Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘C Ramchandra Shamshad Begam duet’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5131 Post No. : 17086

Today’s song is a comedy duet from the film ‘Roshni’ (1949).

The film was made by Standard Pictures Corporation, Bombay. It was directed by Ramanlal Desai and the MD was C Ramchandra. The lyricist was PL Santoshi. The cast of the film was Rehana, Nihal, Pran, VH Desai, Mumtaz Ali, Sophia, Chand Barq, Indira, Shama, Zarine, Ishrat etc.

After making it in Hindi films as an MD for film ‘Sukhi Jeevan’ (1942), C Ramchandra had joined Jayant Desai productions on a salary of Rs. 300 pm. He gave successful films like ‘Bhaktaraj’ (1943), ‘Zaban’ (1943), ‘Lalkar’ (1944), ‘Manorama’ (1944) and ‘Samrat Chandragupta’ (1945), C Ramchandra felt that he deserved a salary increase. As Jayant Desai was not ready to increase it to his desire, he left the company. After a few months, with the help of Kavi Pradeep, C Ramchandra joined Filmistan, where he got what he wanted, namely salary of Rs. 1,000 pm and freedom to give music to outside films also.

While he continued with Filmistan, he reached his peak in career by giving hit musicals like ‘Safar’ (1946), ‘Shehnai’ (1947), ‘Sajan’ (1947), ‘Nadiya Ke Paar’ (1948), ‘Khidki’ (1948), ‘Patanga’ (1949), ‘Sargam’ (1950) and many more. Meanwhile he was giving music to films of other production companies, but managing a proper balance with Filmistan films. ‘Roshni’ (1949) was also one such film.

Taking a look at the cast, I found 3 actresses of interest, about whom not much is known to common lovers of old films and music. The first was Shama. During the period of 1930’s and the 1940’s, there were 3 actresses with the name Shama or Shyama. The first of them was Shyama Zutshi, second was Shama Dulari and the third was actress Shyama, who ruled in the 50’s and the 60’s with over 160 films.

Shyama Zutshi was the first Kashmiri Girl who joined films in 1934. She acted in many films, some of which are :-

1 ‘Vishnu Bhakti’ in 1934
2 ‘Laila Majnu’ in 1935
3 ‘Khooni Jadugar’ in 1939
4 ‘Kaarwaan e Hayaat’ in 1935

Shyama Zutshi belonged to a well to do family of Lahore. Her father was a barrister. She was quite a successful and sought after actress but suddenly she moved out from films and focused on politics and freedom struggle. Shyama was a congress leader .

Another reason for her to quit films was the presence of a fellow Kashmiri Actor Chander Mohan Wattal. Chander Mohan would always tell her to quit as according to him acting in films was not meant for girls from good families . Chander Mohan Wattal opposed the entry of Kashmiri girls to films .

The second was Shama Dulari. Not much is known about her personal life. Shyama Dulari hailed from a small city of Madhya Pradesh. She was interested in acting and had acted in school and college dramas. After education, she came to Bombay and appeared for a screen test and interview at Filmistan. She passed the test, but did not like the salary that was offered.

She went to Poona and met WZ Ahmed of Shalimar Pictures. He was quite impressed with her and signed an exclusive contract for 3 years, offering her a very lucrative salary. However in the next two years she acted only in two films – ‘Meerabai’ (1947) and ‘Shehzadi’ (1947). Due to the contract, she could not work anywhere else also.

After 1947, when Ahmed migrated to Pakistan along with Neena, she came to Bombay. Jayant Desai signed her for the lead role in the film ‘Lakhpati’. Unfortunately, due to her father’s illness, she had to leave Bombay and go back to her native city in MP. She came back and tried to get work. She worked in films like ‘Rangeela Rajasthan’ (1949), ‘Shair’ (1949), ‘Roshni’ (1949), ‘Rooplekha’ (1949), ‘Naqli Baap’ (1949), ‘Jal Tarang’ (1949), ‘Ek Teri Nishani’ (1949), ‘Char Din’ and ‘Dolti Naiya’ (1950). Her last known film was ‘Babul’ (1950) wherein she did a small role.

