Archive for the ‘Mujra song’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is his 500th article contribution in the blog.
Blog Day : |
5008 | Post No. : | 16908 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # # Daadaa-1978#
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If we look at the statistics of the movies released in the decade of seventies i.e., 1971-1980, and the total number of songs, the count as per HFGK is around eight thousand songs from 1327 movies ( including 1243 released movies+ Unreleased movies + movies in other languages of the ‘Hindi Belt’ of India).
Out of these eight thousand plus songs we have so far covered 2586 songs on the blog. That is not even near the half-way mark, and it means that we still have a long way to go to bring all the songs of this decade (1971-980) on the blog.
It would be interesting to know year-wise movies released and movies introduced on the blog, and the movies yet to be introduced on the blog. We are certainly going to have these statistics in the future posts on the blog. Till now we have done this exercise for the years ‘1971’ and ‘1972’.
We might have covered many of the popular songs of this era on the blog and there might also be many ‘surprises’ yet to come on the blog. The remaining songs from such movies i.e., the songs other than the most well-known songs yet to be posted on the blog would also have some ‘surprises’ which we are yet to listen to and enjoy.
For instance, take the case of today’s movie which is ‘Daadaa-1978’. It was one of the successful movies of ‘1979’ (I guess it was released in the theatres in end 1978 or in early 1979. It was passed by Censor Board on 30.11.1978).
Two most well-known songs from this movie which are ‘dil ke tukde tukde karke muskuraa ke chal diye’ and ‘allah karam karna maula tu reham karna’ have been posted on the blog. Ever since, this movie is waiting for its third song to appear on the blog and this wait has become more than ten years long.
Today I am presenting a song from this movie which is a beautiful reminder of the music of the ‘seventies’. I landed on this song via other song from the same movie. When I read the title of this (today’s) song it didn’t ring any bells, but when I listened to the song, I immediately recalled that I had heard this song before. This song was a popular enough song of its days.
I have vague memories of watching this movie with my parents and younger brothers. I didn’t remember this movie completely now except for few of its’ songs. But our favourites then were ‘gaddi jaandi hai chhalaangaa maar di’ and ‘allah karam karna maula tu reham karna’. I remember I didn’t like this song ‘dil ke tukde tukde karke’ then and it was very irritating to hear it on radio or around on loudspeakers. However, this song brought the ‘Filmfare’ award of ‘Best Male Playback Singer to Yesudas and it was on number ten in the annual list of ‘Binaca Geetmala of 1979’.
“Daadaa-1978” was directed by Jugal Kishore for ‘Jugal Productions Combine, Bombay’.
Jugal Kishore was also the producer of this movie.
It had Vinod Mehra, Bindiya Goswami, Shashi Puri, Madhu Malini, Amjad Khan, Indrani Mukherjee, Jayshree T., Jeevan, Seema Deo, Ramesh Deo, Jagdeep, Rajendra Nath, Raza Murad, Satyen Kappu, Vijaya Choudhary, Mohan Choti, Maruti, Mohan Shery, Sheikh, Baby Pallavi, Coka Cola, Ramavatar, Shyam Kumar, Ratan Gaurang, Manmauji and many others.
Story of this movie was written by Dr. Hari Zutshi and screenplay was written by Aryan and Tejnath Zar.
Tejnath Zar also wrote the dialogues for this movie.
Editing of this movie was done by Y.G. Chavan.
This movie was passed by Censor Board on 30.11.1978.
This movie had five songs- all written by five different lyricists viz. Asad Bhopali, Ravindra Jain, Kulwant Jani, Mahendra Dehalvi, Gauhar Kanpuri.
(I think that using the five separate lyricists for five songs surely paid of for this movie as all of them turned out to be good compositions).
Music for this movie was composed by Usha Khanna.
Mohd Rafi, Yesudas, Shailendra Singh, Hemlata, Dilraj Kaur, and Suman Kalyanpur had given their voices to the songs in this movie.
Here is the list of songs of this movie.
SNo | Song Title | Singer/s | Lyricist | Posted On |
---|---|---|---|---|
01 | Gaddi jaandi ae chhalaangaa maardi | Rafi, Shailendra Singh, Dilraj Kaur, Hemlata | Ravindra Jain | |
02 | Dil ke tukde tukde kar ke muskuraa ke chal diye | Yesudas | Kulawant Jani | 14.07.2009 |
03 | Hamne maana hampe sajan jobanwa bharpoor hai | Suman Kalyanpur | Mahendra Dehalvi | Being covered today |
04 | Allah karam karna, maula tu reham karna | Suman Kalyanpur | Gauhar Kanpuri | 16.12.2011 |
05 | Bemurawwat tumhe samjhenge zamaanewaale … parde mein koyi | Rafi, Shailendra Singh | Asad Bhopali |
Today’s song is sung by Suman Kalyanpur and is a ‘mujra’ song highly enjoyable and having a catchy tune. On screen it is Jayshree T. performing on this song and we can see Amjad Khan and Jeevan and others in the picturisation of this song.
(Incidentally I am coming across many Jayshree T. songs nowadays and have shared some of them recently on the blog 😊 )
This movie also brough a Filmfare award to Amjad Khan in the category of ‘Best Supporting actor’.
However, it was Amjad Khan’s performance which was the highlight of this movie with other ‘ingredients’ like the story, presentation of it on screen, catchy music and with screen presence of other actors like Vinod Mehra, Shashi Puri, Bindiya Goswami, Madhu Malini and others making this movie a perfect ‘blend’ of action, romance, friendship, and entertainment to watch on the big screen. And this movie ranked on number fifteen among the highest grossing Hindi movies of ‘1979’ (as per IMDB).
I am not going into the detail of the story of this movie as Atul ji and Sudhir ji has covered a lot about the movie in their write-ups while presenting the songs ‘dil ke tukde tukde karke muskuraa ke chal diye’ and ‘allah karam karna maula tu reham karna’ on the blog.
Let us now enjoy the today’s peppy number which I think is inspired from a ‘Bhojpuri song’. Lyrics for the today’s song are by Mahendra Dehalvi.
The engrossing voice in the today’s song is of Suman Kalyanpur and music is by Usha Khanna.
Enjoy the entertaining music of the ‘seventies’ 😊 which I am sure will take many of us to down memory lane …
Video
Audio
Song-Hamne maana hampe saajan jobanwa bharpoor hai (Daada)(1978) Singer-Suman Kalyanpur, Lyrics-Mahendra Dehalvi, MD-Usha Khanna
Lyrics
hamne maana hampe saajan
jobanwaa bharpoor hai ae
hamne maana hampe saajan
jobanwaa bharpoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
saal solvaa laaga hamko
ee to ham bhi jaanat hai
hamri bagiyaa mahke phoolwaa
ee to ham bhi maanat hai
chingaari se aag bhaye ham
sach ee baat zaroor hai ae
chingaari se aag bhaye ham
sach ee baat zaroor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
daar ke kajraa
khaa ke gilauri
ham jis ore nikal jaayen
thhan jaaye hai deewaanon mein
chakku chhuriyaan chal jaaye
saara shahar hai aashiq hamraa
hamkaa bahut garoor hai ae
saara shahar hai aashiq hamraa
hamkaa bahut garoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
pehle gaunaa karwaayile
phir sun meethhi batiyaan
sabka thhengaa dikhlaayike
lag gayi hai tohri chhatiyaan
abhoo paas na aao hamre
abhoo dilli door hai ae
abhoo paas na aao hamre
abhoo dilli door hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
hamne maana hampe saajan
jobanwaa bharpoor hai ae
hamne maana hampe saajan
jobanwaa bharpoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
ee to mahimaa raam ki
ee maa hamra ka kasoor hai
Malmal mein badan mora chamke
Posted March 10, 2022
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4983 | Post No. : | 16867 |
Hullo Atuldom
“Five Rifles” (1974) was produced and directed by I.S. Johar. I think it was also written by I.S.Johar. Anyone who used to see the movies in the 70s will recall that the male actors – won’t call them protagonist or heroes- were look-alikes of Shashi Kapoor and Rajesh Khanna; credited in the movie’s titles as Shahi Kapoor and Rakesh Khanna. The others in the cast were Ambika Johar (in a double role), Veena, D.K. Sapru, Murad, Kamal Kapoor (in one of his many videshi, police commissioner acts), Anil Johar, Satyadeep etc. and I.S. Johar, of course. The songs of the movie were written by Rajinder Krishan and Indeevar. The movie had five songs and the blog has the following two of them:-
Song | Date of post |
---|---|
Jhoom baraabar jhoom sharaabi | 30 june 2009 |
Tera husn allah allah tera roop raam raam | 6 June 2018 |
Avinashji has written a lot of details, about the film, in this post
I don’t recall if I had seen this movie at the time of its release (maybe I had) but saw the movie recently and felt that it spoke about too many things. I.S. Johar had ‘Nashabandi’ (prohibition on sale of liquor), ‘Nasbandi’ (family planning movement of the 70s), freedom-struggle, corrupt ‘Senapati’ of some unnamed kingdom who helps the foreign ruler dethrone the Maharaja etc. all in the story of this movie. Additionally, there was an extended climax which went from the plains to the snow-capped hills in North India with snowmobiles etc. Plus all the gorillas/apes that kept popping here-there-everywhere through the movie. And weird cars which split from the middle, suddenly become flying cars, and amphibians. Just too many things in one movie for the audience to digest; in addition to the two look-alikes and a non-acting heroine. God, I sat through it to see what the song-and-dance was all about. Oh I forgot, a song from “Johar Mehmood in Goa” (1965) was used in the scene where the Apes helping the freedom-fighters are being escorted to Jail.
Today we are having a song where we see Inder Sen Johar (read somewhere that he was Inderjeet Singh Johar, whichever is correct) disguised as a dancer out to hoodwink the ‘Daaroga’ and breaking into a mujra singing in Asha Bhonsle’s voice. There is another girl dancing in a black dress outwitting the hawaldars who have accompanied the Daaroga.
