Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


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Blog Day: 4269 Post No.: 15496

“Black Shadow”(1961) was a stunt movie which was directed by Madan Mohan Mehra for Paul Productions, Bombay. This move had Nishi, Manhar Desai, Amrit Rana, Indira Bansal, Baburao, Sudha, Ramlal, Roshan, Menaka, Naseem, Narmada Shankar, BHaag Singh, Balraj Kapoor, Raju, Jaani Babu Qawwaal, Sheikh etc in it.

The movie had five songs in it. One song from the movie has been covered in the past.

The songs of this movie are as obscure as the movie itself. Posting songs from missing movies of 1960s was a project which was originally the brainchild of our beloved Khyati Bhatt who prepared an excel sheet of missing movies of 1960s. Sudhir Jee took upon this project with right earnesh and posted elusive songs from many of these missing movies.

929 movies were released during 1960s (1961 to 1970). At present, 873 of these movies are represented in the blog.

During the early days of this project (which started in 2013), I also used to cover a few missing movies, before Sudhir Jee took over full responsibility of this project. During the earlier days of this project, I covered the first song from “Black Shadow”(1961) which was this song. It was the only song from this movie that I could locate at that time.

Now, nearly seven years later, when I searched for the songs of this movie, I was able to locate another song. And what a song it turns out to be. It is an all female duet sung by Shamshad Begam and Sudha Malhotra. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.

Going by the lyrics, I guess that it is a Punjabi style stage performance dance song where one female is dressed as a male and singing in Shamshad Begam’s voice whiile other female, playing a female sings in Sudha Malhotra’s voice.

Only the audio of this “expression of love” genre of song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Nazar hai kaanton se teekhi (Black Shadow)(1961) Singers-Shamshad Begam, Sudha Malhotra, Lyrics-Naqsh Llayalpuri, MD-Harbans

Lyrics

nazar hai kaanton se teekhi
badan hai phoolon se halka
nazar hai kaanton se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya

saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya

balle baale
ho sun mere haaniya haaye
ho sun mere haaniya

ho o o
kashmiri sebo ki laali
chhalke tere gaalon se
saawan bhi sharmaaye tere
ghoonghar waale baalon se

dil ko le dooba hai
dora tere kaajal ka
nazar hai kanto se teekhi
ho tan hai phulo se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya

saja ke resham ka patka
ho mere dil ko de jhatka
hawa mein kyun ude zaalim
pahan ke joota makhmal ka
ho sun mere haaniya haaye
ho sun mere haaniya

ho balle balle
ho sun mere haaniya haaye
ho sun mere haaniya

o o o
rasmon ki zanjeer tod kar
aa gayi teri baahon mein

dekh goriye dol na jaana
pyaar ki lambi raahon mein
jeewan bhar ka saath hai apna
khel nahin pal ka

nazar hai kanto se teekhi
badan hai phoolon se halka
humaari jaan le lega
ishaara tere aanchal ka
ho dilbar jaaniya haaye
ho dilbar jaaniya
ho balle balle
ho dilbar jaaniya haaye
ho dilbar jaaniya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4267 Post No.: 15493

“Sunahri Naagin”(1963) was directed by Babubhai Mistry. The movie had Mahipal, Helen, Anwar, Pratibha, Sapru, Ulhas, Kamal Mehra, Ajit, Habib, Shyam Kumar, Ragini, Bir Sakuja, K N Singh, Sulochana, Tun Tun etc in it.

The movie had eight songs in it. Six of these songs have been covered in the past.

Here is the seventh song from “Sunahri Naagin”(1963) to appear in the blog. This song is sung by Usha Mangeshkar. Farooque Kaiser is the lyricist. Music is composed by Kalyanji Anandji. I am sue that Laxmikant Pyarelal were the assistants in this movie seeing the resemblence in music with “Parasmani”(1963).

The song is picturised as a dance song on Helen who is seen performing for Anwar Hussain playing a royal. Among others in the picture, one can notice Edwina too, playing a maid standing silently.


Song-Donon haathhon se dil kyun sambhaala hai(Sunahri Naagin)(1963) Singer-Usha Mangeshkar, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji

Lyrics

donon haathon se dil kyun sambhaala hai
donon haathon se dil kyun sambhaala hai
aaj lagta hai
aaj lagta hai kuchh hone waala hai
aaj lagta hai kuchh hone waala hai
donon haathon se dil kyun sambhaala hai

bahki bahki nazar
bahke bahke kadam
bahki bahki nazar
bahki bahki nazar
bahke bahke kadam
daal ke munh pe zulfon ko aaye hain hum
dal ke muh pe zulfon ko aaye hain hum
teri mehfil mein
teri mehfil mein humse ujaala hai
teri mehfil mein humse ujaala hai
aaj lagta hai ae
aaj lagta hai kuchh hone waala hai
donon haathon se dil kyun sambhaala hai

chupke chupke sahen kaise kaise sitam
chupke chupke sahen
chupke chupke sahen kaise kaise sitam
chain aaya na pal bhar tumhaari kasam
chain aaya na pal bhar tumhaari kasam
toone kis din ka
toone kis din ka badla nikaala hai
toone kis din ka badla nikaala hai
aaj lagta hai ae
aaj lagta hai kuch hone waala hai
donon haathon se dil kyun sambhaala hai

jaanti hoon teri saari jaadugari
jaanti hoon teri
jaanti hoon teri saari jaadugari
pyaar jhootha tera preet jhoothi teri
pyaar jhootha tera preet jhoothi teri
munh pe kahti hoon
munh pe kahti hoon dil tera kaala hai
munh pe kahti hoon dil tera kaala hai
aaj lagta hai
aaj lagta hai kuchh hone waala hai
aaj lagta hai kuchh hone waala hai
donon haathon se dil kyun sambhaala hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4263 Post No.: 15490

“Deedaar”(1970) was produced and directed by Jugal Kishore. The movie had Dheeraj Kumar, Anjana Choudhary, Premendra, K N Singh, Badri Prasad, Wasi, Jay Shree T, Leela Mishra, Habib, Kumud, S N Tripathi etc in it.

