Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kavitha Krishnamurthy Songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5035 Post No. : 16946

Today 1st May’2022 is the one hundred and third birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013). As a tribute to him, I am presenting a motivational song sung by him from the movie ‘Prahaar-1991’.

‘PRAHAAR: The Final Attack’ was a film Produced by Sudhakar Bokade and Directed by Nana Patekar. The star cast includes Nana Patekar, Dimple Kapadia, Madhuri Dixit, and Gautam Joglekar who played the second lead with Madhuri Dixit. Prominent Stage artist Shri.Habib Tanvir played the role of Gautam’s father.
The film was produced under the banner of ‘Divya Films combine’. Its cinematography was done by Debu Deodhar.

‘Prahaar’ had as many as three songs, and the one under discussion today has three versions sung two by Manna Dey (happy and sad) and one by Kavita Krishnamurthy. The lyrics are written by Mangesh Kulkarni, and music is scored by Laxmikant–Pyarelal.

I had watched this movie during my stay at Kota (Rajasthan) and I liked it very much. I watched this movie at least three-four times.

The movie highlights many issues within our society and for me this is one of the bests movies of Hindi Cinema. I will not go into the details of the story of the movie as it is better to watch and feel than to read about this movie. I wish that this film should be watched by everyone in India and introspect ourselves and our surroundings and the happenings around us… for a better India.

All the actors and actresses acting in the movie have delivered a power packed performance.

A detailed article about this movie has been written by our Respected Shri Sadanand ji while presenting the song Dhadkan zara ruk gayee hai.

Today’s song has three versions and all of them are being presented here. This song is sung by Manna Dey and Kavita Krishnamurthy. The highly motivational lyrics are by Mangesh Kulkarni, and the divine music is given by Laxmikant-Pyarelal.

Let us listen to this wonderful song …

Male version (normal)-Audio

Male version (Slow)-Audio

Female version (normal)-Audio

Male versio video (Partial)

Song-Hamaari hi mutthi mein aakaash saara (Prahaar)(1991) Singer-Manna Dey/ Kavita Krishnamoorthy, Lyrics-Mangesh Kulkarni, MD-Laxmikant Pyarelal
chorus

Lyrics

———————-
Male version (Normal)/ Female version (similar except last humming stanza)
———————-

Hmm hmm hmm
Hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai

Suljhaane unko naa
Aayegaa koyi
Samajhnaa hai unko
Ye apanaa karam hai
Hmm hmm hmm hmm
Aa aa aa aa

Apne karam se
Dikhaanaa hai sab ko
Khud kaa panapanaa,
Ubharnaa hai khud ko
Hmm hmm hmm hmm
Andheraa mitaaye jo nanhaa sharaaraa
Hmm hmm hmm hmm
Dishaa jis se pehchaane
Hmm hmm hmm hmm
Sansaar saaraa
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai

Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le len
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara

Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm

Aa aa aa aa
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa

Aa aa aa aa

—————————-
Male version(Slow version)
—————————-

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le le
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Aa aa aa aa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4939 Post No. : 16791

A. R. Rehman – The musician of 21st century – 2
————————————————————–

64th Birthday of Kavita Krishnamurthy
——————————————————————

Once upon a time, in our office, the crowd was more interfering in each other’s lives. There would be judgmental comments about each other, if someone works very hard, there was gossip about them. If someone is not very hard working there would be gossip and snide comments about them. 90’s and early 2000’s was a time when all had more time to bother about other people. Interference is one way to look at it. We were in one corner of Mumbai, and there were very few people who travelled long distances to arrive, and most of us were from nearby areas. There was less of anonymity or disregard of big city atmosphere. Come to think of it, most of us used to think of the office as a second home. As the working day would be full of work, talking to people and friends. We were more open to all sort of talk, discussions and even gossip. The office building would be like a small village, where everyone knew everything about everyone. That was an atmosphere, where, every new day was a new beginning. And come weekend, we would be full of plans for the next week. On Monday, we will do this or start on that work.

I don’t know, it feels as if things have gradually changed over the decades. Now every Friday, most of us actually feel joy that there will be no office for 2 days. Long weekend is more joyous, we all wish each other happy weekend. Whereas earlier it was, ‘see you on Monday’.
There was no A.C. in the office, nor fancy blinds or fancy name plates on the cabins, not much eating out and very few snack parties. But those were the happier days. Today, I have more money to spend, more authority to assert, freer to shop what ever the sales persons bring to sell, more snacks and lunch to order from outside eateries, as the office canteen is still is very bad. But the comradery of old days is absent. For sure, not all is ingenuine, but still the happiness quotient is gone. Or maybe I am simply bored.

Yeah, change is a part of life. Colleagues and friends of the older generation have all retired. Some of the dear friends have moved away, or transferred to different places. One corner of Mumbai has begun to feel and behave like a city. I am ready to admit, that I may have also changed. As we mature, it brings a certain discretion, in how we deal with new people. What was working and meeting with other people, has now become more of a dealing with people. Or having learnt from so many experiences, I have learnt to have superficial contact with people. I thought being superficial is just not my nature. But recently, I am introspecting, that maybe I have become like everyone else. Not a good sight.

I have seen some people in my life, and every time I have resolved, never to be like them. Some times we encounter people with really ugly mindset. I have a friend, who would always be looking for excuses, why certain person behaves like that, or has such type of manner. For a longish time, I also tried to look the other way, whenever such ugliness showed its face. I became so adept at ignoring things, that it would take a new person coming into the set up and that person would show me with examples, that such and such things are happening and I am not even aware. So, this was actually a sort of tuning out, from the atmosphere, so the bad things are totally ignored.

The reason I went into the flashback and into those good old days is the song from the film ‘Taal’. In early 2000’s we used to have lot of extra curricular activities in the office. One of the favourite events was ‘antakshari’. In one of those competitions, I had my friend as my partner. This one was a serious competition, very serious with all the contestants very keen to win. The hosts had done lot of hard work, to prepare for the tough rounds. One such tough rounds were picking up chits of a set of words, and recognize the song, which I found to be very easy. We did very well in that round. We did well in the round for recognizing the mukhda from the stanza also. Then there was the round of ‘dumb-charade’ where the chit was for movie name. My partner, picked up the chit and it was ‘Taal’. She made the suitable ‘Taal’ action and I knew the name. But unfortunately, I could not sing any song, none would come to mind. Both me and my friend were repeating ‘taal se taal milaa’, but that is not mukhda. So, we lost those crucial points, despite recognizing so many of the songs in stanza/mukhda round and the ‘set of word’ round, we finished second.

The movie ‘Taal’ was produced and directed by Subhash Ghai, who celebrated his birthday on 24/01/2022. Now it is the birthday of Kavita krishnamurthy today, so the second version is by Kavita Krishnamurthy and Sukhwendra Singh with Chorus. First version is actually a group song, which has Sonu Nigam with ARR, Anuradha Sriram, and Sujata Mohan. This song has long been in the list of Sonu Nigam songs, which I want to post. No better occasion, then Kavita Krishnamurthy’s birthday and post no. two of series on ARR. The Kavita Krishnamurthy version is listed as a separate song actually, but the same mukhda of first version is part of this song too, so it is a version song. The songs are picturized on Aishwarya Rai, Anil Kapoor and Akshaye Khanna.