I.S. Johar, born on 16th february 1920, was an M.A. in Economics & Politics and before completing LLB. He was born in modern day Pakistan, got stuck in Patiala at the time of partition and could never return. He made his debut in Bollywood in 1949 and also appeared in a few international projects. He was seen in comic roles with tongue-in-cheek dialogues and did serious roles too with subtle ironic or frankly sarcastic jibes at Indian customs, mores, superstitions and institutions. It is 38 years since his passing and 10th March is his anniversary.
Song-Malmal mein badan mora chamke (Five Rifles)(1974) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Lyrics
aa aa aa aa aa aa aa
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
kaise chhupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
resham ki maine choli mangaai
resham ki maine choli mangaai
do pal tann par bhi tikne na paayi
ho toot gayi dori jo
li angdaayi
toot gayi dori jo
li angdaayi
huyi aisi halchal
huyi aisi halchal
mangani padi malmal
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
hoke jawaan maine bada dukh paaya
hoke jawaan maine bada dukh paaya
dekhe buri aankh se apna paraaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
huyi aisi halchal
huyi aisi halchal
mangaani padi malmal haay
malmal mein
ho malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaaoon haaye haaye
kaise chupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Century songs for the blog | Lyrics by Prakashchandra | Lyrics contributed by readers | Mujra song | Songs of 1960s (1961 to 1970) | Songs of 1968 | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4924 | Post No. : | 16759 |
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Blog 10-Year Challenge (2012-2022) – Song No. 06
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This day ten year ago (viz on 10 January 2012) saw five songs from five different movies getting discussed on the blog. Here are the details:-
blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
5275 | Chaand bhi koi deewaana hai | Apna Ghar Apni Kahaani (1968) | 4 songs covered out of 6 so far |
5276 | Tu jo mere sur mein | Chitchor (1976) | Fourth and final song of the movie. Movie YIPPEED with this song. |
5277 | Zidd na karo ab to ruko | Lahu Ke Do Rang (1979) | 4 songs covered so far out of 8 |
5278 | Jaanm jaanam tera mera pyaar naya hai | Saawan Ko Aane Do(1979) | Movie YIPPEED by now |
5279 | Sapna dekhen mere khoye khoye naina | Anand Mahal (1977) | Only this song from the movie has been covered in the blog so far |
As we can see, “Apna Ghar Apni Kahaani”(1968)aka “Pyaas”(1968) is one of the movies that is eligible for Blog Ten Year Challenge today.
“Apna Ghar Apni Kahaani”(1968) was Produced by Rajnath Kochhar and directed by Phani Majumdar for Rachna Films, Bombay. The movie had Sudhir, Mumtaz, Madhumati, Shekher, Bina Rai, Bela Bose, Brahm Bhardwaj, David Abraham, Kesto Mukherjee, Keshav Rana, Baby Farida, Shivajibhai, Pradip Das Gupta, Anil etc in it.
The movie had six songs in it. Four songs have been covered so far.
As blog ten year challenge, here is another song from “Apna Ghar Apni Kahaani”(1968). This song is sung by Asha Bhonsle. Qamar Jalalabadi is th lyricist. Music is composed by N Datta.
The song is picturised as a mujra song on Madhumati. Shekhar and Keshav Rana are also visible in the picturisation.
Lyrics of the song and other details were sent by Prakashchandra.
With this song, Qamar Jalalabadi completes 400 songs in the blog as a lyricist.
Song-Peena haraam hai na pilaana haraam hai (Apna Ghar Apni Kahaani)(1968) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-N Datta
Lyrics(Provided by Prakashchandra)
kisi ki peene ka
yoon intezaam
kar denge aen aen aen
milaa ke ??
?? ko jaam
kar denge
aaan aan aaan aaan aaan aaan
peenaa haraam hai
peenaa haraam hai
na pilaanaa haraam hai
peenaa haraam hai
na pilaanaa haraam hai
peene ke baad hosh mein aanaa haraam hai ae
peenaa haraam hai na pilaanaa haraam hai
nazrein milaanaa jurm agar a a a a
nazrein milaanaa jurm agar hai to ho magar a a
nazrein milaanaa jurm agar hai to ho magar
iss bazm mein
iss bazm mein
nazar na milaanaa haraam hai
peene ke baad hosh mein aanaa haraam hai ae
peenaa haraam hai na pilaanaa haraam hai
insaan ke dil ko pyaar khudaa ne ae ae ae
insaan ke dil ko pyaar khudaa ne ataa kiyaa
insaan ke dil ko pyaar khudaa ne ataa kiyaa
kis ne kahaa
kis ne kahaa ke pyaar jataanaa haraam hai
peene ke baad hosh mein aanaa haraam hai ae
peenaa haraam hai na pilaanaa haraam hai
maanaa ke tum naye ho
o o o o
maanaa ke tum naye ho
mere bazme-e-naaz mein aen
maanaa ke tum
naye ho mere bazm-e-naaz mein
ek baar
ek baar aa gaye ho to jaanaa haraam hai
peene ke baad hosh mein aanaa haraam hai ae
peenaa haraam hai na pilaanaa haraam hai
peene ke baad hosh mein aanaa haraam hai ae ae
peenaa haraam hai na pilaanaa..aaa haraam hai
Shukriya meharbaanon ka
Posted September 13, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4805 | Post No. : | 16572 | Movie Count : |
4514 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LI: Year 1997
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1997.
In 1997, 90 Hindi movies containing 530 songs were released. Lata Mangeshkar got to sing in 5 of these movies and she sang 21 songs in these movies. So Lata Mangeshkar’s voice was heard in 6 % of the movies released in 1997. Her voice was heard in 4 % of the songs appearing in the movies of 1997.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1997 :-
S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
---|---|---|---|---|---|---|---|---|---|
1 | Aakhri Sangharsh | Hemant Bhonsle | 0 | 1 | 1 | 0 | 0 | 0 | Anjaan |
2 | Betaabi | Vishal Bhardwaj | 0 | 2 | 1 | 1 | 0 | 0 | Sameer |
3 | Dil To Paagal Hai | Uttam Singh | 1 | 9 | 0 | 9 | 0 | 0 | Anand Bakshi |
4 | Lav Kush | Ram Laxman | 0 | 7 | 0 | 2 | 4 | 1 | Dev Kohli |
5 | Salma Pe Dil Aa Gaya | Aadesh Srivastava | 0 | 2 | 0 | 2 | 0 | 0 | Saawan Kumar Tak |
Total | 5 movies | 5 MDs | 1 | 21 | 2 | 14 | 4 | 1 | 5 lyricists |
Lata Mangeshkar worked with 5 music directors and 5 lyricists in these 5 movies released in 1997. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 1996. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3732 songs out of 5165 songs that Lata Mangeshkar had sung in Hindi movies till end of 1997. Anand Bakshi with 709 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (406), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3229 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1997 :
Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
---|---|---|---|---|---|---|---|---|
1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
1949 | 38 movies | 138 | 157 | 103 | 35 | 12 | 7 | |
1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
Total upto 1997 | 1850 movies | 3732 | 5165 | 3355 | 1480 | 212 | 118 |
It can be seen from the table of 1997 that Lata Mangeshkar sang 21 songs in 5 movies released in 1997.
One song sung by Lata Mangeshkar in movies of 1997 has been covered in the blog. So 20 songs from 5 movies of 1997 sung by Lata Mangeshkar are yet to be covered in the blog.
Alphabetically “Aakhri Sangharsh”(1997) is the first movie of 1997 that offers us a Lata Mangeshkar song to be covered in the blog.
“Aakhri Sangharsh”(1997) was produced by G M Patel and directed by Narendra Bedi for G M Pictures, Bombay.
This movie was originally started in 1982 and it was ready fr release in 1986, but various causes kept delaying it and finally it could only be released in 1997.
“Aakhri Sangharsh”(1997) had Vijendra aka Vijayendra Ghatge,Sarika,Mukesh Khanna, Kajal Kiran, Helen,Shakti Kapoor, Jeevan,Kalpana Iyer, Pinchu Kapoor, Hina Kausar,Sudhir, Dinesh Thakur,Jonny Whihsky, Narendra Nath, Viju Khote, Pammu, Rajrani,Prakash Gill,Pravin Paul,Dhan raj,Jaggi Khanna,Sunder Taneja,Jagdish raj, Madhu malhotra, Kamal Thakur, Kajraj, Rakesh Bedi, Baby Pinki, Master Bittu etc. The movie had special appearances by Om Shivpuri, Krishan Dhawan, Kamal Kapoor and Rajan Haksar.
The movie had five songs in it. One of these songs was a Lata Mangeshkar solo.
Here is the Lata Mangeshkar song from “Aakhri Sangharsh”(1997). Anjaan is the lyricist. Music is composed by Hemant Bhonsle.
The song is picturised as a mujra song on Sarika, with Narendranath, Johny Whisky and others also seen in the picturisation.
Lyrics of the song and other details have been sent by Prakashchandra.
