Archive for the ‘Mujra song’ Category
Nigaahon se kehti hai dil ke fasaane
Posted on: July 6, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4371 | Post No. : | 15706 |
“Man Ka Meet”(1950) was directed by Ratibhai Punaatar for Ajit Pictures, Bombay. This “social” movie had Nirupa Roy, Dulaari, Sarita Devi, Shanti Madhok, Manhar desai, Babu Raje, hhagan Romeo, Bhagwan Das, Ibrahim, Maruti, Kamlakant, Barkat Virani, Haridas, Popat, V D Popat etc in it.
The movie had nine songs in it. One song has been covered in the past.
Today (6 July 2020) is the 16th remembrance day of Sardul Kwatra (1928-6 July 2004). As a tribute to him, here is a song from “Man Ka Meet”(1950). This song is sung by Zohrabai Ambalewaali. Sarshar Sailaani is the lyricist. Music is composed by Sardul Kwatra.
Only the audio of the song is available. For the lyrics, it is clear that it is a mujra song. I request our knowledgeale readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash scrapwala.
Song-Nigaahon se kehti hai dil ke fasaane(Man Ka Meet)(1950) Singer-Zohrabai Ambalewaali, Lyrics-Sarshar Sailaani, MD-Sardul Kwatra
Lyrics(Provided by Avinash Scrapwala)
hmm hmm hmm
hmm hmm hmm
Nigaahon se kehti hai ae ae
Dil ke fasaane ae ae
Haan aan aan aan
Aan aan aan aan
Jawaani ki baatein
aa aa aa aa
aa aa aa aa
aa aa
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Nigaahon se
Nigaahon se raja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Jawaani ki gardan ko
Jhukte na dekha
Jawaani ki gardan ko
Jhukte na dekha
Kisi ne ye toofaan rukte na dekha
Kisi ne ye toofaan rukte na dekha
Jawaani ka har teer
Baithha nishaane
Jawaani ka har teer
Baithha nishaane
Haan aan aan aan
Aan aan aan aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Na aana na jaana
Na milna milaana
Na aana na jaana
Na milna milaana
Kabhi ye bahaana
Kabhi wo bahaana
Kabhi ye bahaana
Kabhi wo bahaana
Hamen maar daalaa
Bahaane
Bahaane
Hamen maar daalaa
Bahaane
Bahaane
Haan aan aan aan
Aan aan aan aan aan
Aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hain
Dil ke fasaane
Dil ke fasaane ae ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane ae
Roothe Sajan Kaise Manaawe Ho Raama
Posted on: June 14, 2020
- In: Boat song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Mujra song | Post by Sadanand Kamath | Sabina Mumtaz Alam Solo Song | Sabina Mumtaz Alam Song | Song from regional movies | Songs of 2010s (2011 to 2020) | Songs of 2015 | Yearwise breakup of songs
- 7 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4349 | Post No. : | 15660 | Movie Count : |
4313 |
Hindi Songs in Bangla Film – 29
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I became aware about the stories built around the fictional character of Byomkesh Bakshi, the murder mystery solver when a TV serial based on these stories was telecast on the Doordarhsan’s National channel in early 1990s. The serial was directed by Basu Chatterjee with Rajit Kapoor playing the role of Byomkesh Bakshi and KK Raina as Ajit, his assistant. During those days, the character of Byomkesh Bakshi became known all over India. ‘Byomkesh’ became synonymous with persons having inquisitive nature.
I had watched most of the episodes during those years. The episodes of this serial were recently re-telecast on the Doordarshan Channel during the Covid-19 lockdown. What I liked about the serial was restrained acting by Rajit Kapur as an investigator in a cool and calm mind, trying to solve the mysteries of murders with ‘much ado about nothing’ manner. In the end, the culprits were mostly the ones who were least suspected by the audience. This made the each and every episode a suspense thriller and the audience were glued to the show till the end.
Sharadindhu Bandopadhyay, the creator of Byomkesh Bakshi had written 32 published stories on his fictional character during 1932-70. He was associated with Bombay Talkies during 1938-40 as a story-writer for the films like ‘Bhabhi’ (1938), ‘Vachan’ (1938), ‘Navjeevan’ (1939), ‘Kangan’ (1939), ‘Durga’ (1939), ‘Punar Milan’ (1940) and ‘Azaad’ (1940). In 1970, he had started writing the 33rd story of Byomkesh Bakshi with ‘Bisupati Badh’ as its title. However, before the completion of the story, he died in 1970.
Some of the stories of Byomkesh Bakshi were made into feature films, mainly in Bengali. I got a list of 20 Bangla films made on Byomkesh Bakshi between 1967-2019. Probably, a few more films may have been made on Byomkesh Bakshi with different titles. One film was made in Hindi titled ‘Detective Byomkesh Bakshy’ (2015) under the banner of Yash Raj Films.
