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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3628 Post No. : 14454

“Jaalsaaz”(1969) was directed by Muhammad Hussain for M H Films, Bombay. The movie had Dara Singh, Bambi, Madan Puri, Shetty, Agha, Randheer, Ulhas, Sundar, Samson, Jerry, Habeeb, ajit Singh, Paro, Shefali, Sanjid, Kamini, Bela Bose, Madhumati, Jayshree, Meenakshi, Roopam, Sushma etc in it.

The movie had four songs in it. Two of these songs have been covered in the past.

Here is the third song from “Jaalsaaz”(1969) to appear in the blog. the song is sung by Suman kalyanpur and Krishna Kalle. Anjaan is the lyricist. Music is composed by G S Kohli.

Only the audio of the song is available. One can guess that this song is a synchronisd dance song on two female dancers who perform it in a in the villain’s den. I request our knowledgeable readers to throw light on the picturisation of this lively dance song.


Tujhe kiya o kitna mana (Jaalsaaz)(1969) Singers-Suman Kalyanpur, Krishna Kalle, Lyrics-Anjaan, MD-G S Kohli

Lyrics

tujhe kiya o kitna mana
chori chori ye tera dekhna
hoy
uyi allah sab log samajh gaye
uyi allah sab log samajh gaye

tujhe kiya o kitna mana
chori chori ye tera dekhna
hoy
uyi allah sab log samjh gaye
uyi allah sab log samjh gaye

bindiya hanse lajaaye kajra
bairi kangna khanke
aa ha
laakh chhupaaya phir bhi khul gaye
bhed ye saare man ke
aa aa
teri nazar to daga kar gayi ee
teri kasam main to mar gayi
duniya ye saari muskaaye haaye
dil mera sharam se dooba jaaye haaye
uyi allah sab log samajh gaye
uyi allah sab log samajh gaye

tujhe kiya o kitna mana
chori chori ye tera dekhna
haaye
uyi allah sab log samajh gaye
uyi allah sab log samajh gaye

dekh ke tujhko dil dhadke
bin dekhe raha na jaaye
aa ha
dil ki haalat aisi ho to
kya koi samjhaaye
aa aa aa
tere bina kahin karaar nahin
o tera koi aitbaar nahin
kyu mujhe itna sataaye
haay julmi re
kyun aise tadpaaye haay
uyi allah sab log samajh gaye
uyi allah sab log samajh gaye

tujhe kiya o kitna mana
chori chori ye tera dekhna
haaye
uyi allah sab log samajh gaye
uyi allah sab log samajh gaye

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3623 Post No. : 14441

After completing the recording, Mukesh had commented – people will remember you for this song. He was talking to the music director, and was expressing his emotions having just rendered a beautiful composition. The music director – Daan Singh. The song – “Wo Tere Pyaar Ka Gham” (from the film ‘My Love’ (1970)). Prophetic words, in some ways, yes, because this song is still on the list of favorites of the lovers of this music. But does everyone remember Daan Singh in connection with this song – I am not sure.

A composer with a huge talent, which was matched in his lifetime only by the immense neglect with which the industry has treated him. He had blessings from maestros like Khemchand Prakash and Anil Biswas, but the tinsel world in Bombay did not welcome him enough. The tracks from the unreleased film ‘Bhool Na Jaana’ (c 1965) should have been a sign for any discerning producer concerned with the quality of music in his films. But it was not to be so. Daan Singh spent a few frustrating years in Bombay, and then returned to Jaipur, and continued to work at the AIR Jaipur station.

A career that talks of just maybe five films. ‘Bhool Na Jaana’, mid sixties, unreleased; ‘Toofaan’, 1969, a Dara Singh action film; ‘My Love’, 1970, a romantic story with big name stars – Shashi Kapoor and Sharmila Tagore – did not succeed at box office; ‘Bawandar’, 2000, in the final edit, all songs went off screen, and the music remained just on the album; ‘Bhobar’, 2011, Rajasthani film, one song.

And then, on June 18, 2011 itself, he passed away after a brief illness – unsung, un-acknowledged. A sad conclusion, especially when one has heard his creations. Seven years have passed – we honor and remember him on this day.

Today’s song is from the 1969 film ‘Toofaan’. Although an action/adventure film for the B-grade circuit, the music of this film simply great. Here is a soft romantic number sung by Asha Bhosle. The lyrics are written by Akhtar Romani. On screen, the song is performed by actress Anita, who is attempting to entice and seduce Dara Singh, probably in preparation for the arrival of other members of the gang.

Listen and enjoy.

 

Song – Husn Mein Bhi Hai Nasha  (Toofaan) (1969) Singer – Asha Bhosle, Lyrics – Akhtar Romani, MD – Daan Singh

Lyrics

husn mein bhi hai nasha
jaam mein bhi hai nasha
peene waale dekh pee ke
farq hai donon mein kya
husn mein bhi hai nasha
jaam mein bhi hai nasha

ye adaayen ye nazaare
ye lachak ye shokhiyaan
tujhko masti mein pukaare
koi tera meharbaan
aag ye tu ne lagaai
aag ye tu hi bujha
husn mein bhi hai nasha
jaam mein bhi hai nasha

aaj dil behke to behke
hosh ka mat naam le
aaj dil behke to behke
hosh ka mat naam le
do ghadi madhosh reh ke
bekhudi se kaam le
khud bhi pee aankhon se meri
aur mujhko bhi pila
husn mein bhi hai nasha
jaam mein bhi hai nasha

aaj har parda utha de
tujhko chaahat ki kasam
aaj har doori mita de
tujhko teri hi kasam
main bana doon husn tujhko
ishq tu mujhko bana
husn mein bhi hai nasha
jaam mein bhi hai nasha
peene waale dekh pee ke’
farq hai donon mein kya
husn mein bhi hai nasha
jaam mein bhi hai nasha

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हुस्न में भी है नशा
जाम में भी है नशा
पीने वाले देख पी के
फर्क है दोनों में क्या
हुस्न में भी है नशा
जाम में भी है नशा