No information after that. Problem was that at the same time the famous actresses Shyama (Khurshid Akhtar) and Shyama Dulari were in the film line. Shyama initially was acting under the names like Baby Akhtar, Baby Khurshid and Baby Shyama; whereas Shama Dulari was credited as Shama, Shama Dulari and sometimes Shyama also. I listed films in Shyama’s name and tried to see the credits of films which were available. Though very few films are available on You Tube, I tried to separate the films for Shama Dulari based on her credits and by conjuncture. Still there could be some errors, which will be corrected when proof comes up suitably.

The third was Shyama, too well known to write anything about. We all know her well.

The case of Shama Dulari was different. She was actually a victim of an intentional restrictive contract. When she signed a contract with WZ Ahmed of Shalimar Pictures, Poona, little did she know that she would rot there without work for 3 years ! The company used her only in 2 films – ‘Shehzadi’ (1947) and ‘Meerabai’ (1947). Rest of the time she was paid only half salary and legally she was prohibited from working elsewhere. It was only after Ahmed migrated to Pakistan, with Neena and without paying the staff salaries, she became a free bird.

Such cases were not uncommon in the Hindi film industry. This happened with actress Meena Shorey too (Lara Lappa girl) and Sohrab Modi, who demanded Rs. 60,000 from her to remove a legal case against her for breaking their contract and working in a Lahore film. It was with the intervention of Mehtab, that the amount was reduced to Rs. 30,000, which Meena had to pay through her nose to avoid legal action.

Same happened with Mrudula, the first heroine of Dilip Kumar in the film ‘Jwaar Bhata’ (1944). She had signed a contract with Devika Rani of Bombay Talkies for work in the films. However, after ‘Jwaar Bhata’, she did not get any film. After 1945 end, Devika Rani left Bombay Talkies, selling all her shares and getting married to ‎Svetoslav Roerich,  a Russian artiste, leaving Mrudula to rot for the remaining 3 years without work and thus spoiling her career.

This also took place with the firebrand actress Shanta Apte, when Prabhat Film company threatened her to take legal action if she worked in films of other companies, breaking their contract. She was a tough person. She staged a demonstration at the gates of Prabhat film company and also sat for Fasting (अन्न सत्याग्रह). Newspaper reporters were called, and for the fear of bad publicity, Prabhat compromised and relieved Shanta Apte unconditionally !

The third name in the cast is Indira (Wadkar). In the 40’s and 50’s, there were 3 Indira named actresses. Indira Wadkar, Indira Billi (heroine of some Punjabi films) and Indira Bansal – the fat comedienne. Hansa Wadkar’s father had three sisters, Kesharbai, Indirabai and Sushilabai. Sushila was married to Master Vinayak, a renowned actor-director of the early era of Indian cinema. The elder sister as well as Indira Wadkar were acting in films and Indira was a classical singer as well. Indira acted in several films including ‘Duniya Kya Hai’ (aka ‘Resurrection’) (1937) and in films of Vinayak’s production company Hans Films like ‘Devata’ (1939) in Marathi. Indira used the surname Wadkar to avoid using the family name Salgaokar, for fear of reprisal from society against women acting in films. Her older sister, Kesharbai, was working in a film made by MG Rangnekar and suggested that Indira Wadkar work in films to sustain her family. She acted in 11 Hindi films. She was a popular shrewish mother in law in Marathi films.

Today’s song is a comedy duet sung by Chitalkar and Shamshad Begum. Enjoy.


