Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1990’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5315 Post No. : 17429

Tribute to Lata Mangeshkar – 2

Yaraa seeli seeli
birha ki raat ka jalnaa
dholaa seeli seeli
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa

O how slow is the night(lamp)
Burning to ambers, Oh love
Oh love, the slow burn
of the lonely lamp.
is this way of the living?
Or it is the way of the dead.

tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
phir se guzarna yaraa

broken are they,
the bangles I try to adorn.
(They were whole once-my loved ones)
In the lane behind me,
What have I left behind.
(something in the previous life)
Those same lanes, call me,
I must pass by them again, love.

pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaalaa hai
andar veeraana

No one beside me, no shade (for feet).
No Lord(benevolent),
even to care for me.
No one goes with me,
not even my shadow.
All brightness is on the outside.
Inside it is all dark and desolate, my love.

In 1990, I was fascinated with this song. Not seen the song anywhere, only heard it on the radio. I don’t remember what else I knew about it, only that Dimple Kapadia was the actress, singing this on screen. I was working in a private firm’s office in Santacruz. There was this girl working there called ‘Heather’, who was looking to change jobs. She asked me to accompany her for interview somewhere at Bandra. In my turn, I also persuaded her to come with me to watch this movie at Liberty Cinema. After the interview, we reached the city and were late for the movie. It had already started, and ‘Heather tried to change my mind, about wasting the ticket money. But having gone so far, I was not in the mood to go back home without watching the movie. It was 3 to 3:30, almost 1 hour of the movie was over. We got the tickets and went inside the hall. In that red carpeted hall, it was as if we were alone in there. Soon interval came, and to our astonishment, there was no one to be seen. Heather said it is not safe to sit in there for us 2 girls and we should just get out. Finally, some I came to my senses we left the cinema.

That incident in 1991, and my ‘khwaahish’ to see this movie remained unfulfilled. Until a few years ago, when I again remembered this film and saw it on YouTube. Ah! What would we have done without YouTube. All the while I was listening to this song, and may have seen it somewhere on TV. Or found it on YouTube.

The awards list of this song is also impressive.
• 1991 – Filmfare Awards – Best Lyricist – Gulzar
• 1990 – National Film Awards – Best Female Playback Singer – Lata Mangeshkar
• 1990 – National Film Awards – Best Lyrics – Gulzar
Trivia:
This song was based on the Punjabi song “Ve Main Chori Chori” composed and sung by the Pakistani folk artist Reshma.
The folk flavour of this song, and the fresh analogies that Gulzar has made in lyrics of this song, made it very special. The super rendition by Lata Mangeshkar has also won her the National Award, yet again.

The following 3 songs are posted in the blog.

Song Date of posting
Main ek sadi se baithhi hoon 6 February 2022
Suniye jee araj mhaaro 26 October 2012
Surmayee shaam is tarah aaye (Lekin) 18 august 2022

This song is a significant one as the film music scene was just picking up, sufiana and Punjabi folk was gaining momentum. Here again, the relevance of Lata Mangeshkar, as a grand doyen of female playback singers, was established. She was singing for R. D. Burman, Laxminkant Pyarelal, of the old brigade and also for new breed of musician through the 90’s.

Video:

Audio:

Live song:

Song-Yaara seeli seeli birha ki raat ka jalna (Lekin)(1990) Singer-Lata Mangeshkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar

Lyrics

Yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
yaraa seeli seeli
ho yaraa seeli seeli
dholaa seeli seeli
yaraa seeli seeli
birha ki raat ka jalnaa aa
yeh bhi koyi jeenaa hai
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa
yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli

tooti hui choodiyon se
jodoon yeh kalaayi main
pichhli gali mein jaane
kya chhod aayi main
tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
beetee huyi galiyon se ae
phir se guzarna yaraa
seelli seelli
dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli


pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaadaa hai
baahar ujaadaa hai
andar veeraana
yaraa seeli seeli
o dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli

yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5283 Post No. : 17307 Movie Count :

4657

Pancham’s Music – Eighties (1981-1990) -10 (1990)

Today 4th January’2023 is the twenty-ninth ‘Remembrance Anniversary’ of the great music-director Rahul Dev Burman whom we fondly know by his nickname ‘Pancham’.

Rahul Dev Burman was born on 27th June’1939 and he passed away on 4th January’1994 at the age of only 54.

As a tribute to him on the blog, today we will enjoy a song composed by him from the movie of the decade 1981-1990. Under this special series where we have been visiting Pancham’s music year wise from 1981 to 1990 today we will look at the movies of the year 1990.

Before that let us have a look at the Pancham’s filmography as a music director for the decade of 1981-1990.

Sr.No. Year No. of movies with music by Pancham
1 1981 20
2 1982 15
3 1983 19
4 1984 17
5 1985 18
6 1986 7
7 1987 9
8 1988 6
9 1989 6
10 1990 3
Total movies 120

From the above we can see that Pancham’s career was already on decline since 1986 – number of movie wise – and his health was also not good. He suffered a heart attack in 1988.

In the year 1990 there were only three movies where Pancham composed music.
Here is the list of these movies.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Chor Pe Mor Kapil Kapoor Gulshan Bawra 06.07.1990 No songs posted
2 Dushman Shakti Samanta Indeevar 12.03.1990 No songs posted
3 Jeene Do Rajesh Sethi Anand Bakshi 21.02.1990 No songs posted

Today we will listen to a song from the movie ‘Chor Pe Mor’.

‘Chor Pe Mor’ was directed by Kapil Kapoor for ‘Sasha Films’.

It was produced by Sanjay Shah. It had Naseeruddin Shah, Neelam, Karan Shah, Sonam, Satish Shah, Kiran Kumar and Ashok Saraf. The cast was also supported by Manik Irani, Mayur Verma, Mahavir Shah, Sharat Saxena, Dan Dhanoa, Aruna Irani, Viju Khote, Kamal Kapoor and others.

This movie was passed by Censor Board on 06.07.1990.

“Chor Pe Mor-1990” has six sound tracks released including one Instrumental music track.

Here is the list of songs of this movie.

SNo Song Title Singer
01 Aaj ka daur Amit Kumar, Shailendra Singh, Chorus
02 Baaj utthe ghunghroo Asha Bhonsle, Amit Kumar
03 Ham to pyaar mein Amit Kumar, chorus
04 Aur sunaao kya Asha Bhonsle, Amit Kumar
05 Haay who din kab aayega Asha Bhonsle, Naseeruddin Shah
06 Drums’ music Instrumental

Lyrics for all the five songs were written by Gulshan Bawra and music was composed by R.D. Burman.

Today’s song is a lovely duet song sung by Asha Bhonsle and Amit Kumar. Neelam and Karan Shah perform on the song on beautiful outdoor location (?).

With today’s song this movie ‘Chor Pe Mor’ makes its debut on the blog.

Let us have a look on the filmography of Rahul Dev Burman from 01.01.1981 to 31.12.1990. Total one hundred and twenty movies with R D Burman’s music in them were released durng this decade.