Last week, Partha Chanda, one of the regular visitors to our Blog conveyed to me that the Bangla film, ‘Har Har Byomkesh’ (2015) had 3 Hindi songs. I watched the film on one of the OTT media services with English subtitles. The film is based on one of 32 stories – ‘Banhi Patanga’ (English title: ‘Moth and Flame’). In Urdu, this story could have got the title of ‘Shama and Parwaana’. It is directed by Arindam Sil. The story is set in around mid-1940s. The gist of the story of the film is as under:
Byomkesh (Abir Chatterjee), his wife, Satyabati (Sohoni Sarkar) and his friend Ajit (Ritwick Chakraborty) have come from Kolkata on a holiday to Varanasi. They are the guests of DSP Pandey (Harsh Chhaaya). However, in a couple of days, Byomkesh co-incidentally gets involved in solving the murder mystery in Varanasi.
Pandey had received an invitation from Deepnarayan Singh (Adil Hussain), a rich zamindar to attend a party along with his guests in his palace for celebrating his cure from a liver ailment which had made him bed-ridden for about 5 months. In the party, Byomkesh was introduced, among others, to zamindar’s physician, Dr Palit (Dipankar Dey), Debnarayan (Indradip Dasgupta), the ‘good for nothing’ nephew of Deepnarayan, Shakuntala (Nusrat Jahan), the wife of Deepnarayan who is half of his age and whom he had married rather forcefully after the death of his first wife. During the party, Inspector (Shadab Kamal) came to the palace and informed Dr Palit of robbery in his clinic. However, not much monetary loss was reported. What could be the reason for robbery?
On the very next day, Deepnarayan dies soon after Dr. Palit administers injection for his liver problem. DSP Pandey rushes to the palace along with Byomkesh and Ajit. After interrogating those present in the palace including Dr. Palit and other relatives of Deepnarayan, Byomkesh comes to the conclusion that Deepnarayan has been murdered, possibly for one of the two motives – to corner his vast property by the interested relatives and second, to get rid of him due to extra-marital relationship.
As the investigation progresses, the list of suspects grows in the eyes of Byomkesh. The first is Debnarayan, the nephew of the deceased who would be the immediate beneficiary of the vast property as Deepnarayan has no children. Debnarayan’s wife, Chandni could also be a suspect as after the death, Shakuntala, now widow, would lose power in the palace. Chandni would be the de fact owner of the property as her husband, Debnarayan is not a smart person. Third, the Manager of the estate of Deepnarayan who. with his boss Deepnarayan’s death would get more freedom in managing the financial assets with the scope for misappropriation of money for his own benefits.
Even Shankutala, the widow of Deepnarayan is not above suspicion who is now 3-month pregnant. Byomkesh regards this as an illicit pregnancy as she has become pregnant when Deepnarayan had been bedridden for nearly 5 months with 24 hours surveillance from nurses on him because of his serious illness. Of course, Dr Palit is also in suspect’s list as it is only after he administered the injection, Deepnarayan had died. It is possible that he could have been influenced by any one of the suspects with an offer of handsome monetary rewards for administering poison to Deepnarayan. And lastly, Narmada Shankar (Subrata Dutta) who is from the same native place as Shakuntala has been friendly with her and has an access to meet her in the palace.
Finally, Byomkesh finds the killer and he is not from the above list. He reveals to all those present in the palace as to how he cracked the case. The film ends with Byomkesh, his wife, Satyabati and Ajit taking a stroll over the ghats of Varanasi as their holidays have just now begun.
I was curious about the title of the film, ‘Har Har Byomkesh’. After watching the film, I guess that the director wanted to give an indication that the whole episode took place in Varanasi, the city of Mahadev (Lord Shiva). So salutation, ‘Har Har Mahadev’ became ‘Har Har Byomkesh’. Interestingly, ‘Vyomkesh’ (pronounced in Bangla as ‘Byomkesh) is made up of two words, ‘Vyom’ (Air, space) and ‘Kesh’ (hair or jatta). When Lord Shiva is doing tandav nrutya, his hairs swing into the air. So Vyomkesh is another name for Lord Shiva. This is the interpretation I got on the internet about ‘Vyomkesh’.
‘Har Har Byomkesh’ (2015) has 3 songs – all in the sub-dialects of Hindi. This is not surprising as the story is set in Varanasi (as against Patna in original story). All 3 songs are composed in three different genres of Hindustani semi-classical music – Thumri, Chaiti and Bhajan. I am presenting here a Chaiti song “Roothe Sajan Kaise Manaawe Ho Raama” sung by Sabina Mumtaz Alam, Hindustani classical singer. The song is written by Sutapa Basu and is set to music by Bickram Ghosh, also a Hindustani classical musician and a fusion music director.
It is a mujra song which is being performed by a mujra singer in the midst of her admirers led by Debnarayan (Indradip Dasgupta), Narmada Shankar (Subrta Dutta) and their cronies in a boat sailing in River Ganga near the Varanasi ghats. Ajit (Ritwick Bandopadhyay), Byomkesh’s friend has gone for a stroll on the ghats of Varanasi. He is surprised to find Debnarayan on the boat enjoying the mujra performance just one day after the death of his uncle, Deepnarayan.
