Archive for the ‘Kavitha Krishnamurthy Songs’ Category
Wo Ladki Hai Kahaan
Posted on: April 25, 2023
- In: "Dream of Wide Awake Eyes" | "Searching for Beloved" Song | "Searching for something" song | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Group Dance | Guest posts | Happy song | joie de vivre | Kavitha Krishnamurthy Songs | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Shaan - Kavita Krishnamurthy Duet | Shaan Songs | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5394 | Post No. : | 17699 |
It really has been a while– I do not follow the current Hindi films scene on a regular basis. I think this started in mid 1980s. One factor was that my life became quite mobile as far as my work situation was concerned. Moving to Bombay (now Mumbai) in 1987, then on to US in 1988, back in Delhi 1996, change of workplace two times, and then back again in the US in 2000. Back in Delhi 2009/10, and then more ongoing travel albeit shorter and less frequent.
There are two more factors that I can think of. My deep interest in Hindi films and film music has been with me since I was a student of 3rd/4th grade school. A big chunk of my memory is full of many items starting from that period. However, as we get on to 1980s, and beyond the mid 1980s, the flavors of music in films were changing. For good or bad, I do not make this judgment, but it became different from the likeable and favorite stock stored in me. And so the interest started to wane somewhat. 1980s was also a period of significant transition and churn in terms of the artists and persona who had molded my interest and my love for this art form. Many left us, and many others were sidelined, for reasons I once again do not want to make a judgment on. Bottom line was that the music that was being created in the industry was holding less and less attraction and interest for me.
No, this is not a blanket dismissal of everything that has happened in the industry since mid 1980s. Just that there were progressively lesser artifacts that would catch my attention, and get added to my list of favorites in the memory stores.
Another factor that started becoming more prominent in life relates to the advent of the internet in the 1990s. Being in the IT industry, we were always at the forefront of the changes that were being brought in technology. Email appeared, messaging appeared, and network connectivity in some limited manner became available. Working in IT companies, I was always connected to whatever was the extent of the online net availability. Public networks and home connectivity was still a few years ahead, but from the offices, we had the luxury of being able to access whatever online resources were available then.
I remember I was on an assignment in San Dimas, close to LA in California. While browsing the internet from my office I stumbled upon a web site that had been put up by a gentleman named Amarjeet Singh Anand, who lived in San Fernando, further south from where I was. I discovered a gold mine – songs that were heard on radio in the 60s and 70s, and then never heard of again. The recordings were very low bit rate – the networks could not support high volumes. But I latched on to this website, and my entire weekends were spent in office, dedicated to downloading everything I could. The websites were not restricted, the concept and ability to download was not well known, and the office networks also did not have any controls as yet. Once having figured out the download capability, it was a trip into a wonderland of music of the years gone by, the music that was burnt onto the hard drives in my memory.
Then started this new phase of my passion for this music. Now the trip became to collect Hindi film songs in digital form. As time progressed, more and more online resources were discovered. Also one started getting introduced to more people who were doing such collections – the network grew and so did the collections by exchange and sharing.
And so, the interest in the current Hindi cinema and its music never really took any roots inside. The search still continues. This activity brought me in contact with many more like minded collectors, archivists and film history buffs. Geet Kosh came into life and a lot changed after that. And then Atul ji stepped into my life through Atul-Song-A-Day. And of course, the things in life were never the same again.
So in the current times, viewing of films and listening to music is more as per recommendations from friends and family members. I continue to read enough news to keep abreast of the current happenings in Hindi cinema, but only rarely do I get motivated to see any films of the new crop.
But that does not mean that my contact with current cinema is zero. As I said, based on recommendations I do keep in touch. The film ‘Dil Chaahta Hai’ (2001) – I had heard good things about this film. A maiden production effort by Farhan Akhtar ; a story revolving around the lives of three very close friends, and their fortunes in personal relationships.
I was based in San Jose at that time. I think I got to see this film probably in 2003 or 2004. A junior Indian colleague at work coaxed me to see this film. He expressed surprise that I had not seen this film. He promptly made a DVD disc for me, to view at leisure.
In many ways, it was a first introduction to many an actor from the newer generation. It was the first time to find out that Farhan Akhtar is the son of Javed Akhtar (from his earlier marriage with Honey Irani). Also the first time to be introduced to the lyrics from the pen of Javed Akhtar. Also to know that the tradition of duo and trio music directors in Hindi cinema is still alive with Shankar-Ehsaan-Loy. And to be introduced to the new crop of actors – Aamir, Priety, Saif, Akshay (Khanna), Sonali et al. And to find out to my dismay that my sweet little Bobby, the heartthrob of my college days, had actually aged.
The film is about love, about different flavors of it. That different people view it differently, treat it differently, have different interpretations and expectations. The fundamental message being that each person has a different opinion of love, and it is a great fortune to meet someone who has the similar view in life. Yes, truly a great fortune. Having been fed on primarily happy ending fairy tales that I had been viewing since childhood, the mindset of the child within was that there is always a smooth ride and a happy outcome of a love story. No, not that I have not viewed films at variance with this view, but still. After a gap of having kept distance from Hindi films, ‘Dil Chahta Hai’ was a wonderful refresher course in looking at filmy love stories once again.
I liked the film at first viewing itself. And also the music and songs. A learning for me that yes, music can be refreshing coming from artists whose names I had never heard before, and names that did not inspire any confidence. And yet, this film and its music entered my list of favorites. And that too, post 2000.
Four songs of this film are already on the blog. I present today a lilting exchange between the girl-boy pair in their effort to find the perfect match in life. There is a certain old world charm and a slowly sinking in surrealism in the presentation of this song. Sameer (role played by Saif Ali Khan) and Pooja (role played by Sonali Kulkarni) are friends who go to see a film. The magic happens in the cinema hall, and we come face to face with another “dream of wide awake eyes” experience. Immersed in the music, both Sameer and Pooja fancy themselves to be the protagonists on the screen. The love song being played is “dreamed” of as being enacted by them. There is disbelief at first, which is then followed by a disarming acceptance of a shared experience that brings to surface realizations that they have probably been nurturing inside.
And the surrealism comes to a sharp pitch at the end of the song sequence, when the entire audience inside the hall joins the love birds in chorus, acknowledging the presence of an “Aha” moment amidst them. A cute presentation. The song picturization, the dress up, the dance steps all are an enlivening throwback on the earlier decades of Hindi cinema.
This song once again further emboldens the firm belief that all it takes to make love and consent appear between the supposed love birds is three minutes (in this case five), i.e. the duration of a song. All that is in doubt is set right, all that is hidden beneath surprised appearances surfaces, the smiles come on, and the hand-in-hand arms entwined happy outcome is signaled at the end of the three minutes. Well, somethings will probably never change. And thankfully so. 😀
Getting close to time out and I must pause to make this post online. The century marker trumpet is just waiting behind me to tootle the announcement of the 177th century milestone. So without much further ado, take a listen to this song and then on to the milestone.
Happy listening.