Those were cable TV days, so I have seen this movie on cable TV. Some Sundays were spent watching movies on cable TV, 2-5 and then 6-9 shows. They would show the newer movies at 11-2 also sometimes. Like all Subash Ghai movies, this was also a musical, teaming up with ARR for the first time, who teamed up with Anand Bakshi as lyricist for the first time. I find this score of a purely hindi film much more attractive then, the dubbed songs in Mani Ratnam films.
More on ARR in coming posts, so we can listen to this wonderful sufiana/situational song.

Part I Audio:

Part – I video:

Part – II video

Song-Ishq bina kya marna yaaron (Taal)(1999) Singers-Sonu Nigam, A R Rahman, Anuradha Sriram, Sujata Mohan/ Kavita Krishnamurthy, Sukhwinder Singh, Lyrics-Anand Bakshi, MD-A R Rahman

Lyrics

———————-
Part I
———————-

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq a….
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq a….
Ooo oooo
Oooo ooooo
Ooooo oooo

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa

Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
ek nahin sau
baatien kar lo
sau baaton ka
ek matlab hai ea
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….

ho oo oooo
oooo ooooo
ho ooo oooooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
(Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa)
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq

Ishq hai kya
Yeh kis ko pataa
Yeh ishq hai kyaa aaa
Sab ko pataa aa
Yeh prem nagar
Anjaan dagar
Saajan ka ghar
Kya hai kis ko khabar
Chhotti si umar
Yeh lamba safar
Yeh ishq hai kya
Yeh kis ko pataa aa
Yeh dard hai ya
Dardon ki dawaa
Yeh koyi sanam
Ya aap khudaa
Yeh koyi sanam
Ya
aap khudaa
aap khudaa aaa

Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa

Tum ne ishq ka naam sunaa hai ea
Ham ne ishq kiya hai ea

Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…

Ooo oooo
Oooo ooooo
Ooooo oooo

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq

Ooo oooo
Ishq ishq
Oooo ooooo
Ishq ishq
Ooooo oooo
Ishq ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo

———————————
Part II
———————————
Kisi ko ishq ke ea
Waade ea
Kahin tum tod aaye hain
Magar yeh dil
Yeh jaan
Shayad wahin een ham
Chhod aaye hain ean

Ishq binaa aaa
Ishq binaa aaa aaaa
Aaaa aaa
Ishq binaa kya jeena yaaran
Ishq binaa kya marna
Aa aaaa

Ishq
Ishq
Ishq

Gud se meethha
Imli se khatta
Ishq
Waada yeh pakka
Ishq
Dhaaga yeh kachchaa
Ishq
Ooo oooo
Oooo ooooo
Ooooo oooo

Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye
hain
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye hain ea
raste mein dariyaa hai koyi ee
raste mein ea
dariyaa hai koyi ee
iss mein saare ea
doob gaye ea hain en
har sach se sachcha
har jhoot se jhoota aa
waada yeh pakka aa
dhaaga yeh kachchaa
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa main
oo oo
ishq binaa wo
oo oo
ishq binaa aa

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron

Mansi…
I love you mansi
I love you

Aaa aaaaaaaa
Aaaaaaaa

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron

ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo

Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4924 Post No. : 16761 Movie Count :

4561

Hullo Atuldom

KJ Yesudas – the bridge between South Indian and North Indian songs. Classical – both Carnatic and Hindustani, Light Music, Bhajan, and film music have been enriched by this maestro who turns a year older, today the 10th of January. Some people are omnipresent in our lives – Yesudas is one of them. We have grown up hearing him sing “Gori Tera Gaaon Bada Pyaara“, “Kaa Karoon Sajani Aaye Na Baalam“, “Dil Ke Tukde Tukde Karke Muskura Ke Chal Diye“, “Koi Gaata Main So Jaata” and numerous other songs. And for his fans who also understand other languages “Mayechi Sauli” from ‘Nanand Bhavajay’ (1991), and a few songs in Bengali, Oriya, and a few international languages too. I am not listing his songs from South Indian films that will be on the personal playlists of his fans.

I cannot forget that it was Yesudas’s voice that made me (a certified Bollywood addict) appreciate some Krishna bhajans “Krishna Ne Begane Baaro” (for one) and the lori (lullaby) that is played in the Sabarimala Temple before the temple closes for the day “Harivarasanam” (a video that was uploaded five years back) (original recording). I am sure there will be followers of the blog who will be able to give us a list of their favourite bhajans that were rendered by the legend KJ Yesudas.

In my honest opinion he is a fit recipient of the Padma Awards- Padma Shri in 1975, Padma Bhushan in 2002, and Padma Vibhushan in 2017. Additionally he has won eight National awards for Best singer and numerous State Awards and Filmfare Awards. It is a measure of his stature that Swaralaya award for music artistes in recognition of their outstanding performance is named ‘Swaralaya Yesudas Award”- this award is instituted by a Kerala entertainment channel and Swaralaya an organisation that promotes music. I can go on and on about all the awards that he has been bestowed upon.

As I set out to write this post I had a feeling that we may have run out songs by Dasettan (as he is addressed by his Malayalee fans) I find that we have only 62 songs from Hindi films on the blog, so that means we have a long way to go.

Today we are going to hear a song from ‘Maha Shaktimaan’ (1985). I don’t recall anything about this movie even if it is a release of the ’80s, other than the ‘non-ear non-eye’ friendly Asha Bhonsle song ‘Mamalu Mamalu’ (this also I recalled when I googled for songs of this film). But thankfully there is a better song in this movie which is sung by Kavitha Krishnamurthy and Yesudas, a song which has Yesudas’s trademark classical touch to it. The music director for this movie is Bappi Lahiri and Indeevar was the lyricist. The movie seems to have had only three songs and cast that had Meenakshi Sheshadri, Raj Babbar, Kim, Danny, Pradeep Kumar, Urmila Bhatt, Karan Shah, Jaya Malini etc. From the poster in the video of the accompanying song it appears like a dance of Raj Babbar and Meenakshi, but since I didn’t find a video to go with it we cannot be sure.


Song – Ang Ang Mein Chhand Basey Hain (Maha Shaktimaan) (1985) Singer – Yesudas, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Yesudas + Kavita Krishnamurthy
Chorus

Lyrics (Provided by Sudhir)

sa. . .
sa ni dha pa ma pa dha pa ma
ga re sa

aaa aaaa aaaa aaaa
aaaa aaaa
aaa aaaaa aaaa

ang ang mein chhand bhare hain
aankhon se chhalke pyaar
ang ang mein chhand bhare
aankhon se chhalke pyaar
man ko bas mein kar leti hai..ae..ae..ae
man ko bas mein kar leti hai
teri paayal ki jhankaa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar

[sargam + alaap]

sa
ni
dha
pa

hothon mein tere madira ka pyaala..aa..aa
[sargam + taal]
[alaap]
hothon mein tere madira ka pyaala
saara badan tera jaise madhushala
ta thaiya ta thaiya naache jawaani
ta thaiya ta thaiya naache jawaani
jhoom ke aayi bahaa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar

[alaap]

sa
ni
dha
pa

roop dikha de ras barsa de..ae..ae..ae
roop dikha de ras barsa de
pyaasi nazar ki pyaas bujha de
murli jo seene se tu laga le
murli jo seene se tu laga le
veena baje bin taa..aa..aar
aaa aaa aaa
aaa aaa aaa
ang ang mein chhand bhare hain
aankhon se chhalke pyaar
man ko bas mein kar leti hain..ae..ae
man ko bas mein kar leti hain
teri paayal ki jhankaa..aa..aar
ang ang mein chhand bhare hain
aankhon se chhalke pyaar

[sargam + taal]


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4912 Post No. : 16731 Movie Count :

4554

Hullo Atuldom

‘Adhikaar’ meaning ‘Rights’ is a title that has been used four times by Bollywood. This information I gathered from the blog’s ‘List of songs- Moviewise’ tab. Of the four films titled ‘Adhikaar’ the ones released in 1938, 1954, and 1971 have already made their debut on the blog; in fact the ones released in 1954 and 1971 have been Yippeee’d too. The 1938 ‘Adhikaar’ has four out of seven songs on the blog. Today’s post sees ‘Adhikar’ (1986) make is debut on the blog. The song with this post is the one that plays as the movie’s titles play on-screen and we can see this ‘Adhikar’ is an ‘a’ short.