Song – Roothe Sajan Kaise Manaawe Ho Raama (Har Har Byomkesh) (2015) Singer – Sabina Mumtaz Alam, Lyrics – Sutapa Basu, MD – Bickram Ghosh
Lyrics
roothe sajan kaise manaawe ho raama. . .
roothe sajan kaise.. manaawe ho raama..aa
un dwaar kaise hum jaibe
un dwaar kaise hum jaibe
saanjh saverwa..aa..aa
saa..aanjh saverwa
kaate bin sandeswa
saa..njh.. saverwa
kaate bin sandeswaa
ho dikhaike
ho o o dikhaike sapanwa paas na aaibe
dikhaike sapanwa paas na aaibe
ho raa..aama..
kaise manaawe
roothe sajan kaise manaawe ho raama..
roothe sajan kaise.. manaawe
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Hindi script lyrics (Provided by Sudhir)
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रूठे सजन कैसे मनावे हो रामा॰॰
रूठे सजन कैसे॰॰ मनावे हो रामा॰॰आ
उन द्वार कैसे हम जईबे
उन द्वार कैसे हम जईबे
साँझ सवेरवा॰॰आ॰॰आ
साँ॰॰आँझ सवेरवा
काटे बिन संदेसवा
साँ॰॰आँझ॰॰ सवेरवा
काटे बिन संदेसवा
हो दिखईके
हो ओ ओ दिखईके सपनवा पास ना अइबे
दिखईके सपनवा पास ना अइबे
हो रा॰॰आमा॰॰
कैसे मनावे
रूठे सजन कैसे मनावे हो रामा॰॰
रूठे सजन कैसे॰॰ मनावे
Khuda se aarzoo meri
Posted on: May 21, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4325 | Post No. : | 15616 | Movie Count : |
4302 |
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Hindi Songs in Malayalam Films – 1
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Hullo Atuldom
Today’s post is thanks to my husband who brought a few things to my notice. We were seeing some movie on a Malayalam channel and we realized that they had lined up a few movies that star Mohanlal – one of the super-actors that every Malayali is a fan of; the other being Mammooty. And I proudly call myself a Malayali when I am seeing any movie that stars one of the two. I am an equal fan of both. The two have been around since the 70s and have been all-round entertainers.
Today we shall be focusing on Mohanlal Viswanathan who is mononymously credited as Mohanlal in the movies and is fondly addressed as Lalettan by his close associates and fans. (Ettan is the way an elder brother is addressed in Malayalam.) He made his debut as a teenager in 1978 but that movie had its theatrical release only 2005. His screen debut was in the 1980 release “Manjil Virinja Pookal” (roughly translating as “Flowers that bloom in the snow”) where he played a negative character. The films that followed saw him play antagonistic characters and gradually rising to supporting roles. He had worked himself to the level of being a bankable actor by the mid-80s and gained stardom after starring in a series of successful movies.
Late 80s, 1988 to be precise was the year that I took to seeing Malayalam movies and possibly the first Mohanlal movie that I saw was “Ente Mamattikkuttiammakku” (translating as “For my Mamattikkuttiamma”) Mamattikkutti being a kind of pet name for small kids. This was a 1983 release, that I saw in the open-air theatre (another first experience for me, seeing movies in an open-air theatre) of the colony we were staying in then. That movie had Mohanlal in a supporting role too. I have seen him in his comic element in many movies since then and must say every time I like him more.
1997 saw Lalettan star in his first non-Malayalam film “Iruvar”-a Tamil film which was directed by Mani Ratnam. 2002 saw him play Sreenivasan – a Mumbai Police officer in the Ram Gopal Verma directed, Ajay Devgan- Vivek Oberoi- Manisha Koirala starrer “Company”. Lalettan’s performance was well-recieved by the Hindi speaking audience. 2007 August saw him in his next Hindi movie, also directed by Ram Gopal Verma, “Aag” (also called “Ram Gopal Verma ki Aag”) touted as the remake of the Bollywood classic “Sholay” where he re-apprised the role played by Sanjeev Kumar in the original. I don’t think he has made an appearance in any Hindi movie since, but his Telugu debut movie “Janatha Garage” is seen often on the various satellite channels in its dubbed Hindi version.
Reader’s Digest India has, in 2004, described him as a “Jack of all Trades and master of many”. His directors describe him as “one of the finest actors of the country who can slip easily into any role.” 2010 saw him play Major Mahadevan in “Kandahar”, the third of the Major Mahadevan Series of films which also happened to be Amitabh Bachchan’s Malayalam debut.
Many of his movies have been remade in Hindi; for example Akshay Kumar starrer “Khatta Meetha” (2010) was a remake of Mohanlal’s 1988 release “Vellanakalude Nadu” (translated as “The land of white elephants”); Akshaye Khanna- Paresh Rawal starrer “Hungama” (2003) was a remake of the 1984 “Poochhakkoru Mookkuthi” (A Nose-ring for the cat). Even “Bhool Bhulaiya” starring Akshay Kumar and Vidya Balan was a remake of Mohanlal’s 1993 ‘Manichitrathazhu” (the ornate lock). Mohanlal’s 1988 “Chitram” (translation: Picture) was remade as “Pyar Hua Chori Chori” starring Mithun Chakravarty and Gautami (of south). I can think of a few more remakes, an interesting point to note here is that Lalettan didn’t star in any of the Hindi remakes of his successful originals.
