar koi kam kam kare ae ae


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4018 Post No. : 15128

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 40
——————————————————————————————

Hullo to Atuldom

Today is a unique happy birthday date. It is not any celebrity’s birthday. It is the birthdate of our beloved blog Atul-song-a-day which has been nicknamed ASAD and all of its followers are called Atulites.

This is one blog which has brought together a lot of Hindi film music lovers from across the world. It must have started as a one-man’s passion for film music but has now become an addiction for a set of music lovers who are equally passionate about Hindi film music. People who have associated themselves with the blog are going to great lengths to find hitherto unheard songs, finding about the life-stories of those associated with those songs etc. We have our own in-house encyclopaedia who has put a lot of time into researching about long forgotten artists, singers, musicians, and also cleared confusion about artist who had same or similar names and were popular about the same period etc. We have an NRA (Non Resident Atulite) who has assigned Sudhir ji a job of finding movies of the 60s’ decade that were lost or forgotten and Sudhir ji has done a great job of finding at least 112 such movies with about 79 left and these may be really unavailable otherwise he would have dug them out too. In addition to this, he has an ongoing series of songs which were reused in movies and I am sure that will give us a minimum of 50 songs.

Sudhir ji and Arunkumar ji (the encyclopaedia) are just two examples of dedicated contributors. We have others whose craze for Hindi film music has been manifested in the form of reading through the “ancient” 😉 issues of Film-India magazine and sharing knowledge gathered from there with us on the blog. Then there is the case of two resident NRAs who collaborate to produce posts to remember their favourite Sahir on his birth and death anniversaries. Of course, one NRA is more active than the other who I expect will surface in the last week of July as the anniversary of his and our favourite Mohd. Rafi is coming up and his activity will continue on to first week of August. (Hope I am not proved wrong) Of course there are those contributors who surface on the really important celebratory occasion of the blogs’ 15000th post, Atulji’s personal 10000, and birthdays of their personal favourite singers Mukesh, Shamshad Begum etc. I must make special mention of the behind the scene contributor who sees to it that the links of songs posted are working links in addition to sending his farmaishes in the form of lyrics.  So Atuldom is a kingdom of a group with varied interests in HFM and who have their own way of making the blog a unique space in cyberland.

As far as my own film music addiction is concerned, I have mentioned many a times how this blog has affected my way of listening to songs. How I have learnt about the life and times of the singers, actors, music directors, and others associated with movie making. And the most important take-away from this blog is a whole new set of friends who are always in touch 24/7 and who receive my phone-calls with a smile (I can feel it in their “Hello”). But I had an altogether different experience the last time I called Sudhir ji; my “hullo Sudhir ji” was met by a good two minute of laughter, such is the camaraderie that he knew exactly what I was going to say. 😊

For all of the above a big thank you to the blog and the blog master Atul. It is only because Atul ji started the blog on 19th July 2008 that we can call ourselves Atulites or Atulwaasis, who are residents of Atuldom.

Exactly a year after it was born, Atulji posted six songs on 19th July 2009. These represented six movies: two from 1969, and one each of 1956, 1954, 1953 and 1949. Of the movies that these songs were from only one is left to be yyippeed!! That is ‘Sambandh’ of 1969. It has 5 songs posted on the blog, out of a possible 11 or 12 , the last being posted in October of 2011. That is a loooong time ago.

So, to take ‘Sambandh’ a step forward we re-visit it today. The movie was produced by Ram Mukherjee; directed by Ajoy Biswas; had Asha Bhonsle, Mahendra Kapoor, Mukesh, Hemant Kumar for playback singers for songs written by Kavi Pradeep and composed by OP Nayyar. Atul ji has said in one of the previous posts of the songs of this movie that this was an unusual combination- OP Nayyar setting Kavi Pradeep’s words to tune. This movie had Pradeep Kumar and Deb Mukherjee heading the cast which also had Anjana (this was her debut) Sulochana Latkar, Anita Dutt (looks like Anita Guha, must have been Dutt at that time), Achala Sachdev, Vijaya Chaudhary, Abhi Bhattacharya, Nana Palshikar, Leela Mishra, etc.