ये अदाए एं ये नज़ारे
ये लचक ये शोखियाँ
तुझको मस्ती में पुकारे
कोई तेरा मेहरबाँ
आग ये तु ने लगाई
आग ये तू ही बुझा
हुस्न में भी है नशा
जाम में भी है नशा

आज दिल बहके तो बहके
होश का मत नाम ले
आज दिल बहके तो बहके
होश का मत नाम ले
दो घड़ी मदहोश रह के
बेखुदी से काम ले
खुद भी पी आँखों से मेरी
और मुझको भी पिला
हुस्न में भी है नशा
जाम में भी है नशा

आज हर पर्दा उठा दे
तुझको चाहत की कसम
आज हर दूरी मिटा दे
तुझको तेरी ही कसम
मैं बना दूँ हुस्न तुझको
इश्क़ तू मुझको बना
हुस्न में भी है नशा
जाम में भी है नशा
पीने वाले देख पी के
फर्क है दोनों में क्या
हुस्न में भी है नशा
जाम में भी है नशा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3622 Post No. : 14436

Missing Films of 1960s – 76
– – – – – – – – – – – – – – –

Hindi cinema encompasses quite a few genres and categories. It is a sad statement that the industry has almost always been controlled and driven more by the financial expectations. The earliest model of large studios as centers of film production activities, was somewhat immune to the craziness of financial pressures. The studio system had its own cons, but it provided a larger stability and sustainability to the production effort and to the team belonging to the studio.

It was all too soon that people with all kinds of mental inclinations realized both the power of this medium, and the possibility of landing a jackpot with a hit film. This awareness brought in all kinds of unscrupulous elements, as well as businessmen with an urge to invest unaccounted money in a gamble to make more money. If I recall correctly, the 1949 film ‘Kalpana’ touched upon this aspect, displaying a cruel brazen-ness with which the financiers and the touts dealt with the artists. The grossly dismal record the industry has in terms of its own record keeping and archiving, is an outcome of this ‘jackpot’ mentality – the actual owners of film actually cared a zilch for the film itself. With every venture, the financier would launch a new production banner. One can well imagine the ill effects of this lack of continuity and ownership for the artistic product itself.

But I digress – this discussion on film financing models, another time. I started with the genres and categories, with the purpose to highlight how some genres and categories have fallen by the wayside, over the decades. One of the casualties of the projected “lack of public interest” and the “lack of return on investment” has been the genre of religious pictures. Till the end of 1970s, or maybe even 1980s, there used to be quite a number of offerings of religious films produced every year. In one of his articles, our dear Arun ji has presented an analysis of this aspect – the number of religious films produced on average per year, and the progressive decline of this number over the decades. These days, one rarely hears about a religious offering coming from the mainline cinema. TV, yes, we do hear more about serials on religious themes. Or maybe the investment by the end user, in terms of time and money, is getting channelized much more towards TV productions and the live kathas (discourses) – there literally has been an explosion in the number of kathas being organized and being attended by the people.

The reason for this preamble, of course, is that today’s debut film from 1960s is a religious film of certain importance, from 1967. The film is ‘Badrinath Yatra’. Produced under the banner of Mewar Films, Bombay and is directed by Dhirubhai Desai. The star cast of this film is listed as Nirupa Roy, Abhi Bhattacharya, Sulochana, Indira, Jeevan, Sundar, Niranjan Sharma, Indira Bansal, Fazlu, Nandini Desai, and Kukku Desai amongst others.

There is a huge importance attached to pilgrimage, in our religion. Our land has been blessed from the very beginning of time itself, with famous and important temples which are the abodes of the Gods in our pantheon of worship. The origins and foundation histories of many of these temples and places is lost in the antiquity of time. For many of these temples and places of pilgrimage, there are references in our historical records – and by historical I mean our books of scriptures, which contain details of many such places of pilgrimage being established by protagonists of these histories like Sri Ram, Sri Krishna, the Pandvas, and our Rishis etc. Our histories abound with such tales in detail.

In the 8th century AD, there appeared a champion who measured the breadth and length of this sub-continent – Adi Shankaracharya. He travelled across the land with the mission to reestablish the importance of the Vedantic Dharma, and to re-ignite the lamp of worship in the temples. He established four matha (मठ) in the four regions, which became the four primary centers of learning and research into the Vedic knowledge. These four centers were placed in proximity to the four main destinations of pilgrimage of primary importance for the followers of the Dharma. These pilgrimage places are Badrinath in the north, Puri in the east, Rameshwaram in the south and Dwarka in the west. Each of these four pilgrimage places are historically important with a detailed history about their establishment and their antiquity being described in our scriptures.

Over the ages, these four have been collectively referred to as ‘Chaar Dhaam’ – literally ‘Four Destinations’. It is ordained in our teachings that a person must pay their homage and worship at each one of these pilgrimages, at least once in their life time. A significant importance is attached to completing this journey. Further, the same teachings also exhort the children to comfortably facilitate such a journey for their parents, and enable them to pay homage and complete their worship at these four centers of pilgrimage.

Since the early decades of Hindi cinema, a number of films have been produced as travelogues or “यात्रा” (yatra), covering one or more holy centers of pilgrimage. This film also covers the journey to the ‘chaar dhaam’ or the four holy destinations. This particular song appears more than once in the film, and I am including three different video clips from three different points in the storyline sequence. In the clips, we can see Abhi Bhattacharya, as the obedient son, who is taking his parents (roles played by Sulochana and Niranjan Sharma) for their journey to the ‘chaar dhaam’. The storyline belongs to a certain unspecified era in history, as we can see that Abhi Bhattacharya is even carrying his parents in a yoke shoulder carrier – a long pole with large baskets hanging at two ends, large enough for a human person to sit in. In north India, this shoulder carrier is called “वेहंगी” (wehngi). Folks familiar with the stories from the scriptures will recall the story of Shravan Kumar, the young boy who carried his old and blind parents in a wehngi for pilgrimage.

