Archive for the ‘“teasing” song’ Category
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This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4373 | Post No. : | 15713 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 95 #
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Today’s song is from the 1974 movie ‘Hawas’. This movie is mostly known by its song “Teri Galiyon Mein Na Rakkhenge Kadam“. I remember that this song was frequently played on radio and loud speakers in those years. And I too associate this movie only with this song and had never tried to listen to the other songs of this movie. And yes, I never get to watch this movie until now.
So, when our dear Prakash ji had sent a song from this movie, I was eager to know about the other songs from this movie. So far, two songs (including the song mentioned above) from this movie have been posted on the blog.
‘Hawas’ is directed by Sawan Kumar for ‘Mercury Productions’. He was also the producer, storywriter and the lyricist of this movie. The star cast includes Anil Dhawan, Neetu Singh, Bindu, Vidya Sinha, Shiv Kumar, Fariyal, Pradeep Kumar, Randhawa and Mehmood. Supported by Pichoo Kapoor, Ashok Khanna, Randhir, Asit Sen, Shera, Basant, Neelam, Nelu, Sharmilee, Jugnu, and Coca-cola. Rekha and Vinod Mehra made friendly appearance in this movie.
Story of this movie is written by Sawan Kumar while the screenplay was written by Bimal Dutt. Dialogues were written by Ameen Sayani and editing of this movie was done by YG Chouhan. This movie was passed by Censor Board on 11.06.1974 with ‘restricted viewing’ certificate.
This movie has five songs sung by Asha Bhonsle (four songs) and Mohd Rafi (one solo song). Lyrics for all the five songs are written by Sawan Kumar and music is composed by Usha Khanna.
Today, 8th July is the sixty-second birth anniversary of actress Neetu Singh (born on 08th July, 1958). On this occasion here is a song from this movie picturized on her. She is lip-syncing Asha Bhonsle’s voice on the screen and many other female artists and Anil Dhawan can be seen in the picturization of this song.
I had never listened to this song earlier. It’s lovely song and grows upon if we listen to it more and more.
Let us now enjoy the today’s song …
Video
Audio
Song – Kal Raat Us Ne Sapne Mein Mujhko Chheda (Hawas) (1974) Singer – Asha Bhosle, Lyrics – Saawan Kumar, MD – Usha Khanna
Lyrics (Provided by Prakashchandra)
kal raat us ne ae
kal raat us ne
sapne mein
mujhko chhedaa aa
kal raat us ne
kabhi is karwat a a a a a a
kabhi us karwat a a a
deewaana raha
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein
mujhko chheda
kal raat us ne
bada deewaana hai
wo to prem ke raag sunaaye
bada deewaana hai
wo to prem ke raag sunaaye
mori kori chunar
mohey lagta hai dar
kahin maili na ho jaaye
mohey paas bulaaye
main na jaaun khud aaye
use laaj na aaye
mohey ang lagaaye
phir saare deep bujhaaye
dar ke boli ee
o humjoli
kal ka waada
bilkul pakka
wo muskuraata raha aa aa
kabhi aise palat a a a a a a a a
kabhi waise palat a a a
deewaana raha
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein mujhko chheda
kal raat us ne
kya kiya
badaa natkhat hai wo
ban gaya re krishn kanhaai
badaa natkhat hai wo
ban gaya re krishn kanhaai
main jamuna mein
nahaane gayi
aur us ne chaal chalaayi
meri saari churaayi
meri angiyaa churaayi
main paiyyaan padi
maine binati kari
nahin maana re raam duhaayi
bola raadha
sangam hoga
main kya kehti
waada jo tha
main sharmaati rahi ee ee ee
kabhi aise simat a a a a a a a a
kabhi waise simat a a a
deewana rahaa
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein mujhko chheda aa aa
kal raat us ne
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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कल रात उस ने ए
कल रात उस ने
सपने में
मुझको छेड़ा आ
कल रात उस ने
कभी इस करवट अ अ अ अ अ अ
कभी उस करवट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने
बड़ा दीवाना है
वो तो प्रेम के राग सुनाये
बड़ा दीवाना है
वो तो प्रेम के राग सुनाये
मोरी कोरी चुनर
मोहे लगता है डर
कहीं मैली ना हो जाए
मोहे पास बुलाये
मैं ना जाऊं खुद आये
उसे लाज ना आये
मोहे अंग लगाए
फिर सारे दीप बुझाए
डरके बोली
ओ हमजोली
कल का वादा
बिलकुल पक्का
वो मुस्कुराता रहा
कभी ऐसे पलट अ अ अ अ अ अ
कभी वैसे पलट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने
क्या किया
बड़ा नटखट है वो
बन गया रे कृष्ण कन्हाई
बड़ा नटखट है वो
बन गया रे कृष्ण कन्हाई
मैं जमुना में
नहाने गयी
और उस ने चाल चलाई
मेरी साड़ी चुराई
मेरी अंगियां चुराई
मैं पैय्यां पड़ी
मैंने बिनती करी
नहीं माना रे राम दुहाई
बोला राधा
संगम होगा
मैं क्या कहती
वादा जो था
मैं शर्माती रही
कभी ऐसे सिमट अ अ अ अ अ अ
कभी वैसे सिमट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4315 | Post No. : | 15598 |
“Bandagi” (1972) was a “social” movie which was directed by K Shankar for MCR Films, Madras. The movie had Vinod Mehra, Sandhya Roy, Madan Puri, Sujit Kumar, Ramesh Deo, Sundar, Birbal, Shivraj, Prem Kumar, Gemini Balu, Indira Bansal, Shammi, Shabnam, Pandhari Bai, Padma Khanna, Jagdeep etc in it.
This movie had six songs in it. !972 was a time when I was as my precocious best as far as listening to Hindi movie songs on loudspeakers and radio was concerned. But I must admit that I never heard any songs of this movie. I was not even aware of the name of the movie till now ! So it is clear that the movie did not do well at the box office.
One song from the movie has been discussed in the past. Here is the second song from “Bandagi”(1972) to appear in the blog. This song is sung by Kishore Kumar. Rajinder Krishan is the lyricist. Music is composed by Shankar Jaikishan.
