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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1990’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3983 Post No. : 15070

——————————————————————————————
My Railway related reminiscences- 2
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Couple of days back, I discussed a song of 1991, with my reminiscences of Hyderabad/ Secunderabad, where I was based at that time. Those were the early days of my career and that was my first posting.

That post gave me an idea that I should discuss my experiences of my stays in various places of India during my career. When I began to think about my experiences of those days, many interesting memories came to the fore. So I thought that I should discuss those memories (alongwith movies that I saw at those places) in a series form. I decided to name this series “my reminisces in Railways”. The article accompanyng the 1991 song thus began the fist part of the series.

Secunderabad was my fist posting, but that was preceded by period of probation which was during late 1980s and early 1990s. Those were the days when we would visit various places in Indian Railways located all around the country and undergo “training”. I describe it as “training” and not training because very few people actually trained at these places. It was more like site seeing and getting a first hand experience of how to manage to travel in trains, often without confirmed reservations and often without any confirmed accomodations at the places of our “training.” Those experiences were the real learning experiences for us.

People would form small groups of a few probationers and would travel and “train” together. My group used to be the smallest possible, viz two of us. 🙂

Most of these trainings were of one or two weeks. At the end of the “training”, we would be interviewed by the head of that organisation and then we would get a certificate that we had successfully completed the training. We used to dread the interview and would hope that the head would spare us and give us the certificate without actually interviwing others.

One of these training programmes took us to New Katni junction. We were supposed to undergo training in Diesel shed there. After the end of two weeks, the most dreaded occasion, viz interview with the head of the diesel shed, arrived. The head, one Mr Marcus, a very strict disciplinarian, started to grill the two of us on what we had learnt about diesel locomotives. Both of us were largely clueless on the subject and so I hoped that interviewer would vent his frustration equally on the two of us. My groupmate, Suresh had managed to memorise a few buzz words of Diesel locomotives and I was not familiar with even those words. So, I was singled out by Mr Marcus and he gave me a mouthfull. Learn from Mr Suresh, he at least knows a few terms about Diesel locomotives, I was told.

Suitably chastened, I came out and resolved that I would actually take the training seriously in future. But it was a resolution that I could never keep. 🙂

But that experience gave me an important life and management lesson. When a tiger appears before a herd of deer, the deers need not outrun the tiger. They only need to ensure that they outrun the slowest deer among them. 🙂 The tiger would catch the slowest of the deers and the other deers would escape.

While most trainings were for small durations and they were for probationers in small groups, there were some centralised trainings in large groups and of longer durations in designated locations.

For example, all probationers of all services had to mandatorily undergo two trainings. The first was called “Foundation”” course and it was followed by “Induction” course. These courses would be of one month duration and they would take place at Railway Staff College, Vadodara.

The need for centralised training of Railway officers was first felt in 1920s in pre independence era and a “Railway Staff College” was established in Dehradun in 1930. Within two years, some senior Railway Man decided that training of Railway Officers was a luxury that Railways could ill afford and so that “Railway Staff College” at Dehradun was closed down. Its premises were sold to Army. The present day Indian Military Academy at Dehradun is located where the original “Railway Staff College” stood from 1930 to 1932.

Two decades later, it was once again realised that training of Railway officers was not a luxury but a necessity so Railway Staff College was again established. This time it was set up at Vadodara. Railways took Pratap Vilas Palace of Vadodara on lease in 1949. Subsequently Railways bought this premise outright in 1964.

The magnificent Pratap Villa Palace was designed by Charles Frederick Stevens in 1914. Readers may recall that Bombay VT was built by Frederick Williams Stevens in 1887, who was the father of Charles Frederick Stevens. I find it interesting that Charles Frederick Stevens, though an Englishman was named in Marathi-Gujrati manner, viz. Name of the person, followed by father name, followed by Surname. 🙂

The first principal of Railway Staff College, Vadodara was Mr P C Bahl, from 1952 to 1956. His son Lt Commander Rajnish Bahl of Indian navy married film actress Nutan.

It was in this Railway Staff College that I underwent my Foundation Course. There were around 40 probationers in the batch. They were accomodated in hostel rooms, two probationers in each room.

I had decided that I would take Foundation course seriously, and as a part of my seriousness, I chose a room partner who himself was a serious student. No, not the abovementioned Suresh, but another person named Rahul.

Vadodara was (it still is) a nice place. Classes were held in day time for five days a week. Saturday and Sunday were free.