With this song, “Aakhri Sangharsh”(1997) makes its debut in the blog.
audio
Video
Song-Shukriya meharbaanon ka(Aakhri Sangharsh)(1997) Singer-Lata, Lyrics-Anjaan, MD-Hemant Bhonsle
Lyrics(Provided by Prakashchandra)
hans liyaa bahot
aei/ayye mere dil.. l.. l..l
ab aahein bhar ke dekhenge ae
ye bhee karnaa thhaa
qismat mein ae
hum ye bhee kar ke
dekhenge
hum ye bhee
kar ke
dekhenge
shukriyaa
shukriyaa
meharbaanon kaa aa aa aa
shukriyaa
ke mere ae ae
aansuon ko ghunghroo
banaa diyaa
banaa diyaa
shukriyaa aa aa aaa
zamaanaa royegaa
sunn`kar jaisey main
woh kahaanee hoon
ho o o
zamaanaa royega
sunn`kar jaisey main
woh kahaanee hoon
kisee mandir ki jyoti hoon oon
kisee ke dil ki raani hoon
mujhey mere ae naseebon ne ae
mehfil mein
nachaa diyaa
nachaa diyaa
meharbaanon kaa aa aan aa
shukriyaa aa aaa aa aaa
wafa kee sharm kee
izzat ki rasmein
tod dee maine
ho o o
wafa kee sharm kee
izzat ki rasmein
tod dee maine
pehan lee ek paayal
saari qasmein
tod dee maine
tawaif ek aurat ko o o o
logon ne
banaa diyaa
banaa diyaaa
meharbaanon kaa aa aa aa
shukriyaa aa aa aa aa aa aa
ye woh baazaaar hai
jis mein ae sanam
neelaam hotey hain
ho o o
ye woh bazaar hai
jis mein aen sanam
neelaam hotey hain
sunaa hai log
daulat ke aey ae liye
badnaam hotey hain
mujhe meree sharaafat ne ae kothey pe
bithhaa diyaa
bithhaa diyaa
meharbaanon kaa aa aa aa
shukriyaa aa
ke mere aey ae aansoo`o ko ghunghroo
banaa diyaa
banaa diyaa
shukriyaa aa aaa aaaa aa aa
Tum bhi kitne raseele
Posted September 8, 2021
on:This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4800 | Post No. : | 16564 | Movie Count : |
4511 |
Today’s song is from an old film – actually a very old film, which is 84 years old – Dhanwan-aka Mazdoor ki beti-1937.
The film was made under the banner of the Imperial Film Company, Bombay and was shot in its studio. It was directed by Premankur Atorthy and the Music was by Harshchandra Bali or H.C.Bali. The cast of the film was Rattanbai, Jamshed ji, Hafisji, W.M.Khan and others. This was the last film made by the Imperial Film Company.
From 1913 to around 1945 upwards, it was strictly a period of Studio Culture. Names of Heroes and Heroines were less important than the name of the studio making the film During the Silent film era films used to be made within a span of a month or even less than that.Most films were shot during day time in the studios where there used to be no roof to its 4 walls, because they needed Sunlight for shooting. An improvement on this was a Glass Ceiling in Imperial studio to filter the strong sunlight in summer.
Studios used to employ people needed to make films, like Actors-M and F, Directors, MDs, Lyricists, Writers, Cinematographers etc on monthly basis pay. For big studios, the Pay-roll lists would have artistes and others in hundreds. Ranjit studio boasted to have more than 900 people on its monthly Pay list at one time. The Government had opened a Ration shop inside the studio premises for their families. Bombay Talkies had made Entertainment and play areas (like Tennis, Badminton courts etc) for use by its employees. Every studio used to have a Canteen for the workers and the other people. Prabhat had appointed some Extra actresses, who used to sweep, do Housekeeping and cook for the studio staff as well as work in small roles in the films, whenever needed.
While there were 20 film companies in Calcutta, at the same time in Bombay there were 31 film companies with studios ( as on today, there are just 13 film studios which are given on rent for shootings). Over a period, the studio system ended, every artiste became a Freelancer and studios remained only for renting out for shootings to independent producers. Films stopped being sold on studio names and actors and directors became the attraction for the audiences to see the films.
Studio system was one of the biggest factors in the evolving and development of the Indian film industry. From this onwards, I plan to write on different well known studios, in my future posts, whenever possible. Today we will know more about the Imperial Film Company. Being the first to make a Talkie film in Hindi, it deserves this honour !
Ardeshir Irani (5-12-1886 to 14-10-1969) built the Imperial Studio of the Imperial Film company, near Kennedy Bridge in Nana Chowk, Bombay, in 1922. At the same time he built another studio, near Chowpatty for Sagar Movietone. All the studios used to be without a roof. These were the days of Silent films.Most Stunt films were shot outdoors but others like Mythologicals were shot in the studios. Films made here were released in Irani’s own Majestic Theatre.
India’s first Talkie film ” Alam Ara” was made in 1931. There was a Processing lab also in the premises. Imperial made some Marathi films also like ‘ Rukmini Haran’ and ‘ Devki’ etc. Till 1937, Imperial was a leading studio. In 1937, Imperial made India’s First indegenous Colour film “ Kisan Kanya”. Irani had not spared any effort to make it technically superb. Unfortunately this film flopped leaving a heavy loan on Irani’s head. He first sold Sagar Studio and then some more land also. In 1938, Ardeshir irani mortgaged Imperial Studio to Kapurchand Mehta against a big sum, but could never redeem it again. Mehta later changed its name to ” Jyoti Studio” and started renting it to other companies for shootings. Some land was sold to Motor garages. After the death of Ardeshir Irani, his legal heir Shapurji looks after whatever land and buildings are left over.
In 1925, Ardeshir Irani founded Imperial Films ( Imperial studio, Imperial Film Company and Imperial Films are all different – legally), where he made sixty-two films. By the age of forty, Irani was an established filmmaker of Indian cinema. Ardeshir Irani became the father of talkie films with the release of his sound feature film, Alam Ara on 14 March 1931. Many of the films he produced were later made into talkie films with the same cast and crew. He is also credited with making the first Indian English feature film, Noor Jahan (1931). He completed his hat-trick of earning fame when he made the first colour feature film of India, Kisan Kanya (1937). His contribution does not end only with giving voice to the silent cinema and colour to black-and-white films. He gave a new courageous outlook to filmmaking in India and provided such a wide range of choice for stories in films that till date, there are films being made which have a theme relating to one of the one hundred fifty-eight films made by Irani.
In 1933, Irani produced and directed the first Persian talkie, Dokhtar-e-Lor. The script was written by Abdolhossein Sepanta who also acted in the film along with members of the local Parsi community.
Irani’s Imperial Films introduced a number of new actors to Indian Cinema, including Prithviraj Kapoor and Mehboob Khan. He also interfered with the medium. He produced Kalidas in Tamil on the sets of Alam Ara, with songs in Telugu. Also, Irani visited London, England for fifteen days to study sound recording and recorded the sounds of Alam Ara on the basis of this knowledge. In the process, he created a whole new trend unknowingly. In those days, outdoor shootings were shot in sunlight with the help of reflectors. However, the outdoor undesirable sounds were disturbing him so greatly that he shot the entire sequence in the studio under heavy lights. Thus, he began the trend of shooting under artificial light.
Imperial Films Company Est: 1926. Successor to the Majestic and Royal Art Film companies set up by Ardeshir Irani as a diversification of his exhibition interests in partnership with Esoofally, Mohammed Ali and Dawoodji Rangwala. Organised as a vertically integrated combine with its own exhibition infrastructure. Started following the decline of Kohinoor, it continued many of the latter’s Mohanlal Dave-inspired genres, often with the same stars and film-makers. Imperial became closely associated with the costumed historical genre launched with Anarkali (1928), shot and released almost overnight in direct competition to Charu Roy’s The Loves of a Mughal Prince (1928).
Irani also rushed out Alam Ara (1931), released as India’s first full talkie narrowly beating Madan Theatres’ Shirin Farhad (1931). Imperial was the first studio to shoot scenes at night (in Khwab-e- Hasti, 1929) using incandescent lamps. It owned India’s top silent star, Sulochana, and promoted her along with Zubeida, Jilloo and, for a while, the young Prithviraj Kapoor. This was perhaps the first major instance of a deliberate manufacturing of a star-cult as a marketing strategy.
Top Imperial film-makers include R.S. Choudhury, B.P. Mishra and Mohan Bhavnani, whose film-making set the house style, as did Nandlal Jaswantlal’s sound films. A fair number of the studio’s talkies were remakes of its own silent hits with Sulochana (Anarkali, 1928 & 1935), Wildcat of Bombay (1927) became Bambai Ki Billi (1936), etc. It made films in at least nine languages: Hindi, Gujarati, Marathi, Tamil, Telugu, Burmese, Malay, Pushtu and Urdu. The first Iranian sound film, Dukhtar-e-Lur (aka Dokhtare Lor Ya Irane Diruz Va Emruz, 1932) was also made here. Kisan Kanya (1937) by Gidwani was India’s first indigenously manufactured colour film, made with the Cinecolour process. When it closed in 1938, its economic and generic inheritance was continued by Sagar Movietone.
Film Kisan Kanya-1937 was famous as the First indigenously made colour film of India, made by Ardeshir Irani’s company- Imperial Film Company. Film pioneer Irani was the first to make an International Co-Production, with Italy, film Nala Damayanti- a silent film of 1920. Secondly, he had the honour of making and releasing India’s First Talkie Film ” Alam Ara-1931″. And with the film Kisan Kanya, he achieved a Hat Trick of ‘ First in India’ credit in film making.
Ardeshir Irani was very keen to become the First to make a Talkie film of India. He knew that Madon Theatres of Calcutta too were busy in making their First Talkie film, with two popular stars of the day. Irani hastened the speed of his shootings and recordings. Lot of secrecy was maintained in filming the movie. From his secret sources in Calcutta, he was getting information on the progress of Madon Theatres’ film in making. He came to know that their film was to have about 20 songs in the film. Irani decided to limit the number of songs in his film to save on time. Now they would have only 7 songs. Thus they saved on many days of shootings and recordings. Thus, while Alam Ara was released on 14-3-1931, Madon could only release their First Talkie film “Shirin Farhad” on 30-5-1931, a cool two and a half months later !