The movie had seven songs in it. Three songs have been covered in the past.

Here is another song from “Deedaar”(1970) to appear in the blog. This song is sung by Usha Khanna and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a club dance/ cabarat dance song on Jayshree T and Dheeraj Kumar, with others looking on.


Peene se pilaane se(Deedaar)(1970) Singers-Usha Khanna, Kishore Kumar , Lyrics-Verma Malik, MD-Usha Khanna

Lyrics

Qasam hai tujhe mehfil ki
main naachoon tu pee
main naachoon tu

hic bili bili bappa ba ba bili bili bappa
ba ba ba billi billi bappa
ba ba ba billi billi bappa
ba ba ba billi billi bappa
hic
peene se pilaane se paimaane se maykhane se
begaane se zamaane se
tu bach bacha
tu bach bacha
peene se pilaane se
paimaane se maykhane se
begaane se zamaane se
tu bach bacha
tu bach bacha
hi

he jawaani mein kabhi kis kabhi kis kabhi kis
he he ho ho he he
javani mein kabhi kisi se aankh na lada
aankh lad jaaye bhi to dil na mila
hoo
dil mil jaaye bhi to shor na macha
meethhe-meethhe waadon pe tu sabko nacha

kyun
kyun kya
yahaan dil bhi bura hai dildaar bhi bura
ikraar bhi bura hai inkaar bhi bura
inkaar bhi bura

peene se pilaane se paimaane se mayakhaane se
begane se zamaane se tu bach bacha
tu bach bacha

bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa bili bili bappa ba bappa

arre
arre dil de koi to
koi to
koi to
he he ho ho he he
arre dil de koi to dil tod do beshaq
aankh jo milaaye aankh phod do beshaq
hu hu
phool na miley to tahni mod do beshaq
buri duniya hai ise chhod do beshaq

kisliye
kisliye kya
nek naam bhi bura hai badnaam bhi bura
aagaaz bhi bura hai anjaam bhi bura
anjaam bhi bura
peene se pilaane se paimaane se mayakhane se
begaane se zamaane se
tu bach bacha
tu bach bacha

bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa

yeh duniya toh hai
hai
hai
heh heh ho ho he
yeh duniya toh hai paglon ka shehar
chaahta nahi koi kisi ki bhi khair
hi hi
ik haath dosti toh ik haath bair
upar se apne toh andar se gair

kaise
arre kaise kya
kaamyaab bhi bura hai naakaam bhi bura
mehfil bhi buri hai aur jaam bhi bura
jaam bhi bura
peene se pilaane se paimaane se maykhaane se
begaane se zamaane se
tu bach bacha
tu bach bacha
hey
peene se pilaane se paimaane se maykhaane se
begaane se zamaane se
tu bach bacha tu bach bacha
hic hic


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Blog Day: 4260 Post No.: 15483

“Choron Ka Chor”(1970) was produced and directed by Muhammad Hussain for M H Films, Bombay. This “stunt” movie had Dara Singh, Shabnam, Madan Puri, Shetty, Agha, Bhagwan, Roopesh Kumar, Jayshree T, Randheer, Meena, Neelam, Paro devi, Gul Hameed, Kamini Devi, Shefali, Jerry, Anjum, Dada Kurte, Moolchand, Dilip Daagi, Sabir, V Gopal, Vishwas Kunte, Master Ripple, Indira Bansal, Habeeb, Trilok Singh, Tier Abdullah etc in it.

The movie had four songs in it. Three of these songs have been covered in the past.

Details of the three songs covered in the blog are :-

S N Song Song number in blog Date of posting
1 O mere dildaar arre na kar tu inkaar (Choron Ka Chor) 1681 26-July-2009
2 Patli qamar tirchhi nazar (Choron Ka Chor) 3632 9-March-2011
3 Dil dhhadka wohi shola phir bhhadka (Choron Ka Chor) 15400 23-January-2020

As can be seen from the above, the previous song from the movie was covered on 23 january 2020 and that was a blog century song cum Farooque Kaiser’s 100 th song in the blog as a lyricist. That song was a rare song.

Here is the fourth and final song from “Choron Ka Chor”(1970). This song is sung by Asha Bhonsle. Farooque Kaiser is the lyricist. Music is composed by Dattaram.

This song too is a rare song.

Only the audio of this song is available. It sounds like a club dance song. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, all the songs of “Choron Ka Chor”(1970) are covered in the blog and the movie now joins the list of movies that have been YIPPEED in the blog.


Song-Ho tera mera pyaar dekh sabka dil jala (Choron Ka Chor)(1970) Singer-Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Dattaram

Lyrics

aayi sofiya

ho
ho tera mera pyaar dekh
sabka dil jala
chhup ke pyaar kar le
tera mera haal ek dil hai chulbula
chhup ke pyaar kar le
wai wai wai wai wai wai
tera mera pyaar dekh
sabka dil jala
chhup ke pyaar kar le
tera mera haal ek dil hai chulbula
chhup ke pyaar kar le

chale aa
chale aa
dil ye pukaare aa
mere dil meri jaan
mere sahaare aa
chale aa. . .
lute hum
mite hum
humko bacha le aa
chhod de saara jag
mere deewaane aa
chale aa. . .
chale aa
chale aa
dil ye pukaare aa
mere dil meri jaan
mere sahare aa
chale aa. . .
lute hum
mite hum
humko bacha le aa
chhod de saara jag
mere deewaane aa
chaale aa. . .
dil to hai
ab mujhe
dilruba
chaahiye
ho ho ho
ho ho ho ho
he he he he
aayi sofiya aa aa
ho tera mera pyaar dekh
sabka dil jala
chhup ke pyaar kar le
tera mera haal ek dil hai chulbula
chhup ke pyaar kar le