“Adhikar” (1986) was a movie that I recall having seen in a cinema theater. It had the standard, run-of-the-mill story, popular in that period.

A rich girl loves and marries a not so rich man. Her parents initially agree to the wedding but cracks begin to appear in the marriage when the girls’ parents start interfering in the couple’s daily life.

This is the two-line synopsis of movies like ‘Pyar Jhukta Nahi’ (1985), ‘Pyar Ke Kaabil’ (1987) etc.

The common element between ‘Pyar Jhukta Nahin’ (PJN), ‘Pyar Ke Kaabil’ (PKK) and ‘Adhikar’ is Bindu- she played the heroine’s interfering mother in all the three films. PJN had Padmini Kolhapure play a simple girl born to rich parents, and PKK had her (Padmini) play a lady working in her mother’s business venture. ‘Adhikar’ was slightly hat ke in the sense that Tina Munim played a simple girl born to an ambitious mother who wants her to be a singer and become rich & famous. So that should give a brief idea about what the movie was about.

‘Adhikar’ had Tina Munim and Rajesh Khanna play the parents to a sweet boy credited as Master Lucky on some sites (even in the titles of the film) and Baby Bulbul on others. Zarina Wahab, Bindu, Danny, Raza Murad, Murad, Sulochana, Yunus Parvez etc. form the supporting cast. Tanuja is there in a special appearance. Bappi Lahiri is the music director and Indeevar is the lyricist. Lata Mangeshkar, Chandrani Mukherjee, Anupama Deshpande, Uttara Kelkar, Kavita Krishnamoorthy and Kishore Kumar are the playback singers used in the movie. The movie is directed by Vijay Sadanah and produced by Jawaharlal Bafna and Vasant Doshi. It is the last movie that Rajesh Khanna and Tina Munim came together for and then the hit pairing came to an end.

The song with this post plays at the start, establishing Rajesh Khanna’s (Vishal’s) single parent status. The song shows Lucky developing interests in horses etc. Oh, I forgot to add that Rajesh Khanna plays a retired jockey. The sad version, in Kavitha Krishnamurthy’s voice, occurs at the end, when the child sings it to try and revive an unconscious Vishal. Vishal has had an hemorrhage after winning his last race as a jockey, and the doctor has given little hope of his survival. But Vishal survives and the film has a happy ending with the misunderstandings between the couple clearing up.

This song showcases Rajesh Khanna at his emotional best. His charming smile, that reaches his eyes and the mustachioed look, at the start of the song is what I liked about Rajesh Khanna – remember the look he sported at the start of ‘Dushman’ (1971). He was the heart throb of a whole generation of movie goers in the early 70s and he had ardent followers who were loyal to him forever – whatsay Avinash ji, Raja ji, and others!!!! We were upset when Amitabh Bachchan dislodged him but there were people, like yours truly, who loved to see ‘Anand’, ‘Namak Haraam’ as much for Kaka as for Amitabh Bachchan. I loved AB Sr. in ‘Inquilaab’ as much as Kaka in ‘Aaj Ka MLA Ram Avatar”. I am sure there were fans who didn’t know who to choose as favorite. The careers ran parallel for some time. But then all these have been written a number of times and will be written forever till the 70s generation decides who they loved more —- that means forever I suppose.

Thinking of Kaka a.k.a Rajesh Khanna on his birth anniversary. He would have gone a year closer to 80.

Male Voice

Female Voice

Song – Main Dil Tu Dhadkan, Tujh Se Mera Jeevan (Adhikar) (1986) Singer – Kishore Kumar, Kavita Krishnamurthy, Lyrics – Indeevar, MD – Bappi Lahiri
Chorus

Lyrics (Provided by Sudhir)

Male Version
oo oo oo oo
oo oo oo oo

aa aa aa aa
aa aa aa aa

suraj se kirnon ka rishta
seep se moti ka
tera mera wo rishta
jo aankh se jyoti ka

main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan

aa aa aa aa
aa
aa aa aa
aa aa aa

tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tere dum se judi hui hai
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
mere jeevan ka ye deepak
tujhse hi roshan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

Female Version
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan

aaa aaa aaa
aaa aaa aaa

tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
tu hi khilauna
tu hi saathi
tu hi yaar mera
ek ye chera
ye do baahen
ye sansaar mera
khud ko bhi dekha hai tujh mein
tu mera darpan
main dil tu dhadkan
tujhse mera jeevan
kaanch se jaisa toot jaunga
toota jo ye bandhan
main dil tu dhadkan

aaaa aaaa
aaaa aaaa

tere dum se judi hui hai
saanson ki ye kadi
saanson ki ye kadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi
tujhse bidhhad ke jee na sakoonga
main to ek ghadi. . .
main to. . .  ek ghadi. . .

aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4848 Post No. : 16638 Movie Count :

4532

Hullo Atuldom

26th Ocotober is a day when we wish the first Follower of the blog Rajaji on turning a year younger. He is the ‘yaaron-ka-yaar’ who is currently off the radar. Hope he marks his presence on the blog and reads this post. He is not a kanjoos (and I have a whole set of the followers of the blog who will endorse my statement) and will not shy away from giving us a treat by saying a “Hello”. Actually, I sincerely hope he is fine, the last post by him, as a guest contributor, was on 8th March 2021- for the birth centenary of his favourite lyricist/ poet Sahir Ludhianvi.

Our Rajaji was one of the first to see posts on Atulsongaday. One of the first to post his Farmaish to Atulji. And if I am not wrong, one of the first guest contributors as lyrics contributor in April 2009 with this post of a song from ‘Bin Baadal Barsaat’ . His first full-length post was Teri umar naadaan hai on 26 june 2010 from “Aankhon Aankhon Mein”(1972) and since then he has been a regular contributor and loves to write about Rajesh Khanna, Mohd. Rafi, Kishore Kumar and of course Sahir Ludhianvi. In the interim he has also written posts on some artistes whose work he appreciates. Here is wishing this friendly Atulite all health and happiness and waiting for his next post- essay, novel or short story anything but in your unique style Rajaji.

26th October also happens to be the birth date of an actress (don’t like to use the adjective yesteryear for this one, too young for that) who was known to be cast in the roles of typical heroine i.e. one emotional scene, two haughty scenes, three or four duets or solos and that is about it. There is a period in every actress’s career when she reaches the top-spot doing this kind of inane roles. Then she tires of it and tries to break the shackles and get cast in some roles that gives her chance to show her emoting and acting capabilities.