So we have two films of Mohanlal to choose from, with which he can make his debut on our blog. But I am presenting a Malayalam movie instead. Much before his foray into Bollywood he had lip synced to a song in Hindi written by Madhu and composed by Raveendran which had the legend K J Yesudas as the playback. Now, we on this blog don’t need any introduction to K J Yesudas. But Madhavan Raveendran (or Raveendran master as he was called) is a new name for us. He was a popular music composer in Tamil and Malayalam films. The only bit of information that I could gather about the lyrics writer is that the movie credit shows his name as Mohan (Bihar) which means that he may have been from Bihar.
Today we shall have a song from the 1990 release “His Highness Abdullah”. This was the debut production of Mohanlal’s company ‘Pranavam Arts’ and was directed by Sibi Malayil (another new name for us). Will just say that Sibi Malayil is a director of many well-received movies in Malayalam. This movie had six songs of which one was a qawwali in Hindi as the character played by Lalettan is shown to be a Muslim Qawwali singer in Bombay (Mumbai). It shows Kim (of “Disco Dancer” fame) dancing to Lal’s singing. Mamukkoya the actor know for playing comic characters brings in Sreenivasan (another of the many versatile actors of Malayalam cinema) in the second stanza of the song to introduce him to the singer.
I am sure the regular followers of the blog would have guessed my sudden deviation into the Malayalam film world as also why the focus is on Mohanlal a.k.a Lalettan. Well today is an important date in his life. He turns 60. Let us wish him lots more years of entertaining us.
Song-Khuda se aarzoo meri (His Highness Abdullah)(Malayalam)(1990) Singer-Yesudas, Lyrics-Mohan (Bihar), MD-Raveendran
Lyrics
Khudaa se aarzoo meri
kabhie yeh raat na guzre
mohabbat kaa har ek lamha
haa aa
mohabbat kaa har ek lamha
teri baahon mein ab guzre
Tu badi maashallah kahe Abdullah
tera jalwa, subhanallah
kabhie shabnam kabhie shola
main majnu tu hai meri laila
de de dil ka pyaara nazraana…
tu badi mashallah kahe abdullah
tera jalwa subhaanallah
kabhie shabnam, kabhie shola
main majnu tu hai meri laila
de de dil ka pyara nazraana…
hum hain tere aashiq
kis baat ka sharmaana
kis baat ka sharmaana
tu seene se lagaa le
na chalega bahaana…
na chalega bahaana
husn la jawaab hain
husn la jawaab hain
khuli hui kitaab hain
khuli hui kitaab hain
pardha aaa sarkaana
oo
jalwa aaa dikhlaana….
ham nahi begaane
mane ya na mane
hum tere deewane.
tu badi mashallah kahen abdullah
tera jalwa subhanallah
kabhie shabnam kabhie shola
main majnu tu hai meri laila
dede dilka pyara nazrana
jaam jawaani ka tu hothon se pilaa de
pilaa de
rang bhari mehefil main tu
gul naya khilaadhe aee
ye adaayein kamaal hai aee
aaa
ye hunar bemisaal hai aee
jaam jawaani ka tu hothon se pilaa de
tu hotonse pilaa de
rang bhari mehefil main
tu gul naya khila de
tu gul naya khila de
ye adaayein kamaal hain
ye adaayein kamaal hain
ye hunar bemisal hain
ye hunar bemisal hain
ye sama aa suhaana oo
armaa aaaa mitaana
hum nahi anjaane
maane ya na maane
hum tere mastaane
haan badi mashallah kahe abdullah
tera jalwa subhanallah
kabhie shabnam, kabhie shola
main majnu tu hai meri laila
dede dil ka pyaara nazraana
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4297 | Post No. : | 15552 |
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Blog 10-Year Challenge (2010-2020) – Song No. 22
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This day ten year ago (23 april 2010) was long long ago and it was an entirely different kind of world those days. Those were the days when people were supposed to go for work and that too on time. 🙂 You were questioned if you were late for work. 🙂
Now a days, we have to prove that we are going for work and why this work is important. Only people doing “important” work are supposed to go out of work these days. 🙂
I was supposed to be someone whose work was “important” then as well as now. That is a justification why I was postin only two or three posts those days as well as now a days. 🙂
Three songs were covered on the blog on 23.04.2010 :-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Bhoole se muhabbat kar baithaa | Dil Hi To Hai-1963 | All songs covered |
| Mukhdaa dekh le praani zaraa darpan mein | Do Behnen-1959 | 04 of 07 songs posted |
| Bhalaa karne waale bhalaayi kiye jaa | Ghar Sansaar-1958 | All songs covered |
As can be see from above, two out of three movies represented that day ten years ago have been YIPPEED. “Do Behnen” (1959) is the only movie that qualifies for “Blog Ten Year Challenge” today.
The movie “Do Behnen”(1959) was produced by Kailash Kapoor, JP Sehgal and Prakash Seth and directed by Kedar Kapoor. The movie had Shyama (double role), Rajendra Kumar, Chand Usmani, Ram Mohan, Tiwari, SK Prem, Mumtaz Begum etc in it.
Following four songs (out of seven) from “Do Behnen”(1959) have been covered in the past :-
| Song | Posted On |
|---|---|
| Mukhdaa dekh le praani zaraa darpan mein | 23.04.2010 |
| Sainyyaa pyaaraa hai apna milan | 21.06.2011 |
| Main natkhat ik kali | 02.07.2011 |
| Jhuk jhuk jhola khaaye re badariya | 20.06.2017 |
This song, the fifth song from the movie to appear in the blog, is a mujra song. It is sung by Lata. Kavi Pradeep is the lyricist. Music is composed by Vasant Desai.