dheere se
dheere se
dil mein samaaye ja
koi ab dekhe na
jaadu jagaaye ja
dheere se. . .
wahi tum wahi hum
pyaar na hoga kam
jaaneman aa bhi ja
dil mein chhupa len hum
dheere se. . .
dheere se
dheere se
dil mein samaaye ja
koi ab dekhe na
jaadu jagaye ja
dheere se. . .
wahi tum wahi hum
pyaar na hoga kam
jaaneman aa bhi ja
dil mein chupa len hum
dheere se. . .
tu mujhe
mil gaya
aur kya
chaahiye

ho tera mera pyaar dekh
sabka dil jala
chhup ke pyaar kar le
tera mera haal ek dil hai chulbula
chhup ke pyaar kar le
ho ho ho
ho ho ho ho
he he he he

aayi sofiya aa aa
aayi sofiya aa aa
aayi sofiya aa aa aa

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

आ॰॰ई॰॰ सो॰॰फ़िया॰॰

हा॰ ॰ ॰
हो तेरा मेरा प्यार देख
सबका दिल जला
छुप के प्यार कर ले
तेरा मेरा हाल एक दिल है चुलबुला
छुप के प्यार कर ले
वई वई वई वई वई वई
हो तेरा मेरा प्यार देख
सबका दिल जला
छुप के प्यार कर ले
तेरा मेरा हाल एक दिल है चुलबुला
छुप के प्यार कर ले

चले आ
चले आ
दिल ये पुकारे आ
मेरे दिल मेरी जाँ
मेरे सहारे आ
चले आ
लुटे हम मिटे हम
हमको बचा ले आ
छोड़ दे सारा जग
मेरे दीवाने आ
चले आ
चले आ
चले आ
दिल ये पुकारे आ
मेरे दिल मेरी जाँ
मेरे सहारे आ
चले आ
लुटे हम मिटे हम
हमको बचा ले आ
छोड़ दे सारा जग
मेरे दीवाने आ
चले आ
दिल तो है
अब मुझे
दिलरुबा चाहिये
हो हो हो
हो हो हो हो
हे हे हे हे
आ॰॰ई॰॰ सो॰॰फ़िया॰॰
हो तेरा मेरा प्यार देख
सबका दिल जला
छुप के प्यार कर ले
तेरा मेरा हाल एक दिल है चुलबुला
छुप के प्यार कर ले

धीरे से
धीरे से
दिल में समाये जा
कोई अब देखे ना
जादू जगाए जा
धीरे से
वही तुम
वही हम
प्यार ना होगा कम
जानेमन आ भी जा
दिल में छुपा लें हम
धीरे से
धीरे से
धीरे से
दिल में समाये जा
कोई अब देखे ना
जादू जगाए जा
धीरे से
वही तुम
वही हम
प्यार ना होगा कम
जानेमन आ भी जा
दिल में छुपा लें हम
धीरे से
तू मुझे
मिल गया
और क्या
चाहिए
हो तेरा मेरा प्यार देख
सबका दिल जला
छुप के प्यार कर ले
तेरा मेरा हाल एक दिल है चुलबुला
छुप के प्यार कर ले

हो हो हो
हो हो हो हो
हे हे हे हे
आ॰॰ई॰॰ सो॰॰फ़िया॰ ॰ ॰
आ॰॰ई॰॰ सो॰॰फ़िया॰ ॰ ॰
आ॰॰ई॰॰ सो॰॰फ़िया॰॰आ॰ ॰ ॰


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Blog Day: 4259 Post No.: 15482

———————————————–
Blog 10-Year Challenge (2010-2020)-Song No. 12
———————————————–

“Sunahri Naagin”(1963) was directed by Babubhai Mistry. The movie had Mahipal, Helen, Anwar, Pratibha, Sapru, Ulhas, Kamal Mehra, Ajit, Habib, Shyam Kumar, Ragini, Bir Sakuja, K N Singh, Sulochana, Tun Tun etc in it.

The movie had eight songs in it. Five of these songs have been covered in the past.

Here are the details of the earlier songs covered in the blog:-

Song Posted On
Been na bajaana jaadu na jagaanaa (Sunahri Naagin) 12 march 2010
Tu hi tu hai main dekhaa karoon (Sunahri Naagin) 14 march 2010
Chhedoge mujhko agar jaan ke (Sunahri Naagin) 16 march 2010
Mil ke bhi ham mil na sake (Sunahri Naagin) 3 june 2010
Main to ho gayi re badnaam (Sunahri Naagin) 16 july 2018

As can be noticed, this movie made its debut in the blog on 12 march 2010. Next two songs from the movie were discussed on 14 march 2010 and 16 march 2010. So, a song from this movie was covered on this day ten years ago !

So the movie becomes a candidate for Blog Ten year challenge !

Ten years ago, the daily output of the blog was as low as it is in the present. Nowadays we are plodding along at barely one song a day. Those days, barely one song or two a day were often punctuated by spells of DOT days.

The reason for such slow output was that I was transferred from Jabalpur to Nagpur (in december 2009) and the entire process took upto end of february 2010. During this time I was living a nomad’s life and posting articles was a struggle.

Nevertheless, I was on the verge of settling down, and I had started to post two songs daily by March 2010. Following two songs were covered on this day ten years ago:-

Song Posted On
Chhedoge mujhko agar jaan ke (Sunahri Naagin)(1963) 16 march 2010
Dil le ke jaate ho kahaan(O Tera Kya Kehna)(1959) 16 march 2010

“O Tera Kya Kehna”(1959) has since been YIPPEED in the blog.