Sno Movie Title Director Lyricist/s Date of Censor Certificate Status on the Blog
1 Angoor Gulzar Gulzar 31.12.1981 Yippeeee’ed
2 Barsaat Ki Ek Raat Shakti Samanta Anand Bakshi 06.02.1981 3 of 5 songs posted
3 Baseraa Ramesh Talwar Gulzar 05.09.1981 1 of 6 songs posted
4 Biwi O Biwi Rahul Rawail Vitthal Bhai Patel, Nida Fazli 15.05.1981 2 of 7 songs posted
5 Daulat Mohan Saigal Vitthal Bhai Patel-Nida Fazli 11.12.1981 3 of 5 songs posted
6 Dhuaan Dulal Guha Majrooh Sultanpuri 23.03.1981 No songs posted
7 Gehra Zakhm Deepak Bahri Vitthal Bhai Patel, Nida Fazli 05.10.1981 1 of 5 songs posted
8 Ghunghroo Ki Aawaaz Tulsi Ramsay-Shyam Ramsay Vijay Anand 29.09.1981 2 of 5 songs posted
9 Harjaai Ramesh Behl Gulshan Bawra, Vitthal Bhai Patel, Nida Fazli 22.04.1981 4 of 8 songs posted
10 Jail Yaatraa Bhappie Soni Majrooh Sultanpuri 07.09.1981 No songs posted
11 Kaaliyaa Tinu Anand Majrooh Sultanpuri 11.12.1981 Yippeeee’ed
12 Kachche Heere Narendra Bedi Majrooh Sultanpuri 10.07.1981 Yippeeee’ed
13 Love Story Rahul Rawail-David Dhawan Anand Bakshi 21.01.1981 2 of 6 songs posted
14 Mangalsutra B. Vijay Kavi Pradeep, Nida Fazli 13.03.1981 1 of 5 songs posted
15 Naram Garam Hrishikesh Mukherjee Gulzar 28.02.1981 3 of 6 songs posted
16 Qudarat Chetan Anand Majrooh Sultanpuri, Qateel Shifai 27.02.1981 Yippeeee’ed
17 Rakshaa Ravikant Nagaich Anand Bakshi 31.10.1981 2 of 5 songs posted
18 Rocky Sunil Dutt Anand Bakshi 28.04.1981 3 of 6 songs posted
19 Satte Pe Sattaa Raj N. Sippy Gulshan Bawra 28.12.1981 3 of 7 songs posted
20 Zamaane Ko Dikhaanaa Hai Naseer Hussain Majrooh Sultanpuri, Joseph Alwariz 30.12.1981 3 of 6 songs posted
21 Aamne Saamne Aseem Samanta Anand Bakshi 07.01.1982 No songs posted
22 Adhooraa Aadmi Amjad Khan Yogesh 21.09.1982 No songs posted
23 Ashaanti Umesh Mehra Anand Bakshi 01.05.1982 4 of 5 songs posted
24 Bemisaal Hrishikesh Mukherjee Anand Bakshi 24.02.1982 Yippeeee’ed
25 Dard Kaa Rishtaa Sunil Dutt Anand Bakshi 31.12.1982 2 of 6 songs posted
26 Gangaa Meri Maa Shyam Ralhan Gulshan Bawra 27.08.1982 No songs posted
27 Maasoom Shekhar Kapoor Gulzar 18.10.1982 Yippeeee’ed
28 Namkeen Gulzar Gulzar 30.01.1982 Yippeeee’ed
29 Sanam Teri Qasam Narendra Bedi Gulshan Bawra 06.05.1982 2 of 6 songs posted
30 Shakti Ramesh Sippy Anand Bakshi 22.09.1982 2 of 5 songs posted
31 Shauqeen Basu Chatterjee Yogesh 16.04.1982 Yippeeee’ed
32 Swaami Daadaa Dev Anand Anjaan 11.08.1982 2 of 6 songs posted
33 Teri Qasam A.C. Trilokchander Anand Bakshi 20.05.1982 2 of 6 songs posted
34 Yeh To Kamaal Ho Gayaa T. Ramarao Anand Bakshi 15.10.1982 No songs posted
35 Yeh Vaadaa Rahaa Kapil Kapoor Gulshan Bawra 31.03.1982 4 of 6 songs posted
36 Aan Aur Shaan Ravi Tandon Majrooh Sultanpuri 14.11.1983 1 of 4 songs posted
37 Agar Tum Na Hote Lekh Tandon Gulshan Bawra 27.10.1983 3 of 8 songs posted
38 Bade Dilwaalaa Bappie Soni Majrooh Sultanpuri 24.09.1983 5 of 7 songs posted
39 Betaab Rahul Rawail Anand Bakshi 30.07.1983 2 of 5 songs posted
40 Bindiyaa Chamkegi Tarun Dutt Anjaan 20.10.1983 No songs posted
41 Boxer Raj N Sippy Gulshan Bawra 31.12.1983 No songs posted
42 Chor Police Amjad Khan Nida Fazli 11.04.1983 1 of 5 songs posted
43 Farishtaa Sunil Sikand Anand Bakshi 13.10.1983 1 of 6 songs posted
44 Jaan E Jaan / Nikamma Ramesh Behl Gulshan Bawra 06.04.1983 2 of 5 songs posted
45 Kaun? Kaise? Anil Ganguly Gulshan Bawra 06.05.1983 1 of 5 songs posted
46 Lovers Bharathi Raja Anand Bakshi 07.05.1983 1 of 6 songs posted
47 Mahaan S. Ramnathan Anjaan 08.04.1983 2 of 7 songs posted
48 Main Aawaaraa Hoon Aseem Samanta Anand Bakshi 25.11.1983 1 song posted
49 Mazdoor Ravi Chopra Hasan Kamaal 06.10.1983 2 of 7 songs posted
50 Pukaar Ramesh Behl Gulshan Bawra 01.11.1983 1 of 6 songs posted
51 Qayaamat Raj N Sippy Majrooh Sultanpuri 01.10.1983 1 of 5 songs posted
52 Rang Birangi Hrishikesh Mukherjee Kaka Hathrasi, Yogesh, Maya Govind 23.04.1983 2 of 4 songs posted
53 Romance Ramanand Sagar Anand Bakshi 12.10.1983 1 of 6 songs posted
54 Shubh Kaamnaa K. Vishwanath Anjaan 23.07.1983 1 of 5 songs posted
55 Aanand Aur Aanand Dev Anand Anjaan 11.05.1984 1 of 6 songs posted
56 Aawaaz Shakti Samanta Anand Bakshi 27.10.1984 3 of 6 songs posted
57 Andar Baahar Raj N Sippy Gulshan Bawra 30.08.1984 2 of 5 songs posted
58 Bheemaa Dinesh Saxena Anjaan 07.04.1984 No songs posted
59 Duniyaa Ramesh Talwar Javed Akhtar 18.09.1984 2 of 6 songs posted
60 Hum Dono B.S. Glaad Anand Bakshi 21.12.1984 No songs posted
61 Hum Hain Laajawaab Mohan Saigal Anand Bakshi 21.08.1984 1 of 7 songs posted
62 Jaagir Pramod Chakravarti Anand Bakshi 20.10.1984 1 of 6 songs posted
63 Jawaani Ramesh Bahl Gulshan Bawra 10.12.1984 1 of 6 songs posted
64 Jhoothha Sach Ismayeel Shroff Majrooh Sultanpuri 22.08.1984 1 of 5 songs posted
65 Karishmaa I.V. Sassi Gulshan Bawra 30.11.1984 No songs posted
66 Maati Maange Khoon Raj Khosla Anand Bakshi 22.03.1984 No songs posted
67 Manzil Manzil Naseer Hussain Majrooh Sultanpuri 26.09.1984 1 song posted
68 Musaafir* (U/R 1986) Jabbar Patel Gulzar 15.10.1984 1 of 3 songs posted
69 Sunny Raj Khosla Anand Bakshi 15.09.1984 3 of 6 songs posted
70 Yeh Desh T. Rama Rao Anand Bakshi 16.02.1984 No songs posted
71 Zameen Aasmaan Bharat Rangachari Anjaan 14.05.1984 1 of 5 songs posted
72 Aar Paar Shakti Samanta Anand Bakshi 19.11.1985 1 song posted
73 Aawaaraa Baap Sohanlal Kanwar M.G. Hashmat, Vishweshwar Sharma, Verma Malik 19.11.1985 No songs posted
74 Alag Alag Shakti Samanta Anand Bakshi 20.09.1985 6 of 8 songs posted
75 Ameer Aadmi Ghareeb Aadmi Amjad Khan Nida Fazli 19.02.1985 No songs posted
76 Arjun Rahul Rawail Javed Akhtar 20.04.1985 2 of 4 songs posted
77 Bond 303 Ravi Tandon Gulshan Bawra 19.06.1985 1 of 5 songs posted
78 Ek Se Bhale Do S.V. Rajendra Singh Anjaan 10.05.1985 No songs posted
79 Hum Naujawaan Dev Anand Anjaan, Indeevar 18.11.1985 No songs posted
80 Laavaa Ravindra Peepat Anand Bakshi 10.01.1985 1 of 8 songs posted
81 Oonche Log Brij Anjaan 06.05.1985 No songs posted
82 Raahi Badal Gaye Ravi Tandon Gulshan Bawra 30.03.1985 1 of 6 songs posted
83 Raam Kitne Tere Naam P. Madhavan, B.A. Majrooh Sultanpuri, Gulshan Bawra 02.02.1985 No songs posted
84 Rusvaai Rajat Rakshit Pradeep, Indeevar 12.09.1985 No songs posted
85 Saagar Ramesh Sippy Javed Akhtar 27.04.1985 YIPPEEEE’ED
86 Saverewaali Gaadi Bharati Raja Majrooh Sultanpuri 17.09.1985 3 of 5 songs posted
87 Shivaa Kaa Insaaf Raj N Sippy Gulshan Bawra 05.03.1985 No songs posted
88 Sitamgar Raj N Sippy Majrooh Sultanpuri 08.03.1985 1 of 6 songs posted
89 Zabardast Naseer Hussain Majrooh Sultanpuri 05.06.1985 1 of 5 songs posted
90 Anokhaa Rishtaa I.V. Sasi Anand Bakshi 27.06.1986 No songs posted
91 Ek Main Aur Ek Tu Ravi Tandon Anand Bakshi 15.07.1986 No songs posted
92 Jeevaa Raj Sippy Gulzar 19.11.1983 1 song posted
93 Palay Khan Ashim Samanta Anand Bakshi 03.12.1986 No songs posted
94 Samundar Rahul Rawail Anand Bakshi 03.09.1986 1 song posted
95 Shatru Pramod Chakravarty Anand Bakshi 24.07.1986 No song posted/td>
96 Zindagaani Prabhat Roy Anjaan, Indeevar 03.07.1986 1 song posted
97 Apne Apne Ramesh Bahl Gulshan Bawra 05.03.1987 1 song posted
98 Belagaam Naval Kishore Majrooh Sultanpuri 02.12.1987 No songs posted
99 Dacait Rahul Rawail Anand Bakshi 13.03.1987 1
100 Hifaazat Prayag Raj Anand Bakshi 14.09.1987 No songs posted
101 Ijaazat Gulzar Gulzar 31.08.1987 4
102 Inaam Dus Hazaar Jyotin Goel Majrooh Sultanpuri 18.02.1987 No songs posted
103 Itihaas V. Joshi Anand Bakshi 30.01.1987 No songs posted
104 Jaliaanwaalaa Baagh Balraj Tah Gulzar 30.01.1987 2 songs posted
105 Mardonwaali Baat Brij Indeevar 31.12.1987 No songs posted
106 Faislaa S. Ramanathan Majrooh Sultanpuri 25.01.1988 1 of 4 songs posted
107 Khareedaar* Kartik Mehta Indeevar, Gulshan Bawra 29.01.1988 No songs posted
108 Mil Gayi Manzil Mujhe Moeen Amjad Anand Bakshi 05.12.1988 No songs posted
109 Naamumkin Hrishikesh Mukherjee Anjaan 12.08.1988 1 song posted
110 Raamaa-O-Raamaa Mirza Brothers Anand Bakshi, Usman Aarif 24.11.1988 1 song posted
111 Zalzalaa Harish Shah Gulshan Bawra, Indeevar 27.04.1988 No songs posted
112 Aag Se Khelenge Bhaskar Shetty Anand Bakshi 30.08.1989 No songs posted
113 Bahuraani Manick Chatterjee Anjaan 18.12.1989 No songs posted
114 Dost K. Murali Mohan Rao Indeevar 23.06.1989 No songs posted
115 Joshile/Joshilay Sibte Hasan Rizvi Javed Akhtar 10.01.1989 1 song posted
116 Jurrat David Dhawan Anand Bakshi 12.12.1989 1 of 6 songs posted
117 Parindaa Vidhu Vinod Chopra Khursheed Hallauri 31.08.1989 4 of 7 songs posted
118 Chor Pe Mor Kapil Kapoor Gulshan Bawra 06.07.1990 Making debut today*
119 Dushman Shakti Samanta Indeevar 12.03.1990 No songs posted
120 Jeene Do Rajesh Sethi Anand Bakshi 21.02.1990 No songs posted