Similarly, Irani studied why Prabhat’s first colour film ‘ Sairandhri-33″ failed technically and decided to do all technical processes in India, for his colour film Kisan Kanya-37. Thus his colour film came out much better than Prabhat’s film.”Irani perhaps was the world’s first multilingual film maker,having made forays into English, Bengali, Marathi, Tamil, Persian, Burmese, Indonesian and Pashto. He is credited with launching the Talkie era in countries like Burma, Indonesia and Iran. He made nearly 120 Talkies in a span of just 8 years. He was also the first to establish a colour laboratory imported from Hollywood.
Irani made one hundred fifty-eight films in a long and illustrious career of twenty-five years, between the First and Second World Wars. He made his last film, Pujari, in 1945, under the banner of Ardeshir M. Irani Productions ltd. The film was shot in Jyoti Studios, ironically ( it was his own Imperial studios earlier). Irani was not compelled to live like Dadasaheb Phalke for he realised that the war was a time not suitable for film business and therefore he suspended his film business during that time. He died on 14 October 1969 at the age of eighty-two, in Mumbai, Maharashtra.
Noted film director Mehboob Khan had a little story about his connection with Imperial Film company. After the successful film Ek hi Raasta-39, Mehboob started work on Alibaba. He had made the beginning of his film career by acting in the silent film on Alibaba, at the Imperial film company. He was one of the 40 thieves ! By now, due to his continuous success, Sagar Movietone had benefited much and he was highly respected in the company.
Besides Mehboob, Sagar Movietone had a team of other directors like C M Luhar, Sarvottam Badami, Hiren Bose, Ramchandra Thakur etc. They too were making films for Sagar. However, their films were not as successful as those by Mehboob. In addition, the onset of the Second World War had a negative impact on Sagar and it went into loss. Soon, the owners decided to close the company.
By this time, Mehboob was ready with all the arrangements to start the shooting of Alibaba. Closing down of Sagar was a shock to him. He approached Ardeshir Irani of Imperial and asked for permission to shoot his film there. Irani was very happy. The novice ‘ extra ‘ who had worked in his company-without pay for the first five months- had now become an acclaimed top class successful Director. Irani was proud of Mehboob. He gladly permitted him to shoot his entire film there. (Thanks to wikipedia, Encyclopedia of Indian Cinema, The formative phase of Indian Cinema-Ashok Raj in Hero-I ,article by D.B.Samant, Shirish Kanekar, Bhai Bhagat’s book ‘ Teen bhintinchi Duniya ‘ (तीन भिंतींची दुनिया ) and my own notes. )
One of the names in the cast is peculiar- Jamshed ji. His full name was Jamshed ji Bairam ji, Khan Saheb. In some films, he was credited as Khan saheb also. He was born in Bombay in 1889 as a typical Parsee. He was one of the oldest and most experienced actors having worked with several directors and over 25 years of acting.
He started with Silent films like Pyari Mamta, Madhuri, Sohni Mahiwal, pooran Bhagat, Gulshan E Arab, Hoor E Baghdad and Indira. His first talkie films were Daulat ka nasha-31 and Noorjahan-31. He acted in about 50 films. His last known film was Andaz-1949.
Jamshed ji, also gave music to 3 films- Naya Zamana-35, Zaate Shareef-36 and Jagat kesari-37.
With today’s song by Rattanbai, film dhanwan-37 makes its Debut on this Blog.
Song-Tum bhi kitne raseele (Dhanwaan)(1937) Singer- Ratanbai, Lyricist- Not known, MD- H C Bali
Lyrics
aa
haay aa aa haay
haay haay
haa aa aa haay haaay
tum bhi kitne ae ae raseele
haa aa aa aa aa
tum bhi kitne raseele
bane baabu raaja
bane baabu raaja
aa aa aa
tum bhi kitne raseele
haan aan aan aan
khade morey dwaare
haan aan aan aan
khade morey dwaare
bane baabu raaja
bane baabu raaja
aa aa aa
tum bhi kitne raseele
haan aan aan aan
malmal ka kurta
makhmal ki jaackit
haan haan
makhmal ki jaackit
haan
malmal ka kurta
makhmal ki jaackit
haan haan
makhmal ki jaackit
Lucknow ka palla pahne
han aan aan aan
Lucknow ka palla pahne
pahne baabu raaja
pahne baabu raaja
aa aa aaa
tum bhi kitne raseele
pahne baabu raaja
pahne baabu raaja
aa aa aa
tum bhi kitne raseele
haan aan aan aan
sone ka kangana
chaandi ki jhaanjhar
haan
chaandi ki jhaanjhar
haan aan aan
sone ka kangana
chaandi ki jhaanjhar
haan
chaandi ki jhaanjhar
laaye kahaan se gahne
haan
laaye kahaan se gahne
gahne baabu raaja
gahne baabu raaja
aan aan
tum bhi kitne raseele
haan aan aan aan
tum bhi kitne raseele
Tera waade pe waada hota gaya
Posted August 14, 2021
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
Blog Day : |
4775 | Post No. : | 16525 |
Today’s song is from the movie ‘Gaal Ghulaabi Nain Sharaabi-1974’.
This movie made its debut on the blog with its song ‘meri hasraton ki duniya’ on 10.02.2009. However, after that the movie is still waiting for the appearnce of its second song on the blog, and we are going to listen its second song today (14 August 2021).
This will be after a long gap of 4,568 days or twelve years-six months -and -four days. The first song from the movie was song post number 207 for the blog. This second song from the movie is song post number 16525 !
I was aware with this movie-title. I had either read about it somewhere or I must have heard it during my discussions with elders at home. I have neither watched the movie nor listened to its songs attentively. I am familiar with the song that has been posted on the blog which I think that is the only well-known song from this movie.
‘Gaal Ghulaabi Nain Sharaabi-1974’ was directed by Devi Sharma for ‘Janta Chitra’. Devi Sharma was also the producer of this movie.
It had Radha Saluja, Kiran Kumar, Paintal, Arpana Chowdhary, and Ranjeet. They were supported by Jankidas, Dinesh Hingoo, Sunil Dhawan, S.K. Prem and others. Ritu Kamal make a special appearance in this movie.
Story and dialogues of ‘Gaal Ghulaabi Nain Sharaabi’ were written by Devi Sharma. Screenplay of this movie was written by Ravi Kapoor. Editing of this movie was done by Ghulam Hussain.
This movie was passed by Censor Board on 03.12.1974.
This movie had six songs, five were written by Kulwant Jaani and one song was written by Rameshwar Tyagi. Music for this movie was composed by Shamji Ghanshamji.
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Oye oye gaal ghulaabi, nain sharaabi … | Mohd Rafi, Krishna Kalle | |
02 | Aa aa mere sapnon ki raani | Mohd Rafi, Krishna Kalle | |
03 | Meri hasraton ki duniya … | Mohd Rafi, Krishna Kalle | 10.02.2009 |
04 | Mehndi rachegi maathe bindiya sajegi | Krishna Kalle | |
05 | Tera waade pe waadaa hota gayaa | Krishan Kalle, Preeti Sagar | |
06 | Balle balle … ham laaye hain Kaabul se | Krishna Kalle, Vani Jairam |
As mentioned above only one song from this movie has been posted on the blog on 10.02.2009.
Today’s song is sung by Krishna Kalle and Preeti Sagar. Lyrics of this song are written by Rameshwar Tyagi, and this is the only song he has written for this movie. That is the reason I selected this song for today’s presentation. Secondly when I listened to this song, I liked the composition too. It is a ‘kotha’ song and picturized on Radha Saluja whom Ranjeet, in a drunken state, imagined performing on this song. However, there are other female artists performing on this song whom I am unable to identify as the video (from the movie available online) is not clear.
As I have said above, I have not watched this movie. So, I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy today’s rocking song with poetic lyrics by Rameshwar Tyagi.
Video
Audio
Song-Tera waade pe waada hota gaya (Gaal Gulaabi Nain Sharaabi)(1974) Singers- Krishna Kalle, Preeti Sagar, Lyrics-Rameshwar Tyagi, MD-Shamji Ghanshamji
Lyrics
tera waade pe waadaa hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
ruk jaayen kise ke roke se ae
ye ulfat ka dastoor nahin
aa jaayen teri marzi ke bina
tere dar pe tujhe manzoor nahin
tum jitney bache
utna hi kar
milne ka iraada hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
kasam khaayi hai qismat ne
hamen milne nahin degi
hamaare dil ki ye hasrat
nikalne bhi nahin degi
magar ye pyaar to
lalkaar ke dar se nahin rukta
shahenshaahon ki hasti kya
khuda se bhi nahin jhuktaa
shahenshaahon ki hasti kya
khuda se bhi nahin jhuktaa aa
thukraa ke jahaan mera dil to tujhe
paane pe aamaadaa hota gaya
tera waade pe waadaa hota gaya
dil betaab jyaadaa hota gaya
jeene ki mohlat ghat’ti gayi
marne ka taqaaza hota gaya
tera waade pe waadaa hota gaya
Diya hamne dil tumko apna samajh ke
Posted June 7, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4707 | Post No. : | 16412 | Movie Count : |
4460 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVII: Year 1983
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1983.