Song- Mere dil ka dil ka mere dil ka kabootar(Roshni)(1949) Singers-Chitalkar, Shamshad Begam, Lyrics-P L Santoshi, MD-C Ramchandra
Chitalkar + Shamshad Begam

Lyrics

mere dil ka dil ka
mere dil ka
o mere dil ka kabootar
tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar

tere gali ke karoon main sau sau phere
saanjh sawere
tere gali ke karoon main sau sau phere
saanjh sawere
duniya kahe tu laila hai meri
main tera majnu
duniya kahe tu laila hai meri
main tera majnu
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka mere dil ka
haan mere dil ka kabootar tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar

gali ke phere na kar more raja
ankhiyon mein aa jaa more raja
gali ke phere na kar more raja
ankhiyon mein aa jaa more raja
nazar bachaa ke main duniya se
palkon mein rakh loon
nazar bachaa ke main duniya se
palkon mein rakh loon
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka mere dil ka
haan mere dil ka kabootar
tere chhajje pe bole
tere chhajje pe bole
gutar goon goon goon goon goon goon
gutar goon goon goon goon goon goon
gutar goon goon..hoon
mere dil ka dil ka
mere dil ka kabootar

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

मेरे दिल का दिल का
मेरे दिल का
ओ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
मेरे दिल का कबूतर

तेरी गली के करूँ मैं सौ सौ फेरे
साँझ सवेरे
तेरी गली के करूँ मैं सौ सौ फेरे
साँझ सवेरे
दुनिया कहे तू लैला है मेरी
मैं तेरा मजनूँ
दुनिया कहे तू लैला है मेरी
मैं तेरा मजनूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
हाँ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का कबूतर

गली के फेरे ना कर मोरे राजा
अँखियों में आजा मोरे राजा
गली के फेरे ना कर मोरे राजा
अँखियों में आजा मोरे राजा
नज़र बचा के मैं दुनिया से
पलकों में रख लूँ
नज़र बचा के मैं दुनिया से
पलकों में रख लूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का
हाँ मेरे दिल का कबूतर
तेरे छज्जे पे बोले
तेरे छज्जे पे बोले
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ गूँ गूँ गूँ
गुटर गूँ गूँ गूँ॰॰हूँ
मेरे दिल का दिल का
मेरे दिल का कबूतर


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4739 Post No. : 16463

Blog 10-Year Challenge (2011-2021) – Song No.30
——————————————————————

In Hindi film industry, the experiences of lyricists turning producer/director have not been generally good barring very few exceptions like P L Santoshi and Gulzar. Dr. Safdar Aah Sitapuri, after successfully writing lyrics for 25 films during 1939-1945, turned director with ‘Bhook’ (1946). The film flopped at the box office. With this, he reverted to song writing until 1954 when he directed ‘Maan’ (1954). This film also flopped. After this, he went back to his teaching profession.

Nakshab Jarchvi, who started his filmy career as lyricist in 1945, turned producer-director with ‘Nagma’ (1953) which was a successful film at the box office, He produced and directed his next, ‘Raftaar’ (1955) which flopped. Next, he directed ‘Zindagi Ya Toofaan’ (1958) which did not do well on the box office front. After this film, he migrated to Pakistan.

Ishwar Chand Kapoor directed two films – ‘Chaand Sitaare’ (1948) and ‘Tarang’ (1952) after which he was absent from Hindi film industry between 1952-57 to resurface as lyricist in 1957. J S Kashyap, the writer and lyricist, directed the only film ‘Anyaya’ (1949). Bharat Vyas, after directing his first film, ‘Rangeela Rajasthan’ (1949), refrained from directing any film thereafter. Aziz Kashmiri directed his first film, ‘Sabz Baag’ (1951). After about a decade, he directed his second and the last film, ‘Pathan’/’Rang Raliyaan’ (1962). Both the films were failures at the box office.