We would typically go out to watch night show of movies in Vadodara after dinner time. It was on one such night that Rahul suggested that we should go watch a new movie called “Dil”(1990). This movie had two newcomers in lead roles. The hero was one Aamir Khan, who had made a successful debut with “Qayamat Se Qayamat Tak” (1988). The leading lady was Madhuri Dixit, who had become an all India rage after the song “ek do teen” in “Tezaab” (1988).

We went for the night show of “Dil”(1990). We left our hostel at 9 PM and we were worried that we would be late for the show. But when we arrived there, we found that we were well in time. The previous show was still playing. We kept waiting and waiting. The earlier show ended after 10 PM. Our night show began at 10-30 PM, which is too late for a night show to start.

It was well past 1 AM when the show finally ended. In my younger days, I would remain wide awake and aware and would not miss any moment of the movie, not even newsreels and ads. But those days were in the past. I was feeling sleepy throughout the movie. So I missed much of the story and so I was not aware what was going on in the movie.

This movie “Dil” (1990) is not yet covered in the blog. Here is the first song from the movie to appear in the blog. The song is sung by Udit Narayan and Anuradha Paudwal. Sameer is the lyricist. Music is composed by Anand Milind.

The song is picturised on the lead pair of Aamir Khan and Madhuri Dixit, both looking so young and fresh faced vis a vis today. But then this movie had come three decades ago !

The song from the movie under discussion is titled “mujhe neend na aaye” , but it was a case of “mujhe neend hi neend aaye” for me in the movie hall in that show. 🙂


Song-Mujhe neend na aaye (Dil)(1990) Singers-Udit Narayan, Anuradha Paudwal, Lyrics-Sameer, Anand Milind
Chorus

Lyrics

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa

mujhe neend na aaye
neend na aaye
neend na aaye
mujhe chain na aaye
chain na aaye
chain na aaye

mujhe neend na aaye
ho
mujhe neend na aaye
mujhe chain na aaye
koi jaaye jara dhundh ke laaye
najane kaha dil kho gaya aa
na jane kaha dil kho gaya
najane kaha dil kho gaya aa
na jane kaha dil kho gaya
mujhe neend na aaye
mujhe chain na aaye
koi jaaye zara dhoondh ke laaye
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya aa
na jaane kahaan dil kho gaya

aa aa aa aa aa aa

haalat kya hai
kaise tujhe bataaun main
karvat badal badal ke raat bitaaun main
haalat kya hai kaise tujhe bataaun main
karvat badal badal ke raat bitaaun main

poochho zara poochho kya haal hai
haal mera behaal hai
poochho zara poochho kya haal hai
haal mera behaal hai
koi samajh na paaye kya rog sataaye
koi jaaye zara dhoondh ke laaye
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa

jaan se bhi pyaara mujh ko mera dil hai
uske bina ik pal bhi jeena mushqil hai
jaan se bhi pyaara mujhko mera dil hai
uske bina ik pal bhi jeena mushqil hai
tauba meri tauba kya dard hai
dard bada bedard hai
tauba meri tauba kya dard hai
dard bada bedard hai
kabhi mujhko hansaaye
kabhi mujhko rulaaye
koi jaaye zara dhoondh ke laaye
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya

mujhe neend na aaye
neend na aaye
neend na aaye
mujhe chain na aaye
chain na aaye
chain na aaye

aa aa aa aa aa aa

mujhe neend na aaye
mujhe chain na aaye
koi jaaye zara dhoondh ke laye
na jaane kahaan dil kho gaya
na jaane kahaan dil kho gaya

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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3971 Post No. : 15056 Movie Count :

4132

“Dheere Dheere“ –

Dheere Dheere Machal Ae Dil-e-Beqaraar

Dheere Dheere Chal Chaand Gagan Mein

Dheere Se Jaana Bagiyan Mein O Bhanwra

Dheere Se Aa Ja Ri Ankhiyan Mein Nindiyaa Aa Ja Ri Aa Ja

Dheere Dheere Bol Koi Sun Na Le

Dheere Chal Dheere Chal O Bheegi Hawa

O More Sainya Ji Utrenge Paar Re Nadiyaa Dheere  Baho

Pal Pal O Pal Samay Tu Dheere Dheere Chal

Then there are songs have the word in different context, like;

O Gaadi Waale Gaadi Dheere Haank Re

Man Re Tu Kaahe Na Dheer Dharay

And this category of songs cannot be thought of without the superbly melodious “Dheeme Dheeme Gaaun, Dheere Dheere  Gaaun”.