(Note – I have tried to compile the above table with as much accuracy as possible based on the information available in HFGK Vol-VI (1981-1985) and Hindi Filmography (1986-2000). I would request readers to suggest additions/ corrections if anything is missing. I would also like to apologise if there is any mistake on my part while compiling this table. We will be further adding the filmography of Pancham for the decade 1971-1980 and earlier than that, and also movies further after 1990 to have a complete filmography of Pancham in the future on the blog.).

Till then let us enjoy today’s song composed by Pancham…

Let us pay our tributes to Pancham and thank him for all the great music which he left behind us to enjoy.

Video

Audio

Song-Baaj uthhe ghunghroo dil se nikle haay (Chor Pe Mor)(1990) Singers-Asha Bhonsle, Amit Kumar, Lyrics-Gulshan Baawra, MD-R D Burman
Female chorus

Lyrics

aa aa
aa aa aa
aa aa aa
aa aa aa

hmm mmm mmm
hmm mm mmm
hmm mmm mmm
aa aa aa aa aa
aa aa aa
ho
baaj uthhe ghunghroo
dil se nikle haay
bin tere ab to o o o
ik pal rahaa naa jaa aa aaye
haan baaj uthhe ghunghroo
dil se nikle haay
bin tere ab to o
ik pal rahaa naa jaaye
baaj uthhe ghunghroo oo oo
dil se nikle haay
bin tere ab to o
ik pal rahaa naa jaaye

saa
saa ma
saa ma
ma
dha ma
dha ma
ga
ga
ma
ga
saa
saa aa
aa aa aa aa aaaaaaaaaaa
aaaaaaaaaaaaaaaaaaa

kal tak tera pyaar lagaa
ik afsaana aa aa
aaj tujhe dil ki nazron se
pehchaana aa aa
o kal tak tera pyaar lagaa
ik afsaana aa
aaj tujhe dil ki nazron se
pehchaana aa
pal mein sab kuchh badal gaya
jaise pathhar pighal gaya
ab chaahe
jo bhi ho jaa aaye
baaj uthhe ghunghroo
dil se nikle haay
bin tere ab to o
ik pal rahaa naa jaa aaye
baaj utthhe ghunghroo
dil se nikle haay
bin tere ab to o
ik pal rahaa naa jaaye ae

aa aa aa aa
aa aa aa aa

ho ab to jeewan bhar yoon mil ke
rehnaa hai ae
jeewan ka har sukh dukh
mil ke sehnaa hai ae
ho o
ab to jeewan bhar yoon mil ke
rehnaa hai

laa laa
jeewan ka har sukh dukh
mil ke sehnaa hai

laa laa
laa laa
main jahaan hoon
wahin pe tu
main hoon rang
aur tu khushboo
mil gaye
tere mere saaye ae

baaj uthhe ghunghroo
dil se nikle haay
bin tere ab to o
ik pal rahaa naa jaaye ae

ho baaj uthhe ghunghroo oo
dil se nikle haay haay
bin tere ab to o
ik pal rahaa naa jaaye ae

haay re
ho baaj utthhe ghunghroo oo
dil se nikle haay
haan bin tere ab to o
ik pal rahaa naa jaaye

haan baaj uthhe ghunghroo oo oo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5269 Post No. : 17277 Movie Count :

4652

Hullo Atuldom

“Awaargi” (1990) was directed by Mahesh Bhatt, story-screenplay-dialogues were written by Suraj Sanim, and produced by P. Raghunath (who happened to be Hema Malini’s uncle). The movie opens with a message ‘Thanking Hema Malini’. Anu Malik was the music composer with Anand Bakshi writing most of its songs. Playback singers used were Asha Bhonsle, Mohd. Aziz, Lata Mangeshkar, Anuradha Paudwal; the Ghazal Maestro Ghulam Ali sang the melodious “Chamkate Chaand Ko Toota Hua Taara Banaa Dalaa” which was was written by Asad Bhopali. (Recently I saw this, sung by a youngster, on satellite TV, and I was hooked on to it and the songs of the movie itself).

Meenakshi Sheshadri-Anil Kapoor-Govinda formed the main lead and Anupam Kher headed the supporting cast of Satish Kaushik, Paresh Rawal, Avtar Gill, Mahesh Anand, Deepak Qazir, Ghanshyam etc. This was a movie that was long in the making and finally released 4 years after it was announced. This was one of the two movies that had Anil Kapoor & Govinda in the lead; the other being “Deewaana Mastaana”; both were love triangles but completely different from each other.
“Awaargi” was the story of Azaad (Anil Kapoor) rescuing a girl – Meena (Meenakshi)- from a brothel and how he helps her attain her dream of becoming a singer. For this he introduces her to a hotel owner (Deepak Qazir). Here she is spotted by a stage singer -Dhiren (Govinda)- who offers her a place in his troop and thus begins her journey to reach her dreams. Then, of course, there is the usual of Azaad falling in love with her and not being able to express it when he feels that Meena is in love with Dhiren. In between the confusion among the lovers there is also the ‘tadka’ of some gang lords – Paresh Rawal & Anupam Kher- wanting Meena back in the brothel.

I have seen this movie a decade back and don’t recall how it ends; but I am sure one of the guys would have given up his love for the lady; or (just maybe) the lady would have decided who she wanted in her life. This was a movie where Govinda and Anil Kapoor played serious characters with Anil Kapoor’s Azaad being the ‘Tapori’ that he was adept at playing back then.

Today we are having the song with which Meena makes her stage debut with Dhirens’ help. It is in the voices of Lata Mangeshkar and Mohd Aziz. It shows the two dancers in tandem to movements set by Saroj Khan.

With this post we are wishing the actor/dancer/singer/comedian Govinda who also tried his hand at being a Parliamentarian for a term as an elected member of the Lower House (Lok Sabha). He has taken a step closer to being 60.


Song-Ae mere saathiyaa tu koi geet gaa (Awaargi)(1990) Singers-Lata, Md Aziz, Lyrics-Anand Bakshi, MD-Anu Malik
Both
Chorus

Lyrics

ae mere saathiya
tu koi geet ga aa
ae mere saathiya aa
tu koi geet ga aa
jhoom loon main zara aa
jhoom loon main zara
naach loon main zara aa
ho o o o
ae mere saathiya
tu koi geet ga
ae mere saathiya
tu koi geet ga
geet sangeet se ae ae
geet sangeet se ae
aag dil mein laga aa
o o o o
ae mere saathiya
tu koi geet ga aa

aye mere saathiya
tu koi geet ga aa aa

tu ru ru ru tu ru
tu ru ru ru tu ru
tu ru ru ru tu ru

tu ru ru ru tu ru
tu ru ru ru tu ru

dhadkan ki aawaaz se
aawaazon ke saaz se

o o o o o
dhadkan ki aawaz se
aawaazon ke saaz se
honthon pe ye sargam ke phool khile ae
honthon pe ye sargam ke phool khile ae

haan dhadkane laga dil mera dil tera
ho o o
ae mere saathiya
tu koi geet ga aa aa
ae mere saathiya
tu koi geet ga aa aa

aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

dekho
mujhe koi pyaara sa geet sunaao
ajee waah
aise kaise suna den

koi milan ki baat ho
hijr ki lambi raat ho

aa aa aa aa
koi milan ki baat ho
hijr ki lambi raat ho
yoon hi kaise geeton ki barsaat ho
yoon hi kaise geeton ki barsaat ho

dekh to jhoom ke
chha rahi hai ghata aa
aa aa aa aa aa
ae mere saathiya
tu koi geet ga
ae mere saathiya
tu koi geet ga aa aa

aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5144 Post No. : 17106

Today 18th August 2022 is the eighty-eighth birthday of Poet, Lyricst, Writer, Director, etc. Shri Sampooran Singh Kalra whom we know by his pen name ‘Gulzar’ (born on 18.08.1934).