The hardship experienced by Shailendra when he produced ‘Teesri Kasam’ (1966) is well known. Jaan Nisar Akhtar produced ‘Bahu Begum’ (1967). Despite having top actors and excellent music, the film failed at the box office. Probably, he may have realised that producing a film was not his cup of tea. He, therefore, concentrated only on song writing thereafter. There may be some more examples of lyricists turning producer/director and failed. Kavi Pradeep was one among them.

Kavi Pradeep started his career as lyricist with Bombay Talkies and wrote lyrics for six films between 1939-43. The tremendous success of ‘Kismet’ (1943) with its songs, all written by Kavi Pradeep becoming very popular, took his career as a lyricist took a great height. In 1943, because of the internal rift, Ashok Kumar, Shashdhar Mukherjee, Gyan Mukherjee, Rai Bahadur Chunnilal and a few more left Bombay Talkies to form Filmistan. Kavi Pradeep also joined them with a 5-year contract.

‘Chal Chal Re Naujawaan’ (1944) was the first film produced under Filmistan banner whose all songs were written by Kavi Pradeep. The film failed at the box office. It appears that after this, Kavi Pradeep was sidelined in Filmistan. Except for ‘Shikari’ (1946), Kavi Pradeep did not get to write songs for Filmistan’s other films like ‘Mazdoor’ (1945), ‘Eight Days’ (1946), ‘Do Bhai’ (1947), ‘Nadiya Ke Paar’ (1948) and ‘Shaheed’ (1948). Since he was under contract with Filmistan and was almost inactive, Kavi Pradeep wrote for films made outside Filmistan such as ‘Kadambari’ (1944), ‘Amrapali’ (1945), ‘Sati Toral’ (1947) and ‘Veerangana’ (1947) under an assumed name of ‘Miss Kamal B.A.’

After the end of his contract period with Filmistan in 1948, Kavi Pradeep became a freelancer. During this period, he decided to turn producer with a newly set up film production company, Lokmanya Productions along with Amiya Chakrabarty and produced the first (and the last) film, ‘Girls’ School’ (1949) which was directed by Amiya Chakrabarty. The film’s star cast included Geeta Bali and Sohan in lead role with Sajjan, Shashikala, Ram Singh, Mangala, Vimala Vashisht, Haroon, in subsidiary roles.

The film’s synopsis is as under:

Meena (Geeta Bali) leaves home when she is forced to accept an arranged marriage. She comes to a village and set up a girls’ school which is opposed by local landlord. Bipin (Sajjan), the landlord’s brother-in-law has an eye on Meena. The school is in need of a teacher. In response to an advertisement, Shanti Kumar Majumdar appears for an interview and gets selected as teacher in the girls’ school. The landlord’s widowed sister Sumitra Devi (Vimla Vashisht), a supporter of the school, objects because he is not married. Meena and Shanti Kumar fall in love but he realises the damage he may cause to her school and leaves. Bipin then spreads rumours about Shanti Kumar’s morals, which cause a further difficulty that has to be resolved before both the future of the school and of the loving couple may be assured. (Source: https://indiancine.ma/FLM).

The film failed miserably at the box office and Kavi Pradeep lost his good amount of money which probably made him realised to settle for only the song writing for the rest of his life. Amiya Chakravarty started his own banner ‘Mars & Movies’ and successfully produced and directed films like ‘Daag’ (1952), ‘Patita’ (1953) and ‘Seema’ (1955).

‘Girls’ School’ (1949) had 9 songs of which 7 songs have been covered in the Blog, details of which are given below:

Sr. No. Details of Songs Date of Posting
1. Tumhi kaho mera man kyun rahe udaas nahin 25/04/2011
2. Baar baar tum soch rahi ho…chaar din ki chaandni hai 09/07/2011
3. O shahar ke baanke baaboo…zara dil pe rakhiyo qaaboo 19/05/2015
4. Kuchh sharmaate huye aur kuchh saham saham 06/02/2016
5. Raam bharose meri gaadi 25/10/2016
6. Danke ki chot par kehta hoon main 11/12/2017
7. Phoolon ka sapna dekhne waalon 01/05/2021