The picturisation shows Vinod Mehra (badminton racquet in hand) singing this teasing cum flattering song for Sandhya Roy (also holding a badminton racquet). The same song picturised over a Shammi Kapoor or Jeetendra would have made this song a hit song. Sadly Vinod Mehra never had the charisma of a top romantic hero. Investing on penny stocks like Vinod Mehra and Sandhya Roy and hoping to make handsome profits neither works in stock market nor in Hindi movies. 🙂
Song-Mera yaar zulf mein phool laga ke chalta hai (Bandagi)(1972) Singer-Kishore Kumar, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan
Lyrics
haaye
o
waah waah
kya kehne hain
mera yaar
mera yaar zulf mein phool laga ke chalta hai
kambakht bahaaron ka kaleja jalta hai
o mera yaar
o mera yaar
o mera yaar
o mera yaar zulf mein phool laga ke chalta hai
hey hey
uff mastaani
haay bhari jawani
uff mastaani
bhari jawaani
jaise chadhti nadiya ka paani
mukhde ko
mukhde ko dekh ke sooraj aankhen malta hai ae ae
o mera yaar zulf mein phool laga ke chalta hai
hey hey
rang badan ka
haay chandan jaisa
rang badan ka chandan jaisa
chalta phirta ek chaman sa
sharma ke
sharma ke din bhi waqt se pehle dhalta hai ae ae
mera yaar zulf mein phool laga ke chalta hai
sadqe
roop ki barkha
aise barse
roop ki barkha aise barse
dhoop bhi chhup jaaye darte darte
palko ke
palko ke saaye me ik shola sa tapta hai ae ae
mera yaar zulf mein phool laga ke chalta hai
o mera yaar
o mera yaar
o mera yaaaar
o mera yaar zulf mein phool laga ke chalta hai
Chhod arrey jaa mujhe na pakad
Posted on: May 1, 2020
- In: "Nok-Jhonk" song | "teasing" song | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Boat song | Duet | Feelings of heart | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4305 | Post No. : | 15575 |
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Blog 10-Year Challenge (2010-2020) – Song No. 25
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Today is 1 may 2020, viz the first day of the fifth month of the year 2020.
When I look back on this day ten years ago, I find that three songs were covered that day (1 may 2010). These songs were :-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Uff ye Jawaani ye adaa | Mehmaan-1974 | 03 of 06 songs posted |
| Tumhaari mast nazar gar idhar nahin hoti | Dil Hi To Hai-1963 | All songs covered |
| Pyaar to ik din honaa thaa | Ek Shrimaan Ek Shrimati-1969 | 05 songs posted |
So it means that two movies are eligible for “Blog Ten year challenge” today.
One of these two movies is “Mehmaan”(1974).
This movie had six songs in it. Three of these songs have been covered in the blog. The movie made its debut ibn the blog this day ten years ago !
Here are the three songs of “Mehmaan”(1974) that have been covered so far:-
| Song | Posted On |
|---|---|
| Uff ye Jawaani ye adaa | 01.05.2010 |
| Meri chaahat rahegi hameshaa jawaan | 26.04.2012 |
| Ram Raheem Krishn Kareem … | 25.10.2017 |
I may have discussed three songs from the movie, but these songs were spaced several years apart. Second song from the movie was discussed in 2012 and the third in 2017.
So, despite covering three songs from the movie, I do not remember anything about this movie. So when I watched the song under discussion today, I had some great and inadvertent fun watching the picturisation. I could see a very young Rekha lip syncing in Asha Bhonsle’s voice, but who was the gentleman, jumping up and down. He appeared somewhat familiar ! And then it hit me, Arrey, it was Vishwajeet ! He was well past his prime by 1974, but he was still trying to turn the clock back rather valiantly. 🙂
The song starts as a motor boat song. Then the duo shift to a park, where the song becomes a classic running around the trees song- as I S Johar would have described it. 🙂
Then the duo jump over on a jeep. End of the song finds Rekha alighting from the jeep and walking off in a huff, determined not to go back to the jeep. But she quickly has a change of heart when she finds monkeys ahead. 🙂
Lyrics are by Sahir Ludhianvi. Normally known for penning songs espousing the caause of social justice, communal harmony, women emancipation and other such noble causes, Here he is called upon to pen a rather more mundane kind of a song- viz a romantic song. And the lyrics are quite cute. “Chhoona mat mujhe”- is the warning issued by the lady. “royegi jo chhoone waala koi na mila”- is the response. Then she relents and sets the terms that she is agreeable to this “chhoona” business provided it is carried out gently. 🙂
Quite an interesting and fun song, even if much of the fun is inadvertent. This is a song from nearly five decades ago. I have been watching this song and listening to it for the first time in true tubelight fashion. I got to watch this song only because the lyrics of this song were sent to me by Avinash Scrapwala.
Video
Song-Chhod arrey ja mujhe na pakad (Mehmaan)(1973) Singers-Asha Bhonsle, Rafi, Lyrics-Sahir Ludhianvi, MD-Ravi
Lyrics(Provided by Avinash Scrapwala)
Chhod
Arey ja
Mujhe na pakad
Chhod
Arey ja
Mujhe na pakad
Haaye
Meri jaan
Aise na bigad
Arey aise na bigad
Aha
Chhod
Arey ja
Mujhe na pakad
Haaye
Meri jaan
Aise na bigad arey aise na bigad
Oh
Chhod
arey ja ja
Mujhe na pakad
Karne ko kar chaahe jitne jatan
Chhoone nahin doongi tujhe apna badan
Karne ko kar chaahe jitne jatan
Chhoone nahin doongi tujhe apna badan
Chhoone nahin doongi tujhe apna badan
Hat
Arey maan
Peechhe nahin pad
Haaye meri jaan
Aise na bigad arre aise na bigad
Ho
chhod
Arey ja
Mujhe na pakad
Royegi jo chhoone waala koi na mila
Hmm
Karegi akele me naseebon ka gila
O ho
Royegi jo chhoone waala koi na milaa
Karegi akele mein naseebon ka gilaa
Karegi akele mein naseebon ka gilaa
Sun
haa
Idhar aa
Yoonhi na akad
Haaye meri jaan
Aise na bigad arey aise na bigad
Oh
Chhod
arey ja ja
Mujhe na pakad
Chhoona hai to seekh zaraa chhoone ka chalan
Aise nahin chhoo ke mera dukhe saara tan
Chhoona hai to seekh zaraa chhoone ka chalan
Aise nahin chhoo ke mera dukhe saara tan
Aise nahin chhoo ke mera dukhe saara tan
Door
Zaraa door door
Baazu na ragad
Haaye
meri jaan aise na bigad
Arey aise na bigad
ho Chhod
arey ja
mujhe na pakad
Haaye ae meri jaan
aise na bigad
Arey aise na bigad
Aah
Chhod
- In: "Naughty" song | "teasing" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | playful song | Post by Sudhir | praising a person | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4277 | Post No. : | 15514 | Movie Count : |
4276 |
Although not listed in the anniversaries list on our blog, a message yesterday from Mahesh ji reminded that it was the remembrance day of the music director Robin Chatterji. Some more discussion followed in which it was mentioned that Rafi Sb had never sung under the baton of this music director. Something tickled in the memory and I searched through the Geet Kosh listings and my collection, coming up with this wonderful solo of Rafi Sb, that he has sung for Robin Chatterjee, in a Bhojpuri film.