Gulzar Saab has come a long way in the film industry starting from ‘Shriman Satyawadi’ (1960) and ‘Kabuliwaala’ (1961) to the recently released (on OTT) ‘Darlings-2022’ (where he wrote lyrics for a song).

Much has been written about him and most of us are well aware of his ‘cinematic excellence’ and his unique ‘poetry’ where he uses the ‘similes’ in his unique ways in his poetry and lyrics in Hindi Film Music.

There have been numerous posts on the blog about Gulzar Saab and there will be many coming in future. So, today, I am not going into the details of his movies and lyrics list which I like most or which have left an indelible mark on my mind. But I would like to mention here that while Gulzar Saab have done so much in all areas of writing, cinema, and poetry I have yet to read many of his works other than movies. However, in the case of movies I can say that I have watched many of the movies directed by him. And l loved them all.

One more thing which I am very fond of Gulzar Saab is his writings for children or his lyrics for the movies for children and the non-filmi albums of his for children (like ‘Karadi Tales etc). I would also like to mention his commentary in two audio albums one for film music i.e., ‘Fursat Ke Raat Din’ and one for Bhupen Hazarika’s song ‘Main Aur Mera Saaya’ which I like very much. Finally, I would like to mention his song for tele serial ‘Mirza Ghalib’ which is also one of my most favorite albums.

There are many things which one can write about him and his works in cinema and other than ‘cinema’. However, today we leave this for another day and straightway come to today’s song to celebrate Gulzar Saab’s birthday on the blog. (This song is lying with us since almost a decade now 😊).

This song is from the 1990 movie ‘Lekin’.

‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. This movie was passed by Censor Board on 29.08.1990.

It had Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie.

The story of this movie was written by Gulzar, who also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi, and Aadinath Mangeshkar.

This movie has eight soundtracks as mentioned on the blurb of the audio cassette of this movie. Music is composed by Hridaynath Mangeshkar. I like all songs of this movie very much and this is one of my most favorite albums. Today’s song is sung by Suresh Wadkar and on screen it is lip-synced by Vinod Khanna.

This movie is an interesting movie to watch, so nothing more about the movie here 😊

Let us listen to today’s song and enjoy Gulzar Saab’s poetry …

We wish Gulzar Saab a very happy birthday today and a happy, healthy and peaceful life ahead …

Over to the song now …

Video

Audio

Song-Surmayee shaam is tarah aaye (Lekin)(1990) Singer-Suresh Wadkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar

Lyrics

surmayee shaam is tarah aaye ae ae ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam

koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
waqt jaata sunaayee deta hai
tera saaya dikhayee deta hai ae
jaise khushboo nazar se chhoo jaaye
jaise khushboo nazar se chhoo jaaye
saans lete hain jis tarah saaye
surmayee shaam

din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
waqt ke paaon dekhta hoon main
roz yeh chhaaon dekhta hoon main
aaaye jaise koi khayaal aaye
aaye jaise koi khayaal aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye
surmayee shaam

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

सुरमई शाम इस तरह आए
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम

कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
वक़्त जाता सुनाई देता है
तेरा साया दिखाई देता है
जैसे खुशबू नज़र से छू जाये
सांस लेते हैं जिस तरह साये
सुरमई शाम

दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
वक़्त के पाँव देखता हूँ मैं
रोज़ ये छांव देखता हूँ मैं
आए जैसे कोई खयाल आए
आए जैसे कोई खयाल आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4951 Post No. : 16816

Lata Mangeshkar – 1929-2022

A lifetime of music passed by, and then today morning, that voice of the century descended into the forever sleep, from where no one returns. The fears have been there for almost a month – the time she spent in the hospital. And there were prayers also – prayers by millions – millions who have loved and revered this voice that has been singing for the past almost seventy five years. This voice will not be heard again.

And yet, this voice will continue to ring till there is time, and there are lovers of music. Her legacy and her memories will keep alive. Thousands of songs that have been sung by her and recorded – these songs will continue to please the ears till there music lives. The voice will live forever.

नाम गुम जाएगा
चेहरा ये बादल जाएगा
मेरी आवाज़ ही पहचान है. . .

Goodbye Didi. . . it has been a terrific inning – 1929 – 2022.

================================================

Recently when I updated my list of pending songs shared earlier, I noted that the top two songs are from the movie ‘Lekin’ (1990). Both the songs were shared long back in 2012. Since these were pending since long, I thought I should try to add a write-up to them and send for posting. I like all the songs from this movie very much, and I must have listened to them innumerable times.

I was staying at Kota (Rajasthan) then when the music for this film was released. I had bought the cassette for this film on 12.01.1991. (The film was dedicated to the ‘girl child’). Music was released by HMV in September’1990. That is now almost thirty-one years back now. Hushh…!! how time flies? … 😊 to me its only like few months back. Only thing is now I didn’t get to listen these songs regularly because the cassette-recorder-player has gone out of order and cannot be repaired now. (Maybe I need to buy a new one. Otherwise, I am afraid that the cassettes will also deteriorate).

I like the songs of this movie very very much, but I did never get to watch this movie. When I checked on internet the movie was already available, so I decided to watch it, and had watched it few weeks back. Sadly, the film available seems to be a re-recorded one and not an original print. Also, this version has the songs deleted from it. And that means all songs are deleted from this version. Though videos of the songs are available separately. But their absence from the movie takes out all the joy of enjoying the movie. But nevertheless, one can enjoy this movie for the mystery it contains.

I liked this movie very much. It has all the ingredients that I love to watch – the palaces of Rajasthan, the ruins, the sand-dunes, train journey, the inside view of the special coaches of the train (in this case it the first class coach, I think), library, books, mystery wrapped in time, wandering soul (we can see that 😊 in the movie), and above all the captivating and mesmerizing music – classical as well as folk of Rajasthan – the thrill of those ‘Ragas’ -the poetry in the songs – the divine singing voice – all these takes one to a different planet. I would not like to spoil the interest of those who intend to watch this movie, so I will not write much about the movie in details.

This movie is said to be inspired from one the famous Rabindranath Tagore story ‘Kshudhit Paashaan’ (Angry Stones).
[Auth. Note: I do have this story book in my library and this I realized when I read about this movie based on this story and then I remember, yes, I think I have this book. Then I look for it in the shelves and it was there. No mystery in this 😊 my younger daughter always pushes me to read the books that I have collected and not to add newer ones unless I read the older ones all 😊.]

Coming back to the today’s movie now. ‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. The star cast includes Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie. This movie was passed by Censor Board on 29.08.1990.

Story of this movie is written by Gulzar. Gulzar also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi and Aadinath Mangeshkar.

This movie had eight soundtracks as mentioned on the blurb of the cassette and the details are given below.

Sl. No.

Song Title Singer/s

Posted On

01 Yaaraa Seeli Seeli Lata Mangeshkar
02 Sunio Ji Ek Araj Mhaari Lata Mangeshkar 26.10.2012
03 Surmai Shaam Jis Tarah Suresh Wadkar
04 Kesariya Balamaa Lata Mangeshkar
05 Kesariya Balamaa Lata Mangeshkar
06 Joothhe Nainaa Bole Asha Bhonsle, Satyasheel Deshpande
07 Main Ek Sadee Se Lata Mangeshkar
08 Jaa Jaa Re Lata Mangeshkar, Hridaynath

Coming back to the today’s song it is sung by Lata Mangeshkar and on screen lip-synced by Dimple Kapadia. This song is beautifully picturized in the ruins and deserts of Rajasthan. I am sure listening to this song will give one a lot of pleasure and will take one far away in the ‘desert’. I stayed at Kota for almost eight years, but never visited the ‘desert-triangle’. I wish I will visit them soon. Though during my stay, I visited palaces and forts at Jaipur, Udaipur, Chittorgarh, Bundi and at Kota. Whenever I visit there, I used to jokingly say my friends that in my previous birth I was a King and ruled there 😊 …

As mentioned above only one song from this movie has been posted on the blog on 26.10.2012 just few months more and this movie will complete a decade on the blog. Let us now listen to the today’s song.

Main ek sadi se baithhi hoon

Video

Video

Song – Main Ek Sadi Se Baithi Hoon (Lekin)(1990) Singer – Lata Mangeshkar, Lyrics – Gulzar, MD – Hridaynath mangeshkar

Lyrics

hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm

main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
is raah se koi guzra nahin
kuchh chaand ke rathh to guzre thhe
kuchh chaand ke rathh to guzre thhe
par chaand se koi utara nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
beet gaye
din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
main man aangan mein baithhi rahi
main man aangan mein baithhi rahi
choukhat se koi guzraa nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
jaata hai
aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
aankhon ko nichoda maine bahut
aankhon ko nichoda maine bahut
par koi aansoo utra nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म

मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
इस राह से कोई गुज़रा नहीं
कुछ चाँद के रथ तो गुजरे थे
कुछ चाँद के रथ तो गुजरे थे
पर चाँद से कोई उतरा नहीं

मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
बीत गए
दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
मैं मन आँगन में बैठी रही
मैं मन आँगन में बैठी रही
चौखट से कोई गुज़रा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
जाता है
आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
आँखों को निचोड़ा मैंने बहुत
आँखों को निचोड़ा मैंने बहुत
पर कोई आँसू उतरा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4871 Post No. : 16666 Movie Count :

4542

Most Indians today know that Tiger is the national animal of India. But that was not the case when India became independent. Asiatic Lion (found in Geer forest in Gujarat), was declared as India’s national animal in 1948 by PM Jawaharlal Nehru in 1948, mainly because of lobbying by Gujrat Natural History Society.