The song is written by Madan, and is composed by Pt Shivram. The singing voice is that of Mahendra Kapoor. Listening to this song evokes strong emotions in my heart. Not that I have not heard this song before, but now, as I listened to it again repeatedly for lyrics etc., the words and the tune is simply at home with me in my heart. Listen to this beautiful evocation that covers so many philosophies of life. And think.

 

 

Part 1

Part 2

Part 3

Song – Chal Chal Re Pathik Chal Re  (Badrinath Yatra) (1967) Singer – Mahendra Kapoor, Lyrics – Madan, MD – Pt Shivram

Lyrics

Part 1

chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

aaj nahin to kal jag se hai jaana
duniya musaafirkhaana re bhai
duniya musaafirkhaana hai
dhan ke liye dharam kyon beche
ik din to mar jaana hai
tyaag kapat chhal prabhu ke dhaam chal
wahin tere daag mitenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

bachpan khoya khel mein tu ne
khoyi jawaani bhog mein
bhool ke tu bhagwan ko praani
phas gaya jagat ke moh mein
aaya budhaapa ab to ram bhaj
tere dukh wahi harenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

amrit taj ke vish kyon peeta
ram naam ras pee le
kaam krodh mad moh lobh taj
hari charnon mein jee le
hari charnon mein janam maran ke
bandhan tere katenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 2

prabhu darshan ko badhe ja rahe
baalak vriddh jawaan
oonch neech sadhu sanyasi
nirdhan kya dhanwaan
ganga yamuna ki dhaara mein
jin ki mahim hai avichal
pralay ke toofaanon mein bhi jo
hain sadiyon se achal atal
yug yug se bharat bhoomi
gaaye jin ka gun gaan
woh hain naath anaathon ke
shri badrinath bahgwan
shri badrinath bahgwan
ab jeevan ki har mushkil ko
wahi aasaan karenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 3

chhaale pade chaahe paaon mein tere
suraj tapey aasmaan mein
haar na himmat badhta hi chal re
tapte registaan mein
tapte registaan mein
prabal hai bhakti ki shakti
tujhe koi kya rok sakenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
भाग १

चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

आज नहीं तो कल जग से है जाना
दुनिया मुसाफिरखाना रे भाई
दुनिया मुसाफिरखाना है
धन के लिए धरम क्यों बेचे
इक दिन तो मर जाना है
त्याग कपट छल प्रभु के धाम चल
वहीं तेरे दाग मिटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

बचपन खोया खेल में तू ने
खोई जवानी भोग में
भूल के तू भगवान को प्राणी
फंस गया जगत के मोह में
आया बुढ़ापा अब तो राम भज
तेरे दुख वही हरेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

अमृत तज के विष क्यों पीता
राम नाम रस पी ले
काम क्रोध मद मोह लोभ तज
हरी चरणों में जी ले
हरी चरणों में जनम मरण के
बंधन तेरे काटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग २

प्रभु दर्शन को बढ़े जा रहे
बालक वृद्ध जवान
ऊंच नीच साधू सन्यासी
निर्धन क्या धनवान
गंगा यमुना की धारा में
जिन की महिमा है अविचल
प्रलय के तूफानों में भी जो
हैं सदियों से अचल अटल
युग युग से भारत भूमि
गाये जिन का गुण गाँ
वो हैं नाथ अनाथों के
श्री बद्रीनाथ भगवान
श्री बद्रीनाथ भगवान
अब जीवन की हर मुश्किल को
वही आसान करेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग ३

छाले पड़ें चाहे पाँव में तेरे
सूरज तपे आसमान में
हार ना हिम्मत बढ़ता ही चल रे
तपते रेगिस्तान में
तपते रेगिस्तान में
प्रबल है भक्ति की शक्ति
तुझे कोई क्या रोक सकेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3619 Post No. : 14423

Missing Films of 1960s – 75
– – – – – – – – – – – – – – –

‘Thief Of Baghdad’ – a movie that has now became a legend, came to the silver screen almost a hundred years ago, in an era when even Hollywood was still in the silent zone. This archetypal tale adapted from the ‘Tales of a Thousand Nights’ (what we know better as ‘Arabian Nights’), was made into a film by Douglas Fairbanks who wrote the story for the film, produced it and played the lead role. Over the decades, this film has become a seminal benchmark of what fantasy cinema should be. The lavish production was much ahead of its time of the 1920s. In that era, the production cost of the film came to a whopping 1.1 million USD. One has to see to believe the scale of production – towering palaces, fabulous interiors, special effects to blow your mind and a cast of thousands much before Cecil B DeMille put his hand to the camera. This film is available in public domain, and it is a veritable treat to watch.

Over the decades, the film has been remade in Hollywood and also in other parts of the world, sustaining and perpetuating the fantasy of this adorable tale of a petty, brazen, street smart thief whose philosophy in life is “. . . what I like, I take.” His life changes when he sees the sleeping princess and falls in love with her. The plot of the story passes through many twists and turns and magical elements, before the two lovers are joined together. While watching the film, one gets this feeling – haan yes, this is how it happens in the adventure films of Hindi cinema. But the important thing to realize is – here is where it started. This is the original, and what followed are influenced from this one.

In Hindi films, the earliest reference we can garner is a silent film from 1931 – ‘Iraaque Ka Chor’. Although not essentially mentioning Baghdad, and in the absence of any plot details, it is possible that this film follows the Fairbanks original from 1924. Besides the interesting trivia that Baghdad and Basra were probably the only two well known cities of Iraq.

In the era of sound movies, 1934 is the first time this name appears. That year, two films were made – ‘Baghdad Ka Chor’ and ‘Iraaque Ka Chor’. The next in line is the 1946 film ‘Baghdad Ka Chor’, followed again in 1955 by another film of the same name. Then in 1968, we have the Dara Singh starrer ‘Thief Of Baghdad’. In 1977 came another version with the same title, the star cast being led by Shatrughan Sinha, Kabir Bedi and Sulakshana Pandit. In 1978, Kabir Bedi starred in another film by the same name, for TV.