In 1983, 130 Hindi movies containing 676 songs were released. Lata Mangeshkar got to sing in 33 of these movies and she sang 73 songs in these movies. So Lata Mangeshkar’s voice was heard in 25.4 % of the movies released in 1983. Her voice was heard in 10.3 % of the songs appearing in the movies of 1983.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1983 :-
S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
---|---|---|---|---|---|---|---|---|---|
1 | Aan Aur Shaan | R D Burman | 0 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri | |
2 | Agar Tum Na Hote | R D Burman | 2 | 4 | 3 | 1 | 0 | 0 | Gulshan Baawra |
3 | Arpan | Laxmikant Pyarelal | 4 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
4 | Avtaar | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
5 | Baabu | Rajesh Roshan | 0 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
6 | Bade Dil Waala | R D Burman | 1 | 4 | 0 | 4 | 0 | 0 | Majrooh Sultanpuri |
7 | Bandhan Kachche Dhaagon Ka | Hemant Bhonsle | 0 | 1 | 1 | 0 | 0 | 0 | Anjaan |
8 | Betaab | R D Burman | 1 | 3 | 0 | 3 | 0 | 0 | Anand Bakshi |
9 | Bindiya Chamkegi | R D Burman | 0 | 2 | 2 | 0 | 0 | 0 | Anjaan |
10 | Chor Police | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Nida Fazli |
11 | Ek Baar Chale Aao | Chaand Pardesi | 0 | 1 | 1 | 0 | 0 | 0 | Sameer |
12 | Fareb | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
13 | Hero | Laxmikant Pyarelal | 2 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
14 | Himmatwaala | Bappi Lahiri | 1 | 1 | 0 | 1 | 0 | 0 | Indeewar |
15 | Humse Hai Zamaana | Ram Laxman | 0 | 2 | 2 | 0 | 0 | 0 | Maya Govind |
16 | Justice Chaudhary | Bappi Lahiri | 0 | 1 | 0 | 1 | 0 | 0 | Indeewar |
17 | Laalach | Bappi Lahiri | 1 | 1 | 0 | 1 | 0 | 0 | Anjaan |
18 | Laal Chunariya | Shamji Ghanshamji | 0 | 1 | 1 | 0 | 0 | 0 | Kulwant Jaani |
19 | Lovers | R D Burman | 0 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
20 | Nishaan | Rajesh Roshan | 0 | 4 | 1 | 3 | 0 | 0 | Gulshan Baawra |
21 | Painter babu | Uttam Jagdish | 2 | 5 | 0 | 5 | 0 | 0 | Manoj Kumar-Qamar Jalalabadi-Qateel Shifai |
22 | Prem Tapasya | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
23 | Pyaasi Aankhen | Usha Khanna | 0 | 2 | 2 | 0 | 0 | 0 | Rana Sahari (1) Indeewar (1) |
24 | Razia Sultan | Khayyam | 3 | 3 | 3 | 0 | 0 | 0 | Jaan Nisaar Akhtar (2) Kaifi Azmi (1) |
25 | Rishta Kaaghaz Ka | Rajesh Roshan | 1 | 4 | 4 | 0 | 0 | 0 | Majrooh Sultanpuri |
26 | Romance | R D Burman | 0 | 3 | 0 | 3 | 0 | 0 | Anand Bakshi |
27 | Sautan | Usha Khanna | 1 | 3 | 2 | 1 | 0 | 0 | Saawan Kumar Tak (2) Pradeep Kaushik -Saawan Kuamr Tak (1) |
28 | Shubh Kaamna | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Anjaan |
29 | Sweekaar Kiya Maine | Usha Khanna | 3 | 3 | 2 | 1 | 0 | 0 | Nida Fazli |
30 | Wo Jo Haseena | Ram Laxman | 1 | 2 | 1 | 1 | 0 | 0 | Gauhar Kanpuri |
31 | Wo Saat Din | Laxmikant Pyarelal | 0 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
32 | Ye Ishq Nahin Aasaan | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
33 | Zara Si Zindagi | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
Total | 33 movies | 11 MDs | 26 | 73 | 36 | 37 | 0 | 0 | 18 lyricists |
Lata Mangeshkar worked with 11 music directors and 18 lyricists in these 33 movies released in 1983. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 590 songs in HFM with Lata Mangeshkar by the end of 1983. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji were third with 301 songs. R D Burman with 275 songs overtook C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3360 songs out of 4655 songs that Lata Mangeshkar had sung in Hindi movies till end of 1983. Anand Bakshi with 587 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (399), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (118). These ten lyricists had penned 3060 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Chaand Pardesi and Uttam Jagdish for the first time in movies of this year. She also worked with Lyricists Pradeep Kaushik, Sawan Kumar Tak, Sameer, Rana Sahri and Qateel Shifaifor the first time in movies released this year.
Here I have assumed that Chaand Pardesi was different from music director Pardesi with whom Lata mangeshkar had worked in the past. I request our knowledgeable readers to throw light on this matter.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1983 :
Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
---|---|---|---|---|---|---|---|---|
1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
1949 | 38 movies | 136 | 157 | 103 | 35 | 12 | 7 | |
1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
1955 | 50 movies | 170 | 218 | 177 | 30 | 10 | 1 | |
1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
1959 | 58 movies | 189 | 211 | 130 | 68 | 12 | 1 | |
1960 | 48 movies | 141 | 166 | 102 | 50 | 12 | 1 | |
1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
1967 | 44 movies | 93 | 106 | 67 | 38 | 8 | 3 | |
1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
1970 | 54 movies | 90 | 130 | 84 | 39 | 3 | 4 | |
1971 | 52 movies | 106 | 126 | 71 | 52 | 3 | 0 | |
1972 | 62 movies | 97 | 151 | 86 | 60 | 3 | 2 | |
1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
1977 | 50 movies | 46 | 96 | 59 | 27 | 8 | 2 | |
1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
1981 | 46 movies | 39 | 88 | 48 | 34 | 2 | 4 | |
1982 | 45 movies | 27 | 82 | 41 | 37 | 1 | 3 | |
1983 | 33 movies | 26 | 73 | 36 | 37 | 0 | 0 | |
Total upto 1983 | 1615 movies | 3632 | 4655 | 3112 | 1240 | 199 | 104 |
It can be seen from the table of 1983 that Lata Mangeshkar sang 73 songs in 33 movies released in 1983.
26 songs sung by Lata Mangeshkar in movies of 1983 have been covered in the blog. That leaves us with 47 songs from movies of 1983 that are yet to be covered.
All Lata Mangeshkar songs from 8 movies of 1983 are already covered in the blog. So 47 Lata Mangeshkar songs from 25 movies of 1983 are still available to be discussed.
Alphabetically “Aan Aur Shaan”(1983),the very first movie of 1983 among movies of 1983 containing Lata Mangeshkar songs offers us a Lata Mangeshkar song to cover in the blog.
“Aan Aur Shaan”(1983) was produced by Mohan Barodia and directed by Ravi Tandon for Elephanta Films, Bombay. The movie had Shammi Kapoor, Dara Singh, Rishi Kapoor, Moushumi Chatterjee, Nirupa Roy, Farida Jalal, Ravinder Kapoor, Janki Dass, Jeevan, Ranjeet, Harish Magan, Master Ravi, Maan Singh, Pardesi, Prem, Uttam Sodi, Chandu, Joher Sen, Narendra Jaiswal etc with guest appearances by Aruna Irani, Jayashree.T., Satyen Kappu, O.P.Goyle and Putul Guha.
The movie had four songs in it. One of them was a Lata Mangeshkar solo song.
Here is that Lata Mangeshkar solo song from “Aan Aur Shaan”(1983). The song is penned by Majrooh Sultanpuri. Music is composed by R D Burman.
The song is picturised as a mujra song on Aruna Irani. Ravinder Kapoor, Shammi Kapoor, Dara Singh, Ranjeet, Jeevan etc are also seen in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, “Aan Aur Shaan”(1983) makes its debut in the blog.
Audio link:
video link:
Song-Diya hamne dil tumko apna samajh ke (Aan aur Shaan)(1983) Singer-Lata, Lyrics-Majrooh Sultanpri, MD-R D Burman
Lyrics (Provided by Prakashchandra)
aaa aa aa aa aa
oo oo oooo
diyaa hamne dil
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho
diyaa hamne dil tumko apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho o
ke ye dillagi hogi
dilbar tumhaari ee
lutengey to hum
tum badey ae aadmi ee ho o o
diyaa hamne dil
sochaa thha basengi dil mein
nazrein tumhaari ee
sochaa tha basengi dil mein
nazrein tumhaari ee
chhoti si kaheen pe hogi duniyaa hamaari
par kyaa milaa
ab meri zindagi ee ko oo
ke yoon hi naheen tumse
dartaa hai ye ae dil
tumhaari qasam
tum badey ae aadmi ee ho o
diyaa hamne dil
main hoon woh shamaa jalti
hai jo galee mein aen
main hoon woh shamaa jalti
hai jo galee ee mein aen
mehalon mein aake kaisey
lagoongi bhalee main
sochey yehee kya karoon apney jee ko
ke hum hain zameen aur
tum aasmaan ho
miley kaisey hum
tum badey ae aadmi ho o o
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam tum badey ae aadmi ho o
diyaa hamne dil l l l l
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4693 | Post No. : | 16377 | Movie Count : |
4450 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXV: Year 1981
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1981.
