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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1990’ Category


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came across a nice number from ‘Police Public’ (1990) by chance when I happened to click here on a Lollywood number “Mein Jis Din Bhula Doon Tera Pyar Dil Se” penned by Masroor Anwar for Khushboo (1979). On that YouTube web-page, I also noticed the same mukhda under this ‘Police Public’ number.

Similar – or even identical – mukhdas are not all that rare; and Lollywood and Bollywood copying each other’s themes, tunes and lyrics was not unheard of in the yesteryears. But what struck me was almost identical lyrics – albeit in different settings and tunes.

Be it as it may be, ‘Police Public’, a Vijay Mehta production, was directed by Esmayeel Shroff. It has a crime-corruption busting theme with Raaj Kumar as a fearless senior C.B.I. inspector as its chief protagonist.

The story in brief is as follows:

Mr. Ram Swarup (A.K.Hangal) is a retired schoolteacher of modest means. His family consists of his two young daughters, Karuna (Poonam Dhillion) and Usha (Shikha Swaroop), and a son Shyam (Vijay Aidasani). Fortunately for Ram Swarup, Mr. Kishan Sharma (Prem Chopra), an eminent businessman in their vicinity, brings forth a proposal of marriage of his son Arun (Raj Kiran) with Karuna. Ram Swarup considers himself lucky to be associated with this influential family, but Mr. Sharma has different plans on his mind. He knows of some land that Ram Swarup has kept aside for his second daughter’s marriage. He convinces Ram Swarup that he needs it temporarily to serve as a guarantee for his new business venture, but later justifies it as dowry for his son’s wedding.

The situation takes a turn for the worse, when one morning Karuna is found dead. Sharma and his friend, an aspiring politician, Tiwari (Ajit Vachani), try to frame it as suicide but the investigating officer Shahnawaz Khan (Kabir Bedi) and Karuna’s family suspect a foul play. Amidst investigations, Shahnawaz Khan is suddenly transferred with the help of the corrupt home minister (Vinod Nagpal) and is replaced by a dishonest and corrupt police officer Mahar Singh Garhwal (Naseeruddin Shah). Amply bribed by Sharma and his friends, he loses no time in suppressing the case. To prevail against the police corruption, Ram Swarup and family appeal to high judicial powers, and consequently a senior C.B.I. officer Jagmohan Azad (Raaj Kumar) is sent to investigate Karuna’s case. He uncovers what had really happened on that fateful night and snares the culprits and despatches  them to face the justice.

This one is ‘romance-in-rain’ number tuned by Raamlaxman (real name: Vijay Patil) on the love birds Poonam DhillionShikha Swaroop and Raj KiranArbaaz Khan in the vocals of Lata Mangeshkar and Amit Kumar.

Song – Main Jis Din Bhula Doon Tera Pyaar Dil Se (Police Public)(1990) Singer – Lata Mangeshkar, Amit Kumar, Lyrics – Asad Bhopali, MD – Ram Laxman
Lata + Amit

Lyrics

mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka
mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka
ye aankhe usi raat ho jaye andhi
ye aankhe usi raat ho jaaye andhi
jo tere siva dekhen sapna kisi ka
mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka

mujhe apne dil se utarne na dena
mein khusbhu hu isko bikharne na dena
mujhe apne dil se utarne na dena
mein khusbhu hu isko bikharne na dena
hamesha rahun mein tere bajuon men
na toote ye bandhan kabhi dosti ka
ye aankhe usi raat ho jaaye andhi
ye aankhe usi raat ho jaye andhi
jo tere siva dekhe sapna kisi ka 
mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka

meri dhadhkno men mohobat hai teri
meri zindagi ab amaanat hai teri
meri dhadhkno men mohobat hai teri
meri zindagi ab amaanat hai teri
tamanna hai jin raaston par chale tu
nishaan ho wahaan par meri bandgi ka
ye aankhe usi raat ho jaye andhi
ye aankhe usi raat ho jaye andhi
jo tere siva dekhe sapna kisi ka 
mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka

mein jis din bhula doon tera pyar dil se
wo din aakhri ho meri zindagi ka
meri zindagi ka
meri zindagi ka

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का
मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का
ये आँखें उसी रात हो जाएँ अंधी
ये आँखें उसी रात हो जाएँ अंधी
जो तेरे सिवा देखें सपना किसी का
मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का

मुझे अपने दिल से उतरने ना देना
मैं खुशबू हूँ सिको बिखरने ना देना
मुझे अपने दिल से उतरने ना देना
मैं खुशबू हूँ सिको बिखरने ना देना
हमेशा रहूँ मैं तेरे बाजुओं में
ना टूटे ये बंधन कभी दोस्ती का
ये आँखें उसी रात हो जाएँ अंधी
ये आँखें उसी रात हो जाएँ अंधी
जो तेरे सिवा देखें सपना किसी का
मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का

मेरी धड़कनों में मोहब्बत है तेरी
मेरी ज़िंदगी अब अमानत है तेरी
मेरी धड़कनों में मोहब्बत है तेरी
मेरी ज़िंदगी अब अमानत है तेरी
तमन्ना है जिन रास्तों पर चले तू
निशां हो वहाँ पर मेरी बंदगी का
ये आँखें उसी रात हो जाएँ अंधी
ये आँखें उसी रात हो जाएँ अंधी
जो तेरे सिवा देखें सपना किसी का
मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का

मैं जिस दिन भुला दूँ तेरा प्यार दिल से
वो दिन आखरी हो मेरी ज़िंदगी का
मेरी ज़िंदगी का
मेरी ज़िंदगी का