But the number of lions was very small, whereas Tigers were found in as many as 16 states of India. On 18 november 1972, exactly 49 years ago, Royal Bengal Tiger was chosen as India’s national animal.

It is to be kept in mind that tigers found all over India are of the same species viz Royal Bengal tiger (Tigris panthera). If someone thinks that Royal Bengal Tigers are only found in Bengal and Bangladesh, and tigers in other parts of India are of different species , then that is not the case. The name Royal Bengal Tiger itself is a misnomer. Some British Official had first seen this animal in an area now falling in Central India – present day MP, Chhatisgarh, Maharashtra region- in other words in Mowgli country of Rudyard Kipling) and named it as Royal Bengal Tiger, because that region then fell under Bengal Presidency. It is to be noted that Bengal Presidency covered a vast region of India those days. It covered entire North East India, Present Bangladesh, Bangal, Bihar , Jharkhand, Orissa, Eastern UP, MP, Chhatisgarh, etc. Like the case then, even today most population of Royal Bengal tigers is found in the same Mowgli land.

Both Lions and tigers were facing extinction during 1970s. There were only 1827 tigers left in India in 1972. To save tigers from extinction, a tiger conservation programme called Project Tiger was started in April 1973 by Government of India. 27 tiger sanctuaries were created under this project. Today, the number of tigers in India is estimated to be around 2500-3500.

Today Bengal has a tiger population of under 100. Same is the case for Bangladesh. In contrast, MP, and Karnataka have over 500 tigers each while Uttarakhand has 400 plus and Maharashtra 300 plus. Tamilnadu has 200 plus. Kerala, UP, Assam have 100 plus tigers each. Overall, as many as nine different Indian states have more Royal Bengal Tigers than are found in Sundarban area of Bengal and Bangladesh. So personally I would like to describe this animal as Royal Indian Tiger that enjoys a pan Indian presence.

The population of these tigers have reduced in Bangladesh and Bengal (sundarban area), whereas their population has increased in other parts of India. So, I can only laugh when Bangladesh stakes claims on this animal. Like India, they too have Royal Bengal Tiger as their national animal. On another note, lions are used as their their national symbols by England as well as Sri Lanka, though none of these countries today have any lions left in their jungles.

To mark today’s date as the date when Tiger’s became the national animal of India, I was looking for a song where Tiger finds a mention, even if symbolically. I think I have found a rocking and rollicking song for the occasion. This song is from “Appu Raja”(1990), which was a dubbed version of the Original Tamil movie Apoorva Sagodharargal (1989).

This movie (both original as well as Hindi dubbed version) were produced by Kamal Haasan and directed by Singeetam Srinivasa Rao for Raaj Kamal Films International, Madras. The film had Kamal Haasan, Jaishankar, Nagesh, Gautami, Rupini, Manorama, Srividya, Janagaraj, Moulee, Delhi Ganesh, Nassar etc in it.

The movie was dubbed but songs in Hindi version were specially recorded, duly translating the Tamil lyrics into Hindi.

Here is the first song from “Appu Raja”(1990) to appear in the blog. This fantastic danc song is sung by S P Balasubrahmaniam and chorus. Prem Dhawan is the lyricist. Music is composed by Ilayaraja. The picturisation shows wonderful dance performance by Kamal Hasan, Manorama (playin Kamal Hasan’s mother) and others.

On the occasion of adoption of Tiger as Indian national animal, here is a wondful dance song. I am told that this song has become a must play song at birthday parties in Maharashtra. This song is a fit song to dance, no doubt about that.

With this song, “Appu Raja”(1990) makes its debut in the blog.


Song-aaya hai raaja logon re logon(Appu Raaja)(1990) Singer-S P Balasubrahmaniam, Lyrics-Prem Dhawan, MD-Ilayaraja

Lyrics

aaya hai raaja logon re logon
raaja ke sang sang jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
sheron ka hoon main sher yaaron
are koi na mujhsa daler pyaaron
shero ka hu mai hoon
sher yaaro
are koi na mujhsa
daler pyaaron
such such kahta main
dat ke rahta main
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo

are dar kya hai dham dham dhamaadham dhamaake se naacho re
ho o
jab tak ye dam hai koi nahin gham hai
hoga jo hone do
yaaron aage bhi peechhe bhi mudke zara dekho
ho o
koi chupke se chhup chhup ke aake na maare tum ko yehan
aji vo hai shikaari to ham bhi khilaadi
haar na maanen
hoy hoy
pehalwaan vahalwan aayen jo saame
maar bhagaayen
hoy hoy
khilaadi kaun hai
raaja ho raaja
balwaan kaun hai
raaja aa
yoon chhupke nishaane karo kaahe
hey dhokhe mein raaja to na aaye
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo

aji pyaar mein ban jaaya karte hain hum hi zara bhole ho o
par jab aa jaaye samne dushman to bach ke jaaye na
pyaara koi mila to usey dil se laga daala ho o
koi akde vakde to phir chhode na uski jaan
choro ke chor hain
veeron ke veer hain
aazma lo
hoye hoye
kaato to kaatenge
maaro to maarenge
baazi lagaa lo
hoye hoye
ustaad sab ka
raaja ho raaja
o daada sab ka
raaja
o jee bandook to hai khilauna re
hey dil waale darte na goli se
aaya hai raaja
logon re logon
o raaja ke sang sang
jhoom lo jhoom lo
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
sheron ka main hoon
sher yaaron
are koi na mujhsa
daler pyaaron
sheron ka main hoon
sher yaaron
are koi na mujhsa
daler pyaaron
arre sach sach kehta main
dat ke rehta main
aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo
arre aaya hai raaja
logon re logon
raaja ke sang sang
jhoom lo jhoom lo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4841 Post No. : 16629 Movie Count :

4530

Hullo Atuldom

The song with this post is heavily inspired by this song. This 1973 song which was sung by Kishore Kumar had Dharmendra trying to pacify his upset love Rekha. He resorted to all kinds of buffoonery to get a smile on her face and also get her to admit her love for him

In today’s song Kishore Kumar’s son Amit Kumar is the voice for Dharmendra’s son Sunny Deol. Sunny is running behind a ‘roothhi’ Meenakshi Seshadri and trying to get her to re-admit her love. So, the situation is like this. Just before this song, Sunny -who is a boxer for his college- has been reprimanded by his coach (Viju Khote) for day-dreaming about Meenakshi. Consequently, he refuses to acknowledge when she comes to meet him at his coaching camp. Later, when Sunny goes to meet her at a cafe, she pays him back in the same coin and also gathers public support citing that he is eve-teasing her. Now, it is the duty of our naayak to ‘manao’ a ‘roothhi’ naayikaa.

Hence this song which is written by Anjaan and composed by Bappi Lahiri. As I have said in the previous paragraph the male voice is Amit Kumar’s and S. Janaki sings for Meenakshi Seshadri. This marks the debut of “Ghayal” (as written in the titles of the movie). This 1990 movie starred Raj Babbar and Moushumi Chatterjee as Sunny’s bhaiyya and bhabhi. Amrish Puri played Balwant Rai (the villain) with Kulbhushan Kharbanda, Om Puri, Ashalata, Shafi Inamdar, Annu Kapoor etc in supporting roles. There were a few actors like Shabbir Khan, Sudesh Berry and Mitwa who played Sunny’s support in his mission to expose the wrong-doings of the big-time businessman Balwant Rai. Disco Shanti had a dance number too.

I am writing this post to wish the ‘dhai kilo ke haath’ wala, hand-pump ookhadnewala (uprooting a hand-pump), strong dialogue delivery wala, son of Dharmendra and Prakash Kaur- Ajay Singh Deol a.k.a Sunny Deol- on his birthday today. . It is apparent from his recent movies that he is a huge fan of his father. He has acted in three editions of a movie whose title was inspired by a famous song of his father from the ’70s- the Yamla Pagla Deewana series. He also chose another of his father’s song from the ’70s to use as a title for a movie that he directed to launch his son Karan in Bollywood- Pal Pal Dil Ke Paas. Additionally he has acted with his father in ‘Sultanat’, ‘Apne’ and a few more.
Happy birthday Sunny Deol.