All the above songs are already posted in the blog.  I had actually planned to do a series on ‘dheere dheere’ songs.  I also have plans for a few more such word based theme posts.   But for all these themes I am finding only newer songs.  So the series idea is dropped, will just be preparing random posts for which ever song appeals.

Here I am presenting a song which suits the theme to the ‘T’. Its from the movie ‘Aashiqui’ (1990) which is making its debut here. More than 29 years ago this movie came and the music created a storm. I personally am witness to the rage these songs were. In recent days I have been listening to the songs of this film and I am having to revise my choice of best song in the movie. This song ‘Dheere Dheere Se Meri Zindagi Mein Aana” used to by my favourite and I thought this was the best. But the other songs like the title song “Saanson Ki aroorat Hai Jaise”, “Jaan-e-Jigar Jaan-e-Mann”, “Main Duniya Bhulaa Doonga”,  “Nazar Ke Saamne Jigar Ke Ppaas”, “Ab Tere Bin Jee Lenge Hum”, “Tu Meri Zindagi Hai “, “Dil Ka Aalam Ab Kya Sunaaun Tumhen” etc.  Total 9 songs all are chartbusters. At the time this movie came and songs were so popular, it was a known fact that the songs were all from the Music Bank created by T-series (Gulshan Kumar). I think Mahesh Bhatt may have got to select the songs he wanted for his film. That is the only explanation for such high quality melodious songs in one film, when films used to succeed on only one or two good songs. Such was the condition of film music, despite the ghazal already having made a big comeback in Hindi film music. All songs in a film couldn’t be ghazal recitiations like in ‘Umrao Jaan’, so the film makers were making use of the urdu ghazal selectively.

There was at least one song in the above mentioned list which is a direct lift from an existing older song.

The music of the film was by Nadeem-Shrawan, and the singers were Kumar Sanu and Anuradha Paudwal. The lyrics are by Rani Malik for this song. The film had newcomers Anu Agarwal and Rahul Roy for hero and heroine, with support cast of Deepak Tijori as the friend, Reema Laagu as the mother, Tom Alter as the warden, among others.

Here is an excerpt of a review on imdb.com :

“Each and every song of this movie is timeless. Nadeem-Shravan may not be creative and experimental like A. R. Rehman, but it is true that if “melody” had a second name it would be Nadeem-Shravan. “Aashiqui”, “Dil Hai Ki Manta Nahin”,”Sadak”, “Saajan”, “Deewana”, “Dil Ka Kya Qusoor”, “Salami”, “Damini”, “Dil Waale”, “Raja Hindustani”, “Jeet”, “Pardes” are examples of this genius combination. Mahesh Bhatt is one of the finest filmmakers we had, but it is sad that his biggest commercial success is probably his weakest work as a director, or probably got overshadowed by the lovable music.”

I can’t agree more with the above para. I don’t know the songs of ‘Dil Waale’ and ‘Jeet’ of the above listed films, but can add ‘Hum Hain Raahi Pyaar Ke’ and ‘Dhadkan’ which came much later, to this list. ‘Pardes’ would be the highest point or the culmination of this phenomena called Nadeem-Shrawan.

The music of this film did make a clean sweep of the Filmfare Awards of 1991

Best Music Director : Nadeem Saifi – Shravan Rathod

Best Lyricist : Sameer (For the song “Nazar Ke Saamne”)

Best Playback Singer – Male :
Kumar Sanu  (For the song “Ab Tere Bin”)

Best Playback Singer – Female :
Anuradha Paudwal  (For the song “Nazar Ke Saamne”)

This is the tally of these artists in the blog so far,

Nadeem Shrawan 15
Anuradha Paudwal 35
Kumar Sanu 22
Sameer 30

No wonder that the songs of ‘Aashiqui’ have been rehashed multiple times and reused a couple of times for ‘Aashiqui’ – 2 & 3.  I have come across very very high praise for Nadeem-Shrawan, some go to the extent of calling them SD Burman-ish.  Output wise I am inclined to agree that they were able to maintain a particular standard, which was a difficult task, given the market and commercial requirements.   As for being SDB-ish, I have found a song or two by them to be in the SDB mode.