Today, as part of “Blog Ten Year Challenge”, here is a synchronised dance song from “Sunahri Naagin”(1963). The song is sung by Lata and Kamal Barot. Indeewar is the lyricist. Music is composed by Kalyanji Anandjui.

Resemblence of this song to “Hansta hua nooraani chehra” (Parasmani)(1963) is no coincidence. Both movies were directed by the same director (Babubhai Mistry) and written by the same screenplay writers (Pandit Madhur and Vishwanat Pandey). Both movies had Mahipal as the hero. This song in fact has the same tune. This song could be described as the equivalent song of “Hansta hua nooraani chehra” (Parasmani)(1963) in this movie. I am sure that Laxmikant Pyarelal were the composer of this tune (like that of “Parasmani”) as assistants to Kalyanji Anandji. Lyricist differs though. Here is in Indeewar. In “nooraani” song it was Asad Bhopali.

It is just a quirk of fate that “Hansta hua nooraani chehra” assumed cult status, while this song did not become that well known.

One of the dancers is Helen. I am unable to identify the other dancer. I request our knowledgeable readers to help identify the actors visible in the picturisation.

PS-Prakashchandra, our inhouse face recognition expert tells us that the dancers are Madhumati (Helen look alike) and Bela Bose. Occupants of the Raj darbaar throne are Anwar Hussain and Zeb Rahman (aka Preeti Bala).


Song-Yoon na akadiye yoon na bigadiye (Sunahri Naagin)(1963) Singers-Lata, Kamal Barot, Lyrics-Indeewar, MD-Kalyanji Anandji
Both

Lyrics

yoon na akadiye
yoon na bigadiye
naam bura takraar ka ho ho
kya jaane ho jaaye kisi se
koi pata nahin pyaar ka ho ho
yoon na akadiye
yooon na bigadiye ho ho
naam bura takraar ka ho ho
kya jaane kab ho jaaye kisi se
koi pata nahin pyaar ka ho ho
yoon na akadiye

chaahe jitna bacho
chaahe kitna daro
aji aankhon ka jaadu chalega
chaahe gussa karo chaahe shikwa karo
aji dil to kisi din jalega
aapka ye guroor koi kar dega choor
aapka ye guroor koi kar dega choor
hosh ud jaayega mere sarkaar ka
yoon na akadiye yoon na bigadiye
naam bura takraar ka ho ho
kya jaane kab ho jaaye kisi se
koi pata nahin pyaar ka ho ho
yoon na akadiye

laakh tan ke chalo
laakh ban ke chalo

nazren to mil ke rahengi
honth daabe raho chaahe kuchh na kaho
aji aankhen to sab kuchh kahengi
oonche sar jhuk gaye
kaafile ruk gaye
oonche sar jhuk gaye
kaafile ruk gaye
jaadu dekha nahin aji deedaar ka
yoon na akadiye
yoon na bigadiye
naam bura takraar ka ho ho
kya jaane kab ho jaaye kisi se
koi pata nahin pyaar ka ho ho
yoon na akadiye

aaj jiski ada nahin janchti zara
aji kal dil ko bhaane lagega
jiske haalaat par nahin karte nazar
aji pal bhar mein aane lagega
ye ajab hai jahaan sab hai mumkin yahaan
ye ajab hai jahaan sab hai mumkin yahaan
dil badalta hai pal bhar mein dildaar ka
yoon na akadiye yoon na bigadiye
naam bura takraar ka ho ho
kya jaane kab ho jaaye kisi se
koi pata nahin pyaar ka ho ho
yoon na akadiye


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Blog Day : 4259 Post No. : 15481

“Jung Aur Aman”(1968) was directed by Nanabhai Bhatt for Beauty Films, Bombay. This “costume” drama movie, a euphemism for a B grade movie, had Dara Singh, Mumtaz, Jayant, Murad, Krishna Kumari, Rajan Haksar, Sujata, Sushma, Indmohan, Laxmi Chhaaya, Noorjahaan, Kesri, Moolchand, Mohan Choti, Nadira etc in it.

The movie had five songs in it. Four of them were solo songs and one a female duet. Two of these songs have been overed in the past.

Here is the third song from “Jung Aur Aman”(1968) to appear in the blog. This song is a female duet and it is sung by two less known female playback singers viz Krishna Kalle and Pathare. I am not aware who Pathare is. She makes her debut as a playback singer with this song, unless we know her by another name. I request our knowledgeable readers to throw light on her.

The movie has three synchronised dance songs sung in raj darbaar. This song is on such song. I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.

I am unable to distinguish the two female voices as well and that is why I have not bothered to provide colour coding in this song. In any case, Pathare appears to sing only in chorus and not alone, as far as I can tell.

Hasrat Jaipuri is the lyricist. Music is composed by G S Kohli.


Song-Hans kar sharaarat karna na (Jung Aur Aman)(1968) Singer-Krishna Kalle, Pathare, Lyrics-Hasrat Jaipuri, MD-G S Kohli

Lyrics

hans kar sharaarat karna naa
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o o

ghaayal jigar pe mere palkon ki tooti sui
o o
?? rahti hoon khoyi khoyi
champa ki daal hoon main
lekin hoon chhui mui
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil me utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o

aanchal sambhaaloon jo main
sar se wo dhhalka jaaye ae
o o ulfat karaar kahke
aankhon se jhhalka jaaye
?? chhupaaun kaise
chehre se dhalka jaaye
ui main to mar gayi ee
jaadu kar gayi
tirchi nazar teri dil mein utar gayi
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4257 Post No. : 15478 Movie Count :

4266

———————————————–
Hindi Songs in Bangla Films – 22
———————————————–

‘Banarasi’ (1962, Bangla film) was produced by Ruma Guha Thakurta and was directed by her husband, Arup Guha Thakurta. The film was based on a story written by novelist Bimal Mitra (he also wrote the story of the film ‘Sahab Bibi Gholam’).  The main actors in the film are Soumitra Chatterjee, Ruma Guha Thakurta, Tulsi Chakraborty, Tarun Kumar, Asha Devi, Maneka Devi, Shyam Laha etc. The film is available on a video sharing platform with English sub-titles.