In 1981, 145 Hindi movies containing 755 songs were released. Lata Mangeshkar got to sing in 46 of these movies and she sang 88 songs in these movies. So Lata Mangeshkar’s voice was heard in 31.7 % of the movies released in 1981. Her voice was heard in 11.6 % of the songs appearing in the movies of 1981.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1981 :-
S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
---|---|---|---|---|---|---|---|---|---|
1 | Aakhiri Mujra | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
2 | Aapas Ki Baat | Anu Malik | 1 | 1 | 1 | 0 | 0 | 0 | Dayanand Pandey |
3 | Agnipareeksha | Salil Chaudhary | 2 | 2 | 2 | 0 | 0 | 0 | Yogesh |
4 | Armaan | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
5 | Barsaat Ki Ek Raat | R D Burman | 2 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
6 | Basera | R D Burman | 1 | 3 | 3 | 0 | 0 | 0 | Gulzar |
7 | Biwi O Biwi | R D Burman | 0 | 2 | 0 | 2 | 0 | 0 | Nida Fazli (1) Vitthal Bhai Patel (1) |
8 | Chorni | Shankar Jaikishan | 0 | 3 | 3 | 0 | 0 | 0 | Shailly Shailendra (1) Veerendra (1) |
9 | Daasi | Rajesh Roshan | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
10 | Dard | Khayyam | 1 | 2 | 2 | 0 | 0 | 0 | Naqsh Llayalpuri |
11 | Daulat | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Nida Fazli + Vitthal Bhai Patel (1) |
12 | Dhanwan | Hridaynath Mangeshkar | 3 | 3 | 1 | 1 | 0 | 1 | Sahir Ludhianvi |
13 | Dhuaan | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
14 | Dil e Naadaan | Khayyam | 2 | 2 | 0 | 2 | 0 | 0 | Naqsh Llayalpuri |
15 | Ek Dooje Ke Liye | Laxmikant Pyarelal | 3 | 4 | 0 | 4 | 0 | 0 | Anand Bakshi |
16 | Gopichand Jasoos | Usha Khanna | 0 | 1 | 1 | 0 | 0 | 0 | Santosh Anand |
17 | Harjaayee | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Nida Fazli |
18 | Jail Yaatra | R D Burman | 1 | 3 | 1 | 1 | 1 | 0 | Majrooh Sultanpuri |
19 | Jeene Ki Aarzoo | Bappi Lahiri | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
20 | Jyoti | Bappi Lahiri | 0 | 4 | 4 | 0 | 0 | 0 | Anand Bakshi |
21 | Kachche Heere | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
22 | Khoon Aur Paani | Laxmikant Pyarelal | 0 | 2 | 1 | 0 | 1 | 0 | Majrooh Sultanpuri |
23 | Khoon Ka Rishta | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
24 | Kraanti | Laxmikant Pyarelal | 1 | 5 | 1 | 2 | 0 | 2 | Santosh Anand (4) Manoj Kumar (1) |
25 | Krodhi | Laxmikant Pyarelal | 1 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
26 | Kudrat | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
27 | Ladies Tailor | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Majrooh Sultanpuri |
28 | Love Story | R D Burman | 0 | 3 | 0 | 3 | 0 | 0 | Anand Bakshi |
29 | Lubna | Manas Mukherjee | 0 | 1 | 1 | 0 | 0 | 0 | Nida Fazli |
30 | Mangalsutra | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Kavi Pradeep |
31 | Nai Imaarat | Bappi Lahiri | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
32 | Nakhuda | Khayyam | 2 | 2 | 0 | 2 | 0 | 0 | Nida Fazli |
33 | Naseeb | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
34 | Pyaar Mein Saudaa Nahin | Amar Utpal | 0 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
35 | Pyaasa Saawan | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Santosh Anand |
36 | Qaatilon ke Qaatil | Kalyanji Anandji | 0 | 1 | 0 | 1 | 0 | 0 | Rajinder Krishan |
37 | Raaste Pyaar Ke | Laxmikant Pyarelal | 0 | 3 | 1 | 1 | 0 | 1 | Anand Bakshi |
38 | Raaz | Ravindra Jain | 0 | 1 | 1 | 0 | 0 | 0 | Ravindra Jain |
39 | Rocky | R D Burman | 2 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
40 | Roohi | Manoj Gyan | 1 | 1 | 0 | 1 | 0 | 0 | Indeewar |
41 | Sannaata | Rajesh Roshan | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
42 | Sant Gyaneshwar | Shrikant | 0 | 1 | 1 | 0 | 0 | 0 | Bharat Vyas |
43 | Shaarda | Laxmikant Pyarelal | 2 | 2 | 2 | 0 | 0 | 0 | Anand Bakshi |
44 | Shama | Usha Khanna | 1 | 1 | 1 | 0 | 0 | 0 | Zafar Gorakhpuri + Asad Bhopali (1) |
45 | Silsila | Shiv Hari | 6 | 6 | 2 | 4 | 0 | 0 | Javed Akhtar (3) Meera Bai (1) Hasan Kamal (1) Rajinder Krishan (1) |
46 | Vakeel Babu | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
Total | 46 movies | 17 MDs | 39 | 88 | 48 | 34 | 2 | 4 | 25 lyricists |
Lata Mangeshkar worked with 17 music directors and 25 lyricists in these 46 movies released in 1981. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 552 songs in HFM with Lata Mangeshkar by the end of 1981. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji with 297 songs and C Ramchandra with 274 songs were the next most prolific. Other top music directors for Lata Mangeshkar were R D Burman (241), Chitragupta (239), R D Burman, Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3282 songs out of 4500 songs that Lata Mangeshkar had sung in Hindi movies till end of 1981. The top ten lyricists till end of 1981 for Lata Mangeshkar were Rajinder Krishan (554), Anand Bakshi (542), Majrooh Sultanpuri (378), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (159) and Indeewar (109). These ten lyricists had penned 2983 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with music directors Amar Utpal, Anu Malik, Manas Mukherjee, Manoj Gyan, Shrikant and Shiv Hari for the first time in movies of 1981. She also worked with Lyricists Dayanand Pandey, Hasan Kamal, Jawed Akhtar, Manoj Kumar, Nida Fazli, and Zafar Gorakhpuri for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1981 :
Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
---|---|---|---|---|---|---|---|---|
1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
1949 | 38 movies | 136 | 157 | 103 | 35 | 12 | 7 | |
1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
1955 | 50 movies | 170 | 218 | 177 | 30 | 10 | 1 | |
1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
1959 | 58 movies | 189 | 211 | 130 | 68 | 12 | 1 | |
1960 | 48 movies | 141 | 166 | 102 | 50 | 12 | 1 | |
1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
1967 | 44 movies | 93 | 106 | 67 | 38 | 8 | 3 | |
1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
1970 | 54 movies | 90 | 130 | 84 | 39 | 3 | 4 | |
1971 | 52 movies | 106 | 126 | 71 | 52 | 3 | 0 | |
1972 | 62 movies | 97 | 151 | 86 | 60 | 3 | 2 | |
1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
1977 | 50 movies | 46 | 96 | 59 | 27 | 8 | 2 | |
1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
1981 | 46 movies | 39 | 88 | 48 | 34 | 2 | 4 | |
Total upto 1981 | 1537 movies | 3575 | 4500 | 3035 | 1166 | 198 | 101 |
It can be seen from the table of 1981 that Lata Mangeshkar sang 88 songs in 46 movies released in 1981.
39 songs sung by Lata Mangeshkar in movies of 1981 have been covered in the blog. That leaves us with 49 songs from movies of 1981 that are yet to be covered.
All Lata Mangeshkar songs from 15 movies of 1981 are already covered in the blog. So 49 Lata Mangeshkar songs from 31 movies of 1981 are still available to be discussed.
Alphabetically “Aakhiri Mujra”(1980),the very first movie of 1981 offers us a Lata Mangeshkar song to cover in the blog.
“Aakhiri Mujra”(1981) was produced by Lallan and directed by Hiren Nag for Jagat Movies, Bombay. The movie had Asha Parikh, Vikram, Zarina wahab,Dr.Shreeram Lagoo, Nadira, Ajeet(guest), Kanhaiyalal, Yunus Parvez, Master Raju, Shaukat Kaifee, Muqri, Shail Chaturvedi, Viju Khote, Minu Mehtsab, Suresh Bhagat, Nitin Sethi, Murad, Vikas,C S Dube, Shreeram Shastree, Pardesi,Bhola, Pt.Deenanath, Birbal, Baby Shalu(guest), Prakash Misra, Prem, Chandu, Raj Verma. The movie introduced Master Laddoo and Gauri Khorana. The movie also had guest appearances by Jagdeep,Gayetri and Satyen Bose.
The movie had seven songs in it. One of these songs was a solo song sung by Lata Mangeshkar.
Here is that Lata Mangeshkar solo song from “Aakhiri Mujra”(1980). The song is penned by Indeewar. Music is composed by Kalyanji Anandji.
The song is picturised as a mujra song on Asha Parekh. Moolchand, Nadira, Master Laddoo and Kedarnath Sehgal are also visible in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, “Aakhiri Mujra”(1981) makes its debut in the blog.
Audio link:
video link:
Song-Tumhaare khwaab sajaane ko haqeeqat chhod ke aaye hain (Aakhri Mujra)(1981) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics(Provided by Prakashchandra)
wafaa`on ke phoolon ko
poochhega kaun
sabhi ko
labon ka chaman chaahiye
aan aaa aa
dilon ka khareedaar koyi naheen
jisey chaahiye aey ae aey
bas badan chaahiye
tumhaarey khwaab sajaaney ko
tumhaarey khwaab sajaaney ko
haqeeqat chhod ke aaye hain aen
haqeeqat chhod ke aa..aaye hain
nigaahein tumse milaaney ko o
nigaa..aahein tumse milaaney ko
hum rishtey tod ke aa..aaye hain aen
tumhaarey khwaab sajaane ko o
hameshaa ko huyee kis ki
badi harjaayee duniyaa hai
miley do pal
tumhaara saath
bas itnee ee tamannaa hai
murawwat ke ae liye dekho
murawwat ke ae liye dekho
muhabbat chhod ke aa..aaye hain
tumhaarey khwaab sajaaney ko
haqeeqat chhod ke aaye hain aen
haqeeqat chhod ke aaye hain aen
tumharey khwaab sajaaney ko o o
tumhaarey doston mein yoon
bahot se naam aayenge
padegaa waqt jis dum hum
tumaharey ae kaam aayenge
dobaaraa dil karo ghaayal
dobaaraa dil karo ghaayal
ke dil phir jodke aa..aaye hain aen
tumhaarey khwaab sajaane ko
haqeeqat chhod ke aaye hain aen
haqeeqat chhod ke aaye hain
nighaahein tumse milaaney ko
hum rishtey tod ke aaye hain
tumhaarey khwaab sajaaney ko o o
Zara muskura kar milaao nazar hi
Posted May 22, 2021
on:This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4691 | Post No. : | 16375 | Movie Count : |
4448 |
‘Bahurani’ (1940) was produced by Kishore Sahu under the banner of the then newly set up, India Artists Ltd. The star cast included Kishore Sahu and Rose in the lead roles with Anuradha, Mubarak, Pratima Devi, Masood, Nana Palsikar etc in the supporting role. The film had its mahurat shot taken in January 1940 under the direction of Mubarak. In February 1940, R S Junnarkar was assigned the direction of the film along with Mubarak. So, it was their joint directorial venture. For Mubarak, it was his maiden attempt as a director which happened to be his last film as a director. R S Junnarkar was a screen-play and dialogue writer for Huns Pictures of Master Vinayak. It was also his first Hindi film as a director.