Song – Wo Ladki Hai Kahaan (Dil Chaahta Hai) (2001) Singer – Shaan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, MD – Shankar, Ehsaan, Loy
Lyrics
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
jise sirf mujhse hi pyaar ho
jo ye kehne ko bhi taiyaar ho
suno tum hi mere dildaar ho
wo ladki hai kahaan
jo tumhaare khwaabon mein hai basi
wo haseen murti pyaar ki
miliegi tumhen kabhi na kabhi
zara dekho yahan wahan
chalo dhoondhte hain hum tum kahin
wo pari wo hoor wo naazneen
jise dekho to kaho tum wahi
arey ye to hai yahaan
jaane kyon
khayaal aaya mujhe
ke wo ladki kahin tum to nahin..een
tum mein hain
wo saari khoobiyaan
hai jinko dhoondhta
main har kahin
tumhen dhokha lagta hai ho gaya
mujhe hai samajh liya jaane kya
na main hoon pari na hoon apsara
karo tum na ye gumaan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
maan lo
agar main ye kahoon
ke mere khwaabon mein
tum hi to ho..oo..oo
jaan lo
mera armaan hai
ke mere saath hi
ab tum raho..oo..oo
mujhe tumne kya ye samjha diya
mere dil ko kaise dadhka diya
mere tan badan ko pighla diya
wo sunaai daastaan..aan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
जिसे सिर्फ मुझसे ही प्यार हो
जो ये कहने को भी तैयार हो
सुनो तुम ही मेरे दिलदार हो
वो लड़की है कहाँ
जो तुम्हारे ख्वाबों में है बसी
वो हसीन मूर्ति प्यार की
मिलेगी तुम्हें कभी ना कभी
ज़रा देखो यहाँ वहाँ
चलो ढूंढते हैं हम तुम कहीं
वो परी वो हूर वो नाज़नीं
जिसे देखो तो कहो तुम वही
अरे ये तो है यहाँ
जाने क्यों
खयाल आया मुझे
के वो लड़की कहीं तुम तो नहीं॰॰ईं
तुम में हैं
वो सारी खूबियाँ
है जिनको ढूँढता
मैं हर कहीं
तुम्हें धोखा लगता है हो गया
मुझे है समझ लिया जाने क्या
ना मैं हूँ परी ना हूँ अप्सरा
करो तुम ना ये गुमाँ
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
मान लो
अगर मैं ये कहूँ
के मेरे ख्वाबों में
तुम ही तो हो॰॰ओ॰॰ओ
जान लो
ये मेरा अरमान है
के मेरे साथ ही
अब तुम रहो॰॰ओ॰॰ओ
मुझे तुमने क्या ये समझा दिया
मेरे दिल को कैसे धड़का दिया
मेरे तन बदन को पिघला दिया
वो सुनाई दास्तान॰॰आं
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
- In: Duet | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Multi Version Song | Multiple version song | Pankaj Udhas Solo Song | Pankaj Udhas Song | Pankaj Udhas-Kavita Krishamurthy duet | Post by Avinash Scrapwala | Songs of 1990s (1991 to 2000) | Songs of 1995 | Theme song | Title song | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5328 | Post No. : | 17469 | Movie Count : |
4700 |
#the Decade of Nineties – 1991 – 2000 #
————————————————————————
(A tribute to Composer Khayyam Saab on his birth anniversary)
————————————————————————
Today 18th February 2023 is the Ninety-sixth birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab. Had he been alive, he would have turned ninety-six years old today.
He was born on 18.02.1927 and he passed away on 19.08.2019.
As a tribute to him today I am presenting his song composition from the movie “Mohabbaton Kaa Safar-1995”.
‘Mohabbaton Kaa Safar-1995’ was directed by Mohammad Salahuddin Parvez for ‘Al Salam International Productions’. Mohammad Salahuddin Parvez was also the producer of this movie and he also wrote all the songs in this movie.
The star cast of this movie included Imran Khan, Shanti Priya, Aruna Irani, Raza Murad, Arjun, Amrish Puri, Mehmood and others.
Upasna Singh had a guest appearance in this movie.
This movie has as many as twelve songs. Out of these twelve songs Khayyam had composed eleven songs. (The composer for the remaining one song is not known).
Pankaj Udhas, Suresh Wadkar, Kavita Krishnamurty, Udit Narayan, Jagjit Kaur, Jayaprada and Amrish Puri had given their voices to the songs in this movie.
As mentioned in Hindi Filmography Vol-I (1986-2000) this movie was passed by Censor Board on 18.10.1995.
This movie, even though a recent release by the standards of the blog, seems to be an obscure movie of its time. I could not find videos of the songs of this movie or even the audio’s individual songs of this movie except a duet song and a complete ‘jukebox’ of the audio songs is available. (A partial video of this movie is available on internet but it seems to be copied one and it is not much clear).
Today we listen to a song from this movie which is a multiple version song having a duet, a male version and a female version.
It is sung by Pankaj Udhas and Kavita Krishnamurty. Lyrics are by Mohammad Salahuddin Parvez and music is composed by Khayyam Saab.
From the partial video of the movie available on internet it can be easily guessed that on the screen this song is performed by the actor Imran Khan and actress Shantipriya.
This song is a beautiful composition to listen to and it grows upon us if we listen to it a few times. It takes us to an altogether different world of its own.
With this song the movie ‘Mohabbaton Kaa Safar-1995’ makes its debut on the blog today.
Our tributes to Khayyam Saab on his birth anniversary today!!!
Let us now listen to the song …
Duet version
Female solo version
Male solo version
Song-Muhabbaton ka safar hai hamaare saath chalo (Mohabbaton Ka Safar)(1995) Singers-Pankaj Udhas, Kavita Krishnamurthy, Lyrics-Salahuddin Parvez, MD-Khayyam
Both
Lyrics
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
fazaa mein aaj khumaari si
mujhko lagti hai ae
fazaa mein aaj khumaari ee si
mujhko lagti hai ae
ke meri saans bahot tez tez
chalti hai ae
ajab nashe ka asar hai
hamaare saath chalo
ye kaisaa dard e jigar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
qaraar deke naa
waapas qaraar le lenaa aa
qaraar deke naa
waapas qaraar le lenaa aa
naa umr bhar ka mujhe
intezaar de denaa aa
ke dil mein halkaa saa dar hai
hamaare saath chalo
ye dil tumhaara hi ghar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
jo lenaa chaaho to
sabr o qaraar le lenaa aa
jo lenaa chaaho to
sabr o qaraar le lenaa aa
magar jawaab mein
thhodaa sa pyaar de denaa aa aa
tumhaare dar pe ye sar hai
hamaare saath chalo o
tumhaari paak nazar hai
hamaare saath chalo o
muhabbaton ka safar hai
hamaare saath chalo o
tumhaare husn ke jalwaon se
jo chamaktaa hai ae
tumhaare husn ke jalwaon se
jo chamaktaa hai ae
hamaara ghar jo ghataaon mein bhi
damaktaa hai ae ae
wo aasmaan se udhar hai
hamaare saath chalo
wo aasmaan se udhar hai
hamaare saath chalo o
hamaaraa chaand nagar hai
hamaare saath chalo o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
muhabbaton ka safar hai
hamaare saath chalo o
————————————-
(Female version)
————————————-
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
fazaa mein aaj khumaari si
mujhko lagti hai ae
fazaa mein aaj khumaari ee si
mujhko lagti hai ae
ke meri saans bahot tez tez
chalti hai ae ae ae
ajab nashe ka asar hai
hamaare saath chalo
ajab nashe ka asar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
qaraar deke naa
waapas qaraar le lenaa aa
qaraar deke naa
waapas qaraar le lenaa aa
naa umr bhar ka mujhe
intezaar de denaa aa aa
ke dil mein halkaa saa dar hai
hamaare saath chalo
ke dil mein halkaa saa dar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
jo shaam aayi to
kuchh dard bhi pighalne lagey ae
jo shaam aayi to
kuchh dard bhi pighalne lagey ae
ke mausam e dil o jaan mein
charaagh jalne lagey ae ae ae
ab aanewaali sahar hai
hamaare saath chalo
ab aanewaali sahar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
khayaalon khwaab ke
phoolon se jo basaaya hai
khayaalon khwaab ke
phoolon se jo basaaya hai
ufaq ke paar
sitaaron se jo sayaaya hai
hamaara chaand nagar hai
hamaare saath chalo
hamaara chaand nagar hai
hamaare saath chalo
hamaara chaand nagar hai
hamaare saath chalo o o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
——————————-
(Male version)
——————————-
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
kitaab ban ke main seene se
liptaa rehtaa hoon
kitaab ban ke main seene se
liptaa rehtaa hoon
main mehndiyon mein tumhaari
mehaktaa rehtaa hoon
ajab suhaana asar hai
hamaare saath chalo o
ajab suhaana asar hai
hamaare saath chalo o
muhabbaton ka safar hai
hamaare saath chalo o
gulaab chehre ko
apne jo tum jhukaati ho o
gulaab chehre ko
apne jo tum jhukaati ho o
sitaare honthhon pe
kitne mere sajaati ho o
ye bekhudi ke lehar hai
hamaare saath chalo
ye bekhudi ke lehar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
jo lenaa chaaho to
sabr o qaraar le lenaa aa
jo lenaa chaaho to
sabr o qaraar le lenaa aa
magar jawaab mein
thhodaa sa pyaar de denaa aa aa
tumhaare dar pe ye sar hai
hamaare saath chalo o
tumhaare dar pe ye sar hai
hamaare saath chalo o
muhabbaton ka safar hai
hamaare saath chalo o
tumhaare husn ke jalwon se
jo chamaktaa hai ae
tumhaare husn ke jalwon se
jo chamaktaa hai ae
hamaara ghar jo ghataaon mein bhi
damaktaa hai ae ae
wo aasmaan se udhar hai
hamaare saath chalo
wo aasmaan se udhar hai
hamaare saath chalo o
wo aasmaan se udhar hai
hamaare saath chalo o o
haseen raahguzar hai
hamaare saath chalo
haseen raahguzar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo
muhabbaton ka safar hai
hamaare saath chalo o
Kaahe ko byaahi bides
Posted on: January 25, 2023
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5304 | Post No. : | 17380 |
Hullo Atuldom
Kaahe ko byaahi bides posted on 30 march 2014 is a post where I had thanked all the lyrics writers of film songs for highlighting emotions of human beings and particularly women. I had said “WOW” to writers who cared for feelings of the Female of the human species. Specially the feelings at the time of “Bidaai” after the wedding rituals.