I had heard of Ruma Guha Thakurta (Ruma Devi for Hindi film audience) as an occasional actor in Hindi films and an ex-wife of Kishore Kumar. Finding her name in the Bangla film under discussion, that too not only as an actor-singer but also as a producer of the film, I thought I need to know more about her than what I had the impression about her in my mind. Fortunately, information about her is available on-line including her interview on Doordarshan.

Ruma Devi (03/11/1934 – 03/06/2019) was born as Ruma Ghosh (later known as Ruma Guha Thakurta after her second marriage) in a family of talented vocalists. She was the niece of Satyajit Ray.

Ruma Devi started as a dancer in Uday Shankar’s troupe in Almora. Later, she shifted to Bombay (now Mumbai) and worked as a child actor in her first film, the Bombay Talkies’ ‘Jwaar Bhata’ (1944). She worked in three more Hindi films – ‘Mashaal’, 1950 (’Samar’ in Bangla), ‘Afsar’ (1950) and ‘Raag Rang’ (1952). She got married to Kishore Kumar in 1951. After the birth of their son, Amit Kumar in 1952, Ruma Devi stopped working in the films.

In 1958, Ruma Devi and Kishore Kumar parted amicably. Ruma Devi shifted to Kolkata and set up Calcutta Youth Choir (CYC) in collaboration with her maternal uncle, Satyajit Ray and Salil Chowdhury. Throughout her life, she was actively involved with CYC. In 1974, she led a troupe of singers and dancers of CYC to participate in Copenhagen Youth Festival where CYC won the first prize.

In 1959, she worked in her first exclusive Bangla language film, ‘Ganga’ (‘The River’, 1960) as a supporting actor. Her role in the film was critically acclaimed. She worked in about 60 Bangla films from 1950 through 1998 during which she was associated with the renowned  directors like Satyajit Ray in ‘Abhijan; (1962) and ‘Ghanashatru’ (1989), with Tapan Sinha in films like ‘Atithi’ (1959) and ‘Nirjon Saikote’ (1963) and with Tarun Majumdar in films like ‘ Palatak; (1963) and ‘Balika Bodhu’ (1967). She also worked in Bangla films as a playback singer and did choreography in a couple of Bangla films. Her last film as an actor was Mira Nair’s English film ‘The Namesake’ (2006).

In 1960, Ruma Devi got married to director Arup Guha Thakurta with whom she has a son, Ayan and a daughter, Sromona Chakroborty who is a singer.

Ruma Devi passed away in her sleep on 03/06/2019 at her Kolkata residence due to old age-related problems.

The story of ‘Banarasi’ (1962) is as under:

Ratan (Soumitra Chatterjee) works as a draftsman in the railways and stays in an old man’s house in Kolkata as a paying guest. The only person with whom he shares his personal matters and who also help him financially in case of need is his close friend, Monty (Tarun Kumar). One day, while returning from watching a play in the theatre, Ratan sees a girl who has stopped her horse driven coach to buy a paan. The girl’s face resembles that of his childhood friend, Sona (Ruma Guha Thakurta) who was kidnapped at the ghats of River Ganga in Banaras. He watches her until she gets down from the coach and enters a building. Ratan wants to meet her but Monty discourages him by saying that the building houses courtesans. But Ratan is anxious to visit her to ascertain whether she is really Sona, his childhood friend to whom he was to marry later.

One day, without the knowledge of Monty, Ratan visits Sona and comes to know that the girl he saw earlier was indeed Sona whose life has now changed after her kidnapping and she has become a courtesan with a new name ‘Banarasi’. Ratan tells her that he wants to marry her and both of them can still start a life afresh by shifting to a place away from Kolkata where no one would know their background. After much persuasion, Sona agrees. Ratan arranges his transfer to a remote village where Railway is lying new tracks. Sona runs away with Ratan in the night.  Both of them get married in a temple at Kalighat and travel by train to their new place of work in a remote village.

The station master of the village railway station accommodates him in his house until he gets the staff quarters. Both Ratan and Sona are happy. However, their happiness is short lived as Ratan comes across a calendar with her picture as a courtesan in a shop. Now Sona’s past haunts him and there is some tension between husband and wife. Their tension is further compounded when one of Sona’s old clients who has halted in the village on a business trip, recognises Sona. She and Ratan are humiliated in the presence of villagers. Sona decides to leave her husband as she feels that it was due to her past that Ratan has to face the humiliation in the society. She leaves the house in the dead of the night. Ratan, on not finding her wife in the house, goes out searching for her. He meets Sona halfway and promises her that no matter what the society says, he would always be with her. With these words, Ratan accompanies Sona to an uncharted place leaving everything behind in the house.

The film was critically acclaimed but did not do well on the box office front. Probably, the theme of the story was familiar. The extent of sympathy which the director of ‘Umrao Jaan’ (1981) created for the character of the courtesan was missing in the character of courtesan in ‘Banarasi’ (1962). However, both Soumitra Chatterjee and Ruma Guha Thakurta have given sensitive performances as per the demand of their respective roles.

By now, I have come to know that Bangla films with courtesan’s theme or scenes have a couple of Hindi songs. In ‘Banarasi’ (1962) also, there are 3 Hindi songs of which two are mujra songs and the third is a partial holi song in Bhojpuri dialect. I am presenting one of the two mujra songs, “Shabnam To Royi Royi” sung by Ruma Guha Thakurta who is singing for herself as a courtesan. The song is written by Nyay Sharma which is set to music by Ustad Ali Akbar Khan.