Anyway, the songs of this movie are on their way to becoming sort of folklore/folk songs in the next century 🙂 🙂 , at the current rate and trends.

Video

Audio

Song – Dheere Dheere Se Meri Zindagi Mein Aana (Aashiqui) (1990) Singer – Kumar Sanu, Anuradha Paudwal, Lyrics – Rani Malik, MD – Nadeem Shravan

Lyrics

dheere dheere se
meri zindagi mein aana
dheere dheere se
dil ko churaanaa
tum se pyaar hamen hai kitna jaane jaana
tum se mil kar tum ko hai bataana

dheere dheere se
meri zindagi mein aana
dheere dheere se
dil ko churaanaa
tum se pyaar hamen hai kitna
jaane jaana
tum se mil kar tum ko hai bataana

jab se tujhe dekha
dil ko kahin aaraam nahin
mere hothon pe ek tere siwa
koi naam nahin
apna bhi haal tumhaare jaisa
hai saajan
bas yaad tujhe karte hain
aur koyi kaam nahin
ban gayaa hoon main
teraa deewaana
dheere dheere se dil ko churaana
oo dheere dheere se meri zindagi mein aana
dheere dheere se dil ko churaanaa

tu ne bhi aksar mujh ko jagaaya
raaton mein
aur neend churaai
meethi meethi baaton mein
tu ne bhi beshaq
mujh ko kitna tadpaaya
phir bhi teri har ek adaa pe
pyaar aaya
aa jaa aa jaa ab kaisa sharmaanaa
dheere dheere se dil ko churaana
oo dheered heere se meri zindagi mein aana
dheere dheere se dil ko churaanaa
tum se pyaar hamen hai kitna jaane jaanaa aa
tum se mil kar tum ko hai bataana
dheere dheere se meri zindagi mein aana
dheere dheere se dil ko churaanaa

———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-
धीरे धीरे से
मेरी ज़िंदगी में आना
धीरे धीरे से
दिल को चुराना
तुम से प्यार हमें है
कितना जाने जानां
तुम से मिल कर
तुम को है बताना
ओह ….
धीरे धीरे से
मेरी ज़िंदगी में आना
धीरे धीरे से
दिल को चुराना
तुम से प्यार हमें है
कितना जाने जानां
तुम से मिल कर
तुम को है बताना

जब से तुझे देखा
दिल को कहीं आराम नहीं
मेरे होंठों पे एक तेरे सिवा
कोई नाम नहीं
अपना भी हाल तुम्हारे जैसा
है साजन
बस याद तुझे करते हैं
और कोई काम नहीं
बन गया हूँ मैं
तेरा दीवाना
धीरे धीरे से
दिल को चुराना
धीरे धीरे से
मेरी ज़िंदगी में आना आ
धीरे धीरे से
दिल को चुराना

तू ने भी अक्सर मुझ को 
जगाया रातों में 
और नींद चुराई 
मीठी मीठी बातों में
तू ने भी बेशक
मुझ को कितना तड़पाया
फिर भी तेरी हर एक अदा पे
प्यार आया
आ जा आ जा अब कैसा
शरमाना
धीरे धीरे से
दिल को चुराना
धीरे धीरे से
मेरी ज़िंदगी में आना आ
धीरे धीरे से
दिल को चुराना
तुम से प्यार हमें है
कितना जाने जानां
तुम से मिल कर
तुम को है बताना
धीरे धीरे से
मेरी ज़िंदगी में आना आ
धीरे धीरे से
दिल को चुराना


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3699 Post No. : 14617

Hullo to all in Atuldom

I have written two posts in the past to celebrate this actor’s birthday. Both times the occasion had been a last-minute discovery. Also last year I happened to discover that this actor shared his special date with music composer- Pyarelal Ramprasad Sharma, of the Laxmikant- Pyarelal duo.

Pyarelal Sharma was the son of a trumpeter popular as “Babaji” or Ramprasad Sharma and learnt the basics of music from his father. He was tutored to play the violin by a Goan musician, Anthony Gonsalves – a music composer and arranger who had assisted many prominent music directors of the 50s & 60s and it is widely believed that hugely popular song “My name is Anthony Gonsalves” that Laxmi-Pyare composed for Manmohan Desai’s Amar Akbar Anthony was a tribute to Pyarelalji’s music teacher. He made his entry into movies along with Laxmikant Kudalkar by assisting all the reputed composers of the 50s. In fact, they also assisted R D Burman in his first movie “Chhote Nawab” and their friendship continued even after L-P made a name for themselves in later years. The stats page of our blog gives the number of songs by this duo as 2901 and we have posted only 772 songs; so that leaves us with a very wide choice to go with this post.