In that post I had also mentioned that songs with the heading/ title “Kaahe ko byaahi bides” has appeared twice on the blog until that date -30/03/2014. It is nearly 9 years since and fresh reviewing shows that we have the following songs posted with the said title
| Song | Movie (Year) | Date of post | Remarks |
|---|---|---|---|
| Lakhi baabul mere kaaahe ko deenhi bides | Suhaagraat (1948) | 7 December 2011 | Credited to Amir Khusro |
| Kaaahe ko byaahi bides | Heer Ranjha (1948) | 8 December 2011 | |
| Kaahe ko byaahi bides | Nadirshah (1968) | 25 February 2013 | |
| kaahe ko byaahi bides | Aadha Din Aadhi Raat (1977) | 30 March 2014 | |
| Kaahe ko byaahi bades | Jailor (1938) | 7 August 2018 | (post by Arunji) |
| Kaahe ko byaahi bides re lakhi baabul morey | Jhankaar(1942) | 24 February 2020 | (post by Arunji & credited to Amir Khusro.) |
| Kaahe ko byaahi bides | Umraao Jaan (1981) | 4 March 2022 | (credited to Amir Khusro) |
As can be seen from the above we have seven versions of “Kaahe ko byaahi bides” of which ‘suhaagraat”(1948) “Umrao Jaan” (1981) & ” Jhankaar” (1942) give credit to Amir Khusro for the song. One version each have been credited to Wali Sahab, Kamal Amrohi, Majrooh Sultanpuri & Anand Bakshi. Another interesting result of this review- two of the posts are exhaustive, highly informative writeups by our in-house encyclopaedia Shri Arunkumar Deshmukhji.
This is what he has said in his post dated 07/08/2018 about the use of this song in films :-
Today’s song is “Kaahe Ko Byaahi Bides”. This is a famous song by Amir Khusro. This has been used in several films like, Jhankaar-42, Heer Ranjha-48, Nadir Shah-68, Suhag Raat-48, Maang Bharo Sajna-80 and Umrao Jaan-2009, in addition to today’s song from film Jailor-38. It is also sung as a NFS by many famous singers. Mostly in films, the original song is mixed with some new lyrics and the credit is given to film’s lyricist. In film Jailor-38 too, the lyricist’s name is given as Kamal Amrohi.
All of what I have written above will make readers wonder where I am getting.
Of course I am presenting another version with this post. It is in the voice of Kavita Krishnamurthy, written by Anand Bakshi and tuned by Laxmi-Pyare. It is from the 1980 release “Maang Bharo Sajna” which was directed by T. Rama Rao and produced by A. Poornachandra Rao.
It had Rekha- Moushumi Chatterjee – Jeetendra heading a cast which also had Kajal Kiran, Asrani, Om Shivpuri, Parveen Paul, Yunus Parvez, Mohan Choti etc. The plot was essentially, an oft-repeated, melodrama where the hero falls in love & marries one heroine but has to, later, marry the other heroine who may have been selected by his family. At the time of the second marriage, the hero may believe that the first wife is dead or lost to him (as the case maybe) thus making the second marriage valid. Then the first wife will make a reappearance and then the complications will begin, leading to everyone being ready to sacrifice their love. Matters will get more interesting (for the audience) if the heroines are friends and infants are also present, then the climax will have one lady dying so that the other one live the rest of her life peacefully. This was the outline of most triangular love-stories, but was a hit-formula adopted by filmmakers to fill their coffers.
Today’s song comes at the close of the movie where we have a dying Rekha being accepted by Moushumi Chatterjee as her husband’s first wife. She instructs her husband to fill Rekha’s ‘Maang’ with Sindoor.
With this post we wish Kavita Krishnamurthy on turning a year older. This was one of her first recording for Hindi films. Of course, she had recorded ‘aayega aayega… aayega aanewaala” under Vilayat Khan’s music direction for “Kaadambari” (1975) and here is the post to that song as written by Sudhirji in his series “Songs Repeated In Hindi Films”.
That makes the song from “Kaadambari” her debut in Hindi films, which was followed by a song in Kannada under Bhaskar Chandavarkar’s music direction. Today’s song from “Maang Bharo Sajna” happened to be her first in the 1980s; however songs from “Pyar Jhukta Nahin” (1985) got her recognition; though there were other films between 1980 & 1985 were Kavita Krishnamurthy had sung songs most of which under Laxmi-Pyare’s music direction.
I had a very sweet experience last weekend. I got an opportunity to wish today’s birthday girl on the occasion of Sankranti. I interacted with her for a few minutes, wished her etc. She was gracious enough to let me click pictures with her. She told me that Bangalore is, now her favourite city, when I told her that I had met her once before too, on a flight from Bangalore to Mumbai.
Here is the song.
Song-Kaahe ko byaahi bides (Maang Bharo Sajna)(1980) Singer-Kavita Krishnamurthy, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
kaahe ko byaahi bides
lakhi baabul more
kaahe ko byaahi bides
paak bhara maine gudiyon ka chhoda
paak bhara maine gudiyon ka chhoda
chhoda saheliyon ka saath
lakhi baabul more
kaahe ko byaahi
kaahe ko byaahi bides
kaahe ko byaahi bides re
lakhi baabul more
kaahe ko byaahi bides
hum tore baabul chaube ki chidiya
hum tore baabul chaube ki chidiya
rain base ud jaaye re
lakhi baabul more
kaahe ko byaahi bides
bhaiyon ko dene mahle do-mahle
bhaiyon ko dene mahle do-mahle
humko diya pardes re
lakhi baabul more
kaahe ko byaahi bides
kaahe ko byaahi bides re
lakhi baabul more
kaahe ko byaahi bides
kaahe ko byaahi bides
kaahe ko byaahi bides
Ghar Jaanam, Ghar Jaanam
Posted on: June 5, 2022
- In: "Fantasy" song | Children's song | Fun lyrics song | fun timepass song | Guest posts | Kavitha Krishnamurthy Songs | Post by Avinash Scrapwala | Shailendra Singh songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1991 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5070 | Post No. : | 16991 |
In one of my earlier articles here, I had mentioned that the month of June is one of my most favorite months. There are several important days in this month and different anniversaries of our close ones too (including me 🙂 ).