I am unable to identify the actress lip syncing the song. I request our knowledgeable readers to help identigy her.
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Audio
Song-Arre jaa main baaz aayi o sainyya tere pyaar se (Do Behnen)(1959) Singers-Lata, Lyrics-Kavi Pradeep, MD-Vasant Desai
Lyrics(Provided by Avinash Scrapwala)
haan aa aa
kiski ankhiyon se deen maine ankhiyaan aa ladaa
haaye ye to saudaa badaa
mujhko o o o mehengaa padaa aa
aaj kehti hoon main
karke ae ae dil ko kadaa aa
jaa re jaa zaalima
tu hai chiknaa aa aa ghadaa
waah waah Chamelibaai kya baat hai
are jaa
ho o o
jaa main baaz aayi
o sainyyaa tere pyaar se
jaa main baaz aayi
o sainyyaa tere pyaar se
dil naa lagaaun main
be-imaan yaar se ae ae
dil naa lagaaun main
be-imaan yaar se ae ae
jaa main baaz aayi
o sainyyaa tere pyaar se ae
maine tujhe jaan liyaa
are harjaayee ee ee
maine tujhe jaan liyaa
are harjaayee
ab naa chalegi yahaan
teri chaturaayi ee
ab naa chalegi yahaan
teri chaturaayi
muhabbat ke waade toone
kiye hain hazaar se ae
jaa jaa
are jaa jaa
arrey jaa main baaz aayi
o sainyyaa tere pyaar se ae
badaa banaa phirtaa thha re
oh o o o
badaa banaa phirtaa thha re
mera chitchor tu u
badaa banaa phirtaa thha re
mera chitchor tu u
sunaa hai ke jaaya karta
ab kahin aur tu oo
sunaa hai ke jaaya karta
ab kahin aur tu
khoob khel khelaa zaalim
bholi bhaali naar se ae
jaa jaa
arrey jaa jaa
arrey jaa main baaz aayi
o sainyyaa tere pyaar se ae
badaa sabak seekha tujhse
maine bhool bhool mein ae
badaa sabak seekha tujhse
maine bhool bhool mein ae
Khushboo kabhi naa milti
kaagaz ke phool mein ae
Khushboo kabhi naa milti
kaagaz ke phool mein ae
ankhiyaan ladaaye kaun
ho o ankhiyaan ladaaye kaun
jhoothhe dildaar se ae
jaa jaa
arrey jaa jaa
arrey jaa main baaz aayi
o sainyyaa tere pyaar mein ae
dil naa lagaaun main
be-imaan yaar se ae
jaa main baaz aayi
o sainyyaa tere pyaar se ae
jaa re jaa
jaa re jaa
jaa re jaa aa
jaa re jaa
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Devnagri Script lyrics (provided by Avinash Scrapwala)
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हाँ आ आ
किस की अंखियों से
दी मैंने अँखियाँ आ लड़ा
हाए ये तो सौदा बड़ा
मुझको ओ ओ ओ महेंगा पडा आ
आज कहती हूँ मैं
करके ए दिल को कडा आ
जा रे जा ज़ालिमा
तू है चिकना आ आ घडा
वाह वाह चमेलीबाई क्या बात है
अरे जा
हो ओ ओ
जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यारे से
जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यारे से
दिल ना लगाऊं मैं
बे-ईमान यार से ए ए
दिल ना लगाऊं मैं
बे-ईमान यार से ए ए
जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यारे से ए
मैंने तुझे जान लिया
अरे हरजाई ई ई
मैंने तुझे जान लिया
अरे हरजाई
अब ना चलेगी यहाँ
तेरी चतुराई
अब ना चलेगी यहाँ
तेरी चतुराई
मुहब्बत के वादे तूने
किये है हज़ार से
जा जा
अरे जा जा
अरे जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यारे से ए
बड़ा बना फिरता था रे
ओह ओ ओ ओ
बड़ा बना फिरता था रे
मेरा चितचोर तू ऊ
बड़ा बना फिरता था रे
मेरा चितचोर तू ऊ
सुना है के जाया करता
अब कहीं और तू ऊ
सुना है के जाया करता
अब कहीं और तू ऊ
खूब खेल खेला ज़ालिम
भोली भाली नार से ए
जा जा
अरे जा जा
अरे जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यारे से
बड़ा सबक सीखा तुझसे
मैंने भूल भूल में ए
बड़ा सबक सीखा तुझसे
मैंने भूल भूल में ए
खुशबू कभी ना मिलती
कागज़ के फूल में ए
खुशबू कभी ना मिलती
कागज़ के फूल में ए
अँखियाँ लड़ाए कौन
हो ओ अँखियाँ लड़ाए कौन
झूठे दिलदार से ए
जा जा
अरे जा जा
अरे जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यार से ए
दिल ना लगाऊं मैं
बे-ईमान यार से ए ए
जा मैं बाज़ आयीं
ओ सैंय्या तेरे प्यार से ए
जा रे जा
जा रे जा
जा रे जा आ
जा रे जा
- In: "chaand" song | "Kotha" song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Kum Kum Dance Song | Lata solo | Lata song | Lyrics contributed by readers | Mujra song | Post by Sadanand Kamath | Song from regional movies | Songs of 1960s (1961 to 1970) | Songs of 1962 | Yearwise breakup of songs
- 12 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4280 | Post No. : | 15521 |
In my last article, I had discussed playback singer and actor Shyam Kumar, who has acted in many Hindi films but remained unidentified for most of the Hindi film audience. In this write-up, I am presenting one more such actor who has made us to notice him in many films but remained unsung because he did very small roles in most of the films in which he got opportunity to act – mostly as a sidekick, a henchman, a doctor, barman, hotel manager etc. Though his roles in most of the films have been very brief say, not be more than 5 minutes duration but whatever he did as an actor in varied roles, it was noticeable to the filmy audience. The actor is Keshav Rana whose face in the films may be familiar to many cine audience but may not be known by his name to them.