Song – Shabnam To Royi Royi, Taare Bhi Roye Bairi (Banarasi)(Bangla) (1962) Singer – Ruma Guha Thakurta, Lyrics – Nyay Sharma, MD – Ustad Ali Akbar Khan

Lyrics

shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
 
taare bhi royen
meri raahen bhi royen
nigaahen bhi royen
meri duaa’en bhi royen
taare bhi royen
meri raahen bhi royen
nigaahen bhi royen
meri duaa’en bhi royen
manzil to khoi khoi
saathi bhi khoye bairi
ab to tu aaja aaja
jaanewaale aaja
jaanewaale aaja
 
royen muraaden apni
aanchal nahin hai
samjhi hum jisko saahil
saahil nahin hai
kashti to soi soi
kinaare bhi soye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja

shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
 
palkon ne haar piroye
kis ko pehnaa’en
hichki malhaar gaaye
kis ko sunaa’en
palkon ne haar piroye
kis ko pehnaa’en
hichki malhaar gaaye
kis ko sunaa’en
hasrat to royi royi
nazaare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja. . .
jaanewaale aaja

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा
शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा

तारे भी रोएँ
मेरी राहें भी रोएँ
निगाहें भी रोएँ
मेरी दुआएं भी रोएँ
तारे भी रोएँ
मेरी राहें भी रोएँ
निगाहें भी रोएँ
मेरी दुआएं भी रोएँ
मंज़िल तो खोई खोई
साथी भी खोये बैरी
अब तो तू आजा आजा
जानेवाले आजा॰॰आ
जानेवाले आजा

रोएँ मुरादें अपनी
आँचल नहीं है
समझी हम जिनको साहिल
साहिल नहीं है
कश्ती तो सोई सोई’
किनारे भी सोये बैरी
अब तो तू आजा आजा
जानेवाले आजा॰॰आ
जानेवाले आजा

शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा

पलकों ने हार पिरोये
किस को पहनाएँ
हिचकी मल्हार गाये
किसको सुनाएँ
पलकों ने हार पिरोये
किस को पहनाएँ
हिचकी मल्हार गाये
किसको सुनाएँ
हसरत तो रोई रोई
नज़ारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा


This article is written by Raja, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4251 Post No. : 15471

Back here on the blog after a fairly long break.
I daresay it would’ve been even longer if it were not a very special occasion today.

From today, we start the centenary celebrations of Sahir Ludhianvi’s birth.
Since he was born on 8th March 1921, today happens to be his 99th birth anniversary.

So yes, it is a very special occasion for Urdu poetry and classic HFM lovers. As a massive Sahir fan, I thought I owed it to him to write a post for the occasion. I’ve written so often about him here, on practically every birth and death anniversary, and have nothing new to say anymore – and yet it feels like a betrayal of sorts to let this day go by, without paying tribute to him.

So when Avinashji, an even bigger Sahir fan than myself, requested me to write a post for Sahir on this occasion, I could not, but agree. 🙂

But I must also admit that for the first time I told Avinashji that I don’t think I’d be in the right mental frame to be able to do this. For me, writing a post here is an investment of emotion – and right now, to be honest, I feel quite empty within. If it were not for Sahir, I don’t think I’d be able to pull myself together for this post.

To Avinashji’s credit, as always, he provided me with a list of songs and lyrics that I could choose from. And left it to me to see whether I could come up with a post. I owe this post to him too.

Ok, enough about myself and my “mental frame” – this post is about Sahir, not about me. 🙂

What can I say about Sahir that I haven’t said before?
Actually nothing.

But since it’s Sahir, whatever I’ve said before can hopefully be repeated, without sounding boring. 🙂
Just like whatever Sahir wrote as social messages, not once but repeatedly in different ways, was never boring, and only meant as a reminder to society, to show people a mirror.

For me, as for many others, Sahir was much more than just a poet or lyricist. Yes, he was a lyricist par excellence. But I’m pretty sure I wouldn’t have had this level of regard for him if he’d limited himself to just writing lyrics or poetry on mundane matters, however beautifully worded.

Sahir’s greatness, in my mind, has a lot to do with the topics he chose to express his views on. And the manner of such expression.

Sure, he could write about romance – “abhi na jao chhod kar” will always be one of my all-time favourite romantic songs.

Sure, he could write about heartbreak too – “jaane wo kaise log the jinke pyaar ko pyaar milaa”, another favourite.

Sure, he could write about love in its multitude of shades – is there a more exquisite ode to love than “ye ishq ishq hai ishq ishq”?

Sure, he could write bhajans with consummate ease – “tora mann darpan kehlaaye” and “aan milo aan milo shyam saanwre” are just two examples.

Sure, he could write light-hearted, fun songs too – the first song that comes to mind in this category is an all-time favourite “sar jo tera chakraaye”.

Sure, he could write, and wrote quite often, on a mother’s love for her child – “tu mere pyar ka phool hai”, “tere bachpan ko jawaani ki dua deti hoon” and “tu mere saath rahega munne” come to mind.

And yet, Sahir rises, no, TOWERS, above all others when it comes to writing on social issues.

No one, NO ONE, showed a mirror to society as earnestly as Sahir. It was as if he truly came into his own on these occasions.

Whether he was writing about injustice towards the oppressed, society’s shocking treatment of women, casteism, communalism, labor exploitation, or the futility of war, Sahir’s words were like cries of anguish, straight from the heart. You could feel the raw sincerity in them, even if they were often laced with cynicism, sarcasm or anger. Or, occasionally, even hope.

So many songs come to mind.