Today 5th June is one such important day. It is the ‘World Environment Day’ today.
Here again I will repeat what I have mentioned in my post for the short song “Ye Hanste Huye Phool, Ye Mehka Hua Gulshan” from film ‘Pyaasa’ (1957) written for ‘Environment Day – 2017’ and posted on the blog on 08.06.2017 (instead of 05.06.2017).
I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature.
Well, for today I would like to make a little correction in the above lines. That year 2017 the theme of the ‘WED (World Environment Day) was ‘Connecting with Nature’ and I had tried to connect the same with the songs, lyrics and music of our Hindi movies.
This year ‘2022’ the theme of the ‘WED’ is “Only One Earth – Living Sustainably in Harmony with Nature”. So I would like to add here that I am thinking of those Hindi Films which carried a ‘message’ related to environment and our planet ‘the earth’. And since this is the blog of songs we need a song to connect this celebration today.
The movie of today ‘Aasmaan Se Gira’ (1991) has a message for all of us in its climax. Today’s song, though doesn’t exactly match the theme of today, it connects to the ‘philosophy of life’ and alerts us that ultimately our destination is ‘one’ and we have leave everything here. So let us leave everything in a good shape, better prospects, and in compassion to the humanity and nature. Leave the ‘shad-ripus’ (kaam, krodh, lobh, moh, mad, matsar) to attain ‘moksh’. I have listened and watch this song several times and it is an enlightening song woven in comical situation in the movie. The movie also needs to be watched even though it’s a movie for children.
In today’s post I am not going into the details of this movie which I had mentioned in my earlier article with other song of this movie earlier on the blog – “Ghar Jaana Hai Mujhe, Ghar Jaana Hai“. A brief about this movie is given below.
A young prince is being trained for a time when he will grow up to become king. The lonely boy is frustrated at being kept secluded while being taught the art of statesmanship by great scholars. One day while frustrated he is crying for help ‘a strange little man’ arrives in his room.
This ‘little man’ is from another planet. His name is Trishanku. Trishanku was travelling to attend the wedding of his friend, but since the ‘rays of sorrow’ from the little prince caught him on the way he lands there to help the little prince.
The prince and Trishanku exchange views about their own worlds. Trishankhu is homesick and wishes to return back to his planet. He has his three friends from his planet who had earlier lost their way after coming to earth and then stayed back on the planet earth thereafter. Each one of the three knows the ‘part of the mantra’ that will allow Trishanku to go back to his home planet.
The two-escape trying to find ways for Trishankhu to go back. On their journey they develop a deep bonding and it is hard for Trishankhu to let go.
When Trishanku meets each of his three friends, each one gives him one part of the mantra which is presented in the form of a song and that is our song for today. It is picturised in three parts on Anil Kapoor, Sheeba, Sridevi, and Anupam Kher. The forth part of the song is picturised on Trishanku i.e. Raghuveer Yadav who is singing it at the ‘Jantar Mantar’ from where he is supposed to find his way to his planet after singing the ‘mantras’. In all the four parts of the song the little prince i.e. Master Abhishek is present in the picturisation of this song.
Finally Trishanku lands on his planet and he enters the ‘darbaar’ of his master (God of Outer Planet) i.e. ‘Baadshaah-e-Kahkashaan’ played by Amjad Khan. And, there we have the following conversation between ‘Baadshaah-e-Kahkashaan’ and Trishanku, where the master has a message for all on this ‘Planet – The Earth’.
Trishanku – takai t takai t takai t … main aa gaya ‘baadshaah-e-kahkashaan’,
andar aane ki ijaazat hai?Baadshaah – aao … der lagaa di tumne, chuk gaye shaadi, yaad karte rahe sab
Trishanku – main kya karta, ve tinon itni door door thhe ek yahaan, doosra
wahaan , teesra jaane kahaan, badi mushqil huyiBaadshaah – kya dekha tinon ne, pataa nahin … nahin laute… manaa kiya maine,
nahin maane
moorkh
bewaqoof
prithvi ke log
nahin samajhte
itni achchhi prithvi achaanak nahin bani… mehnat lagi.. koshish..
tum to thhe… yaad hain?Trishanku – haan yaad hain
Baadshaah – barbaad kar diya prithvi ko… tahas nahas… jung golaa barood
hathiyaar ladaayi … ped tod todkar nangaa kar diya prithvi ko
paani mein zehar … hawaa mein zehar …
mutthibhar log, hukumat karte karodon par
anaaj hain, bhookhe rehte hain laakhon… anaaj bechkar hathiyaar
kharidte hain
moorkh! moorkh!! moorkh!!!Trishanku theek kehte hain …lekin sabhi wahaan aise nahin hai …ek bachchaa hai
kautuk …main uski madad karna chaahtaa hoonBaadshaah nahin, nahin, nahin, hamaara kaanoon hai, rishta mat banana
prithvi ke logon ke saath… madad mat karna un murkhon ki
koshish ki thhi pehle kabhi, gayi bekaar… bhool jaao…bhool jaao oTrishanku – theek hai prithviwaale dusht hain, lobhi hain, moorkh hain …ek doosre ka khoon choosnewaale hain, ek jhande ke pichhe aapas mein lad mar jaate hain, anaaj bechkar hathiyaar kharidte hain, lekin sabhi aise nahin hain..kautuk jaise log bhi hai wahaan, usne yahaan aane mein meri madad ki … main bhi uski madad karna chaahta haoon…
(After this Trishanku tells Baadshaah how good and friendly Kautuk is and what consequences he may be facing after being alone now.)
Kautuk wants to play , wants to fly kite, wants to eat mango.. but Maasheela is such a cruel queen who has prohibited everything for Kautuk and he cannot even go out of his palace… saying this Trishanku breaks into tears and Baadshaah surprisingly asks him what is flowing from his eyes and why. Trishanku explains him that this is the ‘gift’ he got from the ‘people of prithvi’.
Baadshaah orders to bring Maasheela to his darbaar. And when Maasheela (Kalpana Aiyer) threatens Baadshaah of his life, the Baadshaah wants to kill her but Kautuk intervene and request Baadshaah to forgive her and he begs him for her life.
Trishanku – dekha kitne zulm kiye hain is aurat ne is par, phir bhi ye uske praanon ki bheekh maang rahaa hai…ise kehte hain kshamaa, prem, kautuk jaise aur bhi log hain prithvi par, jab tak aise log hain hamen prithvi se naa-umeed nahin hona chahiye
(Maasheela hugs kautuk and is emotional. She asks kautuk to forgive her misdeeds. She showers her love on kautuk.)
This incident brings tears to the Baadshaah and he forgives all and with the following message…
jaao kautuk jaao… jab tak tum jaise log prithvi par rahenge …prithvi rahegi
jaao aur apne duniya ke logon ko samjhaa do…
aapsi prem khatm ho jaayega kuchh nahin bachega sab kuchh khatm ho jaayegaaKautuk returns to prithvi after taking a promise from Trishanku to visit him on his birthday every year.
This heart-warming film by popular TV and film director Pankaj Parashar stars a galaxy of Bollywood stars in guest appearances including Sridevi, Amjad Khan, Anil Kapoor and Anupam Kher.