Video

Audio

Song-Pyaar tum mujhse karti ho (Ghayal)(1990) Singers-Amit Kumar, S Janaki, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics

pyaar tum mujhse karti ho
don’t say no
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
nahin nahin nahin
main tumse pyar nahin karti

haah haah
pyaar tum mujhse karti ho
don’t say no

bol bol bol bol bol sachh bol
teri hansi se saari khul gayi pol
jahaan jahaan jaayegi main aaoonga vahaan
bhaagi kahaan yeh saari duniya hai gol
peechha tera chhodoon na
bol bhi de ab haan haan haan haan
arrey baba bola na
main tum se pyar nahi karti

hmmm
chhodo gussa jaane do
na
don’t say no
dil se dil mil jaane do
na
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haa haa
chhodo na na
pyar tum mujhse karti ho
don’t say no

dekho dekho dekho
kaisa pyaara hai samaa
dil ke deewaane miley khul ke yahaan
tod ke dil yoon na rooth ke jaa
varna kasam teri de doonga jaan
thham jaaye na dil ye jawaan
bol bhi de ab haan haan haan
arey jiyo chahe maro
mera peechha mat karo

ai
arey jiyo chahe maro
mera peechha mat karo

oye
mar gaya to pachhtaogi
don’t say no
ro ro kar mar jaaogi
don’t say no
inkaar mein ikraar hai
ye pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no

main bolta hoon haan
maan bhi jaao varna
shor machaoonga
cheekhoonga chillaaoonga
logon ko bulaaoonga
logon suno suno zara meri daastaan
pyaar mein guzrikya mujh pe yahaan
ogo suno suno zara meri daastaan
pyaar mein guzari kya mujh pe yahaan
jaan meri leke bhagemeri jaan
lut gaya
mit gaya
mar gaya haan haan haan haan

hadd ho chuki
kar na dukhi
bol bhi de ab ha ha ha ha
haan baba haan baba
I love you, I love you
pyaar main tumse karti hoon
I love you
marti hoon tum pe marti hoon
I love you
tum jeete aur main haari
I love you
jaan gayi duniya saari
I love you
I love you
I love you

hoo hoo ooo
pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
mere galey se lipat gayi re,
kismat meri palat gayi re
hey pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
bruu bruu ya ya
arre pat gayi re
pat pat pat pat pataa
pat pat pat pat pataa
pataa
haha
hoy hoy hoy
hey hey hey hey


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4761 Post No. : 16508 Movie Count :

4486

———————————–————––—
Rafi Sahab’s Legendary Associations – 6
———————————–————––—

Remembering Mohammed Rafi Sahab on his 41st remembrance day :

Writing a post of a song by Mohammed Rafi Sahab is almost a second nature thing for me. I have not counted but nearly 50 % on my post must be of his songs, the exalted one, who was especially blessed by the Almighty with a life, spend smiling and spreading smiles as far as I know. Some people do want to remember him by the sad songs which he sang with equal spirit, giving them his all, that the song, situation and composition demanded, the same as he did for other songs. I found this photo, and see who has the widest smile of them all: <a href=”https://in.pinterest.com/pin/46724914867514223/&#8221; this and this this .

There are platitudes and eulogies and tributes paid in honour of celebrities, when they pass away, nowadays it is usually on social media. And then there is the sea of humanity, that erupted on a rainy friday of Ramadhan 1980 on the streets of Bandra and Juhu. It was 1980, not the time when the dwellers of this city could afford a new umbrella every monsoon. So it was black umbrellas galore on the tv screen, and many people who were without umbrella, having come out to brave the weather or travelled overnight from other parts of the country. They all had one aim, to accompany their beloved Rafi Sahab to the final destination. To walk two steps alongwith the ‘janaza’ of a ‘nek banda’, with the prayers for the departed soul’s maghfirah on every lip and in the heart.

I realized the real pain of losing someone close and dear 9 years ago, when my elder sister expired. A few days after that, my father said that he didn’t know what to ask from the Almighty in du’aa, as most of my du’aa was for her health and long life. In my turn I told him that though we all are grieving and crying on her passing away, but the tears and sadness is all for us actually. The thought of living on without that dear one, makes us feel lonely and bereft.

A year before she died, I had visited her in Bangalore. She was over the top to have me visit her, and we went to a lot of places. One day we both were going somewhere and we passed a ‘qabrastaan’ where her mother-in-law was buried. She said a prayer and told me we should always recite the prayer whenever we pass a qabrastan. The prayer roughly translates as “today you are resting here, we shall follow you tomorrow, for sure”.

Some similar thoughts on passing away of Rafi sahab are expressed in this song written by Anand Bakshi. This is a unique song in the film ‘Kroadh’ where Amitabh Bachchan is called on stage to pay tribute of Rafi Sahab on his 9th death anniversary programme. Amitabh Bachchan says a few sentences and starts singing the song:

na fankaar tujhsa tere baad aaya…
Mohammed Rafi tu bahot yaad aayaa….

The singer here is Mohammed Aziz who himself has passed away a few months ago. He has sung this song in memory of his idol very feelingly and there are tears in the eyes of Amitabh as he sings on stage and also the audience who are watching it. The scenes of ‘janaaza’ that Amitabh Bachchan is seen as recalling, were truly witnessed by him as well as Anand Bakshi and Laxmikant Pyarelal(possibly). I am sure about Amitabh Bachchan having witnessed it funeral as I have seen a photographs of him with Amjad Khan, Vinod Khanna and Rajesh Khanna. Here is the article where he Amitabh remembers the same.
This article has some rare photos of the fateful day.

The song is so appropriate for this occasion, that I am neglecting to post a song by Rafi Sahab himself. But this song expresses the feelings of Mohammed Aziz, Anand Bakshi and Laxmikant-Pyarelal. Anand Bakshi, as the record holder for having written highest no. of film songs must be the lyricist with the highest no. of songs written for Rafi Sahab too. Laxmikant-Pyarelal are also having similar record with Rafi Sahab. Right from ‘Dosti’ and ‘Parasmani’, they were the one’s who justified the ‘Dosti’ and stood with Rafi Sahab through his thick and thin.

These artists composed and performed the song 9 years after Rafi Sahab’s passing away, and gave words and expression to the feelings of millions of his fans throughout the world.

teraa naam koyi nahi bhool paaya
Mohammed Rafi tu bahot yaad aayaa

Video:

Song-Na fankaar tujh sa tere baad aayaa (Kroadh)(1990) Singer-Mohammed Aziz, Lyrics-Anand Bakshi, MD-Laxmikant-Pyarelal

Lyrics

Na fankaar tujh sa
tere baad aayaa

na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

tera gham agarche
bahot hai puraana
tera gham agarche
bahot hai puraanaa
tujhe ham se bichhde
huaa ek zamaana
huaa ek zamaana
teraa naam koyi
nahi bhool paaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

chale jaayenge ham
musaafir hain saare
musaafir hain saare
magar ek shikwa hai
lab pe hamaare
tujhe kitni jaldi
khudaa ne bulaayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
wo manzar mere
saamne aa gayaa hai
mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
ke logon ne teraa
janaaza utthaaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4684 Post No. : 16367 Movie Count :

4444

Hullo Atuldom

Over the last few days we have had some very wordy posts- wordy in terms of the write up and also length of the song/s. None of these posts were boring, they were educative and informative.

Nahmji’s post was a lesson on Ramadan, Hajj, Umrah, and the pilgrimages to Makka and Madinah and also the protocols being followed in these times of the Pandemic.

This post of Atulji spoke of “Covid 19: Virus and treatment Simplified” as our Avinashji has said in the comments to the post.

In between the two posts we had one by our in-house encyclopedia on his disciplined habits of making handwritten notes about the movies he had seen. In the post he has written a point to which even I subscribe to “Depending on the age of the person, the period of ‘old films’ differs. For an young man of, say 20-25 years old films may mean films which came in the 80’s and 90’s. For people of 30-40 years, films of the 6o’s and 70’s are old films. For people of 45-60 years of age, old films are from the 50’s. Only people in the age bracket of 65 to say 80/85, it is films of the 30’s and 40’s which are old films!”

In addition I was going to mention that the meaning of entertainment and content of the films made in each era reflects the current social scene, problems, and aspirations of the younger generation. This too Guruji has spoken about in this post yesterday.

I have always seen movies with the intention of getting entertained and I love it when there is no logic in what is shown on the Silver-Screen. That is why I like the “RH ka group” and “two jyothis emanating from the eyes of an idol and giving vision to a blind lady” scenes. Similarly I like it when the doctors on-screen say “isko dawa ki nahin dua ki zaroorat hai”. I am sure the medical fraternity must be squirming in their seats when they see the doctors mouthing these words. Same goes for the Police, they are always shown to arrive late at scenes of crime unless the lead actors are playing the cop. But we will focus on the cops of Indian movies in a different post.

The song with this post sees the heroine playing a doctor. She is the resident Doctor who does her rounds, checks on all the patients and smiles lovingly at each one of them (and that should be enough to cure half her patients as her smile is high-voltage). One of her patients has lost his memory in some accident (regular feature in all Indian Movies) and Dr. Sushma (Madhuri Dixit) not only takes care of him but also falls in love with Krishna (name given to the character played by Aditya Pancholi by the hospital) and marries him. Later, the doctor’s friendly Inspector Ranjit Kapoor (Suresh Oberoi) warns her that her husband was set to kill her before the accident and her life may be in danger if he regains his memory. Krishna regains his memory when he has another accident (again normal for Indian Movies) and he again tries to kill the Doctor accusing her of being the cause of his sister’s death. Then the movie follows the usual path of clearing misunderstandings and All Is Well in the end.

This was the plot of “Sailaab” which released 31 years ago in August of 1990. It was a remake of a 1988 Tamil movie which I have seen in the open-air auditorium of the colony where I had lived in the initial years of my married life. “Sailaab” was produced by Surendra Jain and directed by Deepak Balraj Vij. Bappi Lahiri was the music composer of songs written by Javed Akhtar and Anjaan. The playback singers used were Anupama Deshpanse, Amit Kumar, Kavitha Krishnamurthy, Sudesh Bhonsle, Asha Bhonsle, and someone called Mangal Singh. The cast comprised of Madhuri Dixit, Aditya Pancholi, Suresh Oberoi, supported by Anand Balraj, Shafi Inamdar, Om Shivpuri, Kulbhushan Kharbanda, C S Dubey, Sahila Chadda, Jamuna, Shammi, T.P. Jain etc. I have seen climax of “Sailaab” and must say that it was edge-of-seat experience. The most popular song of this movie won Saroj Khan a Filmfare award for best choreography.