Generally, Kavi Pradeep was known for his patriotic, inspirational and religious songs. In ‘Girls’ School’ (1949), he had written some light-hearted songs such as songs at Sr. Nos. 4 and 6 in the above table. I am presenting one more light-hearted song, ‘gori ek baat sun badi mazedaar hai’ from the film sung by Chitalkar (C Ramchandra) and Shamshad Begum. The song is set to music by C Ramchandra. I had uploaded the video of the song more than 4 years back with a view to posting the song on the Blog. It is only today, the song got a muharat to be presented under ‘Blogs 10-Year Challenge (2011-2021)’.

Enjoy this ‘nok jhok’ song.

Lyrics of the song were provided by Prakashchnadra.

Audio Clip:

Song-Gori ek baat sun badi mazedaar hai (Girls’ School)(1949) Singers-C Ramchandra, Shamshad Begam, Lyrics-Kavi Pradeep, MD-C Ramchandra
Both

Lyrics(provided by Prakashchandra)

gori ek baat sun
badi mazedaar hai
kyaa
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

piya tum kitne samajhdaar ho
ha ha
kaun kehta hai ki tum ganwaar ho
kyon gori kaisi kahi
badi mauke ki rahi
magar ye baat tumhaari nahin
magar ye baat tumhaari nahin
udhaar hai

haain
teri takraar mein bhi
uun hoon

teri akal se das guni hai gori
mujh mein akal
zara sheeshe mein dekho apni shakal
jyaada bak bak mat kar
jyaada bak bak mat kar
bas ho jaa chupchaap
baap re baap
ghadi ghadi mujhko sata mat
lagega paap
baap re baap
mere bhagwaan bata…aa
mere bhagwaan bata
ye kya chamtkaar hai
mera baalam hai
ya police ka zamadaar hai

teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

aaj se sun papeeha
aaj se sun papeeha
teri meri kutti
apne naihar ko chali ja
hai tujhe chhutti
aisa mat bolo piya
dhak dhak hoye jiya
aisa mat bolo piya
dhak dhak hoye jiya

phir kaahe ko akadti
meri sarkaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai

teri meri preet gori
kabhi nahin chhoote
kabhi nahin chhoote
hato ji hato balam
hato ji hato balam
tum ho bade jhoothe

meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
meri dugdugi baje dug dug
o mere saiyyaan jio jug jug
tera mera jhagda mita
ab to beda paar hai
tera mera jhagda mita
ab to beda paar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai
teri takraar mein bhi pyaar hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3830 Post No. : 14836

“Safar”(1946) was directed by B Mitra for Filmistan Limited, Bombay. This “social” movie had Shobha, Kanu Roy, V H Desai, S L Puri, Rajendra, Chandrika, Harun, Mumtaz Banu, Satyanarayan etc in it.

The movie had ten songs in it. Seven of these songs have been covered in the past.

Today is the 101st birth anniversary of C Ramchandra (12 january 1918- 5 January 1982)
Here is the eighth song from “Safar”(1946) to appear in the blog. This song is sung by Shamshad Begam and C Ramchandra. Gopal Singh Nepali is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

I have not been able to get a few words righ in the lyrics of the song. I request our readers with keener ears tohelp fill in the blanks/ suggest corrections as applicable.