Before we enjoy today’s entertaining song I just wish that may there be many such movies and may such songs which I can present for occasions like today. We need to have more movies to bring the awareness on issues of environment and pollution.
Yesterday, it was there in the news that people are throwing dead animals into canals… Many must have seen the dumping sites where every day garbage heap is dumped and which are slowly turning into big mountains …
And last but not the least … keep watching children’s movies in between … not necessary that all children’s movies are for children only. People can learn a lot from them.
Also I would like to request the film-makers that ‘meaningful movies’ on the issues around us can be made for adult audiences too and they should not limit this for the children only.
It is good to see that in recent years there have been movies coming on ‘environmental issues’ too. We will keep presenting songs from such movies in the future on the blog.
Song – Ghar Jaanam, Ghar Jaanam (Aasmaan Se Gira) (1991) Singer – Shailendra Singh, Suresh Wadkar, Kavita Krishnamurthy, Raghuveer Yadav, Master Abhishek, Lyrics – Kamlesh Pandey, MD – Louis Banks
Lyrics
Part 1
Shailendra Singh, Suresh Wadkar, Both
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
tum sar sar sar
tum tum sar sar
sar sar tum tum
tumsar tumsar
sarvas tyaagam
ghar jaanam
sarvas tyaagam
ghar jaanam
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
——————————————————————–
Part 2
Suresh Wadkar, Kavita Krishnamurthy, Both
saans baansuri
sari sari dha dhadkan
dha dha dhina dha
saans baansuri
sari sari dha dhadkan
dha dha dhin dha
dha
tirkit dhoom tirkit dhoom dha dha
tirkit dhoom tirkit dhoom dha dha
[classical notations not deciphered]
dha tir dha tir dha dha
taa tir taa tir dha dha
dha tir kit dha dha
taa tir kit dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam …
——————————————————————
Part 3
Anupam Kher, Suresh Wadkar, Chorus
Anupam Kher + Suresh Wadkar
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
hmm hmm hmm
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
hi hi hi hi
chaadar maili
chalo utaaram
ghar jaanam
chaadar maili
chalo utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
maya utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
————————————————————————
Part 4
Suresh Wadkar, Chorus
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
om ghar jaanam
prithvi tyaagam
dhobi aaya
kapde laaya
mail utaaram
ghar jaanam
om ghar jaanam
prithvi tyaagam
om ghar jaanam
Hamaari hi mutthi mein aakaash saara
Posted on: May 1, 2022
- In: Guest posts | Inspirational song | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Manna Dey solo | Manna Dey songs | Motivational song | Multi Version Song | Multiple version song | Post by Avinash Scrapwala | Songs of 1990s (1991 to 2000) | Songs of 1991 | Yearwise breakup of songs
- 9 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5035 | Post No. : | 16946 |
Today 1st May’2022 is the one hundred and third birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013). As a tribute to him, I am presenting a motivational song sung by him from the movie ‘Prahaar-1991’.
‘PRAHAAR: The Final Attack’ was a film Produced by Sudhakar Bokade and Directed by Nana Patekar. The star cast includes Nana Patekar, Dimple Kapadia, Madhuri Dixit, and Gautam Joglekar who played the second lead with Madhuri Dixit. Prominent Stage artist Shri.Habib Tanvir played the role of Gautam’s father.
The film was produced under the banner of ‘Divya Films combine’. Its cinematography was done by Debu Deodhar.
‘Prahaar’ had as many as three songs, and the one under discussion today has three versions sung two by Manna Dey (happy and sad) and one by Kavita Krishnamurthy. The lyrics are written by Mangesh Kulkarni, and music is scored by Laxmikant–Pyarelal.
I had watched this movie during my stay at Kota (Rajasthan) and I liked it very much. I watched this movie at least three-four times.
The movie highlights many issues within our society and for me this is one of the bests movies of Hindi Cinema. I will not go into the details of the story of the movie as it is better to watch and feel than to read about this movie. I wish that this film should be watched by everyone in India and introspect ourselves and our surroundings and the happenings around us… for a better India.
All the actors and actresses acting in the movie have delivered a power packed performance.
A detailed article about this movie has been written by our Respected Shri Sadanand ji while presenting the song Dhadkan zara ruk gayee hai.
Today’s song has three versions and all of them are being presented here. This song is sung by Manna Dey and Kavita Krishnamurthy. The highly motivational lyrics are by Mangesh Kulkarni, and the divine music is given by Laxmikant-Pyarelal.
Let us listen to this wonderful song …
Male version (normal)-Audio
Male version (Slow)-Audio
Female version (normal)-Audio
Male versio video (Partial)
Song-Hamaari hi mutthi mein aakaash saara (Prahaar)(1991) Singer-Manna Dey/ Kavita Krishnamoorthy, Lyrics-Mangesh Kulkarni, MD-Laxmikant Pyarelal
chorus
Lyrics
———————-
Male version (Normal)/ Female version (similar except last humming stanza)
———————-
Hmm hmm hmm
Hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Suljhaane unko naa
Aayegaa koyi
Samajhnaa hai unko
Ye apanaa karam hai
Hmm hmm hmm hmm
Aa aa aa aa
Apne karam se
Dikhaanaa hai sab ko
Khud kaa panapanaa,
Ubharnaa hai khud ko
Hmm hmm hmm hmm
Andheraa mitaaye jo nanhaa sharaaraa
Hmm hmm hmm hmm
Dishaa jis se pehchaane
Hmm hmm hmm hmm
Sansaar saaraa
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa
Jo bhi saath aaye
Unhein saath le len
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa
Aa aa aa aa
—————————-
Male version(Slow version)
—————————-
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa
Jo bhi saath aaye
Unhein saath le le
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Aa aa aa aa
Ishq binaa kya marna yaaron
Posted on: January 25, 2022
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4939 | Post No. : | 16791 |
A. R. Rehman – The musician of 21st century – 2
————————————————————–
64th Birthday of Kavita Krishnamurthy
——————————————————————
Once upon a time, in our office, the crowd was more interfering in each other’s lives. There would be judgmental comments about each other, if someone works very hard, there was gossip about them. If someone is not very hard working there would be gossip and snide comments about them. 90’s and early 2000’s was a time when all had more time to bother about other people. Interference is one way to look at it. We were in one corner of Mumbai, and there were very few people who travelled long distances to arrive, and most of us were from nearby areas. There was less of anonymity or disregard of big city atmosphere. Come to think of it, most of us used to think of the office as a second home. As the working day would be full of work, talking to people and friends. We were more open to all sort of talk, discussions and even gossip. The office building would be like a small village, where everyone knew everything about everyone. That was an atmosphere, where, every new day was a new beginning. And come weekend, we would be full of plans for the next week. On Monday, we will do this or start on that work.
I don’t know, it feels as if things have gradually changed over the decades. Now every Friday, most of us actually feel joy that there will be no office for 2 days. Long weekend is more joyous, we all wish each other happy weekend. Whereas earlier it was, ‘see you on Monday’.
There was no A.C. in the office, nor fancy blinds or fancy name plates on the cabins, not much eating out and very few snack parties. But those were the happier days. Today, I have more money to spend, more authority to assert, freer to shop what ever the sales persons bring to sell, more snacks and lunch to order from outside eateries, as the office canteen is still is very bad. But the comradery of old days is absent. For sure, not all is ingenuine, but still the happiness quotient is gone. Or maybe I am simply bored.
Yeah, change is a part of life. Colleagues and friends of the older generation have all retired. Some of the dear friends have moved away, or transferred to different places. One corner of Mumbai has begun to feel and behave like a city. I am ready to admit, that I may have also changed. As we mature, it brings a certain discretion, in how we deal with new people. What was working and meeting with other people, has now become more of a dealing with people. Or having learnt from so many experiences, I have learnt to have superficial contact with people. I thought being superficial is just not my nature. But recently, I am introspecting, that maybe I have become like everyone else. Not a good sight.