“Tu Hindu banega na musalmaan banega” – where Sahir calls out communalism in all its ugliness
“Cheen-o-arab hamara” – where Sahir sarcastically exposes India’s hypocrisy over wealth disparity
“Jinhe naaz hai Hind par wo kahaan hain” – Sahir at his cynical best, showing society a mirror of its ugly reality
“Khuda-e-bartar teri zameen par” – where Sahir busts the myth about the glory of war, pointing out that there are no winners in war, only bloodshed
“Ponchh kar ashq” – where Sahir exhorts the oppressed to rise and demand their rights from the oppressor, pointing out that colour, religion, caste, race can never be above humanity
“Aurat ne janam diya mardon ko” – Sahir’s famous lament about society’s treatment of women
“Wo subah kabhi to aayegi”– where Sahir, in one of his less frequent refrains, chooses hope over despair

and many more.

Every single time asking questions of society, pointing out its flaws, exhorting it to reform.

That each of his songs is STILL relevant more than 50 years after he wrote them, is truly sad, and a reflection of Indian society – but no one can ever fault Sahir for not doing his utmost to put his writing ability to good use. If society is still languishing in darkness, it certainly isn’t Sahir’s fault.

And it is for this particular trait of Sahir’s that he has a very special place in my heart.

Yes, he’d have had his own place in my heart anyway for lyrics like “wo afsaana jise anjaam tak laana na ho mumkin, use ek khoobsoorat mod dekar chhodna achha”.

But his attempt at social awareness, and his speaking truth to power, takes my regard for him to a different level altogether.

If I may say so, and no disrespect meant to any lyricists who have come since, but no one comes close to Sahir’s intensity in this one matter.

Or maybe times have changed too.

Now, coming to the song for today.

Avinashji gave me a few options – of the lot, I picked the title song of “Samaj Ko Badal Daalo” (1970). Lyrics have been provided by Avinashji, of course. 🙂

It’s a lament, not uncharacteristic of Sahir, where he lets loose on society itself, blaming it for its own ills. That it tolerates corruption and crime is the biggest reason society suffers these, in the first place. Reform cannot start unless society decides to step up, and adopt a zero tolerance policy towards these. Hence “samaj ko badal daalo”.

I honestly don’t think it’s a bad assessment of why we are the way we are.

Without coming across as too preachy, let me share a few thoughts quickly.

We Indians love to blame our politicians for everything. We blame them for corruption, for the poor state of our roads, education and healthcare, for dividing society along communal lines – basically everything.

And yes, since they are our leaders, and have power, it’s not unfair to place responsibility and accountability on them.

And yet, where do these politicians come from?

They don’t fall from the skies, they come from amongst US.

So if we’re complaining about corruption and bigotry in our politicians, we first need to acknowledge that we, as a society, are ourselves guilty of these very shortcomings in our character. We carry a lot of baggage historically, and don’t have a particularly high moral compass ourselves. Our politicians then just exploit our weaknesses.

For example, politicians pander to our base instincts, dividing us based on identity, or other group characteristic. And we fall for it. Every single time.

Then again, when it comes to governance, they manage to get away with promises because we don’t make a serious enough effort to hold them accountable anyway. We behave like slaves – and get treated as such. So our leaders end up with power, but no accountability.

This is OUR fault. If we didn’t allow them to exploit us like this, if we raised the bar and held them accountable to us, things would be very different.

So when Sahir writes “samaj ko badal daalo”, it does resonate a lot with me. And hopefully with others too.

End of “preaching”. 🙂

The song itself is sung by Rafisaab, at the start of the film, as credits roll. I remember seeing this film as a young boy – what I remember most about it from that time is that the hero (Parikshat Sahni, who was then still Ajay Sahni) gets stabbed midway in the film and dies. I’d never seen a film till then where the hero dies midway :-), so I couldn’t reconcile easily to this at all.

A few years ago, I watched this film again, just out of curiosity. I wouldn’t call it a bad film as such (I’ve seen worse), but the last 30 minutes or so, are very dark and depressing. After watching this film, it might linger in your mind – and you’re likely to feel sad for a while.

Considering people usually look towards cinema for escapist fare, and don’t want to be reminded of daily miseries of life, this film is definitely not one you should watch if you want a feel-good feeling from the film. Don’t get misled by the fun “tum apni saheli ko” song, picturised on Prem Chopra.

But none of this takes away from Sahir, who is the reason for this post. Rafisaab singing Sahir’s lines are always a joy for me – even if it’s a sad song.

I hope you will also listen to it – and possibly agree that what we need most is for society itself to reform, otherwise we will continue bad practice of the past, and only regress.

In my opinion, the greatest danger to a society is not economic bankruptcy (which, however hard, CAN be corrected through appropriate economic policy), but moral bankruptcy (which eats away at the very fabric of society, and is therefore far more difficult to correct).

Thank you for reading.

Audio
(audio) (lyrics noted are as per this link)
Video

Song-Samaaj ko badal daalo (Samaaj Ko Badal Daalo)(1970) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Ravi

Lyrics(Provided by Avinash Scrapwala)

(Ye ek katha jo laakhon logon ke ae
Jeevan ka darpan hai
Desh pita ke charnon mein
Ham sab ki ore se arpan hai)

***

Samaaj ko badal daalo o o
Samaaj ko badal daalo o o o
Samaaj ko badal daalo
Zulm aur loot ke rivaaz ko badal daalo
Samaaj ko badal daalo

Kitne ghar hai jinme aaj raushni nahin
Kitne ghar hai jinme aaj raushni nahin
Kitne ae tan-badan hai jinme zindagi ee nahin
Mulq aur kaum ke mizaaj ko badal daalo o
Mulq aur kaum ke mizaaj ko badal daalo
Samaaj ko badal daalo o
Zulm aur loot ke rivaaz ko badal daalo
Samaaj ko badal daalo o

Sainkdo ki mehnaton par
Ek kyun paley
Sainkdo ki mehnaton par
Ek kyun paley ae
Oonch neech se bharaa
Nizaam kyun chale ae
Aaj hai yahi to
Aise aaj ko badal daalo o
Aaj hai yahi to
Aise aaj ko badal daalo
Samaaj ko badal daalo o
Zulm aur loot ke rivaaz ko badal daalo
Samaaj ko badal daalo