But when we try to find songs in combination with the actor who turns a year older today, things become slightly difficult. Though L-P have given music to many movies that starred this actor there are very few songs actually picturised or choreographed on him. This is partly because in the period when L-P were active this actor used to primarily play villainous roles. He might be present on the scene during a song or two but not actually shake a leg, “John Jaani Janardhan” from Naseeb is one such example (that was an L-P composition)- our today’s birthday boy is present in the song as Amitabh’s boss. Now I see an “Aah! I know who she is talking about” reaction from whoever is reading this.

Of course, there are two bosses for Amitabh in that song and so, without further ado, let us wish Shakti Kapoor on his birthday. 🙂
Today’s song is from Yash Johar’s Dharma Productions’ 1990 release “Agneepath” which was directed by Mukul Anand. The title was taken from Harivanshrai Bachchan’s poem with the same name which is recited at the beginning of the movie. It starred Amitabh Bachchan and Danny in main characters and Shakti Kapoor plays himself (an actor visiting Kancha Cheena, the villain, in his den) in a guest appearance for a song and dance sequence along with Archana Puran Singh.

The song confirms, what I always felt, that Shakti Kapoor was a better dancer than many of the lead actors, barring Mithun Chakravarty Jeetendra or Govinda (to name a few of our good dancing actors), of that time who used to be his co-stars. He definitely had a sense of rhythm. And he looks so good in this song, that I have a feeling he should have got a few lead actor or hero-type roles. I remember seeing him in a movie where Smita Patil falls in love with him and marries him only to be cheated later on. The same was the case with Swaroop Sampat in Himmatwala and Karamdaata.

The song was written by Anand Bakshi. Aadesh Shrivastava and Runa Laila are the playback singers. Goga Kapoor and Bob Christo are seen frolicking around in the party.

Here is wishing Pyarelalji and Shakti Kapoor a very Happy and musical birthday today (3 september 2018).


Song-Ali baaba mil gaya chaalis choron se (Agnipath)(1990) Singers-Runa Laila, Aadesh Shrivastava, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

ali baba
ali baba
mil gaya chaalis choron se
ali baba
ali baba
mil gaya chaalis choron se

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
ali baba
mil gaya chaalis choron se
ali baba
oo laa
??
??
ek shaayar ka kahaa
sun le zamaane waale
dost hote nahin sab
haath milaane waale

kaun hai dil mein
kis pe nazar hai
kaun hai dil mein
kaun hai dil mein
kis pe nazar hai
kis pe nazar hai
tumko pata hai
humko khabar hai
nahin kuchh kehna auron se
ali baba
oo laa aa
ali baba
mil gaya chaalis choron se
ali baaba

hmm
raaz hote nahin ye
sabko bataane waale
dost hote nahin sab
haath milaane waale

aisi cheez
koi pi li hai
ho aisi cheez
koi pi li hai
pyaas bujhi nahin
aag lagi hai
ye dil dhadka hai zoron se
ali baba
oo laaa aa aa
ali baba
mil gaya chaalis choron se
ali baba

hmm
jaam hote nahin sab
peene pilaane waale
dost hote nahin sab
haath milaane waale

yaa yaa yaa
??

door tumhen jaane na doongi
ho door tumhen jaane na doongi
baandh ke tumko main rakh loongi
ghani zulfon ki chhaaon(?) mein
ali baba
oo laa
ali baba
mil gaya chaalis choron se
ali baba

hmmm
yaar hote nahin sab
pyar jataane waale
dost hote nahin sab
haath milaane waale

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
oo laa aa aa
ali baba
mil gaya chaalis choron se
ali baba
oo laa aa
aaaaa

ali baba
oo laa
aaaaa

ali baba


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3624 Post No. : 14443

Hullo Atuldom

The song with this post is a Peevesie discovery. I don’t remember when exactly, but definitely a few years back she mentioned about this song to me. And it looks like she has seen and enjoyed the video too and it has stayed in her memory. She remembered exactly how the song starts. And the dance steps of Govinda and Madhuri. Awesome combination. Just like in the previous Madhuri Dixit song where with Prabhu Deva as her co-dancer, here too, she is excellent. She is in a different orbit when she has a dancer for a co-actor. In “Que sarasara” she matched Prabhu Deva step for step, here it is a typically Govinda dance that is a treat.