I have seen some people in my life, and every time I have resolved, never to be like them. Some times we encounter people with really ugly mindset. I have a friend, who would always be looking for excuses, why certain person behaves like that, or has such type of manner. For a longish time, I also tried to look the other way, whenever such ugliness showed its face. I became so adept at ignoring things, that it would take a new person coming into the set up and that person would show me with examples, that such and such things are happening and I am not even aware. So, this was actually a sort of tuning out, from the atmosphere, so the bad things are totally ignored.
The reason I went into the flashback and into those good old days is the song from the film ‘Taal’. In early 2000’s we used to have lot of extra curricular activities in the office. One of the favourite events was ‘antakshari’. In one of those competitions, I had my friend as my partner. This one was a serious competition, very serious with all the contestants very keen to win. The hosts had done lot of hard work, to prepare for the tough rounds. One such tough rounds were picking up chits of a set of words, and recognize the song, which I found to be very easy. We did very well in that round. We did well in the round for recognizing the mukhda from the stanza also. Then there was the round of ‘dumb-charade’ where the chit was for movie name. My partner, picked up the chit and it was ‘Taal’. She made the suitable ‘Taal’ action and I knew the name. But unfortunately, I could not sing any song, none would come to mind. Both me and my friend were repeating ‘taal se taal milaa’, but that is not mukhda. So, we lost those crucial points, despite recognizing so many of the songs in stanza/mukhda round and the ‘set of word’ round, we finished second.
The movie ‘Taal’ was produced and directed by Subhash Ghai, who celebrated his birthday on 24/01/2022. Now it is the birthday of Kavita krishnamurthy today, so the second version is by Kavita Krishnamurthy and Sukhwendra Singh with Chorus. First version is actually a group song, which has Sonu Nigam with ARR, Anuradha Sriram, and Sujata Mohan. This song has long been in the list of Sonu Nigam songs, which I want to post. No better occasion, then Kavita Krishnamurthy’s birthday and post no. two of series on ARR. The Kavita Krishnamurthy version is listed as a separate song actually, but the same mukhda of first version is part of this song too, so it is a version song. The songs are picturized on Aishwarya Rai, Anil Kapoor and Akshaye Khanna.
Those were cable TV days, so I have seen this movie on cable TV. Some Sundays were spent watching movies on cable TV, 2-5 and then 6-9 shows. They would show the newer movies at 11-2 also sometimes. Like all Subash Ghai movies, this was also a musical, teaming up with ARR for the first time, who teamed up with Anand Bakshi as lyricist for the first time. I find this score of a purely hindi film much more attractive then, the dubbed songs in Mani Ratnam films.
More on ARR in coming posts, so we can listen to this wonderful sufiana/situational song.
Part I Audio:
Part – I video:
Part – II video
Song-Ishq bina kya marna yaaron (Taal)(1999) Singers-Sonu Nigam, A R Rahman, Anuradha Sriram, Sujata Mohan/ Kavita Krishnamurthy, Sukhwinder Singh, Lyrics-Anand Bakshi, MD-A R Rahman
Lyrics
———————-
Part I
———————-
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq a….
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq a….
Ooo oooo
Oooo ooooo
Ooooo oooo
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
ek nahin sau
baatien kar lo
sau baaton ka
ek matlab hai ea
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
ho oo oooo
oooo ooooo
ho ooo oooooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
(Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa)
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Ishq hai kya
Yeh kis ko pataa
Yeh ishq hai kyaa aaa
Sab ko pataa aa
Yeh prem nagar
Anjaan dagar
Saajan ka ghar
Kya hai kis ko khabar
Chhotti si umar
Yeh lamba safar
Yeh ishq hai kya
Yeh kis ko pataa aa
Yeh dard hai ya
Dardon ki dawaa
Yeh koyi sanam
Ya aap khudaa
Yeh koyi sanam
Ya
aap khudaa
aap khudaa aaa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Tum ne ishq ka naam sunaa hai ea
Ham ne ishq kiya hai ea
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Ooo oooo
Oooo ooooo
Ooooo oooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ooo oooo
Ishq ishq
Oooo ooooo
Ishq ishq
Ooooo oooo
Ishq ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
———————————
Part II
———————————
Kisi ko ishq ke ea
Waade ea
Kahin tum tod aaye hain
Magar yeh dil
Yeh jaan
Shayad wahin een ham
Chhod aaye hain ean
Ishq binaa aaa
Ishq binaa aaa aaaa
Aaaa aaa
Ishq binaa kya jeena yaaran
Ishq binaa kya marna
Aa aaaa
Ishq
Ishq
Ishq
Gud se meethha
Imli se khatta
Ishq
Waada yeh pakka
Ishq
Dhaaga yeh kachchaa
Ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye
hain
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye hain ea
raste mein dariyaa hai koyi ee
raste mein ea
dariyaa hai koyi ee
iss mein saare ea
doob gaye ea hain en
har sach se sachcha
har jhoot se jhoota aa
waada yeh pakka aa
dhaaga yeh kachchaa
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa main
oo oo
ishq binaa wo
oo oo
ishq binaa aa
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Mansi…
I love you mansi
I love you
Aaa aaaaaaaa
Aaaaaaaa
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
Ang Ang Mein Chhand Basey Hain
Posted on: January 10, 2022
- In: Dance song | Duet | Feelings of heart | Guest posts | Kavitha Krishnamurthy Songs | Lyrics by Sudhir | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs | Yesudas - Kavitha Krishnamurthy Duet | Yesudas song
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4924 | Post No. : | 16761 | Movie Count : |
4561 |
Hullo Atuldom
KJ Yesudas – the bridge between South Indian and North Indian songs. Classical – both Carnatic and Hindustani, Light Music, Bhajan, and film music have been enriched by this maestro who turns a year older, today the 10th of January. Some people are omnipresent in our lives – Yesudas is one of them. We have grown up hearing him sing “Gori Tera Gaaon Bada Pyaara“, “Kaa Karoon Sajani Aaye Na Baalam“, “Dil Ke Tukde Tukde Karke Muskura Ke Chal Diye“, “Koi Gaata Main So Jaata” and numerous other songs. And for his fans who also understand other languages “Mayechi Sauli” from ‘Nanand Bhavajay’ (1991), and a few songs in Bengali, Oriya, and a few international languages too. I am not listing his songs from South Indian films that will be on the personal playlists of his fans.
I cannot forget that it was Yesudas’s voice that made me (a certified Bollywood addict) appreciate some Krishna bhajans “Krishna Ne Begane Baaro” (for one) and the lori (lullaby) that is played in the Sabarimala Temple before the temple closes for the day “Harivarasanam” (a video that was uploaded five years back) (original recording). I am sure there will be followers of the blog who will be able to give us a list of their favourite bhajans that were rendered by the legend KJ Yesudas.
In my honest opinion he is a fit recipient of the Padma Awards- Padma Shri in 1975, Padma Bhushan in 2002, and Padma Vibhushan in 2017. Additionally he has won eight National awards for Best singer and numerous State Awards and Filmfare Awards. It is a measure of his stature that Swaralaya award for music artistes in recognition of their outstanding performance is named ‘Swaralaya Yesudas Award”- this award is instituted by a Kerala entertainment channel and Swaralaya an organisation that promotes music. I can go on and on about all the awards that he has been bestowed upon.
As I set out to write this post I had a feeling that we may have run out songs by Dasettan (as he is addressed by his Malayalee fans) I find that we have only 62 songs from Hindi films on the blog, so that means we have a long way to go.