I had seen Keshav Rana in some of the films in the late 60s and early 70s during which I was active in watching films almost every week-end but I was not aware of his name. His acting as a police inspector in ‘Seeta Aur Geeta’ (1972) in a comical situation has still remained in my memory. I did not know his name until I started collecting the pictures of personalities connected with Hindi films during the last 5-6 years. It was a co-incidence that his image propped up when I was searching for something else. And the image of Keshav Rana emerged as a scene from a film ‘Dillagi’ (1966). That was the beginning of my work to identify him in many more films.
Not much information about the early life of Keshav Rana is available on-line. The only information I know from IMDb is that his full name is Keshav Singh Rana and he belongs to Faizabad in UP. From his filmography, it appears that he came to Mumbai to join the film industry in the later half of 1950s. His first film as an actor was ‘Anjaan’ (1956). His most active years was 1960s and 1970s when he worked in around 50 and 70 films, respectively. On a rough count, Keshav Rana must have worked in around 130 films during 1956-1986.
During the last fortnight, I have seen some important films with Keshav Rana’s scenes under prominent banners like that of Shakti Samanta, Arjun Hingorani, Ramesh Sippy, J Omprakash, BR Chopra, Prakash Mehra etc. He did a variety of roles in the films but in most of the films, he was moslty typecast as Police Inspector/Commissioner, Doctor, Hotel Manager, Barman, a patron of mujra dances etc. In others films, he mostly performed roles in negative shades and sidekicks to the main actors. Of the films of Keshav Rana, I watched, the only film in which he got a relatively longish role of Puran Bahadur in negative shade of a blackmailer was in ‘Dillagi’ (1966).
Keshav Rana excels in negative roles with a smiling face. But behind his smiling face lies his evil and manipulative designs to blackmail his victims. In this role, he generally avoids fighting and bloodbath in most of his films. He leaves these parts to other henchmen. For example, in films like ‘Dillagi’(1966) and ‘Muqaddar Ka Sikandar’ (1978), he takes out his Rampuri knife but never uses it. Instead, he entrusts his fellow henchmen to fight it out. His light comical roles as a police inspector in ‘Seeta Aur Geeta’ (1972) with Hema Malini (as Geeta) and as a barman in ‘Shaan’ (1980) with Amitabh Bachchan have been well appreciated.
I have uploaded an audio clip incorporating along with the song, the screen shots of scenes in which Keshav Rana appears in some of his important films. Check out the audio link below.
‘Qatl’ (1986) appears to be Keshav Rana’s last film after which he did not act in any film. I could not get any information as to what he did thereafter.
Keshav Rana had played a small role of a patron of a kotha dancer in ‘Ganga Maiya Tohe Piyari Chadhaibo’ (1962), the first Bhojpuri film. The film was directed by Kundan Kumar. The star cast included Kumkum, Ashim Kumar, Nazir Hussain, Tiwari, Bhagwan Sinha, Helen, Leela Mishra, Kumari Khanna (Padma Khanna) etc. The story, screen-play and dialogues were written by Nazir Hussain. Songs were written by Shailendra which were set to music by Chitrgupt.
I am presenting the song ‘Luk Chhip Badra Mein Chamke Jaise Chanwa’ from the first Bhojpuri film rendered by Lata Mangeshkar and picturised on Kumkum who is dancing for the patron, Keshav Rana.
Listening to the song in audio clip gives a feel of the dance in a nautanki (folk theatre) in the rural Bhojpuri region. And why not? Both Shailendra and Chitragupt hail from Bhojpur region of Bihar.