So what, if the lyrics are non-sensical. The song is set as a fun-song, going by the video I have a feeling that Madhuri has accidentally eaten or drunk something intoxicating and Govinda is trying his best to control her in the given circumstances.

A few days back I had sent a song from ‘Disco Dancer’ to Atulji and then I had made up my mind to follow it with another Mithun song which features a ‘mithai‘. There were other songs from the 70s which were running through my mind for this particular post which is for a very special occasion. Songs which showed the male running the household while the female is away at work. But on reviewing those songs I felt that the song which Peevesie suggested is better. Why? Well for one today is a party occasion and “mithai toh banti hai” – it is our Ranchiwaale Gaanewala’s birthday (now its about time to give him a new name, he is no longer in Ranchi 🙂 ). It has a lot of activity in it and our sutradhaar is a hyperactive person. I don’t need to give any proof to show his level of activeness, his commitment to his pets, work and the blog is proof enough. There have been days when I have found him online early in the morning with a post at 5:45 a.m. and a few times his last post has been at 12 in the night. Hats off to his dedication. Approximately 10804 posts (on the day this is being written) and still having a lot of ideas to connect with songs and give us new post daily – AMAZING. Thank you Atulji for giving us this group and site to turn to.

Before I sat to write all this, I read through what I had written last year and I feel the same even now- May God give Atulji health, peace of mind, lots of time and good infrastructural support in the form of unending internet and electrical connections. And we will not mind him being absent from the blog when his family is around as they are more entitled to his time. (Hope he enjoyed his first vacation, this year, after he started the blog) And hope he doesn’t mind us pestering him with our farmaishes. Here is hoping he gives us many opportunities to celebrate and we will keep presenting him with lovely songs.

Coming to today’s song it is from the 1990 release “Izzatdaar” which starred the stalwart Dilip Kumar in the lead with the south Indian actor Raghuvaran as villain. Another southern star- Swapna- played Dilip Kumar’s daughter, Madhuri played his grand daughter and Govinda plays a man who works for the underworld (I think) but gets reformed on falling in love. (the powers of the feeling of love 🙂 ). It was a revenge story with Dilip Kumar avenging his daughter’s death etc. with lot of Bollywood masala. It was directed by K Bapaiah, Anand Bakshi wrote songs which were composed by Laxmikant Pyaarelal. Amit Kumar and Alka Yagnik are the playback.

Wish you a very happy birthday Atulji

 

Song – Ek Rasgulla Kahin Phat Gaya Re (Izzatdaar) (1990) Singer – Alka Yagnik, Amit Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Alka Yagnik + Amit Kumar

Lyrics

sun o mister 
o mister 
sun o mister o mister 
mister o mister 
ek taaza khabar

mmmmmmmmm
mmmmm mmmmmm

mmmmmmmmm
mmmmm mmmmmm

ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re
oooo ooooo ooo
ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

aandhi chali jor ka toofan aa gaya
aandhi chali jor ka toofan aa gaya
mandir se baahar bhagwan aa gaya
bhagwan aa gaya
log samjhe qayamat aa gayi re..ae..ae
re baba re
sara jag ulat pulat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
bajaata ja
kaisi ye musibat mere galey pad gayi..ee..ee
kya bola re
bhoot koi mujhse chimat gaya re 
ek roshgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

ha ha ha ha ha haaa
wo roshogulla tha ya atom bam tha
atom bam se 
thoda sa hi kam tha
hey

wo roshogulla tha ya atom bam tha
atom bam se thoda sa hi kam tha
thoda sa hi kam tha
rashiya bhi sun ke darr gaya re 
re baba re
amrika bhi peeche hat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
ek roshagulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सुन ओ मिस्टर
ओ मिस्टर
सुन ओ मिस्टर ओ मिस्टर
मिस्टर ओ मिस्टर
एक ताज़ा खबर

म्मममममम
म्ममम म्मममम

म्मममममम
म्ममम म्मममम

एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे
ओss ओsss ओss
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे

आँधी चली ज़ोर का तूफान आ गया
आँधी चली ज़ोर का तूफान आ गया
मंदिर से बाहर भगवान आ गया
भगवान आ गया
लोग समझे कयामत आ गई रे॰॰ए॰॰ए
रे बाबा रे
सारा जग उलट पुलट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
बजाता जा
कैसी ये मुसीबत मेरे गले पड़ गई॰॰ई॰॰ई
क्या बोला रे
भूत कोई मुझसे चिमट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