Remembering Robin Chatterjee on the anniversary of his passing away (2nd April, 1976).
As is the fate of many such lesser known and lesser appreciated artists, there is very little information available about him. His date of birth is recorded as 8th January, 1914. No details about his family or early years is available. One name is available – his first teacher of classical music was Keshab Ganesh Dhekan. Robin started his career with the venerable New Theatres, in their music department. He sang in the chorus line for NT films like ‘Adhikar’ (1938).
Some records indicate that worked as an assistant to music director Anupam Ghatak. He and Anupam had learnt music from the same teacher (KH Dhekan). Apparently he assisted Anupam Ghatak with some of his films during 1939-40.
Information about his earliest films as an independent music director is not very specific. Based on Geet Kosh listings, the first Hindi film where we see his name appear as a music director is ‘Raaj Lakshmi’ (1945). Listings show that he shared the music direction responsibility for this film with Dhiren Mitra. This film was produced under the banner of MP Productions, Calcutta (now Kolkata). This film has the distinction of being the debut film for Talat Mehmood, as a singer in Hindi films. Prior to this, he had sung under the pseudonym of Tapan Kumar, all recordings being for Bangla films or for non-film Hindi and Bangla songs. The debut solo songs for him in this film are “Jaago Musaafir Jaago, Kholo Mann Ka Dwaar” and “Tu Sun Le Matwaale”.
Browsing through the Geet Kosh, we find the following films listed with his name as the music director –
‘Raj Laxmi’ (1945) (w Dhiren Mitra)
‘Tum Aur Main’ (1947)
‘Wo Dono’ (1947)
‘Sabyasachi’ (1948)
‘Ratnadeep’ (1952)
‘Firdaus’ (1953) (w Roshan)
‘Pehli Shaadi’ (1953)
‘Afreeka’ (1954)
‘Majboori’ (1954)
‘Shobhaa’ (1954)
‘Dhaake Ki Malmal’ (1956) (w OP Nayyar)
‘Saiyan Se Bhaile Milanva’ (1964)
‘Chimni Ka Dhuaan’ (1973)
and possiblye ‘Miss Toofaan Mail’ (1958), for which the name of the music director is given simply as Robin.
Of these, the credits for ‘Raj Lakshmi’ are shared with Dhiren Mitra, for ‘Firdaus’ are shared with Roshan and for ‘Dhaake Ki Malmal’ are shared with OP Nayyar. The film ‘Saiyan Se Bhaile Milanva’ is a Bhojpuri film. And the film ‘Chimni Ka Dhuaan’ was probably completed sometimes in the first half of 1960s, but its release was delayed by many years, finally releasing in 1973.
The above list of films shows a career with sizeable gaps. However, there is other information that says he was also active, rather very active in the Bangla film industry, as well as in the non-film and folk song genres. There are more details available about his films in Bangla. He has scored music for many films starring Suchitra Sen, for whom he has preferentially used the voice of Sandhya Mukherjee.
One additional bit of information from my own memory. I do remember seeing the name Robin Chatterjee as the sound recordist in the credits of some films. I am not sure that such credits are referring to the same person – possibly so.
My personal experience, and also preference, is that to appreciate the music and songs of lesser known and lesser discussed artists is to pull together as many songs of such an artist, as possible, and then listen to them at a stretch, within one, two, three sittings. In my humble opinion, this way one gets a much better feel for both the quality and the quantity of the body of work for the artist. This in turn provides a much better and a wider appreciation of his or her work. In my effort to pull together information and body of work about such artists, I find that I have not yet come across a single instance where I may have failed to appreciate the quality of work created by the artist. For that reason, I humbly state that I never will dismiss an artist only because he or she is lesser known and his/her body of work is obscure and not easily accessible. The same has been my experience with the songs tuned and composed by Robin Chatterjee. We already have 24 songs on our blog, for which he is the music director – please check out in case interested.
About this film, there are no details available, other than the name of the production banner – Messers Technicians Enterprise. No listings of actors is available either. Only the name of the music director, the singers and a list of 4 songs is available.
About this film – it is produced under the banner of Messers Technicians Enterprise, and is directed by PL Santoshi. The name should be very familiar – PL Santoshi has been active in Hindi films as a lyricist, story/screenplay writer, dialogue writer and director, since the mid 1930s, all the way to his passing away in 1978. The star cast is listed as Sujit Kumar, Saeeda Khan, Sabita Chatterjee, Tarun Kumar, Jahar Rai etc. It is a story about the sacrifices the wife (Saeeda Khan) makes to care for and nurse her husband (Sujit Kumar), who is suffering from the memory loss.
The Geet Kosh lists 4 songs for this film. There are two solos by Suman Kalyanpur, one solo by Rafi Sb (today’s presentation), and one duet of Rafi Sb and Sandhya Mukherjee. Although the name of the lyricist is not specifically mentioned in any source, it is very likely that PL Santoshi has most likely written some or all songs of this film. However, it needs to be confirmed.
[Ed Note: PL Santoshi has directed 20+ films during his career, and he has written some or all songs for 15 of them.]
Regardless, it is a naughty, wonderfully playful song of appreciation – appreciation of the beauty of a young belle. Listen and enjoy.
[Acknowledgements: The above article uses information and details from the Geet Kosh, the book ‘Dhunon Ki Yatra’ by Sh Pankaj Raag, the book ‘Cinema Bhojpuri, 2010’ by Avijit Ghosh, and the web page on Anupam Ghatak at Indiancine.ma/wiki. Thanks to Sadanand ji for providing the information about the film, from the book by Avijit Ghosh.]