The synopsis as given on IMDB is:

Manav Chatterjee’s childhood is spent in a wealthy home where his father, Umakant, is an alcoholic, and his mother a simple housewife, who tries in vain to get his dad to give up on alcohol. This results in differences between his parents, leading to their separation, and him leaving the house to be with his mother. Manav grows up as a cynic, and this cynicism increases when he goes to live with a foster and a very wealthy family. He marries Hiralal’s daughter, Sandhya, and both love each other deeply. But things do not seem to go Manav’s way at all, as he is separated from Sandhya, and after several months finds out that Hirala is about to get Sandhya married – again. Now Manav has changed his name, and is being helped by an unknowing Umakant to try and salvage, what possibly remains, of the rest of this bitter and lonely life.

Here is the list of songs posted this-date-that-year as is the practice in the Ten-Year Challenge,

Gore Gore Mukhde Pe Gesoo Jo Chhaa Gaye Patanga

1949

Bujh Gaye Aasha Ke Diye…Badle Rang Jahaan Ke Shikast

1953

Dil Se Milaa Ke Dil Pyaar Kijiye Taxi Driver

1954

Dil Dil Se Milaakar Dekho Mem Sahib

1956

Apni Maata Ke Dulaare Bachche Sambandh

1969

Saathiyaan Nahin Jaana Ke Ji Na Lage Aaya Saawan Jhoom Ke

1969

Hindigeetmala.net (my personal HFGK) lists 12 songs for ‘Sambandh’ of which we have 5 on the blog. Of the twelve, six songs have Asha Bhonsle giving playback, one being a duet with Hemant Kumar. It is difficult to find videos of all the songs that are left to be posted, only audios are available on youtube. Another thing I found was almost all the songs were rather sombre or completely sad. Would love to see the movie to understand why the mood of the songs are so.  And as Atul ji has previously said this is a rather unusual OP Nayyar album with not one peppy number. So, choosing from what is available, here is the Hemant Kumar – Asha song which is a prayer and I would like to know on whom it was filmed.

HAPPY BIRTHDAY ASAD!!!!!
Thank you Atul ji for giving us ASAD.

There is still a lot of songs left in the ocean of HFM for us to find gems, pearls and corals.

P.S. after writing the post I ran through the movie to see who has lip synced the song. I found that the Hemant Kumar part is no where in the movie and Anita Dutt has lip-synced the Asha Bhonsle part.

Editor’s note-With this song, Hemant Kumar completes 200 songs in the blog as a playback singer.

 

Audio

Video

Song – Tum Ko To Karodon Saal Huye Batlaao Gagan Ghambhir  (Sambandh) (1969) Singer – Hemant Kumar, Asha Bhosle, Lyrics – Kavi Pradeep, MD – OP Nayyar

Lyrics

hey jagat pita parmatma
karo nirmal meri aatma
dukh haro dayalu
ab sukh do
sab avgun mere
karo kshama
parbhu karo Kshama
parbhu karo kshama
hey jagat pita parmatma

aaaa aaaaa
aaaa aaaaa

tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

milte hain kisi ko bin maange hi moti
oo oo oo
koi maange lekin bheekh naseeb na hoti
oo oo oo
kya soch ke hai malik ne rachi
ye do rangi tasveer
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

kuch kismatwaale sukh se amrit peete
oo oo oo
kuch dil par rakh pathar jeewan jeete
oo oo oo
kahin mann panchhi aakaash ude
kahin paanv padi zanjeer
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

kyun alag alag taqdeer

kyun alag alag taqdeer

kyun alag alag taqdeer

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हे जगत पिता परमात्मा
करो निर्मल मेरी आत्मा
दुख हरो दयालु
अब सुख दो
सब अवगुण मेरे करो क्षमा
प्रभु करो क्षमा
प्रभु करो क्षमा
हे जगत पिता परमात्मा

आss आsss
आss आsss

तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

मिलते हैं किसी को बिन मांगे ही मोती
ओ ओ ओ
कोई मांगे भी तो भीख नसीब ना होती
ओ ओ ओ
क्या सोच के है मालिक ने रची
ये दो रंगी तस्वीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

कुछ किस्मत वाले सुख से अमृत पीते
ओ ओ ओ
कुछ दिल पर रख कर पत्थर जीवन जीते
ओ ओ ओ
कहीं मन पंछी आकाश उड़े
कहीं पाँव पड़ी ज़ंजीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4017 Post No. : 15124

The years roll by – time stops for no one.