With this song today we bring on board the 1968 film ‘Thief Of Baghdad’. The film is produced by Bohra Brothers and is directed by Shriram. The abbreviated list of actors is Dara Singh, Nishi, Helen, Savita, Jeevankala, P Kailash, BM Vyas, Sheikh, Ravi Kumar, Ram Kumar, Maqbool, Sunanda, Amritrana, Jilani, Sarita Devi, Munshi Munakka, Bijnor, Ramesh Kant, Johnny Whisky, Dilip Dutt, Maruti, Rani, Gani, Mohammed Ali, B Sandow, Gulab, Gaffar, Mansoor, Mohammedali Steelman, Vimla, Khursheed and Saudagar Singh. And we see many of them in the video clip of this song.

The information about the songs in Geet Kosh is indicated as being not complete. It lists 5 songs, with indication that more songs are in the film. The film being available, I checked it and I can identify at least one more song which is not listed in Geet Kosh.

The credits of the film identify two songwriters – Aziz Ghaazi and SH Bihari. The writer of this song is not specifically identified. Music is given by Baldev Nath, which most likely is the same person as Baldev Nath Bali or BN Bali.

This song is a raaj darbaar dance song which is performed by Helen and Rani [Jeevankala]. The singing voice is just one, i.e. Asha Bhosle with the lines being shared by the two dancers on screen.
[Ed Note: Thanks to dear Prakash ji for correcting the identification of the lady dancer accompanying Helen in this song.]

In this screen situation, Nishi is the princess who has fallen in love with Dara Singh, a commoner. Dara Singh and his team is captured and are shown in chains. The scheming Wazir, role played by P Kailash (I need help to identify this actor) has imprisoned the King, and has forced the princess to marry him, given that her father and her lover are both his prisoners. So Nishi and this Wazir are seated in the two throne like chairs, and the dance is being performed for the occasion. As per the storyline of this film, Helen performs the role of Dara Singh’s younger sister.
[Ed Note: Once again thanks to dear Prakash ji for identifying the actor playing the role of the Wazir.]

The video clip shows a number of actors. There are two more men in chains. The one in mustard shirt with chains tied to his wrists (again need help to identify this actor) plays the role of Dara Singh’s younger brother in the film. The third person in chains, wearing a black shirt and with chains around his neck is Sheikh. There is a few other actors shown in momentary close up shots, who are also watching this performance. I request other readers and friends to please help identify them.

So with this song, the 1968 film ‘Thief Of Baghdad’ makes its debut on our blog. That also brings the count of films brought on board through this series now to 75. Wow. Let us see how many more we are able to add in the coming weeks. Working on the home work list that Katie Ben prepared for me, we shall not be hitting the century mark on this series, but I think we will get pretty close. 🙂

 

Song – Humko Bhi Marna Hai, Tumko Bhi Marna Hai  (Thief Of Baghdad) (1968) Singer – Asha Bhosle, Lyrics – [Unattributed], MD – Baldev Nath

Lyrics

khabrdaar. . .

hoshiyaar. . .

humko bhi marna hai
tumko bhi marna hai

humko bhi marna hai
tumko bhi marna hai
marne se darna kya
jeene ki baaten kar
humko bhi marna hai
tumko bhi marna hai

duniya ke gulshan mein
kaante hazaaron hain
duniya ke gulshan mein
kaante hazaaron hain
kaanton se bachta ja
duniya se daaman bhar
humko bhi marna hai
tumko bhi marna hai

chaahat ki raahon mein
maana ke khatra hai
chaahat ki raahon mein
maana ke khatra hai
phir bhi tu chalta ja
mere ishaaron par
humko bhi marna hai
tumko bhi marna hai

maujon mein rehne de
kashti jawaani ki
maujon mein rehne de
kashti jawaani ki
aata nahin hum ko
marna kinaaron par

humko bhi marna hai
tumko bhi marna hai
marne se darna kya
jeene ki baaten kar
humko bhi marna hai
tumko bhi marna hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

खबरदार॰ ॰ ॰

होशियार॰ ॰ ॰

हमको भी मरना है
तुमको भी मरना है

हमको भी मरना है
तुमको भी मरना है
मरने से डरना क्या
जीने की बातें कर
हमको भी मरना है
तुमको भी मरना है

दुनिया के गुलशन में
कांटे हजारों हैं
दुनिया के गुलशन में
कांटे हजारों हैं
काँटों से बचता जा
दुनिया से दामन भर
हमको भी मरना है
तुमको भी मरना है

चाहत की राहों में
माना के खतरे हैं
चाहत की राहों में
माना के खतरे हैं
फिर भी तू चलता जा
मेरे इशारों पर
हमको भी मरना है
तुमको भी मरना है

मौजों में रहने दे
कश्ती जवानी की
मौजों में रहने दे
कश्ती जवानी की
आता नहीं हम को
मारना किनारों पर

हमको भी मरना है
तुमको भी मरना है
मरने से डरना क्या
जीने की बातें कर
हमको भी मरना है
तुमको भी मरना है


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3616 Post No. : 14417

“Naughty Boy”(1962) was produced and directed by Shakti Samanta. The movie had Kishore Kumar, Kalpana, Omprakash, Sundar, Madan Puri, Kanu Roy, Krishnkant, Kundan, Praveen Paul, Shivraj, Sulochana Cahtterji, Prretibala, Nand Kishore, Masud, Paachhi, Manjula, Samar Chatterji, Kamaldeep, etc in it.

The movie had eight songs in it. Five songs from this movie have been discussed in the past.

Here is the sixth song from the movie to appear in the blog. This song is sung by Kishore Kumar and chorus. Shailendra is the lyricist. Music is composed by S D Burman.

The song is picturised as a picnic song on Kishore Kumar and others. Towards the end of the song, we find them ending up on a beach/ sea shore.

I request our knowledgeable readers to help identify the other revelers in this picnic song.