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DRISHTI (1990) was produced and directed by Govind Nihalani who was also the cinematographer of the film. The star cast included those actors who at that time, were usually associated with parallel cinema. Shekhar Kapoor and Dimple Kapadia were in the lead roles of husband and wife while Mita Vashisht and Vijay Kashyap were in the roles of another couple. Irfan Khan, Neena Gupta, Navneet Nishan and Tabassum Mansoori had small but important roles in the film. It is said that the film was a remake of a TV Series ‘Scenes from a Marriage’ (1973) directed by Ingmar Bergman. The film failed at the box office but was critically acclaimed. The film won the National Film Award for the best feature film in Hindi.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (23 october 2014) is the festival of deepaawali. This festival is supposed to bring joy and happiness in the lives of everyone. I can certainly vouch for that. My main computer that has been hijacked by my wife for the last few days was surprisingly available to me this morning. I wake up earlier than others on the pretext of letting the dog out and teaching the daughter. The dogs were wide awake as usual but my daughter (and wife) are not (as usual). That gave me the opportunity of sitting on my main computer and try and give finishing touch to the posts for the day.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Continuing on my series of articles on some of the offbeat films (also called parallel or middle cinemas), I have taken up for discussion an NDFC promoted film ‘Thhoda Saa Roomaani Ho Jaaye’ (1990). The film was produced and directed by Amol Palekar. The main roles were played by Nana Patekar, Anita Kanwar and Vikram Gokhale with actors like Banwari Taneja, Dilip Kulkarni, Riju Bajaj, Arun Joglekar and Deepa Lagoo donning the supporting roles. The film was extensively shot in and around Pachmadi in Madhya Pradesh. The film was critically acclaimed but flopped miserably on the box office. I get an impression from the films clips in two parts available on YT that the it was later released on Doordarshan.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Most Rakhi songs in this blog are from the golden era of HFM, viz from 1950s to 1970s, though Rakhi songs from 1930s, 40s and 80s have also been discussed in the past.

Here is a Rakhi song from the 1990s. This picturisation is intesteting. It shows a Mithun da covered from head to toes in Rakhis arrive at his residence where his three sisters are waiting for him. The sisters cannot even identify him, before the small kid accompanying Mithun da explains that Mithun Da had saved several girls from the clutches of baddies and the grateful girls had tied him with rakhis all over his body, including face. 🙂
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

shahar ki raat aur main naashaad o naakaara phiroon
jagmagaati jaagti sadakon pe aawaara phiroon
ae gham e dil kya karoon
ae vahshat e dil kya karoon

This is the mukhda of a very popular song from the film ‘Thokar’ (1953). Most of the lovers of old Hindi film songs would know that the song was rendered by Talat Mehmood and there is a version song sung by Asha Bhonsle. Many among them may also be aware that the song was composed by music director Sardar Malik. But I am not sure as to how many would to know the name of the poet who created this beautiful nazm of despair and loneliness. I was one among them. Many years later, I came to know that it was the creation of Majaz. Then the next question – who was Majaz?. I had no inclination then in seeking an answer to this question.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Connoisseurs of Urdu poetry may recall that sometime in early 90s, Doordarshan televised a TV serial KAHAKASHAN covering the lives of six of the doyens of Urdu poetry – Firaq Gorakhpuri, Hasrat Mohani, Jigar Moradabadi, Josh Malihabadi, Majaz Lacknawi and Makhdoom Mohiuddin. This TV serial was produced by another well known Urdu poet and writer, Ali Sardar Jafri, the contemporary of these galaxy of poets. The serial was directed by Jalal Agha. I had seen some of the episodes of this serial in the 90s but did not remembered much of the contents. A few months back, I came across the episodes of this TV serial on the internet. I have already watched the episodes covering Firaq Gorakhpuri and Majaz Lucknawi. The treatment in the serial is biographical in nature covering some of the important events in the lives of these poets interspersed with their own ghazals many of which were sung Jagjit Singh who also composed the music for the TV serial. Watching the episodes covering these two Urdu poets, to say the least, was a heart wrenching experience for me as the lives of these two poets were full of pains, misery, misfortunes and loneliness. My curiosity to learn more about these six Urdu poets grew after I had watched this T V serial.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Having stayed in Mumbai for over 60 years, I have a fair knowledge of Marathi but not as good as Hindi and English being my medium of instructions in school and college days respectively. In my younger days, I used to often listen to some non-filmy Marathi songs on the radio as also during some public functions like Ganesh festival. Of these, two Marathi songs which created interest in me to listen to more Marathi songs were “mee dolkar dolkar dolkar dariya cha raaja” ( I am a boatman, the king of sea) sung by Hemant Kumar and Lata Mangeshkar and “ne majsi ne matrabhumi laa, sagara praan talmal laa” (O sea, take me back to my motherland. My heart aches for her) sung by all the five Mangeshkars – Lata, Asha, Usha, Meena and Hridaynath. Both these songs were composed by Hridaynath Mangeshkar probably in the late 60s or early 70s. These two songs were my first introduction to Hridaynath Mangeshkar.
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Most of the songs that I post in this blog are from 1970s and earlier. After 1980s, I more or less lost track of Bollywood movies and its music. And that more or less coincided with deterioration in the quality of Bollywood songs as well.
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Many of the songs in this blog are “serious” songs- songs that are timeless classics, as I like to call them.

But one need not listen to timeless classics all the time. There are occasions when one would like to let his/her hair down and listen to light hearted songs that brings a smile to one’s face.

Here is just that kind of song.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1003 Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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