And, just like that, it is now 7 years since that day in 2012.

I still remember that day very well – I first got the news on Facebook.

One of my friends had posted “vaada tera vaada”, saying “RIP Rajesh Khanna”.

It shook me – I immediately checked Twitter for validation. (Now Twitter is known to post fake death news from time to time. Not so long ago, they had posted news of Mumtaz’s death – thankfully, fake.) But I wanted a second source.

Sadly, and I realized this very soon with a sinking feeling, the news on 18th July 2012 was not fake. Rajesh Khanna (or Kaka, as he was more affectionately known) HAD passed away. For the past year, he had been suffering from cancer – and the cancer had finally won.

I felt miserable that day. Not that I didn’t know he was suffering from cancer, but I never expected him to go when he did.

That day my Facebook status was
Kya samjhega ye aalam koi
Badaa bhaari hai dil ye mera
Ki le gaye ho saath safar pe tumhaare
Tukda jo kabhi tha dil ye mera

Rubbish poetry, I know – but hey, it did reflect my mood.

Those were the times when I’d seek refuge in my blog. I’d just dump my thoughts onto my blog, for my own sake. It was my way of releasing my feelings, not suppressing them within.

That day too I went to my blog, and wrote a piece for Rajesh Khanna. A personal piece – well, about as personal a piece that one can write about someone he has never met, someone whose many character flaws one acknowledges, and yet someone who was a big part of one’s childhood.

I’ve written about Kaka several times here, and I don’t want to bore readers by repeating stuff.

I’ll just say a few things, and then move on to the song.

Firstly, most times when I discuss Kaka with others (I don’t do much of this anymore), I get the following reactions.
Firstly, a criticism of his acting – mostly his set mannerisms, and his hamming.
Secondly, criticism about him as a person.

I’ve noticed that people who dislike Kaka, tend to dislike him rather intensely. 🙂 On one, or both, of the above counts.

And, I must admit, they would not be wrong.

The first point first.

Without doubt, Kaka’s acting lost its freshness after a few years – and was a big reason for his decline. His superstar success lasted only a few years. During this period, he acted in a whole lot of films. Both he, and his producers, wanted to cash in on his name. Just his name used to be enough to sell a film. Sure, the films were all successful – Kaka holds the record for maximum number of consecutive hits.

But over-exposure comes with its risks. Especially when you’re boxed into a method of acting, expected to conform to set mannerisms, and a set dialogue delivery style. Yes, they made you successful, but style wears out after a while. Kaka’s mannerisms did become an issue. That the storylines also were beginning to get thin, did not help.

Much later in his career, we got to see a different Rajesh Khanna. Not THE superstar anymore, he could afford to act differently, in different roles. Let’s not forget he got his break in films by winning an acting contest, so he couldn’t have been that bad an actor. 🙂

Now, to the second point.

Again, I have to agree. It’s no secret that Kaka allowed success to get to his head. His unprofessional, and possibly even mean, behaviour with colleagues and others, left a lot of people bitter. No doubt many would have been happy to see him go down. A point made even more stark when compared with the upcoming star, Amitabh Bachchan, who was the model professional actor, punctual and polite.

I will not defend Kaka on this front at all. Much later in life, he did realize this himself.

All I will say is, every one of us has failings. Maybe if Kaka’s success had been more gradual, he’d have been a different person. Failure teaches us much more than success – Amitabh had a string of failures before becoming a superstar.

One person’s life is often a lesson for another. Just as people can tell aspiring youngsters “Look at Amitabh – how he struggled early in his career, but his perseverance and professionalism made him a superstar”, they can also say “Look at Rajesh Khanna – how he let success get to his head at a young age, and destroyed his career and relationships”.

One can learn from both.

To me, while I accept these criticisms, I will always remember, and thank, Rajesh Khanna for giving me many wonderful memories in my childhood.