The song initially has some gibberish words (or may be words in some other languages). I request our readers with keener ears to help correct the lyrics wherever applicable.


Song-Rang ye duniya badalti hai badal ja pyaare (Naughty Boy)(1962) Singer-Kishore Kumar, Lyrics-Shailendra, MD-S D Burman
Female chorus
Male chorus
All chorus
Kishore Kumar + All chorus

Lyrics

chistakoba nakoba nakoba nakoba naka
peshta
ta peshta

jua pua pa
jua pua pa
jua pua pa

chistakoba nakoba nakoba nakoba naka peshta ta peshta
jua pua pa
jua pua pa
jua pua pa

rang yeh duniya badalti hai
badal ja pyaare
tu bhi jeevan ke naye saanche mein dhal ja pyaare

hey
hi hi hi hi hi
hey
haan ham nahin khelenge
haan jaao
hey
oy
hey
oy
hey

rang yeh duniya badalti hai
badal ja pyaare
tu bhi jeevan ke naye saanche mein dhal ja pyaare

mausam aaye mausam jaaye
phir khil jaayen kaliyaan
mausam aaye mausam jaaye
phir khil jaayen kaliyaan
apne aap khulti jaayen armaanon ki galiyaan
tu bhi bhool ke sabko
are tu bhi bhool ke sabko
aaj mana rang raliyaan
rang yeh duniya badlti hai
badal ja pyaare

dil ka saaz jab chhid jaaye
dhadkan gaane gaaye
arrey dil ka saaz jab chhid jaaye
dhadkan gaane gaaye
phir ek shaam ki pehchaan afsaana ban jaaye
jeevan woh dhaara hai
arrey jeevan woh dhaara hai
jo bandh ke rah na paaye
rang yeh duniya badalti hai
badal ja pyaare
tu bhi jeevan ke naye saanche mein dhal ja pyaare

jab tak saans tab tak aas
sach kehte ho yaaron
arrey jab tak saans tab tak aas
sach kehte ho yaaron
hain din chaar mauj bahaar
kal ko goli maaro
jab tak jaisi guzre
arrey jab tak jaisi guzre
hanste huye guzaaro
rang yeh duniya badalti hai
badal ja pyaare
tu bhi jeevan ke naye saanche mein dhal ja pyaare

bolo re
rang yeh duniya badalati hai
badal ja pyaare
tu bhi jeevan ke naye saanche mein dhal ja pyaare


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3616 Post No. : 14416

Missing Films of 1960s – 74
– – – – – – – – – – – – – – –

In 1940, a film by the name ‘Thief Of Tatar’ was released. Then in 1955 came another film titled ‘Tatar Ka Chor’. And after another 13 years, in 1968, came the film ‘Tatar Ki Haseena’. Just like the ‘Alibaba’ of Arbian Nights and the ‘Thief Of Baghdad’, the Tatar subject also seemed to hold a special interest for Hindi film makers for some time.

The name Tatar applies to an ethnic community of people, originating from the mountains of Mongolia. Originally, these people formed nomadic tribes that moved westward from the Mongol region and over the centuries, spread out all the way to Central Asia and Eastern Europe. The name Tatar first appeared in the 5th century AD. Tatars are essentially different from Mongols; however historically, they have moved together across the Asian continent. The Tatar tribes accompanied Genghis Khan on his conquest of the central and south Asian territories. They mingled with the tribes of the Central Asia and the Turkish people. For a period of history they formed kingdoms and empires in the regions that are now known as the Central Asian republics. In fact, there continues to be a Republic of Tatarstan as part of the current Russian Federation. Currently, about 6.5 million people spreading from Mongolia, China and Siberia in the east, all the way to Poland and Slovakia in the west, claim Tatar roots and ethnicity.

Just like Genghis Khan, Taimur and Halaku (grandson of Genghis Khan) – the Mongol kings and warriors who became legends that have fascinated the historians and the literati, the stories of the Tatar tribes have held the same romanticism and their legends, tales and histories abound in the Central Asia. And thus, the interest of Hindi film makers and the production of films listed above.

Today, I introduce the 1968 film ‘Tatar Ki Haseena’ on our blog. The film is a costume drama produced under the banner of Daluat Productions and is directed by Aslam Allahbaadi. The cast of actors is listed as Nalini Chonkar, Shah Agha, Sherry, Murad, Preetam, Radhika, Heera Sawant, Jeevankala, Madhumati, Kumud Tripathi, Sadiq, Maqbool, Prince Arjun, Babu Rajpal, Siddi Baba, Anil, Vijay, Meena, Sarosh, Kiran, Raju, and Santosh etc.

The Geet Kosh lists 6 songs for this film, five of which are written by Aslam Allahbaadi and one by M Yusuf. Music direction is by S Kishan. It seems that this probably is the solitary film that Aslam Allahbaadi wrote for. Another name, simply as Aslam appears in the Geet Kosh listings but whether it is the same as the lyricist of this film, is not known definitely. S Kishan as a music director is known to the readers of this blog. He has about a dozen films to his credit in the 1960s and 70s, including four which remained unreleased. Four of his films are already represented on our blog.

Today’s selection from this film is rendered by Suman Kalyanpur. The music is a reminder of the Middle Eastern melodies. The song is an assertion of love. The protagonist, a lady, is addressing her lover, telling about the feelings of her heart – that she would readily give up her life even for him, that she is restrained and helpless and is seeking solace in his benefaction.

Only the audio of this song is available. I request other readers and friends who may have seen this film in its time, to kindly add more information about this film and this song.

‘Tatar Ki Haseena’ makes a debut on our blog today, with this song. Listen to this poignant rendition, and enjoy.