हा हा हा हा हा हा हा॰॰आ॰॰आ
वो रोशगुल्ला था या एटम बम था
एटम बम से
थोड़ा सा हि कम था
हे
वो रोशगुल्ला था या एटम बम था
एटम बम से थोड़ा सा हि कम था
थोड़ा सा हि कम था
रशिया भी सुन के डर गया रे
रे बाबा रे
अमरीका भी पीछे हट गया रे
एक रसगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
एक रोशगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hullo to all Atulwaasis

May-June is the time when Indians or more importantly students and their parents are at their jitteriest. These are the months that the Indian education system has chosen to declare results of exams held in the months of February-March. Exams that puts the knowledge gained by students through the year to test. The students are required to revise everything learnt; in a year; in about a month of study leave (we as students had study leave of a month, I would love to know of the current scenario) and pour out everything in about 2½ to 3 hours; on to an answer sheet and then pray that what they have answered fetches them marks that are enough to get them further in life.
Read more on this topic…


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came across a nice number from ‘Police Public’ (1990) by chance when I happened to click here on a Lollywood number “Mein Jis Din Bhula Doon Tera Pyar Dil Se” penned by Masroor Anwar for Khushboo (1979). On that YouTube web-page, I also noticed the same mukhda under this ‘Police Public’ number.

Similar – or even identical – mukhdas are not all that rare; and Lollywood and Bollywood copying each other’s themes, tunes and lyrics was not unheard of in the yesteryears. But what struck me was almost identical lyrics – albeit in different settings and tunes.

Be it as it may be, ‘Police Public’, a Vijay Mehta production, was directed by Esmayeel Shroff. It has a crime-corruption busting theme with Raaj Kumar as a fearless senior C.B.I. inspector as its chief protagonist.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DRISHTI (1990) was produced and directed by Govind Nihalani who was also the cinematographer of the film. The star cast included those actors who at that time, were usually associated with parallel cinema. Shekhar Kapoor and Dimple Kapadia were in the lead roles of husband and wife while Mita Vashisht and Vijay Kashyap were in the roles of another couple. Irfan Khan, Neena Gupta, Navneet Nishan and Tabassum Mansoori had small but important roles in the film. It is said that the film was a remake of a TV Series ‘Scenes from a Marriage’ (1973) directed by Ingmar Bergman. The film failed at the box office but was critically acclaimed. The film won the National Film Award for the best feature film in Hindi.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (23 october 2014) is the festival of deepaawali. This festival is supposed to bring joy and happiness in the lives of everyone. I can certainly vouch for that. My main computer that has been hijacked by my wife for the last few days was surprisingly available to me this morning. I wake up earlier than others on the pretext of letting the dog out and teaching the daughter. The dogs were wide awake as usual but my daughter (and wife) are not (as usual). That gave me the opportunity of sitting on my main computer and try and give finishing touch to the posts for the day.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Continuing on my series of articles on some of the offbeat films (also called parallel or middle cinemas), I have taken up for discussion an NDFC promoted film ‘Thhoda Saa Roomaani Ho Jaaye’ (1990). The film was produced and directed by Amol Palekar. The main roles were played by Nana Patekar, Anita Kanwar and Vikram Gokhale with actors like Banwari Taneja, Dilip Kulkarni, Riju Bajaj, Arun Joglekar and Deepa Lagoo donning the supporting roles. The film was extensively shot in and around Pachmadi in Madhya Pradesh. The film was critically acclaimed but flopped miserably on the box office. I get an impression from the films clips in two parts available on YT that the it was later released on Doordarshan.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Most Rakhi songs in this blog are from the golden era of HFM, viz from 1950s to 1970s, though Rakhi songs from 1930s, 40s and 80s have also been discussed in the past.

Here is a Rakhi song from the 1990s. This picturisation is intesteting. It shows a Mithun da covered from head to toes in Rakhis arrive at his residence where his three sisters are waiting for him. The sisters cannot even identify him, before the small kid accompanying Mithun da explains that Mithun Da had saved several girls from the clutches of baddies and the grateful girls had tied him with rakhis all over his body, including face. 🙂
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1178
Total Number of movies covered =4183

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