————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————-

समाज को बदल डालो ओ ओ
समाज को बदल डालो ओ ओ ओ
समाज को बदल डालो
ज़ुल्म और लूट के रिवाज़ को बदल डालो
समाज को बदल डालो

कितने घर है जिनमे आज रौशनी नहीं
कितने घर है जिनमे आज रौशनी नहीं
कितने ए तन-बदन है जिनमे ज़िन्दगी ई नहीं
मुल्क और कौम के मिज़ाज को बदल डालो ओ
मुल्क और कौम के मिज़ाज को बदल डालो
समाज को बदल डालो ओ
ज़ुल्म और लूट के रिवाज़ को बदल डालो
समाज को बदल डालो ओ

सैंकड़ो की मेहनतों पर
एक क्यूँ पले
सैंकड़ो की मेहनतों पर
एक क्यूँ पले ए
उंच नीच से भरा
निजाम क्यूँ चले ए
आज है यही तो
ऐसे आज को बदल डालो ओ
आज है यही तो
ऐसे आज को बदल डालो
समाज को बदल डालो ओ
ज़ुल्म और लूट के रिवाज़ को बदल डालो
समाज को बदल डालो ओ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4248 Post No. : 15467

“Piya Milan Ki Aas” (1961) was directed by S N Tripathi for Vijay Films. J S Cashyap was the producer. The movie had Ameeta, Manoj Kumar, Sunder, Pratima Devi, Jeevan, Nalini Chonker, Daisy Irani, Indira Bansal, Polson, S. N. Tripathi etc in it.

The movie had eight songs in it. Six songs from the movie have been covered in the past.

Here is the sseventh song from “Piya Milan Ki Aas” (1961) to appear in the blog. The song is sung by Rafi and chorus. Bharat Vyas is the lyricist. Music is composed by S N Tripathi.

I am unable to identify the actor lip syncing the song. I request our knowledgeable readers to help identify the actor.

PS-Prakashchandra, our inhouse identifier of faces, tells us that the actor lipsyncing in Rafi’s voice is Sundar.


Song-Chhuri bagal mein hai Munh mein Raam (Piya Milan Ki Aas)(1961) Singer-Rafi, Lyrics-Bharat Vyas, MD-S N Tripathi
Chorus

Lyrics

jholi mein goli aur chutki mein gutki
mufat ka gatkaaye maal
arre baaba kare kharaaba
bhai bachna
ye kaljug ke kaal

solah aana paaw ratti
pate ki keh gaye jati sati
solah aana paaw ratti
pate ki kah gaye jati sati
hey aise lafangon se bachna
jo karen saadhuon ko badnaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam

jata badhaa kar alakh jaga kar maala phiraate aathon jaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam

hey kare saadhuon ko badnaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam

bhor bhaye ganga tat jaawen
bhor bhaye ganga tat jaawen
kapda rang ke rang jamaawen
kapda rang ke rang jamaawen
chimta gaad ke dhooni ramaawen
sulfa daal ke chilam chadhaawen
(cough cough cough)
sulfa dal ke chilam chadaawen
aadhi raat ko bam bam kar ke
bam bam bam bam bam bam
aadhi raat ko bam bam kar ke
sabki karte neend haraam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam

hey kare saadhuon ko badnaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
churi bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
bhaai raam bhaai raam
bhaai raam bhaai raam
bhaai raam bhaai raam bhaai
raam bhaai raam bhaai

ek haath beedi ka bandal
ek haath beedi ka bandal
dooje haath mein sohe kamandal
dooje haath mein sohe kamandal
lambe chaude aur mustandal
sath chale chelon ka mandal
aadambar paakhand chhal kapat
aadambar pakhand chhal kapat
ye bagla bhakton ke kaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam

hey kare saadhuon ko badnaam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
chhuri bagal mein hai munh mein raam
bhaai raam bhaai raam
bhaai raam bhai raam
bhaai raam bhai raam bhaai
raam bhaai raam bhaai


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Blog Day : 4247 Post No. : 15466

“Madan Manjari”(1961) was a stunt movie, which was directed by Jasubhai Trivedi for Mukund Pictures, Bombay. The movie had Nalini Chonkar, Manhar Desai, Kammo, Sundar, B M Vyas, Naseem, Tuntun, Shekhar Purohit, Meena, Amarjeet, Anil Kumar, C L Singh, Anwari, Premi, B R Ramchandran, Premlata, Champaklala, Niranjan Sharma etc in it.

The movie had eight songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Madan Manjari”(1961) to appear in the blog. The song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Sardar Malik.

Only the audio of this song is available. Going by the sonds of it, the song appears an archtypical “chhaayaageet” genre of song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ham apne gham ko saja kar bahaar kar lenge(Madan Manjari)(1961) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Sardar Malik

Lyrics

hum apne gham ko saja kar bahaar kar lenge ae
hum apne gham ko saja kar bahaar kar lenge ae
tere khayaalon ko thhoda sa pyaar kar lenge ae
hum apne gham ko

kabhi to aayega tu mere dil ki raahon par
kabhi to aayega tu mere dil ki raahon par
tamaam umr tera intejaar kar lenge ae
tere khayaalon ko thhoda sa pyaar kar lenge ae
hum apne gham ko

tadap tadap ke kahin ro ke raat kaatenge ae
tadap tadap ke kahin ro ke raat kaatenge ae
haseen chaand ko hum raazdaar kar lenge ae
tere khayaalon ko thhoda sa pyaar kar lenge ae
hum apne gham ko saja kar bahaar kar lenge ae
hum apne gham ko


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15501

Number of movies covered in the blog

Movies with all their songs covered =1193
Total Number of movies covered =4270

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