The film was expected to be released in April 1940. However, it was finally released on June 20, 1940. The film’s premier was held in Excelsior theatre and Dada Saheb Phalke, the father of the Indian film industry was the guest of honour among many big wigs of Hindi film industry who attended the premier.
Kishore Sahu started his filmy career as a lead actor in Bombay Talkies ‘Jeevan Prabhat’ (1937) which was a box office success. Probably, his entrepreneurial ambition made him to leave Bombay Talkies and float a film production company. In his ambition, Seth Ramnath Daga, a Bikaner based multi-millionaire, supported him with the finance required for such a venture. It was the brain child of Seth Ramnath Daga to set up a film production company called ‘India Artists Ltd’ for which he appointed Kishore Sahu as the Managing Director. He was assisted by Seth Ramnath Daga’s educated son, Dwarkadas Daga.
‘Bahurani’ (1940) was the first film produced under India Artists Ltd. The vision of the banner was to make socially relevant films. During the making of the film, Kishore Sahu had creative differences with Seth Ramnath Daga, the main financial supporter of the banner. After the release of “Bahurani’ (1940), Kishore Sahu resigned from the company and returned to Bombay Talkies to take the lead role in the film ‘Punar Milan’ (1940) opposite Snehprabha Pradhan. It took another 4 years for Kishore Sahu to float his own film production banner, Hindustan Chitra under which he produced and directed ‘Sharaarat’ (1944) and many more films thereafter.
The story of ‘Bahurani’ (1940) was adapted from a Hindi novel ‘Mimansa’ (1937) written by Hindi laureate, Anuplal Mandal who is regarded as ‘Premchand of Bihar’. The screen-play and dialogues were written by another Hindi laureate, Amritlal Nagar. The film was reviewed in ‘Filmindia’ magazine and for a change, the reviewer had praised the film for its story, screen play/dialogues and the performances of the main actors viz, Kishore Sahu, Rose and Anuradha (real name: Khursheed). Based on the review of the film. I have summarized the story as under:
Vijay (Kishore Sahu), a young landlord meets Aruna (Anuradha), a poor village girl born out of wedlock, during a village wedding. He likes Aruna and visits in her house where her mother is seriously ill. She takes a promise from Vijay that he would take care of Aruna if she did not survive. The mother soon dies. As promised, Vijay brings Aruna to his house and is treated as a child of the family by Didi (Pratima Devi) the elder widowed sister of Vijay. Diwanji (Mubarak), the trusted servant of the family is aware of Aruna’s background. But he keeps quite about it.
Soon, Vijay goes to the city for completing his education. He meets Mallika Rai (Rose), a sophisticated girl in the college. Vijay finds her on the same wave length as his in his idealistic approach. After completion of his education, Vijay returns home and finds Aruna now grown up and charming. Vijay falls in love with her and proposes her for the marriage. After overcoming a minor resistance from the family, Vijay and Aruna get married. The couple respects each other and Didi loves Aruna like her own daughter. The life goes on very well. But behind her happiness, there is a lurking fear in Aruna’s mind as to what will happen if Vijay and Didi comes to know about her background of a girl born out of wedlock.
In the meanwhile, Didi leaves for few days to visit her relatives. Vijay is busy with his involvement in the village upliftment activities and to support his growing activities, he calls Mallika to join him. She is given accommodation in Vijay’s house. Both Mallika and Aruna likes each other, Mallika likes Aruna for her simplicity and Aruna likes Mallika for her woman supportive views. Most of the day, Vijay is in the company of Mallika in the village upliftment activities and in course of time, both become close to each other. Aruna is aware of their closeness but pretends to both as if she is not aware of their relationship.
Under these circumstances, Lallan (Masood), the younger brother of Vijay returns home after completing his education. He gets to know the stigma attached to Aruna and tries to blackmail her to satisfy his lust. The stress of ‘affair’ of her husband with Mallika and the blackmailing by Lallan affects her health and she becomes bedridden. How, Vijay and Aurna comes out of the difficult situations and find a solution to a happy ending for everyone is not revealed in the film review.
I was interested to know as to how the story end to the satisfaction of all the main characters. Fortunately, the novel ‘Mimansa’ is available to read on-line in Hindi. I read the entire novel (203 pages). It is really a moving story in a realistic setting. At the end, the main character in the story – Vijay, Aruna, Mallika, Didi will surely get sympathy from the readers. Incidentally, the film has used the same names for the characters as in the novel.
The film has followed more or less the same story as depicted in the novel up to the entry of Lallan who has been shown as a villain in the film. To some extent, Mallika has also some shade of villain, being the ‘other woman’ in the life of Vijay. However, in the novel, no character has been depicted as villain.
Both Aruna and Mallika have cordial relations though some mild arguments do take place between them. But the respect for each other overwhelms such ‘noise’ in their relationship. Again, Aruna and Lallan have good relations. The only villainous streak in him is that he reveals to Didi the background of Aruna which makes her, in turn, to reveal the secret to Vijay. The novel makes the society at large as the main villain for the likes of Aruna.
The end is somewhat dramatic to the relief of Aruna. Didi has already written a letter to Vijay about the background of Aruna which makes Aruna jittery. To add to her misery, Vijay has become close to Mallika. The intense stress in her life makes Aruna ill. Vijay arranges the best doctors and medicines. But she is not recovering from her illness. The servants tell Vijay that bahurani is not taking medicines and is not allowing doctors to check her. Both Vijay and Mallika think that Aruna has no will to survive from her illness.
Both Mallika and Vijay visit Aruna separately to make her understand to take medicines. During the conversations, Mallika realises that Aruna’s love for Vijay is undiminishing despite their affair. The greatness of Aruna is that she is not blaming either Mallika or Vijay for what is happening to her life. With a lot of deliberations, Mallika decides that it is better to detatch herself from Vijay. She leaves Vijay’s house without informing anyone and goes back to her city. Before leaving, she writes a letter address to Vijay to take care of Aruna and suggests him to take Aruna for a long outing for a change.
The story in the novel ends with Vijay and Aruna travelling to Puri. While in the train, Aruna hands over a letter written by Didi revealing the stigma attached to her. Vijay reads it and tears off the letter by telling Aruna that he was already made aware of her background by Diwanji when he proposed her for the marriage. It was his conscious decidion to marry her and he was capable of facing the repurcussion even now. But nothing will break their union.
The film had 9 songs written by J S Cashyap and Azad. However, individual credit to the songs is not available. All the songs were set to music by Rafique Ghaznavi. I am presenting the film’s first song, ‘zara muskura kar milaao nazar hi’ to appear on the Blog. HFGK mentions Zohra as the singer of the song. The voice in the song does not sound like that of Zohrabai Ambalewaali.
In the 1930s, there was an actor-singer called Miss Zohra Jaan who was a star in her own right. She had two sisters – Mushtari Bai who was also an actor-singer in early 1930s. Unfortunately, she died in her teenage in 1934. The other sister was Khursheed (known as Anuradha in Hindi films). Shri Arunkumar Deshmukh has painstakingly collated the rare information on ‘Zohra Sisters’ and has covered in an article, mere baba ne baat meri maan li.
Rafique Ghaznavi, the music director of the film was married to Zohra Jaan in the 30s. After divorcing her in early 1940s, he married her sister Khursheed (Anuradha). Since Anuradha is in the film under discussion, it further strengthens my belief that the singer of the song is Zohra Jaan.
The song is written in Ghazal style, fit for a mujra. Towards the end of the song, there is a long music suggestive of a mujra dance, It is quite possible that the song may have been picturised on Zohra Jaan herself who was also a good mujra dancer though her name does not appear in the credit. But there are cases where some of the actor-singers appeared in the films uncredited.
With this song, ‘Bahurani’ (1940) makes its debut on the Blog.
Audio Clip:
Song-Zara muskura kar milaao nazar hi(Bahurani)(1940) Singer-Zohra Jaan, MD-Rafiq Ghaznavi
Lyrics
haan aa aa
zara muskura kar milaao nazar hi
zara muskura kar milaao nazar hi
meri jaan ham bhi
aa aa aaa aa
aa aaa aa aa
meri jaan ham bhi khade hain idhar hi
meri jaan ham bhi khade hain idhar hi
na jaao jagaao o o aa aa
na phir phir ke dekho o o o
mujhe chhod do haan aan aan aan
mujhe chhod do bas mere haal par hi
mujhe chhod do bas mere haal par hi
sambhal kar meri jaan aa aa aa aaa aa
na khanjar uthhaana aa aa aa aa aa aa
kahin bal na khaa jaaye aa aa aa aa aa
kahin bal na khaa jaaye teri kamar hi
kahin bal na khaa jaaye teri kamar hi
shab-e-hijr kaa aa aa aa aaa
fasl ki chabri()?? ee ee ee ee ee
ke haan haan mein naa naa
haan aan aan aan aan
ke haan haan mein naa naa rahi raat bhar hi
ke haan haan mein naa naa rahi raat bhar hi
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Blog Day : |
4686 | Post No. : | 16370 | Movie Count : |
4445 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXIV: Year 1980
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1980.