Video
Audio
Song – Luk Chhip Badra Mein Chamke Jaise Chanwa (Ganga Maiya Tohe Piyari Chadhaibo) (1962) Singer – Lata Mangeshkar, Lyrics – Shailendra, MD – Chitragupt
Lyrics
luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
sonwa aisan piyar mor rangwa
phoolwa aisan komal mor angwa
sonwa aisan piyar mor rangwa
phoolwa aisan komal mor angwa
hirani aisan kajarwa naina chamke
kajrwa naina chamke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
hamri baari umar ladkoriya
bhanwra neha lagaae barjoriya
hamri baari umar ladkoriya
bhanwra neha lagaawe barjoriya
hum t dolat paayaliya mori chhamke
paayaliya mori chhamke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusum re chunariya utar gamke
champa phoole chameli phoole bagiya
sudhi na lihale ram balam beragiya
champa phoole chameli phoole bagiya
sudhi na lihale ram balam beragiya
kehu na jaane basela kahunwa ramke
basela kahunwa ramke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके
लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके
सोनवा ऐसन पियर मोर रंगवा
फुलवा ऐसन कोमल मोर अंगवा
सोनवा ऐसन पियर मोर रंगवा
फुलवा ऐसन कोमल मोर अंगवा
हिरनी ऐसन कजरवा नैना चमके
कजरवा नैना चमके
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके
हमरी बारी उमर लरकोरिया
भंवरा नेहा लगावे बरजोरिया
हमरी बारी उमर लरकोरिया
भंवरा नेहा लगावे बरजोरिया
हम त डोलत पायलिया मोरी छ्मके
पायलिया मोरी छ्मके
मोरा मुख दमके
मोरी कुसुमि रे चुनरिया इतर गमके
मोरी कुसुमि रे चुनरिया इतर गमके
चंपा फूले चमेली फूले बगिया
सुधि न लिहले राम बलम बैरगिया
चंपा फूले चमेली फूले बगिया
सुधि न लिहले राम बलम बैरगिया
केहू न जाने बसेला कहुंवा रमके
बसेला कहुंवा रमके
मोरा मुख दमके
मोरी कुसुमि रे चुनरिया इतर गमके
मोरी कुसुमि रे चुनरिया इतर गमके
लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके
Ye to mumkin hi nahin hai
Posted on: February 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4241 | Post No. : | 15457 | Movie Count : |
4258 |
“Jai Jwaala”(1972) also known as “Pooja Aur Paayal”(1972) was a movie produced under the banner of K D Films Bombay. The movie had Sujit Kumar, Sonali, Madhumati, Ram Mohan, Kammo, Chandrashekhar, B M Vyas, Shahid Bijnori, Dinesh Hingoo, Kumud Tripathi, Rukhsana, Ratna, Bhupendra Kumar, Hanifa, Tikkoo, Baby Saeeda, Nirupama, Rehman etc, with special appearances by Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Lata Bose, Gopi Krishan and Johny Walker.
The movie had six songs in it.
Here is the first song from “Jai Jwaala”(1972) to appear in the blog. This song is sung by Rafi. Naqsh Llayalpuri is the lyricist. Music is composed by Kamalkant.
The song is picturised as a drunkard song on Sujit Kumar and a mujra dancing Madhumati.
With this song, “Jai Jwaala”(1972) makes its debut in the blog.
Song-Ye to mumkin hi nahin hai (Jai Jwaala)(1972) aka (Pooja Aur Paayal) (1972) Singer-Rafi, Lyrics-Naqsh Llayalpuri, MD-Kamalkant
Lyrics
ye to mumkin hi nahin hai
ki bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye amaanat hai teri
tu jo kahe dil apna
ye amaanat hai teri
tu jo kahe dil apna
aaj kadmon pe tere
jhoom ke rakh jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
aaj ki raat meri jaan ye
tamanna hai meri
aaj ki raat meri jaan ye
tamanna hai meri
ban ke masti teri
aankhon se chhalak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ki mahak
main
ke
main
ki mahak jaaun main
ki mahak jaaun main
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4232 | Post No. : | 15441 |
“Sandhya”(1975) was produced by Sunik Kumar and directed by Mirza Masood Baig and Sunil Kumar for Knight Films Bombay. This “social” movie had Aziz Mirza, Nargis Bano, Sunil Kumar, Rajita Thakur, Sharad Kumar, Nilo Roy, Kamal Kapoor, Hira Lal, Ratnamala, Haider Kumar, Dilip Dutt, Mona, Baby Bindu, Misri Lal, Hariram Raheja, Mauji Ram, Radhey Shyam, Mohammed Ali, Haroon, Romeo, Rehana, Surendra Sharma, Prasad, Ashok, Moolchand, M.L.Kapoor, Sajjan Harilalka, Yudhishtir etc in it.
This obscure movie had three different to find songs in it. Two of these songs have been covered in the past.
Here are the details of these two songs:
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Zindagi tujhse bahot pyaar kiya hai maine | 11064 | 14-Apr-2015 |
| 2 | Ang ang rang chhalkaaye | 15085 | 23-June-2019 |
Today (18 february 2020) is the birth anniversary of Jaan Nisaar Akhtar (18 February 1914 – 19 August 1976) as well as Khayyam (18 February 1927 – 19 August 2019). Curiously, Their birth anniversary as well as death anniversary fall on the same days (though in different years).
As a tribute to them, here is the third and final song from “Sandhya”(1975). This song is sung by Sulakshana Pandit. Jaan Nisaar Akhtar is the lyricist. music is composed by Khayyam.