[Ed Note: I believe that the lyrics in the Bhojpuri dialect are not difficult to follow. As the lines are perused, there may be a little transliteration required for one line. In case there is a comment/request, the transliteration of the full lyrics can be provided. The difficult line maybe, “peear peear galba pa chhitke lallaiya” or “पीयर पीयर गलबा पे छिटके लल्लइया”. In simpler Hindi, the line says “pyaare pyaare peele peele gaalon pe laali chhitki hai” or “प्यारे प्यारे पीले पीले गालों पे लाली छिटकी है”. 🙂 ]
[Ed Note: Thanks to dear AK ji for making the correction in the above transliterated line of lyrics.]
Song – Jabse Dekh Li Suratiya Tohaar Goriya (Sainyan Se Bhaile Milanva) (1964) Singer – Mohammed Rafi, Lyrics – [Unattributed], MD – Robin Chatterjee
Lyrics
jab se dekh li
jab se dekh li suratiya tohaar goriya
jab se dekh li suratiya tohaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
ho goriyaa. . .
umariya hai baari patli kamariya
umariya haee. . .
umariya hai baari patli kamariya
najariya hai teekhi kataar goriya
mar gai lee
najariya hai teekhi kataar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya..ha
peear peear galba pa chhitke lallaiya
peear peear
peear peear galba pa chhitke lallaiya
bole to chooe ras dhaar goriya
aa haa
bole to chooe ras dhaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
hamka lut gaili lut jaee hai nagariya
hamka. . .
hamka lut gaili lut jaee hai nagariya
jaiha na ban tthan bajaar goriya
kaise chalbu
jaiha na ban tthan bajaar goriya
bas mein na jiyara hamaar goriya
o bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
o goriyaa. . .
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Hindi script lyrics (Provided by Sudhir)
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जबसे देख ली
जबसे देख ली सुरतिया तोहार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰
उमरिया हई बारी पतली कमरिया
उमरिया हई॰ ॰ ॰
उमरिया हई बारी पतली कमरिया
नजरिया है तीखी कटार गोरीया
मर गई ली
नजरिया है तीखी कटार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया॰॰हा
पीयर पीयर गलबा पे छिटके लल्लइया
पीयर पीयर
पीयर पीयर गलबा पे छिटके लल्लइया
बोले तो चूए रस धार गोरीया
आ हा
बोले तो चूए रस धार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हमका लुट गईली लुट जई है नगरिया
हमका॰ ॰ ॰
हमका लुट गईली लुट जई है नगरिया
जईहा ना बन ठन बजार गोरीया
कैसे चल्बू
जईहा ना बन ठन बजार गोरीया
बस में ना जियरा हमार गोरीया
ओ बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰
Ho kaahe chhede mujhe re beimaan
Posted on: January 25, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4208 | Post No. : | 15402 |
“Chandan”(1971) was produced and directed by Kewal Mishra for Kewal Art Production, Bombay. The movie had The movie had Som Dutt, Joginder Shelly, Komal aka Poonam Sinha, Jayashree.T., Zeb Rehman, Dilip Dutt, Ramesh Deo, Ram Mohan, Birbal, Mohan Choti, V.Gopal, Kishan, Meenakshi, Renu Joshi, M.Sahgal, Coca cola, Dhanraj, Asi Dutt, Kishan, Kishore Kumar etc in it.
Som Dutt, the brother of Sunil Dutt, was launched by Sunil Dutt with “Man Ka Meet”(1968). Instead of Som Dutt gettinmg launched, that film helped Vinod Khanna getting launched.
It can be seen that Kewal Mishra saw enough in Som Dutt to sign him up as the hero for his movie. Seeing that the movie ended up belly up at the box office. I have no idea what he thought about this flop venture of his.
Not just the movie, even its songs ended up as forgotten.
The movie had five songs in it. One song has been covered in the past. That was in 2013. While covering that song, I had mentioned that I had never heard of that movie and the song. Same can be said about this song under discussion as well. This song is sung by Asha Bhonsle and Mukesh. Omkar Verma is the lyricist. Music is composed by Sonik Omi.
The song is picturised as a typical chhed chhad turning into love kind of song on Komal (later better known as wife of Shatrughan Sinha) and Som Dutt. I found it a nice hummable song the very first time I listed to it.
Song-Ho kaahe chhede mujhe re beimaan (Chandan)(1971) Singer-Asha Bhonsle, Mukesh, Lyrics-Omkar Verma, MD-Sonik Omi
Lyrics
ho kaahe chhede
ho kaahe chhede mujhe re beimaan
abhi hai meri baali umariya
ja ja ja
ho kaahe chhede mujhe re beimaan
abhi hai meri baali umariya
o
oho ri gori hoga tera ehsaan
milaa le zara mujhse najariya
na na na na na
kaahe chhede mujhe re beiman
abhi hai meri baali umariya
masti bhari ye teri chikni jawaani
bol hai ri gori kiske liye
arre ja re deewaane tere jaise kayi
dekh ke re mujhe fisla kiye
masti bhari ye teri chikni jawaani
bol hai ri gori kiske liye
ja ja re deewaane tere jaise kayi
dekh ke re mujhe fisla kiye
ho gori sadiyon se main hoon tera deewaana
o chal deewaane tu paas mere aana na
tu maar dil pe najar ka nishaana
ho aaj ye shikaari bana anjaan
dekho ji dekho pakde machhariya
sun le sun le
ho gori hoga tera ehsaan
milaa le zara mujhse najariya
kaahe chhede mujhe re beimaan
abhi hai meri bali umariya
jhootha hai tu re daghaabaaz chhaliya
dil mein re tere chor chhupa hai
oho mujhko hi samhje hai tu chor goriye
tujhpe mera jahaan luta hai
haaye jhoothha hai tu re daghaabaaz chhaliya
dil mein re tere chor chhupa hai
oho mujhko hi samhje hai tu chor goriye
tujhpe mera jahaan luta hai
o teri baaton pe main na aitbaar karoon
ho gori janmon se tujhko main to pyaar karoon
o sun deewaane zamane se dar tu
o gori kahna mera zara maan
banaa le mujhe apna sanwariya
na na na na na na na
kaahe chhede mujhe re beimaan
abhi hai meri baali umariya
gori hoga tera ehsaan
milaa le zara mujhse najariya
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4141 | Post No. : | 15303 |
Today’s song is from film Arsi-1947.
Till recently, I was wondering, what was the meaning of this Title word Arsi. I could not find the meaning anywhere and finally I left my attempts. Then one day, I read the review of this film, in the June 1948 issue of Film India and I got a new piece of wisdom that Arsi was a name of the girl in the film. It was for the first time that I learnt that a name such as Arsi could be a girl’s name in India. Out of curiosity, I checked the 3 ” Boys and Girls Names ” books that I have in my collection, but in none of the books this name was found. At last, I decided to surrender to Guru Google ji, and to my surprise, I learnt that the word means ” Mirror ” !