Song-Kabhi chupke se ratiyaa mein aaiho raaja jee (Safar)(1946) Singers- Shamshad Begam, C Ramchandra, Lyrics-G S Nepali, MD- C Ramchandra

kabhi chupke se aaiho
kabhi chupke se aaiho
kabhi chupke se ratiyaa mein aaiho raaja jee
kabhi chupke se ratiyaa mein aaiho raaja jee
aaiho raaja jee
phir na jaiho raaja jee
aaiho raaja jee
phir na jaiho raaja jee
kabhi chupke se ratiyaa mein aaiho raaja jee

baadal aayen ghir ghir jaayen
wo din mein bijli kadkaayen
baadal aayen ghir ghir jaayen
wo din mein bijli kadkaayen
raaja mere mauj udaayen
ham to ro ro bain ganwaayen
din bhar na chain paayen
aise kab tak karejwa dukhaiho raaja jee
aise kab tak karejwa dukhaiho raaja jee

oonchi ataari meri
sooni phulwaari meri
duniya hai nyaari meri
aaja ?? teri
raaja kariyo na deri
oonchi ataari meri
sooni phulwaari meri
duniya hai nyaari meri
aaja ?? teri
raaja kariyo na deri
aaiho aaiho
?? raaja jee
aaiho aaiho
?? raaja jee

chaandni raat mein
sirhaane chaand ho

chaandni raat mein
sirhaane chaand ho
phoolon ki sej pe
tu mere saathh ho
galey mein haathh ho
aankhon aankhon mein baat ho

zara dheere se batti bujhaiho raaja jee
zara dheere se batti bujhaiho raaja jee


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is from the film Girls School-1949. It is sung by Chitalkar and Shamshad Begum- one of the most popular singing pair of the late 1940s. The song was written by Kavi Pradeep and the Music Director for this song was C.Ramchandra. In this film, there were two Music Directors. One was Anil Biswas ( he composed 4 songs) and C.Ramchandra ( he composed 5 songs).
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

While discussing interesting songs from the decade of the 50s, one can not keep away from C Ramchandra’s films. In the early 1950s, Chitalkar was in great demand and his films were becoming popular because of his songs. Of course, there were films like Jhanjhar-53 and Ghungroo-52, which did not become hits in spite of good songs.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GIRLS SCHOOL (1949) was produced under the banner of Lokmanya Productions ( a joint venture of Kavi Pradeep and Amiya Chakraborty). The film was directed by Amiya Chakraborty. Interestingly, one of the assistant directors for him in this film was Guru Dutt. The star cast included Geeta Bali, Sohan, Sajjan, Shashikala, Mangala, Ram Singh, Vimla Vashisht etc. Amiya Chakraborty has been known to produce/direct socially relevant films which he must have got this legacy from his association with Bombay Talkies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

For the last eight months or so, I have been scouting for some rare songs which are yet to be posted on the Blog. My first preference was to get those rare songs which have not yet made their presence in YT. During my search, I concentrated mainly of the songs of 1940s and about 50 of such songs have already made their appearances in the Blog. There are some more in my kitty of the 1940s segment, a few of which have already been uploaded on YT. But I thought I would take some pause for the 1940s and divert my attention to the rare songs of the 1950s.
For the 1950s songs, my initial experience showed that in respect of well-known playback singers like Lata Mangeshkar, Mohammed Rafi, Mukesh, Talat Mehmood, Kishore Kumar, Suraiya, Geeta Dutt, Asha Bhonsle, Suman Kalyanpur etc, there was no need for me to find their rare songs. Almost all of their songs for which mp3 clips are available on the internet, have already been uploaded on YT. I believe that all these playback singers have their fans in YT who would ensure that almost all the songs of their idols get posted on YT. That leaves me room to search for rare songs of only the second string and other lesser known playback singers for the 1950s segment. And I like to explore songs of such category of playback singers.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a lovely foot tapping song from the film Saanwaria-49. It is sung by Shamshad Begam and Chitalkar, with music composed by C.Ramchandra himself.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sipahiya”(1949) was directed by Aspi for Super Pictures, Bombay. The movie had Madhubala, Yaakoob, Agha, Husn Bano, Altaf, Kanhaiyya Lal, Jillo Bai, Ghulam Rasool, Amirbai, M K Hasan etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No. – 9
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Today’s song is from the film Girls school-49. It is a duet sung by Shamshad Begum and Chitalkar.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1329
Total Number of movies covered=4609

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