Only the audio of the song is available. It sounds like a mujra song to me. I request our knowledgeable readers to throw light on the picturisation of this rare song.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Song-Jo palkon par nahin aate wo aansoo kisne dekhe hain (Sandhya)(1975) Singer-Sulakshana Pandit, Lyrics-Jaan Nisaar Akhtar, MD-Khayyam
Lyrics(Provided by Prakashchandra)
ye dilwaale jo dil de kar
silaa chaahein
pataa kab hai ae
ye kyaa maangey
ye kyaa chaahein
kabhi aanchal dhalak jaaye ae
jo baahon se
ye deewaane
(laughing sound)
badan chhoo lein
nigaahon se
pighal jaaye jo honthon ki nami dekhein
machhal jaayen jo aankhon mein hansi dekhen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
jo palkon par nahin aate
par nahin aate
woh aansoo kis ne dekhe hain
kabhi chaahein ke ras pee len
nazaaron ka
kabhi chaahein ke tan rach len
bahaaron ka
mehkte phool ye kab
todna chaahein
lapakte ae haath kaliyaan
todnaa aaa chaahein aen aen aen aen
jo shaakhein toot’ti hain
unn ke baazoo kis ne dekhe hain aen
jo shaakhein toot`ti hain
unn ke baazoo kis ne dekhe hain aen
husn-ae-shamma tera
sabki aankhon ka nashaa
pyaar parwaane karein
raqs deewaane karein
par tere dil ki lagi
koi samjha na kabhi
sab ki padti hai nazar
tere jalwon pe magar a a a
dhuaan ban kar
bikhar ke tere gesoo
kis ne dekhe hain
jo palkon par nahin aate
woh aansoo kis ne dekhe hain
Chale aao na sataao
Posted on: February 12, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4226 | Post No. : | 15431 |
“Aarop”(1974) was directed by Atmaram for GuruDutt Fims Combines, Bombay. this movie had Saira Bano, Vinod Khanna, Vinod Mehra, Rehman, Bindu, Bharat Bhushan, Keshto Mukherjee, Paintal, Gulshan Arora, Kundan, Savita, Manik, Murad, Krishnkant, Jankidas, Rajan Haksar, Maruti, Viju Khote, Pardesi, Bhaagwan, Sabina, Chandu Johny Walker etc, with special appearances by Lily Chakraborty, Rajesh Bahal, Raj Mehra and Mohan Choti.
The movie had seven songs in it. Six songs have been covered in the blog.
Here are the details of these six songs :
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Nainon mein darpan hai | 552 | 15-Jan-2009 |
| 2 | Jhinchak jhinchak…sab kuchh milaa tu na milaa | 1976 | 23-Sep-2009 |
| 3 | Jabse toone bansi bajaai re | 7232 | 22-Dec-2012 |
| 4 | O phoolon ke desh waali…Haath mere hai madhu ka pyaala Multi Part song | 8019 | 1-May-2013 |
| 5 | Hey Jai Yashodanandan | 11224 | 23-Sep-2019 |
| 6 | Toot gaya mera sapna suhaana | 15427 | 9-Feb-2020 |
Here is the seventh and final song from “Aarop”(1974) to appear in the blog. This song is sung by Asha Bhonsle. Maya Govind is the lyricist. Music is composed by Bhupen Hazarika.
The song is picturised as a mujra song on Bindu. The audience of this dance performance include usual suspects viz Rehman, Paintal etc. I have not been able to identify a few of them. I request our knowledgeable readers to help identify them.
With this song, all the seven songs of “Aarop”(1974) are now covered in the blog. with this, “Aarop”(1974) joins the list of movies that have been YIPPEED in the blog.
Song-Chale aao na sataao (Aarop)(1974) Singer-Asha Bhonsle, Lyrics-Maya Govind, MD-Bhupen Hazarika
Lyrics
champa ke das phool
chameli ki ek kali
arre haaye moorakh ki saari rain
chatur ki ek ghadi
chale aao
na sataao
chale aao
na sataao
mori hiyara ki agni bujhaaye jaao re ae
hamra jiyarwa de de balma naagin ye samjho
sajna main seedhi sadhi naar hoon na naagin ye samjho
hamra jiyrwa dai de baalma naagin ye samjho
bholi sooratiya neechi najariya aaya ek anaadi
mauka pa mori bainya marodi nikla bada khilaadi
bholi sooratiya neechi najariya aaya ek anaadi
mauka pa mori bainya marodi nikla bada khilaadi
chitwan ne hathkadi laga di
roop ne mara dhakka
haay dekh ke mora jaadu tona ho gaya hakka bakka
chale aao
na sataao
chale aao
na sataao
mori hiyara ki agni bujhaaye jaao re ae
hamra jiyarwa de de balma naagin ye samjho
sajna main seedhi sadhi nar hoon na nagin ye samjho
hamra jiyrwa dai de balma nagin ye samjho
sawa laakh ke honth hamaare
dedh laakh ke naina
choodi bhari kalaai mori teen laakh ki hai na
sawa laakh ke honth hamaare
dedh laakh ke naina
choodi bhari kalaai mori teen laakh ki hai na
chaar laakh ki chunar lahanga
paanch laakh ke bol
saat laakh ki mori kamariya
tan mora anmol
chale aao
na sataao
chale aao na sataao
mori hiyara ki agni bujhaaye jaao re ae
hamra jiyarwa de de balma naagin ye samjho
sajna main seedhi sadhi naar hoon na naagin ye samjho
hamra jiyarwa de de baalma naagin ye samjho
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