Today we are going to hear a song from ‘Maha Shaktimaan’ (1985). I don’t recall anything about this movie even if it is a release of the ’80s, other than the ‘non-ear non-eye’ friendly Asha Bhonsle song ‘Mamalu Mamalu’ (this also I recalled when I googled for songs of this film). But thankfully there is a better song in this movie which is sung by Kavitha Krishnamurthy and Yesudas, a song which has Yesudas’s trademark classical touch to it. The music director for this movie is Bappi Lahiri and Indeevar was the lyricist. The movie seems to have had only three songs and cast that had Meenakshi Sheshadri, Raj Babbar, Kim, Danny, Pradeep Kumar, Urmila Bhatt, Karan Shah, Jaya Malini etc. From the poster in the video of the accompanying song it appears like a dance of Raj Babbar and Meenakshi, but since I didn’t find a video to go with it we cannot be sure.
Song – Ang Ang Mein Chhand Basey Hain (Maha Shaktimaan) (1985) Singer – Yesudas, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Yesudas + Kavita Krishnamurthy
Chorus
Lyrics (Provided by Sudhir)
sa. . .
sa ni dha pa ma pa dha pa ma
ga re sa
aaa aaaa aaaa aaaa
aaaa aaaa
aaa aaaaa aaaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
ang ang mein chhand bhare
aankhon se chhalke pyaar
man ko bas mein kar leti hai..ae..ae..ae
man ko bas mein kar leti hai
teri paayal ki jhankaa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
[sargam + alaap]
sa
ni
dha
pa
hothon mein tere madira ka pyaala..aa..aa
[sargam + taal]
[alaap]
hothon mein tere madira ka pyaala
saara badan tera jaise madhushala
ta thaiya ta thaiya naache jawaani
ta thaiya ta thaiya naache jawaani
jhoom ke aayi bahaa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
[alaap]
sa
ni
dha
pa
roop dikha de ras barsa de..ae..ae..ae
roop dikha de ras barsa de
pyaasi nazar ki pyaas bujha de
murli jo seene se tu laga le
murli jo seene se tu laga le
veena baje bin taa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
man ko bas mein kar leti hain..ae..ae
man ko bas mein kar leti hain
teri paayal ki jhankaa..aa..aar
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
[sargam + taal]
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | movie opening song | Multiple version song | Parent Child song | Post by Peevesie's mom | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4912 | Post No. : | 16731 | Movie Count : |
4554 |
Hullo Atuldom
‘Adhikaar’ meaning ‘Rights’ is a title that has been used four times by Bollywood. This information I gathered from the blog’s ‘List of songs- Moviewise’ tab. Of the four films titled ‘Adhikaar’ the ones released in 1938, 1954, and 1971 have already made their debut on the blog; in fact the ones released in 1954 and 1971 have been Yippeee’d too. The 1938 ‘Adhikaar’ has four out of seven songs on the blog. Today’s post sees ‘Adhikar’ (1986) make is debut on the blog. The song with this post is the one that plays as the movie’s titles play on-screen and we can see this ‘Adhikar’ is an ‘a’ short.
“Adhikar” (1986) was a movie that I recall having seen in a cinema theater. It had the standard, run-of-the-mill story, popular in that period.
“A rich girl loves and marries a not so rich man. Her parents initially agree to the wedding but cracks begin to appear in the marriage when the girls’ parents start interfering in the couple’s daily life.”
This is the two-line synopsis of movies like ‘Pyar Jhukta Nahi’ (1985), ‘Pyar Ke Kaabil’ (1987) etc.
The common element between ‘Pyar Jhukta Nahin’ (PJN), ‘Pyar Ke Kaabil’ (PKK) and ‘Adhikar’ is Bindu- she played the heroine’s interfering mother in all the three films. PJN had Padmini Kolhapure play a simple girl born to rich parents, and PKK had her (Padmini) play a lady working in her mother’s business venture. ‘Adhikar’ was slightly hat ke in the sense that Tina Munim played a simple girl born to an ambitious mother who wants her to be a singer and become rich & famous. So that should give a brief idea about what the movie was about.
‘Adhikar’ had Tina Munim and Rajesh Khanna play the parents to a sweet boy credited as Master Lucky on some sites (even in the titles of the film) and Baby Bulbul on others. Zarina Wahab, Bindu, Danny, Raza Murad, Murad, Sulochana, Yunus Parvez etc. form the supporting cast. Tanuja is there in a special appearance. Bappi Lahiri is the music director and Indeevar is the lyricist. Lata Mangeshkar, Chandrani Mukherjee, Anupama Deshpande, Uttara Kelkar, Kavita Krishnamoorthy and Kishore Kumar are the playback singers used in the movie. The movie is directed by Vijay Sadanah and produced by Jawaharlal Bafna and Vasant Doshi. It is the last movie that Rajesh Khanna and Tina Munim came together for and then the hit pairing came to an end.
The song with this post plays at the start, establishing Rajesh Khanna’s (Vishal’s) single parent status. The song shows Lucky developing interests in horses etc. Oh, I forgot to add that Rajesh Khanna plays a retired jockey. The sad version, in Kavitha Krishnamurthy’s voice, occurs at the end, when the child sings it to try and revive an unconscious Vishal. Vishal has had an hemorrhage after winning his last race as a jockey, and the doctor has given little hope of his survival. But Vishal survives and the film has a happy ending with the misunderstandings between the couple clearing up.
This song showcases Rajesh Khanna at his emotional best. His charming smile, that reaches his eyes and the mustachioed look, at the start of the song is what I liked about Rajesh Khanna – remember the look he sported at the start of ‘Dushman’ (1971). He was the heart throb of a whole generation of movie goers in the early 70s and he had ardent followers who were loyal to him forever – whatsay Avinash ji, Raja ji, and others!!!! We were upset when Amitabh Bachchan dislodged him but there were people, like yours truly, who loved to see ‘Anand’, ‘Namak Haraam’ as much for Kaka as for Amitabh Bachchan. I loved AB Sr. in ‘Inquilaab’ as much as Kaka in ‘Aaj Ka MLA Ram Avatar”. I am sure there were fans who didn’t know who to choose as favorite. The careers ran parallel for some time. But then all these have been written a number of times and will be written forever till the 70s generation decides who they loved more —- that means forever I suppose.
Thinking of Kaka a.k.a Rajesh Khanna on his birth anniversary. He would have gone a year closer to 80.
Male Voice
Female Voice
Song – Main Dil Tu Dhadkan, Tujh Se Mera Jeevan (Adhikar) (1986) Singer – Kishore Kumar, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Chorus
Lyrics (Provided by Sudhir)
Male Version
oo oo oo oo
oo oo oo oo
aa aa aa aa
aa aa aa aa
suraj se kirnon ka rishta
seep se moti ka
tera mera wo rishta
jo aankh se jyoti ka
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aa aa aa aa
aa
aa aa aa
aa aa aa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
mere jeevan ka ye deepak
tujhse hi roshan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
Female Version
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
aaa aaa aaa
aaa aaa aaa
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
aaaa aaaa
aaaa aaaa
tere dum se judi hui hai
saanson ki ye kadi
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi. . .
main to. . . ek ghadi. . .
aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4848 | Post No. : | 16638 | Movie Count : |
4532 |
Hullo Atuldom
26th Ocotober is a day when we wish the first Follower of the blog Rajaji on turning a year younger. He is the ‘yaaron-ka-yaar’ who is currently off the radar. Hope he marks his presence on the blog and reads this post. He is not a kanjoos (and I have a whole set of the followers of the blog who will endorse my statement) and will not shy away from giving us a treat by saying a “Hello”. Actually, I sincerely hope he is fine, the last post by him, as a guest contributor, was on 8th March 2021- for the birth centenary of his favourite lyricist/ poet Sahir Ludhianvi.