We are having this song to wish Madhuri on her birthday. I don’t think this popular actress of over 70 films needs any introduction. Neither do I need to say that she is a recipient of 6 Filmfare awards and also been awarded the PadmaShri by the government of India in 2008. She made her debut in a Rajshree Productions movie in 1984 and was repeated by the production house in “Hum Aapke Hain Kaun”(1994) a movie that ran to packed houses for 200 days. She has co-starred all the actors (male and female) of the ’80s and ’90s. Then she got married and settled into domestic bliss for a few years and returned with Yashraj films “Aaja Nachle” in 2007. Since then we see her intermittently on-screen and being appreciated for the wide range of characters that she is playing. We also see her on television judging Dance Reality shows.

On to today’s song which is sung by Amit Kumar and Asha Bhonsle. It is written by Javed Akhtar. Going by the available video it looks like the song plays in parts and these have been uploaded as one whole. This song is almost similar to “tumse milke aisa laga tumse milke” from “Parinda”.

Video

Audio

Song-Mujhko ye zindagi lagti hai ajnabee (Sailaab)(1990) Singers-Amit Kumar, Asha Bhonsle, Lyrics-Javed Akhtar, MD-Bappi Lahiri
Both

Lyrics

mujhko yeh Zindagi
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi
mujhko yeh zindagi
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee

jaane kahaan se aaya hoon
kya jaane main kaun hoon
koi yeh samjhaaye mujhe
kaise main yeh gham sahoon
jaane kahaan se aaya hoon
kya jaane main kaun hoon
koi yeh samjhaaye mujhe
kaise main yeh gham sahoon
mujhko yeh zindagi ee
lagti hai ajnabee
chhaaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee

phir se andhere chha gaye
khoyi ujaale ki kiran
kal raahon mein phool thhe
ab hai kaanton ki chubhan
phir se andhere chha gaye
khoyi ujaale ki kiran
kal raahon mein phool thhe
ab hai kaanton ki chubhan
mujhko yeh zindagi ee
lagti hai ajnabee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi ee
chhaaon bhi ee
dhoop bhi ee
har naye pal hai nayi

tum hi kaho kya baat hai
mujhko lage tum apne kyun
jab se dekha hai tumhein
dekh rahi hoon sapne kyun
tum hi kaho kya baat hai
mujhko lage tum apne kyun
jab se dekha hai tumhein
dekh rahi hoon sapne kyun
mujhko yeh zindagi ee
lagti hai ajnabee
chhaon bhi
dhoop bhi
har naye pal hai nayi ee
chhaon bhi ee
dhoop bhi ee
har naye pal hai nayi

kaise main tumse yeh kahoon
jaan ho tum aur dil bhi tum
tum bin ab jaaoon kahaan
raah bhi tum
manzil bhi tum

kaise main tumse yeh kahoon
jaan ho tum aur dil bhi tum
tum bin ab jaaoon kahaan
raah bhi tum
manzil bhi tum
mujhko yeh zindagi ee
lagti hai ajnabee ee
chhaon bhi ee

dhoop bhi
har naye pal hai nayi
chhaon bhi
dhoop bhi
har naye pal hai nayi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4681 Post No. : 16361

We all are witnessing a once in a century pandemic that is taking a heavy toll of precious human lives. There is information overload on this topic. Much of the “information” that we are being bombarded with is not useful, and may even be harmful.

I have been observing all this. I have tried to figure out what is going on. I have tried to piece together useful information about this virus. Here I would present my take on this pandemic and how I think we should deal with the situation.

It seems that very few people actually have an idea how covid infection takes place and how it spreads. Awareness about how to protect oneself against this virus also seems low among people. The outcome of low awareness about this virus has led to disastrous consequences as we all have seen.

In a situation where most people are pressing the panic button and losing their heads, we need to take a calm look at things so that we know how to deal with this situation. I will try to keep it as simple and easy to understand as is possible.

covid 19 virus can be likened to a well trained terrorist group. It is trained and armed and indoctinated outside our borders. Then they are sent across the border to create terrorist acts within our border. Here terrorists are equivalent to covid 19 virus, whereas our country is like our body.

How do these terrorists cross the border ? If they find no security across the border, then they just sneak in unchallenged. If security is tight then they try to sneak in while their army resort to shelling across the border to divert the attention of our security forces. These terrorists then try to sneak in.

These terrorists, if they sneak in, try to create terror attacks wherever they can. If security is tight, then their attempts are foiled most of the time. If security is slack or the terrorists get local support then they are able to create serious damage.

If the terrorists are able to fan out inside the whole country then they can create terror attacks all over the country. All this happened in India with regularity not too far back. This is the most severe kind of terror attacks that India has seen.

With this background, that all Indians can readily identify with, I will try to explain how covid 19 virus acts in a similar way.

Covid 19 virus tries to gain entry into human body. It is a respiratory virus, so it can only enter our body through the external respiratory parts, viz nose and mouth, and also through eyes. So if our body is a country then nose and mouth and eyes are our border posts through which this virus tries to gain entry. When this virus was unknown, it had a free passage into the human body through nose and mouth of unsuspecting victims. When its existence became known then people began wearing masks. It is as if earlier the borders were unmanned but now they need tight security. Face masks are the border security force that that guard our entrances (nose and mouth).

If nose and mouth are guarded then still the virus may lurk in, seeking to enter when the guard is down, viz when the face mark is removed. People do remove face masks when they feel that there is no virus around. Virus lurks in the air, on the person, on clothes, exposed part of the body etc. If a person touches something (on his person or any object containing virus) and then touches his nose or mouth, this is the opening that the virus needed. It then enters the respiratory tract of the body. Now you know why there is so much stress on sanitising objects, hands etc. This also shows us what is the importance of six feet distance. If people stand far off, then the chances of virus getting transmitted from one person to another reduces considerably.

If despite all precautions, some virus enters the respiratory system, its quantity (viral load) will be low. If we are outright careless (no mask, no social distancing) then our respiratory system may receive a heavy viral load.

What happens when the virus manages to enter the respiratory system dodging the mask? It depends on the preparedness near the border.

Masks at the nose are like BSF who guard the border. If the terrorists cross the border, then they have to face the army, who are stationed near the border. In case of covid infection, the army that confronts the virus is known as body’ immunity system. It is basically white blood cells of blood. These WBC are the army soldiers to deal with the infiltrators. These WBCs are trained to tackle known viruses that they have tackled in the past. As soon as they come across a previously known virus, they are immediately able to mobilise anti bodies to tackle that virus. The antibodies can be readily and rapidly deployed. On the other hand, when a new virus, viz covid 19 virus enters about which the WBCs have no previous information, then WBCs take some time to get prepared. As WBCs gather more information about the new virus, they begin to create anti bodies to tackle the virus. But for a new virus, especially if a heavy viral load had entered the respiratory system, the WBCs response may turn out to be slow and inadequate. In the meanwhile the virus is able to do considerable damage to the respiratory system. By the time the WBCs begin to create antibodies, it may be too late.

So, If the viral load is less, then the virus is stopped there itself. If viral load is heavy and the person is not vaccinated then the virus may overwhelm the immunity system and enter further into the body, namely the lungs. Lungs are like the different states of the country. The terrorists have now spread throughout the country, and now they can wreak severe damage. The security in the interior of the country is in the hands of police, which is far too ill equipped to deal with such security threats than the army. Same is the case with the immunity system of the body, which is helpless if the virus gains access to the lungs.

Let us say that the person was already vaccinated. In that case, the immunity system was familiar with this virus. So as soon as the virus entered the respiratory system, the WBCs, being already aware about the nature of the virus, will be able to deploy antibodies immediately. So a vaccinated body is like a country with a strong well trained and well prepared army near the border. In that case most of the infiltrating virus would get neutralised there itself.

If the immunity is weak and person is not vaccinated, then the virus overwhelms the resistance at the entrance and invades the lungs. In that situation, the virus starts rapidly infecting the lungs that are unprotected and are now at their mercy. The virus damages the alveoli (tiny air sacs). The function of the alveolus is to transfer oxygen to the blood vessels. These blood vessels or capillaries carry the oxygen to the RBCs (Red blood cells). It is the RBCs that finally deliver the oxygen to all the internal organs in the body.

The virus works by damaging the wall and the lining of the alveolus and capillaries. The debris from the damage(exudate) , which is plasma protein accumulates on the alveolus wall and thickens the lining. As the walls’ thicken, the transfer of oxygen to the red blood cells is impaired. The thicker the wall gets, the more difficult it gets to transfer oxygen to the red blood cells, which causes difficulty in breathing as the body is running short of oxygen. And the lack of oxygen to the internal organs results in a deficit in the body and impairs the functioning of the organs. At this juncture, the body fights to increase oxygen intake.

And the first response of the body is to destroy the virus and prevent its replication, but if the individual has weaker immunity then the body is unable to stop the virus, and this aggravates the crisis.