Song – Ho Gayi Tum Se Mohabbat Jaan Bhi Qurbaan Hai  (Tataar Ki Haseena) (1968) Singer – Suman Kalyanpur, Lyrics – Aslam Allahbaadi, MD – S Kishan
Suman Kalyanpur + Chorus
Chorus

Lyrics

ho gayi tum se mohabbat jaan bhi qurbaan hai
tu mera mehboob hai
tu hi mera imaan hai
ho gayi tum se mohabbat jaan bhi qurbaan hai
jaan bhi qurbaan hai

dil ke haathon aaj main majboor hoon
paas reh kar bhi main tujh se door hoon
dil ke haathon aaj main majboor hoon
aaa aaa aaaa aaa
paas reh kar bhi main tujh se door hoon
aaa aaa aaaa aaa
ishq mein mar mar ke jeena aashiqon ki shaan hai
tu mera mehboob hai
tu hi mera imaan hai
ho gayi tum se mohabbat jaan bhi qurbaan hai
jaan bhi qurbaan hai

aap ki nazr e inaayat mujh pe gar ho jaayegi
zindagi araam se meri basar ho jaayegi
aap ki nazr e inaayat mujh pe gar ho jaayegi
zindagi araam se meri basar ho jaayegi
dil mein mere bas yahi ik aakhiri armaan hai
ho gayi tum se mohabbat jaan bhi qurbaan hai
jaan bhi qurbaan hai

dil dhadakta hai mera bas aap ke aa jaane se
dil dhadakta hai mera
shamma bhi jal jaati hai parwaane ke jal jaane se
shamma bhi jal jaati hai
dil dhadakta hai mera bas aap ke aa jaane se
shamma bhi jal jaati hai parwaane ke jal jaane se
bewafaa tujh par nichhaawar aaj meri jaan hai
tu mera mehboob hai
tu hi mera imaan hai
ho gayi tum se mohabbat jaan bhi qurbaan hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हो गई तुमसे मोहब्बत जान भी क़ुरबान है
तू मेरा महबूब है
तू ही मेरा ईमान है
हो गई तुमसे मोहब्बत जान भी क़ुरबान है
जान भी क़ुरबान है

दिल के हाथों आज मैं मजबूर हूँ
पास रह कर भी मैं तुझसे दूर हूँ
दिल के हाथों आज मैं मजबूर हूँ
आ आ आ आ
पास रह कर भी मैं तुझसे दूर हूँ
आ आ आ आ
इश्क़ में मर मर के जीना आशिक़ों की शान है
तू मेरा महबूब है
तू ही मेरा ईमान है
हो गई तुमसे मोहब्बत जान भी क़ुरबान है
जान भी क़ुरबान है

आप की नज़र ए इनायत मुझ पे अगर हो जाएगी
ज़िंदगी आराम से मेरी बसर हो जाएगी
आप की नज़र ए इनायत मुझ पे अगर हो जाएगी
ज़िंदगी आराम से मेरी बसर हो जाएगी
दिल में मेरे बस यही इक आखिरी अरमान है
हो गई तुमसे मोहब्बत जान भी क़ुरबान है
जान भी क़ुरबान है

दिल धड़कता है मेरा बस आप के आ जाने से
दिल धड़कता है मेरा
शम्मा भी जल जाती है परवाने के जल जाने से
शम्मा भी जल जाती है
दिल धड़कता है मेरा बस आप के आ जाने से
शम्मा भी जल जाती है परवाने के जल जाने से
बेवफा तुझ पर निछावर आज मेरी जान है
तू मेरा महबूब है
तू ही मेरा ईमान है
हो गई तुमसे मोहब्बत जान भी क़ुरबान है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3615 Post No. : 14415

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 13
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘छ’ – छैल छबीला रंग रंगीला कौन नगर से आया ॰ ॰ ॰

मैं गाउँ तुम सो जाओ ॰ ॰ ॰

Your soothing voice is enough to bring a gentle peace to any restless mind. Yes, you would sing and calmness would descend, settling the perturbations of the mind. There was this promise of some divine massage that would heal the disturbances. Alas, just the recordings remain. . . a poor semblance of the real.

‘Madan Manjari’ from 1961 is promising treasure of wonderful music that came from the mind of Sardar Malik. Three gems of this film are already showcased here on our blog. Today, I bring on this fourth treasure, as the next episode in this series of duets of Rafi Sb.

This is a stunt film directed by Jasubhai Trivedi for the banner of Mukund Pictures of Bombay. All eight songs of this film are written by Hasrat Jaipuri, and are tuned to music by Sardar Malik. The cast of actors is listed as Nalini Chonkar, Manhar Desai, Kammo, Sundar, BM Vyas, Naseem, Tuntun, Shekhar Purohit, Meena, Amarjeet, Ajeet, Anil Kumar, CL Singh, Anwari, Premi, BR Ramchandran, Premlata, Champaklala, and Niranjan Sharma etc.

The voice accompanying Rafi Sb is Kamal Barot. Quite a coincidence that the same pair of voices is also present in the previous song posted (part of the Missing 1960s series). The presentation of this song is very fast paced, and the somewhat less than perfect quality of the sound recording of this presentation, makes it sound somewhat higher pitched than expected.

But a lovely song nonetheless. Enjoy.

Song – Chhail Chhabeela Rang Rangeela Kaun Nagar Se Aaya (Madan Manjari) (1961) Singer – Kamal Barot, Mohammed Rafi, Lyrics – Hasrat Jaipuri, MD – Sardar Malik

Lyrics

chhail chhabeela rang rangeela
kaun nagar se aaya
oye baanki haseena
dil ka nagina
tere liye main laaya
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah
chhail chhabeela rang rangeela
kaun nagar se aaya
haaye baanki haseena
dil ka nagina
tere liye main laaya
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah..aah

dil ke saudaagar laakhon dekhe
pyaar hai heera jaane na koi
pyaar hai heera jaane na koi
pyaar ki keemat hum se poochho..oo..oo
saari umariya pyaar mein khoi
saari umariya pyaar mein khoi
o mere jaana
le nazraana
pyaar ka moti laaya
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah
chhail chhabeela rang rangeela
kaun nagar se aaya
hoye baanki haseena
dil ka nagina
tere liye main laaya
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah..aah

haaye badi chalaak hai duniya
munh pe shabnam dil mein shola
munh pe shabnam dil mein shola
meri mohabbat dhokha na samjho..oo..oo
aaunga le kar pyaar ka dola
aaunga le kar pyaar ka dola
le ke chalunga
prem nagariya
tu hi mere mann bhaaya
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah
arr rr rr rr jhooth hai allah
arr rr rr rr sach hai vallah..aaaah