The film Arsi was made by Jeevan Pictures, Lahore. It was directed by Daud Chaand. All the 11 songs were written by Sarashar Sailani. This was his first film as a Lyricist. The owner of Jeevan Pictures, was Motiram Jain and he was a lover of Shayari and poetry. Sarashar Sailani, who was not much educated (not a graduate), but was a school teacher, used to participate in Mushayras. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Some songs became popular and Sailani jumped into film line.
Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.
In all, he wrote 150 songs in 32 films. From 1960 onwards, after film ‘ Bade ghar ki bahu’, he stopped song writing and took up only story, dialogue writing, in which he did many good films. Sarshar Sailani died on 10-4-1969.
In film Arsi-47, there were 2 MDs – Lachhiram Tamar and Shyamsunder. Although HFGK is silent on crediting MDs for any song, those who uploaded the songs on YT have indicated MD names as given on the records. Much is written about Shyamsunder, but not much is available on Lachhiram. Last year, in one of posts, I have given information about Lachhiram Tamar already.
The film’s director was Daud Chaand. Dawood Chand was a prominent film director of 1930’s & 1940’s of Indian cinema. He directed Veer Kaisri (1938), Joshe-e-Islam (1939), Sipahee (1941), Jangee jawan (1943), Paraey Bas main (1946), Aaarsee and Aik roze (1947) and Papeeha Re-48 in India.
In Paksitan he was director of first ever released Pakistan film Tairi Yad (1948). Some of his others films were Hichkoley, Mundri (1949), Sassi (1954), Bulbul (1955), Mirza Sahebaan and Hatim (1956), Muraad (1957), Aalam ara (1959), Sapairan (1961), Khaiber Pass and Ghazala (1963), Reshma (1970), and Bahadra (1973).RAZA MIR (Producer/Director)
He acted in Indian film Shaher say door (1946) but in Pakistan he chose other profession. He was Pakistan’s First film Teri yaad’s (1948) cinematographer and director. He also directed some other films like Baiti (1964), Lakhon main aik (1967), Aaasra and Aneela (1969), Parai aag (1971), Naag muni, Vicharya saathi (1973), Professor and Arzoo (1975) Sohni mahiinwal (1976) and Dil keey daagh (1978). Asif Raza Mir film hero of late 1970’s and early 1980’s and a good TV artist is his son. He died on 24-5-1975 at Lahore, Pakistan.
The cast of the film was Meena (Shorey), Al Nasir, Ajmal, Asha Posley, Zahoor Shah, Bheemsain, Ramlal, Pran, Cuckoo etc etc. When I had first come across the name Asha Posley, in my younger days, I was a bit amused, because the name sounded almost like Asha Bhosle ! When I started writing about old films, I realised that her real name was something else and this was a name acquired by her.
Asha Posley was born Sabira Begum in Patiala, Punjab, British India in 1927. She was given the film name Asha Posley by the renowned music director Ghulam Haider. She made her film debut in a Lahore-made Punjabi film Gawandi (1942) as a supporting actress.Later she played just a few female lead roles in some films starting with film Champa (1945) and then Kamli (1946) in British India. Her films in India were Champa-45, Paraye Bas mein-46, Kamla-46, Badnaami-46, Aai Bahar-46, Pagdandi-47, Ek Roz-47, Arsi-47, Sassi-48 (un released), Roop Rekha-48, Papeeha Re-48 and Barsat ki ek raat-48. She also sang 5 songs in 3 films.
After independence of Pakistan in 1947, her whole family migrated to Lahore, Pakistan including her music director father Inayat Ali Nath and her 2 sisters- actress Rani Kiran and Kausar Perveen who later gained fame in Pakistan as a film playback singer. Her father was the music director for the first-ever released film in Pakistan- Teri Yaad (1948) and Asha Posley played the female lead role in the film opposite Nasir Khan who was a brother of famous Indian actor Dilip Kumar.
Later she was mostly cast in supporting roles opposite comedian actors Nazar and Asif Jah in films both in Urdu and Punjabi languages. She acted in 129 films in total in her career spanning over 4 decades (1942-1986). Her last film was Insaf (1986). She also appeared on Stage, TV and Radio and she was also a part-time singer. Asha Posley was awarded a Special Award for Excellence in 30 years of acting by the prestigious Nigar Awards organization in Pakistan in 1982.
Asha Poslay died on March 26, 1998 at Lahore.
Asha Posley’s case is a sad one. The way Pak film industry treated her in her last days, is no different than what Indian film industry did in the past. She and her family spent hard days and she died in poverty. Only the other day, I came across an article written by film journalist of Pakistan- Navaid Rasheed in The Dawn.com in April 2001. In it, he wrote about her house…..” The humble abode is enveloped in depressive atmosphere. The rooms are in ramshackle condition. The main door leads to a very small room which is without a roof. If it was bigger in size, it would be called a courtyard. Things are helter skelter all over the place. Can somebody imagine that this is a place where a glamorous diva lived not too long ago.
Yes, this place was the last abode of Pakistan film industry’s first heroine Asha Posley who died three years ago. Ever since then the family has been living in a dilapidated state. Not that the things were any better when the actress was alive, in fact she herself was dependent on her brother whose house this is. But at least she was there for them, her being there was enough for them.”
Asha Posley was a very attractive, frank, ever smiling and popular actress in Pakistan. Asha Posley was undoubtedly one of the most modern, bold and flamboyant heroine of the local cinema. Those well-arched eye-brows, deep almond-shaped set of eyes, high cheek bones, the square jaw, the curly jet black locks and the mischievous smile is hard to forget. For a woman who once charmed the cinegoers for so long did not have enough money to make her ends meet at her retirement. Such a sad ending is not what she deserved. But that is exactly what happened.
Ever since Asha Posley was forced to sit home by the ruthless film industry that gave her no work for long, there was not a single day when she didn’t wait to be offered even a small role from the industry. When no one came from the industry to help her, she looked towards the public sector. She requested time and again for help but in vain. Such a talented actress of calibre was fast diminishing into oblivion but no one was bothered to save her. So finally she died unsung in March, 1998. Still no one was effected.
Teri Yaad was the first Pakistani film to be released in 1948 and Asha’s hero in it was Dilip Kumar’s brother Nasir Khan. It was directed by Dawood Chand. Asha Posley belonged to Patiala (India) and was born in 1927. She worked in Radio Pakistan as Riffat Aisha and was in possession of a good voice. Before partition she worked for the first time in Kamli (1946) which was not too successful but owing to her looks, her spicy sense of humour and bold style of conversation, she became pretty famous in film circles.
After partition she also worked in films like Ghalat Fehmi, Shahida and Bulbulall of which proved to be failures. However, when she opted to play a vamp in Sassi, it proved to be very successful. Hence onwards began a long journey of vampish roles for Asha. Her occasional pairing with comedian Nazar in certain films too won accolades for her as a comedy star. One of her memorable films as a vamp was Intezaar featuring Noor Jehan and Santosh Kumar
in the lead. Kismet and Dulla Bhatti were other successful ventures where she put in memorable performances. Her dances too were the main highlight of these films.
Asha’s younger sister Rani Kiran was also a film heroine while another of her sister Kausar Parveen was a famous playback singer of the 50s who died very young. Rani Kiran is still alive but leading a pathetic life.
Asha’s famous films include Toofaan, Mukhra, Hatim, Ashiana, Hum Aik Hein, Khizaan kei Baad, Son of Ali Baba, Mehandi, Pasbaan and others. She made occasional appearances on various television shows where she reminisced her past glory and mentioned for support too. But apparently nothing happened. Nobody could improve her state of affairs, but at least someone can still help her sister Rani Kiran and save her from going the Asha Posley way, out of this world.
This was the fate of discarded artistes…be it Pakistan or India. We can quote many such cases from our own court yards. Thank God, these days the situation is much much better and no such cases are to be seen since few years. Hope this is so even in Pakistan.
Film Arsi-47 was released on 10-4-1948 at Majestic Cinema in Bombay. The screenplay was by M R Bhakhri. Film India magazine June 48 issue featured a review of this film. As usual Baburao Patel had nothing good to say about the story, acting or even the Music. He surely sympathised with the Director, who could not do much with the weak story. The story,in short, as given in the review (minus criticism) is …
Ramesh (Al Nasir) is the son of the village Zamindar. He loves Arsi (Meena), daughter of Bansi, a poor farmer. Unfortunately, the Zamindar himself wants to marry Arsi. When this proposal is declined, Bansi, with his daughter and young son is driven out of the village. Soon after, Bansi dies and Arsi has to sell a Gold Frame, gifted by Ramesh. However, she is accused of stealing it from the Zamindar’s house and is sentenced to 14 years of Jail term.
Her brother grows up. The Brother Mohan (Ajmal) loves and marries dancer Sharada (Asha Posley). The Zamindar dies. After 14 years, Arsi is released. She is employed as a Maid by Ramesh and later they marry also. The End !!! (Thank God !)
The story is too simple and predictable. No wonder Film India criticised it. Today’s song is a duet by S D Batish and Zeenat Begum. One more interesting Trivia. Sarashar Sailani had also acted in this film, but under the name Bheemsain. This was the only film he ever acted in a film.
Song- Duniya chhoote par na chhoote teri gali ka phera (Aarsi)(1947) Singers- S D Batish, Zeenat Begum, Lyrics- Sarshar Sailani, MD- Lachhiram Tamar
Lyrics
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
gali ka phera kaise chhoote
prem ka bandhan kaise toote
gali ka phera kaise chhoote
prem ka bandhan kaise toote
kaise chhodoon kaise chhoote
teri gali ka phera re
haay teri gali ka phera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
nain milaa ke
mast banaa ke
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
loot liya sajni ke man ko
loot liya sajni ke man ko
saajan bada lutera re
haaye saajan bada lutera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
kaise jaadoo daala dil par
teri mast nigaahon ne
kaise jaadoo daala dil par
teri mast nigaahon ne
duniya chhod ke aan lagaaya
duniya chhod ke aan lagaaya
teri gali mein dera re
haaye teri gali mein dera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
naav bhanwar mein chhod na dena
preet ke matwaare rasiya
naav bhanwar mein chhod na dena
preet ke matwaare rasiya
preet laga ke tod na dena
preet laga ke tod na dena
naazuk hai dil mera re
haaye naazuk hai dil mera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
chun chun kankar mahal basaaya
log kahen ghar mera aa re
na ghar tera na ghar mera aa aa
chidiya rain basera aa aa aa
Ladki cycle waali
Posted on: November 6, 2019
- In: "bicycle" song | "Dholak" song | "Nok-Jhonk" song | "teasing" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | Guest posts | Harmonium song | Mahendra Kapoor songs | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1978 | Wedding ritual song | Wedding song | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4128 | Post No. : | 15286 |
hullo Atuldom
B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.
All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.
I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).
Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.
Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain
Lyrics
ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee
gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa
ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o
kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee
shaabba shabba kudiye shawa
o mundiye shaabba shabba
kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae
tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4111 | Post No. : | 15262 | Movie Count : |
4193 |
Hindi Songs in Bangla Films – 2
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The troika of Satyajit Ray, Ritwik Ghatak and Mrinal Sen had taken Indian cinema to a great height from the 1950s onward. They were regarded as the harbinger of the new wave cinema, also called the parallel cinema. They were all from Bengal and made the films mostly in Bengali. But they had not only had the pan India reach but also, they were globally famous through their films. They won many awards – both National and International.
Tapan Sinha was one more film-maker from Bengal who was a contemporary of Satyajit-Ghatak-Mrinal. He also made mostly Bengali films and had won National and International awards. But the general impression carried in the film circle was that he was not in league with the the troika. The reason was that he was regarded as ‘the middle of the road’ film maker whose films would have some mild doses of commercial ingredients. It is only after Tapan Sinha’s death in January 2009 that some film writers feel that he should have been a part of quartet, Satyajit-Ghatak-Mrinal-Tapan for the realism depicted in his films.
Tapan Sinha made his first film ‘Ankush’ (1954) in Bengali. Since then until 2000, he made 37 films which included some films in Hindi like ‘Zindagi Zindagi (1972), ‘Sagina’ (1974), ‘Ek Doctor Ki Maut’ (1991) etc. He also made some children’s films like ‘Safed Haathi’(1978), ‘Aaj Ka Robinhood’ (1987). Most of his films were based on the stories written by well-known Bengali writers like Gurudev Rabiindranath Tagore, Tarashankar Bandopadhyay, Ramapada Chowdhury, Samresh Basu etc.