That tilt of the head, that smile, that kurta, that dialogue delivery – today people might mock all of this, but in those days, these are what millions swooned over. That “Pushpa, I hate tears” line is still one of the best-known lines in Hindi cinema.

His films of that era made me feel good when I saw them in the early 70s. Later, when I saw them again, I’d still smile at “rona kabhi nahin rona”, “yahaan wahaan saare”, “nainon mein nindiya hai”, “ye shaam mastaani” and a whole lot of other songs. They’d bring back memories of my childhood.

Like one of my best friends (in class I) would always sing “pyaar deewana hota hai” from Kati Patang. It was his favourite song. I liked it a lot too, but I’d counter him with “ye shaam mastaani”. I know it sounds silly, but these are not just songs for me – they have memories attached to them. Like the incident attached to “o mere dil ke chain” – I’ve discussed the incident here earlier.

And that’s the thing. Each person’s memories are different, and therefore connect with someone is different. And while I acknowledge all Kaka’s failings, I also want to give him back a little bit of that love that I got from watching his films during my childhood.

That’s also the reason for this post. I haven’t written for a while now, but Avinashji requested me to write a post for this occasion. I was hesitant, since I sincerely believe I’ve lost my writing ability. I even told Avinashji “I can’t write anything longer than a tweet now” :-). But he was kind enough to share with me a whole lot of Kaka songs not posted yet, so I could easily pick one.

Now to the song.

Initially I thought of posting a sad song, considering it is on Kaka’s death anniversary. But then I thought again.

What I’d like to remember most of Kaka is the joy I got from watching his films, from before his decline. I think, from up there, he’d also probably like most people to remember him for those films.

So today’s song is from one of his early films – Bandhan (1969). I remember seeing this film long ago, though I don’t remember the story now.

By the way, it is exactly 50 years since this film was released. 1969 was a milestone year for Kaka – this was the year he became a superstar with Aradhana. And Do Raaste was a huge hit too.

The song “jaana hai to jao” shows early glimpses of the superstar-to-be. One can see some of those mannerisms that would become his hallmark in the coming years. And it is always fun to see Kaka and Mumtaz together, even if this was a less-known film than their more famous films to come.

The song is in the voices of Mahendra Kapoor and Asha Bhosle. Not surprising that Mahendra Kapoor was used, considering music is by Kalyanji-Anandji. The MK-KA combo had a huge hit with Upkar (1967), so KA were happy to use MK again. And at that time, Rajesh Khanna was “just another hero”. Kishore Kumar had not yet become his voice. In fact, in this film, even Mukesh sings a happy song for Rajesh Khanna. 🙂

I hope you like the song.

Thanks for the memories, Kaka.

Whatever the world might say about you, remember, when it comes to romance in film,

“tere hi to sar pe mohabbat ka taaj hai”.


Song-Arrey jaana hai to jaao manaayenge nahin (Bandhan)(1969) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics(Provided by Avinash Scrapwala)

Arrey jaana hai to jaao
arrey jaana hai to jaao manaayenge nahin
jaana hai to jaao
manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin

eh
aana hai to aao
bulaayenge nahin
aana hai to aao
bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
hmph
aana hai to aao

dekhi hai dekhi hai dekhi
arrey dekhi hai dekhi hai
tere jaisi kitni chhoriyaan
marti hain marti hain mujhper
saare gaaon ki goriyaan

arrey budhhu hai budhhu hai bilkul
tu kya dulhan laayega
Lagta hai tu kunwaara mar jaayega
Lagta hai tu kunwaara mar jaayega
hum kahen aur kya
tera bhaiyya khada
tujhe
nazron mein uski giraayenge nahin
ha ha ha
nazron me uski giraayenge nahin

arre samjhe
jaana hai to jaao manaayenge nahin
jaana hai to jaao manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
jaana hai to jaao

jab raaja mahaaraaja
koi mujhe byaahne aayega
jab raaja mahaaraaja
koi mujhe byaahne aayega
seene pe seene pe tere
saanp sa lahra jaayega

arrey tu hai bandariya
hmphh
chal chal
arrey tu hai bandariya
koi madaari hi tujhko le jaayega
kas ke maarega dande
nachaayega
kas ke maarega dande
nachaayega
haa haa
akl moti teri
O naak chhoti teri
mendhki ko to munh hum lagaayenge nahin
chhi chhi
mendhki ko munh hum lagaayenge nahin
eh
jaana hai to jaao
jaana hai to jaao bulaayenge nahin
jaana hai to jaao bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
jaa
jaana hai to jaao