Today’s birthday girl made her Bollywood debut as Salman Khan’s heroine in ‘Patthar Ke Phool’ went on to co-star with all the biggies of that era and reaching heights of popularity as the ‘mast mast’ girl in ‘Mohra’ She was ready to give it all up sometime in 1995 for the sake of family and marriage. But when things didn’t work out the way she expected them to, she made a successful comeback with movies opposite Govinda which were from the David Dhawan stable. She played meaningful or non-glamourous characters in movies like “Shool” (1999) “Daman” (2002) “Satta” (2005) and “Jaago” in 2004 where she played the mother of a ten-year-old gang-rape-victim who dies in front of her.
Do I need mention the name of the actress- Raveena Tandon? She finally took a hiatus from acting after marriage and kids (as per her original plan for life) and has four children two of whom she adopted when the girls were 11 and 8 and she herself was only 21.

I may not call myself her fan but I like this actress for her sprightly acting, Today’s song is from the 1997 crime -drama “Ghulam-e-Mustafa” which was directed by Partho Ghosh and had a cast headed by Nana Patekar and Raveena Tandon played a night club dancer who falls in love with Mustafa (Nana Patekar) on hearing his life story. They even get married and have a happy life, which is short lived as Kavitha (Raveena) gets killed in a car bomb explosion which was meant for Abba (Paresh Rawal). The cast also included Ravi Behl, Aruna Irani, Keerthi Chawla, Shivaji Satam, Sulabha Deshpande, Mohan Joshi, Mohnish Bahl etc. Rajesh Roshan and Amar Haldipur were the music directors, and the song with this post has been credited to Anand Bakshi. Myswar.com says that Amar Haldipur was responsible for the background score.

This songs sees our birthday girl Raveena Tandon as a new bride out for a joy trip when their Gypsy breaks down, of course I need not explain the visuals of the song and will just say that she dies after this.

I would also like to wish the daughter of an Atulite on her birthday today. Hope this message is conveyed to your little girl and wish her all the best for her future.
Once more wishing all the best and happy birthday to our Rajaji, the little one of our Atulite and Raveena Tandon.

Happy

Sad

Song-Tera gham mera gham ek jaisa sanam(Ghulam e Mustafa)(1997) Singers-Kavita Krisnamurthy, Hariharan, Lyrics-Anand Bakshi, MD-Rajesh Roshan

Lyrics

Happy version
———————–

hmmmm hmmm
tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil ja..aaa..ani
tera gham mera gham ek jaisa sanam
ham dono ki ek kahaani
aaja lag ja gale dil jaa..aa..ni

tera gham mera gham ek jaisa sanam

main achchi buri jaisi bhi hoon
tu achha bura jaisa bhi hain
main teri hoon kaisi bhi hoon
tu mera hai kaisa bhi hai
tu mera hai kaisa bhi hai

tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam

toote huye dil ki kashti ko
toofan mein kinaara mil jaaye
aaa aaaaaa
tu tham le mera haath agar
donon ko sahaara mil jaaye
donon ko sahaara mil jaaye
tera gham mera gham ek jaisa sanam
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni

tera gham mera gham ek jaisa sanam

———————————-
Sad version
——————————-
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni
tera gham mera gham ek jaisa sanam
ham donon ki ek kahaani
aaja lag ja gale dil jaa..aa..ni


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4832 Post No. : 16613 Movie Count :

4524

Hullo Atuldom

10th October is the birth date of the ageless Bollywood Diva Bhanurekha Ganesan.

I don’t remember which was my first post on the blog on her birthday, but over the last few years I have been trying to write out a song and present her with an actor who was not one of her regular heroes; meaning someone except Amitabh Bachchan, Dharmendra, Jeeetendra, Rajesh Khanna, Vinod Mehra etc. Today’s song is also one such song.

This song is from the 2000 release “Bulandi” which was directed by T. Rama Rao. It had a cast of Rajnikanth (special appearance), Anil Kapoor, Harish (from South Indian films), and Rekha, Raveena Tandon, Aruna Irani along with Shakti Kapoor, Ranjeet, Kulbhushan Kharbanda, Paresh Rawal, Sadashiv Amrapurkar in supporting cast. Songs of the movie were penned by Anand Bakshi and tuned by Viju Shah. The playback singers used were Udit Narayan, Kavita Krishnamurthy, Kumar Sanu, Anuradha Paudwal, Jaspinder Narula, Sukhwinder Singh, Abhijeet and Alka Yagnik -in short all the popular singers of the 90s.

The movie was the tale of a family of Zamindars which is headed by Rajnikanth who has a sister -Aruna Irani and three sons Anil Kapoor (double role plays two brothers) and Harish Kumar. Rekha plays the zamindar’s elder daughter-in-law who is the bhabhi-maa to her devars. And here I would like to mention that the two Anil Kapoors are not twins. Today’s song happens at the girl’s family meeting the boy’s family ritual and the older Anil Kapoor is the groom-to be. Aruna Irani the would-be atyaa (paternal aunt) starts the song as cue to the coy Bride-to-be who then begins singing and also fantasizing about her hubsand married life etc
There have been many instances when big a star/ actor accepts a role in a film because the main actor/ character is being enacted by a senior star/actor of whom the junior is a fan. Like for example, Amitabh Bachchan played Dilip Kumar’s son in Ramesh Sippy’s “Shakti”. Similarly Rekha played miniscule role in one of Dev Anand’s final movie, “Censor” and also one of Manoj Kumar’s last directorial.

Anil Kapoor did a second rung character in this film as he was sharing screen space with a senior (workwise)-Rekha. And the dance that accompanies sees Rekha and Anil Kapoor matching each other decently well. It is only recently I found out that there is just two year age gap between these two actors but one began working in 1966 (age 12) when the other might have been in school and not even given a thought to what career to pursue. That must be one of the reason why the viewer may feel that Anil Kapoor was acting with a much senior actress, she was a senior only because she was already in the entertainment business for 14 years before Anil made his debut.

The singers for this song are Kavitha Krishnamurthy and Udit Narayan.

Happy birthday to Rekha. May we keep seeing her on the silver screen.

Audio

Video

Song-Teri ankhiyon mein jeena hamen marna (Bulandi)(2000) Singers-Kavita Krishnamurthy, Udit Narayan, Lyrics-Anand Bakshi, MD-Viju Shah
Both

Lyrics

aa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaaa
aa aa aa

chhedo naa mujhko chhedo
aise naa mujhko dekho
jo dekhna hai kuch tumko hai
to phir mere dil ko dekho
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamaara mushkil

dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamara mushkil/em>

teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa

ho
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuch karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna

vaadon ka hai aaj mausam
hum koi vaada karen
arre yeh jaan bhi tumko de di
ab kya zyaada karen

tera naam liya
tujhe yaad kiya
sab kuchh main bhool gayi
o teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa a

o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna

maange agar tu sitaare
main tod laaoon sanam

ho karne hain kya yeh sitaare
tu chaand se kya hai kam
haaye deewaana hua mastaana hua
dil aise jhoom gaya

teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna

dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain rahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamara mushkil
hoga milna hamara mushkil
hoga milna hamara mushkil

 


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4575 Post No. : 16181

Hullo Atuldom

A very Happy Republic day to one and all.

“India is my country
And all Indians are my brothers and sisters.
I love my country, and I am proud of its rich and varied heritage.
I shall always strive to be worthy of it.
I shall give respect to my parents, teachers, and all elders and treat everyone with courtesy.
To my country and my people, I pledge my devotion.
In their well being and prosperity alone, lies my happiness
Jai Hind!.”