Some of Tapan Sinha’s successful Bengali films were remade in Hindi. These include ‘Mere Apne’ (1971) by Gulzar adapted from ‘Apanjan’ (1968), ‘Baawarchi’ (1972) by Hrishikesh Mukherjee from ‘Gulpo Holeo Satti’ (1966), ’Zindagi Zindagi’ (1972) from ‘Khoniker Atithi’ (1959), ‘Sagina’ (1974) from ‘Sagina Mahato’ (1970) and ‘Ijaazat’ (1987) from ‘Jatugriha’ (1964).
‘Haate Baazare’ (Market Place, 1967) was one of the successful films in Bengali directed by Tapan Sinha. Ashok Kumar and Vyjayantimala were in the lead roles with Rudraprasad Sengupta, Ajitesh Bandopadhyay, Bhanu Bandopadhyay, Chinmoy Roy, Chhaya Devi, Samit Bhanja, Partho Mukherjee etc in the supporting roles. It was the first Bengali film for Vyjayantimala. Probably, it was also for the first time, Vyjayantimala sang for herself a Bengali song, cheye thaki cheye thaki along with Mrinal Chakraborty in this film. Vyjayantimala did not know Bengali. But Tapan Sinha did not dub her dialogues in the film with borrowed voice, Instead he made her to rehearse her dialogues after listening to the pre-recorded dialogues on the cassette.
The film was based on a novel of the same name by Banaphul (real name: Balai Chand Mukhopadhyay). The film is available for watching on video sharing platform but there are no English subtitles for those who do not understand Bengali. Still, one can get a feel of the story of the film.
Dr. Mukherjee (Ashok Kumar) is a doctor in a tribal town in Birbhum. He is well respected by the tribal folks as well as others which include Chhipli (Vyjayantimala), a young widow. In his jest to serve the people, Dr Mukherjee has no much time to attend to his wife’s illness of a chronic heart ailment. After the death of his wife, Dr Mukherjee leaves his job and starts a mobile clinic for the poor. Lachhman Lal (Ajitesh Bandopadhyay), the spoilt son of a local landlord is at a loggerhead with him as he protects Chhipli from his lustful eyes. This is resented by Lachhman Lal and as a vengeance, he spreads the rumour about Dr Mukherjee’s relationship with Chhipli who has been working with him as his assistant.
In a night of a tribal get-together where Chhipli also participates in songs and dances, Lachhman Lal hoodwinks Chhipli by sending a message through Nani (Chhaya Devi) that she has been called by Dr Mukherjee. On her way back, he tries to molest Chhipli. In the nick of time, Dr Mukherjee saves her but, in the fight, Dr Mukherjee strangulates Lachhman to death and in the process, he is also seriously injured. Dr Mukherjee dies the next day. But Chhipli continues to carry forward the work of the mobile clinic in the village with the help of a young doctor.
The film was not only a commercial success, it also won the National Film Award for the Best Feature Film.
By the way, there is a train named as ‘Haate Bazare Express’ which runs from Sealdah (Kolkatta) to Saharsa Junction/Purnia.
‘Haate Baazare’ (1967) had 3 songs, one of which I am presenting here because it is in Hindi. The song is ‘aage aage nanadi chale peechhe nanadaya’ sung by Chinmoy Roy, Mrinal Chakraborty and Aarati Mukherjee. The song is set to music by Tapan Sinha. The name of the lyricist for Hindi song is not mentioned. But the wordings of the song seem to indicate that it is a traditional song. Incidentally, Majrooh Sultanpuri also used some lines from this song in pyaare nanadaya sarota kahaan bhool aaye for Hindi film, ‘Zamaana’ (1985), strengthening my guess that it is based on a traditional folk song. Most importantly, this song has the quality of captivating the listeners and the folk song has that quality even with the meaningless lyrics.
In the song, while Chinmoy Roy sings for himself, Mrinal Chakraborty sings for an actor whom I guess to be Partho Mukherjee. He sings in a mix of Bengali and Hindi words, probably that is the dialect spoken in Birbhum, a border district with Bihar. Aarati Mukherjee sings for Vyjayantimala.
Enjoy this fun filled teasing song.
Video
Audio
Song-Aage aage nanadi chale peechhe nanadaiyya (Haatey Baazaarey)(Bangla)(1967) Singers-Chinmoy Roy, Mrinal Chakraborty, Aarti Mukherjee, MD-Tapan Sinha
Chorus
Lyrics(Based on Audio Clip)
aage aage nanadi chale peechhe nanadaiyya
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanodi chole peechhe nanodini
aage aage nanodi chole peechhe nanodini
aur taar peechhone aami choli
aamaar peechhe shojni
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
nat mori nanadi khaayi peda nanadaiyya
nat mori nanadi khaayi peda nanadaiyya
main bechaari rabdi khaaye
main bechaari rabdi khaaye
joothha chaate sainyyaa
sarota kahaan bhool gaye
pyaare nanadaya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
nanadi mori thhaali dikhaaye chaate nanadaiyya
nanadi mori thhaali dikhaaye chaate nanadaiyya
main bechaari paan khaaun
main bechaari paan khaaun
choona chaate sainyyan
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanodi chole peechhe nanodini
aar taar peechhone aami chaale
aamaar peechhe sojni
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanadi chale peechhe nanadaiyya
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4067 | Post No. : | 15203 |
Hullo to Atuldom
Today we wish the smart handsome light-eyed actor, producer, director, screen writer and editor Rakesh Roshan on his 70th birthday with lots of health and happiness- discovered as I sat to write this that he is also a cancer conqueror. Very heart-warming to learn that.
We all know that he started at a rather young age in the film industry as an assistant to Mohan Kumar during the making of “Anjaana” due to the untimely death of his father – Roshanlal Nagrath; the music director of “Baawre Nain” fame “Roshan”. (I don’t intend to list Roshan’s albums here).