———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे जाना है तो जाओ
अरे जाना है तो जाओ
मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
ये
आना है तो आओ
बुलायेंगे नहीं
आना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
हं
आना है तो आओ

देखी है देखी है देखी
अरे
देखी है देखी है
तेरे जैसी कितनी छोरियां
मरती है मरती है मुझपे
सारे गाँव की गोरियाँ
अरे बुद्धू है बुद्धू है बिलकुल
तू क्या दुल्हन लाएगा
लगता है तू कुंवारा मर जाएगा
लगता है तू कुंवारा मर जाएगा
हम कहे और क्या
तेरा भैय्या खडा
तुझे
नज़रों में उसकी गिराएंगे नहीं
हं हं हं
नज़रों में उसकी गिराएंगे नहीं

अरे समझे
जाना है तो जाओ मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
जाना है तो जाओ

जब राजा महाराजा कोई
मुझे ब्याहने आएगा
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
सीने पे सीने पे तेरे
सांप सा लहरा जाएगा

अरे तू है बंदरिया
चल चल
अरे तू है बंदरिया
कोई मदारी ही तुझको ले जाएगा
कसके मारेगा डंडे
नचाएगा
कसके मारेगा डंडे
नचाएगा
हां हां
अक्ल मोटी तेरी
ओ नाक छोटी तेरी
मेढकी को तो मुंह हम लगायेंगे नहीं
छी छी
मेढकी को मुंह हम लगायेंगे नहीं
ये
जाना है तो आओ
जाना है तो आओ
बुलायेंगे नहीं
जाना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
जा
जाना है तो जाओ


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Blog Day : 4016 Post No. : 15123

“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.

The movie had six songs in it. Two of these songs have been covered in the past.

Here is the third song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur and Rafi. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. It is almost certain though that the song must have been picturised on the lead pair of Vijaya Chaudhary and Mahipal.


Song-Neeli neeli ankhiyon mein doobi doobi jaaun(Naag Mohini)(1963) Singers-Suman Kalyanpur, Rafi, Lyrics-Bharat Vyas, MD-Sardar Malik
Both

Lyrics

ho o o
neeli neeli ankhiyon mein doobi doobi jaaun
main doobi doobi jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun
kaali kaali zulfon mein khoya khoya jaaun
main khoya khoya jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun

gore gore mukhde pe kaali lat latke
ho ho o o
gore gore mukhde pe kaali lat latke
jaise koi naaganiya soyi ho simat ke

piya mori zulfon mein jiya tora atke
ho ho ho
haaye haaye

piya mori zulfon mein jiya tora atke
aisa uljhaaya kaise jaaoge palat ke
aisa uljhaaya kaise jaaoge palat ke
pyaar ka ye bandhan main kaahe ko
chhudaaun
main kaahe ko chhudaaun
tu jo mili swarg mila
kaise thhukraaun
tu jo mili swarg mila
kaise thhukraaun

dekh tera mukhda
rang uda darpan ka

ho o o o
dekh tera mukhda
rang uda darpan ka
toot pada dharti pe
chanda gagan ka

chaand gira charnon mein
pyaasa milan ka
ho ho ho
haaye haaye

chaand gira charnon mein
pyaasa milan ka
kab se deewaana thha
piya ki lagan ka
kab se deewaana thha
piya ki lagan ka
pyaare pyaare sapnon ki duniya sajaaun
main duniya sajaaun
bhaag mere jaagen jo tumsa ratan paaun
bhaag mere jaagen jo tumsa ratan paaun

neeli neeli ankhiyon mein doobi doobi jaaun
main doobi doobi jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15175

Number of movies covered in the blog

Movies with all their songs covered =1176
Total Number of movies covered =4169

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Active for more than 4000 days.

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