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

छैल छबीला रंग रंगीला
कौन नगर से आया
ओय बाँकी हसीना
दिल का नगीना
तेरे लिए मैं लाया
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह
छैल छबीला रंग रंगीला
कौन नगर से आया
हाए बाँकी हसीना
दिल का नगीना
तेरे लिए मैं लाया
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह॰॰आह

दिल के सौदागर लाखों देखे
प्यार है हीरा जाने ना कोई
प्यार है हीरा जाने ना कोई
प्यार की कीमत हमसे पूछो॰॰ओ॰॰ओ
सारी उमरिया प्यार में खोई
सारी उमरिया प्यार में खोई
ओ मेरे जाना
ले नज़राना
प्यार का मोती लाया
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह
छैल छबीला रंग रंगीला
कौन नगर से आया
होय बाँकी हसीना
दिल का नगीना
तेरे लिए मैं लाया
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह॰॰आह

हाए बड़ी चालाक है दुनिया
मुंह पे शबनम दिल में शोला
मुंह पे शबनम दिल में शोला
मेरी मोहब्बत धोखा ना समझो॰॰ओ॰॰ओ
आऊँगा ले कर प्यार का डोला
आऊँगा ले कर प्यार का डोला
लेके चलूँगा
प्रेम नगरिया
तू ही मेरे मन भाया
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह
अर्र र्र र्र र्र झूठ है अल्लाह
अर्र र्र र्र र्र सच है वल्लाह॰॰आह

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3615 Post No. : 14413

Missing Films of 1960s – 73
– – – – – – – – – – – – – – –

With this song, we bring the 14th Tarzan film to our blog.  Searching in the Geet Kosh, we find 15 Tarzan films. Adding the one film from 1987, which is represented on our blog, it makes 16 Tarzan films that we are aware of. Of these, 13 films are already represented on our blog with at least one song each. With this 14th incarnation, Tarzan now arrives in Fairlyland. The alternate title of this film in Hindi is listed as ‘टारज़न परिस्तान में’.

‘Tarzan In Fairyland’ is a film from 1968, produced under the banner of Sadhna Pictures, Bombay and is directed by Sushil Gupta. The cast of actors listed is kind of typical for such a film in 1960s – Azad, Indira, Shaam Kumar, Amar, Ram Mohan, Sheikh, Khurshid, Kumud Tripathi, Rani, Paulson, Pal Sharma, Nazeer Kashmiri, Fazal Khan, Satish, Tintin, Rehana, and Jyoti Kumar etc. Sounds familiar. . .

The film has five songs listed. Two songwriters are listed for these songs – Aziz Kashmiri and Shewan Rizvi. For music director, two names are listed – Jimmy (aka James Singh) and Premnath. This particular song is attributed to Shewan Rizvi and Jimmy. For the remaining 4 songs, the names of the songwriter and the music director are not specifically assigned.

The singing voices are of Rafi Sb and Kamal Barot, supported by a chorus of voices. This song almost sounds like a qawwaali, but I cannot be sure. Only the audio of this song is available. I request other knowledgeable readers and friends who may have seen this film, to please add some more information about this film and its songs.

After this film, two more Tarzan films are pending. One is ‘Tarzan And Gorilla’ (1963) and the second one is ‘Tarzan 303’ (1970). Let’s see how soon we will get to these. Meanwhile, enjoy the debut of this 14th Tarzan film on to our blog.

[Ed Note: ‘turbat’ (तुरबत) = grave, burial ground.]

Song – Ye Pyaar Kabhi Na Haara Hai  (Tarzan In Fairyland) (1968) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Shewan Rizvi, MD – Jimmy
Chorus

Lyrics

gar pyaar hamaara sachcha hai
har taaqat ko lalkaarega
ye pyaar kabhi na haara hai
ye pyaar kabhi na haara hai
ye pyaar kabhi na haarega
ye pyaar kabhi na haarega
ye pyaar kabhi na haarega

zulm duniya mein sada
pyaar pe hota raha
parcham e ishq magar
ho ke ooncha na jhuka
aa aa aa
jo kadam aage badha
badh ke peechhe na hata..aa..aa
jo kadam aage badha
badh ke peechhe na hata
is mohabbat ke liye
taaj aur takht diye
teer o talwar chale
waar pe waar chale
ho pyaar jab jhuk na saka
aayi duniya ki sada
pyaar jab jhuk na saka
aayi duniya ki sada
haaan..aa.aa.aan
pyaar jab jhuk na saka
aayi duniya ki sada..aa..aa
kya
is pyaar se duniya haari hai
ye pyaar kabhi na haara hai
ye pyaar kabhi na haaraega
ye pyaar kabhi na haaraega

kissa e qais bhi sun
jisko thi ishq ki dhun
taar daaman mein na tha
phool gulshan mein na tha
dil ki murjhaai kali
aarzoo dil ki jali
marte marte na chhooti
haaye laila ki gali
ishq mein ho ke fanaa
aisa deewaana bana
jo bhi turbat pe gaya
aayi turbat se sada
haaan..aa.aa.aan
jo bhi turbat pe gaya
aayi turbat se sada..aa..aa
kya
is pyaar se duniya haari hai
ye pyaar kabhi na haara hai
ye pyaar kabhi na haaraega
ye pyaar kabhi na haaraega

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
गर प्यार हमारा सच्चा है
हर ताक़त को ललकारेगा
ये प्यार कभी ना हारा है
ये प्यार कभी ना हारा है
ये प्यार कभी ना हारेगा
ये प्यार कभी ना हारेगा