Rakesh Roshan had “Ghar Ghar Ki Kahaani” as his first release in 1970. It was a supporting role where the most popular song of the movie “sama hai suhaana suhaana” was lip synced by Jalal Agha and Rakesh Roshan and Bharathi were only part of the group that shakes a leg to the song. This movie was followed by movies like “Seema”; “Ankhon Ankhon Mein”; “Paraya Dhan”; “Man Mandir” and a host of others where mostly he was either a supporting actor. There were movies where he was the lead but the stories were mostly heroine-centric as in “Khoobsurat”; “Kaamchor”; “Bahu Ki Awaz”; “Bahurani” etc. He has had successful movies with Rishi Kapoor beginning with “Khel Khel Mein” “Jhootha Kahin Ka”; “Aap Ke Deewane” and their friendship is such that Rishi did a guest appearance in Rakesh’s directorial debut “Khudgarz”. Similarly, his friendship with Sujit Kumar, Jeetendra, Prem Chopra and the pranks that they play on each other are some of the anecdotes that each of these actors don’t tire relating. Of course, he had his share of solo hero movies where the heroines were equally important – for example “Ek Kunwari Ek Kunwara” with Leena Chandavarkar, “Nafrat” with Yogita Bali; “Humari Bahu Alka” with Bindiya Goswami; “Shubh Kaamna” with Rati Agnihotri etc.
His pairing with Rekha gave us movies like “Khoobsurat” which was followed by “Neeyat”; “Daasi”; “Jeevan Dhara”; and when he turned director Rekha got the best movie of her life (my personal feeling) “Khoon Bhari Maang” which kind of resurrected Rekha’s career. She went on to even accept the role of Hrithik’s mother in Rakesh’s directorial “Koi Mil Gaya” and also played Hrithik’s grandmother in its sequel “Krrish”. It is quite well known that Rakesh Roshan likes to name all his films with titles that begin with K. He has tasted success with all the movies he has produced beginning with “Khudgarz” in 1987.
Today we have a song from one of his initial movie “Seema” (1971) which was produced by Sohanlal Kanwar and directed by Surendra Mohan and Bharathi (of South Indian movies) was his co-star. The movie also had Kabir Bedi and Simi Garewal in the cast. The most famous song of this movie “Jab bhi yeh dil udaas hota hai” is already on the blog along with two other songs.
Here is the fourth song of the movie with Rakesh Roshan trying to woo Bharathi in a manner, which in the current times and even earlier (I suppose) would amount to eve teasing. In most of the songs of this type we see the lady smiling and falling in love with ‘the tormentor’ but not in this song. The song also shows that Rakesh or Duggu, as he is addressed by his friends, was a decent dancer and didn’t indulge in stomping of the feet, or exhibiting two left feet etc. As I was seeing the video to note the lyrics there is a point in the song where he mimics a lady and I recollected that portion of “Aap Ke Deewane” where he comes dressed as a lady teacher for Tina Munim.
“Seema” had music by Shankar Jaikishan and the movie opens with a tribute to Jaikishanji. Today’s song is written by Verma Malik and it is sung by Kishore Kumar.
Once again Happy Birthday to Rakesh Roshan.
Song-Ladki chale jab sadkon pe aaye qayaamat ladkon pe (Seema)(1971) Singer-Kishore Kumar, Lyrics-Verma Malik, MD-Shankar Jaikishan
Lyrics
ladki chale jab sadkon pe
aaye qayaamat ladkon pe ae
ladki chale jab sadkon pe
aaye qayaamat ladkon pe ae
ladki chale jab sadkon pe
aaye qayaamat ladkon pe ae
ladki ee oye
udhar gaal pe aanchal fisla
idhar kaleja haath se nikla
udhar gaal pe aanchal fisla
idhar kaleja haath se nikla
ik zaalim ki mast jawaani
dooja maar gaya hai nakhra
ho gayi ee
arre ho gayi baghaawat sadkon pe
aaye qayaamat ladkon pe ae
ladki chale jab sadkon pe
aaye qayaamat ladkon pe
kakdi ee
jisne dekha woh hi bola
dekho solah saal ka shola
jisne dekha woh hi bola
dekho solah saal ka shola
lagti hai saawan ka hindola
chalti jab kha ke hichkola
lut gayi
arre lut gayi sharaafat sadkon pe
aaye qayaamat ladko pe
ladki chalein jab sadkon pe
aaye qayaamat ladkon pe
ladki oye
li angdaayi uthth gayin baahein
thham gaye raste ruk gayih rahein
li angdaayi uthth gayih baahein
thham gaye raste ruk gayih rahein
jidhar jidhar bhi mili nigaahen
lagi kataarein daayen baayen
mach gayi
arre mach gayi hai aafat sadkon pe
aaye qayaamat ladkon pe ae
ladki chalein jab sadkon pe
aaye qayaamat ladko pe ae
ladki chalein jab sadkon pe
aaye qayaamat ladkon pe
ladki oye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4042 | Post No. : | 15167 |
“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K pictures Bombay. The movie had Sheila Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant, Jagdev etc in it.
The movie had nine songs in it. Five songs have been covered in the past.
Here is the sixth song from “Guru Ghantaal”(1956) to appear in the blog. The song is sung by Rafi and Asha Bhonsle. Khawar Zamaan is the lyricist. Music is composed by Pt Lachchiram.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
This is a superb “nok jhonk” duet which deserves to be better known among music lovers.
Song-Ham aapke hain hamse toh parda na keejiye (Guru Ghantaal)(1958) Singers- Rafi, Asha Bhonsle , Lyrics-Khawar Zamaan, MD-Pt Lachchiram
Both
Lyrics
ham aapke hain
humse toh parda naa keejiye
o o o o
aji parda naa keejiye
aji parda naa keejiye
ho
ho o o
ham rooth jaayenge
hamen chheda naa keejiye
arre waah
ho o o o
hamen chheda naa keejiye
aji chheda naa keejiye ae
ho o
ik baat meri gaur se sun leejiye huzoor
ik baat meri gaur se sun leejiye huzoor
farmaayiye farmaayiye
ho o o
farmaayiye farmaayiye
sun lenge ham zaroor
sun lenge ham zaroor
tirchhi nigaah se hamen dekha naa keejiye
dekha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae
ho o o
kya jhoothh-moothh baaten banaane se faayda
kya jhoothh-moothh baaten banane se faayda
baithhe bithhaaye hamko
ho o o
baithhe bithhaaye hamko sataane se faayda
sataane se faayda
yoon baat baat par aji roothha naa keejiye
roothha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
humen chheda naa keejiye
aji chheda naa keejiye ae
ho o o
dar hai ke zamaana kahin majboor naa kar de
dar hai ke zamaana kahin majboor naa kar de
iss pyaar ki duniya se
o o o
iss pyaar ki duniya se kahin door naa kar de
kahin doon na kar de
inn chhoti-chhoti baaton ko socha naa keejiye
socha naa keejiye
ham aapke hain
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae
ho o o
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