As the air sacs are damaged, there is an influx of liquid which is mostly inflamed cells and protein and this fluid build-up leads to pneumonia. This further impairs the oxygen intake by the lungs and hinders the oxygen exchange. Due to the novelty of the Covid 19 strain, there is no immediate treatment to directly cure pneumonia in Covid 19 patients and they are mostly given supportive care.

There are some key indicators that the doctors use to judge the onset and severity of this severe condition called Acute Respiratory Distress Syndrome (ARDS) in infected individuals:

(1)Hypoxia – Low oxygen levels in the blood, due to damage to the alveolus

(2)Breathing difficulties and shortness of breath

(3)Chest x-rays of the lungs exhibit an opaque and glassy look against the black background

(4)Worsening symptoms over the course of time, from the day of detection of the virus

Is there no hope if the virus reach the lungs ? There is ! And it is this fact which is the most important thing to understand about this virus. The ammunition of the virus gets exhausted in nine days and so the virus gets ineffective nine days after it enters the body. If the damage to the body can be kept as low as possible though medication and other means then after nine days the recovery process begins. So the patient must be kept alive for nine days. If it can be achieved then he or she will survive. Forget low damage, even patients who suffered over 80% damage to their lungs have survived !

Virus may have become ineffective but it may have taken a heavy toll on the lungs by that time. The patient must lie prone on his/ her tummy and try to clear the contents of the lungs by coughing them out. Coughed up exudate (phlegm) would be variously coloured when the infection is severe. After a few days the colour would keep changing, from catechu colour (most severe) to black color (less severe)and finally as the infection reduces, the phlegm would become white. Finally phlegm would stop.

As the phlegm comes out, space is created in the lung and that makes breathing easier. Patients who are hospitalised and they have oxygen fitted on them mistakenly believe that they only have to keep lying down passively without doing anything. Not taking any proactive action to clear up the phlegm in their lungs is a mistake because in that case the situation will keep getting worse because the oxygen being pumped into their lungs will have no place to go in the lungs. If oxygen cannot reach the lungs then naturally they cannot be sent to RBC and from there to various parts of the body, and that would lead to serious complications.

It is seen that not just patients, even medical practitioners are often not very helpful (mainly because of their lack of experience). For instance, when a patient goes for chest x ray or HRCT, the report just states the facts, without any expert and helpful comments. A typical (and actual) HRCT report stated- “CT severity score of -36/40”

What will a normal patient do on reading the above ! He/ she will most probably die of shock if not covid because it indicates that the damage to the lung is over 80 %. Fortunately, the above patient happened to be the sister of my wife. My wife told her sister that she did not have to worry. The virus had done all it could and now the lung condition was only going to improve. To make space in the lungs, she advised her sister to do exercises that would expel the phlegm (technical term for this substance is exudate) stuck in her lungs. My wife’s sister followed the advice scrupulously. There was noticeable improvement in her condition. After a couple of weeks, her scan showed perfectly clear lung condition !

It was not the first case where my wife helped save a life. Last year, her brother too had suffered from covid and he too had delayed getting himself checked and treated, leading to a lung condition that was even worse. Even there, correct and timely advice by my wife helped save the life of her brother.

In my wife’s opinion, Rohit Sardana, the news anchor faced a similar situation as faced by her brother and sister and he could have been saved if he had received correct medical advice of the kind that she gave to her brother and sister. In Rohit Sardana’s case, he was in home isolation and he was making good recovery and was feeling better. It was on the advice of some well meaning colleague that he got his HRCT done. The HRCT showed similar severity as in case of my sister in law. But Rohit Sardana did not have the advantage of a good doctor’s advice who would tell him that the worst was over for him. Looking at the severity of his lung report, he went into shock and got himself admitted to a hospital, where he died soon thereafter.

So, to summarise all the above discussion, it can be said that the best protection against covid 19 is a properly worn mask. Do all in your ability to ensure that the virus cannot enter your respiratory system. The virus can enter your respiratory system only through nose and mouth (and in exceptional cases through eyes). Protect these entrances to your respiratory system with your life. If in rare cases virus does get in, only a light load of virus gets in if you have taken precautions, so that your present immunity system can deal with it. Do not be foolhardy to offer a free passage to the virus by going around without mask. Allowing a huge viral load to enter your respiratory system believing that you have a great immunity system is nothing but suicide. Such people will be mercilessly shown their mortality by the virus. Once the virus attacks your lung, then you will be forced to run around from pillar to post, but all these efforts will largely be fruitless. A mask costing a few rupees, and a disciplined lifestyle is more effective in preventing covid than all that desperate scramble clamouring for hospital beds, oxygen, remdesivir etc, and all that at black market prices.

And please get yourself vaccinated at the first opportunity available. India is one of the few countries that can produce its own vaccines and so India is not dependent on foreign supplies (which are difficult to come by). Most people are getting it for free in government facilities. but if some private hospitals are offering it against payment, then pay for it, avoid long waiting lists of government hospitals and get yourself vaccinated. Paying a few hundreds, or even a couple of thousands of rupees for the doses of this vaccine is fully worth it as will protect you from this deadly virus.

While discussing this deadly respiratory disease, I had decided that this article should be accompanied by a song dealing with “Saans”. The first “saans” song that I was reminded of was this song of “Aashiqui”(1990) but I thought that this song was already covered. On checking up, I heaved a sigh of relief (pun unintended) because this song was not yet covered in the blog.

Produced by Gulshan Kumar and Mukesh Bhatt and directed by Mahesh Bhatt, “Aashiqui”(1990) had Rahul Roy, Anu Agarwal, Reema Lagoo, Deepak Tijori, Avtar Gill, Tom Alter, Mushtaq Khan, Javed Khan, Sunil Rege, Homi Wadia, Anang Desai etc in it. Two songs from the movie have been covered in the past.

This movie turned out to be a musical blockbuster. The story of the movie was quite run of the mill and no great shakes, but the music made the movie a super duper hit.

The song under discussion has two versions. THe movie begins with the male version sung by Kumar Sanu. This song is picturised as a hotel/ club song. Rahul Roy lip syncs the song. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The female version song is sung by Anuradha Paudwal. Its video does not seem to be available. I had watched this movie in New Delhi and I vaguely recall having seen the female version also. But its video does not seem to be available now. In any case, it was the male version which was the more popular.

The song likens the need for a “sanam” to the need for “saans”. We take “saans” for granted, but not any longer, seeing the clamour of medical oxygen in these times. One never imagined that a time may come when one would be willing to pay money to be able to breath oxygen artificially. God has given us the ability to breathe this air for free. Let us hope that we will continue to be able to avail of this gift of being able to breathe naturally.

Today (12 May 2021) is also International Nurses’ day. On this occasion, let us all hail and appreciate the great service that they and other medical personnel are rendering in combating this pandemic.

Audio – Male version

Video – Male version

Audio – Female

Song-Saanson ki zaroorat hai jaise zindagi ke liye(Aashiqui)(1990) Kumar Sanu/ Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

—————————
Male version
—————————

ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise
zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
jaam ki zaroorat hai jaise
jaam ki zaroorat hai jaise
bekhudi ke liye
haan ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye

waqt ke haathhon mein sabki taqdeeren hain
waqt ke haathhon mein sabki taqdeeren hain
aaina jhoothha hai
sachchi tasveeren hain
jahaan dard hai wahin geet hai
jahaan pyaas hai wahin meet hai
koi na jaane magar r
jeene ki yahi reet hai
saaz ki zaroorat hai jaise
saaz ki zaroorat hai jaise mausiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye ae
haan ek sanam chaahiye ae ae aashiqui ke liye

Dialogues
————————————-
ladies and gentlemen
aaj hamaare beech mister and mrs Peston jee
apni shaadi ki pachcheesvin saalgirah mana rahe hain
let us give them a big hand

—————————————
ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

manzilen haasilen hain
phir bhi ek doori hai
manzilen haasilen hain
phir bhi ik doori hai
bina humraahi ke
zindagi adhhoori hai
milegi kahin koi rehguzar
tanha katega
kaise ye safar
mere sapne ho jahaaan aan
dhhoondhhoon main aisi nazar
chaand ki zaroorat hai jaise
chaand ki zaroorat hai jaise chaandni ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye

——————————-
Female version
——————————–
hmm hmm hmm hmm
hmm hmm hmm
aa aa aa aa
aa aa aa

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
shama ki zaroorat hai jaise
shama ki zaroorat hai jaise raushni ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

baaghbaan ke dil mein har kali khilti hai
baaghbaan ke dil mein har kali khilti hai
har lahar saahil se ik din milti hai
jahaan chain hai wahin bebasi
jahaan ashq hai wahin hai hansi
gham ke kaanton se chune ae usiko milti khushi
honthon ki zaroorat hai jaise
honthon ki zaroorat hai jaise baansuri ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

hmm hmm hmm hmm
hmm hmm hmm
laa laa laa laa
laa laa laa

har haseen dhadkan mein pyaar ki baaten hain
har haseen dhadkan mein pyaar ki baaten hain
har jawaan mehfil mein yaar ki baaten hain
jahaan nazm hai wahin hai ghazal
jahaan dhoop hai wahin hai kanwal
seene se lipte rahe ae kisi ke yaadon ke pal
dost ki zaroorat hai jaise
dost ki zaroorat hai jaise dosti ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17800 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Movies with all their songs covered =1365
Total Number of movies covered=4740

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