ज़ुल्म दुनिया में सदा
प्यार पर होता रहा
परचम ए इश्क़ मगर
हो के ऊंचा ना झुका
आ आ
जो कदम आगे बढ़ा
बढ़ के पीछे ना हटा॰॰आ॰॰आ
जो कदम आगे बढ़ा
बढ़ के पीछे ना हटा
इस मोहब्बत के लिए
तख्त और ताज दिये
तीर ओ तलवार चले
वार पे वार चले
हो प्यार जब झुक ना सका
आई दुनिया की सदा
हाँ॰॰आ॰॰आ॰॰आँ
प्यार जब झुक ना सका
आई दुनिया की सदा॰॰आ॰॰आ
क्या
इस प्यार से दुनिया हारी है
ये प्यार कभी ना हारा है
ये प्यार कभी ना हारेगा
ये प्यार कभी ना हारेगा

किस्सा ए क़ैस भी सुन
जिसको थी इश्क़ की धुन
तार दामन में ना था
फूल गुलशन में ना था
दिल की मुरझाई कली
आरज़ू दिल की जली
मरते मरते ना छूटी
हाए लैला की गली
इश्क़ में हो के फना
ऐसा दीवाना बना
जो भी तुरबत पे गया
आई तुरबत से सदा
हाँ॰॰आ॰॰आ॰॰आँ
जो भी तुरबत पे गया
आई तुरबत से सदा॰॰आ॰॰आ
क्या
इस प्यार से दुनिया हारी है
ये प्यार कभी ना हारा है
ये प्यार कभी ना हारेगा
ये प्यार कभी ना हारेगा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3614 Post No. : 14411

“Sher Khan”(1962) was directed by Radha Kant for Mukul Movies, Bombay. The movie had Kum Kum, Kamaljeet, Veena, Jayant, Ulhas, Sundar, Tabassum, Heera Lal, Majnu, Jeevan Kala, Wazir Mohammed Khan, Surekha, Samson, Rana,  Amir, Prem, Shafi Mohammed, Jagdish Bhalla etc in it.

The movie had six songs in it. Two songs have been covered in the past.

Here is the third song from “Sher Khan”(1962) to appear in the blog. The song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.

Only the audio of the song is available. i request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chaahe roke ye zamaana chaahe toke ye zamaana(Sher Khan)(1962) Singer-Lata, Lyrics-Prem Dhawan, MD-S N Tripathi

Lyrics

aa
aa aa aa aa
aa aa
aa aa aa

chaahe roke ye zamaana
chaahe toke ye zamaana
par dil se to pyaar ko mita na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana
par dil se to pyaar ko mita na sakega
jise aankhon mein basaaya
jise dil se lagaaya
yaad uski to koi bhi bhula na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana

o o o
o o o
o o o
dil jalta rahe gham palta rahe
fariyaad magar hum karte nahin
dil jalta rahe gham palta rahe
fariyaad magar hum karte nahin
jab pyaar kiya
dil haar diya
phir zulm o sitam se darte nahin
aaye laakhon hi balaayen
chale kitni hi hawaayen
koi pyaar ki shama ko to bujha na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana

o o o
o o o
o o o
is shaan pe tu yoon naaz na kar
sada zor kisi ka chalta nahin
is shaan pe tu yoon naaz na kar
sada zor kisi ka chalta nahin
kis aan se bhi suraj nikle
par shaam dhale kya dhalta nahin
chaahe uthhin talwaaren
chaahe chamkin kataaren
koi sar ko hamaare to jhuka na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana
par dil se to pyaar ko mita na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana
par dil se to pyaar ko mita na sakega
jise aankhon mein basaaya
jise dil se lagaaya
yaad uski to koi bhi bhula na sakega
chaahe roke ye zamaana
chaahe toke ye zamaana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3611 Post No. : 14404

“Bezubaan”(1962) was directed by Ram Kamlani for Gope Productions, Bombay. The movie had Ashok Kumar, Nirupa Roy, David, Helen, Vishwa Mehra, Shammi, Ishwar Lal, Paro, Jamal, Genius, Umesh Sharma, Ramesh Rai, Baby Anita, Kathana, Prem Sagar, Rammurti, Hamid, Majnu etc in it.

The movie had six songs in it. Two of these songs have been covered in the past.

Here is the third song from “Bezubaan”(1962) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

Picturisation shows Nirupa Roy with Baby Anita, who have been thrown out of home by Ashok Kumar. The kid, too young to realise what is going on, wonders why her father is not with them. Nirupa Roy tries to put the kid to sleep by singing this “story” song which also doubles up as a lullaby.


Song-Ek thha raaja ek thhi raani ek thha raajkumaar (Bezubaan)(1962) Singer-Lata, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

hmm hmm hmm
hmm hmm hmm
ek thha raaja
ek thhi raani ek thha raajkumaar
pyaar bhari thhi duniya unki
sukh se bhara ghar baar
raaja ke man me ik din jaane kaisa lobh samaaya
bhool gaya wo pyaar ke naate
dekh ke jhoothi maaya
raaja nikla desh paraaye
laane heere moti
tab se pukaare saanjh sakhaare
raani roti roti
aaja re aaja
pardesi raaja
munna tujhko bulaaye
ro ro ke haari raani bechaari
munne ko neend na aaye

mujhse to tum roothhe sahi
bhoole ho munne ka pyaar kya
mujhse to tum roothhe sahi
bhoole ho munne ka pyaar kya
pahunchi nahin kaanon talak
nanhe si dil ki pukaar kya
aaja re aaja
pardesi raaja
munna tujhko bulaaye
ro ro ke haari raani bechaari
munne ko neend na aaye

kehta hai dil
aaoge tum
sone ki nagri ke paar se
kehta hai dil
aaoge tum
sone ki nagri ke paar se
hoti nahin daulat badi
sacche dilon ke pyaar se
aaja re aaja
pardesi raaja
munna tujhko bulaaye
ro ro ke haari raani bechaari
munne ko neend na aaye


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14400 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14449

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3938

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