This is the national pledge which is commonly found printed in the opening pages of the school text books and calendars. It is recited in the morning assembly of most Indian schools. It is part of the Indian Constitution. It is commonly recited by Indians in unison at public events, Independence day, Republic day etc. At least it used be so when I was a student, don’t know if this is still in practice. We all know who wrote the National Anthem or the National song but the author of the National Pledge is largely unknown. His name is P.V. Subba Rao who was a Telugu author and bureaucrat who composed the pledge when he was serving as District Treasury Officer in Vishakapatnam district in 1962/63. It was subsequently translated into other languages. Apparently Subba Rao himself was unaware of the Pledge having been adopted as National Pledge till he heard his grand daughter reading it from a textbook.

Hope we all get back to taking the pledge today on our 71st Republic day.
“Diljale” (1996) had music by Anu Malik and Javed Akhtar was the lyricist. It was produced by Paramjeet Baweja and directed by Harry Baweja; Karan Razdan (of the popular Doordarshan serial “Rajani” fame) was its story-screenplay-dialogue writer. It had a cast headed by Sonali Bendre- Ajay Devgan- Madhoo- Parmeet Sethi and Amrish Puri, Shakti Kapoor, Himani Shivpuri, Farida Jalal, Akash Khurana, Master Raju (as Raju Shrivastav), Rakesh Bedi, Tinnu Anand, Aroon Bakshi, Gulshan Grover etc in the supporting cast.

It was the story of Shyam (Ajay Devgan) who is the son of a patriotic village leader (Akash Khurana) who is in love with Radhika (Sonali Bendre) daughter of the local politician and an erstwhile Rajasaheb. The Raja cannot digest the love between the college students because of economic and class differences. He also cannot tolerate the village leader who is an obstacle in his aim to usurp the land of the villagers. The Raja, with the help of the local corrupt cop Gulshan Grover manages to frame the village leader and brand Shyam a terrorist when the latter goes to question the Raja’s actions. This causes a rift between the lovers.

Shyam manages to escape and finds refuge with Dara (Amrish Puri) and his gang who are basically pawns at the hand of India’s enemies. Shyam as Shaka tries to settle scores with Rajasaheb, and in process a few of his associates are captured by the army. Dara and his gang then hijack a bus of Vaishnodevi pilgrims so that they can pressurize the army into releasing their gang members. Radhika and her aunt are also part of the hostages. This provides the ex-lovers opportunity to clarify misunderstandings. The movie then proceeds to the climax with Shaka/ Shyam managing to avenge his father’s humiliation etc. He also manages to bring a change in the thinking of Dara and his gang who surrender to the army when they see that Shaka steps on a landmine that was meant to blow them up. All-in-all it was an entertaining movie but IMHO the solution to the terrorist problem, as shown in the movie, was rather lame.

“Diljale” had Alka Yagnik, Kavita Krishnamurthy, Poornima, Kumar Sanu, Udit Narayan and Master Aditya Narayan who has now grown into an adult and is a singer, composer and television host now. We have one song already in the blog out of the eight or nine songs that the movie had.

Today’s song is a two-version song. In the first version we have Akash Khurana lip-syncing to Kumar Sanu and tutoring his son about the motherland. The son lip-syncs to Aditya Narayan. This version has all the trappings of a National Day song with flag unfurling, releasing doves and Hindu Muslim bhaichara or unity as one may choose to view it. The second version starts as an antakshari played by the captives of Dara and gang and culminates as the patriotic song sung by Radhika in Kavita Krishnamurthy’s voice.

Incidentally 25th January happened to be Kavita Krishnamurthy’s 63rd birthday. She was born in Delhi as Sharada Krishnamurthy. She is married to Dr. L. Subramaniam a renowned composer, violinist, and conductor who is trained in Carnatic classical music as well as Western Classical music. Kavita got an opportunity to sing under the auspices of Hemant Kumar for a Bengali film in 1971 when she was still in college and Lata Mangeshkar was her co-singer. Hemantda’s daughter was instrumental in reintroducing Kavita to Hemantda and he began using her for his live performances. Manna Dey spotted her in one of these shows and then she sang a few advertisement jingles. Until 1985, when “Pyar Jhukta Nahin” happened, Kavita was a dubbing artist for many composers. “tumse milkar, na jaane kyun” and “Pyar Jhukta Nahin” was the turning point of her career. Here is wishing Kavita Krishnamurthy a life filled with happiness and music and good health.

Happy Republic Day once again.

Part I

Part II

Song-Mera mulk mera desh mera ye watan (Diljale)(1996) Singers-Kumar Sanu, Aditya Narayan, Kavita Krishnamurthy, Lyrics-Javed Akhtar, MD-Anu Malik
Chorus

Lyrics

—————
Part I
—————

mera mulk mera desh
mera ye watan
shaanti ka unnati ka pyaar ka chaman
iss ke waaste nisaar hai
mera tan
mera mann
ae watan ae watan ae watan
jaaneman jaaneman jaaneman
mera mulk mera desh mera ye watan
shaanti ka unnati ka pyar ka chaman

aaa aahaha ha
aaa aahaha ha
aaaaaa a aaaaaa
aaaaaaaa

apne is chaman ko swarag hum banaayenge
kona kona apne desh ka sajaayenge
jashn hoga zindagi ka
honge sab magan
honge sab magan
iske waaste nisaar hai mera tan mera man
ae watan ae watan ae watan
jaaneman jaaneman jaaneman

mera mulk mera desh
mera ye watan
shaanti ka unnati ka
pyaar ka chaman
mera mulk mera desh mera ye watan
shaanti ka unnati ka pyaar ka chaman
mera mulk mera desh mera ye watan
shaanti ka unnati ka pyaar ka chaman
iske waaste nisaar hai
mera tan
mera man
ae watan ae watan ae watan
jaaneman jaaneman jaaneman
ae watan ae watan ae watan
jaaneman jaaneman jaaneman

———————-
Part II
———————-

hai na bolo bolo,
hai na bolo bolo
papa bolo bolo,
mummy bolo bolo
papa ko mummy se
mummy ko papa se
pyaar hai
pyaar hai
pyaar hai

hum tum
ek kamre mein band hon
aur chaabhi kho jaaye
nainon ki bhool bhulaiya mein
bobby kho jaye
hum tum, ek kamre me band ho
aur chabhi kho jaaye

ek do teen char panch chhe
saat aath nau das gyarah barah terah
ek do teen
char panch chhe
sat aath nau das gyarah barah terah
tera karoon din gin gin ke intzaar
aaja piya aayi bahaar
tera karoon din gin gin ke intzar
aaja piya aayi bahaar

roop tera mastana, pyaar mera deewaana
roop tera mastana, pyaar mera diwana
bhool koi hamse na ho jaaye
roop tera mastana, pyaar mera deewaana
bhool koi hamse na ho jaaye
raat nasheeli mast samaa hai
aaj nashe mein saara jahaan hai
haaye sharaabi mausam bahkaaye ae ae
roop tera mastana, pyaar mera diwana
bhool koi hamse na ho jaaye

ae bhai
ae bhai zara dekh ke chalo
aage hi nahin peechhe bhi
daayen hi nahi, baye bhi
upar hi nahi, neeche bhi
ae bhai, ae bhai zara dekh ke chalo
aage hi nahin pichhe bhi
daye hi nahin baye bhi
upar hi nahin neeche bhi ae bhai

eena meena deeka
eena meena deeka, daaye dama deeka
maka naka naka
cheeka peeka reeka
hey
eena meena deeka, daye dama dika
maka naka maka naka
peeka peeka rola rika
rampam posh saramm posh
rampam posh saramm posh
rampam posh saramm posh
rampam posh saramm posh
eena meena deeka

kya karen kya na karen ye kaisi mushkil haye
kya kare, kya na kare, ye kaisi mushkil haye
koi to bata de, iska hal o mere bhai
ke ek taraf isse pyar kare
aur usko hi, ye kahne se daren hum

mera mulk, mera desh, mera ye watan
shaanti ka, unnati ka, pyaar ka chaman

mera mulk
mera desh
mera ye watan
shaanti ka
unnati ka, pyaar ka chaman
iske waaste nisaar hai
mera tan
mera man
ae watan
ae watan
ae watan
jaaneman
jaaneman
jaaneman

kal ke saare waade aaj tootne lage
haath mein jo haath thhe wo chhootne lage
kaash laut aaye pahle jaisa apna man

ae watan, ae watan, ae watan
jaaneman, jaaneman, jaaneman

mera mulk mera desh mera ye watan
shaanti ka unnati ka pyaar ka chaman
mera mulk mera desh mera ye watan
shaanti ka


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15996 Movie Count :

4381

Hullo Atuldom

Wishing all a happy Dassera. I know parts of India celebrated the festival on Sunday and parts are celebrating it today. I think that has something to do with the movement of the Moon from one constellation to another or mostly the phases of the moon which doesn’t necessarily follow the Gregorian calendar. I was confused as to the exact date for Vijaya Dashami or Dassehra and put the query to a group of knowledgeable friends and this is the reply I got:

October 23 Friday 7:00 onwards Ashtami
October 24 Saturday 7:00 onwards Navami
October 25 Sunday 7:45 onwards Dashami
October 26 Monday 9:00 onwards Ekadashi.

Now going by that reply we have Dashami till 9 a.m. today but for convenience sake (read working day/ holiday) there are many (in Kerala atleast) who would have celebrated the festival. But for the pandemic even Ram Leela would have come to a close yesterday (Sunday) with RavanDahan, as Dashami was present in the evening hours. Don’t know if it was held this year!!!!

But today’s post is not a lesson on the Panchang that Indians follow and neither am I the competent authority to comment on the Sun, Moon and the planetary movements. As always my post is to wish a celebrity on turning an year older.

This celebrity is the daughter of Producer/ director of ‘Anhonee’, ‘Khel Khel Mein’ ‘Khuddar’ etc.Ravi Tandon’s daughter- Raveena Tandon turns an year older today. She made her debut in 1991, at the age of 17,in a movie produced by G.P.Sippy and directed by Anant Balani “PattharKePhool” which had Salman Khan as the hero. She then went on to act with Sunny Deol, Govinda, Akshay Kumar, Shahrukh Khan, Anil Kapoor. 1994 saw her star in “Zamaane Se Kya Darna” with Sanjay Dutt, “Dilwale” with Suneil Shetty and Ajay Devgan, “Insaniyat” with Sunny Deol, “Imtihaan” with Saif Ali Khan and Sunny Deol, “Laadla” with Anil Kapoor, “Andaz Apna Apna” with Aamir Khan, “Aatish” again Sanjay Dutt and Mohra with Akshay Kumar. She also played herself in a song-cameo in Saif Ali Khan- Akshay Kumar starrer “Main Khiladi Tu Anari” and a role in a Tamil movie in 1994. She took a hiatus post marriage but was seen in a cameo in PuriJagannadh directed “Bbuddah… Hoga Tera Baap” (2011) as she got a chance to do a romantic scene with Amitaabh Bachchan whose sister she had played in “Bade MiyanChhoteMiyan” in the ‘90s. Since 2011 we see her in a movie or two per year plus she has conducted a few shows on television. On her personal front, she had adopted two young girls when they were 10 and 8 when she herself was only in her 20s. After marriage she has two children of her own.

Her most popular song of the 1994 earned her the nickname the ‘mast mast’ girl. Though she has never claimed to be ‘Mast’ meaning wonderful. So also the other birthday personality.
He is our own Rajaji. He is (to use a Hindi expression) a ‘yaaron ka yaar’. He is a devoted family man. He is deeply sensitive and touched by many current occurrences in this world of ours. But the one thing that introduced us to him or shall I say the two things that got us connected to him-Cricket and Hindi Film Music are also dear to his heart.

He can write pages and pages about his love for the works of Sahir Ludhianvi and ponder about what would have been Sahir’s take on the life in this age and time. And he can do the same when he writes posts on his favourite Rajesh Khanna, Dev Anand, Mohd Rafi. He has told me that he can keep listening to Rafi songs all day and night and not tire of it. But that doesn’t mean he doesn’t appreciate Kishore Kumar, Amitabh Bachchan etc. He claims that he is just discovering movies of the 80s which he had banished for their deteriorating quality and quantity, he gives them a “Pass” certificate only no high marks to them. But even there he may relish and enjoy individual scene of the typical masala kind. I am sure he will enjoy the visual that the accompanying song has to offer.

It has the comic cop Paresh Rawal running around trying to dance in step with Akshay Kumar and Raveena Tandon. We have Tej Sapru exchanging a briefcase with an associate (would like to know who it is). Suniel Shetty is stalking them and please keep in mind that Akshay Kumar is a cop in disguise out to catch Tej Sapru and his associate.

This is a new age song which should appeal to the other birthday girl of this group. She is not an active participant and her father is. I hope she is a “Mast” child, meaning wonderful child.
There is another person, my first playmate, who has her birthday today. I cannot imagine how I was as a toddler before she entered my family in the arms of my Mom.
With this post I wish Raveena Tandon, Rajaji and the two unnamed girls “A Very Happy Birthday” May God bless them with lots of Health and Happiness.

(duet version) (video)

(Female solo version) (video)

Song-Tu cheez badi hai mast mast (Mohra)(1994) Singers-Udit Narayan, Kavita Krishnamurthy, Lyrics-Anand Bakshi, MD-Viju Shah

Lyrics (Provided by Avinash Scrapwala)

———————–
Duet version
———————–

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
pa pa
ni ni
sa sa
ma ma
pa ni dh ni
dha pa sa ni
sa ni dh pa
sa ni dh pa
paa ni sa aa
paa ni sa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

ni sa ga ma ni sa ga
sa re
sa re ga ma pa dha ni
sa ni dh pa
sa ni dh pa
sa ni dh pa

bol zaraa tu jaan e mehboobi ee
mujhme aisi kyaa hai khoobi
bol zaraa tu oo
aa aa aa
jaan e mehboobi ee ee
aa aa aa
mujhme aisi kyaa hai khoobi
aa aa aa
tu ik resham ki dor dor
tu ik resham ki dor dor
teri chaal pe aashiq mor mor
teri zulf ghani ee
teri zulf ghani chitchor chor
ghanghor ghataa badmast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni

pa pa
ni ni
dh dh dh
ma ma
sa sa
ma ma
pa ni dh ma pa sa ni
sa ni dh pa
sa ni dh pa
?
paa ni sa aa
paa ni sa aa

ye dil teri aankhon mein doobaa aa
ban jaa meri tu mehbooba
ye dil teri aankhon mein doobaa aa
aa aa aa
ban jaa meri tu mehbooba aa
aa aa aa
mat teer nazar ke maar maar
mat teer nazar ke maar maar
ye chot lagegi aar-paar
aasaan
aasaan samajh mat yaar yaar
ye pyaar badaa hai sakht sakht
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa

tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast

aa aa
————————-
Female solo version
————————-

(sigh & laughing sound)

main cheez badi hoon
mast mast mast mast mast

main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera aa
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

o o aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
jaane mera kya naam naam
ho jaane mera kya naam naam
jaane tera kya naam naam
par naam se hai kya
par naam se hai kya kaam kaam
kar jaam ka bandobast mast
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon mast
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)

o o
rakh yaad magar tu oo
mere deewaane ae
tera kya hogaa anjaam
na jaane ae
rakh yaad magar tu oo
mere deewaane ae ae
tera kya hogaa aa anjaam
na jaane ae
dil kitne toote baar baar
ho kitne toote baar baar
sab aashiq doobe aar paar
shaahon ke ae
shaahon ke chhoote yaar yaar
is pyaar mein taaj o takht takht
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast

(laughing sound)


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4414 Post No. : 15817 Movie Count :

4360

Hullo Atuldom

At the outset I must admit that I am a little confused as I write this post. The person/ celebrity/ actress/ star for whose birthday this is, has aged gracefully and looks fabulous even now. But I am confused about her year of birth. When I wrote this post Phir Bhor Bhayee Jaaga Madhuban in 2018 I found information on various sites on the internet by which I had mentioned that she was turning 64. Over the last few weeks I am finding information by which she would be 74 this year. Can a person age 10 years in two years?

Let me explain. In the past few weeks, during this lockdown, one of the satellite channels, showed an old episode of one their dance reality shows where Bindu and Aruna Irani were guests of honour (found out today that they are cousins). This must have been one of the episodes which was originally telecast in the last two years. And I told my husband (bless him for enduring all these re-runs with me) that Bindu turns 69 this year and Aruna Irani is a few years younger and how well she has looked after herself and maintained herself. Then as I was googling to confirm the dates of birth of the two, I was surprised to see that the year of birth is given as 1946. Anyways there is a saying “not to ask a lady her age and a man his wage.” So, let us just wish our dear Aruna Irani a very Happy and healthy life.

She has had along wait before she could settle in life with a man who loved her. She made her debut in movies at a young age of 8 or 9 playing the young Azra in “Gunga Jamuna”. She had to give up on schooling so that she could help support the family which had financial problems and could not educate all eight children. I find that this is the story of many actors of that time. Her father was an Irani and mother a Hindu. Her brothers Indra Kumar (who made the Aamir Khan Madhuri Dixit starrer DIL), Adi Irani (plays mainly character roles in movies and television), Firoz Irani (also an actor. producer, writer, director) are all well settled in the entertainment industry and she has had a major hand in setting them up.

She claims that she was a bad dancer who learnt dancing on-the-job. We have seen her comic side in movies where she had paired with Mehmood in the 70s and later in movies where she was with Asrani and Kadar Khan. She was the topmost actress in Gujarati movies even as she played supporting characters in Hindi, Marathi, Kannada etc. I remember seeing her in the Tamil remake of “Deewar” essaying the same mujra as she had done in Hindi- the song “koi mar jaaye kisi pe yeh kahan dekha hai”. She has produced and directed a few serials and acted in them too.
Today, for her birthday we will be seeing her as a not-so-young bua to Karisma Kapoor and Pooja Batra who are elated that she has finally found someone and likes him enough to think of marrying him. The song is at the engagement of the bua with Pooja’s fiance’s (Sanjay Dutt) uncle/ chachaji Rai Bahadur (Govinda). This movie has the two heroes trying to woo the heroines only Govinda has to double up as chacha and bhatija. In the process, before the niece the bua gets wooed.

The song is from David Dhawan directed “Haseena Maan Jaayegi” (1999) which had Anupam Kher playing the father of the girls, Kadar Khan played father of the boys. A part of the movie is inspired by “Pyaar Kiye Jaa” and we have Govinda donning a grey wig and beard and playing his own chacha. Paresh Rawal, Ashish Vidyarthi adding spice to this all round comedy.

The song is in the voices of Sonu Nigam, Kavita Krishnamurthy and Ravi Shankar (hearing this name for the first time). Anu Malik is the music director and Sameer the lyrics in-charge.

Audio

Video

Song-Dulha bhi laajawaab hai dulhan bhi laajawaab (Haseena Maan Jaayegi)(1999) Singers-Sonu Nigam, Kavita Krisnamurthy, Ravishankar, Lyrics-Sameer, MD-Anu Malik

Lyrics

aaaaa aaaaaa
aaaaa oooooo

rab ne bhi khoob jodi haye
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
rab ne bhi khoob jodi banaayi hai janaab
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

ni sa sa re sa sa
ga sa sa re sa sa
ni sa sa re sa sa
ga sa sa re sa sa
pa pa pa ma ma ma
ga ga ga re re
ma ma ma
ga ga ga re re re sa

dulha hai laal peda
dulhan hai rasmalai
dulhe ne aise dekha
dulhan ko sharm aayi

besharm choodiyon se
aati hai ye sadayein
na der kar o dulhe
jaldi se tham baahein

dulha jo chale tan ke
dulhan ki choodi khanke
dono ka milan hoga
lagta hai aaj jam ke
dulhan chunar ke peeche
sharmaake chupti jaaye
dulhe ki nazar se woh
lagta hai bachhti jaaye
ho oo
honthon pe halka halka
honthon pe halka halka
aane laga hai jaam
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab

baaghon mein bhi na hoga
koi gulaab aisa
dulhe pe aaj dekho
aaya shabab kaisa

foote hai dil me laddu
armaan machal rahe
pyaasi jawaaniya hai
tan man pighal rahe hai

haaaaaan haaaaaye ae ae ae
haw haw haw haw
haw haw hawww
kaisa hai haal mera
yaaron mai kya bataaoo
maare khushi ke dekho
paagal na main ho jaaoon
kaajal se rang kaala
jaa ke zara churaalo
logo buri nazar se
mujhko zara bachha lo

hooo
poori huyi tamanna aaaa hoo
poori hui tamanna
sach ho gaye hai khwaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab

rab ne bhi khoob jodi banayi hai janaab
rab ne bhi khoob jodi banayi hai janaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

aaaa aaaaaaaa
aaaaaaaa aaaaaa
aaaaaaaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4348 Post No. : 15660

Songs Repeated in Hindi Films – 19
– – – – – – – – – – – – – – – – – –

Even this one – you might say. Aah yes, even this one. 🙂

This song from ‘Mahal’ in 1949, probably has the most recognized prelude across the entire history of Hindi Film Song. It has become the signature song of the earlier decades of Hindi cinema. No representative selection of Lata ji’s songs would ever be considered complete without it.

The all too familiar picturization – the girl on the swing then the empty swing, the lonely boat in the river, the stunningly beautiful features of Kamini (Madhubala) – the song and its images are now an unforgettable montage. There is a whole traditional lore that now accompanies this song, which has achieved a cult status over the decades.

‘Kadambari’ from 1975, is delicate love story of young hearts which has some unconventional twists to it. The film is based on the novel ‘Dharti Sagar te Sippiyan’ written by Amrita Pritam. The film is produced under the banner of Madhu Creation Picture Pvt Ltd, Bombay and is directed by HK Verma. The star cast lis listed as Shabana Azmi, Vijay Arora, Arpana Choudhary, Jeet Surendra, Ajeet Singh, Mona, Jugnu, Chand Usmani, and V Gopal etc.

The film has two songs. One is written by Amrita Pritam herself –“Ambar Ki Ek Paak Suraahi, Baadal Ka Ek Jaam Uthaakar”, composed by Ustad Vilayat Khan and sung by Asha Bhosle, and the second one is “Kyon Hum Tum Rahen Akele”, written by Geetanjali Singh and is composed and sung by Ajeet Singh.

As per the official listings, that is all the songs in this film. In fact both the songs are already present on our blog and in that sense the film is already yippeee’d.

But wait, here is the surprise that was mentioned in a message early morning today. The film carries this iconic song – a repeat version, which in of itself, has a significant importance. The song is not reused in its original form. It has been re-recorded in the voice of Kavita Krishnamurty, and reused in this film. The important point here is that this is the debut recording of a film song by Kavita Krishnamurty in Hindi films – her first song. And she gets to re-render this classic masterpiece.

The song appears in the film in two parts. One stanza is performed close to the beginning of the film. The occasion is the birthday party of Chetna (Shabana Azmi). A very close and dear friend, Amit (Vijay Arora) is still awaited to join. In this mood, Chetna sings one stanza of this song – “Deepak Bagair Kaise Parwaane Jal Rahe Hain“.

The second stanza – “Bhatki Huyi Jawaani. . .” appears sometime before the end of the film. This stanza appears in the background. The situation is that a chance meeting happens between Chetna and Sheetal (Aparna Chaudhry) after many years. Both are in passing through difficult time in life, both are single and both are awaiting the men they love to return to them. Sheetal is in love with Sudhir (Jeet Surendra), who is the brother of Chetna.

As Chetna departs from Sheetal’s home, the song starts to play, with the visual cutting back and forth between Sheetal at home, with paintbrush and canvas, and Chetna in a three wheeler heading back to her home. “Maanjhi Bagair Naiya Saahil Ko Dhoondhti Hai” – the two friends are like directionless boats at sea, searching for the shores.

A brief summary of the storyline,

Chetna and Amit are childhood friends, and are in love. Amit has a past that he once reveals to Chetna – that he is an illegitimate child. His mother was a victim of a violent assault, and the man responsible neither did own up, nor accepted the lady. Amit’s mother (Chand Usmani) single handedly brings up Amit and educates him to be a doctor. Amit reveals that he has such a reverence for his mother that he has taken a vow never to marry, not sure how the prospective addition to the family would treat his mother and whether she would understand the painful past in the family.

To Chetna it becomes clear that Amit will not marry. She is heartbroken, but then she promises herself she will never pursue him for matrimony. An interlude happens in between, and Chetna is now carrying Amit’s child. She hides this fact from everyone, including Amit, moves to Bombay from Delhi on the pretext of a job, stays there for a couple of years, has the child and then returns home with a story about an unfortunate family where the parents passed away leaving behind this newborn child. So she has adopted the child.

The parallel love saga of Sheetal and Sudhir is also not working out well, and the two are not seeing each other. Both are in pain, but both are restraining. Chetna meets with Sheetal and talks with her to coax her back and rebuild the relationship with Sudhir.

In the meantime, Chetna and Amit are also back to their normal exchanges. Amit’s mother, who has always liked Chetna, starts to help with taking care of the child. Some observations, some exchanges, something about the child and Amit’s mother comes to realize that the child’s father is Amit, her son. Situations progress to an amiable juncture where this fact gets revealed and is accepted by everybody. Both couples are back together once again.

It is a sensitively handled drama of love. There are no emotional overplays in the film. Every situation is underplayed and intelligently handled. Love stories are not always dependent on villains and stern parents to play out their saga. In some cases, it is the protagonists themselves who provide the interesting and unexpected turns to the story. ‘Kadambari’ is one such story.

The reuse of the two stanzas of this song are also very imaginative and very appropriately linked into the specific situations and story flow.

And yes, by the way, as per the ten year challenge chart published early morning today, ‘Kadambari’ made its debut 10 years ago today. Quite appropriately, we bring on this post, and add the repeat song to the list of songs of this film on our blog. The song has been suggested to me by Dear Avinash ji, who has also sent us both the set of lyrics – in Hindi and English.

A mysterious and dreary night of a palace from 1949 got transformed into a birthday party at a middle class home in Delhi in 1975. Watch, listen and enjoy.

 

Song – Aayega Aayega. . . Aayega Aanewaala  (Kadambari) (1975) Singer – Kavita Krishnamurty, Lyrics – Nakshab Jarchavi, MD – Khemchand Prakash

Lyrics (Provided by Avinash Scrapwala)

Part I

aayegaaaa
aayegaa aa
aayegaa aa
aayegaa aanewaalaa
aayegaa aa
aayegaa aa
aayegaa aa

aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aanewaalaa
aayegaa aa
aayegaa aa
aayegaa aa

deepak bagair kaise
parwaane jal rahe hain
deepak bagair kaise
parwaane jal rahe hain
koi nahin chalaata
aur teer chal rahe hain
koyi nahin chalaata aa
aur teer chal rahe hain
tadpega koi kab tak
be-aas be-sahaare ae
tadpega koi kab tak
be-aas be-sahaare
ye kah rahe hain mujhse
dil ke mere ishaare
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aanewaalaa
aayegaa aa
aayegaa aa
aayegaa aa

Part II

bhatki hui jawaani
manzil ko dhoondhti hai
bhatki hui jawaani
manzil ko dhoondhti hai
maanjhi bagair naiya
saahil ko dhoondhti hai
maanjhi bagair naiya
saahil ko dhoondhti hai
kya jaane dil ki kashti
kab tak lagey kinaare
kya jaane dil ki kashti
kab tak lagey kinaare
lekin ye keh rahe hain
dil ke mere ishaare
aayegaa aa
aayegaa aa
aayegaa aa
aayegaa aanewaalaa
aayegaa aa
aayegaa aa
aayegaa aa

—————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
—————————————————–

भाग I

आएगा आ
आएगा आ
आएगा आ
आएगा आनेवाला
आएगा आ
आएगा आ
आएगा आ

आएगा आ
आएगा आ
आएगा आ
आएगा आनेवाला
आएगा आ
आएगा आ
आएगा आ

दीपक बगैर कैसे
परवाने जल रहे हैं
दीपक बगैर कैसे
परवाने जल रहे हैं
कोई नहीं चलाता
और तीर चल रहे हैं
कोई नहीं चलाता
और तीर चल रहे हैं
तडपेगा कोई कब तक
बे-आस बे-सहारे
तडपेगा कोई कब तक
बे-आस बे-सहारे
ये कह रहे हैं मुझसे
दिल के मेरे इशारे
आएगा आ
आएगा आ
आएगा आ
आएगा आनेवाला
आएगा आ
आएगा आ
आएगा आ

भाग II
भटकी हुई जवानी
मंज़िल को ढूंढती है
भटकी हुई जवानी
मंज़िल को ढूंढती है
मांझी बगैर नैया
साहिल को ढूंढती है
मांझी बगैर नैया
साहिल को ढूंढती है
क्या जाने दिल की कश्ती
कब तक लगे किनारे
क्या जाने दिल की कश्ती
कब तक लगे किनारे
लेकिन ये कह रहे हैं
दिल के मेरे इशारे
आएगा आ
आएगा आ
आएगा आ
आएगा आनेवाला
आएगा आ
आएगा आ
आएगा आ


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

Number of movies covered in the blog

Movies with all their songs covered =1313
Total Number of movies covered=4587

Total visits so far

  • 15,225,520 hits

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Blog Start date: 19 july 2008

Active for more than 5000 days.

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