In 1980, 143 Hindi movies containing 647 songs were released. Lata Mangeshkar got to sing in 43 of these movies and she sang 71 songs in these movies. So Lata Mangeshkar’s voice was heard in 30 % of the movies released in 1980. Her voice was heard in 11 % of the songs appearing in the movies of 1980.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1980 :-
S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
---|---|---|---|---|---|---|---|---|---|
1 | Aakhiri Insaaf | Rajesh Roshan | 0 | 1 | 1 | 0 | 0 | 0 | Kulwant Jani |
2 | Aanchal | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
3 | Aap Ke Deewaane | Rajesh Roshan | 2 | 2 | 0 | 0 | 0 | 2 | Anand Bakshi |
4 | Aas Paas | Laxmikant Pyarelal | 3 | 5 | 3 | 2 | 0 | 0 | Anand Bakshi |
5 | Abdullah | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
6 | Agreement | Bappi Lahiri | 2 | 2 | 2 | 0 | 0 | 0 | Gulshan Baawra |
7 | Alibaba Aur 40 chor | R D Burman | 0 | 3 | 2 | 0 | 1 | 0 | Anand Bakshi |
8 | Apne Paraaye | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Yogesh |
9 | Asha | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
10 | Badla Aur Balidaan | Sonik Omi | 0 | 1 | 1 | 0 | 0 | 0 | Naqsh Llayalpuri |
11 | Bandish | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
12 | Beraham | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Verma Malik |
13 | Bombay 405 miles | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
14 | Chaalbaaz | Madan Mohan | 0 | 2 | 2 | 0 | 0 | 0 | Yogesh |
15 | Choron Ki Baaraat | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
16 | Do Aur Do Paanch | Rajesh Roshan | 1 | 1 | 0 | 0 | 0 | 1 | Anjaan |
17 | Do Premi | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
18 | Dostaana | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
19 | Gangaadhaam | Sapan Jagmohan | 0 | 2 | 2 | 0 | 0 | 0 | Indeewar |
20 | Garam Khoon | Shankar Jaikishan | 1 | 2 | 2 | 0 | 0 | 0 | Singhaar (1) Vitthal Bhai Patel (1) |
21 | Gunehgaar | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Gulshan Baawra |
22 | Ham Nahin Sudhrenge | Ravindra Jain | 0 | 1 | 0 | 1 | 0 | 0 | Ravindra Jain |
23 | Ham Paanch | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
24 | Jal Mahal | R D Burman | 0 | 2 | 2 | 0 | 0 | 0 | Majrooh Sultanpuri |
25 | Jyoti Bane Jwaala | Laxmikant Pyarelal | 0 | 2 | 0 | 1 | 0 | 1 | Anand Bakshi |
26 | Karz | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
27 | Lootmaar | Rajesh Roshan | 0 | 4 | 3 | 1 | 0 | 0 | Amit Khanna |
28 | Maang Bharo Sajna | Laxmikant Pyarelal | 1 | 3 | 1 | 1 | 1 | 0 | Anand Bakshi |
29 | Manpasand | Rajesh Roshan | 2 | 3 | 2 | 1 | 0 | 0 | Amit Khanna |
30 | Nishaana | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
31 | Patita | Bappi Lahiri | 0 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
32 | Patthar Se Takkar | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Santosh Anand |
33 | Pehla Qadam | Jamal Sen | 1 | 1 | 1 | 0 | 0 | 0 | Kidar Sharma |
34 | Phir Wohi Raat | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
35 | Qaatil Kaun | R D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
36 | Raam Balraam | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
37 | Saboot | Bappi Lahiri | 1 | 1 | 1 | 0 | 0 | 0 | Amit Khanna |
38 | Shaan | R D Burman | 0 | 1 | 0 | 0 | 1 | 0 | Anand Bakshi |
39 | Sitaara | R D Burman | 1 | 1 | 0 | 1 | 0 | 0 | Gulzar |
40 | Swayamwar | Rajesh Roshan | 1 | 1 | 0 | 1 | 0 | 0 | Gulzar |
41 | Takkar | R D Burman | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
42 | Thhodi Si Bewafaai | Khayyam | 2 | 2 | 0 | 2 | 0 | 0 | Gulzar |
43 | Ye Kaisa Insaaf | Ravindra Jain | 0 | 1 | 0 | 1 | 0 | 0 | Ravindra Jain |
Total | 43 movies | 12 MDs | 28 | 71 | 43 | 21 | 3 | 4 | 16 lyricists |
Lata Mangeshkar worked with 12 music directors and 16 lyricists in these 43 movies released in 1980. This year, Laxmikant Pyarelal the most prolific music directors with Lata, had composed 527 songs in HFM with Lata Mangeshkar by the end of 1980. Shankar Jaikishan with 452 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji with 294 songs and C Ramchandra with 274 songs were the next most prolific. Other top music directors for Lata Mangeshkar were Chitragupta (239), R D Burman (219), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104, Salil Chaudhary (106) and Vasant Desai (104). Together these fifteen music directors composed 3228 songs out of 4412 songs that Lata Mangeshkar had sung in Hindi movies till end of 1980. The top ten lyricists till end of 1980 for Lata Mangeshkar were Rajinder Krishan (552), Anand Bakshi (515), Majrooh Sultanpuri (365), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (192), Shakeel Badayuni (189), Sahir Ludhianvi (156) and Indeewar (105). These ten lyricists had penned 2933 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar did not collaborate with any new music director in movies of 1980. Lyricist Singhaar (who was none other than singer Sharada) got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1980 :
Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
---|---|---|---|---|---|---|---|---|
1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
1949 | 38 movies | 136 | 157 | 103 | 35 | 12 | 7 | |
1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
1955 | 50 movies | 170 | 218 | 177 | 30 | 10 | 1 | |
1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
1959 | 58 movies | 189 | 211 | 130 | 68 | 12 | 1 | |
1960 | 48 movies | 141 | 166 | 102 | 50 | 12 | 1 | |
1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
1967 | 44 movies | 93 | 106 | 67 | 38 | 8 | 3 | |
1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
1970 | 54 movies | 90 | 130 | 84 | 39 | 3 | 4 | |
1971 | 52 movies | 106 | 126 | 71 | 52 | 3 | 0 | |
1972 | 62 movies | 97 | 151 | 86 | 60 | 3 | 2 | |
1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
1977 | 50 movies | 46 | 96 | 59 | 27 | 8 | 2 | |
1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
Total upto 1980 | 1491 movies | 3536 | 4412 | 2996 | 1142 | 199 | 94 |
It can be seen from the table of 1980 that Lata Mangeshkar sang 71 songs in 43 movies released in 1980.
28 songs sung by Lata Mangeshkar in movies of 1980 have been covered in the blog. That leaves us with 43 songs from movies of 1980 that are yet to be covered.
All Lata Mangeshkar songs from 15 movies of 1980 are already covered in the blog. So 43 Lata Mangeshkar songs from 28 movies of 1980 are still available to be discussed.
Alphabetically “Aakhiri Insaaf”(1980),the very first movie of 1980 offers us a Lata Mangeshkar song to cover in the blog.
“Aakhiri Insaaf”(1980) was produced by Ashok Kumar Rawat and directed by Kalidas for A K International, Bombay. The movie had Ashok Kumar, Pradeep Kumar, Zarina Wahab, Vijayendra (Ghatge), T.P.Jain, Pushpa,Subroto Mahapatra, Dhavan,Romeo, Vinay Shah, Bishu Raje, Pochu, Chandrasekhar, Bhushan Tiwari, Kirti, Brahm Bhardwaj, Nitin Sethi, Neeta Mehta, Om Shivpuri, Ranjeet etc. The movie introducec Ashok Rawat. Special appearances ere made by Mithun Chakraborthy, Tarun Ghosh, Sonee Singh and Heena Kausar.
The movie had four songs in it. One of these songs was sung by Lata Mangeshkar.
Here is that Lata Mangeshkar solo song from “Aakhiri Insaaf”(1980). The song is penned by Kulwant Jani. Music is composed by Rajesh Roshan.
Video of the song, and video of the song seem to be unavailable. Onlythe audio of the song is available. From the sounds of it, the song appears to be a mujra song. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, “Aakhiri Insaaf”(1980) makes its debut in the blog.
Audio link:
Song-Aaiye aapse hum pyaar ka izhaar karen (Aakhiri Insaaf)(1980) Singer-Lata, Lyrics-Kulwant Jani, MD-Rajesh Roshan
Lyrics(Provided by Prakashchandra)
aa aa aa aa aa aa
aa aa aa aa aa aa
aayiye ae aapse
hum pyaar ka
izhaa..aar karein aen aen aen
thhodi der aur yoon hi ee
thhodi der aur yoon hi
aapka deedaar karen aen
thhodi der aur yoon hi
aapkaa deedaar karen aen
aayiye aap se
ab to is dil mein meri ee
jaan-e-tamannaa hai yahee
ab to is dil mein meri ee
jaan-e-tamannaa hai yahee
aankhon aankhon mein wafaa kaa
koyi iqraar karen aen
thhodi der aur yoon hi ee
thhodi der aur yoon hi
aapkaa deedaar karein aen
thhodi der aur yoon hi
aapkaa deedaa..aaar karen aen
aayiye aap se aey ae
phool to sab hi bichhaatey hain
meri hasrat hai ae
gaur farmaaiye
phool to sab hi bichhaatey hain
meri hasrat hai ae
dil ke tukdon se teri raahon ko gulzaar karein aen
thhodi der aur yoon hi
aapkaa deedaar karein aen
thhodi der aur yoon hi
aapka deedaar karein aen
aayiye aap se aey ae
zindagi milti hai ik
baar badi mushqil se ae
zindagi milti hai ik
baar badi mushqil se ae
yoon na phir pyaar se iskaa
zaraa singaar karein aen
thhodi der aur yoon hi ee
thhodi der aur yoon hi
aapkaa deedaar karein aen
thhodi der aur yoon hi
aapkaa deedaar karein aen
aaiye aap se ae
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