Our Rajaji was one of the first to see posts on Atulsongaday. One of the first to post his Farmaish to Atulji. And if I am not wrong, one of the first guest contributors as lyrics contributor in April 2009 with this post of a song from ‘Bin Baadal Barsaat’ . His first full-length post was Teri umar naadaan hai on 26 june 2010 from “Aankhon Aankhon Mein”(1972) and since then he has been a regular contributor and loves to write about Rajesh Khanna, Mohd. Rafi, Kishore Kumar and of course Sahir Ludhianvi. In the interim he has also written posts on some artistes whose work he appreciates. Here is wishing this friendly Atulite all health and happiness and waiting for his next post- essay, novel or short story anything but in your unique style Rajaji.
26th October also happens to be the birth date of an actress (don’t like to use the adjective yesteryear for this one, too young for that) who was known to be cast in the roles of typical heroine i.e. one emotional scene, two haughty scenes, three or four duets or solos and that is about it. There is a period in every actress’s career when she reaches the top-spot doing this kind of inane roles. Then she tires of it and tries to break the shackles and get cast in some roles that gives her chance to show her emoting and acting capabilities.
Today’s birthday girl made her Bollywood debut as Salman Khan’s heroine in ‘Patthar Ke Phool’ went on to co-star with all the biggies of that era and reaching heights of popularity as the ‘mast mast’ girl in ‘Mohra’ She was ready to give it all up sometime in 1995 for the sake of family and marriage. But when things didn’t work out the way she expected them to, she made a successful comeback with movies opposite Govinda which were from the David Dhawan stable. She played meaningful or non-glamourous characters in movies like “Shool” (1999) “Daman” (2002) “Satta” (2005) and “Jaago” in 2004 where she played the mother of a ten-year-old gang-rape-victim who dies in front of her.
Do I need mention the name of the actress- Raveena Tandon? She finally took a hiatus from acting after marriage and kids (as per her original plan for life) and has four children two of whom she adopted when the girls were 11 and 8 and she herself was only 21.
I may not call myself her fan but I like this actress for her sprightly acting, Today’s song is from the 1997 crime -drama “Ghulam-e-Mustafa” which was directed by Partho Ghosh and had a cast headed by Nana Patekar and Raveena Tandon played a night club dancer who falls in love with Mustafa (Nana Patekar) on hearing his life story. They even get married and have a happy life, which is short lived as Kavitha (Raveena) gets killed in a car bomb explosion which was meant for Abba (Paresh Rawal). The cast also included Ravi Behl, Aruna Irani, Keerthi Chawla, Shivaji Satam, Sulabha Deshpande, Mohan Joshi, Mohnish Bahl etc. Rajesh Roshan and Amar Haldipur were the music directors, and the song with this post has been credited to Anand Bakshi. Myswar.com says that Amar Haldipur was responsible for the background score.
This songs sees our birthday girl Raveena Tandon as a new bride out for a joy trip when their Gypsy breaks down, of course I need not explain the visuals of the song and will just say that she dies after this.
I would also like to wish the daughter of an Atulite on her birthday today. Hope this message is conveyed to your little girl and wish her all the best for her future.
Once more wishing all the best and happy birthday to our Rajaji, the little one of our Atulite and Raveena Tandon.
Happy
Sad
Song-Tera gham mera gham ek jaisa sanam(Ghulam e Mustafa)(1997) Singers-Kavita Krisnamurthy, Hariharan, Lyrics-Anand Bakshi, MD-Rajesh Roshan
Lyrics
Happy version
———————–
hmmmm hmmm
tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil ja..aaa..ani
tera gham mera gham ek jaisa sanam
ham dono ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam
main achchi buri jaisi bhi hoon
tu achha bura jaisa bhi hain
main teri hoon kaisi bhi hoon
tu mera hai kaisa bhi hai
tu mera hai kaisa bhi hai
tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam
toote huye dil ki kashti ko
toofan mein kinaara mil jaaye
aaa aaaaaa
tu tham le mera haath agar
donon ko sahaara mil jaaye
donon ko sahaara mil jaaye
tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam
———————————-
Sad version
——————————-
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4832 | Post No. : | 16613 | Movie Count : |
4524 |
Hullo Atuldom
10th October is the birth date of the ageless Bollywood Diva Bhanurekha Ganesan.
I don’t remember which was my first post on the blog on her birthday, but over the last few years I have been trying to write out a song and present her with an actor who was not one of her regular heroes; meaning someone except Amitabh Bachchan, Dharmendra, Jeeetendra, Rajesh Khanna, Vinod Mehra etc. Today’s song is also one such song.
This song is from the 2000 release “Bulandi” which was directed by T. Rama Rao. It had a cast of Rajnikanth (special appearance), Anil Kapoor, Harish (from South Indian films), and Rekha, Raveena Tandon, Aruna Irani along with Shakti Kapoor, Ranjeet, Kulbhushan Kharbanda, Paresh Rawal, Sadashiv Amrapurkar in supporting cast. Songs of the movie were penned by Anand Bakshi and tuned by Viju Shah. The playback singers used were Udit Narayan, Kavita Krishnamurthy, Kumar Sanu, Anuradha Paudwal, Jaspinder Narula, Sukhwinder Singh, Abhijeet and Alka Yagnik -in short all the popular singers of the 90s.
The movie was the tale of a family of Zamindars which is headed by Rajnikanth who has a sister -Aruna Irani and three sons Anil Kapoor (double role plays two brothers) and Harish Kumar. Rekha plays the zamindar’s elder daughter-in-law who is the bhabhi-maa to her devars. And here I would like to mention that the two Anil Kapoors are not twins. Today’s song happens at the girl’s family meeting the boy’s family ritual and the older Anil Kapoor is the groom-to be. Aruna Irani the would-be atyaa (paternal aunt) starts the song as cue to the coy Bride-to-be who then begins singing and also fantasizing about her hubsand married life etc
There have been many instances when big a star/ actor accepts a role in a film because the main actor/ character is being enacted by a senior star/actor of whom the junior is a fan. Like for example, Amitabh Bachchan played Dilip Kumar’s son in Ramesh Sippy’s “Shakti”. Similarly Rekha played miniscule role in one of Dev Anand’s final movie, “Censor” and also one of Manoj Kumar’s last directorial.
Anil Kapoor did a second rung character in this film as he was sharing screen space with a senior (workwise)-Rekha. And the dance that accompanies sees Rekha and Anil Kapoor matching each other decently well. It is only recently I found out that there is just two year age gap between these two actors but one began working in 1966 (age 12) when the other might have been in school and not even given a thought to what career to pursue. That must be one of the reason why the viewer may feel that Anil Kapoor was acting with a much senior actress, she was a senior only because she was already in the entertainment business for 14 years before Anil made his debut.
The singers for this song are Kavitha Krishnamurthy and Udit Narayan.
Happy birthday to Rekha. May we keep seeing her on the silver screen.
Audio
Video
Song-Teri ankhiyon mein jeena hamen marna (Bulandi)(2000) Singers-Kavita Krishnamurthy, Udit Narayan, Lyrics-Anand Bakshi, MD-Viju Shah
Both
Lyrics
aa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaaa
aa aa aa
chhedo naa mujhko chhedo
aise naa mujhko dekho
jo dekhna hai kuch tumko hai
to phir mere dil ko dekho
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamara mushkil/em>
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuch karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
vaadon ka hai aaj mausam
hum koi vaada karen
arre yeh jaan bhi tumko de di
ab kya zyaada karen
tera naam liya
tujhe yaad kiya
sab kuchh main bhool gayi
o teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa a
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
maange agar tu sitaare
main tod laaoon sanam
ho karne hain kya yeh sitaare
tu chaand se kya hai kam
haaye deewaana hua mastaana hua
dil aise jhoom gaya
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain rahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamara mushkil
hoga milna hamara mushkil
hoga milna hamara mushkil
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments